Note: There are some minor spoilers in this review. You have been warned.
The fun ends and the consequences are mounting up in this follow up episode. A student died—due to “unknown circumstances”—and Kings Dominion is investigating because the family of the student wants to know what happened, which is understandable. However, no one is talking and the school, and the student’s crew, is losing patience.
The school administration conducts the investigation into how and why the student was killed off campus and why the body has not been found (a change from the graphic novel). In addition, the investigation observes the conduct of all of the classes and since it’s being done subtlety, some of the instructors find themselves in a position of compromise. One class in particular may or may not get a new instructor.
Maria, feeling both guilt and relief, decides she doesn’t need her medication anymore. This is a bad idea for several reasons the most obvious being that her behavior keeps changing and everyone at the school is watching her. A combination of emotions and mental health, including trauma, is not good for Maria. At the same time, Marcus’ former roommate, who survived the fire also, continues his desperation to gaining what he believed Marcus “stole” from him. Now, that someone outside of the school knows about the events in Las Vegas and the school’s existence, Marcus and his friends have to figure out a way to make another problem go away.
In all, Stigmata Martyrreminds viewers that there are rules, consequences and conduct associated within a school, even ones for assassins. The fighting sequence on the school grounds was one of the episode’s highlights as well as Billy’s temperament in one of his classes. Marcus, Saya, Maria and Billy handle the circumstances in their own way, which makes us realize that they’re slowly becoming desensitized to murder. Yet, the friends will need to be desensitized in order to be ready for what’s about to come.
It seems that my #1 goal for 2019 is to exhaust myself into completing all of the other goals I have made for myself: get a job, read 100 books, read and post about ARCs, connect with authors and editors, work on my content for my social media pages, finish some of my WIP for submission, etc. Now, I’ve decided that I’m going to read the books that are nominated for various book awards.
I’m going to call it: The Shortlist Award Reading Challenge. Last year, I followed the Hugo Awards closely because I knew that The Stone Skyby N.K. Jemisin was going to win “Best Novel,” and All Systems Redby Martha Wells was going to win “Best Novella.” However, as I was looking at the shortlist for the other categories, I realized that I read many of the books and watched many of the media that were nominated. So, I decided to read as many of the other nominees as I could before the winners were announced. Not only did I caught up to many recent series, but also I started reading works by authors who had been writing in the genre for several years. I read what I could access through libraries, bookstores, and the Internet. This process was very insightful. Soon, I was able to select whom I believed should win the Hugo Awards. While I was correct in who won in categories such as Best Novel and Best Novella, I was wrong in other categories such as John W. Campbell Award for Best New Writer.
After the winners of the Hugo Awards were announced, I made a reaction video and posted it on my YouTube channel. Then, I continued looking into the nominees and their works. For example, while I am a huge fan of Katherine Arden’s Winternight TrilogyI understood why Rebecca Roanhorse won the award in the category—Best New Writer—over her. And, I realized that some works won in the same category at other awards, and then there were a few awards in which one book won over another book. It makes you wonder if there was a difference in who voted based on preference and/or guidelines. Not to mention, one notices that other works win awards due to the way they stand out from the rest of the nominees per category.
Like everyone else, I read what is released when I am able to do so. In addition to reading my usual genres—fantasy, science fiction, magic realism, contemporary, classics, graphic novels, etc.—I read many debut novels and I catch up on series that were unknown to me previously. Now, with the 2019 Award Season gaining momentum, I’m excited to see what is nominated and who could win. TV shows and movies can be viewed from at least one viewing before comparing them. Video games are similar to books in that one must invest the time needed to immerse themselves within that narrative. I will comment on these categories for the given awards as well. As of right now, I noticed that once again, there are many books that I have not read, but I am willing to read as many of them as I can before the winners are announced.
I want to be able to determine for myself why these books and media have been nominated for these awards. I keep using the terms “books” and “media” because both fiction and non-fiction works get nominated, and movies, television shows, and video games get nominated, too. This is not only a chance to insert myself into what I might have missed otherwise, but also learn how and why these selections were nominated in the first place.
So, between now and the end of the 2019 award season, I will read as many of the nominated books and watch as many of the nominated media as I can. This way I can give my critiques before and after the awards. If you want to see the compiled list for the awards I will be following, reading, and critiquing, then please checkout this list on my Google Docs page: https://docs.google.com/document/d/1yzQEUvGTILR2LaGMVCibEbeZXp1q5PlSQIch9c0Q-IQ/edit. This list will be updated throughout the award season in order to add to the list, to highlight my reading progress, to provide access to my reviews of the nominees, and to mark the winners of each award in each category.
In addition, I will be continuing to upload reviews to this blog. Some of the nominees were reviewed previously, and I will continue to add more to my website so that you all have a better understanding of what each book is about. In other words, I’ll do the reading—which, you can do as well—and I’ll let you look over my notes, similar to what I did back in high school. As I complete the list of nominees—regardless of which award each one is nominated for—I will write, upload and share my review. As each awards ceremony gets closer, I will upload both a blog post and a YouTube video with my “prediction” on who should win and why. And, after each award ceremony, I will upload my reaction video on the winners. This is an arduous path I’ve put myself on, but I’m eager to attempt and to accomplish this ambitious goal.
Just so everyone knows, this will slow down my progress on my ARCs, essays, theories, and other reviews and content I am currently working on. However, they will get completed, eventually. The only thing that will put a complete halt on everything I’ve been doing is starting a new job—which I really, really need right now—and reworking my schedule to accomplish everything.
All that being said and addressed, I hope you either follow me, or participate with me as I read as many books as I can and offer my opinions on them. There will be many awards that I won’t be able to add to this challenge, but I’m open to the names and the nominees of each of them. Who knows? I might have read some of those books already, too. This year’s award season is going to be very exciting due to ALL of the nominees. It’s going to be very close, so close that I might have to predict a (potential) second winner within some of the categories. Bring on the 2019 Shortlist Award Reading Challenge! Will you join me?
What do you believe is going on with George R.R. Martin’s writing process?
Like many other fans and readers of A Song of Ice and Fire series, we have been waiting for a very long time for Winds of Winter. A Dance with Dragons was published in 2011, a few weeks after the first season of Game of Thrones ended. Now, the eighth and final season is being filmed, and there is still no word on the progress of Winds of Winter. The last rumor that many fans believed was that several preview chapters were pulled from the Internet for editing. Now, with the television adaptation diverging beyond the books, the only thing many of us are hoping for is that the books will continue its own narrative, and not reiterate what was changed for television too much.
Now, while I’m sure Reddit and Tower of the Hand have several theories and ideas about when Winds of Winter is going to be announced/published, and whether or not there will be three more books instead of two, this is my theory based on what other authors have said and done in similar scenarios, and G.R.R.M.’s writing style. However, I’m not familiar with all of those theories. I hear some of them when I participate in live chats on YouTube. And, for the record, I have made a similar theory/prediction in the past. I was one of a few who brought up and defended the theory surrounding the potential release date for the novel, Harry Potter and the Deathly Hallows, on 07/07/2007. As some of us may or may not remember, J.K. Rowling herself had to reject that theory.
While it has been over seven years since the fifth book in the A Song of Ice and Fire series was published, fans continue to enjoy the TV show, novellas, graphic novel adaptations, and fan chats surrounding the series. However, we remain curious as to when Winds of Winter will be released. I don’t believe there will be an additional book in the series. I believe we will get two very long novels to end it. I don’t believe George R.R. Martin will “pull a Robert Jordan (R.I.P.).” There is a children’s fantasy author and folklorist by the name of Alan Garner who released the final book in the Weirdstone trilogy, Boneland, 49 years after the release of the second novel! I doubt we’ll have to wait that long!
My theory might not be original, and many of you might want to disprove this idea immediately, but hear me out. I believe George R.R. Martin is writing both Winds of Winter and A Dream of Spring, consecutively. In other words, G.R.R.M. is writing both books as one long narrative. Remember the “split” that was A Feast for Crows and A Dance with Dragons? Maybe, G.R.R.M. is writing nonstop and without considering an “end” of one novel and a “start” of the other novel. This method of writing could prevent a longer wait period between the two novels. Also, George would not be the first author to write a long epic as “one piece.” For example, J.R.R. Tolkien wrote The Lord of the Rings as a single text. The novel was split because of the paper shortage at the end of World War II.
Why would I come up with a theory such as this? It is because of what George said about the end of his series, the “final showdown” will start in Winds of Winter and carry over into A Dream of Spring. Too much will be occurring for it to be saved for the last book. Not that I’m trying to guess the potential ending in Winds of Winter, but I believe it’s safe to say that the climax happened in A Dance with Dragons, and the falling action will be taking place starting from Winds of Winter until the “resolution” at the end of A Dream of Spring. We, as readers, might get so caught up with the action within Winds of Winter that we won’t even realize that we’ve reached the end of the novel until the end of the novel. We can only wait.
So, what does my theory about G.R.R.M.’s writing process have to do with the last two books in the series? I believe that if George is writing both novels consecutively, then there is a chance that the wait period between Winds of Winter and A Dream of Spring will be short(er). That being said, George also said that there would be three more novellas in the Dunk and Egg series. Many of us readers know that there are hints and ties between these two series. I’m not saying that we will get all of these stories within consecutive years, but I doubt that we will have to wait five years or more in between the two novels. Maybe we’ll get an announcement after the final season of Game of Thrones premieres or ends? We can only wait.
Note: There are some minor spoilers in this review. You have been warned.
This episode was taken straight from the graphic novel! Anyone who has read the series knows what to expect from this episode of the television adaptation, and readers will not be disappointed. Yes, there was one minor change from the graphic novel for the episode, but the change and the foreshadowing was well done in this episode. Once again, readers know what to expect before the viewers.
The visuals of this episode are what make it worth watching. The hallucinations Marcus has throughout the episode, the scenery of Las Vegas in the 1980s, and the fight scene at the end illustrate the efforts in the cinematography. I have not seen a drugged scene play out so well on television since BoJack Horseman. Marcus’ “trip” lasts throughout most of the episode, which means viewers get a mural from Marcus rather than a soliloquy.
The main theme surrounding this episode was victims of abuse. While it’s obvious that Marcus and his friends all have baggage from their pasts, we learn of the affects on other victims of abuse, and why their pent up emotions could have devastating, yet understanding effects. Marcus’ drug trip puts him out of commission for most of the episode, so the focus is more on Billy and Maria. It was Billy’s idea to take a road trip to Las Vegas in order to kill his father. And, Maria is making her plans for disappearing from Chico—and his family—permanently. The literal demons attack Marcus, Billy and Maria leading to some heart-wrenching consequences for them and their classmates.
Saudadereturns the story back to the graphic novels. Now that the fillers provided more insight into each of the main characters, the school, and Marcus, viewers and fans have a better understanding of what to expect for the rest of the season. And, as of right now, viewers have seen the murders committed by 3 students (on screen), the death of 2 students, and the journey of the single psychopath who is getting closer and closer to our protagonist.
Published: first published November 15, 2016; reprinted September 18, 2018
Genre: Science Fiction/Afrofuturism
Winner of the Nommo Award for Best Novel 2017
Apart from the classified stuff about sensitives and the xenosphere, most information about the dome is in the public domain, but it is amazing that the fringe press and conspiracy theorists have different ideas…There are those who believe the dome is a magical phenomenon. I won’t get started on the quasi-religious set,” (Chapter One).
A friend of mine gave me an ARC of this book from one of the many book expos she attends every year. Instantly, I was captivated by the information found on the back of the book. An alien biodome with “healing powers” appears in Nigeria; people with abilities are either forced into hiding, or forced to work for the government; and, the rest of the world—such as the U.S.A.—have found a way to isolate themselves from the aliens and each other. Tade Thompson’s debut novel is a great combination of sci-fi tropes, human behavior, and originality.
The characters in this novel are not trying to save the world, or travel into space. These characters are surviving within their communities due to secrets and abilities that others would die to know about. Kaaro is the protagonist of the story and we learn about him very quickly; he uses his abilities for the two jobs he has: as a security “monitor” at a bank and as an “informant” for the government. Kaaro is a “sensitive” who can “find things,” and before he worked at the bank and for the government, he was a criminal whose actions caught up with him. Readers learn about Kaaro through his interactions with Femi Alaagomeji, his boss; Aminat, his lover, who has secrets of her own; Molara, a strange being that resides within the xenosphere; and, the mysterious “Bicycle Girl” who may or may not have some knowledge about Rosewater, the biodome and its purpose. This is how readers learn of Kaaro’s character. Kaaro degrades himself, constantly, due to his low self-esteem and his guilt about his past.
The plot for Rosewateris learning the how and the why the alien biodome appeared on Earth, and why it offers “healing” to humans. The plot unravels as the story moves along with readers asking questions about the biodome, the aliens, and the rest of the world. The multiple subplots: Kaaro’s abilities as a sensitive is being exploited by his employers, Kaaro’s budding relationship with Aminat and the secrets they decide to reveal to each other as they spend more time together, and Kaaro’s past actions and how they connect to the biodome. All of the subplots are connected to the plot of the story, and it’s not what you expect it to be.
The narrative within Rosewateris told from Kaaro’s point-of-view and is told in real-time with the chapters jumping back-and-forth across a time span of 30 years in various, and actual, locations—an achronological plot. With the exception of the chapters labeled “Now,” the narrative focuses on events that provide answers to the readers’ questions about the characters and the setting. Tade Thompson’s narrative—which is similar to the flashback narrative in the TV show, Lost—focuses on parts from Kaaro’s past instead of all of it. This way, readers obtain what is relevant to the story thus keeping it on track.
The style provided by Tade Thompson in the novel uses a reliable narrator. Usually, authors do not reveal whether or not their narrators are reliable, especially in first person narratives. However, with Kaaro readers know he is reliable due to his outlook of his life due to the choices he’s made as well as admitting how and why Kaaro became a criminal and everything else that happens afterwards. At the same time, we learn of Kaaro’s feelings about the biodome through the author’s tone (his attitude) and his mood (how the readers should feel) about the biodome, which is suspicion. The style within Rosewaterprovides several mysteries within this science fiction story.
The appeal surrounding Rosewaterspeaks for itself. The novel was so popular and so immersive that it won the Nommo Award for Best Novel in 2017, and was reprinted by Orbit in 2018. In addition, Tade Thompson’s book was nominated for the John W. Campbell Memorial Award for Best Novel in 2017. The Rosewater Insurrectionis the sequel to Rosewater, and it is one of the most anticipated speculative fiction books of 2019, which picks up where the first novel left off. Personally, Rosewatermade My Selections for Best Speculative Fiction Books of 2018 for similar reasons.
Overall, Rosewateris a brilliant debut novel that fans of speculative fiction will enjoy. Both the setting and the mention of science and religion provide a sense of realism to the story. My only issue with Rosewaterwas that the plot development and the character development took longer than other recent science fiction stories I’ve read. Yet, the buildup to the reveal(s) by the novel’s end will stimulate readers into reading The Rosewater Insurrectionand other stories by the author. Tade Thompson’s method of telling believable science fiction stories will leave readers entertained and vigilant.
Note: There are some minor spoilers in this review. You have been warned.
This episode diverted from the overused references of 1980s pop culture, finally. Instead, viewers learned more about the students at Kings Dominion. Similar to The Breakfast Club, different students, including Marcus, find themselves in detention for their actions during the school dance. Only, this episode does not end with reconciliation and understanding.
Mirror Peoplefocuses on Saya, Billy, and Chico. Saya and Chico find themselves in a weekend’s long detention with Marcus and a few of their other classmates, and they decide to break into the “Confiscation Room” for some fun. The students suddenly find themselves under attack; they soon realize that it’s not a “test,” but a real attack. Saya recognizes the attackers immediately, but is willing to fight back in order to protect her classmates who have become innocent bystanders. Saya is the target, but for some reason she isn’t ready to forgo her education to leave with them willingly.
In the midst of the attack, Chico continues to show his true demeanor. He allows one of his classmates to die, he leaves the other two to bleed out, and he locks Saya and Marcus within the dungeon in order to save himself and to forgo his remaining punishment. All of his actions are noticed by his classmates and Master Lin, but viewers are left wondering if Chico is acting on his instincts, or if he’s really afraid of not living up to his family’s potential as a member of the Cartel.
Away from the Detention Crew, viewers learn more about Billy and how he ended up at Kings Dominion. Billy’s father is involved with some dangerous people everyone is familiar with, but he’s incompetent with his responsibilities to his job and his family. Billy’s actions determines the treatment of his mother and his brother, at least that’s what he allows himself to believe. This storyline will pickup in the next episode, but viewers are left wondering whether or not parents are responsible for their children’s circumstances. Family expectations and upbringing are the subplots of this episode.
In all, Mirror People is the turning point to this series. While Kings Dominion is a school, it is a school that trains future assassins. And, because the parents—those who have them—enroll their children within the school, their families know the school’s location. This means that whenever something happens, the students are not safe. Viewers knew that anything could happen to the characters outside of the school, but now they know that anything can and will happen inside the school. Also, now that a student has died within the school from outside forces, viewers are left wondering which of the main characters will be the first to die.
Binti: Sacred Fire(#1.5) released February 5, 2019
Binti: Home(#2) released January 31, 2017
Binti: The Night Masquerade(#3) released January 16, 2018
Binti: The Complete Trilogyreleased February 5, 2019
Genre: Science Fiction, Afrofuturism, Anthology
Winner of the Nebula Award for Best Novella 2015 & the Hugo Award for Best Novella 2016
PLEASE NOTE: The following contains minor spoilers for all four novellas. You have been warned.
I am Binti Ekeopara Zuzu Dambu Kaipka of Namib (Binti).
Every once in a while you hear about a story that is so unique and so captivating that it is suggested that everyone should read it regardless if it’s not from their preferred genre of literature. Bintiis a story about a young woman who leaves her home—without her family’s blessing—so that she can take advantage of an once-in-a-lifetime opportunity to attend the most prestigious university in the galaxy, Oomza Uni. She boards a spacecraft and it is traveling to a distant planet, and Binti has never been away from her home before. It seems like the story will pick up pace once the spacecraft arrives; only it is attacked by a “hostile” alien species. This is the first part of the first novella in the series by Nnedi Okorafor—which, won both the Nebula and the Hugo awards for “Best Novella”—and, neither the action, nor the story ends with the first novella! Binti: The Complete Trilogycontains all of the author’s stories in one volume!
Bintistarts off with a simple plot: a gifted young woman goes against her family’s expectations in order to attend an esteemed university. Readers are introduced to Binti’s intelligence for mathematics, abilities as a harmonizer, and Himba culture. At the same time, readers are reminded that human differences and alien versus human culture clashes exist in the future as well. One particular rivalry between the species quickly becomes the center of the story, quickly. Binti has to find a way to survive her new—and unexpected—predicament, which will be hard because the Meduse, the hostile alien species want her dead.
Binti is terrified to the point where it’s easier to blame herself for her current situation rather than realize how sheltered she was back on Earth. Binti soon realizes that she must rely on her abilities and her talent in order to understand the situation and escape with her life. However, Binti is not in control of either her abilities, or the tools she has with her. This means improvising. She soon realizes that her astrolabe allows her to communicate with the Meduse on the spacecraft. Binti is able to come up with a strategy to save herself, the lives at Oomza Uni, and the lives of the people on Earth, including her family. Even though she succeeds, the experience of Binti’s excursion to Oomza Uni changes her in more ways than one.
Binti: Sacred Fireis the latest story written by the author in this series, but it serves as an interlude between the first and the second books in the series. This tale provides an appropriate look into Binti’s life as a student at the university she saved. She has become friends with one of the Meduse, Okwu, who is now a student at the university as well. Readers gain insight into Binti’s interactions with her classmates and her professors, and her family and friends back home (the ones who are willing to talk to her).
Unfortunately, Binti’s new life at Oomza Uni is not as smooth as she hopes. She is suffering from posttraumatic stress disorder from her voyage to the university and from the bullying from a few of the humans who happen to be from a feuding tribe from Earth. Although Binti is hailed as a hero for negotiating a truce, she feels as isolated at Oomza Uni as she did back home. Not to mention, Binti is still dealing with some personal “changes” to her being.
Even though Binti is traumatized and isolated, she is not alone. Her friends are with her as she works her way through her adjustments and her traumas. Binti knows that it’ll take a while to get used to her new lifestyle, but it seems like she’ll be getting the full university experience.
Binti: Homeis about what is in the title. Binti completes her first semester or year at Oomza Uni and decides to return home to visit her family and to participate in her tribe’s pilgrimage. Binti has made progress at the university: in her classes, in her therapy sessions, and in her reputation as a Master Harmonizer. However, returning home means traveling by spacecraft, and it’s the same one Binti traveled on to get to Oomza Uni.
The spacecraft—known as The Third Fish—is a living thing that flies in outer space. Binti—who is still suffering from PTSD—decides to stay in the same room she stayed in during her first voyage in order to face her trauma. Throughout the voyage, Binti is able to make some progress of dealing with her panic attacks and flashbacks. However, Binti still has to face her fear of reuniting with her family. And, since she’s lived away from her home for a while, she’s forgotten some of her people’s more casual customs. Binti has changed in more ways than one because of her experiences. Unfortunately, her family and her tribe are static in their ways and are disgusted with Binti’s changes and growth.
The purpose of a pilgrimage is for an individual to seek growth through moral and spiritual growth. Oftentimes, that individual becomes enlightened and transformed by the end of their pilgrimage. This is what happens to Binti during her pilgrimage even if it isn’t the pilgrimage she was supposed to go on. The pilgrimage Binti goes on brings her to a new level of personal enlightenment. And, she is made aware of her own prejudices and slowly comes around to accepting the changes she’s been experiencing. At the same time, the prejudices surrounding three different clans have erupted, and Binti—once again—must rely on her skills as a harmonizer in order to diffuse the tensions before war breaks out.
Binti: The Night Masquerade starts where Binti: Homeleft off, with Binti rushing back to her family home after her pilgrimage in order to stop a war before it starts. The Night Masquerade is a personification of the coming of a “big change.” To Binti, she interprets it to mean a war is about to start. And, Binti plans on ending it before it can happen.
Cultures clash, hidden history is revealed, and someone always gets betrayed. The POVs change so that the readers have a better understanding of what is happening during certain parts of the story. Within the conclusion to this series, readers realize that not everyone is willing to accept change, not everyone wants to interact with someone who is “different” from themselves, and not everyone is willing to admit he/she/it/they have flaws. Binti comes to terms with all of this as she returns to Oomza Uni just in time for the upcoming academic year. All of her experiences and changes within herself allow Binti to elevate herself beyond the status of Master Harmonizer. However, Binti wishes to continue her studies, for the time being.
It was thrilling to read Bintiagain. And, Binti: The Complete Trilogyallows readers to enjoy all of the Binti stories in tandem. Fans of Nnedi Okorafor and readers of speculative fiction will appreciate this series compilation as much as I did. Reading through Binti’s life as a university freshman reminded me of some of my experiences during my first year of college as well, including the changes in myself and the stagnancy of everything else. Bintiis a story about personal growth through experience and change, and how expectations depend on individual actions, not those of others. This coming-of-age story is pleasing to all readers and it should not be overlooked. And, readers can rejoice knowing that Nnedi Okorafor has plans to continue Binti’s story!