Why You Need to Read: “Fugitive Telemetry”

The Murderbot Diaries, #6: Fugitive Telemetry

By: Martha Wells

Published: April 27, 2021

Genre: Science Fiction

            But whatever, now I just needed intel for threat assessment so I could figure out if GrayCris had killed the dead human or not and go back to my happy boring life on Preservation Fucking Station, (Chapter Three).

            I LOVE MURDERBOT! And, I’m so happy that both Martha Wells and TorDotCom continue to write and to release stories about this snarky, astute and loyal rogue SecUnit. Following up on the success of the Murderbot novel, Network Effect—which, I haven’t read yet—fans get to read, Fugitive Telemetry, the next novella in the series, whose story takes place AFTER the events in Exit Strategy and BEFORE the events in Network Effect

            Murderbot, the rogue Security Unit, is starting its new life on Preservation Station after rescuing Dr. Mensah from GrayCris. However, that is easily said than done. Dr. Mensah is experiencing P.T.S.D., certain members of her team still don’t trust Murderbot—for example, it can’t use its name because it might scare everyone off—and, oh right, there was a murder of human and Station Security is trying to figure out what happened. Murderbot is worried that GrayCris might have something to do with it and decides it’s going to investigate the scene so it can go back to adapting to its new life. Whether or not it wants to admit it, Murderbot wants to continue protecting Dr. Mensah and her team. It would never admit it, but it feels both welcomed and needed by them.

            The plot in this novella focuses on the murder mystery at Preservation Station. Who was the dead human? Who wanted him dead? Is there a connection between the dead human and GrayCris? Regardless, Murderbot is willing to work with Station Security—through its own methods and strategies—to put its humans at ease. The subplot in this novella is Murderbot becoming acclimated with its new life. While it is no longer a SecUnit for hire, Murderbot is not one to relax—although it wants to very much. In order to adapt to its new life, Murderbot has to compromise with Station Security, Dr. Mensah, and its instincts. 

            The narrative is told from Murderbot’s point-of-view in the past tense. The name of the series is more than a hint as to how the narrative is presented, which is in the format of a report that recounts all of the events after they occurred. Given that Murderbot is an A.I., the narrative includes the sequence of events based on its stream-of-consciousness, which makes it a reliable narrator. This brilliant narrative technique presents a straightforward and hilarious narrative that can be followed by readers easily.

            The style Martha Wells continues to use in her Murderbot series reminds us that diaries are private for a reason. Murderbot keeps track of his actions and activities in a way sci-fi fans believe an A.I. would when necessary. And honestly, if all reports were written the way the author has written for her protagonist, then they all would be just as entertaining to read. The mood in this novella reflects a dark comedy—or, a style of comedy that points out a subject matter that is too serious to present straightforward. There is a “dead human” and Murderbot has no intention of using euphemisms because everyone else is “upset” about it. The tone reflects agency, especially Murderbot’s. Say whatever you want about it, but Murderbot knows A LOT about humans, which is why it is so reliable to its allies. 

            So far, the appeal for Fugitive Telemetry have been positive. Several other readers and fans have given this novella 4- and 5-star reviews. This latest novella is an excellent addition to the series and the science fiction canon. And, with Network Effect winning this year’s Nebula Award for Best Novel, fans can relax because they are not the only ones who love this series. In fact, we can expect at least 3 more Murderbot books in the future. Where will those books fall within the series? We’ll have to wait and see.

            Fugitive Telemetry is a humorous murder mystery story that happens to be about a prickly A.I. who refuses to admit that it cares about humans. Fans can rest easy because neither the author nor her protagonist have lost their spark in this latest entry. Newcomers to the series have no idea what they’re in for and they should be prepared to binge read the series, and then wait for the next book with the rest of us. Now, I have to read Network Effect!

My Rating: MUST READ IT NOW (5 out of 5)!!! 

Thank you TorDotCom for sending me an eARC of this book!

Why You Need to Read: “Shards of Earth”

The Final Architects Trilogy, #1: Shards of Earth

By: Adrian Tchaikovsky

Published: May 27, 2021 (U.K.)/August 3, 2021 (U.S.)

Genre: Science Fiction

            The Architects had discovered that humans existed. The war, that had raged for eighty years and cost billions of lives, had been fought without the knowledge of one of its parties. And on becoming aware of humanity, the Architects had simply vanished. Nobody knew where they went. Nobody knew where they had come from or why they’d done what they did. They had never been seen again, (Part 1: Roshu, 3: Solace). 

            There is always that one author whose books you try to make time to read because you’ve heard nothing but excellent things about their books. However, for some reason, you buy, and you start reading one of their books, and for some reason, you don’t get to finish it. So, what do you do? Well, in my case, you get asked to participate in a book tour for the author’s upcoming novel, Shards of Earth, the first book in The Final Architects Trilogy. Finally, I could delve into this author’s creative mind. 

            The main characters in this novel are the crew of the ship, Vulture God, scavengers who travel throughout the galaxy and perform jobs for payment. The captain of the Vulture God is Rollo Rostand, but one of the protagonists is the ship’s navigator, Idris Telemmier, who is an Intermediary, a genetically modified individual who was used as a weapon to fight against the Architects 40 years ago. Idris still suffers from PTSD and keeps both his past and his abilities to himself. That is until Myrmidon Executor Solace, a Partheni soldier and agent, tracks Idris down with a “proposition” for him. Idris knows he can’t evade Solace forever, but before he can confront her, the Vulture God accepts a job no one else wants. The good news is the Vulture God completes the job. The bad news is the crew stumbled upon something HUGE, which forces them to become fugitives. Another protagonist is Havear Mundy, an Intervention Board agent, who has been tasked with tracking down the crew of the Vulture God to learn of their “activities.” The rest of the crew—Kris (another protagonist), Olli, Barney and Medvig—develop alongside Idris, Solace and Havaer. While they are all different races and have separate histories, they are terrified of the Architects.  

            The plot of this story focuses on the long-term aftermath of an alien invasion of a different sort. The Architects invaded the galaxy, but instead of simply dominating humans and the other races, they destroyed planets in a way which leaves the survivors shaken. After several decades, the Architects left and the societal galaxy has changed, but there have been signs that the Architects have returned. The question is: should the news go public? Not to mention, who is left that knows how to fight them off? There is one subplot that deserves the most attention and that is the various factions—both political and religious—who are fighting for dominance and have their own views about the Architects and the rumors of their “return.” Between the cults and the stereotypes all of the races have about each other, you are left wondering how they all would survive a 2nd invasion. This subplot develops alongside the plot at an appropriate rate. This is because the world is fleshed out as the story develops.

            The narrative is told from the points-of-view of Idris, Solace, the other crew members of the Vulture God, and Havear in the 3rd person limited. This means the reader knows what is happening to the characters from one of their perspectives. While there are moments where the characters present their memories and their past experiences, the narrative is presented through their streams-of-consciousness in the present; and, their experiences and knowledge of their race and their history make them reliable narrators. Yes, the narrative is heavy at times, but it can be followed by the reader(s). 

            The style Adrian Tchaikovsky uses for Shards of Earth is part hard science fiction and part space opera. Readers can tell this story is a space opera—the mention of spaceships, galaxies, space battles, etc.—from the Prologue. The hard science fiction becomes noticeable when readers learn about the genetics of each race and the ecosystems of each planet. Yes, it is A LOT of information and scientific terminology, but the world-building that comes from it presents a believable galaxy (could it be our future?). Plus, there is a Glossary which readers can consult while they read the book. In addition, the author’s take on the factions as part of the war’s aftermath is believable. Think about it, during the last 20 years of global events—including the COVID-19 Pandemic—how much has religion and politics changed? In fact, it’s creepy how accurate the cult following of the author’s factions reflect the ones in our present day. The mood in this novel is an ominous one because the signs of the threat are there, and the individuals must decide on what they are going to do about it. The tone in this novel focuses on the self-imposed options of all of the characters within the story. Many of the characters in this story come from races and/or planets where certain “orders” are expected to be followed by those in charge. However, when “bigger” things are at stake, shouldn’t there be a choice for everyone regardless of societal expectations? In fact, why is free will such a difficult concept for some of these factions and races? 

            So far, the appeal for Shards of Earth have been positive. I say this because this book have been released in the U.K. with an upcoming release in the U.S. later this summer. As I mentioned earlier, I am participating in a book tour, so I received an eARC of this book. I can tell you that the hype surrounding this book is real, and fans of Adrian Tchaikovsky’s previous books will appreciate this one. And, as a fan of both Megan E. O’Keefe and Martha Wells, I highly recommend this book. Yes, this is the 1st book in a trilogy, and with the way this book ended, you’re going to be anxious to read Book 2 when it comes out. While there were moments where familiar sci-fi tropes appeared, the story was worth the read.

            Shards of Earth is an informative and an exceptional story about alien invasions, feuding factions, and eugenics. I’m glad this book tour gave me the opportunity to read this book in advanced, which allowed me to complete a book by Adrian Tchaikovsky! So, which of his books should I read next as I wait for the next book in this series?   

My Rating: Enjoy It (4 out of 5).