My Favorite Speculative Fiction Narratives

***My 200th Blog Post!!!***

For this post, which marks a new milestone for me, I decided to discuss one of the most enjoyable—and the most dreadful—topics: favorites. We all know why favorites is a fun topic, but it can be daunting for opposing reasons: others have them as their favorites, they are ubiquitous, they are different from yours, etc. 

            Why am I using the term “narrative” instead of story? What is a narrative? MasterClass has a great definition of the word (no, I am NOT a member). “A narrative is a way of presenting connected events in order to tell a ‘good’ story. A narrative unites distinct events by concept, idea, or plot.” Narratives have existed since the start of humanity, and they range from folktales to poetry to visual media, etc.

            So, why am I using narrative for this post? It is because it is tied to the topic of my 100th post. In that post, I mentioned how speculative fiction genres and subgenres can be used for films and video games. Personally, I believe speculative fiction should include both visual art mediums more often because many films and video games are presenting narratives. Yes, many films (and TV shows) are based on text narratives (a.k.a. books)—and, some video games are based on books and films; yet, there are many films and video games that standout because they are excellent narratives that are NOT based on books.

            Think about it, which films and video games are considered to be the best based on their narratives? And yes, not everyone has seen the same films, and not everyone plays the same video games, but you’ve heard of the “popular” ones and the “excellent” ones. Most of the these are critically acclaimed within their own academy, but their narratives are what capture our attention the most as we progress through them. These narratives are so captivating, we appreciate them regardless of the medium they are being presented to the audience. 

            So, for this post, I will be discussing my favorite speculative fiction narratives. My (current) favorites span across speculative fiction genres and narratives formats. Expect not only books, but also films and video games as well. Many of my favorites shouldn’t surprise you, but I hope you understand why I continue to gush over these narratives. This is a Top 10 List, but the order is based on when I experienced each one.

  • His Dark Materials Trilogy (1995-2000) by Philip Pullman

Known as both “the most dangerous man in the U.K.” and “J.K. Rowling’s contemporary” this (now retired) Oxford professor has been enjoying the latest adaptation of this dark fantasy—with blended elements of science fiction and religion—trilogy which have been more faithful to the books. This trilogy was published right before the Harry Potter Phenomenon, which were released in tandem (to the first half of the Harry Potter series). And, while this series might not have the same amount of fans as Hogwarts, readers of this series became devoted fans who waited years for the same level of media adaptation as its counterpart. 

I’ll say it right now, this is my favorite book series from my childhood. That’s over Harry Potter, Animorphs, and other series (from the same decade). Why? Because this series had a narrative that presented various conflicts within a coming-of-age story with realistic elements—which we take for granted—told through a lens that is speculative fiction. In addition to the protagonist being a less than ideal heroine (she has flaws), she takes matters into her own hands in order to do what she believes is the right thing to do, regardless of what the authority figures tell her to do.

Not only was this series my introduction to portal fantasy—I read C.S. Lewis’ and L. Frank Baum’s series in college and in grad school respectively—and genre blending. This trilogy is fantasy that contains several elements of science, religion and folklore—dæmons are a belief from Ancient Greece and the shamanism dates back to the Pre-Socratic Era—which tie into the plot, the character development, and the world-building. You can recognize the series based on keywords mentioned from the beginning to the ending. 

This narrative is one of my favorites because it takes the familiar tropes of a fantasy story (i.e. family) with real life elements (i.e. science) and scenarios (i.e. identity) and allows it to be presented between science fantasy and reality. And, the idea that a single action can lead to the same ramifications in all worlds is extremely thought provoking as well. The series’ ending—given the circumstances—is satisfying. This narrative has you saying, “what is” instead of “what if.”

  • Spirited Away, Sen to Chihiro no kamikakushi (2001)

I remember when this movie was released in the U.S., but I didn’t get to see it in theaters. When I did sit down to watch this movie, I was mesmerized by both the animation and the narrative. And, while I understand the comparisons between this narrative and Alice’s Adventures in Wonderland—and even The Wonderful Wizard of Oz—this story, fused with Japanese folklore, stands out on its own.

Chihiro isn’t a curious young girl who wanders into a magical world. She is a whiny child who is saddened with moving to a new home with her parents who are more optimistic about the move than her. When they get lost, it is her parents whose curiosity leads them all into the spirit world, where they are trapped inside. Chihiro is forced to complete the “Hero’s Quest” by completing 3 tasks. However, Chihiro is a 10-year-old girl, and she behaves like one throughout the narrative. It won’t be easy.

I love the narrative within this movie because it explores the balance between fantasy and folklore. Some tales from a region’s religion, culture and/or superstitions are often dismissed as being “false” or “fantasy.” However, the fantastic often presents what is real in its own way; and, this movie presents a spirit world with more than one location within it, which demonstrates that world is as vast as ours. There is one unanswered question: how long were Chihiro and her parents in the spirit world for? 

  • Final Fantasy X (2001)

I’ve discussed my love for video games before, but I haven’t talked about them as much as I wanted to beforehand. Some readers of speculative fiction do enjoy video games of the same genres, but role-playing games—a.k.a. R.P.G.s and Japanese R.P.G.s—are visual narratives in which you play your way through the story until you reach its end. And, some of the games in this genre are both popular and laudable enough for all gamers to play at least once.

Everyone has their favorite Final Fantasy game; and, each game in the main series has its own superlative. For example, in my opinion, Final Fantasy VII is the “Most Popular” game in the series. Final Fantasy X has my favorite narratives in this series. In addition to this game having an excellent story—which the other games in the (main) series all have in common—this game presents a narrative in which all of the main characters develop and grow over the course of the game.

            You play as Tidus, a famous athlete who takes after his father (who he hates and has been missing for 10 years). During a game, the city is attacked by an entity, and Tidus is transported 1,000 years into the future. From this point in the game, Tidus (and the player) learn about the world they find themselves in, what happened to their world since the initial attack there, and how the two are tied together. Conflicts and themes surrounding power, identity, religion, beliefs, love and choice are presented in each of the main characters throughout the gameplay. Each conflict and its relation to each character is presented early within the narrative. However, as each “truth” is revealed to the party, they must decide on how they want to carry on knowing the consequences of their actions. While the ending is bittersweet, you finish the game’s narrative aware that the world will be able to start anew; which is something we can all learn from this game.

            Final Fantasy X is one of the games in this main series with a direct sequel. Final Fantasy X-2 (2003) takes place a few years after the events of its predecessor. This presents a unique, yet believable, look into how the world has changed, and how the main characters have changed with it.             

  • The Twelve Kingdoms (1992-Present, Japan; 2007-10, U.S.A.) by Fuyumi Ono

Personally, I believe we take narratives for granted. Yes, we learn how stories were told orally and passed down from generation through posterity, then collected and written down, and then translated into other languages so more can enjoy them. The 1990s saw the demand for Asian content to be presented to a Western audience, and not just action movies. TV shows, anime, manga, etc., were in high demand; some works of literature were translated as well. Battle Royale: The Novel and the movie have a strong cult following, but some light novels (Japanese YA novels) were being translated as well.

Sea of Shadow is the first book in The Twelve Kingdoms, and the narrative focuses on the trope of the outcast and presents it in a way that is both heartbreaking and inspiring. Yoko Nakajima has lived her entire life as an outcast. She is a high-schooler with red hair living in Japan with her traditional parents. Although she is an only child, she receives little love from her parents; she gets good grades in school, but she is ostracized due to her hair color. All Yoko knows is how to get through life by trying to please everyone around her. One day, a man with golden hair appears at her school—which is an all-girls school—abducts her from her classroom, and spirits her away to a world where Asian folklore and fantasy are authentic. After arriving, Yoko is separated from the man and now must survive in a world where she is even more of an outcast than in our world. 

This narrative is part coming-of-age and part survival story. Yoko is in a place where she is considered to be a criminal because she is an immigrant. After a few close calls, she is left on her own to survive in the wilderness. From there, Yoko grows into the individual she was forced to suppress due to her familial and societal notions. After accepting that there is nothing left for her in our world (she can never go home anyway), Yoko mush find a reason to keep living throughout all of the adversities she faces. Her goal matches a shocking revelation about herself.

The rest of the series introduce new characters and reintroduces fan favorites as the timeline of the 12 Kingdoms’ history is covered throughout each book. The same issues of immigration, regional biases and political conspiracies are covered in the narratives of each book. In addition, without too many spoilers, each of the protagonists in each book represent one of 3 types of societal outcasts within that world. 

Print copies of this series is limited; not to mention just 4 books in the series were translated to English. There is an anime series based on the first 4 books which you can stream online. Hopefully, one day we’ll get the rest of the series translated and released.

  • Pan’s Labyrinth, El labriento del fauno (2006)

I’ve discussed fairy tale retellings and fractured fairy tales, but I haven’t mentioned fairy tales and folktales as often as I should in my posts. In short, fairy tales are a genre of folktales in which there is a strong storyline and plot, emphasis upon magic and fantasy, repeated motifs and tropes, with a “happy ending.” Characters are represented as good or evil, and there are beings with magical powers or objects which serve a purpose for the characters. Director Guillermo del Toro wrote and directed his own fairy tale, Pan’s Labyrinth, in which he blends fantasy, magic realism and folklore into this poignant, yet dark film. 

The setting of the narrative grabs your attention immediately. It is the end of the Spanish Civil War (1936-9)—which occurred in tandem with the Second Sino-Japanese War (1937-45) and World War II (1939-45)—and a young girl, Ofelia, and her pregnant mother are traveling to her (new) stepfather’s residence. The protagonist’s stepfather is a captain in Franco’s army, which holds dominance over Spain. Ofelia does her best to cope with the changes by retreating into fairy tales, her favorite literary genre, which the adults all comment that “she is too old for them.” Amidst the violence that happens outside of the home, Ofelia comes across a magical faun who tells her her true identity and the 3 tasks she must complete in order to prove that she is “the lost princess.” 

The narrative is haunting and beautiful as it explores the reasons why anyone would read fantasy and fairy tales; besides escapism, they offer a semblance of hope during difficult times. Not to mention, this is one of the few “fairy tales” where there is a villainous step-father instead of a step-mother (and he’s not a child molester). Each of the 3 tasks correlate to the themes of war and violence—not to mention one of the scariest evil creatures in recent narratives to date—and whether or not magic does exist.

This new fairy tale resembles the older variants which were collected by the Grimm Brothers, and written by Perrault, Andersen, and Baum. In other words, it is for adults not children; that being said, anyone who is a fan of fairy tales will appreciate how new tales can emerge through the appreciation of previous ones. And yes, you can read the literary variant of this narrative—released in 2019—but the film presents how the audience, and the general public, continue to take these narratives for granted instead of seeing them for what they are: a much needed and a wonderful fairy tale. 

  • Shin Megami Tensei: Persona 5 (2016)

I’ve played both Persona 3 and Persona 4—which you should as well—and, while those entries in the series have great narratives, characters and gameplay, it does not have the same down-to-Earth element Persona 5 maintains throughout the entire game. The series is an urban fantasy JRPG with elements of folklore, science, horror and paranormal in it. Persona 3 delves into themes of depression. Persona 4 is a murder mystery which focuses on the effects of media coverage and urban legends. Persona 5 investigates how societal norms and conformity has a negative effect on individuals. 

The narrative focuses on a group of misfit students who are victims of misconceptions placed upon them by the adults in their lives and the rest of society. Anyone who remembers feeling like an outcast—even in adulthood—can relate to these emotions. And yet, the game explores how it is not only adults and power figures who mistreat other individuals, but also other children and adolescents. In addition, players realize how each of the antagonists ended up as they are because of societal expectations. Are the Phantom Thieves heroes, or “a group of meddling kids”?

The narrative within this game is the reality within the fiction. The unfortunate truth is that we all know more than 1 person in our life and “social circle” who is similar to the characters in the game. Another factor to consider is that the narrative forces us to look at ourselves and to determine whether or not we are mistreating anyone for our own gain. The game’s narrative serves as one part fable and one part entertainment.

I’ll mention the narrative within Royal as well. Without getting into too many spoilers, the narrative in this part of the narrative focuses on how manifested desires allows us to achieve a life that is too good to be true, and the causes and the consequences of living such a life. Living this life can lead us to being “out of touch” from reality, especially to those who might be suffering because life isn’t as good for them. Persona 5 (Royal) examines the lives we choose to live while fighting beings from folklore around the world. 

From the first page to the final sentence of this trilogy you are transported to a world where science, fantasy, history, magic and reality enmesh into one of the most engrossing narratives of all time. What if the seasons lasted for several centuries? What if Earth was unstable due to tectonic activity? What if there were individuals who could control seismic activity? What if life on Earth was dead for centuries? Would you be able to survive?

In the far future, Earth has become an unstable planet where earthquakes kill life for centuries at a time. In a twist of fate, some humans gained abilities to sense and to control the Earth’s tectonic activity; so what does the majority of humanity do? Resort to the old methods of societal oppression by practicing fear, control and slavery of these individuals for millennia, which leads to the beginning of the series where a woman arrives at her home to find her toddler son has been murdered, her daughter abducted by her father, and her secret exposed to her community. On top of that, the “fifth season” has begun, so she must hurry and find her daughter (and kill her now ex-husband) before the surface becomes too uninhabitable to survive. 

This series not only takes genre blending to a new level, but also reminds the readers of the dangers of repeating negative social norms instead of solving the bigger problem. Not to mention how such negative treatment and hostility affects posterity for the worse; and, how far will any mother go to protect her child(ren)? And, what will a child do to ensure their own survival? The world-building explains the current predicament the characters find themselves in and how the planet ended up the way it did. In addition, this is one of the few series in which the beginning chapters play a huge role in the narrative. Even the 2nd person P.O.V. chapters are well-written. You finish reading this series knowing it was an amazing narrative. There is a reason why every book in this trilogy won the Hugo Award for Best Novel, and in consecutive years. 

How do I describe Murderbot to someone who hasn’t read this series? Murderbot is a brilliant A.I. who is smart enough to gain control over itself, hates stupidity, has a bleak outlook on life to the point where it borders on nihilism, watches soap operas so that it can understand humans better, and is very good at its job at providing security and killing threats to those under its protection. On a serious note, I haven’t laughed so much regarding robots since watching the Star Wars movies.

The series follows Murderbot—which is what it calls itself—on its latest assignment, protecting a group of scientists as they explore a planet. After a close call, it wonders if something else was happening on that planet, not that it cares what happens to the humans. Basing its knowledge about humans on the T.V. show it watches (i.e. Sanctuary Moon), Murderbot concludes that some of the other humans are up to no good. So, it abandons its post to go on a mission to determine whether or not Murderbot is right; but, not because it cares about the humans who were nice to it. And, from there the narrative takes off. 

With 5 novellas and 1 novel (with more books expected in the future) readers get to look into how the future could look—and without any intergalactic wars, just corporate greed. Through Murderbot’s P.O.V., readers learn how various types of robots are created and are treated throughout the galaxy, and how they interact with each other when they have the opportunity to do so. Murderbot is a “Security Unit, or Sec Unit,” whose purpose is to follow orders and to protect those within its “contract.” But, Murderbot is smart enough to play dumb when it has to survive and to remain incognito from other bots, A.I.s, and humans. 

Each narrative is a “report” of events Murderbot has to submit. And, given its personality, expect a lot of laughs because you will get its inner thoughts as well; and they are on point! Anyone who wants to read a sci-fi action-adventure series with a funny and a unique narrative will enjoy this one as much as I do. 

After reading so many fantasy stories (and playing them), you ask yourself 2 questions. One, if I ended up in a fantasy world, then what would it be like? Two, if I found myself in another world I started to call, “Home,” then why would I consider returning to the world I came from? Seanan McGuire isn’t the first author to think about these things (read the Oz books by L. Frank Baum), but she is one of many to consider such worlds existing parallel to ours. 

Wayward Children takes the trope of “lost/wandering” children—they ended up in a different world with a different set of rules and time span—and transforms it into a new narrative with a twist. The ones who “return” are “changed” by their time in the other world, which they called Home. Their families don’t know what to do with them, so they send them to “Eleanor West’s Home for Wayward Children” (or, its sister school in Maine) so they can become “reacclimated” into society again. In truth, these students are searching for ways to return Home by looking for their Doors.

The series is divided into 2 narrative sequences. The first one follows the ongoings at the school, which is more like a school than the characters want to admit. There are disagreements about clothes, cliques are formed based on the sort of worlds they traveled to, and what their plans are for the future—in our world or in their Homes. Not to mention, when they do go on quests, they have to be quick about it, so Miss West doesn’t tell their parents. The second one focuses on each adventure each character, or characters, has in the world they traveled to, from how they found themselves there to the reason(s) why they had to leave it. The one thing these characters all have in common is that they’ll do anything to return Home. 

Worlds such as Fairyland, the Moors, the Goblin Market, Hooflands, and several more where beings such as mermaids, talking skeletons, resurrected individuals, centaurs, etc., exist in worlds next to ours. In fact, some of those worlds are connected to each other as well. How many other worlds exist? Which one would you find yourself in and why? Would you want to stay there or return to our world? 

The narrative of this novel begins with a familiar trope before twisting into something else. The protagonist, Sasha, is on vacation with her mother when she notices a strange man watching and following her. When she confronts him, he gives her strange tasks to complete. The catch is if she doesn’t complete them, then a loved one will suffer the consequences. After the first failure, she accomplishes all of the tasks given to her (which causes her to vomit gold coins). Afterward, Sasha is coerced into attending a university in order to “enhance” her knowledge.

Before you start comparing this book to Harry Potter, Percy Jackson, etc., remember, Sasha was coerced into attending this university (which is in the isolated and rural parts of Russia). In fact, all of the students are in the same situation as Sasha, but why are they there? What makes them different from their former high school classmates? What are they supposed to be learning? 

This narrative blends the college experience within a speculative fiction setting. Sasha and her college peers have to deal with roommates, classes, changing family relationships, and the changes that go with being away from home; but, they don’t have the option to flunk out of the university. If a student fails their classes or reveals the ongoings at the university, then their families will pay the price. This is done to ensure the secrecy of the university and the success of their students. As for what they are studying, well none of the students know until halfway through their second year. And then, they have to study for a test so that they can “attend” the graduate program.

Without giving away anything else, the narrative does an amazing job balancing college life with the unexpected. And, similar to the narrative, the college experience becomes an addiction you don’t want to give up. In fact, some of the students decide to stay at the university during the holidays, instead of returning home. No one is forcing them to stay there during that time, so why won’t they leave? And, what happens to the students—including Sasha—when they begin to comprehend their “schoolwork”?

            Those are my (current) favorite speculative fiction narratives. Yes, they are on my lists of favorites by medium as well, but I won’t be mentioning that topic anytime soon. I hope you all consider reading, watching and/or playing what I listed here. If anything, then I hope you enjoy the stories being told as much as I did, and still do.

            Coincidentally, I started my blog site 9 years ago, and it started as a simple hobby. It’s amazing what any individual can achieve when given the opportunity to do so. Thank you to everyone who encouraged me to keep my blog going from when I was just posting theories about A Song of Ice and Fire and pop culture essays. I wasn’t sure whether or not anyone would read the posts on this blog; then again, I didn’t believe I had so much to say about literature, social issues, pop culture, etc. I’ve been able to branch out and work on projects for other websites (i.e. Fantasy-Faction, SWFA). So, thank you for reading, liking, commenting, and sharing my work; especially when I was attending grad school and I had to limit the content in my posts. And, a huge thank you to the publishers, the authors (and their literary agents), and other bookbloggers for sending me ARCs and galleys of so many books so I am able to keep up with the industry; and, as I make my way through my never-ending TBR pile.           

            Obviously, I’ll still be posting on my blog while working on all of my many projects and any new ones that come my way. A few of you have asked me about one potential project (more like a revival). My answer: I’ll decide after the New Year because there are other things that require my immediate attention. So you’ll have to wait and see. 

            Here’s to 9 years and to 200 blog posts with hopes that I make it to the next milestone. 

Why You Need to Read: “The Burning God”

The Poppy War Trilogy, #3: The Burning God

By: R.F. Kuang                                                                       Audiobook: 23 hours 47 minutes

Published: November 17, 2020                                              Narrated by: Emily Woo Zeller

Genre: Historical Fantasy, Grimdark, Military Fantasy, Folklore

            What was wrong with her? She’d started and ended wars. She’d buried a god. She’d incinerated a country. There wasn’t an entity on the planet that could face her in a fair fight and win. She was certain of her own strength; she’d sacrificed everything to make sure she never felt powerless again. 

            So why was she so afraid? (Chapter Eight). 

            History presents war with selections to choose from; some wars are revolutions, some wars are civil, some wars are invasions, and so on and so forth. The surface of war may be simple, but the layers run so deep it’s difficult to determine the alliances and the motivations for it. Not to mention, war affects EVERYONE and EVERYTHING. The Burning God—the third and final book in The Poppy War Trilogy—by R.F. Kuang, delves into the power and the warfare of a war that doesn’t seem to end. 

            Fang Runin “Rin” is still alive, but she’s without her troops, her allies, and her hand. Betrayed again by those who wanted to use her powers as a shaman for their goals, Rin decides to return to her home province in the south in order to liberate them from both the Dragon Republic and the Hesperians. There, she learns that her past actions have turned her into a living legend amongst the common people. And, they want to fight with her. Rin’s friends are Kitay, her friend from Sinegard, and Venka, her classmate and her former rival turned ally. Then, there’s Nezha, the son of the Dragon Lord, who is serving his family’s cause instead of Rin’s. While Nezha is Rin’s opponent, he isn’t the only antagonist Rin has to kill in order to liberate Nikan. However, will her new alliances led to more betrayal? Rin continues to develop in a way so that we can still root for her while trying to overlook the numerous atrocities she commits for liberation and for revenge. In Rin’s case, you can’t have one without the other. 

            Similar to the first 2 books in the trilogy, there are 3 parts in The Burning God; and, each part focuses on the antagonist(s) Rin must defeat to claim victory once and for all. Part I has Rin, Kitay, Venka, and what remains of their army marching into the Southern Provinces to liberate them from the Dragon Republic. Rin returns to Tikany for the first time since she left for Sinegard, and what she discovers there strengthens her conviction to transform Nikan into an independent nation. Rin’s new army consists of the common people and those who rebelled against the Dragon Republic. From them, Rin and her army are taught about elements of war that they didn’t learn at Sinegard. It turns out, guerilla warfare works for revolutionary purposes. But, what about against an invading nation? 

            Part II has Rin betrayed (again) and separated from her friends. From here, Rin makes an uneasy alliance with one of the last individuals she expected to see again. However, Rin knows this alliance this the only way to defeat both the Dragon Lord—Yin Vaisra, Nezha’s father—and the Hesperian fleet. During the march to regroup Rin’s troops and to rescue her friends, Rin learns the truth about her shaman powers and the Trifecta. Now, Rin has to decide where and who her loyalty lies with, and whether or not the end justifies the means.

            Part III has Rin and her army at full force. Rin, Kitay and Venka defeat all of their enemies and have liberated Nikan. However, the end of the war isn’t over until all hostile forces either surrender or die. In addition, Nikan has been ravaged by war for so long that there is no short-term plan for the survivors to carry on living. On top of that, Rin has the power and the recognition she always wanted, but like each war leader in (our) history, Rin struggles to maintain power and control for herself. All Rin has to do is weed out the remnants of her enemies—including Nezha—and find a resource to make Nikan self-sufficient in the years to come. Unfortunately, war is NOT a game, and it doesn’t end until all of the foes from one side are dead. 

            In addition to the plots in each Part in the novel, there are several subplots which enhance both the narrative and the character development. Some of the subplots include: the destruction of Speer, the fragility of the Trifecta, the Yin Family, Rin’s return to Tikany, and shamanism. All of the subplots tie in the plots of this story as it reaches its end. The characters’ story arcs end in ways that match the mood of the series, which is a combination of shocking and appropriate. Not only do these subplots wrap up the plots going back to the first book in the series, but also presents the conflicts all of the characters face throughout (and before) it. 

            The narrative is in 3rd person limited, which means readers learn everything going on from Rin’s point-of-view and from her stream-of-consciousness. The latter is essential because readers are able to understand why Rin makes the choices—both good and bad—throughout the narrative. It should be mentioned that there are a Prologue, an Epilogue, and 2 Chapters which are not told from Rin’s P.O.V. These serve as memory sequences which enhance the story and the conflicts, and lets readers know what Rin is up against. The narrative is what drives the story; it is well-written, and it can be followed by the readers easily. 

            The style R.F. Kuang uses in The Burning God brings The Poppy War Trilogy to a full circle. As the author ends the series, she reintroduces everything from The Poppy War and The Dragon Republic in order to remind her readers about the cost and the effect of war. In addition, this finale presents grimdark through a historical lens. After the release of The Dragon Republic, Kuang announced the historical figure Rin was supposed to represent. Anyone who is familiar with what happened in China after the Second Sino-Japanese War (1937-45), knows what Rin’s victory could mean for Nikan. The mood in this novel is puissance; it is a non-stop power struggle from start to end. The tone in this novel is the evanescence of power; the effects of war last much longer than an individual’s power and influence. 

            The appeal for The Burning God have been positive. Fans and readers who have stuck with this series will not be disappointed with the story’s conclusion. Fans of historical fantasy, military fiction and revenge stories—The Priory of the Orange Tree, The Rage of Dragons and Nevernight, respectively—will enjoy this book (and series) the most. There have been criticism of this book due to the realistic violence portrayed throughout the trilogy. However, this portrayal of warfare and of violence is the reality within the fiction, sadly. As I mentioned in a previous post, this series is the most similar to George R.R. Martin’s A Song of Ice and Fire series—and, maybe Joe Abercrombie’s books (I haven’t read them yet, but I will very soon)—so, his fans might enjoy this series as well. I listened to the audiobook edition of this book, and the narrator, Emily Woo Zeller, did an amazing job.

            The Burning God is a blazing finale to a series that started off as a school fantasy, transformed into a military historical fantasy, and ends as a grimdark series. R.F. Kuang delivers a powerful end to a series with Asian roots and influence. Do not wait as long as I did to read this book, you have no idea on what you’re missing out on. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

P.S. Thank you Sasha for getting me to finish this trilogy through out buddy read!

Reading Check-In: September 17, 2021

What book have you finished reading recently?

One series on my list is complete. And, I stick with what I said about this series in my ASoIaF Read-Alike Book Recommendations: this series is the most “identical” to George R.R. Martin’s.

Another fun read by this author. And yes, it’s full of folklore and fantasy references!

What are you reading currently?

TorDotCom Publishing surprised me with a physical ARC of this hyped debut gothic novel and it moved to the top of my reading list!

I am listening to the audiobook of this space opera trilogy finale, and it’s AMAZING!

In addition, I’m reading the finalists for the SCKA 2021 Award Finalists. If you want to know which books/stories were voted by the other jury members and myself, then you can read the post (last week’s) here.

Not all of the nominees, but you get the idea.

What will you read next?

Just like several other readers, I’ve been waiting for this book to be released!

This book will be the next audiobook I plan on listening to/reading.

Future Posts: My 200th Blog Post is upcoming! What am I doing to mark that milestone? You have to wait and see!

Look for me at FIYAH Con 2021!

Why You Need to Read: These Books While Waiting for “The Winds of Winter”: Part II

Here we go again. It’s been almost 3 years since I complied the 1st list of book recommendations; and, we’re still waiting for The Winds of Winter, the next book in A Song of Ice and Fire series. Many of us continue to wait, patiently, for this book by reading similar books by authors who write fantasy stories. There have been numerous books released since I compiled my 1st list of recommendations; yet, I know some of the readers enjoyed the latest releases from Brandon Sanderson, Steven Erikson, etc. Within the last decade, several new authors have made a name for themselves through their works, and others have continued to release books for us to enjoy as well.

            This is my 2nd list of book recommendations for those who are waiting for George R.R. Martin to finish and to release the next book in his fantasy series. Please note that I couldn’t include all of the fantasy authors for this list, and there are a few “obvious” authors who are not on this list (i.e. Sanderson, Jordan). I am reading books by Joe Abercrombie and Ben Galley for the first time, so they will be on the next list I compile, hopefully. In addition, if there is an author you don’t see on this list, then please refer to the first one I’ve written and posted. 

  1. The Poppy War Trilogy by R.F. Kuang

This trilogy is a retelling of the Sino-Japanese War (1937-45) and is as grimdark as A Song of Ice and Fire. The story follows Rin, who studies to enroll into a prestigious military university to escape an arranged marriage and poverty. As she studies to become a soldier, Rin studies shamanism, which ignites a power linked to her heritage. Then, a war breaks out and Rin—and her classmates—soon realize that war is NOT what you learn in a classroom.

Based on the speculative fiction books I’ve read so far this series is the most identical to A Song of Ice and Fire. This is because the mood and the tone in both series follow both warfare and social mobility. The politics are the subplot which carries the narrative through the series in both the characters and the conflict.

2. The Daevabad Trilogy by S.A. Chakraborty

Fans of A Song of Ice and Fire have heard of this series because Martin has read this series and praised the author for her storytelling and for the narrative. This trilogy is a retelling of one of the tales from One Thousand and One Arabian Nights, and it is full of political intrigue and backstabbing. The world-building alone will keep you invested in this trilogy.

The trilogy follows 3 protagonists who represent different tribes with overlapping histories. As their heritages are revealed, so are the conflicts amongst those groups of individuals. And then, there are all the “mythical beings” mentioned throughout the series—the ones we heard about in tales such as Aladdin, Sinbad, etc.—play a role as well. In addition, the twists presented throughout the series could rival the ones written by Martin!

3. The Priory of the Orange Tree by Samantha Shannon

The standalone epic fantasy novel has everything A Song of Ice and Fire has in one massive tome: dragons, prophecies, secret societies, political conspiracies, strong female characters, and a historical timeline. While the story follows 3 female protagonists, there are points-of-view chapters from several other characters that will feel familiar to any and all fans of Martin’s series. And, before you ask: yes, there are a TON of references to historical events, many of which you will recall from your school days. 

4. Book of the Ancestor by Mark Lawrence

I would describe this trilogy to fans of Martin as a religious combative school for girls. While the protagonist will remind readers of Arya Stark, I would say these female characters resemble the Free Folk. These characters are strong, intelligent and combative females who are, or are training to become, nuns. 

This trilogy delves into the “idea” and the “expectation” of prophecies—especially the concept of “the chosen one”—how and why they come into existence, when they become relevant, and who they are about. In addition, this series presents a different look into “heritage.” Yes, political and social hierarchy play their roles in the narrative, but both magic and social hierarchy is inherited through blood. So young girls with magical abilities are sought after by these nuns so they can learn about their magic and how it relates to the religion they practice. And yes, there are plenty of battles that present these powers and fighting skills in action.

5. The Nevernight Chronicle by Jay Kristoff

I describe the protagonist in this trilogy as a female Kratos. For those of you who don’t play video games, you will be reminded of a bloodier and an angrier Arya Stark. From the opening pages, you can expect one of the ultimate tales of betrayal, family, vengeance, love, conspiracy, and murder—lots and lots of murder—from this trilogy. 

This trilogy is one-part dark fantasy and one part folklore. The magic in this series is as twisted as the foundation of the school of assassins the protagonist trains and then works for. And, if that’s not enough for you, then know that the footnotes are guaranteed to make you laugh. One final thing to know about this trilogy: IT’S NOT YA!!!

6. The Books of Ambha by Tasha Suri

Some of you might be reading this author’s latest book, The Jasmine Throne, but how many of you read her debut novel, Empire of Sand, and the sequel, Realm of Ash? This duology delves into colonialism, family relationships, colorism, buried history, magic, and political corruption and gameplay. The duology follows 2 sisters—one per book—who are the illegitimate daughters of the governor in a historical and a magical India. The sisters possess magical abilities which are coveted by both the royal family and their mystics. The elder sister reveals her magic, which leads to the mystics separating her from her family, leaving her younger sister behind. Several years later, the younger sister offers her services to the royal family where she learns about the dark history of the Empire and what happened to her sister. 

7. The Nine Realms by Sarah Kozloff

Anyone who is a fan of Tamora Pierce should pick up this series—think of following a strong female protagonist from childhood through early adulthood. This comparison is valid because instead of one thick tome, the author insisted on a binge-reading experience, providing readers with 4 novels: A Queen in Hiding, The Queen of Raiders, A Broken Queen, The Cerulean Queen. The story follows a princess who must live in exile after her mother—the Queen—uncovers a plot for her Council to seize power through the princess. The princess grows up amongst commoners, evades capture from her enemies, and makes allies along the way so that she can reclaim her family’s throne. 

This series will be enjoyed by those who’ve read the Dunk and Egg series (still incomplete). The protagonists travel and reside in the Nine Realms where each realm has its own culture and conflict. All of the plots, the characters and the conflicts revolve around individual realms, politicians, magic, gods, warfare, history and science. And yes, you must read one book after the other in order to grasp the entire experience. 

8. A Chorus of Dragons by Jenn Lyons

If you’re a fan of intricate world-building with matching histories that rival both Tolkien and Martin (yes, I said it), then, this series is for you! This series delves into prophecies, family trees (think of the Lannisters) and magical artifacts as the narration jumps back-and-forth between the past and the present with several characters to tell the story as it progresses. Did I mention the dragons? 

The series follows several characters from different regions of the world whose “circumstances” brings them together in order to save the world as per the prophecies. However, those “prophecies” are questioned by all of the characters—“who came up with them,” “are they relevant right now,” etc.—but, they understand that there is a force that will bring about the end-of-the-world, and they are the ones “chosen” to save it. Note: this is a 5-book series. 

9. The Black Iron Legacy by Gareth Hanrahan

This series started as a 4-book series and was announced recently that it will be a 5-book series. This series is part dark fantasy and part grimdark (NOT THE SAME SUBGENRE) in which the characters within the series who are morally gray must survive a harsh society (that reflect ours) and have a dark portrayal of magic. If the series needs more reason to be read, then know that there will be at least 1 character you will want to learn more about throughout your reading. 

Each book in the series focuses on a cast of characters who end up playing a pivotal role with events in their society, but not in the “traditional fantasy” narrative. Each of the characters have a backstory which in turn influences the reasons for the actions they take (sound familiar?). In addition, the gods—from various cultures throughout the world—are at war with each other for dominance; and, they need “vessels” to assist them with their plans. 

10. The Tide Child Trilogy by R.J. Barker

This series is about pirates, but not the ones from the movies or in real life. Fans of the nautical, and House Greyjoy, will appreciate this unique narrative of sea life and sea dragons. And no, this series is NOT like The Voyage of the “Dawn Treader.” These pirates are on these ships serving because they all committed crimes and were convicted of them.

As you may have guessed, this series isn’t about piracy, but about a crew who is on a mission to protect their home (even though they are no longer welcomed there) and to search for the source of their ships. This series offers an interesting look into life on the seas, which match the harsh lifestyles of the land dwellers. Not to mention, there are plenty of battle sequences that place you right in the middle of it all. This is one of the best nautical fantasy books yet!

11. Chronicles of the Bitch Queen by K.S. Villoso

You are the daughter of the Empire’s most notorious war lord, who on the eve before the coronation with your husband—the would-be king—he abandons you and your young son, which makes you “the Queen” while leaving you to deal with a new kingdom, numerous enemies, and parenthood by yourself. A few years later, your husband asks to meet in order to reconcile, in another country. After an attack by unknown enemies, you find yourself alone in a foreign land with no one to trust and with no way to return home. 

This series presents several political conspiracies which go back to before the protagonist was born. And, the narrative presents realistic scenarios with realistic dilemmas on what the protagonist must do if she wants to survive and to return home. Did I mention the queen is also a kickass warrior? 

12. The Burning by Evan Winter

Both fantasy and folklore mention the origins of dragons as from both Europe and East Asia. That being said, have you ever wondered whether or not dragons could have existed elsewhere (in our world)? Who said dragons couldn’t have come from Africa? If they did, then why haven’t we heard of them until now? 

The 1st book in this quartet—The Rage of Dragons—begins with a battle between 2 tribes—one of them has women who have the power to summon dragons. Then, the story heads in the direction of a military fantasy with a protagonist driven by vengeance (especially against the social hierarchy), which sees the pace of the narrative zoom until you realize that the series is about 2 warring nations and an in tribal struggle amongst social classes and magic users. This series will leave you with a new appreciation for battle sequences.  

13. The Poison War by Sam Hawke

This series is part political fantasy and part mystery. The 1st book in this series—City of Lies—follows a brother and a sister as they try to figure out who murdered the lord they serve and their uncle, who was his closest friend and his poisoner. That’s right, the plot of this novel delves into various poisons. So, fans of Dorne and the Red Viper will find this narrative very intriguing. 

This series delves into the world’s politics, civil war and lost magic. At the same time, the siblings must step into the roles they’ve trained for their entire lives. All the while, who poisoned their uncle and their lord, and why? 

14. The Legacy of the Mercenary Kings by Nick Martell

The newest book on this list focuses on a group of siblings who are struggling to survive after their family was stripped of their status after their father murdered the crown prince, supposedly. The protagonist—who is the younger brother—is determined to prove his father’s innocence. How is he going to do it? By re-entering the royal court and gaining the attention of the royal family, or what’s left of it.

The world in A Song of Ice and Fire has “unusual seasons” and this trilogy has a fractured moon. Fans of the former will enjoy the latter due to the political system, the political backstabbing (and there are A LOT of them), and the political corruption (A LOT of that, too). And, all of that doesn’t compare to the series’ magic system and the twist at the end of the 1st book. 

15. Die by Kieron Gillen, Stephanie Hans, Clayton Cowles, Rian Hughes & Chrissy Williams

I would describe this graphic novel series as a cross between Jumanji and Dungeons and Dragons. The premise of this series follows 6 high schoolers who meet up to play D&D only to disappear for 3 years; then, 5 of them return to our world. 20 years later, the players reunite when a package arrives for them, which returns them back into the “game.” 

So far, this is an on-going series, which narrates the darker side of a fantasy world. The images illustrate the world the main characters are trapped in. However, the story is about these traumatized individuals, their dual personalities, and their desires. Kieron Gillen has written numerous graphic novels, and this series is character driven that is similar to A Song of Ice and Fire. If you’re a fan of this graphic novelist and you haven’t started reading this series, then you’re missing out on an excellent one! 

            As you can see, there is a reason why it took me a while to compile a 2nd list of recommendations. And no, I was not able to add more books and/or series to this list without it being too long. That being said, I am reading my way through other books I hope to recommend in a future post. Hopefully, by then it will be when we’re waiting for A Dream of Spring to be released. Not to mention, many of these “in-progress” series should be completed by that time as well. 

            If it does come to another list, then I hope to have one compiled of books and series by indie authors; and, I believe you have an idea of which ones I might include on that list. And yes, they’ll be another list because there are so many more books to read and to enjoy as we continue to wait for Martin to finish writing his series, patiently.

            Which books and/or series do you recommend reading while waiting for the next book in this series? 

Why You Need to Read: “The Empire of Gold”

The Daevabad Trilogy, #3: The Empire of Gold

By: S.A. Chakraborty 

Published: June 30, 2020

Genre: Fantasy, Historical Fiction

            Daevabad, in all its glory and infamy. The mighty brass walls embellished with the facades of its founders, her ancestors. The crush of ziggurats and minarets, temples and stupas; the dizzying array of clashing architecture and eras—each group, each voice leaving its defiant mark on the city of djinn. The shafit stolen from Persepolis and Timbuktu, the wandering scholars and warrior-poets from every corner of the world. The laborers who, when their work was left unacknowledged in official chronicles, had instead emblazoned their names in graffiti. The women who, after erecting universities and libraries and mosques, were kept silent because of “respectability,” had stamped their presence on the cityscape itself, (42: Nahri).

            It still amazes me how I almost missed this series. When a book’s title and/or cover captures your attention, make time to read it because you might enjoy it to the point where it becomes one of your new favorite books. The Daevabad Trilogy has been a different reading experience and its due to the influence based on Middle Eastern culture and the classic story, One Thousand and One Arabian Nights. The series started with The City of Brass and continued with The Kingdom of Copper, which had an ending that left readers stunned. The Empire of Gold is the brilliant conclusion to this trilogy, and it begins where the last book left off.  

            The story begins with the antagonist, Manizheh—the former Banu Nahid and mother to both Nahri and Jamshid—as she looks over Daevabad after the almost successful usurpation of the kingdom and its ruler, King Ghassan. The rebellion was “almost successful” because Manizheh failed to retrieve Suleiman’s Seal. Instead, Nahri and Prince Alizayd beat her to the ring. And, just as Nahri and Ali are confronted by Manizheh, they jumped into the lake to get away from her only to find themselves transported to Cairo. Meanwhile, because the ring has been taken out of Daevabad, magic has vanished. Now, Manizheh is left without her magic and with hostile forces who are either trying to gain more independence or regrouping to take her down and reclaim the kingdom. Manizheh descends into madness as she struggles to maintain control of Daevabad. There is only one individual who has magic in Daevabad and it’s Darayavahoush e-Afshin. Dara is fighting a war within himself. He’s struggling to display his loyalty to Manizheh while trying to reach a truce with all of the 6 Tribes, the surviving members of the royal family, and the shafit. In addition, all of the trauma Dara experienced during the last war, which led to the deaths of his family has been resurfacing. It doesn’t take long for Dara to realize that history is repeating itself, and he’s the only one who comprehends what the war could lead to for everyone in Daevabad. This causes Dara to do everything he can to achieve a truce even if it means betraying his Nahid. Thousands of miles away, Nahri and Ali find themselves in Cairo with no clue as to how or why they ended up there. Ali wants to return to Daevabad immediately, but Nahri needs some convincing. The last 5 years haven’t been kind neither to the prince nor to the Banu Nahid, but it is the former’s surviving family members who remain at risk. After a lot of consideration, Nahri agrees to save Daevabad from Manizheh. Unfortunately, the journey back to Daevabad is even more perilous than Nahri’s first journey there with Dara. Not to mention, it turns out EVERYONE is searching for Nahri and Ali, and not just their families. Numerous “outsiders” hope to collect the bounty, and several mystical beings demand the payments of their ancestors’ “debts.” Why does everyone know about Nahri’s heritage except her? And, what other “debts” does Ali have to pay on behalf of both his maternal and his paternal ancestors? Throughout the story Nahri, Ali and Dara develop as characters as they find ways to overcome their traumas as they fight to save their home and to restore magic. It is essential to understand that the horrors and the traumas these protagonists face do not motivate their actions, they allow them to make “reasonable” decisions as they strive to change their world for the better. 

            The plot in this story picks up where The Kingdom of Copper ended. King Ghassan’s tyrannical rule is over, but Banu Manizheh proves quickly to be more ruthless and more paranoid than her former oppressor. And, Manizheh didn’t factor in losing Suleiman’s Seal or magic. Now, she feels powerless and she is forced to depend on Dara to complete her tasks. Meanwhile, Dara doesn’t wish to lose his independence, so he works against Manizheh secretly in order to keep everyone alive. Another plot in this story is Ali and Nahri’s journey back to Daevabad, which is full of physical and emotional turmoil. Ali has to decide whether or not to go through with his plans or that of his family’s. Nahri is dealing with what was revealed to her about her family and whether or not it’s true. The 2 friends need a plan to retake Daevabad and to defeat Manizheh, but it looks like they’ll have to make bargains of their own. There is one subplot in this novel and it relates to family. Ali, Nahri and Dara have struggled with family expectations—yes, even Nahri—and they’ve had an impact on all 3 of them. Ali has been a dutiful prince, but clashed against his father’s rule and his mother’s ambitions. Nahri was told what was expected of her due to her heritage even though she believed her relatives were all dead. Dara did everything that was expected of him by both his family and the (then) ruling family—the Nahids—only to witness his family’s deaths and the Nahids being overthrown. All 3 protagonists attempt to go against their family’s expectations as they strive to make their own decisions and what is best for themselves. This subplot is necessary for the plots of the story because readers can relate to some of the struggles the protagonists are experiencing and why they make certain choices throughout the story. 

            Once again, the narrative continues from the points-of-view of Dara, Nahri and Ali—with one chapter told in Manizheh’s P.O.V. The narrative is told in real-time and are in 3rd person limited narrative—the characters know only what is happening around them and to them at the moment. All 3 protagonists are reliable narrators because each of them provide everything that is happening to them, including the mistakes they make. The narrative follows the streams-of-consciousness of all of the protagonists. Yet, keep in mind these characters experience both flashbacks and memories. It is important to know the two are not the same thing, and the narrative is able to present this distinction.

            The style S.A. Chakraborty uses for The Empire of Gold is a continuation of what readers received from the previous books in the trilogy. One Thousand and One Arabian Nights and Middle Eastern culture are major influences in this book, and there are allusions to the Ottomans and the Napoleonic Wars as well. Now, instead of an impending rebellion, civil war has broken out after the ruler has been overthrown, and the person who claims she is in charge does not know how to maintain control and cannot solve the kingdom’s biggest dilemma, which is the loss of magic. The mood in this novel is discord. All over the world, magic is gone and everyone is dealing with the ramifications, including the civil war in Daevabad. The tone in this novel is resilience and which of the characters, including the protagonists, are able to withstand all of the incoming challenges. Readers should refer to the maps and the appendices as they read this book so that they can keep track of the Tribes and the world-building.

            The appeal for The Empire of Gold have been positive. Several fans and readers have lauded the author for providing a strong conclusion to this trilogy. Yes, this book is over 700 pages long, but any fantasy fan will appreciate all of the world-building the author has put into her books. Not only does this series belong in the fantasy canon, but also is a great addition to the historical fantasy and the Middle Eastern fantasy subgenres. Even George R.R. Martin has praised this series. And, fans can expect a new series from the author in 2022!

            The Empire of Gold is a gratifying end to The Daevabad Trilogy. The plots answer all of the questions readers have about the characters, and the author provides appropriate endings for all of them. Do not be intimidated by the book’s size because you will finish reading it before you know it. Fans of Tasha Suri, Sabaa Tahir, Egyptian mythology, and Scheherazade will enjoy this series the most. This book is a satisfying conclusion to this trilogy.

My Rating: Enjoy It (4.5 out of 5). 

Why You Need to Read: “A Queen in Hiding”

The Nine Realms #1: A Queen in Hiding

By: Sarah Kozloff

Published: January 21, 2020

Genre: Fantasy/Coming-of-Age/Military Fantasy

            Though dusty sits the Nargis Throne

            While tyrants befoul and bluster;

            Though citizens do their yoke bemoan,

            And the Fountain’s lost its luster:

            Someday the drought shall be broken,

            And the wondrous Waters course clean,

            One dawn the words shall be spoken,

            As the long-lost heir becomes queen,

                                                                        (Epilogue, Cascada).

            Binge reading. It’s something some readers will do when the time comes for it. If a book in a popular series is about to be released, then fans will not just re-read, but binge read those books. This happens a lot with readers of comics, graphic novels and manga, but it occurs amongst fans and readers of other genres of literature as well. Within the fantasy genre, readers have and continue to binge read their favorite series, and it happens when the series has enough books for fans to pass their time with while waiting for the next book (i.e. Harry Potter, A Song of Ice and Fire, etc.,). Yet, every once in a while, an author will put out several of their books within a short time frame so that fans and readers can read them all at once and they won’t lose track of the events of the story. Brent Weeks did it with his The Night Angel Trilogy(from what I’ve read online); and now, Sarah Kozloff is doing the same with her debut series, The Nine Realms. All four books in the series will be released within four consecutive months so readers don’t have to wait too long to learn what happens next. A Queen in Hiding is the first book in the series. 

            The novel begins with the central protagonist, Princella Cerúlia, who is eight years-old, and her mother, Queen Cressa, on a visit to Chronicler Sewell, the royal scriber and historian, for Cerúlia’s Definition—the moment when the future queen’s Talent (magical ability) manifests, and then announced throughout the kingdom of Weirandale. Queen Cressa is an Enchanter whose Talent involves gaining the truth from other people and alternating someone’s memories, and her late mother, Queen Catreena was known as “The Strategist” for being able to strategize her movements several steps ahead of her opponents. While Queen Cressa worries about her daughter’s future, she is dealing with grievances from the realm of Oromondia—which is dealing with drought and poisoned water—who accuses the Queen and Weirandale of sending poisoned food to them, which they did not do. After an assassination attempt on the royal family, the queen spirits her daughter away to the region of Wyndton. There the princella is disguised as an orphaned peasant and hidden with a family who is loyal to the throne. Cerúlia goes by the alias, Wren, the adopted daughter of Wilim and Stahlia, and sister to Percia. This happens because Cressa learns that her Lord Steward, Matwyck, arranged the assassination attempt in order to rule as Lord Regent through her daughter and then imprison her once she comes of age to rule by herself. Meanwhile, Sumroth leads an army from Oromondo through the other realms in order to obtain food and resources for Oromondia’s survival. At the same time, Thalen, the son of a potter, is accepted into the Scolairíum (a university) in the Free States where he divides his time between studying the subjects Earth and Water, and History and Diplomacy. Throughout the narrative, Cerúlia/Wren and Thalen are the protagonists who develop the most; not only because they demonstrate growth through their learning and maturity, but also because it is obvious that their stories are the most relevant to the entire series (so far). There are several minor characters who are essential to the story in their own ways: those whose remain faithful to the Nargis Throne, those who sided with Matwyck and his treachery, and Cerúlia’s foster family who remain oblivious to Wren’s true identity. These characters are just as heartwarming and memorable as the protagonists. 

            The plot of A Queen in Hiding is one that will carry throughout the entire The Nine Realms series. The Queen of Weirandale fled her kingdom with her daughter so that the Nargis Throne could not be usurped by her traitorous council. However, she is killed before she can reclaim the throne, which forces the princella to remain in exile in order to avoid capture by those who usurped the throne in the first place. The main storyline narrates the occurrence of the before and the after of the usurpation, which follows Queen Cressa’s campaign to reclaim the throne, Princella Cerúlia’s upbringing while in hiding, and the “Regency” of Lord Matwyck and the lengths he goes to in order to maintain power. There are several subplots within this novel and they’re all necessary for the plot and its development. This first is the threat of Oromondia and its army. Due to the land not being able to sustain life, the leaders decide to invade the Free States for their survival. At the same time, the fire priests who travel with the army act as the Spanish Inquisition and punish the denizens stating that their “lack of faith” caused the land to become uninhabitable. The next subplot is Thalen’s education at the Scolairíum. Thalen (and the readers) learn how each of the realms operate, why the Oromondos are invading the other realms, and why the lack of a Weirandale ruler is upsetting the balance of the world. The last subplot is how the lower-class denizens of Weirandale are handling the brutal regency of Lord Matwyck and how they avoid detection from other nobles—and how they continue to track down the princella—as they continue to hope and to prepare for the return of the new Queen. All of the subplots go at an appropriate rate with the plot, and the pacing is believable because all of these campaigns and events would develop over the course of several years. 

            The narrative is told from several points-of-view from both the protagonists and the other characters in a chronological sequence. As all of the events unfold, the narrative moves from character and setting to character and setting. This allows readers to know everything that is going on from each of the characters’ 1st person P.O.V.s and their stream-of-consciousness. Because of this flow of narration from character to character, readers are able to keep track of everything that happens within the story. In addition, readers can determine for themselves which characters’ motivations and actions are justified. 

            The style Sarah Kozloff uses for A Queen in Hiding follows the tropes and the traditions of epic fantasy with elements of reality that make the story more believable to her audience. The elements of magic and religion with the use of science and knowledge lets readers know that the author does not want either her characters or her readers to become too reliable on one factor of knowledge over the other one. This is similar to our world; science doesn’t explain everything, and different realms have different governments and cultural practices. The author’s word choice and sentence structure reflects the age, the level of education, and the location of each P.O.V. character. The author’s style for her characters and settings enriches her world and her story; and, the inclusion of science and military strategy—knowledge we take for granted—demonstrate realism and familiarity for the readers and any potential foreshadowing in the next book(s). The mood in A Queen in Hiding is chaos. Weirandale is without a queen and at the mercy of a tyrant, Oromondia believes conquest will ensure their survival, and all of the scholars and the students at the Scolairíum lack common sense when it comes to preparing for and to fighting against an army of invaders. The tone in this novel is the consequences and the results of chaos across all realms regardless of conflict and government. I should mention that I read a digital ARC of this book and there were no maps to be found in my edition of the book. They’re not necessary, but they would have been helpful to have them in the book. 

            Fans of other epic fantasy series such as A Song of Ice and Fire, The Daevabad Trilogy, The Lord of the Rings and The Priory of the Orange Tree will enjoy this series the most. This is because A Queen in Hiding focuses on one main conflict and fantasy trope of “the missing heir” while exploring several other conflicts and world-building in other settings from the points-of-view of several other characters. And, there’s a bonus: each book will be released in consecutive months, so by April 2020, readers can read the entire quartet in one sitting! If the story moves at the same pace and uses the same style as in the first book, then the appeal for The Nine Realms will be a positive one. The time and the effort of the author to write this series and to convince the publisher, Tor, to release them all in consecutive months must be lauded because one, over 2,000 pages and God knows how many characters written and presented as one chronicle is an accomplishment all on its own; and two, I already plan (and want) to read the rest of the series, starting with Book 2, The Queen of Raiders

            A Queen in Hiding is a bold debut epic fantasy novel. Sarah Kozloff creates one world with nine realms and numerous characters and conflicts which are tethered in ways that keep the attention of the readers from beginning to end (of Book 1). By the time readers reach the end of this book, they will be pleased with the short waiting period for the next one, and the one after that, and the last one.

My Rating: MUST READ IT NOW (5 out of 5)!!!

The Bittersweet Conclusions that are Coming in April 2019

Note: There are some spoilers and theories surrounding Game of Thronesand the MCU. I don’t have any knowledge of what’s going to happen in either Game of Thronesor Endgame.

Just like everyone else, I’m excited for both Season 8 of Game of Thrones and Avengers: Endgame. Both the television show and the movie are continuations of popular media adaptations of speculative fiction. Each one will pick up after a “shocking” ending, and the fandom has no idea what to expect in these upcoming installments. George R.R. Martin has announced that there will be differences in his final two books from the TV show. Marvel and Disney have announced some of the upcoming movies for “Phase Four” of the Marvel Cinematic Universe—Spider-Man: Far From Home and maybe an appearance of the Defenders (?). So yes, no one knows what to expect in April 2019 except for action and heartache. 

            Before I go into the obvious differences here are the similarities. Both Game of Thronesand Endgamewill take place after the characters suffer a major lost and are working to fight and to survive in the final showdown. Both involve forces in which there is little to no knowledge about. And, both have confirmed deaths of many of its characters. How will The North win against The Night King? What methods will be used to defeat Thanos and return the other half of the universe’s population? Who is going to die, because not everyone makes it to the end? Fans of either or both are anticipating finales that will destroy them emotionally. The actors and the actresses did admit to crying at the end of shooting their parts. Will it be the same for us? 

            Game of ThronesSeason 8 promises us epic battle sequences, lots of CGI, and several deaths. George R.R. Martin has told his readers to expect a “bittersweet” ending in the books, which should be reflected in the show. And, because the show has diverted from the books so much, it will be difficult to determine which of the minor characters are going to die. In terms of the major characters, Jamie and Cersei are definitely going to die; at least one more Stark will die; and, Winterfell will provide a winning strategy for surviving—and hopefully winning—the war. As for the minor characters, anyone is fair game. Although we didn’t see any footage in the trailer, the Battle for King’s Landing is going to be as epic as the Battle for the Dawn. 

            Less than two weeks after the premiere of the final season of Game of ThronesAvengers: Endgamewill be released in theaters. This latest entry in the Marvel Cinematic Universe takes place a few months after Thanos snapped his fingers. The surviving teammates are scattered and are brainstorming on how to defeat Thanos. There isn’t much to go on except that there will be a final showdown of some sort; Captain Marvel will make her appearance to both the Avengers and the Guardians of the Galaxy; and, at least one of the remaining Avengers—Captain America—will die. Thus, paving the way for Civil War II—read the graphic novel. However, it has already been confirmed that the characters who died before the “Snap” will remain dead (?). This plot device is there to implicate lasting repercussions to Thanos’ actions.

            April 2019 will give us the conclusions to the media storylines we want so badly, or do we? All we know about the anticipated features is that there will be a bittersweet ending to both of them. And yes, there have been clues in the previous seasons and movies, it is not clear what will happen. Unfortunately, the books don’t give us any additional hints. With human history to accompany us, viewers and fans should have an idea of how gut-wrenching these viewing experiences will be.

            I know I’ll be watching both media adaptions of these franchises; and yes, I’ll continue to read and to watch anything else related to them. But, am I prepared for the emotional train wreck that is part of these endgames? If the actors and the actresses were emotional, then what does that mean for us? All the same, I need to quench my curiosity because the buildup has been too much. I Need to Know How It All Ends!

My Theory on George R.R. Martin’s Writing “Plan” for A Song of Ice and Fire

What do you believe is going on with George R.R. Martin’s writing process?

Like many other fans and readers of A Song of Ice and Fire series, we have been waiting for a very long time for Winds of Winter. A Dance with Dragons was published in 2011, a few weeks after the first season of Game of Thrones ended. Now, the eighth and final season is being filmed, and there is still no word on the progress of Winds of Winter. The last rumor that many fans believed was that several preview chapters were pulled from the Internet for editing. Now, with the television adaptation diverging beyond the books, the only thing many of us are hoping for is that the books will continue its own narrative, and not reiterate what was changed for television too much.

Now, while I’m sure Reddit and Tower of the Hand have several theories and ideas about when Winds of Winter is going to be announced/published, and whether or not there will be three more books instead of two, this is my theory based on what other authors have said and done in similar scenarios, and G.R.R.M.’s writing style. However, I’m not familiar with all of those theories. I hear some of them when I participate in live chats on YouTube. And, for the record, I have made a similar theory/prediction in the past. I was one of a few who brought up and defended the theory surrounding the potential release date for the novel, Harry Potter and the Deathly Hallows, on 07/07/2007. As some of us may or may not remember, J.K. Rowling herself had to reject that theory.

While it has been over seven years since the fifth book in the A Song of Ice and Fire series was published, fans continue to enjoy the TV show, novellas, graphic novel adaptations, and fan chats surrounding the series. However, we remain curious as to when Winds of Winter will be released. I don’t believe there will be an additional book in the series. I believe we will get two very long novels to end it. I don’t believe George R.R. Martin will “pull a Robert Jordan (R.I.P.).” There is a children’s fantasy author and folklorist by the name of Alan Garner who released the final book in the Weirdstone trilogy, Boneland, 49 years after the release of the second novel! I doubt we’ll have to wait that long!

My theory might not be original, and many of you might want to disprove this idea immediately, but hear me out. I believe George R.R. Martin is writing both Winds of Winter and A Dream of Spring, consecutively. In other words, G.R.R.M. is writing both books as one long narrative. Remember the “split” that was A Feast for Crows and A Dance with Dragons? Maybe, G.R.R.M. is writing nonstop and without considering an “end” of one novel and a “start” of the other novel. This method of writing could prevent a longer wait period between the two novels. Also, George would not be the first author to write a long epic as “one piece.” For example, J.R.R. Tolkien wrote The Lord of the Rings as a single text. The novel was split because of the paper shortage at the end of World War II.

Why would I come up with a theory such as this? It is because of what George said about the end of his series, the “final showdown” will start in Winds of Winter and carry over into A Dream of Spring. Too much will be occurring for it to be saved for the last book. Not that I’m trying to guess the potential ending in Winds of Winter, but I believe it’s safe to say that the climax happened in A Dance with Dragons, and the falling action will be taking place starting from Winds of Winter until the “resolution” at the end of A Dream of Spring. We, as readers, might get so caught up with the action within Winds of Winter that we won’t even realize that we’ve reached the end of the novel until the end of the novel. We can only wait.

So, what does my theory about G.R.R.M.’s writing process have to do with the last two books in the series? I believe that if George is writing both novels consecutively, then there is a chance that the wait period between Winds of Winter and A Dream of Spring will be short(er). That being said, George also said that there would be three more novellas in the Dunk and Egg series. Many of us readers know that there are hints and ties between these two series. I’m not saying that we will get all of these stories within consecutive years, but I doubt that we will have to wait five years or more in between the two novels. Maybe we’ll get an announcement after the final season of Game of Thrones premieres or ends? We can only wait.

My Plans for 2019

            2018 has been a reflective year for me because I was able to prove my resilience through my writings and my other creative projects. However, I realized that when it came to the literary market, I had a lot of reading to catch up on. Blogging about the books I enjoyed reading and sharing pictures of the literary events I attended have been a great experience, and I plan on continuing to do both in 2019. This means I’ll be doing more reading, posting, and sharing of the books I read. I’ll share more photos of the literary events I attend, too. I don’t want to say that I will post articles and reviews on my blog every week, but I will aim to post content a few times a month. And, I’ll be expanding my blog to include additional topics surrounding literature such as media adaptations and genres of literature that are not speculative fiction. 

Keep Up with My ARCs and Review Them On Time

            Last year, I joined NetGalley and volunteered to read books by authors for review on retail websites (i.e. Amazon, B&N, etc.). Now, I have not been able to keep track, read, and review all of the books I said I review last year (I still have to complete the ones I missed), but I plan on reviewing as many of those books on time. In addition, I’ve been in contact with authors and I agreed to read and to review their ARCs. Many of the stories I read and review are worth reading, and I said so to other readers. 

            I already started reading my ARCs for 2019 with plans of completing most, if not all, of them. Like I said, I’ll be reading, reviewing and sharing other genres of literature as well. I will continue to let you know whether or not those books are worth reading. Yes, I take requests and I will make time to read your ARCs if you ask me to. 

Keep Up with my Social Media Pages

            I’ve put more work and effort into my blog and my social media pages. This blog is running more actively, my Goodreads page gets updated daily, and my social media accounts are more active with more friends and more followers (I thank you all for your support). I have started a Patreon account, which I hope to get running within the next few weeks. I will keep up with all I mentioned earlier with the new content on a more regular basis. My hope is that this becomes more than what it is at its current state. 

Read 100 Books and Share Them on My Goodreads Page

            In 2018, I read 70 books—based on my Goodreads page—and I know that I read more than that amount. This is probably because the books I reviewed made it to all of my social media pages. Sometimes you read a book just for “fun,” or for a “quick read.” You don’t think of sharing every book you’ve read, but sometimes you forget to mention it at all to other readers. Because of Goodreads, I am aware of the benefits of sharing those reads with other readers such as: meeting new people, attending books events, and learning about more books. It’s not that I want to share ALL of the books I read on Goodreads, but I will definitely include more of the books I enjoy the most on my page!

Some of the Books I Plan on Reading

Books Released in 2018 that I did NOT get to read: Speculative Fiction

Graphic Novels I Need to Catch Up On

Noteworthy (and Completed) Trilogies

“Classic Works” of Speculative Fiction

ARCs & Sequels

Upcoming Releases

Titles that Piqued My Interest

YA Books I Want to Read

Non-Speculative Fiction Books

Non-Fiction Books

Let’s have fun reading together in 2019!

Why You Need to Read: These Books While Waiting for “The Winds of Winter”

Many readers recall waiting for the next book in a series whether or not it is a novel, a graphic novel, or a novella. Harry Potter usually comes to mind due to the phenomenon experienced throughout the 2000s, but there are other series that fans wait for with anticipation, patiently. George R.R. Martin’s A Song of Ice and Fire is one of those series. Due to the success of the show, Game of Thrones, the number of readers has increased, significantly. Unfortunately for Martin, this means that the pressure is mounting and readers have become more demanding for the next book in the series, The Winds of Winter. The fifth book, A Dance with Dragons, was released in 2011; and, with the television adaptation ending in 2019; the hype surrounding the next book continues to grow.

So, what do readers who are waiting for a book do? Simple, we read other books from either his or her contemporaries, or recommendations from friends or other fans. I’ll be listing suggested books and series you should read while waiting for The Winds of Winter. There are plenty of books to read, but which ones should you read? Besides books by Tolkien, Lewis, L’Engle, King, Jordan, Sanderson, Rowling, Herbert and Baum, there are so many books under the speculative fiction and magic realism genres for us to enjoy. And, readers can read these books and learn for themselves why these other books are just as essential to read as those written by the authors mentioned earlier.

This list is NOT my “favorites” because that list changes all the time. In addition, I will be including books in which I’ve finished reading. So, if there is a book that is NOT listed in this list, then it means either I have not yet read it, or I’m currently reading it and have not finished it. Also, I’m not including novellas or short stories here because that is a list for another time. This list contains suggestions I give to many people who know about my enthusiasm for reading, and are listed in no particular order. These books are available in print, in eBook, or at your local library.

Honorable Mentions

The Bear and the Nightingale (2017) by Katherine Arden

This is Katherine Arden’s debut novel, which is a blend of fantasy, folklore, and magic realism of the Russian culture. The novel is a retelling of the story of “Vasilisa the Beautiful,” which I’m learning more about while reading through the series. The novel, the first in a trilogy, follows Vasya, from her birth and early childhood to her adolescent years. Readers learn about Vasya’s family, culture, magic, and changes in her society—particularly Russia’s conversion to Christianity—during the mid-14th century. I recommend this book for fans of fairy tales, Russian history, and Slavic mythology.

Alanna: The First Adventure (1983) by Tamora Pierce

This is Tamora Pierce’s first novel, which is set in her world of Tortall. Alanna and her twin brother, Thom, switch places for their schooling. Thom goes to magic school to become a mage and Alanna goes to begin her training to become Tortall’s first female knight in 400 years. In order to accomplish this, Alanna has to disguise herself as a male. This novel provides readers with Alanna’s schooling, training, and developing into a woman (which she has to find ways to conceal). In addition, readers will learn about Tortall, which the author has spent the past 35 years building, creating, and expanding. There are several other books that occur in Tortall, with its own history and timeline.

Monstress, Vol. 1: Awakening (2016) by Marjorie M. Liu & Sana Takeda (Artist)

Told by Marjorie M. Liu and illustrated by Sana Takeda, this volume contains issues #1-6. This graphic novel follows Maika Halfwolf, a 17 year-old survivor of a war between humans and magical beings known as Arcanics. Maika is suffering from both amnesia and PTSD from the war and her mother’s “research” that may or may not be responsible for her powers, and her blackouts. This beautifully illustrated steampunk horror story is a hybrid of Eastern and Western storytelling, supernatural elements, and art style.

Brave Story (1987) by Miyuki Miyabe

I’ll risk the criticism and call this novel the “first LitRPG”! This entwicklungsroman novel is from Japan and it follows Wataru Mitani, a young boy who goes on a magical quest in order to change his fate. However, he has to complete the quest before his classmate, Mitsuru Ashikawa, beats him to it. Similar to a RPG, Wataru travels to another world, meets companions, fights monsters in order to reach the end of the journey for the ultimate showdown. This fantasy novel includes social and familial issues children deal with on a regular basis, which makes it more enjoyable for fans of low fantasy.

Haroun and the Sea of Stories (1990) by Salman Rushdie

This novel is the first in a series by award-winning author, Salman Rushdie. When Haroun’s father loses his ability to tell stories, which is his profession, Haroun travels to the place where his father gets his stories, only to learn that the entire kingdom is in distress. Haroun is both the protagonist and the witness to the events within this novel. Salman Rushdie plays with everyone’s notions surrounding fairy tales, fantasy worlds, and magic.

1) The Harbinger Series: Storm Glass (2018) by Jeff Wheeler

The most recent book on this list is by Jeff Wheeler, an underground fantasy author who is very popular amongst the Kindle Unlimited subscribers. He has several fantasy books in multiple series that are interconnected. The Harbinger Series is Wheeler’s latest series and Storm Glass is the first book. If you’re new to Jeff Wheeler, then he recommends that you read this series before reading his other ones.

Storm Glass is told from the point-of-views of two 12 year-old girls from different backgrounds. Cettie is an orphan living in a foster home in the worst district in the city, until a wealthy politician and his family take her in. Sera is a princess who is living a sheltered, but unhappy life above the clouds. Both girls start to change their destinies against a rigid society that attempts to halt them over and over again. The girls realize quickly that their individual lives were never the most complex ones. Each social class has its own dilemmas.

Fans of A Song of Ice and Fire will appreciate the political discussions, the world building, and the complexity of all the characters. The fact that two 12 year-olds are faced with these adult issues and challenges reminds us that children are pawns in the struggle for power, too. The first book ends with a subtle cliffhanger, but fans and readers will remember that power is a continuous affair.

2) Vicious: Villains: Book 1 (2013) by V.E. Schwab

This unique and immersive story is Schwab’s first adult novel. The following influences the story: X-Men, Frankenstein, and The Count of Monte Cristo, toxic families, and toxic masculinity. Told in a narrative that alters between the past and the present, the author builds up a plan of revenge through the points of view of all of the characters, most of who have Extra Ordinary abilities gained from near death experiences.

Victor Vale and Eli Ever will remind readers of pairings such as Professor X and Magneto, Batman and the Joker, and The Punisher and Daredevil. Victor and Eli met and became frienemies at college. When the two decide to experiment with the ideas surrounding EOs for an assignment, both men gain very different abilities at great costs. 10 years later, both men are at opposite ends of the same side, the bad side. Readers learn everything that has happened to both Victor and Eli throughout that time period as well as what is supposed to happen when the two men meet up again. And, it’s everything and nothing you’d expect!

Readers of A Song of Ice and Fire should keep in mind that Victor Vale and Eli Ever could be compared to Varys and Littlefinger (you decide who is who). The cunning of these males are obvious and their traumas are relatable, yet the readers wonder if the ends justify the means. And just like A Dance with Dragons, only the sequels will give readers a closer look into these men. Vengeful is out now for those who crave more from these toxic males, and the author.

3) The Sandman Volume 1: Preludes & Nocturnes (1989) by Neil Gaiman, Sam Kieth   (Illus.), Mike Dringenberg (Illus.), Jill Thompson (Illus.), Shawn McManus (Illus.), Marc Hempel (Illus.), Michael Zulli (Illus.), Dave McKean (Illus.), and many other illustrators

Just about everyone has heard about this graphic novel series. But, how many people have actually read this series? This story follows Dream, a male who controls every aspect of dreams, as he does his “job” while interacting with various people and beings in the past and in the present. Each of the 10 issues illustrates Dream as he performs his “job” and displays his importance to humanity. The story is told by Neil Gaiman and is illustrated by a slew of talented artists.

Now available in a new printed edition, The Sandman Vol. 1 follows Dream as he is captured and released from a magical prison. Throughout this volume, readers learn of the severe consequences humanity suffers due to The Sandman’s imprisonment. Then, readers see how Dream deals and works through the damage control surrounding those affected by Dream’s absence. Dream even makes a journey to Hell.

Fans of George R.R. Martin will appreciate how Gaiman tells both the story and the consequences of humans messing around with “higher powers” and “the unknown.” If you decide to continue reading this series, then you will notice similarities found in the world building of the supernatural and the magic. The figures behind such powers will have readers wondering whether or not they should get involved with such things.

4) Percy Jackson and the Olympians: The Lightning Thief (2005) by Rick Riordan

While many of us have heard of this popular series, how many have actual read the books, especially the first one? Rick Riordan writes a combination of “What if…” and “mundane/within our world” fantasy with modern-day children. The ancient gods still live, and they now reside in the United States. Percy Jackson is 12 year-olds, never met his father, hates his stepfather, suffers from dyslexia and ADHD, and gets expelled from school every year. Suddenly, he’s accused of stealing from Zeus, the King of the Greek Gods, and has to travel cross-country to prove his innocence. Think of it as Neil Gaiman’s American Gods, but for younger readers.

This book, the series, the sequel series, and the spinoffs should be read because of the references to the myths, the cultures, and the histories mentioned throughout the series. Myths are religious beliefs and customs followed by groups of people. Religion is the forefront of myths because people pray and worship their god(s) or goddess(es). History is a chronological list of events of the past, which allow for current generations to look at both the hindsight and the repercussions of those events. In addition, legends and heroes are added to the tales within the cultures’ mythology. Sound familiar?

George R.R. Martin’s influences come from ancient and modern mythologies and legends: Norse, Greek, Arthurian, Christianity, etc. Why not read a popular series that explains these influences? Riordan has written series about the Greek and the Roman, the Egyptian, and the Norse myths. Plus, he supports and recommends similar series about other world mythologies such as those written by Roshani Chokshi, Nnedi Okorafor, and Jonathan W. Stokes.

5) Battle Royale: The Novel (1999) by Koushun Takami

This novel gets lost between Lord of the Flies and The Hunger Games. And, since both novels are required reading in school, why not pick up another book about a dystopian society in which children are forced to kill each other? This import from Japan is an updated version of William Golding’s text, but with the emotional brutality of Suzanne Collin’s trilogy.

After being abducted and forced to compete in “the most dangerous game,” 42 15 year-old Japanese students make the choice on whether or not to participate. The chapters are told from the point-of-view of several of the characters, thus having the readers realize why certain students are the way they are. This setup of the characters’ past is similar to A Song of Ice and Fire.

Just like in George R.R. Martin’s series, readers get into the heads of the teenagers in Battle Royale, and they decide on whether or not to emphasize with them. Even though the setting is dystopian, the issues and the experiences of the students are current and real. Yet, it is understandable if a reader wishes to continue disliking a character because he or she believes that someone’s past and previous experiences does NOT justify that character’s actions. Not to mention, the pacing is appropriate and believable and matches the mood of the book.

6) Uprooted (2015) by Naomi Novik

Naomi Novik has been writing and publishing books for over ten years with her Temeraireseries. Yet, she has expanded her fan base due to her latest books, which focuses on what societies know about heroes, legends, magic, and fairy tales and adds the element of realism to them. Uprooted is one of Novik’s novels that follow this method of storytelling.

Loosely based on Beauty and the Beast, Agnieszka is chosen to serve a wizard known as “The Dragon” as a form of compensation for him protecting her village from “The Corrupted Wood.” Agnieszka must serve The Dragon for ten years by assisting him with reducing the power of The Wood. During her service, she learns how to use magic, how to make her way in the royal court, and how to live with the consequences that is her magic.

This novel is similar to George R.R. Martin’s series in that heroes are not always heroic, nature can be dangerous, magic comes at a cost, and power writes history. “Magic has a cost” is the central theme in this novel, just like in A Song of Ice and Fire. Also, the characters question the motives of the trees within the forest: The Wood and The Old Gods. Are there more to them than the characters and the readers realize?

7) Who Fears Death (2007) by Nnedi Okorafor

Fans of the Binti trilogy and the Akata series need to read Who Fears Death, the award-winning magic realism novel. Yes, this is the author who was with George R.R. Martin at the 2018 Emmy Awards, and it’s because HBO is adapting this novel for a television series with George R.R. Martin as an executive producer. This book is a gift given to us by its author, Nnedi Okorafor.

This story follows the life, the education, and the quest of Onyesonwu, whose name literally means “Who Fears Death?” She and her mother are labeled outcasts (because Onyesonwu is an “Ewu,” a mixed child of rape and violence), but they manage to find a home with Onyesonwu’s adoptive father, whom she tries to resurrect in the first chapter of the novel. Growing up, Onyesonwu learns about her “Eshu,” shape-shifting and magic abilities, and is determined to be taught by Aro—a sorcerer—about her powers, her biological father, and her destiny.

Just like George R.R. Martin, Nnedi Okorafor combines (African) history and culture into an epic tale that is part fantasy and part reality. Everyone is a victim of war, tradition, fear, and death. Expectations are met and the unexpected will keep readers engrossed. War, gender roles, and power make the story what it is as well.

8) His Dark Materials: The Golden Compass/The Northern Lights (1995) by Philip Pullman

Philip Pullman is known as “The Most Dangerous Man in England,” J.K. Rowling’s counterpart,” and “a well-known atheist.” In addition, he is an Oxford professor and an award winning children’s author. Pullman is currently one of six authors to win both the “Guardian Children’s Fiction Prize” and “The Carnegie Medal” for the same book: The Northern Lights, or as it’s known in the U.S., The Golden Compass.

First published in 1995, this steampunk novel is an allusion—or, subtle connection to other works of literature—to John Milton’s Paradise Lost. Ironic, isn’t it? Furthermore, it could be argued that Pullman’s series is his response to Tolkien’s Middle-Earth and Lewis’ Narnia series. This first novel in the trilogy follows 11 year-old Lyra Belaqua, an orphan who goes on a journey to rescue her friend and other children from a religious order within her world, a world that is parallel and similar to our world.

The subplot of this trilogy is the cause and the effect religion has in a society. George R.R. Martin writes about various religions and about both their followers, and their fanatics. Unlike Martin, Pullman focuses on the darker side of Christianity. I’m not saying that I’m against Christianity, but every religion has its darker moments throughout history.

9) The Kingkiller Chronicles, Day 1: The Name of the Wind (2007) by Patrick Rothfuss

Fantasy fans have heard of this book, and if you have not read it yet, then you are really missing out on a great story. Patrick Rothfuss’ debut novel—which took 15 years to write—follows Kvothe, the protagonist, as he recalls the events of his childhood from youth to orphan to hero to expelled student. Do not let the length of the novel intimidate you. The story and the world building will seize you and leave you wanting more.

This novel looks into the making of a “living hero” and the “semi-retirement” of our protagonist Kvothe is a gifted individual who shows promise of what he’ll become eventually. He does attend a university to learn magic, which has its own rules and structure. Rothfuss incorporates realism by including the conviction, the trauma, and the struggles the protagonist faces as he grows up. In addition, readers learn a bit about the main antagonist, The Chandrian, through the author’s world building. There is a lot more to Kvothe’s world and past than Rothfuss lets on.

And, like George R.R. Martin, fans and readers have been waiting for the next and final book, Doors of Stone, to be released. In other words, fans of both Martin and Rothfuss will be able to relate to each other because both groups have been waiting for the next book for years! This is wishful thinking, but maybe we’ll get both The Winds of Winter, and Doors of Stone in the same year! Or, maybe Lin-Manuel Miranda will release his version of a soundtrack to The Kingkiller Chronicles!

 

10) The Broken Earth: The Fifth Season (2015) by N.K. Jemisin

This award-winning novel from the award-winning trilogy is one of my favorite books of all-time! And, if you have not read The Fifth Season yet, then I suggest you do so immediately! Speculative fiction is changing and this novel is one of many behind the new popularity of this genre of fiction!

In the distant future, where the Earth suffers long-term damage from earthquakes and volcanoes, people with the power to control the planet’s stability are enslaved in order to prevent the planet from destroying its life forms. You learn about the world, its history, and its culture from various characters told from multiple points of view. As you get further along in the story, you realize that not only do you become attach to all of the characters and understand their motives, but also recall everything you learned back in your high school science classes!

This book will remind fans of George R.R. Martin as to why characters are just as important to the story as the world building. You cannot have one without the other. The people make the world and its many societies, and the world and its societies determine what happens to its people. The world is already broken, and the people must decide on whether or not it should be fixed.

Those are some of the many books I recommend for you to read while we continue waiting for The Winds of Winter. These recommendations, and their sequels, should be enough to occupy your time while we continue to wait for the 6th book—remember, the 7th and final book in the series, A Dream of Spring, will have its own separate waiting period. As you read, there are several books to choose from, and there are more that I was not able to mention because I wished to keep this list short. All genres and sub-genres were mentioned in this list because their stories are captivating whether or not it’s meant for children, adults, graphic novel readers, or folklore fans.

The settings and the influence surrounding these stories should make you aware that each region and culture on planet Earth has influenced the way these authors present their stories to us. Plus, reading other contemporary works of George R.R. Martin will provide insight to what we—as fans and as readers—can and cannot expect from these modern speculative authors. These are stories of how society affects the characters and their world with magical and spiritual elements.

Please either message me on social media, or in the comments below on what you think of my recommendations. Have you read any of these books? Which ones are your favorite from this list? Is there a book I forgot to mention, or that you recommend I should read? What would your choices be? Please let me know.