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Why You Need to Read: “The Ten Thousand Doors of January”

The Ten Thousand Doors of January

By: Alix E. Harrow

Published: September 10, 2019

Genre: Fantasy, Historical Fiction, Coming-of-Age

            I almost didn’t notice the Door at all. All Doors are like that, half-shadowed and sideways until someone looks at them in just the right way, (1, The Blue Door). 

            Portal fantasies are one of the many subgenres in fantasy fiction, going back to the emergence of the genre. Popular portal fantasies include: C.S. Lewis’ The Chronicles of Narnia, L. Frank Baum’s Oz series, Philip Pullman’s His Dark Materials, and—more recently—the Wayward Children series by Seanan McGuire and Shades of Magic by V.E. Schwab. Academic scholar Farah Mendlesohn defines portal fantasy as, “a fantastic world entered through a portal,” (xix). Note how the definition does NOT state that it has to be “our” world. Alix E. Harrow, author of The Ten Thousand Doors of January and recent Hugo Award recipient for Best Short Story—“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies”—reminds readers that portal fantasies can lead from one world to our world (planet: Earth, galaxy: Milky Way).  

            January Scaller is our protagonist. She tells her story of growing up in Vermont at the start of the twentieth century. January is the ward of Mr. William Cornelius Locke, a billionaire and an archaeologist. Her mother is deceased and her father, Julian Scaller, is a scholar who is employed by Mr. Locke to search for and to collect artifacts for him. Throughout her childhood, she’s kept under Mr. Locke’s watchful eye with only her childhood friend, Samuel Zappia; her father’s appointed guardian for her, Jane Irimu; and, her dog, Sindbad. January doesn’t know much of what is happening around her, until the day before her 17th birthday when she finds a leather-bound book titled: The Ten Thousand Doors. That book introduces January (and readers) to Adelaide Lee Larson—a woman born during the Reconstruction Era—and, to Yule Ian Scholar—a man from the City of Nin in the year 6908, who is the author of the book January finds—and their encounters with Doors and each other. Both Adelaide and Yule Ian have different experiences surrounding Doors, and January—who shares the same curiosity as them—learns more about these other worlds through them. However, this book reveals the truth of her father’s “work” as well as Mr. Locke’s “intentions” for her. From there, January discovers and uses this information to break away from her guardians and to repair the damage that’s been stricken to her loved ones. January’s coming-of-age story stands out more than other ones I’ve read recently; and, I couldn’t stop learning along with her. 

            The plot in the novel surrounds January Scaller’s unique upbringing. Because her father travels around the world while working for Mr. Locke, January was always left behind. And yet, January had tutors and would travel to places around the world with Mr. Locke; not to mention, Mr. Locke disapproved of January’s companions. It’s as if Mr. Locke is afraid to have January out of his sight. Throughout her childhood, January is Mr. Locke’s “good girl,” but longs for her father’s affections. This comes to an end when 3 events happen around and on January’s 17th birthday: her father disappears, she finds The Ten Thousand Doors, and she learns of Mr. Locke’s plans for her life. From there, January must find a way to escape her guardians and discover the truth surrounding Doors and her father’s connection to them. There are 2 subplots in this novel. First, is the story of Adelaide and Yule Ian and their discoveries about Doors and other worlds. Second, is the way January, Samuel, and Jane survive in a society that is dominated by wealthy, Caucasian males who do all they can to control other people. The subplots are intertwined with the plot, and everything comes together, slowly; yet, the pace of the development fits the story the author is telling. 

            The narrative in The Ten Thousand Doors of January consist of 3 different points-of-view: January Scaller, Adelaide Lee Larson, and Yule Ian Scholar. The entire novel—except for the Epilogue—is told in flashback. January’s narrative is told in the past tense in stream-of-consciousness, Adelaide’s narrative is written as a biography, and Yule Ian’s narrative is written as a journal. The sequence of these narratives takes some getting used to but, readers will be able to follow along after the first few chapters. Readers are led to believe that all of the narrators are reliable because the story is told from their P.O.V.s. 

            The way Alix E. Harrow tells her story is a combination of “tradition” with allusion alongside history. In the “tradition” of portal fantasy, “‘the journey’ serves to divorce the protagonists from the world,” (Mendlesohn 7). In other words, the protagonist must separate themselves from their “home” world and travel to another world. In this novel, several worlds are mentioned and traveled to, but there is a strong hint (the title) that there are a lot more. In terms of allusion, the names January and Sindbad, Locke and Scholar are not given by accident. These names serve as epithets to the story being told. The mood is oppression and the tone is escapism. In the midst of the novel is the setting. January turns 17 in 1911. During this time, racism, sexism, and imperialism were practiced throughout the world. January, Julian, Samuel, and Jane are victims of these societal practices. The author uses our history to explain why some individuals would desire either to leave, or to travel to our world. If someone who was suffering under the societal hierarchy was given a chance to live elsewhere, then who is to say that they shouldn’t take the opportunity? The author wants readers to question the existence of other worlds. 

            This novel will appeal to fans of fantasy, especially portal fantasies. The Ten Thousand Doors of January is a reminder that adults can travel to other worlds as well as children. This is a standalone novel, so there is a chance that it could fall behind in the popularity of similar books that are in a series. Yet, because this novel explains the concept of other worlds in existence (not just one), I believe this novel will be read and enjoyed by many readers. Plus, the author just won a Hugo, so I doubt this book will ever fade from popularity. 

            The Ten Thousand Doors of January is a beautiful debut novel about other worlds, love, and sacrifice. It does take a while for the story to pick up, but once it does, readers will learn about other and new worlds that never crossed their minds. The protagonist grows from a suppressed and isolated individual to a world trotter makes for a believable, yet traumatic, bildungsroman story. Alix E. Harrow is an author with more worlds to present to readers, and I can’t wait to learn about all ten thousand of them!

My Rating: Enjoy It (4.5 out of 5)!

This is because Alix E. Harrow said I had “neat” handwriting.

                                                            List of Works Cited

Mendlesohn, Farah. Rhetorics of Fantasy. Middletown, CT, Wesleyan University Press, 2008.

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Why You Need to Read: “Gods of Jade and Shadow”

Gods of Jade and Shadow

By: Silvia Moreno-Garcia

Published: July 23, 2019

Genre: Fantasy, Folklore, Historical Fiction, Mythology

            Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams, (Chapter 1). 

            I read this ARC in 4 days (finishing it after midnight on the 5thmorning)! I was that engrossed in this story that reminded me of both Isabel Allende and Gabriel Garcia Márquez with story elements similar to both Rick Riordan and Katherine Arden. Gods of Jade and Shadow is a beautiful blend of history, culture, and mythology. Anyone who is a fan of standalone works such as The Wolf in the Whale and The Sisters of the Winter Wood will love this book by Silvia Moreno-Garcia. 

            There are 4 protagonists in this story, but the focus is on Casiopea Tun. She is the granddaughter of Cirilo Leyva, the wealthiest man in town, but you wouldn’t know it based on her appearance and her demeanor. Because her mother had married a poor native man—who later died—both Casiopea and her mother live as servants to their family. Casiopea and her mother clean and cook for their relatives while the rest of the family live comfortably according to their socioeconomic status. All the while, Casiopea’s cousin, Martín—who is also Cirilo’s only grandson and 2 years older than Casiopea—entertains himself by bullying Casiopea. Unlike Casiopea—who is pragmatic, yet hopeful—Martín is the traditional spoiled heir who has nothing else going for him except for his family name and the wealth that comes with it. He wants nothing more than his grandfather’s approval, which he never earns, and he believes his cousin has it (which she doesn’t). After a spat between the two cousins, Casiopea opens a mysterious chest under her grandfather’s bed with the key he left behind. When she opens the chest, she finds a pile of bones that revive into Hun-Kame, Lord of Shadows and rightful ruler of Xibalba, the Mayan Underworld. Casiopea learns that Hun-Kame was betrayed and imprisoned by Vucub-Kame, his twin brother. Immediately, Casiopea is traveling with the god in order to locate his missing essences and to help him regain his throne. The twin deities, Hun-Kame and Vucub-Kame are static characters (for the most part) because they are gods who have personas which are not affected by any change. Martín Leyva is a complex character who is forced to confront his demons, his family, and his insecurities, but that doesn’t mean he becomes a better person. It is Casiopea Tun who undergoes the most character development throughout the story.     

            The plot is part folklore and part bildungsroman. The folklore aspect of the plot follows the Hero’s Quest in that Casiopea leaves her home and goes on a “divine” quest. Except, Casiopea is compelled to accompany a god on this journey, and she doesn’t have anything forcing her to remain at her home. The bildungsroman, or coming-or-age story, surrounds both Casiopea and Martín. The growth these characters undergo happens because they leave home. Casiopea sees her chance to see the world and to experience new things; Martín, who had left his home once before, has no choice but to have these experiences. I’m not saying that Martín doesn’t need the experience that comes with leaving home, but it’s obvious that the growth won’t have the same positive effect on him the way it will have on Casiopea. The twin deities play their roles as gods, limited direct interference, which is expected. The subplot in this novel is family and family dynamics. Even though the setting is Mexico in 1927 (during The Jazz Age), some things remain universal and unchanged. There is nothing new about the spoiled heir and the “half-breed” child, but Moreno-Garcia makes sure that the long-term effects of such treatment and behavior remains realistic and believable. Martín, and the rest of the Leyva Family, know he’s not the heir anyone wants, but he’s the heir nonetheless, so the family finds it easier to indulge him rather than to curb his behavior. Casiopea, who is mistreated by the entire family, has a poor relationship with her mother because she never comes to Casiopea’s defense whenever she is abused by a relative. While both mother and daughter do care for each other, the relationship is strained. Casiopea goes on her adventure without hesitation because she has neither loyalty, nor emotional ties to her family. While there is both plot development and character development, the subplot of family develops and affects the plot within the story.  

            The narrative is an interesting one. First, there are multiple 1stperson point-of-view’s, and all 4 narratives are reliable because each character admits to his or her flaws and strengths during their P.O.V chapters. Next, the locations mentioned within the novel—with the exception of Uukumil(?)—are real places throughout Mexico. Readers can pull up a map of Mexico and follow the journey of the two adversaries throughout the narrative. Last, each of the characters provide both flashbacks and stream-of-consciousness throughout the narrative. Providing thoughts of both the past and the present not only allows readers to know what the characters are thinking at that particular moment, but also how and why they all think the way they do. This narrative method provides an understanding of each of these characters while allowing readers to choose for themselves whether or not they like, dislike, pity, etc. each character. The author incorporates all of these narratives into the story, yet it makes the story that much easier to follow along.

            The style Silvia Moreno-Garcia provides is a mixture of history, culture, and folklore. The historical events mentioned throughout the novel—automobiles, the Charleston, Prohibition, etc.—provides the mood of the story, which is modernity brings change. Each location throughout the story elaborates the clothing, the music, and the hustle and bustle illustrates how far behind the town of Uukumil is compared to the rest of Mexico. The culture reminds and informs readers that Mexico is a big country with a rich culture, but what Northern Mexico practices is not practiced in Central and Southern Mexico (necessarily). The folklore, while Mayan mythology is the main focus, fairy tales—such as “Cinderella”—is mentioned over and over. The author does an amazing job explaining Mayan mythology, Mexican culture and history, and pop culture, she mentions both fairy tales and poetry as cautionary tales to staying pragmatic no matter what is occurring in your life. In fact, that is the tone of the novel, staying humble regardless of any life changing events both positive and negative. Readers see the consequences of both examples within the story, and that moral is relevant in our modern times.

            The appeal surrounding Gods of Jade and Shadow are already positive (remember, I read an ARC of this novel). The book received advanced praise by critics and authors alike. And, it has been called one of the “Best Books of the Month” by Amazon and Barnes & Noble Sci-Fi & Fantasy Blog for July 2019. I did mention that fans of mythology-inspired fantasy will enjoy this novel the most. I should mention that several years ago, many people throughout the world became obsessed with Mayan culture and history when it was believed the world would end in 2012. This novel would appeal to them, too. This book can be read over and over again, and it belongs in the canon of mythological fantasy alongside Circe and American Gods. Fans of historical fiction will enjoy this novel as well. 

            Gods of Jade and Shadow is an informative and entertaining story about change, tradition, desire, and family. The honor of it being called one of the “Best Books of 2019” are not just words, but fact. This book is definitely one of my favorites of 2019. Silvia Moreno-Garcia conducts a grim, but magical journey throughout Mexico while reintroducing what we forgotten from our world history class. This novel is one of the best stories that balance fantasy and reality in recent years. This is an enjoyable story for readers of multiple genres.

My rating: MUST READ IT NOW (5 out of 5)!!!

TV Episode Review: “Deadly Class: Sink with California”

Note: There are some minor spoilers in this review. You have been warned. 

This season finale is separated into two parts. One, being Marcus and his crew invading Chester’s stronghold in order to stop him and his crew, and to retrieve Chico’s body. And two, Master Lin running from the Cartel with his daughter in tow. Marcus’ storyline follows the graphic novels, while Master Lin’s storyline allows viewers and fans to learn more about the Headmaster’s convictions. 

Marcus and his friends—minus Willie—attack the house but learn quickly that Chester and his crew are formidable forces. The fight scenes and the dialogue are straight from the graphic novel. However, Chester’s monologue with his camcorder allows Marcus and viewers to learn more about him…before he dies. Chester reiterates how society is to blame for his actions and his lifestyle (the same B.S.); yet, Marcus tells him that’s no reason to take his frustrations on other people. Ironically, when Chester is killed by one of his “friendly” dogs, it is safe to say that Chester’s notions got him chewed up by his same philosophy. 

The fighting isn’t just between Marcus and Chester, Maria and Saya have some words and strikes against each other about their actions and feeling towards Marcus. Maria still hasn’t realized how much her friends are risking because of her actions. Saya—while admitting to sleeping with Marcus—feels she doesn’t have to explain herself to someone as selfish as Maria. While this sounds like typical adolescent girls fighting over a boy, it is important to know Saya and Maria were brought to King’s Dominion for a reason. Saya tells Maria that she still hasn’t figured out what she’s supposed to do and decides to leave Maria to figure it out by herself. But first, she and Marcus will have to escape the Cartel.

Meanwhile, Master Lin continues to feel the wrath of the Cartel. Now, this doesn’t happen in the graphic novels, but it is interesting to see how and why King’s Dominion is run the way it is, and to learn more about any potential relatives Master Lin may or may not have. This storyline is obvious, Master Lin and his daughter run to avoid gunshots, Master Lin manages to fight off those on foot, and father and daughter make it back to the school, where his sister, Master Gao, notices the errors of her brother’s actions. Master Gao does what her brother should have done, send his daughter to the “Temple” for her training. Now, this choice is a reminder to what happened to both Maria and Saya when they were the same age as Master Lin’s daughter. However, Master Lin should have taken more precautions in protecting his daughter by training her himself. What happens to Master Lin and Master Gao at King’s Dominion will remain a mystery until Season 2—if there is one.

For viewers who enjoyed Sink with Californiaand are curious to the ending—where Chico’s father meets Maria and Marcus at Chester’s stronghold—then I should let you know that that does occur in the graphic novel. However, I won’t tell you what happens next. You’ll either have to read the series, or wait for the next season. As for Willie, I have no idea what’s going to happen to him.

This season final offers the end of the plot of Marcus attending and adjusting at King’s Dominion School of the Deadly Arts. Marcus made friends with several of his classmates, and they’ve entertained themselves by traveling to places any adolescent would go to if given the chance and killing people while they were at it. Marcus managed to end his feud with Chester and can go back to being a student and not a fearful homeless kid. Unfortunately, life doesn’t work out the way we want them to, and Marcus should know that better than anyone else. And, with the two cliffhangers, all we can do is wait and see how Marcus will survive these next obstacles.

Note:A review of Season One will be available soon. 

The Bittersweet Conclusions that are Coming in April 2019

Note: There are some spoilers and theories surrounding Game of Thronesand the MCU. I don’t have any knowledge of what’s going to happen in either Game of Thronesor Endgame.

Just like everyone else, I’m excited for both Season 8 of Game of Thrones and Avengers: Endgame. Both the television show and the movie are continuations of popular media adaptations of speculative fiction. Each one will pick up after a “shocking” ending, and the fandom has no idea what to expect in these upcoming installments. George R.R. Martin has announced that there will be differences in his final two books from the TV show. Marvel and Disney have announced some of the upcoming movies for “Phase Four” of the Marvel Cinematic Universe—Spider-Man: Far From Home and maybe an appearance of the Defenders (?). So yes, no one knows what to expect in April 2019 except for action and heartache. 

            Before I go into the obvious differences here are the similarities. Both Game of Thronesand Endgamewill take place after the characters suffer a major lost and are working to fight and to survive in the final showdown. Both involve forces in which there is little to no knowledge about. And, both have confirmed deaths of many of its characters. How will The North win against The Night King? What methods will be used to defeat Thanos and return the other half of the universe’s population? Who is going to die, because not everyone makes it to the end? Fans of either or both are anticipating finales that will destroy them emotionally. The actors and the actresses did admit to crying at the end of shooting their parts. Will it be the same for us? 

            Game of ThronesSeason 8 promises us epic battle sequences, lots of CGI, and several deaths. George R.R. Martin has told his readers to expect a “bittersweet” ending in the books, which should be reflected in the show. And, because the show has diverted from the books so much, it will be difficult to determine which of the minor characters are going to die. In terms of the major characters, Jamie and Cersei are definitely going to die; at least one more Stark will die; and, Winterfell will provide a winning strategy for surviving—and hopefully winning—the war. As for the minor characters, anyone is fair game. Although we didn’t see any footage in the trailer, the Battle for King’s Landing is going to be as epic as the Battle for the Dawn. 

            Less than two weeks after the premiere of the final season of Game of Thrones, Avengers: Endgamewill be released in theaters. This latest entry in the Marvel Cinematic Universe takes place a few months after Thanos snapped his fingers. The surviving teammates are scattered and are brainstorming on how to defeat Thanos. There isn’t much to go on except that there will be a final showdown of some sort; Captain Marvel will make her appearance to both the Avengers and the Guardians of the Galaxy; and, at least one of the remaining Avengers—Captain America—will die. Thus, paving the way for Civil War II—read the graphic novel. However, it has already been confirmed that the characters who died before the “Snap” will remain dead (?). This plot device is there to implicate lasting repercussions to Thanos’ actions.

            April 2019 will give us the conclusions to the media storylines we want so badly, or do we? All we know about the anticipated features is that there will be a bittersweet ending to both of them. And yes, there have been clues in the previous seasons and movies, it is not clear what will happen. Unfortunately, the books don’t give us any additional hints. With human history to accompany us, viewers and fans should have an idea of how gut-wrenching these viewing experiences will be.

            I know I’ll be watching both media adaptions of these franchises; and yes, I’ll continue to read and to watch anything else related to them. But, am I prepared for the emotional train wreck that is part of these endgames? If the actors and the actresses were emotional, then what does that mean for us? All the same, I need to quench my curiosity because the buildup has been too much. I Need to Know How It All Ends!

Essential Reads: Books for Women’s History Month

In the United States, March is Women’s History Month. However, March 8this International Women’s Day. So, the entire planet acknowledges half of its population for one day. And, similar to Black History Month, we tend to recognize the same figures over and over. While this is not as problematic as with the figures from other demographics, it is easy to overlook women whose achievements get overshadowed by others.

            For this recommendation, I’m going to select a woman from each region throughout the world, and from ancient history to modern times. Some of these women are notable, some more obscure. In all, these women give insight to the challenges within the society and how they met them head on. You might not know all of their names, but you’ll know about their resilience against oppression. 

I Am Malala: The Girl Who Stood Up for Education and was Shot by the Taliban(2012) by Malala Yousafzai with Christina Lamb

            Everyone has heard of her, but do you know of the events that led to Malala Yousafzai’s shooting? Besides learning about the Yousafzai Family and their notion that everyone deserves to be educated, you’ll learn about the practices of Islam, the recent history of Pakistan, and the rise of the Taliban. This book is a real-life cautionary tale surrounding political interference, terrorist groups, and human rights. Malala Yousafzai is the youngest recipient of the Nobel Peace Prize and her story about her life, her country, and her culture should be read by anyone who is interested in human rights. 

Wild Swans: Three Daughters of China(1991) by Jung Chang

            This family saga follows three generations of women who survived the social norms and the social changes within China during the 20thCentury. Jung Change uses her family history to tell China’s narrative and how it affected not just her family, but families throughout the world. Jung’s grandmother was a warlord’s concubine during the ending of the practice of foot-binding. Her mother experienced the Cultural Revolution, which brought communism to China. And, Jung Chang is the daughter of members of the Communist Elite and was a Red Guard until she was old enough to declare the life, she wanted for herself. Each generation is thrust into a situation she must work through in order to escape that lifestyle. While Chang wasn’t the only one whose family had to survive these social norms and changes, she provides enough details for witnesses, readers, and historians to comprehend for both empathy and compassion. 

When Women Ruled the World: Six Queens of Egypt(2018) by Kara Cooney

            Everyone is familiar with some of the culture surrounding Ancient Egypt. Pyramids, mummies, pharaohs, papyrus, gods, and curses usually come to mind when thinking about the ancient civilization; and, names such as Rameses, Amenhotep, Tutankhamun, and Khufu come to mind. But, what about the female rulers? Everyone has heard of Nefertiti and Cleopatra, and less are familiar with Hatshepsut and Tawosret. How many people know who Merneith and Neferusobek were? I’ve never heard of the last two until I picked up this book.

            Egyptologist, Kara Cooney, delves into the lives and the reigns of these six remarkable queens who would eventually become pharaohs in their own right. And, how and why their government betrayed them and sought to remove them for posterity. However, history is not so easy to eclipse. While Egypt was very much ahead of its time, it still became victimized to the notions of female rulers as did the rest of the world.

            When Women Ruled the World: Six Queens of Egyptprovides historical facts about each of the pharaohs mentioned within the text. Both the introduction and the epilogue provide answers to those common questions. These queens ruled centuries before the notable female rulers of the last thousand years. In addition, you will wonder whether or not Ancient Egypt was the progressive civilization. 

            The next recommendations are duos. This is because the fictionalized variants are more ubiquitous than the available biographies. Yet, the fiction is noteworthy because they introduce readers (and academics) to whom these people were and what was happening during that era in their country. So, both the fiction and the biographies of these women’s lives will be recommended. 

In the Time of the Butterflies(1994) by Julia Alvarez; followed by Vivas en su jardín (Live in Your Garden)(2009) by Dedé Mirabal

            The Mirabal Sisters were some of the many opponents of General Rafael Leonidas Trujillo’s dictatorship in the Dominican Republic during the 1950s. On November 25, 1960, three of the sisters were killed on Trujillo’s orders. In the Time of the Butterfliesis the fictionalized narrative about this family’s courage and resistance against a brutal dictator. And, while Julia Alvarez included suggested reads to learn more about the Mirabal Family and the Dominican Republic, Vivas en su jardínis Dedé Mirabal’s autobiography in which, she mentions her sisters and their political resistance. It is in Spanish, but that shouldn’t prevent one from learning more about these amazing women.

Pope Joan: A Novel(1996) by Donna Woolfolk Cross; followed by Pope Joan: The Indestructible Legend of the Catholic Church’s First and Only Female Pontiff(2017) by Charles River Editors

            For centuries, there have been rumors of the Catholic Church having a female pope. Of course, there is limited information to confirm this due to both the era—the Middle Ages—and efforts by the Vatican to limit any knowledge about this possibility. Pope Joan was believed to have serve as “The Pope” for about one year. A few reports claim that Joan might have disguised herself as a man; and, there are a few reports which claim that Joan was elected Pope as an interim by the Papacy. It is difficult to determine what had happened. Pope Joan: A Novelby Donna Woolfolk Cross is a historical fiction novel which narrates what could have happened to Pope Joan during her life. In terms of an actual biography, so far, Pope Joan: The Indestructible Legend of the Catholic Church’s First and Only Female Pontiff, is the only one I came across that has believable information about Pope Joan. If you know of any actual and reliable titles, then please mention it in the comments below. I would appreciate it greatly. 

            The books on this list are about women you have heard of, but forgotten about, or about women you’ve never heard of before. However, it’s the moments in human history that allowed these women to demonstrate that they were more than what society wanted them to be. Instead, these women presented themselves as equals to their male counterparts to the point where the men either attacked them, or (tried to) erased them. These women survived and prevailed, and we can admire their achievements and be content knowing that we won’t permit them to fall into obscurity for posterity. These women rock! 

TV Episode Review: “Deadly Class: The Clampdown”

 Note: There are some minor spoilers in this review. You have been warned. 

            While Kings Dominion investigates the death of another student, the students are placed under lockdown. The lockdown is effective to the point where several of the students are shoved into random dorm rooms instead of their own. This is interesting because viewers see more interaction between the students who are not friendly with one another. At the same time, the cliques from the Pilotepisode is brought back in order to reiterate the reasons why these kids became students at Kings Dominion in the first place. And yes, while some of the students believe Marcus is the center of the conflicts at the school, the teachers and the administration know that Marcus is being labeled as a scapegoat. This is how rumors spread. 

            Marcus gets interrogated by Master Lin and Maria gets interrogated by Master Gao. And, while it is obvious that Master Lin and Master Gao want the same thing—to diffuse a potential race/gang war within the school—their methods demonstrate how these siblings remain at odds with each other. Master Lin believes what he wants to believe, while Master Gao knows the truth, but cannot prove it. Master Lin is able to stop the adults from interfering with the school, but Master Gao believes in “an eye for an eye” philosophy. It makes you wonder what could happen when these siblings work together instead trying to outmaneuver each other.  

Confessions is the theme for The Clampdown. Maria confesses to killing both Chico and Yukio; Marcus confesses to knowing about it; and, Saya confesses that she sees Maria as a friend even with all of the tension breaking out between the Cartel and the Yakuza. And, while it seems that the conflict between the two gangs is over for now, Marcus’ confession to his friends about his past reminds everyone what is really at stake, the existence of Kings Dominion to the outside world. 

In all, The Clampdown presents which of the students are willing to do help themselves versus which students are willing to help each other. It becomes obvious that Marcus trusts his friends more than his roommate and that Maria and Saya trust each other more than their fellow members. Silly as it may sound, this friendship is what will bring about a very entertaining season finale. 

TV Episode Review: “Deadly Class: Saudade”

Note: There are some minor spoilers in this review. You have been warned. 

            This episode was taken straight from the graphic novel! Anyone who has read the series knows what to expect from this episode of the television adaptation, and readers will not be disappointed. Yes, there was one minor change from the graphic novel for the episode, but the change and the foreshadowing was well done in this episode. Once again, readers know what to expect before the viewers.

The visuals of this episode are what make it worth watching. The hallucinations Marcus has throughout the episode, the scenery of Las Vegas in the 1980s, and the fight scene at the end illustrate the efforts in the cinematography. I have not seen a drugged scene play out so well on television since BoJack Horseman. Marcus’ “trip” lasts throughout most of the episode, which means viewers get a mural from Marcus rather than a soliloquy.

            The main theme surrounding this episode was victims of abuse. While it’s obvious that Marcus and his friends all have baggage from their pasts, we learn of the affects on other victims of abuse, and why their pent up emotions could have devastating, yet understanding effects. Marcus’ drug trip puts him out of commission for most of the episode, so the focus is more on Billy and Maria. It was Billy’s idea to take a road trip to Las Vegas in order to kill his father. And, Maria is making her plans for disappearing from Chico—and his family—permanently. The literal demons attack Marcus, Billy and Maria leading to some heart-wrenching consequences for them and their classmates.

            Saudadereturns the story back to the graphic novels. Now that the fillers provided more insight into each of the main characters, the school, and Marcus, viewers and fans have a better understanding of what to expect for the rest of the season. And, as of right now, viewers have seen the murders committed by 3 students (on screen), the death of 2 students, and the journey of the single psychopath who is getting closer and closer to our protagonist.