End of 2020 Releases I’m Looking Forward to Reading

By some miracle, we survived to the end of September (2020). It seems that books and video games have managed to remain constant throughout the year—as in some delays and/or minimal postponement. I’m still working my way through my TBR pile as it continues to grow. Fall 2020—September-December—continues the unceasing releases within the literary world (not that I’m complaining). Here are some of the books being released between October and December 2020 I’m excited to read. 

            Please note, I haven’t listed all of the speculative fiction books that will be released by the end of 2020, just the ones I’m hoping to read. If some books are missing, then it’s because either they are part of a series which I haven’t read yet, or I am unaware of their upcoming release. 

Books I’ve Read

Between Earth and Sky #1, Black Sun by Rebecca Roanhorse

            For those of you who haven’t read my review of this book, you should read the book as soon as it’s released because this book doesn’t stop until its end. By the time you’ve reached the end of this book, you’ll realize that there will be a sequel, which will leave you asking: what else can happen? 

Ring Shout by P. Djèlí Clark

            If The Deep looks into the possibilities of the events surrounding the Transatlantic Slave Trade, and Riot Baby is the potential of the future surrounding current racial events, then Ring Shout presents a horror story of the consequences of hatred and violence within a society. Since this is based on U.S. History—a subject that continues to be glossed over—readers can expect Jim Crow Laws, and KKK rallies and attacks in this novella. 

Books I am Reading

The Once and Future Witches by Alix E. Harrow

            This is the second book by Alix E. Harrow. So far, it’s an amazing follow up to The Ten Thousand Doors of January. This time the story follows three sisters who use their magic to obtain the right to vote. So far, I can say that this is a clever look into how misogyny and sexist practices can lead to a small rebellion demanding equality by using unconventional methods, and magic. 

The Hollow Places by T. Kingfisher

            Finally, I’m reading a book by this acclaimed author. In this book, the protagonist is a recently divorced woman who moves into her uncle’s “museum,” only to locate a hidden passage inside the house. However, the length of the passage doesn’t equate to the perimeter of the museum, making her (and us) question as to where the passage leads to and whether or not anyone else knows about it. 

Books To Be Read

Over the Woodward Wall by A. Deborah Baker

            Anyone who has read Middlegame by Seanan McGuire is excited for this book. This book is a companion to Middlegame in that this is the book mentioned throughout the novel. Over the Woodward Wall is the book written by A. Deborah Baker in “code” for anyone who is interested in reaching The Impossible City. Think of it as a fictionalized version of The Secret: A Treasure Hunt.

The Invisible Life of Addie LaRue by V.E. Schwab

            There’s the “age-old” story that serves as a cautionary tale: immortality can be a lonely life. However, what if on top of living forever, no one will remember meeting you? Eternal loneliness is the ultimate sadness, but what if—by some miracle—someone remembers you? That miracle can blossom into the hope the protagonist needs in her immortal life. 

The Midnight Bargain by C.L. Polk

            There are a lot of books about witches and their magic that have been released in 2020. This book by C.L. Polk is the latest of them, as well as the author’s first standalone novel. In a world where women have to choose between magic and marriage, the protagonist seeks a way to have both. 

Eventide by Sarah Goodman

            This historical fantasy focuses on the Orphan Train and the superstitions within a small town. Sisters Lilah and Verity struggle to stay together after the death of their parents. Unfortunately, their family history and the dark forces within the town seek to destroy the siblings like it destroyed their parents. This YA novel is the author’s debut book. 

The Hanged God Trilogy #1, Northern Wrath by Thilde Kold Holdt

            Norse mythology continues to be a source of new fantasy stories, and this debut novel by the author is no different. This epic fantasy occurs when Christianity and Norse folklore clash constantly for dominance. The book follows several characters as they go on a quest to save their gods and Midgard. 

The Burning #2, The Fires of Vengeance by Evan Winter

            The Rage of Dragons started off as an African-inspired military fantasy became something even more by the time readers reached the last quarter of the book. Tau has lost everything he’s cared about at the same time he’s given a promotion that would make anyone else happy. Unfortunately, all Tau has left is his rage. And, although the queen needs his skills to end the war, it’ll take more than anger to get Tau motivated again. What will it take to get him to fight again?

War Girls #2, Rebel Sisters by Tochi Onyebuchi

            War Girls is the realistic dystopian YA novel about the cost of war and how it can affect children before, during and, after a war. Tochi Onyebuchi empathized the emotions felt by his readers throughout the book, especially the ending. Rebel Sisters takes place 5 years after the events of the first book, which sees Ify returning home to Earth. Those of us who read the first book already know to expect our emotions to pour out onto the pages, again. 

The Poppy War #3, The Burning God by R.F. Kuang

            After the release of The Dragon Republic, R.F Kuang announced who Rin, the protagonist, is supposed to represent in this historical military grimdark fantasy. Wow! And, with the way Book 2 ended and what that means for everyone who survived those events, I can only imagine how this trilogy is going to end. The title alone gives a hint as to what readers can expect from this finale. I hope I’m right about this assumption. 

The Graven #1, Nophek Gloss by Essa Hansen

            Hostile aliens, smart ships and humans can be found in this science fiction story. This debut novel follows the protagonist after he loses everything—literally—when his planet is destroyed. On a quest for vengeance, he travels to the home of those who destroyed his planet. Along the way, he learns more about the universe.  

The Tide Child #2, Call of the Bone Ships by R.J. Barker

            The Bone Ships was my surprise book of 2019; and, since I’ve finish it, I’ve been excited to read the sequel. I don’t know whether or not the sequel picks up immediately after the events of the first book, but I know that the subplot continues in this book and it’s going to be very interesting. More voyages ahead for the readers!

Poison Wars #2, Hollow Empire by Sam Hawke

            City of Lies is a great book about political conspiracies, history and folklore, and poisonous plants. Now, with the return of magic within the Empire, will it lead to something positive or to more treachery for the protagonists? We’ll have to wait and read what happens next. 

            Now, will I complete all of these books by the end of this year? Probably not. Yet, I’m aiming to read as many of these books as I can by December 31, 2020. If that doesn’t happen, then I’ll finish reading them in 2021! Which books are you excited to read by the end of 2020?

Why You Need to Read: “The Wolf of Oren-Yaro”

Chronicles of the Bitch Queen, #1: The Wolf of Oren-Yaro

By: K.S. Villoso                                                                                             Audiobook: 14 hours

Published: February 18, 2020                                                          Narrated by: Catherine Ho

Genre: Fantasy

            I was Talyien aren dar Orenar, queen of Jin-Sayeng, daughter of Warlord Yeshin, wife of Rayyel Ikessar, and mother of Thanh. I did not just dream these things—I had a life before all this. I wanted nothing more than to return to it, (Chapter Thirteen: The Dragonlord in Distress).

            Curiosity is an interesting thing. It’s not really an emotion because it provokes thought before emotions. Then again, there are moments when one’s curiosity can lead to a strong feeling: elation, fear, etc. However, when it comes to reading, our curiosity either is sated or is ignored (i.e. you don’t read the book). Yet, author K.S. Villoso titled her series, Chronicles of the Bitch Queen; and, the first book is titled, The Wolf of Oren-Yaro. If those titles don’t capture your attention and pique your curiosity, then I don’t know what will.

            Queen Talyien is the daughter of the last warlord, who led an army in a civil war, which ended with her betrothal and her marriage to the male heir of the opposing side, Prince Rayyel Ikessar. Talyien is the queen of Jin-Sayeng, but her husband left her and their son, Thanh (approx. 2 years-old at the time) the night before their coronation. Five years later, Talyien receives a letter from Rayyel, stating they should meet in Anzhao City, which is in the Zarojo Empire, which is across the sea. Although her council advises her against the meeting, Talyien makes the journey for the sake of her son. Once there, things don’t go as planned, and Talyien finds herself alone in a foreign empire, with assassins chasing her through the streets. With her allies and her guardsmen dead and/or captured, Talyien must rely on her skills and on her reputation as a lethal warrior, and as a “non-traditional female.” Talyien has a reputation of being rash, violent, stubborn and flawed, but she is nurturing, observant, and quick. Talyien develops as a character in that she must remember her status and embrace the demeanor she spent the last five years distancing herself from because it’s the only way she is going to survive her ordeal and return home. Fortunately and unfortunately, Talyien is not alone on her journey. The first person who is willing to help Talyien is Khine, a con artist. The second person is Lo Bahn, one of the Lords of Anzhao City. The third person is the (Fifth) son of the Emperor of the Zarojo Empire. Just like Talyien, there are more to these individuals than their facades.

            The plot is straightforward. A queen travels to a foreign land to meet with her estranged husband, the prince—for he was never crowned, they are attacked by assassins and are separated, leaving the queen alone and without allies as she hustles and fights her way home. That is the plot. The story is more complex. Throughout the story, Talyien struggles with her actions of the past and the present as she wrestles with the circumstances which led her to her current predicament. Her father’s legacy and parenting haunts her, and her nature turns people off. However, it is because of her upbringing as future queen, and as a “non-traditional” female that Talyien is able to survive her husband’s absence and survive in the Zarojo Empire. The subplot is all of the political and the historical moments mentioned throughout the novel. It is essential because readers learn of Jin-Sayeng’s history, of the war led by Talyien’s father which led to Talyien and Rayyel’s betrothal, and the real ongoings within the Zarojo Empire. In all, the plot develops at an appropriate rate alongside both the story and the subplot. 

            The narrative is told from Queen Talyien’s point-of-view, and the sequence moves between the present and the past. The past is told as flashbacks as Talyien recalls her meeting Rayyel for the first time and their tumultuous courtship throughout their childhood. Talyien remembers all of the harsh lessons her father gave her about ruling, marriage, and warfare; and, she cannot determine whether or not it is due to guilt or to desperation that she hears her father’s voice. The present is told through Talyien’s stream-of-consciousness, which lets the readers in on all of the emotions Talyien feels and expresses: fear, anger, rage, sadness, etc. All of Talyien’s thoughts make her a reliable narrator, which makes the narration easy to follow. 

            K.S. Villoso presents a fantasy story based on Asian influences. In addition, she wrote a narrative which uses realism to drive the story. If you found yourself lost in a foreign country, then what would you do? If you couldn’t trust anyone in that scenario, then what would you do to get yourself out of it? Queen Talyien is in survival mode, and while her training and her demeanor are viewed as “non-feminine,” those characteristics are why Talyien is able to survive her ordeal. She has to fight her way out of Anzhao City, literally. Then, she has to fight again, over and over. Many fantasy stories include scenarios where the protagonists comes out of a bad situation unscathed, physically and emotionally, but Villoso delivers the reality of such scenarios as cautionary tales. The reality is that not everyone wants to help you when you need help, and there are others who see your identity as a way to benefit themselves. The mood of this novel is hostility, and the tone is enduring (a bad situation). In other words, when you find yourself in a hostile environment, endure it until you can depart from it. 

            The appeal for The Wolf of Oren-Yaro have been positive. This novel was first published in 2018 as an indie book before the series was picked up by Orbit. Critics, readers and other authors have had nothing but praise for this book, and it is the same for me. This book is a great addition to the fantasy canon. And yes, readers and fans of Asian inspired fantasy will enjoy this book the most; and, it should not be overlooked by other fans and readers of the genre. The Ikessar Falcon, Book 2 in the Chronicles of the Bitch Queen trilogy, will be released on September 22, 2020. I’m just as excited as everyone else is for the sequel! I listened to the audiobook, which was narrated by Catherine Ho—who will be narrating the sequel as well. Not only does she do an amazing job with voicing Queen Talyien and making her sound as fierce as the author made her out to be, but also she was a huge help with every pronunciation of all of the names of the characters and the locations. I wouldn’t have been able to sound them out on my own.

            The Wolf of Oren-Yaro is a fantasy story about a “non-traditional” queen who must rely on her “true nature” in order to survive an unconventional situation. While the plot may seem “unrealistic,” the reality of it is very realistic because readers are not used to having a royal female save herself from such plights. This makes for a unique tale in that the protagonist is the heroine in this story. The author does an amazing job in giving readers a character who must balance her identity and her kingdom. Do not miss out on this book!

My Rating: Enjoy It (4.5 out of 5). 

Speculative Fiction Books that Kept My Interest in the Genre

Please note the title of this post refers to books! I will write a separate list containing movies, TV shows and video games related to speculative fiction sometime in the future. And, expect that list to consist of “originals,” not just media adaptations of books. Also, these are NOT my favorite speculative fiction books of all-time! I’m not even sure I can make a list without changing it every year; hence why I do an annual list.

            Everyone has a favorite genre of literature (and films, video games, etc.), but has it occurred to you why and how that came to be? Did someone introduce you to the genre? Was it an author’s book—or, several of them—that hooked your passion for the genre? Was it a pop culture moment? In other words, do you remember the moment—or, the story—that got you into your favorite genre(s)? This question can be asked of any format or medium, but I thought about which books got me into speculative fiction and how it influenced my love and my appreciation for the genre. It did take some time to think back on what I’ve read since I was a kid, but I realized that some of the books released in the past decade have been just as influential as the ones I’ve read growing up.

            I’ve managed to compile a list of 10 books/series that influenced my love for the speculative fiction genre. Please know that I listed the books in the chronological order I read them regardless of the book’s publication date. The reasons for this is obvious. I hope you read and enjoy them as much as I did. 

  1. Animorphs by K.A. Applegate

I’m a 90s kid, and there were several book series for kids—The Babysitter’s Club, Goosebumps, etc.—but, I remember when the debut book in this series was released. I was 10 years-old, still in elementary school, and intrigued by the book’s cover: a boy changing from human to animal (a lizard). The story was about a group of friends who are given powers to change into animals by a dying alien in order to fight an invasion against a race of hostile aliens. This sci-fi series was the first book series in which I had to learn how to wait patiently for a book to be written and released when I wanted to devour the next one immediately. At the same time, this series introduced me to the blending of both the science fiction and the paranormal genres. Even though I didn’t know what paranormal was at the time, I knew this was different from other alien media I consumed with an explanation of D.N.A., permanent consequences, and the difficulties in balancing family, school, and saving the world. Animorphs was my first obsessive book series. 

2. Haroun and the Sea of Stories by Salman Rushdie

I’m in 9th grade and one of many students who participated in an optional reading course through our English class. Two of my best friends participated in this course with me. However, the three of us chose different books to read during the second quarter. I can’t remember what one friend chose, but my other friend was upset with us for not selecting The Once and Future King by T.H. White. Why? Well, the description of Haroun and the Sea of Stories by Salman Rushdie was more intriguing to me: a boy whose father loses the source of his stories, and he’s a storyteller. The boy, Haroun, goes on a journey to find out what happened to the “source” of the stories. The story is a twist on fairy tale tropes and fantastical elements with rounded characters and lots of humor. It wasn’t until I was reading The House of the Spirits by Isabel Allende (in 12th grade) that I learned about magic realism and Salman Rushdie’s contribution to the genre. Haroun and the Sea of Stories is one of my favorite books I read for (grade) school. And, before you ask, no I haven’t read The Once and Future King in its entirety, yet. 

3. His Dark Materials by Philip Pullman

I’m going to say something controversial: Harry Potter is not my favorite (fantasy) series of my childhood. Don’t get me wrong! I love that series and what it’s done for the speculative fiction genre, children’s and YA literature, the popularity of fantasy, and the reading and the writing communities. Yet, there was another series that came out at the same time and introduced me to the blending of fantasy, science and religion. I read The Golden Compass by Philip Pullman after reading Harry Potter and the Sorcerer’s Stone by J.K. Rowling, and I found myself enjoying Lyra’s story more than Harry’s. I want to say it’s because the flawed characters were more believable, the aspects of science and philosophy in a fantasy worked with the plot, and the idea of “other worlds” was intriguing to me. I hadn’t read C.S. Lewis’ or Madeline L’Engle’s series yet, so Philip Pullman was my introduction to portal fantasy, and I’ve been obsessed with them since reading His Dark Materials trilogy. I’ve read The Book of Dust already, and I’m looking forward to reading the rest of the companion trilogy to His Dark Materials; and, I’m excited for Season 2 of the television series, too! 

4. The Modern Faerie Tale Trilogy by Holly Black

I still remember reading Holly Black’s debut novel, Tithe. The story is an urban fantasy about how a teenaged girl realizes she’s been interacting with faeries since she was a child, and what that means for her and her family and her friends. Yes, I read one of Laurell K. Hamilton’s books—her debut novel, Nightseer—so I had a fair idea of what to expect from fae fantasy, but urban fantasy blends the original variants of fae stories with mundane society; and, the fae are NOT nice beings. Fae are not what they are according to Disney movies. They don’t “play fair” and are usually in it for themselves. It makes for an interesting story combining folklore and modernity. I would meet Holly Black at the BookExpo I attended that year, which was my first one; and, I met Cassandra Clare there, too! I read and enjoyed the rest of the trilogy, and Holly Black’s other books, especially The Air of the Folk trilogy. This series was my gateway to reading other books in that genre, especially ones by Seanan McGuire, Ilona Andrews and Amelia Hutchins. 

5. The Twelve Kingdoms by Fuyumi Ono

Yes, there is a fantasy series by the same name by Jeffe Kennedy, but the name of the series is where the similarities end. The 90s saw an expansion of anime series: Pokémon, Gundam Wing, Sailor Moon, etc. Manga and books were being translated and imported to the U.S. The Twelve Kingdoms: Sea of Shadow was translated and released after I graduated from college, and I was introduced to Asian inspired dark fantasy. The story follows Yoko Nakajima, a high schooler who lives a mundane, yet lonely life. To make matters worse, she stands out due to her red hair—she is the biological daughter of Japanese parents. One day, Yoko is abducted at her school, transported to another world, abandoned and left to fend for herself in a new world. This series introduced me to a fantasy world in which the “traveler” is not welcomed as a “hero” and survival is based on realistic situations. The theme of xenophobia in fantasy is presented in a way that will make you think about what could happen in other fantasy worlds, especially when—SPOILER ALERT—the protagonist chooses to remain in that world instead of returning home, and how and why such a choice is made. So, if there are any fans of Seanan McGuire’s Wayward Children series, then you’ll love this series, too. 

6. Monstress by Marjorie Liu, illustrated by Sana Takeda

Growing up, I read comics, graphic novels and manga, and many of them were recommended by friends and relatives. In fact, that’s how I learned about Neil Gaiman’s Sandman series. However, for several years, I didn’t read as many graphic novels as I wanted. I didn’t lose interest, but at the same time, I didn’t know what to read. I did take a course about graphic novels in college, but I took another one when I was in grad school—where I read Watchmen—and learned about the format and its growing influence, especially for the memoir and biography genre. At the same time, two of my friends and classmates introduced me to recent bestsellers and new releases. Not only did I begin to read Joe Hill’s Locke & Key series and Saga by Brian K. Vaughn, but a new series with an eye-catching cover intrigued me: a woman standing in front of a brass door with a matching mechanical arm. Monstress by Marjorie Liu and illustrated by Sana Takeda is a dark fantasy in which a young woman searches into her mother’s research and her lost memories as she deals with demons both real and inner. The artwork will engross you into the world both the author and the artist present. While describing the series as a “visual fantasy” isn’t 100% accurate, it is a way to get speculative fiction fans into reading this graphic novel series. 

7. The Broken Earth Trilogy by N.K. Jemisin

What can I say about this trilogy that hasn’t been said by everyone else who has read it, including myself? This Hugo Award winning series—yes, it swept the Hugos for Best Novel in consecutive years—is a gateway into the future of the speculative fiction genre and the type of stories that can be told withing the genre. N.K. Jemisin not only writes a brilliant science fantasy series, but also incorporates the atrocious practices humanity continues to perform, which forces readers to consider the realities of human society and its future. For me, this series introduced me to modern speculative fiction and the new set of expectations that it brought to the entire community! Jemisin’s contemporaries: Nnedi Okorafor, Tade Thompson, Jesmyn Ward, Tochi Onyebuchi, P. Djèlí Clark, Marlon James, Rivers Solomon, etc.—all have taken familiar tropes of the genre and presented readers with new methods of telling and writing these stories. If you haven’t done so already, then go and read this amazing trilogy!

8. Winternight Trilogy by Katherine Arden

This is not the first folklore retelling I’ve read, but it’s one of the most beautiful written ones I’ve come across; and, it brings a new appreciation for the season of winter. This series follows Vasya as she grows from child to adolescent to adult in a patriarchal society during a transition where “old traditions” are fading and being replaced with a “new” religion. Vasya fights to maintain the old traditions while Russian society undergoes several changes. Folklore is the cultural and the societal traditions that are passed along from generation to generation through a web of communication; and, history plays a role in folklore as well. Katherine Arden presents a balance amongst folklore, history and fantasy in this trilogy. This series will remind speculative fiction fans of the beauty within the genre and how it can remain from beginning to end. 

9. Vita Nostra by Marina and Sergey Dyachenko

While this is the first book in The Metamorphosis series—it’s the only one translated into English so far—it’s a great and mind-blowing introduction into the metaphysical genre. Not to mention, it takes the trope of the “magic school” and provides a more realistic, yet twisted story of what could occur at such a place. This story will make you think of Alan Moore and your concept of reality. In addition, you’ll start to think of these “magic schools” as drafts instead of opportunities. Other genres in speculative fiction has readers asking questions about the world around them, but metaphysical fiction has readers question the reality of their existence. The difference is it seems that a limited population experiences the metaphysical compared to fantasy, science fiction, paranormal, magic realism, etc. This series and genre will make you question everything!

10. The Gutter Prayer by Gareth Hanrahan

Although I’ve heard enough about Joe Abercrombie, Peter McLean, John Gwynne, and Anna Smith Spark enough to buy their books, it was Gareth Hanrahan’s debut novel, The Gutter Prayer, which introduced me to the grimdark subgenre. Yes, I’m a reader and a fan of A Song of Ice and Fire series by George R.R. Martin, but to me that series is more of a historical low-fantasy series rather than straight grimdark (I could be wrong about that). This book introduced me to characters who are all “gray” with “reasonable” motivations who strive towards those goals as their lives and the world fall to pieces. As grim, dark and sad as the characters and their stories are, it continues with the knowledge that life goes one no matter how many people die and are resurrected and die again. This book and its contemporaries represent the harsh side of a fantasy world that reflect ours. 

So, there is my list of speculative fiction books that kept my interest in the genre since childhood. While my list of all-time favorite speculative fiction books continue to change over and over, this list of books influenced my love and my appreciation of this genre of literature. And, from my perspective, I appreciate the influence and the bridging from one book or series to another with a similar genre structure. Which books got you into this genre? Have you read any or all of my picks or any books by the authors mentioned in this post? Comment below or send me a link to your online response. 

Why You Need to Read: “The Sword of Kaigen”

The Sword of Kaigen: A Theonite War Story

By: M.L. Wang

Published: February 19, 2019

Genre: Fantasy/Asian Literature/Standalone/Self-Published

            When Misaki hid her sword, she nailed the floorboards down over it. It was a promise to herself. She might never be able to destroy the part of her that was aggressive and willful, but she could bury it. That was what she had thought at the time, (Chapter 7: The Sun). 

            Thanks to the Internet and e-readers, creativity has propelled to levels beyond the zenith. Many e-books of all genres have allowed indie authors to become bestselling authors and several more have been able to transcend from self-published to contracted authors (i.e. Amanda Hocking). M.L. Wang is the latest self-published author who proves that indie authors should not be ignored or overlooked. The Sword of Kaigen: A Theonite War Story demonstrates the evolution of the speculative fiction genre with an unlimited freedom for creativity. 

            There are two protagonists, and they are members of the same family, the Matsuda Clan. Mamoru is the eldest son of Takeru and Misaki, and possible heir to the household—his uncle is the Lord and his only child is a girl. Mamoru has lived his entire life in the Kusanagi Peninsula—in the isolated mountain town of Takayubi—in the Kaigenese Empire. He doesn’t want for anything more than to become a warrior and master the sword technique of his family and ancestors, “The Whispering Blade”; and, at 14 years-old, he has yet to master the skill. When a new transfer student, Kwang Chul-hee, slams the lifestyle of the denizens of the Peninsula, Mamoru wonders whether or not his doubts go further than his family’s expectations. Like any other adolescent, he challenges everything his family has taught him to his father’s horror and to his mother’s humor. After his father fails to discipline him and to keep him on the “traditional” path, it is his mother who confirms his suspicions and assists him with his training and swordsmanship, much to Mamoru’s surprise. Misaki is the wife of Takeru and she hates it. A former warrior from the city of Ishihama from the Tsusano Clan, Misaki’s marriage to Takeru has left her in a state of depression and anger. While she finds solace in her sister-in-law, Setsuko, and in their friend and fellow housewife, Hyori Yukino, part of her wishes she can return to her days as a warrior doing missions for the Theonite Daybreak Academy with her former classmates: Ellen, Koli and Robin. Unknown to her husband, Misaki is close to having a breakdown due to her husband’s abuse and mistreatment of her. Both mother and son are characters who reflect the on goings of the bigger world. Mamoru must learn to uphold his family’s expectations while learning how the rest of the Empire operates from his classmate and friend; at the same time, Misaki must find a way to remain calm before her emotions get the best of her. Both protagonists represent the reality and the complexity of the lifestyles they must live and suppress amongst the ignorance of their family and their community. 

            The plot of this story centers on family and family expectations. Misaki is reminded of her role and her place as the wife of the leading household in a place far away from, and different, from where she came from. She is suffering from the stifling expectations. Mamoru sees himself as a failure because he has not been able to live up to the expectations of his family and his community. All he wants is the chance to prove himself to everyone and himself. There are two subplots in this novel. The first is the conflict of isolation from and involvement within one’s community. Mamoru is the son of a close-minded father and a secretive mother. When he is told how the Empire operates truly, it is his mother who allows him to seek the truth in his own way. Mamoru learns before his father that living in isolation could lead to death and stagnation. The second subplot is war: the cause of it, what happens because of it, the propaganda surrounding it, the cost of it, and the aftermath of it. War is coming to the Kaigenese Empire and denial from the government leaves everyone unprepared, and many people will die due to this neglect. 

            The narrative is told from the points-of-view of Misaki and Mamoru, with one or two moments where other characters’ P.O.V.s pop-up to enhance the story. The narrative is told in chronological order from the first-person P.O.V.s and streams-of-consciousness of the characters. In a story where a battle occurs, the perspectives, the actions, and the emotions are essential to how the events of the story are executed through the readers by the author. The way the narrative is written presents the P.O.V. characters as reliable narrators.

            The style M.L. Wang displays in The Sword of Kaigen will remind readers of both The Poppy War by R.F. Kuang and any anime series. Her combination of Asian storytelling and tradition with the allusion to pop culture references make this novel both informative and entertaining. The language and the word choice illustrate the culture and the influence of the author; and, the word choice presents the way the narrative is told and which character is perceiving it, an adolescent boy or his mother. The mood of this novel is tension. Tension within a family and the tension within a community before and after it’s been attacked. The tone is the steps each individual takes towards overcoming from the results of the tension. Even after the battle, the initial tension does not go away, but must be dealt with before any type of battle ensues. And, the way the author resolves both tensions in the narrative is bold and realistic. I should mention that the maps and the glossary are a huge help to reading this book as well. 

            The appeal surrounding this book have been extremely positive. Several bookbloggers, booktubers and I, have heard about how the author wrote a fantasy story about war and family including sword techniques and a magic system which will remind readers of any Asian influenced medium. I was lucky enough to learn of this book from other bloggers and to have the author sent me a print copy of the book (I still bought the e-book edition)! I should reiterate that this book was one of my favorite speculative fiction books of 2019! This novel is one of the most recent works of the genre, which demonstrates the future of speculative fiction. Alongside N.K. Jemisin’s The Broken Earth TrilogyThe Sword of Kaigen demonstrates the direction the genre is moving towards. And, while the author is taking a break from her Theonite series, the time will allow other fans of the genre to read this book and the other ones in her series and see why this book is one of the 10 Finalists for the 2019 Self-Published Fantasy Blog-Off (SPFBO), which is operated by Mark Lawrence and fantasy bloggers from the most revered fantasy reviewers and review websites in the community.

            The Sword of Kaigen is a powerful story that exploded in 2019 to the shock and the delight of the entire fantasy fandom. The themes of family, war, conspiracy, and consequences are not new to fantasy readers and fans. Yet, the way M.L. Wang writes her story make it standout and away from duplicates using a similar format. This book is the best example as to what the genre can evolve into and why self-published authors should be recognized and commended. I look forward to witnessing, experiencing and reading any and all books published by M.L. Wang in the years to come!

My Rating: MUST READ IT NOW (5 out of 5)!!!