Category Archives: Award Nominee

Current Speculative Fiction Series I Need to Complete

The Poppy War, #3: The Burning God (2020) by R.F. Kuang

As I mentioned in the last post, I’ve been meaning to read this final book in this bloody and brilliant historical grimdark trilogy. I did read the first couple of chapters, so I know that this story begins immediately where The Dragon Republic left off. And, that Prologue! I’m familiar enough with this subgenre of fantasy to know how this story could end, but I’ll have to read it to find out! If you haven’t start this series yet, then you’re missing out. Remember to start with The Poppy War.

Blood and Gold, #3: Queens of the Sea (2019) by Kim Wilkins

This series is unknown outside of Australia, and I had to order a copy of the 3rd and final book in this trilogy from a bookstore in the Down Under. The first book in this trilogy is Daughters of the Storm, and the premise of the book is about 5 royal sisters who go on a journey to save their father, the king, from a mysterious illness. Meanwhile, their stepbrother seeks the throne, and goes out of his way to expose the secrets each of the sisters are hiding from each other. The second book in the trilogy, Sisters of the Fire, takes place 5 years later, and it delves into the oncoming threats heading towards the kingdom, and the aftermath of the fallout amongst the 5 princesses. Queens of the Sea takes place 5 years after the end of the second book, and I’m still excited to read it!

Mistborn: Era 1 (2006-8) by Brandon Sanderson

Yes, I started one of Brandon Sanderson’s series! It was a few years ago; and yes, I remember what happened where I left off (in the 2nd book)! Tor was kind enough to gift me these books from one of their (previous) sweepstakes, and I started reading the books immediately. However, I stopped halfway through The Well of Ascension (around the point where the pace slows down) and I haven’t had time to finish reading this trilogy. Interestingly, the only other book by Brandon Sanderson I’ve read was The Original (the audiobook he co-wrote with Mary Robinette Kowal). I own some of the author’s other books (including The Starlight Archive), but I guess I want to complete one series before starting another one.

Rosewater Trilogy (2017-19) by Tade Thompson

I read and reviewed Rosewater, and I was very excited to read the rest of the trilogy. And then, I read the author’s Molly Southbourne series instead. I should hurry up and read the rest of this Africanfuturism trilogy! If you’re a fan of both Nnedi Okorafor, Tochi Onyebuchi and P. Djeli Clark, then you need to start reading this series!

The Wicked + The Divine (2014-19) by Kieron Gillen, Jamie McKelvie (Illustrations), Matt Wilson (Colorist), Clayton Cowles

I’ve been getting back into graphic novels. I was reading this series until around Volume 3, and then I just stopped. I kept buying them, but I haven’t finished the series yet. With this series, I’m going to start from the beginning and read them all straight through.

This series is about how 12 immortals are reincarnated as teenagers, who get their live as pop idols with all of the fame and recognition. However, there is a catch: after 2 years, they die. So, what will this generation of reincarnated gods do with 2 years left to live?

Knowing my schedule, I probably won’t get to these books until the summer. Not to mention, I have A LOT of other books to get through from my TBR pile. What will I read next? Your guess is as good as mine.

Which series do you still need to finish reading?

Reading Check-In: March 20th 2021

Yes, I’m “borrowing” this idea from Realms of My Mind

This is not a review post. While I prepare to participate in some upcoming events (watch the livestream I participated for The Bone Shard Daughter here), I will continue to catch up on some of my reading. The reviews will be posted as they are written, but life is taking over more of my time. At the same time, I can’t just NOT post something!

What did you recently finish reading?

This debut novel is a brilliant blend of dark fantasy and horror. This book reminds me of Black Sun by Rebecca Roanhorse. I will explain how and why in my upcoming review.

This book is a beautiful follow up by Rena Rossner. This book comes out in April 2021. My review will be ready and posted by that time.

What are you currently reading?

I need to finish this audiobook.

I know, I know. I’m behind on my reading, but this book is so good!

I’m behind on reading this book, too. Believe it or not, for a YA novel, this book is just as brutal as my other current read.

What do you think you’ll read next?

I started this book last year, but I didn’t get to finish it by the end of 2020. I’ve heard nothing but amazing (and gory) things about this book, and I really, really want to finish it!

Who doesn’t love Murderbot?!

After THAT ending! I NEED TO KNOW what happens next!

Wish me luck! We’ll see what happens next week!

TBRcon21: Another Success for Virtual Cons

It’s 2021, the pandemic is ongoing, and it still sucks. Fortunately, we’ve gotten better at entertaining ourselves through our hobbies and interests. Readers and bookbloggers have been able to make the most of lockdown by reading (or, trying to read) our TBR piles and helping authors and publishers with promoting any books we get our hands on! Technology continues to be a lifesaver as we all continue to find ways to keep up with news surrounding our favorite authors and any upcoming book releases.

            David Walters—a.k.a. FanFiAddict—impressed everyone last spring with last year’s “MayDayCon2020” where he hosted 7 panels and 7 live readings in 14 hours! This time around, FanFiAddict reached out to a few of his fellow bookbloggers—Beth Tabler, Travis Tippens (from The Fantasy Inn), and Jason, a.k.a. Traveling Cloak—to assist with “TBRcon2021.” This virtual Con had 17 panels across 6 days, with several of our favorite speculative fiction authors participating in the panels discussing numerous topics within the genre, and about writing in general. In fact, I’m going to say that it was because of the “Writerly Advice—NOT” panel that led to #writingadvice trending on Twitter (with some “interesting” responses).

            Without listing all of the authors, this virtual con had authors ranging from debut to indie to “established” ones across the speculative fiction genre—epic fantasy, grimdark, space operas, historical fantasy, etc.—and, all of the S.P.F.B.O. finalists were there too, with the Con ending with a round of Dungeons & Dragons. So, what made this virtual Con so memorable? First, as I mentioned before, was the authors. Just about all of the subgenres and genres were represented by the participants—whom were from diverse backgrounds and from around the world (i.e. Australia)! Next, were the topics discussed on each panel. Topics from world-building to history to the future of the genre were talked about, and it was interesting to hear what each author had to say about them. Last, was the schedule. While it was impressive how David managed to host the first Con in a day by himself, how he managed to get even more authors to participate in 1 or more panels for a 6-day event is beyond laudable. Yes, this virtual Con was free, and could be viewed on YouTube, Twitch and Facebook, but I would argue that this is further proof that these virtual Cons are worthy fillers for all author events while the pandemic continues (yes, I want it to end, too).

            “TBRcon21” had something for everyone, and you can rewatch these panels online. Another reason I’m discussing virtual Cons again is because of what I believe fans are getting out of them. Although several Cons have moved to virtual, not all of them are accessible for everyone. Everyone who is interested has to register for tickets, and there are times when they sell out. It is too early to tell what will happen to virtual Cons whenever “normalcy” returns, but I don’t believe they will go away. This Con is proof authors are interested in interacting with fans and readers, and those fans and readers will find ways to attend these events. I hope agents, marketers and publishers are paying attention because it looks like bookbloggers have found a way to bridge themselves between the publishing industry and the readers who Google whether or not they should read a particular book. And before you ask, I’m not excluding BookTubers. In fact, if these virtual Cons were to become more ubiquitous, then I believe some BookTubers could give us a hand with certain panels. While we’re on the subject, I know some podcasters who would be interested in participating as well. 

            “TBRcon21” is another accomplishment by FanFiAddict, and it is proof the publishing industry is paying attention to us, and authors are willing to communicate with their fans and vice versa, and will find ways to keep at it no matter what it takes. So, what shall we do as we all decompress from this event? Well, Virginia McClain will be hosting “QuaranCon2021” this spring, and I’m looking forward to it. I hope to see more participants (and authors) at that event this year! I hope to see you all there participating in the live chats!

Speculative Fiction Starters for Children and Young Adults

This article was written for the Martian Chronicle blog, but it was never posted so I decided to rewrite and to present it on my blog. Enjoy!

            When children and adolescents show an interest in reading, we—as adults, and as readers ourselves—want nothing more than to load our recommendations and favorite books on to them. Unfortunately, not only will this overwhelm young readers, but also turn them off to reading the books we want them to read (outside of school reading). One of the reasons for this is because many adults fail to pay attention to the genre of literature the kids are reading. If a teen is reading non-fiction, then they’re not going to be interested in historical fiction. If a child enjoys fairy tales, then giving them a book about aliens might not capture their attention. In addition, suggesting “popular” (i.e. Percy Jackson, Magic Tree House, etc.) books isn’t the way to go because those readers might have read those books already. Knowing the books within a preferred genre is worth reading and it will keep the interest of reading in children and in adolescents. 

            When it comes to speculative fiction, adults tend to select the “typical” and/or the “popular” books of the genre to give to children and to young adults. And, there is nothing wrong with choosing Alice’s Adventures in Wonderland and Watership Down. However, there are so many other books to give to these young readers and the genre has expanded so much that it can feeling overwhelming for everyone. That being said, here are some recommended books for young readers who are fans of the speculative fiction genre. 

CHILDREN

  1. The Wizard of Oz: The Complete Collection by L. Frank Baum

There are 14 books in this series which is often compared to Alice’s Adventures in Wonderland and Through the Looking Glass by Lewis Carroll. Several books, including the 1st book, The Wonderful Wizard of Oz, does follow Dorothy and her dog, Toto, on their many adventures in Oz, but the series gives readers more insight into the entire world through several other characters who live in different parts of Oz. Think of them as “modern” American fairy tales. 

  • The Spiderwick Chronicles by Tony DiTerlizzi & Holly Black

Holly Black is more known for her young adult books, but she has co-written this series—and, a sequel series—with Tony DiTerlizzi; and yes, the books are better than the movie. This series follows twin brothers, Jared and Simon Grace, and their older sister, Mallory, as they move into their family manor. As they unpack, they wonder if there is something, or someone, else living in the house. When Jared finds a “field guide” that belonged to their great-uncle who disappeared over 80 years ago, Jared, Simon, and Mallory learn that their backyard is home to numerous magical creatures, both good and bad.

  • Akata Witch by Nnedi Okorafor

DO NOT CALL THIS BOOK, “HOGWARTS IN AFRICA,” because it is NOT THAT!!! This book will remind readers of Rick Riordan and Ursula K. LeGuin, in which “gifted” children attend a school where they learn magic that is based on their heritage. Sunny and her friends learn how to hone their abilities which is based on African shamanism and cultural practices. The plot alone makes this book and its sequel, Akata Warrior, stand apart from other “magic school” stories. 

  • Young Wizards by Diane Duane

What if wizardry and magic weren’t just about casting spells, but protecting the entire galaxy? What if your spell book was real and you had to be able to read the language its written in in order to cast spells? This series, which started in 1983 with So You Want to Be a Wizard, follows Nita Callahan and Kit Rodriguez as they begin their careers as wizards. After completing their “Ordeal,” the two friends travel throughout Earth, to Mars, and to the rest of the galaxy as they work on their tasks using scientific spells. Currently, there are 10 books in the series, and each one sees the development of the young wizards. 

This horror story will make readers question whether or not their local urban legends are real. The story follows 11-year-old Ollie, who is grieving the death of her mother. One day after school, Ollie sees a crazed woman yelling at a book and threatening to throw it into the river. Ollie steals the book and begins to read it. She reads about two brothers who were in love with the same woman, and a deal they made with “the smiling man.” Ollie believes what she’s reading is just a story until her school bus breaks down and her broken watch “warns” her to “RUN.” 

YOUNG ADULT

  1. Brave Story by Miyuki Miyabe, translated by Alexander O. Smith

This book won the Batchelder Award in 2008, and it was written for children as young as 8-years-old. However, this book can be enjoyed by adolescents; and yes, the fact that the book is more than 800 pages long is another reason this book is recommended for adolescent readers. The story follows Wataru Mitani as he goes on a quest in another world to save his parents’ marriage. The difference here is that this story is written in a style that appeals to gamers, especially fans of (Japanese) role-playing games, or RPGs. Fans of Ni no Kuni: Wrath of the White Witch and Final Fantasy will love this story.

  • Haroun and the Sea of Stories by Salman Rushdie

What if your father was a famous storyteller who receives his stories from a river of dreams? What happens when that river stops flowing and your father can no longer perform his job? Join Haroun as he journeys to defeat the dark force that is halting the flow of the river, and the stories, which flow to his father. This is a very unusual quest.

  • Memories of the Eagle and the Jaguar Trilogy by Isabel Allende, translated by Margaret Sayers Peden

15-year-old Alexander Cold is sent to stay with his grandmother who works for International Geographic. Her latest assignment takes both of them on an expedition to the Amazon. There, Alex meets Nadia Santos, and the two friends go on an adventure through the Amazon, where they learn about their spirit guides, which are in the forms of animals, so that they can save an ancient city from ruin. Isabel Allende’s YA trilogy, which starts with, City of the Beasts, follows the protagonists’ adventures both in the Himalayas and in Kenya as well. 

This book, which is set in a futuristic war-torn Nigeria, was influenced by the anime series (and its many spinoff series), Gundam. Onyii and Ify are sisters who live in a camp with other orphaned girls that is isolated from the ongoing civil war. However, after an attack on the camp, the sisters are separated and find themselves on opposite sides of the war. In a future where space colonies, A.I.s, and flying mechs exist, how does a war end when both sides have advanced technology. Will Onyii and Ify survive the war and reunite? 

  • Tamora Pierce Pantheon

For almost 40 years, Tamora Pierce has written stories of several characters through generations in the world of Tortall. Alanna: The First Adventure was released in 1983, and it follows Alanna as she and her twin brother, Thom, switch places in order to go to the school they want to attend. Thom goes to school to train as a mage, and Alanna travels to the King’s castle to train as a knight. There is only one problem. Females haven’t trained to be knights in over 400 years. This means Alanna will have to disguise herself as a boy so that she can become the knight she wants to be. And, that’s just the first quartet in that universe! There are a lot more stories about different girls learning and growing into strong women that take place inside and outside Tortall. 

These are a few of several books and series available for young readers of speculative fiction. Now, some of these authors have written other books for children and for adolescents, and I recommend those books as well. This is a starting point for young readers who want to read books that might not receive the recognition they deserve. Yes, let them read Harry Potter and The Chronicles of Narnia, and The Earthsea Cycle and the Rick Riordan Pantheon; but, these fantasy, horror, science fiction, fairy tale, and magic realism stories are worth reading, too. I hope you enjoy them all as much as I do!

Why You Need to Read: “In An Absent Dream”

Wayward Children, #4: In An Absent Dream

By: Seanan McGuire

Published: January 8, 2019

Genre: Fantasy

            This, then, was Katherine Victoria Lundy: pretty and patient and practical. Not lonely, because she had never really considered any way of being other than alone. Not gregarious, nor sullen, but somewhere in the middle, happy to speak when spoken to, happy also to carry on in silence, keeping her thoughts tucked quietly away. She was ordinary. She was remarkable, (1: A Very Ordinary Garden). 

            We’ve all asked the question: ‘How did ‘x’ come to be in existence?’ In our world, we have history lessons and oral tradition to teach us about historic moments and events, and changes in technology. In other worlds—in works of fiction—the audience receives the history as the narration continues explaining the scenario, the characters’ backstories, and—in the case of speculative fiction—how the world came to be. Throughout the Wayward Children series, readers have learned about the various worlds the travelers visited, and how Eleanor West’s Home For Wayward Children is a haven for these travelers. It makes you wonder how those who returned to our world readjusted in society before these schools existed. In An Absent Dream, the fourth book in the series, provides one infamous case.

            The protagonist in this story is Lundy, whom we met in Every Heart A Doorway. Everyone already knows how her life ends, but we’re given a look into her life—both with her family and in the Goblin Market. Katherine Victoria Lundy is the middle child in her family’s household. She is 6-years-old at the beginning of the story. She has an older brother, Daniel, who is 6 years her senior; and, her mother is pregnant with her 3rd child, which will be Lundy’s younger sister, Diana. However, Lundy isn’t Lundy yet, she is Katherine; it’s her birthday, and none of Katherine’s classmates are celebrating with her. The reason for this is because Katherine’s father is the principal at the school, which goes unnoticed by both parents. For another 2 years, Katherine is a model student, which isolates her even more. One day, 8-year-old Katherine is walking home from school when she finds a Door with the words: BE SURE. Well, Katherine is sure and she enters the world of the Goblin Market. There, Katherine meets “the Archivist,” who explains the rules and the ways of the Goblin Market; and, “Moon,” a girl around Katherine’s age who is a resident at the Goblin Market, who has trouble following the rules. The first thing Katherine learns there is NOT to use her actual name, but either an attribute or a family name. Thus, Katherine chooses to go by her last name, Lundy; and, Lundy is told she is not the 1st visitor to go by that name. Throughout her “trips” to the Goblin Market, Lundy grows into the person she was denied to be in her world (the story starts in 1962). Meanwhile, Lundy’s family cannot understand why she would choose to be anywhere else but with them, especially Lundy’s father. So, what does Lundy’s family do to her? They find ways to keep her from leaving them, even succumbing to enact guilt. This move begins a rift in Lundy as she tries to figure out a way to find “fair value” before the curfew.   

            The plot is a look back into Lundy’s early life—who can be viewed as a “tragic” character—and her childhood and her time in the Goblin Market. This is an intriguing view into how a child survives in “another world” with minimal adult guidance, which could be one of the actual dilemmas Lundy had to deal with as well, while remaining divided on which Home was her real one. The sad thing is Lundy was thriving in the Goblin Market for reasons her family was too blind to notice. There are 2 subplots and they are essential to the plot (and, the entire series). The first subplot regards the concept and the importance of the rules in each world. Throughout the series, readers learn which students haven’t returned Home due to the rules they broke, but there wasn’t too much context in their stories—except for Kade. Lundy is the first character who has to admit her choices to break the rules led to her permanent punishment (unlike Jill). The second subplot presents how and why schools like Eleanor West’s—remember, there are several others throughout our world—became the much-needed havens and fellowships travelers, especially children, never knew they needed. Lundy knew of 2 other travelers: Moon, who was already a permanent citizen of the Goblin Market; and, Franklin Lundy, Lundy’s father, who does everything in his power to stop his daughter from returning to the Goblin Market. Neither friend nor parent can give the guidance Lundy needs so badly. It makes you wonder what could have been if a school existed during Lundy’s childhood. It is obvious both subplots are necessary for the plot to develop throughout the story.

            The narrative in this story is told from Lundy’s point-of-view, but in 3rd person omniscient. This is because there are moments when the P.O.V. shifts away from Lundy—usually to her father—in order to fill in the smaller details of the story. The sequence is broken down into the events leading up to Lundy’s “trips” to the Goblin Market, particularly her first 3 visits. Each visit leads Lundy to staying at the Goblin Market for longer periods of time. However, it is the visits before the curfew, which receives the most attention. Lundy’s “trips” become more frequent, but for shorter visits, almost like they match Lundy’s hesitation instead of her heart. The narrative is a look back at the past, so it is NOT a flashback. This means most of the narration is told from Lundy’s stream-of-consciousness. And, because the narration leads to the end readers know is coming, Lundy is a reliable narrator.

            The style Seanan McGuire uses in In An Absent Dream is an intriguing one. The concept of the Goblin Market comes from the narrative poem of the same name by Christina Rossetti. The poem is about 2 sisters who meet goblins by the river encouraging all to “Come buy, come buy.” The synopsis of the poem is: one sister eats the fruit, while the other one does not. As time passes, the sister who ate the fruit begins to age unnaturally. This causes the other sister to go and buy some of the fruit to save her. The sister resists the temptation to eat the fruit, which saves her sister’s life. It is obvious the author took this children’s poem and retold it with the same dilemmas and the same morals. Seanan McGuire’s retelling of Goblin Market is easier to comprehend, but is just as much of a cautionary tale as the original poem. The mood in this story is the discord one’s desires can lead to within the individual, which is brought on by those closest to them. Once again, the illustrations done by Rovina Cai bring out the beauty in a world very few people know exist. 

            The appeal for In An Absent Dream have been positive. Not only was it nominated for a Hugo Award for Best Novella in 2020, but also it is one of the highest rated books in the Wayward Children series by readers on Goodreads and on other social media and (book) retail websites. This novella is an excellent addition to both the book series and the fantasy canon. I should mention that anyone who did enjoy this book because of the world of the Goblin Market should read both Goblin Market by Christina Rosetti and The Sisters of the Winter Wood by Rena Rossner. The latter is a historical fantasy novel with allusions to Goblin Market. After reading those, fans can move on to the next book in the series, Come Tumbling Down. 

            In An Absent Dream is a story so beautiful and tragic readers will be torn between wanting it to be real and wanting it to be a dream. This is my favorite book in the series next to Every Heart A Doorway. There are several reasons for this: the believable characters, the beauty of the Goblin Market, the split between family and where you belong, and the heart-wrenching end everyone knows is coming but doesn’t want it to happen. Not to mention, the reason and the importance of schools like Eleanor West’s for travelers in similar scenarios. Now, readers have a complete understanding of what these children really need: the desire to choose without any guilt. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Beneath the Sugar Sky”

Wayward Children, #3: Beneath the Sugar Sky

By: Seanan McGuire

Published: January 9, 2018

Genre: Fantasy

            The Queen of Cakes would never have been defeated: Sumi had died before she could return to Confection and overthrow the government. Rini wasn’t just saving herself. She was saving a world, setting right what was on the verge of going wrong, (5: Places of the Living, Places of the Dead).

***NOTE: This review contains some spoilers from Every Heart A Doorway. That book should 

be read BEFORE reading this one. 

            Quests; adventures; journeys. Everyone is familiar with the numerous stories about “ordinary” people who leave home to go on a “hero’s quest” usually “to save the world.” Other journeys include a fellowship attempting to do the impossible, and most of them take place in different worlds. Stories about Narnia, Oz, Middle-earth and the gods involve quests. In fact, several video games such as Final Fantasy are about a group of individuals on an adventure to accomplish a goal. Seanan McGuire has her readers return to Eleanor West’s School for Wayward Children before they go on a quest, which is against the rules. Beneath the Sugar Sky, the 3rd book in the Wayward Children series, takes place after some time has passed after the events in Every Heart A Doorway. 

            Readers are reunited with the students from Eleanor West’s school: Kade, who is training to be the school’s next headmaster; Christopher, who is waiting for the Day of the Dead so his Door will appear, if it does; Cora, the school’s newest student, who was a mermaid; and, Nadya, one of the school’s longest residents, who talks to turtles. It is an ordinary day at school, until a girl wearing a cotton candy dress falls from the sky and into the turtle pond. The girl identifies herself as Onishi Rini, the daughter of Onishi Sumi, one of the students at the school. Rini claims she is from the future and she is searching for her mother—who disappeared from their home in Confection. There is one problem, Sumi is dead, which means she can’t have a daughter in the future, at least in our Logical world. However, Confection is NOT a Logical world, so there should be a loophole, right? Eleanor allows some of her students to go on a quest—which, is against the rules—”to put Sumi back together.” Kade, Christopher, Cora and Nadya travel with Rini on her quest bringing their knowledge and their skills as they attempt to do the impossible. Readers learn more about these characters, the worlds they call Home, and the worlds they travel to. Who else will they meet along the way?

            The plot in this story is straightforward. A few schoolmates are going to resurrect the dead friend with her future daughter leading the way. All they have to do is travel to the worlds where pieces of Sumi can be found so they can put her back together. Not too difficult right? Not to mention, with Sumi dead, Confection remains under control of a despot, who will do everything in her power to stop her nemesis from coming back to life. There is one subplot and it goes back to one of the plots from Every Heart A Doorway, which is the construction of the Great Compass. Kade, Christopher, Cora, Nadya and Rini all traveled to different worlds; and, those worlds are connected to each other somehow. As the students continue on their quest, they note which worlds are connected to each other, which serve as clues for the students who are trying to return Home. It seems like the Great Compass is forming into a larger map where one world has pathways to several other worlds. Someone just has to figure out a way to map them all out. The subplot develops alongside the plot as the characters note which Doors take them to which worlds. 

            The narrative follows the points-of-view of all of the travelers, but the focus is on Cora because she is the newest student. This means that the P.O.V. is 3rd person omniscient and the sequence is in the present as readers follow the events in “real time.” In addition, following the streams-of-consciousness of the characters make them reliable narrators that makes it easy to follow the story.

            The style Seanan McGuire uses in this story reminds readers of the adventure stories they’ve read (and, probably continue to read). Throw in elements of hero’s quest stories from myths and legends and some Japanese pop culture and you have a story everyone can enjoy. Allusions to Orpheus, the Underworld, JRPGs, Sailor Moon and Back to the Future can be found throughout the story and are recognized by readers who are familiar with them. Additionally, the allusions to magic objects and other tropes from folklore could be viewed as foreshadowing for future books in the series and as evidence that magic exists in our world. The mood in this story is adventure. The students go on a quest to save their friend and her future and her Home. They don’t know what’s going to happen, but they know it will be more fun than they’ve had in a long time. The tone in this story is fellowship. The students wouldn’t embark or assist in this quest if it wasn’t for the loyalty—both strong and fragile—they have for each other. They are not sure whether or not they will succeed in their quest, but they are willing to risk it all because of the friendship they share. There are illustrations in this book done by Rovina Cai. While they are few, they capture the essential parts of this quest, and the illustrations are beautiful.

            The appeal for Beneath the Sugar Sky have been positive. And yes, this novella was nominated for some of the literary awards its predecessors have won. However, fans of the series agree this book is a creative continuation about the lives of the students at the school. Readers learn through the characters that magic is brought over to Earth from other worlds, and the magic and the worlds are connected. This book is a portal-quest fantasy and it belongs in the fantasy canon alongside the other books in the series. This book can be read by fans of both Philip Pullman and Joseph Campbell. And, due to its connection to the first 2 books in Wayward Children, readers can and should reread all of the books in the series so they know how each book is related to each other. After reading all 3 books, they will be ready to read the next book in the series, In An Absent Dream. 

            Beneath the Sugar Sky is a sweet addition to the Wayward Children series. This book gives readers a quest with some of their favorite characters—both old and new—where they learn about them and some of the many worlds as they journey to save their friend. The author combines story elements from the past and the present in order to present this narrative to her fans. In all, this novella is a must read for fans of fantasy stories and of fantasy scholarship. 

My Rating: MUST READ NOW (5 out of 5)!!!

Why You Need to Read: “Down Among the Sticks and Bones”

Wayward Children, #2: Down Among the Sticks and Bones

By: Seanan McGuire

Published: June 13, 2017

Genre: Fantasy

*Winner of: ALA Alex Award 2018, ALA RUSA Fantasy Award 2018

            It did not occur to Jill that Jack’s avoidance, like her own, had been born purely of parental desire and never of a sincere wanting. Their parents had done everything they could to blur the lines of twinhood, leaving Jack and Jill stuck in the middle, (6: The First Night of Safety). 

            Series of any kind—books, movies, TV shows (including anime), video games, etc.—remain intriguing. One of the many reasons series continue to fascinate everyone is due to the ways the elements—the story, the characters, the setting, etc.—keep us immersed within them. Another reason is because of the creators of these series. They have to come up with creative ways not only to keep our interest, but also find ways to make us want more from them. Not to mention, some of the creators find ways to expand on their world through their series. Series are not limited to any genre or any format, but it seems speculative fiction captivates our expectations when it comes to using series to expand on everyone’s desires, especially the creators’. And, series can be presented to the audience in any order the creator wants to present them. Seanan McGuire is such an author who presents her Wayward Children series across moments in time. Down Among the Sticks and Bones is the second book in the series, which takes place before the events in its predecessor, Every Heart A Doorway. 

            The protagonists in this story are Jacqueline and Jillian Wolcott—also known as, and preferred to be called, Jack and Jill—identical twins with different personalities yet similar demeanors. Both girls had the unfortunate luck of being born to Chester and Serena Wolcott who believe having children would move them up the social ladder (and yes, such adults still exist, sadly). The parents take this notion to extreme levels by forcing their daughters into roles of binary femininity—the girly-girl, Jack; and, the tomboy, Jill. Unfortunately for the twins, the style of parenting forced upon them not only messes up their idea of what femininity is, but also causes a crescendo of sibling rivalry instead of sisterhood. Jacqueline, who always wore dresses she could never get dirty, wants to prove she knows more than what others let on—which she does. Jillian, who cannot decide whether or not her short hair and her boyish clothes make her a freak, wants nothing more than to have any sort of affection from anybody—which she deserves. It comes as no surprise their Door leads to the Moors, a place which reminds travelers of black-and-white monster movies (where monsters are “born”). Once there, the twins are separated—physically—for the first time, and will remain that way for the next 5 years, through most of their adolescence. Jack goes with Dr. Bleak to become his apprentice, which allows her to learn everything she could ever want; and, Jill goes with the Master—a real monster—who showers her with all of the affection and the attention she always craved. As the twins grow apart with their new parental figures, it comes as no surprise Jack and Jill develop a spectrum of psychopathic behavior, one way more extreme than the other. 

            The plot of this story revolves around the birth, the upbringings—remember, they each had 2—and the growth of the twins into what they become by their 17th birthday. Yes, the Moors cemented Jack and Jill into monsters; but, one could argue their parents put them on that path before their Door appeared. There are two subplots which develop alongside the plot and are essential to the story. The first subplot follows how the twins gain separate identities, something that was denied to them by their parents, but explored in the Moors. The second subplot delves into types of parenting, especially toxic parenting. There are 5 adults who “parent” Jack and Jill, and 3 of them would be labeled as “toxic.” These subplots and the plot are important to the story because readers get an understanding of the nurturing the twins endured throughout their entire childhood. Keeping this in mind, while Jack and Jill are not responsible for their adult role models, they are responsible for their decisions and their actions.

            The narrative in this novella isn’t a flashback, but a look into the past. The points-of-view is 3rd person omniscient, or a narration which moves between the P.O.V.s of multiple (main) characters. In Down Among the Sticks and Bones, the first characters readers are introduced to are Jack and Jill’s parents, Chester and Serena Wolcott. Readers learn the reason why they decided to have children, why their parenting methods are viewed as “toxic,” and their “reactions” to their daughters’ disappearance and their return. Due to the narrative styles used in this book, the characters’ P.O.V.s are reliable because readers follow their streams-of-consciousness. In this case, the readers are able to empathize with (most of) the characters, especially Jack and Jill. This narration is straightforward and engrossing. 

            The style Seanan McGuire uses in Down Among the Sticks and Bones can be argued as becoming “the villain.” I’m NOT an expert in psychology, but it has been mentioned by several experts that neglected and abused children often crave love and affection and are willing to do just about anything to get it. However, if those parents and/or adult role models are “toxic,” or are “parents who inflict ongoing trauma, abuse, and denigration on their children,” (Forward and Buck, 12). The author’s use of specific moments Chester and Serena and the Master inflicted the identities and the roles they wanted onto their daughters—throwing away gifts from Gemma Lou, murdering playmates, etc.—foreshadows the behaviors (i.e. Obsession Compulsive Disorder, or OCD) and the traits (i.e. eager-to-please) the twins will exhibit in the future. This story is NOT a parenting book, but a cautionary tale of children and how they are individuals, and NOT blank slates to force into a role of the adults’ choosing. The mood in this story is duality. Jacqueline and Jillian are identical twins—who are nicknamed after the nursery rhyme by everyone but their parents—who are forced into the false binary roles of femininity—girly and tomboy—by their parents, who are brought up separately in the Moors later on by 2 new “role models” as the mad scientist’s apprentice and the vampire’s daughter—two of the most notorious “monsters” in literature. This book is the first in the series to include illustrations—by the talented Rovina Cai—and they present the moments of “love” the twins experienced during their stay at the Moors. 

            The appeal for this book have been positive. It was nominated for the same literary awards as its predecessor. Yet, it was the American Library Association, or the ALA, who gave this novella its accolades winning both the Alex Award—given to 10 books written for adults that have special appeal to young adults, ages 12 through 18—and, the ALA RUSA Award—an annual best-of-list comprised of 8 different fiction genres for adult readers—in Fantasy. These awards—given by librarians—demonstrate readers of most ages can read and appreciate this book. And, while this book takes place before the events of Every Heart A Doorway, you should read that book before reading this one. That way readers won’t get confused about the book’s context. After learning about the world Jack and Jill traveled to, who wouldn’t want to learn what happens in the next book in the series, Beneath the Sugar Sky?

            Down Among the Sticks and Bones is an engrossing follow up to its predecessor. Readers get a look into how the twins lived before finding their Door and living in a new world who embraced them for better and for worse. Seanan McGuire uses duality in order to give readers the beauty and the horror in everything from gender identity to parental figures. Which world will we travel to next?

My Rating: MUST READ IT NOW (5 out of 5)!!!

                                                            List of Works Cited

Forward, Susan, and Craig Buck. Toxic Parents: Overcoming Their Hurtful Legacy and Reclaiming Your Life.

e- book, Bantam, 2009. 

Why You Need to Read: “Every Heart A Doorway”

Wayward Children, #1: Every Heart A Doorway

By: Seanan McGuire

Published: April 5, 2016

Genre: Fantasy

*Winner of: Hugo Award for Best Novella 2017, Nebula Award for Best Novella 2016, Locus Award for Best Novella 2017, ALA Alex Award 2017

            …the wanting. You want to go back, and so you hold on to the habits you learned while you were traveling, because it’s better than admitting the journey’s over. We don’t teach you how to dwell. We also don’t teach you how to forget. We teach you how to move on, (3: Birds of a Feather). 

            Anyone who is a fan of Lewis Carroll, L. Frank Baum, C.S. Lewis, Philip Pullman, and authors who write similar stories MUST READ THIS SERIES!!! The Wayward Children books are a portal fantasy series which asks the question: what happens when those who are “spirited away” return to our world? Seanan McGuire answers this question in her series. While it is obvious which stories inspired and influenced the author, the originality will draw readers into this series. It mentions how a combination of Time and Desire can lead to a portal to another world. And, there are many worlds which we are familiar with whether or not we realize it. They are allusions to other portal fantasy and adventure books and readers have to recall all of them in order to comprehend the series. 

            While there are several characters in this book—the students and the (resident) teachers are “travelers”—the protagonist is Nancy, the newest arrival at Eleanor West’s Home For Wayward Children: No Solicitation, No Visitors, No Quests. She is 17-years-old and was “gone” for six months in the Halls of the Dead before the Lord of the Dead returned Nancy to our world so that she can “Be Sure” before making her choice to stay there forever. It’s been “seven weeks, four days” and counting, and Nancy is waiting for her Door to reappear. Nancy is like many of the students at the school, she wants to return Home, but knows there is a slim chance of it happening. Nancy’s parents send her to this school so she can “get better,” but Nancy learns quickly that the school is a haven for other children like her who want nothing more than to return to their Homes. There’s Sumi—Nancy’s roommate—who traveled to Confection and cannot sit still long enough to hold a conversation. Kade—a relative of Eleanor’s—who was kicked out of Fairyland and is in charge of managing everyone’s “preferred” wardrobe. Jacqueline and Jillian—known as Jack and Jill—are identical twins whose adventures in the Moors is something out of a black-and-white horror movie. And, Christopher who traveled to a world of “happy, dancing skeletons” similar to the holiday, Día de los Muertos. The adults in charge consist of Eleanor West, the headmistress, whose Door is still open; and, Lundy, the school’s therapist, who is aging in reverse as punishment for breaking the rules of the High Logic, High Wicked world she “visited.” Unlike Eleanor, Lundy knows she can never return to her Home, and so she projects her bitterness on to the students. All of the residents at the school want to go Home, but they all have to settle on having to learn how to readapt in our world. And yet, many of the students refuse to believe their Doors are lost to them forever. 

            There are 2 plots in Every Heart A Doorway. The first is learning how the school operates and how Eleanor recruits students while keeping them safe. The second is the construction of the “Great Compass.” Eleanor, Lundy and Kade spend their free time compiling a book of the descriptions and the characteristics of each world. The most common “directions” are: Nonsense, Virtue, Logic and Wicked; then, there are several “minor” compass directions such as Rhyme and Linearity. These plots are continuous throughout the series, and it is fascinating to learn how the school is managed, and it’s intriguing to learn which worlds are “connected” to one another. However, it is the subplots that keep the readers engaged, and there are two of them. The first concerns the murders of some of the school’s residents. Who is killing them and why? The second subplot follows the worlds each traveler visited and the “stereotypes” surrounding each one. For example, who’s to decide on whether or not a world of rainbows is “good” over the world with skeleton people? All worlds whether or not they exist in reality contain both beauty and danger.

            The narrative in this story follow’s Nancy’s point-of-view; but, she does not remain as the only P.O.V. character in this story. There are times when the P.O.V. switches to other characters, even for a paragraph. So, this narration is presented using 3rd person limited omniscience. Due to the style of narration, the protagonist—and, the other P.O.V. characters—are reliable narrators. Not to mention, readers get the characters’ streams-of-consciousness throughout the story. It should be mentioned whenever the characters are talking about their Homes—both their worlds and their families—they are as memories, NOT flashbacks! This is because the characters are describing their experiences as they remember them; and, some of those recollections are unreliable because they are from their perspectives, which are biased. 

            The style Seanan McGuire presents is a twist on portal and quest fantasies. Farah Mendlesohn defines “Portal-Quest Fantasy” as: “In both portal and quest fantasies, a character leaves her familiar surroundings and passes through a portal into an unknown place. Although portal fantasies do not ‘have’ to be quest fantasies the overwhelming majority are,” (Mendlesohn, 1). McGuire asks the question: what happens if the ‘hero’ or the ‘traveler’ returns to our world? On the one hand, Alice from Alice’s Adventures in Wonderland goes back to Wonderland in Through the Looking Glass before returning to our world for the rest of her life. On the other hand, Dorothy from the Oz series traveled to Oz so often, she, her aunt and her uncle, and Toto move there permanently. So, why did one stay in our world while the other one didn’t? Would Alice have stayed in Wonderland if she was given a choice? And, the characters from McGuire’s story, what would they give to return Home? The author asks these questions as these children return from their travels changed, and are suffering—NOT from PTSD—but from struggling to return to their mundane existence. The allusions to all of the stories and their authors mentioned are informative and valid. Instead of the “familiar” fantasy stories and fairy tales we believe we know, readers receive the dark lore and the styles from other variants of folklore and fantasy stories. And, it’s the reality check fantasy readers didn’t know they needed. The mood in Every Heart A Doorway is a haven for all of the travelers. The tone in this story is how each character struggles to accept their current predicament. Some have accepted it and others continue to search for their Doors.  

            The appeal for Every Heart A Doorway were and continue to be multitudinous. Not only did this novella win several awards—including the Hugo and the Nebula—but also gain numerous readers who were introduced to the author and her other books, including myself! This book and the other ones in the Wayward Children series belong in the speculative fiction canon, and have lasting appeal because of the characters and their stories. The fact this continues to be an ongoing series will have fans rereading this book over and over again. In fact, Tor.com announced fans and readers can expect the series to have at least 4 more books, bringing the current total to 10 books!

            Every Heart A Doorway is an amazing and unique look into how diversified fantasy is based on all of the worlds the characters have traveled to, and why all of the authors who wrote similar stories believed their characters were better off returning whence they came from instead of remaining where they were the happiest. Fans of both traditional and twisted fantasy stories should read this book. This novella will have you searching for your Door.

My Rating: MUST READ IT NOW (5 out of 5)!!!

                                                            List of Works Cited

Mendlesohn, Farah. Rhetorics of Fantasy. Wesleyan, 2008.

Why You Need to Read…My Most Anticipated Speculative Fiction Books of 2021

How many books will I read in 2021? Let me rephrase the question: how many books coming in 2021 will I get to read in 2021? I ask this question because I’m still going through all of the books I didn’t get to read last year—including all of the books that came out in 2020. Yet, I can’t help myself because I’m so excited for all of the books coming out in 2021! These are just some of the numerous books I hope I get to read this year. Will I get to read them all in 2021? Probably not, but I’m going to aim to read these books at some point!

#1: Wayward Children #6: Across the Green Grass Fields by Seanan McGuire –> January 12th

            This next book in this fantasy series follows a girl who travels to a world where every horse creature resides. However, what happens there and whether or not the Visitor wishes to stay or leave has to wait until the book is released. Note: We’re getting 4 more books in this series!

#2: The Black Iron Legacy #3: The Broken God by Gareth Hanrahan –> May 20th

            It seems like we’re going to follow Carillon Thay’s adventures outside of Guerdon, which is probably for the best given what happened during the events in The Shadow Saint. Speaking of what’s going to happen to the city after all of the political and the divine betrayals? Looks like the world needs to be saved, again.  

#3: Bethel #2: The Dawn of the Coven by Alexis Henderson –> August 31st

            I was surprised and excited when I learned there would be a sequel to The Year of the Witching. I believe the story will focus on the aftermath of the events which occurred at the end of the first book. However, this is a dark fantasy series about witches and priests, so anyone can become powerful or die at any time. 

#4: A Chorus of Dragons #4: The House of Always by Jenn Lyons –> May 11th

            The way The Memory of Souls ended makes readers wonder how the author will continue her saga. What will the “heroes” do next to thwart the plans of the “threat”? And, is the House a place or an individual? 

#5: Magic of the Lost #1: The Unbroken by C.L. Clark –> March 23rd

            This is the first book in a new trilogy and it focuses on two young women. One is a soldier who was stolen from her home as a child. When her company has been sent back to her home to stop a rebellion, she doesn’t know which side she should be on. The other is a princess whose uncle has taken the throne which was meant for her. She needs a turncoat who is willing to balance treason and orders for what she sees as peace. All is fair in love and war. 

#6: Deathless #1: The Gilded Ones by Namina Forna –> February 9th

            This debut novel—which I believe was delayed due to the pandemic—follows 16-year-old Deka, who is about to be tested. If her blood runs red—normalcy—then she can carry on with her life. If her blood runs gold—impurity—then she faces a consequence worse than death. When Deka’s blood runs gold, she is given a choice: stay in her village to die, or leave and join the emperor’s army of girls—alaki, near immortals with rare gifts—like her to fight. Knowing she can find acceptance by serving the emperor, Deka leaves her home for the capital, where she learns that nothing is what it seems. Sounds like a great combination of Red Queen and The Old Guard. 

#7: Burning Kingdoms #1: The Jasmine Throne by Tasha Suri –> June 8th

            I LOVED the Books of Ambha Duology, so it should come as no surprise that I’m looking forward to reading Tasha Suri’s next book in her new series. A princess who is imprisoned by her dictator brother befriends one of the maidservants. When the princess discovers her maidservant’s secret, they join forces to get what they want—the former the throne and the latter her family. 

#8: Star Eater by Kerstin Hall –> June 22nd

            For several months, the author of The Border Keeper has been teasing her upcoming debut novel, and it cannot come soon enough. This book follows a female whose power must be preserved as ordered by her order. However, in order to preserve the magical bloodline, these women must give birth to the next generation, and the pregnancy kills these women. The protagonist is desperate for an escape, and she is granted the opportunity. All she has to do is spy on the highest ranks of her Order and learn their secrets. It shouldn’t be too difficult, right? 

#9: The Radiant Emperor #1: She Who Became the Sun by Shelley Parker-Chan –> July 20th

            This debut novel is described as “Mulan meets The Song of Achilles…(the) reimagining of the rise of the founding emperor of the Ming Dynasty.” That description alone should be enough to grasp the attention of any fan of historical fiction and fantasy. The year is 1345, China is under the rule of the Mongols. The story follows the second daughter in a Chinese family, who was given the fate of nothingness, while one of her brothers—Zhu— was given the fate of greatness. After Zhu dies, the daughter decides to use her brother’s identity to escape her fate and enters a monastery as a young male novice. After the monastery is destroyed by Mongolian forces, Zhu decides to claim the future that was meant for her brother. This is story is going to be EPIC!!!

#10: Empire of the Vampire by Jay Kristoff –> September 14th (in the U.S.)

            This upcoming series by the Australian author combines vampires with the legend of the Holy Grail. The protagonist is imprisoned not only for murdering the Vampiric King, but also for unknowingly destroying the holy order—The Silversaints—he served. Recounting his life and the events which led him to his current predicament, readers will learn first and foremost that the Holy Grail was a person, a teenager. Please Note: This series is NOT YA!!!       

#11: The Light of the Midnight Stars by Rena Rossner –> April 13th

            This historical fantasy is a retelling of Rabbi Isaac and his family, particularly his three gifted daughters. After an accusation of witchcraft forces the Rabbi and his family into exile, they learn of a dark force making its way across Europe. The sisters must choose whether or not to face the threat. This book is the author’s follow up to The Sisters of the Winter Wood, and fans of Alix E. Harrow, Katherine Arden and Constance Sayers will enjoy this book the most. 

#12: The Witch’s Heart by Genevieve Gornichec –> February 9th

            2021 continues the Norse-inspired books fantasy fans get to experience. This debut novel is a reimagination of Loki’s children as told by the woman who bore them and loved Loki—the witch, Angrboda. The story begins with Angrboda being burned by Odin for refusing to provide him with knowledge of the future—which Odin gains another way. After escaping and fleeing to the end of the world(s), Angrboda encounters Loki and fall for each other. Anyone who is familiar with Norse mythology recalls the role Loki’s children play in Ragnarök. Will Angrboda allow fate to happen, or attempt to change the future? 

#13: Firebreak by Nicole Kornher-Stace –> May 4th

            I learned about this book from author C.S.E. Cooney, and she had nothing but positive things to say about it. After reading the synopsis, I’m excited to read this book, too! The best way to describe this book is part 1984, part War Girls,and part Ready Player One. If you’re interest isn’t piqued after reading that, then I don’t know what else to tell you. 

#14: First, Become Ashes by K.M. Szpara –> April 6th

            I didn’t get to read Docile in 2020 (but, I will this year!), but I’m just as excited for the author’s second novel. The plot of this book sounds like it was supposed to start off as an RPG, but the quest ended before it could start. I’m curious to read what happens to the characters in this book. 

#15: The First Argentines Series by Jeff Wheeler –> Book 1: Knight’s Ransom release on January 26th

I got to read an eARC of Knight’s Ransom (click here to watch my first livestream Q&A panel with the author) and it’s an amazing beginning to a new series. Set about 400 years before the events in The Queen’s Poisoner, readers learn about the struggles the Argentine Family had when they first became the rulers of Kingfountain. The story is told from the perspective of one of the knights, Ransom, who witnessed many political and familial feuds as the Argentines commit to gain control over the entire realm, and survive. 

#16: Rook and Rose #1: The Mask of Mirrors by M.A. Carrick –> January 21

            This debut novel—written by a duo—presents a story of a con artist who hopes to secure a fortune and a future—for herself and her sister—by robbing a noble house. However, as this woman gets more involved with the family, she learns more about the aristocratic society, and the games they like to play. Soon, the protagonist has to choose between saving herself or saving an entire city. 

#17: Under the Whispering Door by T.J. Klune –> September 21st

            After reading the beautiful book that is The House in the Cerulean Sea—I hope to read The Extraordinaries this year—I had to find out what the author’s next book is going to be. This book takes a page from Greek mythology as the subplot of the story. The plot is about a recently deceased man who isn’t ready to cross over to the afterlife, so he resides with the ferryman at his tea shop for 7 days. Question: who is the artist of the cover art? I know it’s the same one who did the cover for The House in the Cerulean Sea. 

#18: The Legacy of the Mercenary Kings #2: The Two-Faced Queen by Nick Martell –> March 23rd

            This sequel to the author’s debut novel will focus on the aftermath of the events that occurred in The Kingdom of Liars. I curious to learn whether or not the queen really is two-faced. And, does she know what really happened to her father and her brother?  

#19: Wings of Ebony by J. Elle –> January 26th

            I won a copy of this book in a giveaway—which, will arrive on the book’s release day (an early birthday present for me!)—and I’m looking forward to reading it. This book focuses on a teenaged girl who is separated from her sister after their mother’s death to live on an island with her father and to learn about the heritage she never knew about. To me, this book sounds like a combination of Legendborn, Empire of Sand, and Percy Jackson, and I’m not complaining at all. 

#20: Wilderwood #1: For the Wolf by Hannah F. Whitten –> June 15th

            This retelling of the tales of Little Red Riding Hood and (Norse? or Greek?) mythology is the author’s debut novel. Red is the first Second Daughter born in centuries. This isn’t an issue for her family because while her older sister will get the Throne, Red is destined to be sacrificed to the Wolf in the Wood so he’ll return the world’s captured gods. Unfortunately, legends are not what they seem. The Wolf isn’t a monster, he is a man; and, Red isn’t a damsel, she has magic that she has to learn how to control in order to save her world. 

Additional Books to Lookout For: 

The Murderbot Diaries #6: Fugitive Telemetry by Martha Wells –> April 27th

The Tide Child #3: The Bone Ship’s Wake by R.J. Barker –> September 28th

The Ladies of the Secret Circus by Constance Sayers –> March 23rd

The Up-and-Under #2: Across the Saltwise Sea by A. Deborah Baker –> October 12th

Winter’s Orbit by Everina Maxwell –> February 2nd

The Bloodsworn Trilogy #1: The Shadow of the Gods by John Gwynne –> May 4th

Ashes of the Unhewn Throne #1: The Empire’s Ruin by Brian Staveley –> July 6th

The Desert Prince by Peter V. Brett –> August 3rd

The Protectorate #3: Catalyst Gate by Megan E. O’Keefe –> July 13th

Small Spaces #3: Dark Waters by Katherine Arden –> August 3rd

            As I mentioned earlier, this is some of the several books being released in 2021. Which books did I miss? What are you excited to read the most in 2021? Any debuts and/or new series others and I should look out for? Let me know! Happy New Year!

Expectations for Season 2 of “His Dark Materials”

It’s almost time! Season 2 of His Dark Materials will premiere on HBO (in the U.S.) this Monday. This season will be based on the second book in the trilogy, The Subtle Knife, and it will be 8 episodes long, just like Season One. Now, while The Subtle Knife is the shortest book in His Dark Materials trilogy, it doesn’t lack in story, in plot development and in character development.

With the fillers from Season 1, viewers already know who Will Parry is and his “connection” to the Magisterium. In addition, Lyra Silvertongue sees her parents for the type of people they are and decides to leave her world in order to learn more about Dust before confronting her father. Unbeknownst to the two children, everyone is looking for them: the Magisterium, the witches, and their remaining allies. Lord Asriel is building up his army in order to end the reign of the Magisterium and other organizations like it. The numerous witch covens join into a single unit in order to see the prophecy to its end. And, the Magisterium will do all they can in order to gain dominance over all worlds. Yet, how will these adversaries beat the others towards their goal? 

However, searching for “invisible doorways” to other worlds isn’t working for anyone anymore. Now, everyone is searching for a tool that “creates doorways.” Does the tool choose the bearer or does the bearer search for the tool? Is it similar to the alethiometer? Are the two items related? 

The Subtle Knife contains the most action of the trilogy and I expect to see it reflected throughout Season 2 of the TV series. I doubt there will be any fillers, but I’m more curious as to how and when Season 2 will end. Without going into spoilers, I wonder whether or not Season 2 will end in the same manner as The Subtle Knife; or, if some of the opening chapters from The Amber Spyglass—the final book in the trilogy—will seep into Season 2. It was announced fans can expect Season 3—based on The Amber Spyglass—to happen by both the BBC and HBO. The only thing to be concerned with is when to expect the premiere of Season 3—COVID-19 sucks. 

Obviously, I’m very excited for this season of the adaptation of one of my favorite books of all-time. I’ll be reviewing each episode as they air, commenting and making predictions about what will happen next based on the adaptation—as well as the books. Who else is excited about Season 2 of His Dark Materials?