Why You Need to Read…My Selections for Best Speculative Fiction Books of 2019

2019 was an amazing year for everyone involved with speculative fiction. Picking up where 2018 left off, there were plenty of books released when caused our TBR piles to increase even more. It is unfortunate that more books were published than there are days in a year, but that means we always have something available to read, and we are able to share our reads with others thanks to social media. Sharing favorite and recommended books helped increase my range of books within the genre. I’ll admit I wouldn’t have read many of these books if it weren’t for recommendations and ARCs. 

            This year saw a year of both debut authors and endings to series. Not to mention the popularity of self-published authors thanks to public recommendations. I was glad I was able to contribute more to the fandom through my reviews and my participation in various fan groups. In fact, I read faster than I was able to write the reviews (which will be posted as they become available).

            All of the books I’ve read in 2019 are worth reading, but I can only list so many of them. So, I’m going to post my Top 25 in this post. Remember, this list are the books that were released in 2019! There are many books that did NOT make this list because they were released previously. If you’re curious about the other books I’ve read in 2019, then you can checkout either my Goodreads page, oy my mid-year (2019) post. Now, for my favorite speculative fiction books of 2019.

#25 The Bone Ships (The Tide Child Trilogy #1) by R.J. Barker

            This is the first book I’ve read by this author, and I won it in a giveaway. He messaged me and told me it was “different” from “other” fantasy stories I’ve read before. He was right! The Bone Ships is about the life of pirates—outcasts and criminals who are sentenced to the sea as a punishment—who travel the seas in order to trade, and to locate an endangered whale species. The worldbuilding is based on how the characters survive and operate the ship and readers learn about the society that chose to ostracize them. The Bone Ships is a realistic fantasy story about life at sea and all of the dangers and the excitement that comes with it. 

#24 The Starless Sea by Erin Morgenstern

            As someone who still hasn’t read The Night Circus yet, it was easy for me to read the author’s latest novel with an open mind. This story is an homage to New York City and all of the bookstores located in (and below) it. The story follows Zachary Ezra Rawlins, a grad student, who finds an unusual book in his university library. The book is unusual because it’s about him and his life. From there, the story follows different narratives and writing styles as Zachary meets two individuals who know about the book’s origins and the library it came from. The Starless Sea is the perfect book about preserving stories and the people who play their role in the stories themselves.  

#23 The Survival of Molly Southbourne (Molly Southbourne #2) by Tade Thompson

            I didn’t get the opportunity to complete the Rosewater Trilogy, but I did get to read the follow-up to The Murders of Molly Southbourne. This novella picks up where the previous one left off and Molly Southbourne has to find a way to survive yet again. The author answers the questions both Molly and the readers had about what Molly is and why it happened. The story brings back all of the characters and they are all given appropriate endings. However, it makes you wonder whether or not they’ll be a companion story to this series. 

#22 The Ascent to Godhood (Tensorate #4) by J.Y. Yang

            I’ve read and enjoyed the entire Tensorate series, however it was the last book that really grasped my attention the most. In this book, the Empress—the mother of the twin protagonists from the first two books—has died. While everyone is questioning the line of succession and remembering her reign, one person recalls when the Empress was a princess who strived to do what was best for her subjects through the goodness of her heart. Unfortunately, it was through several series of hardship that transformed the Princess into the powerful, yet unforgiveable monarch she became. It left me mortified yet emphasizing with the Empress (to an extent). The Ascent to Godhood connects the previous books in the series with the story of the Empress, who was also a mother and a companion to those who knew her the best. 

#21 To Be Taught, If Fortunate by Becky Chambers

            This is the first book I’ve read by this respected author and I understand why everyone rages about her books. To Be Taught, If Fortunate is a hard science fiction story about space explorers who travel beyond of galaxy in order to study planets in other ones. The difference is that instead of forcing the planets to acclimate to them, the humans acclimate to the planet. It is an interesting take on space exploration and planet observation, and the harsh reality and repercussions of what being away from home for so long can do to those who have no choice but to fend for themselves. 

#20 The Dragon Republic (The Poppy War #2) by R.F. Kuang

            One war ends, but what does that mean for the “winning side.” Rin ended the Third Poppy War single handily. However, her country has suffered from the damage—physical, mental and emotional—inflicted on them as well. The Dragon Republic delves into the idea of purpose for soldiers who no longer have a war to fight, the idea of a country no longer united because of the suffering its denizens continue to endure, and the struggle for power and what leaders are willing to do in order to grasp it. This is a book about the brutality of the postbellum and how winning the war was the easy part.  

#19 The Kingdom of Copper (The Daevabad Trilogy) by S.A. Chakraborty

            I’m glad I made the time to start this series. The City of Brass is an amazing story about magic and magical beings set in the Middle East during the Ottoman Occupation. In the first book, Nahri is spirited award to Daevabad where she learns of her magical origins and the oppressive society she finds herself in. In The Kingdom of Copper, five years have pass since the events in the first book, and all of the characters are suffering from the ruling tyrant and the beginnings of a rebellion. The story continues to explore the magical world and explores how the caste system continues to breakdown society, exposes the history of conspiracies and treacheries that resurfaces thanks to prejudice, vengeance, oppression and magical feuding.  

#18 The Rage of Dragons (The Burning #1) by Evan Winter

            One of the last books I completed in 2019, this debut novel is a story about military training, caste systems, and magic based on African history and mythology. What starts off as the “usually fantasy trope” grows into something else entirely and it will seize your attention until the end (with you wanting to read Book 2)! Tau is a young man who has lost everything he cares about and his goals are motivated by revenge. He trains with a military unit in order to become the best fighter he can be; however, as Tau realizes that military status doesn’t change the way society sees him, he uncovers a political conspiracy between his country and their longtime enemies. The Rage of Dragons is an enjoyable read for any reader who loves a great military story with its own magic users!

#17 The Deep by Rivers Solomon, Daveed Diggs, William Hutson, Jonathan Snipes

            This novella is worth all of the hype it received! The Deep is a what if tale about mermaids who are the surviving descendants of pregnant Africans who were captured and then thrown overboard the slave ships while crossing the Atlantic Ocean. While the women died, their children were born and survived in the ocean depths. 400 years later, the wajinru are a community who continues to thrive under the sea. The story focuses on the group’s “historian” who is responsible for keeping and sharing the memories of the wajinru’s past. The responsibility of being a historian is painful—especially given our history of the African Slave Trade. The Deep isn’t just a title of the story, it’s metaphorical in every sense and in every way the story is told. It’s one of the most poignant books of 2019. 

#16 The Killing Light (The Sacred Throne #3) by Myke Cole 

            To me, The Armored Saint had a slow beginning, but it made up for it in The Queen of Crows. The author presents a realistic view on military, especially the real-time events. The Killing Light is the perfect ending to The Sacred Throne trilogy, not only because it reflects back to the events of the first book, but also because it presents the reality of war and how and why people are motivated—and then lose that same motivation—to participate in it. Heloise is a protagonist that has everything to gain from the war after losing so much. The ending will leave readers satisfied because of the way the author portrays war and military strategy. 

#15 The Ruin of Kings (A Chorus of Dragons) by Jenn Lyons

            I wasn’t sure what to expect from this story, but once I started reading (listening) to it, I couldn’t stop. The Ruin of Kings is a story about the power struggle between incarnated immortals and power-hungry mortals. The story focuses on Kihrin, a young man who goes from street urchin to the heir of a noble family, and he hates every moment of it. However, that is only a fraction of Kihrin’s story because there is another character who provides Kihrin, and the readers, a full account as to all that is happening within and to Kihrin and his family. The worldbuilding alone will keep readers interested and the power struggle between mortals and immortals alike will have you wanting to read Book 2, The Name of All Things, and finding comfort from the Lannisters (yes, THOSE Lannisters)!  

#14 Smoke and Stone (City of Sacrifice #1) by Michael R. Fletcher

            2019 was the year I read more self-published fantasy books than in previous years. I opted to read Smoke and Stone on behalf of Fantasy-Faction, and I’m glad I did. This book is a great introduction to grimdark fantasy. There are two protagonists who are one opposing ends of a brutal caste system, and they are determined to prove themselves to those they care about by appealing to their patron gods. However, the gods have their own agenda and they—like any god—use the mortals to meet their goals. Smoke and Stone is a story about a harsh society, harsh gods, and harsh consequences. It’s a great book for fans of grimdark!

#13 The Ten Thousand Doors of January by Alix E. Harrow

            How many worlds exist besides our own? There have been several portal fantasies written before this one. Then again, The Ten Thousand Doors of January make it known that Doors have always been and continue to exist to those who know where to look for them. The story is about January Scaller, the daughter of an explorer and the ward of his benefactor, who desires to travel with her father. Instead, she is left behind with Mr. Locke, a collector of artifacts from around the world. One day, January is inspecting the artifacts and she finds a book about the exploration of “other worlds” and about two individuals who know about them. From there, readers learn more about January and the other individuals, who turn out to be explorers of these other worlds and the connection January has with them. The Ten Thousand Doors of January is a debut novel about other worlds, love and sacrifice, and it’ll leave readers wondering whether or not someone can and will explore ALL of those worlds. 

#12 Middlegame by Seanan McGuire

            If you haven’t already read anything by this author, then Middlegame is the best book to read first! A metaphysical and dark fantasy story—with an homage to both L. Frank Baum and John Wyndham—is about twins Roger and Dodger—siblings born with extraordinary powers and intellect—who were separated at birth and raised at opposite ends of the United States. However, distance means nothing to the twins as they find ways to communicate with each other throughout their childhood and college lives. The more time they spend with each other, the more they realize that they have extraordinary abilities which they struggle to understand. Conversely, there is someone who understands, and he wants Roger and Dodger’s abilities in order to unlock forbidden knowledge so that he can harness it for himself. 

#11 The Priory of the Orange Tree by Samantha Shannon

            This epic story is worth the reading! Over a thousand years ago a prophecy was made and now that prophecy is about to be fulfilled. Destruction in the form of a dragon is coming and only a select few—a queen, a dragon rider, a scholar, and a member of a secret order of mages—know what is coming and have to find a way to save the world. Based on historical and religious events, The Priory of the Orange Tree is a story about the origins behind the stories of “heroes” and how lies and religion shape societies to the point where knowledge is lost, and the lies become the truth. At the same time, an ancient evil is reawakening, and the various parts of the world have to acknowledge the truth beneath the lies and come together to fight a forgotten enemy. The author has written an unforgettable epic standalone story about the power of females and the way to save the world is to get the world to come together to fight the enemy. 

            Yes, I know what I did for #10 and #9, but hear me out! Both stories, while different, are a lot alike. They are bildungsroman stories which focuses on the growth, the development, and the education of a young female protagonist. Throughout the series, the female protagonist matures and learns what is expected of them and how they go about doing it. At the same time, friendships are formed, loved ones die, and the truth is revealed to them. When the final battle occurs, the female protagonist must use all of their knowledge and abilities learned throughout the series in order to conquer the enemy and to protect those they care about. Both authors have written amazing stories about their young female protagonist in their own way, but one cannot deny the similarities they have; yet, the differences are enough that they merit their own stories, and both are worth reading!

#9 Darkdawn (The Nevernight Chronicle #3) by Jay Kristoff

            This book, which is based on Ancient Rome, tells of the end of Mia Corvere’s life and how it all came to an end. Starting from where Godsgrave left off, Mia and her brother, Jonnen, travel throughout the Itreyan Republic to avoid Consul Julius Scaeva. Meanwhile, Mia learns more about the Red Church, the Mother Goddess, and her identity. None of them are what Mia thought she knew. Now, given the chance to “set the world right” and to “help the Maw,” Mia has to decide whether or not her life is worth giving to save the Itreyan Republic. Mia Corvere has become the most lethal assassin in the Republic’s history, and she does not hesitate to spill blood as she makes her way back to the heart of the Republic and killing everyone who gets in her way. The author delivers on both the blood and the vulgarity! And yes, the footnotes are back and should NOT be overlooked! 

#9 Holy Sister (Book of the Ancestor #3) by Mark Lawrence

            In this book, war has arrived, and everyone is expected to fight to defeat the enemy. Holy Sister is the epic end to the author’s trilogy, which is a blend of violence and magic. The narrative is split into two parts: the immediate events after the end of Grey Sister, and two years later when the armies have invaded Abeth. The author not only wraps up the narrative about the protagonist, Nona Grey, but also he manages to tie up all of the loose ends—everything mentioned from the opening pages of Red Sister, all of the plots, the subplots, the characters and the prophecy—within the pages of this book. This action-packed story concludes with an ending that leaves readers satisfied. 

#8 War Girls (War Girls #1) by Tochi Onyebuchi

            War is a terrible thing, and yet we cannot stop ourselves from having them. War Girls is a story that starts at a refugee camp for female soldiers. Two sisters—Onyii and Ify—are surviving with the limited resources they have while remaining hidden from the two war fronts. Unfortunately, they are discovered and are separated. For four years, each sister lives with the opposing side until circumstances forces them to confront each other as enemies. The author writes this poignant story as a cautionary tale to readers that war takes victims and turns them into unwilling accomplices. Readers won’t even realize that they’re reading a story meant for a YA audience, it’s that good. 

#7 Seven Blades in Black (The Grave of Empires #1) by Sam Sykes

            The protagonist is one pissed off woman, and she has every right to be angry. Sal the Cacophony is a hybrid of John Wick and Lara Croft, she’s that easygoing, clever, and trigger happy. Seven Blades in Black is the first book in The Grave of Empires series, and it follows Sal the Cacophony’s quest for revenge in a location known as “The Scar,” a world in which magic users become deformed as a result of their magical properties. The protagonist and her companion, Liette—a character we learn more about in the novella, The Gallows Black—make their way throughout the continent so that Sal can cross off the names on her list of those who wronged her. This book was my surprise read of 2019 in that I had never heard of the author, and I did not know what to expect from the story. My limited expectations were blown away and I’m looking forward to reading the next book by the author. 

#6 The Winter of the Witch (Winternight Trilogy #3) by Katherine Arden

            The Winternight Trilogy is a beautiful series with a beautiful ending. Vasya, now an adult, has been accused of witchcraft and finds herself in exile. However, war is on the horizon and Vasya has to find a way to unite Russia—humans and chyerti—in order to defeat the invaders. The Winter of the Witch presents readers a look into the world of the chyerti, which is beyond the vision of most human, and the tasks Vasya must perform in order to accept her destiny and save everything she cares about. The story is based on both Russia history and folklore and it provides a lovely, yet action packed tale. 

#5 The Sword of Kaigen: A Theonite War Story by M.L. Wang

            This is another self-published book that I picked up (actually, the author mailed it and another book to me for reading and reviewing) because it was receiving a ton of praise by everyone who read it. The Sword of Kaigen is a standalone novel that is the first of the author’s Theonite (world) series. The story follows Mamoru Matsuda, the first son of the second son of the Matsuda family, and his mother, Misaki. Mamoru is fourteen years-old and when a new student transfers to his school and criticizes the lifestyle of the region, he is forced to question everything he’s learned from his community. What he doesn’t know is that his mother knows that Mamoru is right to question his beliefs. But, before mother and son can have a full-length discussion, an invading army arrives, and they are under attack. The author presents a story about the consequences of isolation and blind loyalty while exploring family dynamics and unwanted familial expectations. The Sword of Kaigen is a finalist for the SPFBO 2019 and it’s easy to say why. And, while the author is taking a hiatus from the Theonite series, it is safe to say that whatever else she writes will be just as good and as touching as this book. 

#4 Velocity Weapon (The Protectorate #1) by Megan E. O’Keefe

            This debut novel was my reintroduction to hard science fiction. A world has come under attack and the last thing Sanda Greeve remembers is being shot in space. When she comes to, she learns that she’s aboard an enemy AI ship, who calls himself Bero, and that 230 years have passed since she was shot down. Meanwhile, her brother, Biran—who has just joined the Protectorate, a group of politicians who protect the universe—breaks every rule in order to find his missing sister. At the same time, a group of thieves come across some forbidden technology and have to go into hiding from the Protectorate. Velocity Weapon starts off as a story of survival and a rescue mission but evolves into a fantastic science fiction story about political ambitions, hidden technology, space war and science experiments. The author reminds her readers as to why they love science fiction and AI ships.  

#3 Realm of Ash (The Books of Ambha #2) by Tasha Suri

            I was waiting for this book since I read its predecessor, Empire of Sand, and the author teased readers with a couple of sample chapters! Ten years after the events of Empire of Sand, Arwa, Mehr’s younger sister, is now an adult and recently widowed in a massacre in which she was the sole survivor. Believing she lost her purpose for living, Arwa decides to pledge service to the royal family, who are suffering due to the events a decade before. Arwa not only learns how to find a reason to live, but also about the brutal history of her (birth) mother’s people and how the Empire is built on false power and oppression. Realm of Ash is a story about enduring and remembering, and how one continues while experiencing grief and tragedy. 

#2 Gods of Jade and Shadow by Silvia Moreno-Garcia

            The easiest way I can describe this story is that it’s a non-traditional Cinderella story that takes place in Mexico during the Jazz Age and involves the Mayan deities. Gods of Jade and Shadow is part fantasy, part magical realism, and part historical fiction. The novel will have to consulting maps and atlases so that you can follow along with the protagonists throughout the narrative. The story focuses on Casiopea Tun, who is the granddaughter of the wealthiest man in town, but because her mother married a poor man—who later died—both mother and daughter live as servants in the family home. Casiopea is bullied by her cousin, Martín—the traditional spoiled heir—to the point where neither cousin can stand each other. One day, Casiopea is left home alone as punishment and she opens a mysterious chest under her grandfather’s bed and she unknowingly frees Hun-Kame, Lord of Shadows and the rightful ruler of Xibalba, the Mayan Underworld. From there, Casiopea is spirited away on a quest through Mexico by a Mayan deity so that he can regain his throne. The author blends everything about human society and culture—history, pop culture, folklore, familial expectations, etc.—into a narrative that can be explained as Rick Riordan for adults! Gods of Jade and Shadow is part folklore, part bildungsroman, and a hundred percent entertainment. 

#1 The Gutter Prayer (The Black Iron Legacy #1) by Gareth Hanrahan

            Sometimes peer pressure can be a good thing. This debut novel was released at the beginning of 2019, and it was all everyone was talking about. In groups on social media, critics’ reviews, other authors, etc. were all talking about how The Gutter Prayer, the first book in The Black Iron Legacy series by Gareth Hanrahan needed to be read by all fans of the fantasy genre. I decided to determine whether or not the hype was deserved, and I was not disappointed! The Gutter Prayer is a dark and twisted fantasy story that is both new and different from what I was used to reading. This novel is part heist, part conspiracy, and part magic all the while the “bad guys” are the ones who save the world from Armageddon! The author finds a way to tell a story that twists readers expectations of fantasy tropes, presents the reality of what magic users—mages, alchemists and gods—can and will do with the power they have over others, and provides enough backstory of all of the characters so that readers have a comprehension of all the characters as rounded individuals who are surviving the circumstances of life in their world. The Gutter Prayer is an example of a story that stands out from other books of the genre (and subgenre) while remaining faithful to the elements and the tropes of what makes it a work of speculative fiction. This debut novel not only provided an entertaining story, but also balances fantasy and reality in a way that is both improbable and believable. For all of these reasons, The Gutter Prayer by Gareth Hanrahan is my favorite speculative fiction book of 2019!

            It was hard narrowing my list of reads to 25, but these were the books I enjoyed the most and discussed the most with other readers. Reading these books (and other ones) puts into perspective how the range of the speculative fiction spectrum continues to expand beyond our limits and expectations. With 2020 around the corner, readers know that the follow ups and the sequels to 2019’s books already presents promises and we know they’ll deliver! 2020 is going to be epic!

Why You Need to Read: “Empire of Sand”

The Books of Ambha: #1: Empire of Sand

By: Tasha Suri

Published: November 13, 2018

Genre: Fantasy, Historical Fiction, Coming-of-Age

Winner of the Brave New Words Award 2019

            The Emperor’s hatred had not grown suddenly, as Mehr had so foolishly believed when Maryam had warned her of his messages to his nobles. His hatred was a storm that had grown ever larger by feeding on itself, and Mehr had been protected from the full weight of it by the shelter of her privilege and of the very Ambhan walls that so stifled her. Now the storm was too great for even Mehr to ignore. Her status as the Governor’s daughter couldn’t protect her forever. She had Amrithi blood, and the Amrithi were being erased, (Chapter Two). 

            I’ll repeat what I’ve said about the speculative fiction released in 2018: it was the best year yet! There were many debut novels that gained the acclaim of fans and critics alike. In addition, there seemed to be a debut novel that represented each region of our world. Tasha Suri is one of many whose novel takes place in a historical fictionalized Middle East. Empire of Sand reflects on the notions of “old magic” and the oppression of the users that comes with it from those with political power. 

            Mehr, who is 18 years-old, is the eldest illegitimate daughter of the Governor of Irinah. Mehr and her younger sister, Arwa, who is 9 years-old, live with their father and their stepmother, Maryam, at the Governor’s home. As daughters of a nobleman, the sisters live sheltered lives of luxury; as daughters of an Amrithi woman, the sisters have magic in their blood. Mehr is old enough to remember their mother and has accepted the customs of her mother’s people. Arwa is too young to remember their mother, but Maryam has no issue with raising and molding Arwa into an Ambhan noblewoman. Obviously, Mehr and Maryam are at odds with each other and it seems that the girls’ father is unaware of the relationship between his wife and his daughters. As paranoid as Maryam is, it turns out that she is right to be worried about Mehr’s rebellious behavior. When Mehr defies her family’s wishes and her mother’s cultural paranoia, she is married off and sent away to become a “tool” of the Empire. She is married to Amun, a full-blooded Amrithi who has been a captive of the Maha—mystics of the Religious Order—since he was a child. Married, isolated, and far from home, Mehr has to figure out how to survive her new life, to stay alive, to determine who is trustworthy, and to determine how much magic she has and what that means for her. Throughout the novel, Mehr grows into a powerful woman who embraces both her magic and her culture as she interprets the use of her power for the good of everything she cares about.

            The plot of the story follows the culture and the traditions of South Asia, along with its dark side based on historical events. “The rule of law and rule of faith are tied together. One cannot exist without the other,” (p.76). The Maha—the one in charge of the mystics—founded the Empire, so the Emperor and all of the Ambhan are “blessed” with their fortunes and lifestyles because of them. However, when angered, or demand something and are denied, the Maha can become anyone’s worse enemy. And, Mehr has alerted the Maha of her presence and her heritage. The mystics demand that she serves “for the Maha and the Empire.” Mehr knows that this goes against the practices of the nobles and her father threatens to rebel. Mehr gives into the demands in order to protect her family, especially Arwa. The plot develops as Mehr grows into herself and she learns more about the Maha and the Empire. She learns the reasons why her mother left her father, and her father’s neglect to teach her what she needed to know about herself and the Empire. Mehr soon realizes that power is determined based on who wields it. And, if the Emperor looks to the Maha for power, then does that mean the Maha hold the power? The subplot here is family and the bonds that come with it. Mehr sees herself as her mother’s daughter to the horror of her stepmother. Maryam, who has not been able to have children of her own, claims Arwa as hers and does everything in her power to keep the sisters apart. While her abuse of Mehr and harsh upbringing of Arwa is disturbing, her paranoia is justified when the Maha demand Mehr to be delivered to them. At the same time, Mehr learns more about her mother and father’s relationship as well as the decisions they made together and separately. This subplot is essential to the plot in that all of Mehr’s decisions are based on what’s best for her family. 

            The novel is told in real-time from the point-of-view of Mehr. With the exception of 3 chapters from 3 minor characters, the narrative is told in 3rd person free indirect discourse. In other words, readers are aware of all of Mehr’s thoughts, impressions, and perceptions—a.k.a. stream-of-consciousness—and, given the mistakes Mehr makes throughout the story and her known flaws, she is a reliable narrator. 

            The style Tasha Suri uses in her novel presents the various lifestyles people of different classes and faiths have even in modern South Asia. The descriptions of the different homes and clothes display the distinction between cultures and social classes. The word choice and the figurative language that illustrates the lands and the dances gives the beauty of the two to the readers. The mood in this story is the beauty of the Empire, which the Gods created. Yet, the tone in the novel is the balance of the world and the consequences of any unbalance in the world whether or not it’s from divine intervention, societal expectations, or parental influence. In all, the style presents how beauty in the world can remain if there is a balance. 

            The appeal surrounding Empire of Sand have been immensely positive. The novel has received positive reviews from critics, readers, and other authors. The novel has been nominated for several awards including the Locus Award; and, it won the Brave New Words Award in 2019! This fantasy novel is a beautiful debut and a wonderful addition to the speculative fiction genre. Fans will want to re-read Empire of Sand, especially before the sequel, Realm of Ash, is released in November 2019. I should warn readers that in addition to familial abuse and neglect, there is a scene in the story that contains non-consensual sex, and scenes of torture and murder. Other than those scenes of trauma, the novel is worth reading and the follow-up looks to be very promising, too.

            Empire of Sand is a beautiful debut novel about the history of an empire that struggles to maintain control of everything and how the bonds of love and family can help an individual endure suffering. Even though there were some flaws surrounding the pacing of the novel, my love of the characters is what kept me reading this novel. Empire of Sand was one of my favorite speculative fiction books of 2018, and I’m really excited for the next book in the series, and any future books by the author!

My Rating: Enjoy It (4 out of 5)!

Why You Need to Read: “The Dragon Republic”

The Poppy War: #2: The Dragon Republic

By: R.F. Kuang

Published: August 8, 2019

Genre: Fantasy, Historical Fiction, Grimdark, Folklore, Military 

WARNING: The following contains minor spoilers from both The Poppy War and The Dragon Republic. You have been warned. 

            She didn’t care about anyone’s visions for the future. She’d stopped wanting to be great, to carve out her place in history, a long time ago. She’d since learned the cost, (Chapter 6).

            Books about war—whether or not it’s fiction or non-fiction—attempts to include the horrors it brings along with it. In recent years, more fiction stories have included the “realities” of war as opposed to the “glories” of it, which usually make their way into the narratives. R.F. Kuang, author of The Poppy War, re-establishes the “cost of war” and its aftermath in the sequel, The Dragon Republic.

            Runin “Rin” Fang is (still) reeling from her actions, which led to the end of the Third Poppy War and victory for the Empire. However, the victory has left Rin feeling hollow due to the deaths of her friends, her teachers, and her comrades. Everything she’d witnessed throughout the war: death, rape, starvation, mutilation, her lack of control as a shaman over a goddess, her addiction to opium, and the betrayal she and her Unit suffered towards the end of the war has left Rin in a depressive state of mind. As a soldier, Rin believes her only purpose lies in seeking revenge against those who betrayed her and the other denizens of the Empire. Lacking support, resources, and leadership skills, Rin leads the 13th Division to fight their remaining enemies. However, Rin and her soldiers are approached by Yin Vaisra—the Dragon Warlord, the Head of the House of Yin, and the father of one of her Sinegard classmates—and, he has a proposition for her: join up with him to form a “democratic” Republic amongst the now disbanded 12 Provinces and he will assist her with her vengeance. Rin—suspecting hidden motives and desiring to remain a soldier—agrees to the Dragon Warlord’s terms. As Rin works with her Unit and the Dragon Province, she is reunited with her former classmates who make their own decisions regarding the civil war that has broken out between the Empire and the Dragon Republic. This time, she has to determine her worth within this latest conflict. In order to do this, Rin develops from soldier to puppet to commander; it is a rough, but essential growth for Rin!

            Just like The Poppy WarThe Dragon Republic has three parts: the aftermath of war, the beginning of a civil war, and the fallout as a result of the civil war. Part I focuses on the Aftermath of the Third Poppy War, especially how the survivors—both military and civilian—are dealing with the damage that remains. Rin struggles with keeping her unit alive while avoiding the troops who would capture Rin in order to collect the bounty on her head. She makes a deal with the Dragon Warlord not only to achieve her goal of revenge and to have access of supplies for her troops, but also to maintain her purpose of being a soldier. All Rin knows is warfare and she doesn’t know what else to do with herself. She’s not alone in this because her friends and her comrades feel the same way. 

            Part II is the campaign launched by the Dragon Province. The mission: either to parlay, or to destroy the other 11 Provinces. The choice lies between siding with the Dragon Warlord or fighting against him. The reality of war is presented to readers again as war tactics, war strategy, and death becomes part of the plot. Decisions are the difference between life and death, and death always seems to prevail. Meanwhile, Rin is suffering from her lost abilities as a shaman and from the humiliating “testing” done to her by the Hesperians—an advanced civilization who promises to ally themselves with the Dragon Province towards the goal of a united republic with the promise of weapons as long as they: win the civil war, allow missionaries to assist with the refugees, and to “study” Rin. Rin has flashbacks to the same experiments done to her and Altan by the Mugenese and begins to wonder whether or not if more than her self-worth is on the line. At the same time, Rin learns how the Empress became so powerful and how the damage she inflicted on Rin can be skirted. For that to happen, Rin must learn more about the powers of a shaman. To do that she’ll have to learn from those who taught Jiang, her former Master of Lore. These two subplots are necessary for both the plot development, and the character development, especially Rin’s. 

            Part III unveils all of the revelations and the intentions of all of the characters. Everyone is involved with another oncoming war whether or not they want to be. The Empire and the Hinterlanders are on the brink of another civil war, and Rin and her Unit must decide who they are going to fight for when the war begins. Even Rin has intentions for this war, especially after she learns the truth about the Dragon Province, the Empress, and their “allies.” Amongst the death and the reunions Rin must determine if she is a soldier or a shaman. 

            Once again, the narrative is in 1stperson and stream-of-consciousness. With the exception of the Prologue, readers follow Rin’s experiences during the aftermath of the Third Poppy War. All of Rin’s thoughts and traumas are witnessed by both readers and other characters. It seems during the postbellum everyone sees Rin as a solder without purpose. She’s a terrible leader and her mistakes puts others in danger. Yet, she wants peace and prosperity (and revenge) just like the other survivors of the war. The scenes involving war, refugees, and previous events and memories are told in real time, so readers experience the anticipation, the suffering, and the confusion all of the characters experience. While it is long, the pacing of the narrative is appropriate for this military fantasy novel.    

            The style Kuang uses in The Dragon Republic is both similar and different from The Poppy Way. The conflict and the aftermath of war—based on the conflicts stirring in several countries before the beginning of both the Spanish Civil War and World War II—is found throughout the pages within this novel. The difference, or better yet the addition to the conflict, is the notion of imperialism. It is obvious that the Dragon Province is attempting to do this, but they are not the only ones fighting for control of a weaken empire. The mood of The Dragon Republic is death and suffering; just because (one) war is over doesn’t mean everything will get better soon. The tone in this novel is not only about the cost of war, but also about the price one is willing to pay for power. There are no innocent people left alive in this story. 

            The appeal surrounding The Dragon Republic have been positive. Fans of The Poppy War, other military fiction, and grimdark will enjoy this sequel. As the world expands, so does the world-building, which is found in the characters and the weapons, which are based on military history and Chinese culture and folklore. It must be mentioned that anyone who couldn’t finish The Poppy War and/or are triggered by real life acts of violence should NOT read this book! While not all readers are into military literature, actual events of war, such as rape, is mentioned in this novel. Otherwise, expect another well-written story by R.F. Kuang. 

            The Dragon Republic is an amazing sequel. The story picks up where The Poppy War left off and it is both creative and realistic for the type of grimdark and military fantasy the author is telling the readers. Parts of the plot and the narrative can drag on at times, but they are necessary for the story the author is telling everyone. I can’t wait for the next book, even though I must. 

My Rating: Enjoy It (4 out of 5)!

Why You Need to Read…My Selections for Best Speculative Fiction Books of 2019…So Far

We are halfway through 2019 and this year’s speculative fiction books have been both enjoyable and bountiful. Most of the books I’ve read so far this year have been amazing, and I still have A LOT of books in my TBR pile to go through. Like you, I’m an ardent reader and I’ll read just about anything I can get my hands on and has an interesting story. I’ve enjoyed novels, novellas, short stories across various genres of literature. If you’re interested in knowing some of the 51 books I’ve read between January 1stand June 30th2019, then please check out my Goodreads page here: https://www.goodreads.com/Misty306

            I’ve been trying to keep up with both ARCs, and the long list of nominations for this year’s Literary Awards as part of my Reading Award Challenge 2019. I knew it would be harder than it sounded, but I’ve read (and still reading) a lot of amazing books that I wouldn’t have done so otherwise. I suggest that you read a few of the numerous nominations for any of the 2019 SFF Awards. 

That being said, I wanted to point out some of speculative fiction books that were released in 2019 that I’ve enjoyed the most, so far. These are books I recommend you read, especially if you’re a fan of this genre of literature like I am. And, just so you know, these are books that I’ve read and finished between the 1sthalf of 2019. 

These are my Top Ten Picks in no particular order:

The Winter of the Witch (Winternight Trilogy #3) by Katherine Arden

The Wolf in the Whale by Jordanna Max Brodsky

In An Absent Dream (Wayward Children #4) by Seanan McGuire

Uncanny Collateral (Valkyrie Collections #1) by Brian McClellan

Seven Blades in Black (The Grave of Empires #1) by Sam Sykes

A Boy and His Dog at the End of the World by C.A. Fletcher

Aurora Rising (The Aurora Cycle #1) by Amie Kaufman & Jay Kristoff

An Illusion of Thieves (Chimera #1) by Cate Glass

Her Silhouette, Drawn in Water by Vylar Kaftan

Sisters of the Fire (Blood and Gold #2) by Kim Wilkins

Right now, I’m currently reading (released in 2019):

Broken Veil (Harbinger #5) by Jeff Wheeler

Velocity Weapon (The Protectorate #1) by Megan E. O’Keefe

One Word Kill (Impossible Times #1) by Mark Lawrence

Holy Sister (Book of the Ancestor #3) by Mark Lawrence

The Dragon Republic (The Poppy War #2) by R.F. Kuang

            Here are some of the MANY books I hope to read by the end of 2019 (many of these I received at Book Expo 2019!):  

            Those of my picks for the Best Speculative Fiction Books of 2019. I’m still aiming to read at least 100 books by the end of this year; and, I want to write as many reviews here, on Goodreads, on NetGalley and Edelweiss, and on Amazon and Barnes & Noble. If you have any suggestions on what I should read, then please mention them in the Comments Section below. Please keep in mind that I might not be able to get access to certain books for various reasons (i.e. no $$$, waitlist at the library, etc.). Yet, I want to read as much as I can before 2019 ends (it’ll make my Award Reading Challenge 2020 much easier). 

            Which speculative fiction books released in 2019 have been your favorite so far?

Why You Need to Read: “The Sisters of the Winter Wood”

The Sisters of the Winter Wood

By: Rena Rossner

Published: September 25, 2018

Genre: Fantasy, Magic Realism, Folklore, Historical Fiction

            “…Everything makes sense suddenly, and yet nothing makes sense at all.

            There have always been rumors about the Kodari forest and the hidden things within it.

            Now, I know we are a part of that unseen world,” (7, Liba). 

            2018 was a year in which books written by “established” authors and by debut authors were published and read by both readers and critics alike. So many good books were released in 2018 that there were a few that got lost within the pile. Rena Rossner’s debut novel, The Sisters of the Winter Wood, was one of those novels. This standalone novel has been compared to and enjoyed by fans of Katherine Arden’s Winternight Trilogy; and, it’s easy to see why. The story is a blend of history, culture, and magic with wonder about the workings of the “other.” 

            Liba and Laya are sisters who are as different as night and day. Liba is stout and dark-haired, and Laya is willowy and light-haired; each sister resembles each parent (in more ways than one). And, like most siblings, Liba and Laya are jealous of each other. They both want what the other has and are oblivious to what they already possess. Liba wishes she was as beautiful as Laya, and Laya wishes she could fit in amongst the (Jewish) community like Liba. These wants and personalities define the sisters. And, when their parents leave them home alone in order to address a family emergency, the sisters are able to grow into themselves and obtain respect for each other. Throughout this coming-of-age story, both Liba and Laya realize what their parents were trying to protect them from—their heritage and its dangers. It’s only after coming to terms with their heritage that the sisters are able to accept themselves and each other for who and what they are. 

            The plot seems simple—almost like a faerie tale—but, it’s not because faerie tales are not simply stories, they’re cautionary tales complied with cultural beliefs. For the first time, Liba and Laya are left home alone. Between their heritage and the disappearances of their neighbors and their friends, the sisters are warned “to be wary of strangers.” Of course, both sisters do the opposite: Liba has encounters with men who claim they “know” her father, and Laya becomes friendly with 7 brothers who arrive in town to sell fruit at the market. At the same time, the sisters learn of their magical heritage and try to cope with the knowledge and the meaning of it. They soon realize that they have to make choices that benefit them as individuals before deciding their place in the world with, or without, their family. The subplot in this novel is the growing tension between the Christians and the Jews, which is based on the tragic events in Moldova in 1903. After two young Christians were found dead under mysterious circumstances, the nearby Jewish community were left with the blame and the potential pogrom against them. The subplot mirrors the plot in that while Liba and Laya are concerned with how everyone else will see them. Their microcosm Jewish community is on edge on what could happen to them all if the macrocosm Christian community continues to blame them for the deaths and the disappearances. The elements of the faerie tales work their way into the plot and the subplot reminding readers that faerie tales are not just “stories,” and we should heed them. 

            The narrative within The Sisters of the Winter Wood are told from the points-of-view of both Liba and Laya. The narrative is told in real-time and whatever is happening within the setting of the story, either Liba or Laya, or both are witnessing and experiencing these events, which makes them reliable narrators. The narrative is easy to follow because the story focuses on the events as well as the maturation of the sisters. Keep in mind that this is a bildungsroman story and we’re reminded, constantly, that our protagonists are adolescent girls.  

            Rena Rossner incorporates her story of magic realism and folklore within her style of writing. She writes in two styles in order to reflect the differences between Liba and Laya, and the way they see their world compare to everyone else. Liba’s P.O.V. chapters are told in prose and lets the reader(s) know of what is happening within the community. Laya’s P.O.V. chapters are in poetic verse and presents the reader(s) with the growing tension within her family, within the community, and amongst the magical elements that are hidden to all the other denizens. The fable styled morals can be found within the theme (the fear of persecution for being the “minority”), the mood (beware of strangers), and the tone (beware of your neighbors) in this folklore inspired story. The author’s styles not only illustrate how the sisters see the world, but also deliver the experiences both sisters have throughout the story. Liba spends more time interacting with other people and Laya spends a lot of time interacting with the other. Both styles standout, but together they give a complete story of all of the happenings within the novel.

            The appeal surrounding the novel have been well-deserved. Both the author and the novel have been nominated for literary awards, including the 2019 Compton Crook/Stephen Tall Award. Fans—readers and critics alike—note the similarities between Rena Rossner and Katherine Arden. The historical and cultural elements will draw comparison to both Nnedi Okorafor and Jordanna Max Brodsky as well. While this is a standalone novel, it’s a debut that will make readers wanting more from the author. 

            The Sisters of the Winter Wood is a beautiful story told with two styles of storytelling about two sisters adapting to adulthood. Fans of magic realism, historical fiction, and folklore will appreciate the combination of the genres and fall in love with the characters. It will leave you wondering whether or not your family is as magical as Liba and Laya’s. 

Why You Need to Read: “Witchmark”

The Kingston Cycle: Book One: Witchmark

By: C.L. Polk

Published: June 19, 2018

Genre: Fantasy, Historical Fiction, LGBTQ, Mystery, Gaslamp, Military Fantasy

            “She gave no outward sign of her effort, but her Secondary’s knees sagged as she took as much of his strength as she pleased. I shuddered. That would have been me, if I hadn’t escaped. Nothing but a Storm-Singer’s minion, my own gifts dismissed as useless,” (Chapter Two).

            2018 was an immense year for the speculative fiction community. Several novels novellas, short stories, graphic novels, etc. were released, read, and enjoyed by fans and critics alike. In fact, so many works of the genre were released that it was difficult to keep up with all of the new releases. Luckily, recommendations and award nominations forces readers to catch up. That being said, I’m glad I got to read and to rate C.L. Polk’s Witchmark. This novel is one of many that I didn’t get to read when it was released in 2018.

            Dr. Miles Singer—the protagonist—is a psychiatrist and a veteran of the war that just ended between Aeland and Laneer. He is making his rounds when a man stumbles into the hospital carrying a man who claims he’s been poisoned. The dying man—Nick Elliot—calls Dr. Singer, “Starred One” and “Sir Christopher,” then transfers his power to Miles before dying. All of this happens in front of the man who brought Nick Elliot into the hospital—Tristan Hunter. Dr. Singer is worried that his cover is blown and his true identity—Sir Christopher Miles Hensley—is known to both strangers, one of whom is now dead. Dr. Singer and Tristan Hunter must explore the societal world of Aeland in order to solve the mystery of Nick Elliot’s death and what’s causing the hallucinations in the veterans at the hospital. It is revealed that Dr. Miles Singer is from a powerful family of magicians; except, he didn’t inherit the powers of a “mage.” Instead, Miles is a “witch”; he has a lesser power and it is believed, even by him, that all he’s good for is to be a “Secondary,” or an enslaved magical source for mages. Miles—knowing it was either enslavement, or commitment to a witches’ asylum—ran away from home and joined the army, where he used his healing power to become a doctor. Nick Elliot’s death reveals that Miles’ life is in jeopardy. Tristan Hunter is an Amaranthine, a celestial being with more power than any witch or mage. He was sent by his Royal Court to solve a mystery that is tied to Nick Elliot’s murder. During this investigation, Miles is recognized by his younger sister, Grace, who is both a mage and the heir to their family’s legacy, and Miles’ “Superior.” Grace needs Miles’ help to secure an election so that she can make reforms for Secondaries like him. Of the three characters, it is Grace who develops the most and it’s because of all of the revelations uncovered by the trio. This unraveling of political conspiracies presents the corruption and the fear that led to Miles fleeing his previous life. Yet, it is more than Miles, Tristan, and Grace knew about beforehand. 

            The plot involves a mystery within this fantasy story. Nick Elliot knew he was dying, and he sought out Dr. Miles Singer. In his last moments Nick Elliot says, “They needed the souls,” and transfers his power and his soul to Miles. Tristan Hunter is from another realm and he’s trying to solve the mystery of these lost souls. Miles, in keeping with appearances, attends a dinner in which he is reacquainted with his sister, Grace, who thought he was dead. Miles now has to solve a mystery, stay away from his family to avoid bondage, and make sure that none of his patients become mass murderers due to their PTSD. Meanwhile, sparks fly between Miles and Tristan, which is an issue. Not because of the homosexuality—the magic world is open to all forms of sexuality—but because relationships between mages and witches, and Amaranthines are taboo. The romance is as beautiful as it is described by the author and is appropriate for an alternative Edwardian English society. Even though this is a fantasy, the mystery is central to the plot of the novel. In other words, Witchmark is a mystery novel set in a fantasy world. Once this is comprehended by the reader(s), then the plot begins to make more sense and continues at an appropriate pace. Besides the romance, the societal world of Aeland is the subplot of this novel. The author wants the reader to know that the magic world is just as power hungry, corrupt, and prejudice as the human world. And, similar to other subplots in other novels, this subplot will not be resolved by this novel’s end but will become ubiquitous to everyone living in those societies. The denizens have to decide whether or not it should be resolved. 

            The narrative follows Miles’ P.O.V. Throughout the novel, Miles’ feelings and emotions about his past, his family his career, his choices, and his love for Tristan presents the narrative to be stream-of-consciousness. All of Miles’ thoughts, fears, and knowledge is presented to the reader. It is through him that the readers learn about the setting, the magic world and its rules, and the multiple conflicts. Miles being a victim of his family’s and society’s abuse make him both a sympathetic and a reliable narrator. The fact that Miles uncovers more of what has been happening in secret as he unravels Nick Elliot’s murder and the horrors that lead up to it allows the readers to have a mirrored reaction to Miles’. As long as readers remember that the novel is both fantasy and mystery, the narrative is easy to follow. 

            The style of writing C.L. Polk uses makes her debut novel captivating. First, incorporating PTSD in the veterans of the war provides realism to the readers. Miles being a psychiatrist during an era in which both the medical community and public society chastised such notions surrounding mental health and war veterans is commendable. Next, magic systems and hierarchy are part of both the plot and the mystery in this story. Secondaries being seen as a source for magic for mages provides a different outlook on magic and its societal norms. Polk’s tone of this “magic system” reflects English history and how they always felt they had to conquer another group of people in order to feel powerful. The mood within the novel illustrate why Miles—and other Secondaries—fled their homes. This magic world is as corrupt and stringent as ours, but with harsher abuses of power. Last, Polk’s writing is as much of a political statement as it is an immersive fantasy story. And, magical gifts are as essential as the witch, or the mage who wields it.

            The appeal surrounding Witchmark is well-deserved. Polk does an amazing job of combining history, psychology, mystery and romance into this all-around fantasy novel. It’s been nominated for several literary awards including the 2019 Nebula Award for Best Novel and the 2019 Lambda Literary, or Lammy, Award for Best LGBTQ SF/F/Horror (Book). This lets speculative fiction fans know that this book should be read. The follow-up to Witchmark, Stormsong, will pick up where the last novel left off. This will let readers—who are interested—know whether or not the author will build-up on her world. I hope she does because it will let us know what happens next. Witchmark is an amazing addition to the literary canon! 

            C.L. Polk’s debut novel is a multi-genre text that can be read and enjoyed by readers, and not just fantasy fans. Witchmark provides a beautiful romance readers of all sexualities can relate to including the numerous mentions of marriage. The balance between fantasy and mystery presents Witchmark as a unique reading experience to everyone who reads it. The characters, the plot, the narrative, the setting, and the style fit together as you continue reading the story. You will find this book to be as enjoyable as I did, with the reminder that magic is what the user makes of it.

My Rating: MUST READ IT NOW (5 out of 5)!