Why You Need to Read: “The Survival of Molly Southbourne”

Molly Southbourne #2: The Survival of Molly Southbourne

By: Tade Thompson

Published: July 9, 2019

Genre: Horror, Science Fiction, Sequel 

WARNING: Spoilers from The Murders of Molly Southbourne and The Survival of Molly Southbourne. You have been warned.

            Molly Southbourne was a freak whose blood grew genetically identical duplicates of her. One drop of blood, and a new molly popped up, but it wasn’t cute. It wanted to kill her. Molly spent her whole life killing her duplicates just to survive, (Chapter One).

            Similar to many of the recent sequels in speculative fiction, The Survival of Molly Southbourne starts where its predecessor, The Murders of Molly Southbourne left off. In the sequel, Tade Thompson answers the questions Molly Southbourne (and readers) have had about herself. And, like other works of sci-fi horror (i.e. Alien), there are more eerie forces at work than anyone else knows. 

            Molly Southbourne is a protagonist who is “a fish out of water” because she has no identity and no purpose to her life. Molly Southbourne—the one who survived both the attacks and the fire—is now Molly Southbourne and is living as Molly Southbourne whether or not she wants to. While Molly is a duplicate of Molly “Prime,” as she calls her, she is NOT Molly Southbourne. She lacks both the knowledge, and the skills Molly Prime had. In addition, Molly does NOT have the same problem with bleeding like Molly Prime did (“hemoclones”). All Molly has are the looks and the memories of someone who is dead. Unfortunately, the new Molly Southbourne is the only one who knows, and it’s driving her crazy, literally. 

            The plot in The Survival of Molly Southbourne is how the new Molly Southbourne is adjusting to life as a 27-year-old woman who is supposed to be living as someone else. Molly has more questions about herself than Molly Prime did; and, unlike Molly Prime, Molly decides to get answers to those questions. To say that Molly’s discoveries come straight from a spy novel—complete with multiple conspiracies—would be an understatement. After she gets some answers to her questions from “several” people, Molly must decide how she is going to survive. She doesn’t have to become Molly Southbourne, but she cannot get rid of that part of herself. There is a subplot, and its focus is about a minor character from the first book who was intimate with Molly Prime. In this book, that character attempts to fight the fate Molly Prime left him with unknowingly. Will the efforts be successful? Will Molly be able to help him?

            The narrative in The Survival of Molly Southbourne is an interesting one. While Molly is the protagonist, and the story of the aftermath is told from her point-of-view (1stperson), the sequence is a combination of Molly’s actions and daily life—told in present time—with the memories of Molly Prime—also her memories—bombarding her. The combination of the flashbacks, the stream-of-consciousness, and the present gives readers insight to the adaption and the chaos that is Molly Southbourne. Her struggles and her inexperience make the narrative reliable and believable. As discombobulated as it sounds, the narrative is easy to follow. 

            The style Tade Thompson uses in The Survival of Molly Southbourne is the same as it was in The Murders of Molly Southbourne. The author continues with telling this story using tropes and style based on previous sci-fi horror stories. However, it is the mood—apathetic—and the tone—bizarre—that have changed in the sequel. Molly is making sense of everything that is happening around her, only this time those involved behave as it’s not a big deal. Molly is neither unique, nor lethal as Molly Prime was, but she manages to survive and to adapt to her life as we see through the author’s style. Readers will be pleased with this (continued) style of storytelling. 

            So far, the appeal to The Survival of Molly Southbourne have been positive. Released a month ago (at the time of this posting), readers who were curious as to how Molly’s story would continue is answered. The mysteries and the conspiracies are addressed, and the continuation of the characters from the previous book lets readers know that neither Molly Southbourne, nor Tade Thompson have forgotten about them. Both novellas can be read and enjoyed in one reading. Fans and readers of sci-fi horror need to read these books.

            The Survival of Molly Southbourne is an amazing follow-up to its prequel. While the narrative and the perspective have changed from what came before, the story is as fast paced and as haunting as The Murders of Molly Southbourne. Tade Thompson does an excellent job in bringing Molly Southbourne’s story the resolution it needs. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

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Why You Need to Read: “Godsgrave”

The Nevernight Chronicle: Book Two: Godsgrave

By: Jay Kristoff

Published: September 5, 2017

Genre: Fantasy, Grimdark, Historical Fiction

            Ashlinn sighed, her temper fraying. “You have no fucking idea what’s going on here, do you? I know you, Mia. Do you have any idea what the Red Church actually is? Do you think they’re ever going to let you kill Scaeva when he pays their wages?”

            Mia felt the consul’s name like a fist in her belly. 

            “You’re full of shit.”

            “Why do you think Scaeva isn’t dead already?”(Chapter 10, Secrets). 

            Godsgrave—the follow up to Nevernight—is an action-packed fantasy story from beginning to end. Conspiracies are uncovered and secrets are revealed, and characters grow more into themselves. Mia Corvere’s quest for revenge continues when she learns more about the Red Church and the politics of The Republic of Itreya. Jay Kristoff not only delivers an amazing sequel to his readers, but also gives us his take on the Gladiator Games, which are based on the ones from Ancient Rome. 

            Mia Corvere is now a Blade—an assassin—for the Red Church. Thus, she is closer to achieving her quest for vengeance; or, she would be if she hadn’t uncovered a conspiracy within the Red Church that includes her family. Curious to learn more about this connection, she goes undercover by selling herself to one of the noble families—similar to the one she grew up in—as a gladiator. Mia not only has to survive and to learn how to fight within these games, but also must navigate her way into the inner circle of the elite. Mia makes new allies, works with her darkin (shadow) companions, and works with a frenemy. Mia realizes that if she had continued living the life as a Justicus’ daughter it would not have equated to a happy life. At the same time, she learns more about why her parents rebelled against The Republic of Itreya. All the while, Mia learns how to fight as a gladiator, which is its own style and not like how she learned to fight at the Red Church. This is Mia’s coming-of-age story in which she sees everything for what it actually is and how to adapt to this new knowledge, just like everyone else goes through while growing up. Mia and all of the characters she interacts with are as complex as her. 

            The plot is straightforward; Mia continues her path to avenge her family. She’s closer to that goal now she’s a Blade for the Red Church. However, when she’s told not to pursue her target, Mia begins to question the operations within the order. Mia decides to go rogue and to continue her quest by selling herself as a slave to a gladiatorial collegium in order to get closer to Consul Scaeva. There she learns how to fight as a gladiator and how deep conspiracies run. The subplot is Mia learning the hows and the whys of her government and the roles her parents had in it before the rebellion. Both the plot and the subplot are linked in that Mia learns some hard truths about the life she thought she had and lived. This turn of events could alter the way Mia carries out the rest of her plans.

            The narrative in Godsgrave continues from what it was in Nevernight. The events of the past lead up to the events in the present. The difference here is that the narration is in the 3rdperson omniscient point-of-view. Readers want to know what is happening with the other characters when Mia is not around, and the author gives that to us with that method of narration. The world-building continues in the second book through the footnotes, which remain informative and hilarious. Jay Kristoff’s world continues to grow through his narration. 

            The style continues as it started in the first book. Remember, this story is supposed to be one huge chronicle, so the style won’t change, which is a good thing because changing the style would change the way the story is being told and we don’t want that to happen. So, the events of the past are written in italics, the darkins’ dialogue are told using smaller font sizes, and the footnotes continue to explain Iterya’s history and culture. The mood, once again, lets readers know that this world is not a caring one; even the elite mistreat each other. The tone illustrates how an individual could react to such mistreatment; and, it is not good. 

            Godsgrave is the follow up that fans and readers crave for from a sequel. The appeal surrounds how the story and the plot develop through character growth and world expansion. Jay Kristoff succeeds in providing a perfect continuation of this trilogy. It’s safe to assume the same will happen in Darkdawn, the final book in the trilogy. 

            Godsgrave is the perfect transition from Nevernight to the point where you forget that you’re reading two separate books. The theme of doing the wrong thing for the right reason continues in this narrative and in many of the characters. Fans will not be disappointed with this sequel! Mia Corvere’s journey continues to grasp our attention!

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Red Sister”

Book of the Ancestor: Book One: Red Sister

By: Mark Lawrence

Published: April 4, 2017

Genre: Fantasy, Grimdark

            A small thing in shapeless linen—not street rags, covered in rusty stains, but a serf’s wear none the less. She might be nine…This girl was a fierce creature, a scowl on her thin dirty face. Eyes black below a short shock of ebony hair, (Chapter 2).

            There is no doubt in my mind (or anyone else’s) that Mark Lawrence is one of the most popular fantasy authors in the world right now. Whether or not it’s Lawrence’s SPFBO Contest on his website, his latest novellas advertised on Amazon, or his popular novels, more and more readers are reading his books. I’ll be talking about his latest trilogy about a convent that teaches girls how to kill and to use magic. Red Sister is the first book in the Book of the Ancestor Trilogy. 

            The story follows Nona Grey, our protagonist, from the moment she is given to a child-seller—Giljohn, through the first few years—ages 9 to 13—of her education at the Convent of Sweet Mercy where she learns more about the abilities she’s been trying to hide from other people. Other characters include her classmates: Clera, Ara, Hessa, Jula, and Ruli; her instructors: Sisters Glass, Rose, Wheel, Apple, Pan, Rule, and Tallow; and other characters who interact with Nona including Raymel Tacsis, the man Nona almost killed. All of these characters are tied to Nona’s education and potential involvement surrounding the “Chosen One” prophecy. Unfortunately, Nona has to learn how to defend herself from the nobles who want her dead for attacking a nobleman in self-defense. Nona’s development goes from her being a poor illiterate child to a novice at the Convent to one of the “candidates” who could be the “Chosen One,” and saving the world. Throughout her early education, Nona learns who to trust and who to stay away from, and nothing is what it seems.

            The plot of Red Sister is Nona’s education at the Convent of Sweet Mercy as well as learning about the abilities she has within herself. In the world of Abeth, four tribes with remarkable traits settled and intermarried with non-magical humans. Centuries later, their descendants can have the traits of Gerant (great size), Hunska (speed and agility), Marjal (elemental magic), and/or Quantal (walkers of the Path and users of greater magic). While it is rare for anyone to have one of these traits, it is believed that one day a “Chosen One,” an individual with all four traits, will appear and save the world from ice and darkness. Nona is one of those who is suspected of being the “Chosen One.” This notion is slammed by many people at the Convent, including Nona herself. However, this subplot is essential to Nona’s character development as she demonstrates her abilities to her instructors because there are many who believe that the “Chosen One” is one of the girls at the Convent of Sweet Mercy. It is obvious that this subplot will become the plot in the later books, but for now, Nona’s education and discovery about herself is the plot in this book. Her interactions with everyone at the Convent who believes, or encourages, the “Chosen One” prophecy is essential to both the plot development and the development of all of the characters. 

            The narrative in Red Sister is limited omniscient narration. Readers get the point-of-view of Nona and a few other characters throughout the story, some of which are told in flashback. In fact, Nona’s first P.O.V. chapter isn’t until chapter 3 and it begins with a flashback. These multiple points-of-view allows for a swifter narration of the story. In the first two chapters (not including the Prologue), readers learn that Nona is about to be executed for attacking a nobleman who attacked Nona’s friend—who is executed before Nona. The very next chapter is the discussion of who gets “custody” of Nona: Partniss Reeve—the owner of fighters who bought Nona from Giljohn, and Sister Glass—the Abbess of Sweet Mercy—who has her own reasons for wanting Nona. Nona leaves with Abbess Glass knowing, at 9 years-old, to expect retaliation from the family of the man she attacked. Another chapter is told in flashback from the P.O.V. of one of Nona’s classmates, and there are several parts of the story that follows a few of the Sisters from the Convent. It does get confusing at times, but this narration helps with Nona’s character development from how Nona sees herself and everyone else, to knowing everyone else’s opinions about Nona. This is an interesting narration because it seems that how Nona sees herself is on par with how everyone else sees her. 

            The way Mark Lawrence wrote Red Sister is a change in direction fantasy readers have become used to: a prophecy is made, the one who fits the prophecy arrives and works with others in order to fulfill it. Only, the author decided to play with that concept and the expectations surrounding prophecy. Repeating ideas used by both J.K. Rowling and George R.R. Martin, Mark Lawrence demonstrates how prophecy can exploit and can harm several people with a (potential) notion that it will all be worth it once the world is safe again. The tone of this book is focuses on the hows and the whys prophecies come about and how more harm can and does come from them before they are fulfilled. Harry Potter’s life was altered because of a prophecy, and several characters throughout Martin’s A Song of Ice and Fireseries are affected by prophecy and suffer because of it. However, will the “prophecy” about the “Chosen One” come to fulfillment in Lawrence’s story? Some characters say, “yes” and many more say, “no.” The mood throughout this novel is how each character feels about the prophecy surrounding the “Chosen One.” And, it seems many of them find the prophecy more of a burden than a blessing. Maybe that’s what Lawrence’s style is supposed to present to readers, witnessing a “prophecy” come true and how everyone involved would react to it. 

            The appeal surrounding Red Sister have been immensely positive worldwide. Presenting a world in which privilege has more power over those with power, as well as a convent with killer nuns makes this novel a must read for all fantasy fans. I kept hearing about this trilogy from other fantasy readers who swore that it was worth reading. Fans of both Tamora Pierce and Robin Hobb will enjoy this series the most. Fans of George R.R. Martin will appreciate the influence and the Easter Eggs found throughout the book. Red Sister covers the first half of Nona’s education at the Convent and the buildup surrounding both the prophecy and Nona’s past. This makes the next book in the trilogy, Grey Sister, a must read for anyone who craves to know what happens next. I am one of those readers, and I can say that Red Sister is a must read for all fantasy fans.

            Red Sister is a novel that made its way from my TBR list to my Read list. Just like The Name of the Wind, Red Sister is a fun and a fast read that presents all sides of the protagonist to the other characters (and to the readers). The realism presented within this story is one of the many reasons why I enjoyed Red Sister so much. Nona is a well-developed character who knows what she is to those involved in her life and it makes you want to keep reading to know what happens to her next. It’s why I’m already reading Grey Sister and Holy Sister afterwards. Even if you’re not a fan of fantasy, Red Sister’s focus on the characters and their personalities is enough of a reason to start reading this book.

My rating: MUST READ IT NOW (5 out of 5)!

Why You Need to Read: “Gods of Jade and Shadow”

Gods of Jade and Shadow

By: Silvia Moreno-Garcia

Published: July 23, 2019

Genre: Fantasy, Folklore, Historical Fiction, Mythology

            Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams, (Chapter 1). 

            I read this ARC in 4 days (finishing it after midnight on the 5thmorning)! I was that engrossed in this story that reminded me of both Isabel Allende and Gabriel Garcia Márquez with story elements similar to both Rick Riordan and Katherine Arden. Gods of Jade and Shadow is a beautiful blend of history, culture, and mythology. Anyone who is a fan of standalone works such as The Wolf in the Whale and The Sisters of the Winter Wood will love this book by Silvia Moreno-Garcia. 

            There are 4 protagonists in this story, but the focus is on Casiopea Tun. She is the granddaughter of Cirilo Leyva, the wealthiest man in town, but you wouldn’t know it based on her appearance and her demeanor. Because her mother had married a poor native man—who later died—both Casiopea and her mother live as servants to their family. Casiopea and her mother clean and cook for their relatives while the rest of the family live comfortably according to their socioeconomic status. All the while, Casiopea’s cousin, Martín—who is also Cirilo’s only grandson and 2 years older than Casiopea—entertains himself by bullying Casiopea. Unlike Casiopea—who is pragmatic, yet hopeful—Martín is the traditional spoiled heir who has nothing else going for him except for his family name and the wealth that comes with it. He wants nothing more than his grandfather’s approval, which he never earns, and he believes his cousin has it (which she doesn’t). After a spat between the two cousins, Casiopea opens a mysterious chest under her grandfather’s bed with the key he left behind. When she opens the chest, she finds a pile of bones that revive into Hun-Kame, Lord of Shadows and rightful ruler of Xibalba, the Mayan Underworld. Casiopea learns that Hun-Kame was betrayed and imprisoned by Vucub-Kame, his twin brother. Immediately, Casiopea is traveling with the god in order to locate his missing essences and to help him regain his throne. The twin deities, Hun-Kame and Vucub-Kame are static characters (for the most part) because they are gods who have personas which are not affected by any change. Martín Leyva is a complex character who is forced to confront his demons, his family, and his insecurities, but that doesn’t mean he becomes a better person. It is Casiopea Tun who undergoes the most character development throughout the story.     

            The plot is part folklore and part bildungsroman. The folklore aspect of the plot follows the Hero’s Quest in that Casiopea leaves her home and goes on a “divine” quest. Except, Casiopea is compelled to accompany a god on this journey, and she doesn’t have anything forcing her to remain at her home. The bildungsroman, or coming-or-age story, surrounds both Casiopea and Martín. The growth these characters undergo happens because they leave home. Casiopea sees her chance to see the world and to experience new things; Martín, who had left his home once before, has no choice but to have these experiences. I’m not saying that Martín doesn’t need the experience that comes with leaving home, but it’s obvious that the growth won’t have the same positive effect on him the way it will have on Casiopea. The twin deities play their roles as gods, limited direct interference, which is expected. The subplot in this novel is family and family dynamics. Even though the setting is Mexico in 1927 (during The Jazz Age), some things remain universal and unchanged. There is nothing new about the spoiled heir and the “half-breed” child, but Moreno-Garcia makes sure that the long-term effects of such treatment and behavior remains realistic and believable. Martín, and the rest of the Leyva Family, know he’s not the heir anyone wants, but he’s the heir nonetheless, so the family finds it easier to indulge him rather than to curb his behavior. Casiopea, who is mistreated by the entire family, has a poor relationship with her mother because she never comes to Casiopea’s defense whenever she is abused by a relative. While both mother and daughter do care for each other, the relationship is strained. Casiopea goes on her adventure without hesitation because she has neither loyalty, nor emotional ties to her family. While there is both plot development and character development, the subplot of family develops and affects the plot within the story.  

            The narrative is an interesting one. First, there are multiple 1stperson point-of-view’s, and all 4 narratives are reliable because each character admits to his or her flaws and strengths during their P.O.V chapters. Next, the locations mentioned within the novel—with the exception of Uukumil(?)—are real places throughout Mexico. Readers can pull up a map of Mexico and follow the journey of the two adversaries throughout the narrative. Last, each of the characters provide both flashbacks and stream-of-consciousness throughout the narrative. Providing thoughts of both the past and the present not only allows readers to know what the characters are thinking at that particular moment, but also how and why they all think the way they do. This narrative method provides an understanding of each of these characters while allowing readers to choose for themselves whether or not they like, dislike, pity, etc. each character. The author incorporates all of these narratives into the story, yet it makes the story that much easier to follow along.

            The style Silvia Moreno-Garcia provides is a mixture of history, culture, and folklore. The historical events mentioned throughout the novel—automobiles, the Charleston, Prohibition, etc.—provides the mood of the story, which is modernity brings change. Each location throughout the story elaborates the clothing, the music, and the hustle and bustle illustrates how far behind the town of Uukumil is compared to the rest of Mexico. The culture reminds and informs readers that Mexico is a big country with a rich culture, but what Northern Mexico practices is not practiced in Central and Southern Mexico (necessarily). The folklore, while Mayan mythology is the main focus, fairy tales—such as “Cinderella”—is mentioned over and over. The author does an amazing job explaining Mayan mythology, Mexican culture and history, and pop culture, she mentions both fairy tales and poetry as cautionary tales to staying pragmatic no matter what is occurring in your life. In fact, that is the tone of the novel, staying humble regardless of any life changing events both positive and negative. Readers see the consequences of both examples within the story, and that moral is relevant in our modern times.

            The appeal surrounding Gods of Jade and Shadow are already positive (remember, I read an ARC of this novel). The book received advanced praise by critics and authors alike. And, it has been called one of the “Best Books of the Month” by Amazon and Barnes & Noble Sci-Fi & Fantasy Blog for July 2019. I did mention that fans of mythology-inspired fantasy will enjoy this novel the most. I should mention that several years ago, many people throughout the world became obsessed with Mayan culture and history when it was believed the world would end in 2012. This novel would appeal to them, too. This book can be read over and over again, and it belongs in the canon of mythological fantasy alongside Circe and American Gods. Fans of historical fiction will enjoy this novel as well. 

            Gods of Jade and Shadow is an informative and entertaining story about change, tradition, desire, and family. The honor of it being called one of the “Best Books of 2019” are not just words, but fact. This book is definitely one of my favorites of 2019. Silvia Moreno-Garcia conducts a grim, but magical journey throughout Mexico while reintroducing what we forgotten from our world history class. This novel is one of the best stories that balance fantasy and reality in recent years. This is an enjoyable story for readers of multiple genres.

My rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Aurora Rising”

The Aurora Cycle: #1: Aurora Rising

By: Amie Kaufman & Jay Kristoff

Published: May 7, 2019

Genre: Young Adult, Science Fiction

            “Scarlett Jones (diplomat) introduces the other members of our squad. ‘Tyler Jones, our commander. Zila Madran, science officer. Finian de Seel. Engineer. Catherine Brannock, pilot. And finally, Kaliis Idraban Gilwraeth, combat specialist’.” (Chapter 7, Kal).

            I’ve always been curious to read stories by authors who write multiple genres of literature. Jay Kristoff has written several amazing stories within the sub-genres in both the fantasy and the science fiction genres. Now, he’s back with a new series with Amie Kaufman—who co-wrote The Illuminae Files with Kristoff—to present us with Aurora Rising, the first book in The Aurora Cycle. Jay Kristoff has described the series as a cross between The Breakfast Club and The Guardians of the Galaxy, which piques a reader’s curiosity. 

            This series is different from many other ones in that the story occurs after the characters graduate from school. Aurora Academy is a military school for future space cadets; and, after they graduate, there is a draft in which the top commanders get to pick their crew members for their first set of missions. Tyler Jones, who is The Top of his Class, missed the draft because he decided to explore a restricted section of a dimension—The Fold—used for space travel, stumbled upon a ship that was lost over 200 years ago, and rescued its only survivor—a girl who is the same age as him, technically. The good news is that his twin sister, Scarlett—who is a trained diplomat—and their best friend, Cat Brannock—a pilot nicknamed “Zero”—bail on the draft in order to join his crew. Unfortunately, those who make up the rest of Tyler’s crew—the science officer, the engineer, and the combat specialist—are the ones no one else wanted in their crew: an aloof girl with a trigger finger, a handicapped boy with a motormouth, and an ostracized male whose species is in the midst of a civil war and he’s not fighting in it. Then, there’s Aurora Jie-Lin O’Malley—or Auri—the girl who slept in cyro for over 200 years, who awakens with mystical powers and with the top intergalactic police forces deeming her a criminal and are attempting to arrest her. Meet Squad 312! All of these characters have flaws and with them being 17 years-old, they don’t know how to deal with their insecurities, which make all of these characters more relatable and more believable. 

            Both the plot and the narrative are told in the point-of-views of all 7 characters! Multiple P.O.V.s are NOT new for YA books, for it allows for both character development and plot development. For example, Tyler is a leader, who jumps to conclusions surrounding his crew members—with the exception of his sister—and he would rather follow orders than question them. Kal’s species is in the middle of a civil war and he must choose between serving his tenure with Squad 312 or leaving to participate in the war. Then, there’s Auri, who is dealing with being out-of-time and understanding what is happening to her. 

            The author’s style reminds readers of the reality of space travel. While it’s exciting, it’s dangerous and requires training and knowledge in order to endure it. Auri almost dies after spending over 200 years in cryostasis; Kal’s people are decimating each other in a civil war, which broke a treaty, which had dire consequences; and, an intergalactic coverup is the real threat to the universe. Both the mood and the tone match what Kaufman and Kristoff are exploring in this series: space is vast, mysterious, and archaic. Add an element of danger that is as realistic as space travel and you have a story told by these authors. Both authors do an excellent job illustrating the differences between the star students and the outcasts. However, school is out, and so are the treatments they were all used to receiving. Both the mood and the tone display the need for these characters to become the adults they need to be!

            The appeal surrounding Aurora Rising will be a positive one, and I say this because there are adolescent readers who are sci-fi fans, who have been craving for a new book series about space explorers who are kids like themselves! In response, Kaufman and Kristoff have come up with a trilogy that reflects the Star Trek series. Young readers will enjoy this novel because the characters are kids who just graduated from school and have to deal with the reality of the “real” world/universe. Adult readers will enjoy this book because it will remind them of how they were like after completing school and continuing on with life. The truth within the fiction is what will appeal to readers the most. And yes, I’m already looking forward to the second book in this series!

            Aurora Rising is a fun sci-fi book that presents the collaboration of two authors to readers who are both familiar and unfamiliar with them. While both the character development and the world-building are well done, the plot leaves more questions than answers, which means there will be a follow up to this book, obviously. Yet, the story is entertaining enough for readers to want more from this trilogy. 

My rating: Enjoy it (4 out of 5). 

Why You Need to Read: “Trail of Lightning”

The Sixth World: Book One: Trail of Lightning

By: Rebecca Roanhorse

Published: June 26, 2018

Genre: Science Fiction, Native American Literature, Dystopian, Post-Apocalyptic, Folklore

NOTE:Understand that any incorrect use and/or spelling surrounding the culture mentioned is unintentional.

            “But I’m no hero. I’m more of a last resort, a scorched-earth policy. I’m the person you hire when the heroes have already come home in body bags,”(Chapter 1).

            There are numerous ways readers find out about which books to read by which authors: school assignments, friends and family, book clubs, random recommendations, the Internet, etc. In this case, it was from the 2018 Hugo Awards. One of the awards presented—the John W. Campbell Award for Best New Writer—announced its winner…Rebecca Roanhorse. If anyone watched my reaction video (https://www.youtube.com/watch?v=1oyX_U2U8kE&t=11s), then you know that I was shocked upon hearing this announcement because I believed either Katherine Arden, or Jeanette Ng should have won that award. Yet, I never heard of Rebecca Roanhorse, or her stories, before, and she did win a Hugo for Best Short Story that same evening. Suddenly, I had a new author to read and her debut novel is titled: Trail of Lightning. And, I’ll admit, I was wrong about my assumption!

            Maggie Hoskie is the protagonist. She is a survivor of a climate apocalyptic event known as “The Big Water,” when the water levels rose and engulfed most of the Earth’s terrain and its inhabitants. After this event, the Navajo Gods, heroes and monsters returned to Earth and to humanity. One of the gods, Neizghání a.k.a. “Monsterslayer,” trains Maggie to become a Monsterslayer like himself. When Neizghání suddenly leaves Maggie, she is able to accept jobs for her handiwork. Maggie’s skills as both a survivor and a monster hunter reflect all of the emotional traumas she’s experienced. However, when a job becomes something more than she can handle, Maggie, reluctantly, agrees to work with Kai Arviso, a medicine man who is also unsure about his supernatural abilities. Throughout the story, readers learn about Maggie and Kai’s past lives including how they survived the flood and how their supernatural abilities are both assisting and restraining them. Other characters, such as Kai’s grandfather, Grandpa Tah, notice how the relationship between Maggie and Kai could be a good thing for the survival of their community, but in a post-apocalyptic world, one should know better than to hope for such a thing. 

            The plot of the story is Maggie and Kai searching Dinétah (the Navajo reservation) for the source of dark magic that’s hunting the surviving humans. The subplot, which will probably carry over to the next book, is the concept surrounding “clan powers.” Clan powers are gifts from the “Holy People” and the gods to mortals. Maggie isn’t a fan of her gift and Kai views his only as a way to survive. However, readers—and Maggie—don’t know what Kai’s gift(s) is, so there is that small mystery to consider. Maggie’s superhuman abilities are not what she would call a blessing from the Diyín Dine’é (people with supernatural powers). Yet, Maggie uses her gifts to make a life for herself. This subplot comes up again throughout the novel, and it is safe to say that this subplot won’t be resolved as quickly as the plot. Both the plot and the storyline of Maggie’s training go hand-in-hand. This is because readers learn how Maggie became acquainted with the gods and how to harness her gifts to become a Monsterslayer. At the same time, we learn about Maggie’s friends and her relationships with other people living in Dinétah. The plot development is appropriate for this story, allowing it to unfold through the characters. 

            The narrative in Trail of Lightningis 1stperson point-of-view from Maggie’s perspective. The sequence begins and ends with murder and the protagonist’s reaction to each one, which is the same reaction, indifference. However, by the end of the novel, Maggie’s reaction makes a lot of sense. Maggie is a reliable narrator who tells Kai and his grandfather her past and how she survived the first wave of chaos after “The Big Water,” many of which she is not proud of doing. Maggie recounting her past actions through flashback allows the author to present her protagonist as flawed and traumatized, yet relatable. This narrative lets readers follow Maggie’s story—both the present and the past—with ease. 

            Rebecca Roanhorse depicts Navajo Gods when an ethnic group of people would need them the most, after an apocalyptic event. While the retelling of gods, heroes and legends are similar to Neil Gaiman and Rick Riordan, Rebecca Roanhorse has the gods of her ancestors return to Earth when the lifestyle of humanity reverts. Many myths and folklore tell of a simple lifestyle, when humans needed the gods to survive. This style of writing lets readers know that the lifestyle changes, but the culture doesn’t. As long as humanity thrives, so will their gods. The author’s tone within the novel, humanity’s failure of taking care of Earth, reflects the mood, an urban apocalypse where everything has to be rebuilt in order to achieve a sense of normalcy. In addition, Rebecca Roanhorse incorporates Navajo diction for both authenticity and reality, with an explanation (and translation) of each meaning. If other cultures incorporate words of their own into everyday language, then why not learn Navajo ones?

            The appeal surrounding Trail of Lightninghave been very positive. Called, “one of the Greatest Science Fiction & Fantasy Debut Novels Ever Written,” by Barnes & Noble, this novel received praise for the portrayal of Native American (one tribe) culture, too. Not to mention, Trail of Lightninghas been nominated for both the Nebula and the Hugo Awards. The follow-up to Trail of LightningStorm of Locustswill be released in April 2019. And, the author’s YA debut, Race to the Sun, which is part of the Rick Riordan PresentsUniversal Literary Pantheon, will be released in Fall 2019. This will expand Roanhorse’s readers and her universe, explaining the Dine’é to the rest of the world. Obviously, I’m looking forward to reading both novels. 

            Trail of Lightningis a brilliant debut novel that allows for an immersive story about Native Americans—Navajo—and their culture and folklore in an ironic apocalyptic urban fiction book. This narrative is slow at times because the world-building overtakes the pacing. I believe the next book in the series and any other one set in this universe will be just as memorable as the first one. I believe Rebecca Roanhorse will be publishing stories for many years to come, and I will read them all. 

My Rating: Enjoy It (4 out of 5). 

Why You Need to Read: “Seven Blades in Black”

The Grave of Empires: Book One: Seven Blades in Black

By: Sam Sykes

Published: April 9, 2019

Genre: Fantasy

            “Galta the Thorn. Riccu the Knock. Zanze the Beast. Taltho the Scourge. Kresh the Tempest. Vraki the Gate. Jindu the Blade. Seven names. Seven out of thirty-three. It might have seemed small, maybe. But there was another name on my list that had taken a lot of bullets, a lot of blood, and a lot of bodies so that I could finally cross it out. I would have killed for one name. For seven? I’d burn the world to cinders,”(Nine: Lowstaff). 

            This novel only takes the idiom, “Hell has no fury like a woman scorned,” to the zenith, but it also puts revenge tales on the same level as Quentin Tarantino’s,Kill Billmovies. Sal the Cacophony is one angry woman and she’s on a journey to make sure those who have made her this way pay with their lives. She has a list with 33 names on it. The first book in The Grave of Empirestrilogy (or series?) focuses on seven of those names.

            Sal the Cacophony is a Vagrant—a mage who no longer fights for the Imperium—who is imprisoned and awaiting execution by the Revolution—a group of non-mages who oppose the dominance of the mages. She is questioned by Governor-Militant Tretta—a figure who is only concerned with earning a promotion so that she’ll become more noticeable to her superiors—who demands an explanation surrounding the disappearance of Revolutionary Low Sergeant Cavric Proud and the attack on one of the towns within the region known as “The Scar.” Sal accepts both the (multiple) charges and her fate and tells the Governor-Militant the recent events, which led to the disappearance of the Low Sergeant. Tretta—and readers—learn of all the events right up to Sal’s arrest. Sal tells of her last bounty job, which turned into the hunt for the names on her list, which uncovered a conspiracy, which became a rescue mission, which turned into a massacre, which led to her arrest. Along the way, we learn what happened to the devout Revolutionary Sergeant Cavric, and Sal’s girlfriend, Liette, who is a mage. Sal is a woman with many aliases, abandonment issues, and a lot of anger. And, it is ALL justified!

            The plot, as mentioned earlier, focuses on Sal’s revenge against those who wronged her. However, we learn of 7 of the 33 names and why she goes after those particular people first. Like many revenge tales, we follow the person who has been wronged while wondering whether or not the ends justifies the means. In the case of Sal the Cacophony, she has been wronged and she has every reason to be angry to the point where you can understand her murder streak. Yet, you wonder about the “after.” What will Sal do if she does cross out all the names on her list? How will this journey change Sal? The subplots include the world-building and the world’s history, which is mentioned by Sal through her story. Since Sal is retelling the events that led to her arrest, the plot moves very quickly, which is a good thing because a lot happens and we want to know what happens next, and we don’t need all the little details in order to get to the heart of the story. 

            The narrative is told in flashback from Sal’s point-of-view; and, given the state of Sal’s situation, it could be argued that Sal is an objective narrator, yet Sal is a character that allows for both Tretta and the reader to be empathetic towards Sal. Sal does admit to all of the crimes—and the heroics—she’s done, recently; but it isn’t until the novel’s end that you realize how truthful Sal has been to the Governor-Militant, to her friends, and to herself. Each chapter is labelled with the setting where each event occurs. This makes it easy to follow the narrative because the sequence of events follows Sal’s destructive path towards vengeance. The narrative clues you in to what happens next.

            The author, Sam Sykes, sets the tone of this humorous epic fantasy tale by giving his readers a cynical protagonist who drinks, curses and kills as a coping mechanism. Both the tone and the mood setup the grittiness of the location known as, “The Scar.” Sal’s exploits illustrate how everything can go wrong while accomplishing a task but completing it anyway. Readers have no choice but to laugh as each event occurs because you have no choice but to laugh. Sykes does an amazing job teasing some of the common fantasy and revenge story tropes in his dark comedy novel.

            The appeal surrounding Seven Blades in Blackwill introduce SFF readers who haven’t read Sam Sykes’ books before to him. The description surrounding this novel as a “blend of Kill Billand Final Fantasy” is very accurate. Fans of George R.R. Martin and Brian McClellan will enjoy this new series, too! Readers of epic fantasy will enjoy this story and appreciate the effort the author makes in clarifying both The Scar and Sal’s character. This has been one of the most humorous books I’ve read in a long time, and I’m already anticipating Book 2! Seven Blades in Blackis a welcomed addition to the speculative fiction genre. One more thing, if there was to be an adaptation, then an anime-styled animated series would be the way to go!

            I’m glad I received an ARC of Seven Blades in Blackbecause not only did it allow me to read a book by an author I had never heard of before, but also it allowed me to appreciate epic fantasy by providing a 704-page novel and leave me begging the author for a potential release date for Book 2! The protagonist is one who deserves our sympathy and will leave you hoping that she does accomplish her goals without destroying herself. I want to know what happens next!

My rating: MUST READ IT NOW! (5 out of 5).