Category Archives: Christianity

Why You Need to Read: “The Dragon Republic”

The Poppy War: #2: The Dragon Republic

By: R.F. Kuang

Published: August 8, 2019

Genre: Fantasy, Historical Fiction, Grimdark, Folklore, Military 

WARNING: The following contains minor spoilers from both The Poppy War and The Dragon Republic. You have been warned. 

            She didn’t care about anyone’s visions for the future. She’d stopped wanting to be great, to carve out her place in history, a long time ago. She’d since learned the cost, (Chapter 6).

            Books about war—whether or not it’s fiction or non-fiction—attempts to include the horrors it brings along with it. In recent years, more fiction stories have included the “realities” of war as opposed to the “glories” of it, which usually make their way into the narratives. R.F. Kuang, author of The Poppy War, re-establishes the “cost of war” and its aftermath in the sequel, The Dragon Republic.

            Runin “Rin” Fang is (still) reeling from her actions, which led to the end of the Third Poppy War and victory for the Empire. However, the victory has left Rin feeling hollow due to the deaths of her friends, her teachers, and her comrades. Everything she’d witnessed throughout the war: death, rape, starvation, mutilation, her lack of control as a shaman over a goddess, her addiction to opium, and the betrayal she and her Unit suffered towards the end of the war has left Rin in a depressive state of mind. As a soldier, Rin believes her only purpose lies in seeking revenge against those who betrayed her and the other denizens of the Empire. Lacking support, resources, and leadership skills, Rin leads the 13th Division to fight their remaining enemies. However, Rin and her soldiers are approached by Yin Vaisra—the Dragon Warlord, the Head of the House of Yin, and the father of one of her Sinegard classmates—and, he has a proposition for her: join up with him to form a “democratic” Republic amongst the now disbanded 12 Provinces and he will assist her with her vengeance. Rin—suspecting hidden motives and desiring to remain a soldier—agrees to the Dragon Warlord’s terms. As Rin works with her Unit and the Dragon Province, she is reunited with her former classmates who make their own decisions regarding the civil war that has broken out between the Empire and the Dragon Republic. This time, she has to determine her worth within this latest conflict. In order to do this, Rin develops from soldier to puppet to commander; it is a rough, but essential growth for Rin!

            Just like The Poppy War, The Dragon Republic has three parts: the aftermath of war, the beginning of a civil war, and the fallout as a result of the civil war. Part I focuses on the Aftermath of the Third Poppy War, especially how the survivors—both military and civilian—are dealing with the damage that remains. Rin struggles with keeping her unit alive while avoiding the troops who would capture Rin in order to collect the bounty on her head. She makes a deal with the Dragon Warlord not only to achieve her goal of revenge and to have access of supplies for her troops, but also to maintain her purpose of being a soldier. All Rin knows is warfare and she doesn’t know what else to do with herself. She’s not alone in this because her friends and her comrades feel the same way. 

            Part II is the campaign launched by the Dragon Province. The mission: either to parlay, or to destroy the other 11 Provinces. The choice lies between siding with the Dragon Warlord or fighting against him. The reality of war is presented to readers again as war tactics, war strategy, and death becomes part of the plot. Decisions are the difference between life and death, and death always seems to prevail. Meanwhile, Rin is suffering from her lost abilities as a shaman and from the humiliating “testing” done to her by the Hesperians—an advanced civilization who promises to ally themselves with the Dragon Province towards the goal of a united republic with the promise of weapons as long as they: win the civil war, allow missionaries to assist with the refugees, and to “study” Rin. Rin has flashbacks to the same experiments done to her and Altan by the Mugenese and begins to wonder whether or not if more than her self-worth is on the line. At the same time, Rin learns how the Empress became so powerful and how the damage she inflicted on Rin can be skirted. For that to happen, Rin must learn more about the powers of a shaman. To do that she’ll have to learn from those who taught Jiang, her former Master of Lore. These two subplots are necessary for both the plot development, and the character development, especially Rin’s. 

            Part III unveils all of the revelations and the intentions of all of the characters. Everyone is involved with another oncoming war whether or not they want to be. The Empire and the Hinterlanders are on the brink of another civil war, and Rin and her Unit must decide who they are going to fight for when the war begins. Even Rin has intentions for this war, especially after she learns the truth about the Dragon Province, the Empress, and their “allies.” Amongst the death and the reunions Rin must determine if she is a soldier or a shaman. 

            Once again, the narrative is in 1stperson and stream-of-consciousness. With the exception of the Prologue, readers follow Rin’s experiences during the aftermath of the Third Poppy War. All of Rin’s thoughts and traumas are witnessed by both readers and other characters. It seems during the postbellum everyone sees Rin as a solder without purpose. She’s a terrible leader and her mistakes puts others in danger. Yet, she wants peace and prosperity (and revenge) just like the other survivors of the war. The scenes involving war, refugees, and previous events and memories are told in real time, so readers experience the anticipation, the suffering, and the confusion all of the characters experience. While it is long, the pacing of the narrative is appropriate for this military fantasy novel.    

            The style Kuang uses in The Dragon Republic is both similar and different from The Poppy Way. The conflict and the aftermath of war—based on the conflicts stirring in several countries before the beginning of both the Spanish Civil War and World War II—is found throughout the pages within this novel. The difference, or better yet the addition to the conflict, is the notion of imperialism. It is obvious that the Dragon Province is attempting to do this, but they are not the only ones fighting for control of a weaken empire. The mood of The Dragon Republic is death and suffering; just because (one) war is over doesn’t mean everything will get better soon. The tone in this novel is not only about the cost of war, but also about the price one is willing to pay for power. There are no innocent people left alive in this story. 

            The appeal surrounding The Dragon Republic have been positive. Fans of The Poppy War, other military fiction, and grimdark will enjoy this sequel. As the world expands, so does the world-building, which is found in the characters and the weapons, which are based on military history and Chinese culture and folklore. It must be mentioned that anyone who couldn’t finish The Poppy War and/or are triggered by real life acts of violence should NOT read this book! While not all readers are into military literature, actual events of war, such as rape, is mentioned in this novel. Otherwise, expect another well-written story by R.F. Kuang. 

            The Dragon Republic is an amazing sequel. The story picks up where The Poppy War left off and it is both creative and realistic for the type of grimdark and military fantasy the author is telling the readers. Parts of the plot and the narrative can drag on at times, but they are necessary for the story the author is telling everyone. I can’t wait for the next book, even though I must. 

My Rating: Enjoy It (4 out of 5)!

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Why You Need to Read: “Gods of Jade and Shadow”

Gods of Jade and Shadow

By: Silvia Moreno-Garcia

Published: July 23, 2019

Genre: Fantasy, Folklore, Historical Fiction, Mythology

            Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams, (Chapter 1). 

            I read this ARC in 4 days (finishing it after midnight on the 5thmorning)! I was that engrossed in this story that reminded me of both Isabel Allende and Gabriel Garcia Márquez with story elements similar to both Rick Riordan and Katherine Arden. Gods of Jade and Shadow is a beautiful blend of history, culture, and mythology. Anyone who is a fan of standalone works such as The Wolf in the Whale and The Sisters of the Winter Wood will love this book by Silvia Moreno-Garcia. 

            There are 4 protagonists in this story, but the focus is on Casiopea Tun. She is the granddaughter of Cirilo Leyva, the wealthiest man in town, but you wouldn’t know it based on her appearance and her demeanor. Because her mother had married a poor native man—who later died—both Casiopea and her mother live as servants to their family. Casiopea and her mother clean and cook for their relatives while the rest of the family live comfortably according to their socioeconomic status. All the while, Casiopea’s cousin, Martín—who is also Cirilo’s only grandson and 2 years older than Casiopea—entertains himself by bullying Casiopea. Unlike Casiopea—who is pragmatic, yet hopeful—Martín is the traditional spoiled heir who has nothing else going for him except for his family name and the wealth that comes with it. He wants nothing more than his grandfather’s approval, which he never earns, and he believes his cousin has it (which she doesn’t). After a spat between the two cousins, Casiopea opens a mysterious chest under her grandfather’s bed with the key he left behind. When she opens the chest, she finds a pile of bones that revive into Hun-Kame, Lord of Shadows and rightful ruler of Xibalba, the Mayan Underworld. Casiopea learns that Hun-Kame was betrayed and imprisoned by Vucub-Kame, his twin brother. Immediately, Casiopea is traveling with the god in order to locate his missing essences and to help him regain his throne. The twin deities, Hun-Kame and Vucub-Kame are static characters (for the most part) because they are gods who have personas which are not affected by any change. Martín Leyva is a complex character who is forced to confront his demons, his family, and his insecurities, but that doesn’t mean he becomes a better person. It is Casiopea Tun who undergoes the most character development throughout the story.     

            The plot is part folklore and part bildungsroman. The folklore aspect of the plot follows the Hero’s Quest in that Casiopea leaves her home and goes on a “divine” quest. Except, Casiopea is compelled to accompany a god on this journey, and she doesn’t have anything forcing her to remain at her home. The bildungsroman, or coming-or-age story, surrounds both Casiopea and Martín. The growth these characters undergo happens because they leave home. Casiopea sees her chance to see the world and to experience new things; Martín, who had left his home once before, has no choice but to have these experiences. I’m not saying that Martín doesn’t need the experience that comes with leaving home, but it’s obvious that the growth won’t have the same positive effect on him the way it will have on Casiopea. The twin deities play their roles as gods, limited direct interference, which is expected. The subplot in this novel is family and family dynamics. Even though the setting is Mexico in 1927 (during The Jazz Age), some things remain universal and unchanged. There is nothing new about the spoiled heir and the “half-breed” child, but Moreno-Garcia makes sure that the long-term effects of such treatment and behavior remains realistic and believable. Martín, and the rest of the Leyva Family, know he’s not the heir anyone wants, but he’s the heir nonetheless, so the family finds it easier to indulge him rather than to curb his behavior. Casiopea, who is mistreated by the entire family, has a poor relationship with her mother because she never comes to Casiopea’s defense whenever she is abused by a relative. While both mother and daughter do care for each other, the relationship is strained. Casiopea goes on her adventure without hesitation because she has neither loyalty, nor emotional ties to her family. While there is both plot development and character development, the subplot of family develops and affects the plot within the story.  

            The narrative is an interesting one. First, there are multiple 1stperson point-of-view’s, and all 4 narratives are reliable because each character admits to his or her flaws and strengths during their P.O.V chapters. Next, the locations mentioned within the novel—with the exception of Uukumil(?)—are real places throughout Mexico. Readers can pull up a map of Mexico and follow the journey of the two adversaries throughout the narrative. Last, each of the characters provide both flashbacks and stream-of-consciousness throughout the narrative. Providing thoughts of both the past and the present not only allows readers to know what the characters are thinking at that particular moment, but also how and why they all think the way they do. This narrative method provides an understanding of each of these characters while allowing readers to choose for themselves whether or not they like, dislike, pity, etc. each character. The author incorporates all of these narratives into the story, yet it makes the story that much easier to follow along.

            The style Silvia Moreno-Garcia provides is a mixture of history, culture, and folklore. The historical events mentioned throughout the novel—automobiles, the Charleston, Prohibition, etc.—provides the mood of the story, which is modernity brings change. Each location throughout the story elaborates the clothing, the music, and the hustle and bustle illustrates how far behind the town of Uukumil is compared to the rest of Mexico. The culture reminds and informs readers that Mexico is a big country with a rich culture, but what Northern Mexico practices is not practiced in Central and Southern Mexico (necessarily). The folklore, while Mayan mythology is the main focus, fairy tales—such as “Cinderella”—is mentioned over and over. The author does an amazing job explaining Mayan mythology, Mexican culture and history, and pop culture, she mentions both fairy tales and poetry as cautionary tales to staying pragmatic no matter what is occurring in your life. In fact, that is the tone of the novel, staying humble regardless of any life changing events both positive and negative. Readers see the consequences of both examples within the story, and that moral is relevant in our modern times.

            The appeal surrounding Gods of Jade and Shadow are already positive (remember, I read an ARC of this novel). The book received advanced praise by critics and authors alike. And, it has been called one of the “Best Books of the Month” by Amazon and Barnes & Noble Sci-Fi & Fantasy Blog for July 2019. I did mention that fans of mythology-inspired fantasy will enjoy this novel the most. I should mention that several years ago, many people throughout the world became obsessed with Mayan culture and history when it was believed the world would end in 2012. This novel would appeal to them, too. This book can be read over and over again, and it belongs in the canon of mythological fantasy alongside Circe and American Gods. Fans of historical fiction will enjoy this novel as well. 

            Gods of Jade and Shadow is an informative and entertaining story about change, tradition, desire, and family. The honor of it being called one of the “Best Books of 2019” are not just words, but fact. This book is definitely one of my favorites of 2019. Silvia Moreno-Garcia conducts a grim, but magical journey throughout Mexico while reintroducing what we forgotten from our world history class. This novel is one of the best stories that balance fantasy and reality in recent years. This is an enjoyable story for readers of multiple genres.

My rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “The Sisters of the Winter Wood”

The Sisters of the Winter Wood

By: Rena Rossner

Published: September 25, 2018

Genre: Fantasy, Magic Realism, Folklore, Historical Fiction

            “…Everything makes sense suddenly, and yet nothing makes sense at all.

            There have always been rumors about the Kodari forest and the hidden things within it.

            Now, I know we are a part of that unseen world,” (7, Liba). 

            2018 was a year in which books written by “established” authors and by debut authors were published and read by both readers and critics alike. So many good books were released in 2018 that there were a few that got lost within the pile. Rena Rossner’s debut novel, The Sisters of the Winter Wood, was one of those novels. This standalone novel has been compared to and enjoyed by fans of Katherine Arden’s Winternight Trilogy; and, it’s easy to see why. The story is a blend of history, culture, and magic with wonder about the workings of the “other.” 

            Liba and Laya are sisters who are as different as night and day. Liba is stout and dark-haired, and Laya is willowy and light-haired; each sister resembles each parent (in more ways than one). And, like most siblings, Liba and Laya are jealous of each other. They both want what the other has and are oblivious to what they already possess. Liba wishes she was as beautiful as Laya, and Laya wishes she could fit in amongst the (Jewish) community like Liba. These wants and personalities define the sisters. And, when their parents leave them home alone in order to address a family emergency, the sisters are able to grow into themselves and obtain respect for each other. Throughout this coming-of-age story, both Liba and Laya realize what their parents were trying to protect them from—their heritage and its dangers. It’s only after coming to terms with their heritage that the sisters are able to accept themselves and each other for who and what they are. 

            The plot seems simple—almost like a faerie tale—but, it’s not because faerie tales are not simply stories, they’re cautionary tales complied with cultural beliefs. For the first time, Liba and Laya are left home alone. Between their heritage and the disappearances of their neighbors and their friends, the sisters are warned “to be wary of strangers.” Of course, both sisters do the opposite: Liba has encounters with men who claim they “know” her father, and Laya becomes friendly with 7 brothers who arrive in town to sell fruit at the market. At the same time, the sisters learn of their magical heritage and try to cope with the knowledge and the meaning of it. They soon realize that they have to make choices that benefit them as individuals before deciding their place in the world with, or without, their family. The subplot in this novel is the growing tension between the Christians and the Jews, which is based on the tragic events in Moldova in 1903. After two young Christians were found dead under mysterious circumstances, the nearby Jewish community were left with the blame and the potential pogrom against them. The subplot mirrors the plot in that while Liba and Laya are concerned with how everyone else will see them. Their microcosm Jewish community is on edge on what could happen to them all if the macrocosm Christian community continues to blame them for the deaths and the disappearances. The elements of the faerie tales work their way into the plot and the subplot reminding readers that faerie tales are not just “stories,” and we should heed them. 

            The narrative within The Sisters of the Winter Wood are told from the points-of-view of both Liba and Laya. The narrative is told in real-time and whatever is happening within the setting of the story, either Liba or Laya, or both are witnessing and experiencing these events, which makes them reliable narrators. The narrative is easy to follow because the story focuses on the events as well as the maturation of the sisters. Keep in mind that this is a bildungsroman story and we’re reminded, constantly, that our protagonists are adolescent girls.  

            Rena Rossner incorporates her story of magic realism and folklore within her style of writing. She writes in two styles in order to reflect the differences between Liba and Laya, and the way they see their world compare to everyone else. Liba’s P.O.V. chapters are told in prose and lets the reader(s) know of what is happening within the community. Laya’s P.O.V. chapters are in poetic verse and presents the reader(s) with the growing tension within her family, within the community, and amongst the magical elements that are hidden to all the other denizens. The fable styled morals can be found within the theme (the fear of persecution for being the “minority”), the mood (beware of strangers), and the tone (beware of your neighbors) in this folklore inspired story. The author’s styles not only illustrate how the sisters see the world, but also deliver the experiences both sisters have throughout the story. Liba spends more time interacting with other people and Laya spends a lot of time interacting with the other. Both styles standout, but together they give a complete story of all of the happenings within the novel.

            The appeal surrounding the novel have been well-deserved. Both the author and the novel have been nominated for literary awards, including the 2019 Compton Crook/Stephen Tall Award. Fans—readers and critics alike—note the similarities between Rena Rossner and Katherine Arden. The historical and cultural elements will draw comparison to both Nnedi Okorafor and Jordanna Max Brodsky as well. While this is a standalone novel, it’s a debut that will make readers wanting more from the author. 

            The Sisters of the Winter Wood is a beautiful story told with two styles of storytelling about two sisters adapting to adulthood. Fans of magic realism, historical fiction, and folklore will appreciate the combination of the genres and fall in love with the characters. It will leave you wondering whether or not your family is as magical as Liba and Laya’s. 

Why You Need to Read: “The Wolf in the Whale”

By: Jordanna Max Brodsky                                                   

Published: January 29, 2019

Genre: Historical Fiction, Folklore, Fantasy

  Garbed once more as a man, I entered the blood-soaked iglu. I sawed at my hair so it brushed the tops of my ears as a man’s should. I wore a man’s knife in a sheath looped across my chest. I carried a woman’s ulu in my pack. The wolf in the whale had gone south. And so did I. (Chapter 22).

            When I first received the ARC for this book, I did not know what to expect from it; however, the description of the story caught my attention and I read it with an open mind. The Wolf in the Whaleis an interesting story about gender roles, family, survival, cultural differences, and religion. Expectations placed on the characters—and the gods—within the story drive the narrative as well. Readers will gain insight into the first inhabitants to reside in and the first travelers to North America almost 500 years before Christopher Columbus and Amerigo Vespucci.

            The protagonist of this story is also our narrator, who is retelling the events of her life. Omat was born with her father’s spirit as a hunter and with her grandfather’s abilities as a shaman. Hence, Omat is raised and treated as a male by her aunt, her grandfather, and her tribesmen, and she is expected to become the next leader of the tribe much to her cousin’s, Kiasik, chagrin. At the same time, the gods of the world—particularly the Inuit and the Norse—fear the changes to come due to the rise of a new and powerful monotheistic god. Unbeknownst to her, the gods mark Omat as a “threat” for she is expected to bring forth Ragnarök, or the end of the world. The gods’ fear causes Omat’s family to suffer from starvation and isolation. However, anyone who is familiar with myths, legends, and prophecies know that the more anyone tries to prevent a prophecy or an event from happening, the more likely it will occur. Omat’s interaction with her family, other tribesmen, the Vikings, and the gods and the spirits shape her character as she transitions from adolescence to adult. 

            The plot of this novel is broken down into 3 parts: Omat’s bildungsroman, the gods’ fear of the end of their lifestyle and adoration, and the Viking exploration. All of these plots drive the story and provides some insight into how early settlers came to inhabit the Americas, and how the interactions—even brief ones—brought elements of cultural diffusion to Omat’s tribe. The Viking “visit” is based on historical and recorded events; yet, it is unknown as to why they did not remain in the Americas. As for the motives of the gods, anyone who is familiar with religion and myths—or, Neil Gaiman’s American Gods and/or Rick Riordan’s books—know the gods depend on both the worship and the stories from the mouths of mortals and shamans for their existence. A new, single god could jeopardize the lives of the rest of the gods. Omat’s journey and growth to becoming a leader means learning from other leaders—the good, the bad, and the worst—meeting challenges from the environment and from other people. Omat manages to overcome these obstacles, but not without repercussions. At the same time, Omat does learn some things from each adversity, which ensures her survival. 

            The narrative is divided into 5 parts: Omat’s birth, family and growth into an angakkug—or shaman; Omat’s power and livelihood being threaten by a visiting tribe who only see Omat for her sex and not for her abilities regardless of her gender; Omat’s journey south in search of her cousin and meeting a Viking, and seeing other people live beyond her world; Omat’s captivity amongst the Vikings; and, Omat’s role in Ragnarök, and its aftermath. All the while, the gods are watching the events unfold and they make decisions for their interests, which do not consider the impact they will have on the mortals. Given the multiple subplots and the story, the later parts in the novel are told in real-time. While this is both appropriate and believable for the plot, it makes the story seem slow at times. Omat is retelling this story. These events already happened—she either was told, or she experienced them—and we are led to believe that this stream-of-consciousness narrative is reliable. 

            The author, Jordanna Max Brodsky, has a degree in History and Literature from Harvard University. The Wolf in the Whaleis a historical fiction fantasy and folklore novel. This story is not only about the brief “meeting” between the Inuit and the Vikings—and other early settlers—but also a look into the folklore—a body of culture, traditions, tales, religion, etc. shared by a particular group of people—with fantasy elements (i.e. gods). The descriptions of the lifestyles of both the Inuit and the Vikings make the story more immersive. The cultural diffusion added by the author’s historical knowledge make the story more believable because the exchange of knowledge amongst various groups of people have been, and continue to be, a necessity for human survival and progression. This novel is a credible story of journey, survival and growth as seen in the author’s style. These elements add to the various dangers all of the characters face from the weather to each other. The realism makes the difference and it flourishes in this novel. 

            Readers who enjoy historical fiction might enjoy The Wolf in the Whale more than those who enjoy fantasy. This is because the historical and the anthropological aspects drive the story more than the appearances of the gods and the spirits. That is not to say fantasy fans won’t enjoy this book, they might not appreciate it as much as historical fiction fans. This is the author’s first standalone novel. So, readers who are curious about the author should read this novel. Fans of the TV show, Vikings, and/or the video game, Never Alone, should find The Wolf in the Whaleto be a well-structured story with the right amount of cultural elements that makes it more believable than the “what if” concept.

            The Wolf in the Whalecaught my attention due to its description about “clashing cultures and warring gods.” I was not sure what to expect from the novel besides shamans and Vikings. Being clueless, but open-minded about the novel allowed me to read the story as it is, and not what I thought it was going to be. The topics of sex and gender roles, culture, survival, interactions between different groups of people, and family drive the story as much as the history and the fantasy within it. There were times in which, some of the real-time events dragged the story. There were times in which, I wanted more from certain characters, but realized it would have diverted from the protagonist. Overall, The Wolf in the Whaleis a speculative fiction novel that is a hybrid of fantasy, folklore, history, and anthropology. I was immersed in the story from start to finish. I recommend this novel for anyone who enjoys an eclectic mix of genres in fiction. 

My rating: Enjoy It (4 out of 5)!

Why You Need to Read: “The Winter of the Witch”

Winternight Trilogy: Book 3: The Winter of the Witch

By: Katherine Arden

Published: January 9, 2019

Genre: Fantasy, Historical Fiction, Fairy Tale Retelling, Folklore, Magic Realism

PLEASE NOTE: The following contains minor spoilers from this novel and the series. You have been warned.

            “You are a fool, man of God,” he said. You never understood.”

            Konstantin said, “I never understood what?”

            “That I do keep faith, in my own fashion,” said the Bear.

(Chapter 23: “Faith and Fear”)

            The Winter of the Witchis the third and final book in Katherine Arden’s Winternight Trilogy.What started with The Bear and the Nightingale—and yes, readers need to read that book and the second book, The Girl in the Tower,in order to know what is going on in the third book—ends with this beautiful end to a beautiful trilogy. This historical fiction fantasy starts where the second book ended, with Moscow recovering from both a fire and the actions of a wicked magician. Once again, Vasilisa Petrovna’s actions have caught up with her, and she barely escapes with her life. Then, she must come up with a plan to unite ALL of Russia—humans and chyerti—to fight against the invading Tatars, and to find balance between two belief systems—Christianity and Paganism.

            The characters are those we were introduced to from the previous books: Vasya, Sasha (her brother), Olga (her sister), Marya (her niece), Solovey (her stallion), Dmitrii Ivanovich (the Grand Prince), Morozko (the frost-demon), Medved (the chaos-spirit), Konstantin Nikonovich (the charlatan priest), and Varvara (the Head servant). New characters are introduced and mentioned as well. Together, all of the characters are active in Arden’s story from the roles they play to the answers they provide to the readers’—and characters’—concerns and questions. Each character is well developed and motivated to accomplish their goals. The conviction in the protagonist, the antagonist(s), and the other characters remind the reader(s) that more scenarios are happening than the characters and we are aware of.

            The plot, as I mentioned earlier, is both a continuation of the events in the previous book, and a continuation of Vasya’s growth into an adult. Christianity is now the dominant religion in Russia with the amount of people who keep the older traditions decreasing, the Tatars continue their campaign to take over Russia, ancient feuds continue to play on, and Vasya is a step closer to coming into her own and accepting her destiny. These subplots are part of the main plot—Russia is changing, but not all things fade away with those changes—and they cannot wait to be dealt with. Each change, along with its dilemma, is addressed again and again until the story’s end. It should be mentioned that each conflict does not get resolved and that is due to the reality found within the story. Conflict—from a minor issue to total chaos—never goes away. The three conflicts found within the plot are resolved, so that story ends, but the lives of the characters leaves for an ambiguous continuation and hope for both the surviving characters, and for the reader(s). 

            The narrative switches between the points-of-view of several characters: Vasya, Sasha, Olga, Konstantin Nikonovich, the Bear, Varvara, etc. Just like in other stories with multiple POVs, readers learn everything that is happening everywhere concurrently. The aftermath of Vasya’s actions affect her throughout the story; Sasha and Olga come to terms with their family’s history, gifts, and future; Konstantin Nikonovich achieves his goals with a bittersweet feeling to his conscience; and, the Bear, the Winter King, and Varvara have their roles to play in the war. Then, there is the other war that’s coming for all denizens of Russia. If it’s not one problem, then it is another problem. Remember, the first war for power happened in The Girl in the Tower,which was a short time ago within the narrative. Arden presents the conflicts and then shows how all of her characters deal with them within the story. Since the narrative is given from multiple viewpoints without the other characters knowing what is happening to other characters, readers know that each narrative is reliable and realistic. The resolution does not give the characters enough knowledge of what happened to the other characters as well, and that provides a believable ending. 

            The style of writing the author uses in this book is the same as it was in the previous books in the series. Magic realism is a genre of writing that is often used alongside the historical fiction genre. The difference is that folklore drives the narrative of a magic realism story. Arden’s style follows this method of writing. The aspect that makes Arden’s trilogy standout is the knowledge of the lore the denizens in the story have, because the lore remains as the world changes. Devout Christians are able to see the chyerti, and there are people who practice both “faiths.” One of the best things about the author’s trilogy is the way she reminds readers that old magic and ancient tales will always remain with the people (hence, the term “folklore”). Everyone knows them, some are aware of them, and few have the ability to use the deeper magic. Folklore is part of a culture, and Arden incorporated the importance of a country unifying, not just for its survival, but also for its way of life through their culture. The author did a beautiful job expressing this within her writing. 

            The appeal surrounding this novel is interesting. I’ve started reading the Winternight Trilogy from the release of The Bear and the Nightingalein 2017 and I knew Katherine Arden was one of my new favorite authors. I received an ARC of The Winter of the Witch, and while I was reading and gushing through it, I found that other readers picked up the first book out of curiosity and enjoyed it, too! If The Bear and the Nightingalewas the first book that introduced us to Katherine Arden, then The Winter of the Witchis the book that cements her as one of the best speculative fiction authors in this era of publication. Katherine Arden takes folklore and reshapes it into a new story to be read and enjoyed the same way Neil Gaiman, Nnedi Okorafor and Naomi Novik have done within their books. The Winternight Trilogyproves that the speculative fiction canon has room for authors who write across multiple elements within the genre like Katherine Arden.  

            I am proud to say that I’ve read Katherine Arden’s books since the publication of her first novel, and I’ve enjoyed them all! Now, while this review is about the last book in the trilogy, I still have to mention all of the books in the trilogy. There are many trilogies in the speculative fiction genre; and, when it comes to the trilogies I’ve read from that genre, the Winternight Trilogyleaves me with the same level of satisfaction as His Dark Materials(by Philip Pullman) and The Broken Earth (by N.K. Jemisin) trilogies. Anyone who knows about how I feel about those trilogies, know that’s a big deal! Reading Vasya’s journey from childhood to adolescence to adulthood was an absolute joy and I’m glad Katherine Arden shared her story with us. I recommend this novel, and the series, to all readers of the speculative fiction genre. None of you will be disappointed.

My Rating:  MUST Read It Now!


Why You Need to Read: These Books While Waiting for “The Winds of Winter”

Many readers recall waiting for the next book in a series whether or not it is a novel, a graphic novel, or a novella. Harry Potter usually comes to mind due to the phenomenon experienced throughout the 2000s, but there are other series that fans wait for with anticipation, patiently. George R.R. Martin’s A Song of Ice and Fire is one of those series. Due to the success of the show, Game of Thrones, the number of readers has increased, significantly. Unfortunately for Martin, this means that the pressure is mounting and readers have become more demanding for the next book in the series, The Winds of Winter. The fifth book, A Dance with Dragons, was released in 2011; and, with the television adaptation ending in 2019; the hype surrounding the next book continues to grow.

So, what do readers who are waiting for a book do? Simple, we read other books from either his or her contemporaries, or recommendations from friends or other fans. I’ll be listing suggested books and series you should read while waiting for The Winds of Winter. There are plenty of books to read, but which ones should you read? Besides books by Tolkien, Lewis, L’Engle, King, Jordan, Sanderson, Rowling, Herbert and Baum, there are so many books under the speculative fiction and magic realism genres for us to enjoy. And, readers can read these books and learn for themselves why these other books are just as essential to read as those written by the authors mentioned earlier.

This list is NOT my “favorites” because that list changes all the time. In addition, I will be including books in which I’ve finished reading. So, if there is a book that is NOT listed in this list, then it means either I have not yet read it, or I’m currently reading it and have not finished it. Also, I’m not including novellas or short stories here because that is a list for another time. This list contains suggestions I give to many people who know about my enthusiasm for reading, and are listed in no particular order. These books are available in print, in eBook, or at your local library.

Honorable Mentions

The Bear and the Nightingale (2017) by Katherine Arden

This is Katherine Arden’s debut novel, which is a blend of fantasy, folklore, and magic realism of the Russian culture. The novel is a retelling of the story of “Vasilisa the Beautiful,” which I’m learning more about while reading through the series. The novel, the first in a trilogy, follows Vasya, from her birth and early childhood to her adolescent years. Readers learn about Vasya’s family, culture, magic, and changes in her society—particularly Russia’s conversion to Christianity—during the mid-14th century. I recommend this book for fans of fairy tales, Russian history, and Slavic mythology.

Alanna: The First Adventure (1983) by Tamora Pierce

This is Tamora Pierce’s first novel, which is set in her world of Tortall. Alanna and her twin brother, Thom, switch places for their schooling. Thom goes to magic school to become a mage and Alanna goes to begin her training to become Tortall’s first female knight in 400 years. In order to accomplish this, Alanna has to disguise herself as a male. This novel provides readers with Alanna’s schooling, training, and developing into a woman (which she has to find ways to conceal). In addition, readers will learn about Tortall, which the author has spent the past 35 years building, creating, and expanding. There are several other books that occur in Tortall, with its own history and timeline.

Monstress, Vol. 1: Awakening (2016) by Marjorie M. Liu & Sana Takeda (Artist)

Told by Marjorie M. Liu and illustrated by Sana Takeda, this volume contains issues #1-6. This graphic novel follows Maika Halfwolf, a 17 year-old survivor of a war between humans and magical beings known as Arcanics. Maika is suffering from both amnesia and PTSD from the war and her mother’s “research” that may or may not be responsible for her powers, and her blackouts. This beautifully illustrated steampunk horror story is a hybrid of Eastern and Western storytelling, supernatural elements, and art style.

Brave Story (1987) by Miyuki Miyabe

I’ll risk the criticism and call this novel the “first LitRPG”! This entwicklungsroman novel is from Japan and it follows Wataru Mitani, a young boy who goes on a magical quest in order to change his fate. However, he has to complete the quest before his classmate, Mitsuru Ashikawa, beats him to it. Similar to a RPG, Wataru travels to another world, meets companions, fights monsters in order to reach the end of the journey for the ultimate showdown. This fantasy novel includes social and familial issues children deal with on a regular basis, which makes it more enjoyable for fans of low fantasy.

Haroun and the Sea of Stories (1990) by Salman Rushdie

This novel is the first in a series by award-winning author, Salman Rushdie. When Haroun’s father loses his ability to tell stories, which is his profession, Haroun travels to the place where his father gets his stories, only to learn that the entire kingdom is in distress. Haroun is both the protagonist and the witness to the events within this novel. Salman Rushdie plays with everyone’s notions surrounding fairy tales, fantasy worlds, and magic.

1) The Harbinger Series: Storm Glass (2018) by Jeff Wheeler

The most recent book on this list is by Jeff Wheeler, an underground fantasy author who is very popular amongst the Kindle Unlimited subscribers. He has several fantasy books in multiple series that are interconnected. The Harbinger Series is Wheeler’s latest series and Storm Glass is the first book. If you’re new to Jeff Wheeler, then he recommends that you read this series before reading his other ones.

Storm Glass is told from the point-of-views of two 12 year-old girls from different backgrounds. Cettie is an orphan living in a foster home in the worst district in the city, until a wealthy politician and his family take her in. Sera is a princess who is living a sheltered, but unhappy life above the clouds. Both girls start to change their destinies against a rigid society that attempts to halt them over and over again. The girls realize quickly that their individual lives were never the most complex ones. Each social class has its own dilemmas.

Fans of A Song of Ice and Fire will appreciate the political discussions, the world building, and the complexity of all the characters. The fact that two 12 year-olds are faced with these adult issues and challenges reminds us that children are pawns in the struggle for power, too. The first book ends with a subtle cliffhanger, but fans and readers will remember that power is a continuous affair.

2) Vicious: Villains: Book 1 (2013) by V.E. Schwab

This unique and immersive story is Schwab’s first adult novel. The following influences the story: X-Men, Frankenstein, and The Count of Monte Cristo, toxic families, and toxic masculinity. Told in a narrative that alters between the past and the present, the author builds up a plan of revenge through the points of view of all of the characters, most of who have Extra Ordinary abilities gained from near death experiences.

Victor Vale and Eli Ever will remind readers of pairings such as Professor X and Magneto, Batman and the Joker, and The Punisher and Daredevil. Victor and Eli met and became frienemies at college. When the two decide to experiment with the ideas surrounding EOs for an assignment, both men gain very different abilities at great costs. 10 years later, both men are at opposite ends of the same side, the bad side. Readers learn everything that has happened to both Victor and Eli throughout that time period as well as what is supposed to happen when the two men meet up again. And, it’s everything and nothing you’d expect!

Readers of A Song of Ice and Fire should keep in mind that Victor Vale and Eli Ever could be compared to Varys and Littlefinger (you decide who is who). The cunning of these males are obvious and their traumas are relatable, yet the readers wonder if the ends justify the means. And just like A Dance with Dragons, only the sequels will give readers a closer look into these men. Vengeful is out now for those who crave more from these toxic males, and the author.

3) The Sandman Volume 1: Preludes & Nocturnes (1989) by Neil Gaiman, Sam Kieth   (Illus.), Mike Dringenberg (Illus.), Jill Thompson (Illus.), Shawn McManus (Illus.), Marc Hempel (Illus.), Michael Zulli (Illus.), Dave McKean (Illus.), and many other illustrators

Just about everyone has heard about this graphic novel series. But, how many people have actually read this series? This story follows Dream, a male who controls every aspect of dreams, as he does his “job” while interacting with various people and beings in the past and in the present. Each of the 10 issues illustrates Dream as he performs his “job” and displays his importance to humanity. The story is told by Neil Gaiman and is illustrated by a slew of talented artists.

Now available in a new printed edition, The Sandman Vol. 1 follows Dream as he is captured and released from a magical prison. Throughout this volume, readers learn of the severe consequences humanity suffers due to The Sandman’s imprisonment. Then, readers see how Dream deals and works through the damage control surrounding those affected by Dream’s absence. Dream even makes a journey to Hell.

Fans of George R.R. Martin will appreciate how Gaiman tells both the story and the consequences of humans messing around with “higher powers” and “the unknown.” If you decide to continue reading this series, then you will notice similarities found in the world building of the supernatural and the magic. The figures behind such powers will have readers wondering whether or not they should get involved with such things.

4) Percy Jackson and the Olympians: The Lightning Thief (2005) by Rick Riordan

While many of us have heard of this popular series, how many have actual read the books, especially the first one? Rick Riordan writes a combination of “What if…” and “mundane/within our world” fantasy with modern-day children. The ancient gods still live, and they now reside in the United States. Percy Jackson is 12 year-olds, never met his father, hates his stepfather, suffers from dyslexia and ADHD, and gets expelled from school every year. Suddenly, he’s accused of stealing from Zeus, the King of the Greek Gods, and has to travel cross-country to prove his innocence. Think of it as Neil Gaiman’s American Gods, but for younger readers.

This book, the series, the sequel series, and the spinoffs should be read because of the references to the myths, the cultures, and the histories mentioned throughout the series. Myths are religious beliefs and customs followed by groups of people. Religion is the forefront of myths because people pray and worship their god(s) or goddess(es). History is a chronological list of events of the past, which allow for current generations to look at both the hindsight and the repercussions of those events. In addition, legends and heroes are added to the tales within the cultures’ mythology. Sound familiar?

George R.R. Martin’s influences come from ancient and modern mythologies and legends: Norse, Greek, Arthurian, Christianity, etc. Why not read a popular series that explains these influences? Riordan has written series about the Greek and the Roman, the Egyptian, and the Norse myths. Plus, he supports and recommends similar series about other world mythologies such as those written by Roshani Chokshi, Nnedi Okorafor, and Jonathan W. Stokes.

5) Battle Royale: The Novel (1999) by Koushun Takami

This novel gets lost between Lord of the Flies and The Hunger Games. And, since both novels are required reading in school, why not pick up another book about a dystopian society in which children are forced to kill each other? This import from Japan is an updated version of William Golding’s text, but with the emotional brutality of Suzanne Collin’s trilogy.

After being abducted and forced to compete in “the most dangerous game,” 42 15 year-old Japanese students make the choice on whether or not to participate. The chapters are told from the point-of-view of several of the characters, thus having the readers realize why certain students are the way they are. This setup of the characters’ past is similar to A Song of Ice and Fire.

Just like in George R.R. Martin’s series, readers get into the heads of the teenagers in Battle Royale, and they decide on whether or not to emphasize with them. Even though the setting is dystopian, the issues and the experiences of the students are current and real. Yet, it is understandable if a reader wishes to continue disliking a character because he or she believes that someone’s past and previous experiences does NOT justify that character’s actions. Not to mention, the pacing is appropriate and believable and matches the mood of the book.

6) Uprooted (2015) by Naomi Novik

Naomi Novik has been writing and publishing books for over ten years with her Temeraireseries. Yet, she has expanded her fan base due to her latest books, which focuses on what societies know about heroes, legends, magic, and fairy tales and adds the element of realism to them. Uprooted is one of Novik’s novels that follow this method of storytelling.

Loosely based on Beauty and the Beast, Agnieszka is chosen to serve a wizard known as “The Dragon” as a form of compensation for him protecting her village from “The Corrupted Wood.” Agnieszka must serve The Dragon for ten years by assisting him with reducing the power of The Wood. During her service, she learns how to use magic, how to make her way in the royal court, and how to live with the consequences that is her magic.

This novel is similar to George R.R. Martin’s series in that heroes are not always heroic, nature can be dangerous, magic comes at a cost, and power writes history. “Magic has a cost” is the central theme in this novel, just like in A Song of Ice and Fire. Also, the characters question the motives of the trees within the forest: The Wood and The Old Gods. Are there more to them than the characters and the readers realize?

7) Who Fears Death (2007) by Nnedi Okorafor

Fans of the Binti trilogy and the Akata series need to read Who Fears Death, the award-winning magic realism novel. Yes, this is the author who was with George R.R. Martin at the 2018 Emmy Awards, and it’s because HBO is adapting this novel for a television series with George R.R. Martin as an executive producer. This book is a gift given to us by its author, Nnedi Okorafor.

This story follows the life, the education, and the quest of Onyesonwu, whose name literally means “Who Fears Death?” She and her mother are labeled outcasts (because Onyesonwu is an “Ewu,” a mixed child of rape and violence), but they manage to find a home with Onyesonwu’s adoptive father, whom she tries to resurrect in the first chapter of the novel. Growing up, Onyesonwu learns about her “Eshu,” shape-shifting and magic abilities, and is determined to be taught by Aro—a sorcerer—about her powers, her biological father, and her destiny.

Just like George R.R. Martin, Nnedi Okorafor combines (African) history and culture into an epic tale that is part fantasy and part reality. Everyone is a victim of war, tradition, fear, and death. Expectations are met and the unexpected will keep readers engrossed. War, gender roles, and power make the story what it is as well.

8) His Dark Materials: The Golden Compass/The Northern Lights (1995) by Philip Pullman

Philip Pullman is known as “The Most Dangerous Man in England,” J.K. Rowling’s counterpart,” and “a well-known atheist.” In addition, he is an Oxford professor and an award winning children’s author. Pullman is currently one of six authors to win both the “Guardian Children’s Fiction Prize” and “The Carnegie Medal” for the same book: The Northern Lights, or as it’s known in the U.S., The Golden Compass.

First published in 1995, this steampunk novel is an allusion—or, subtle connection to other works of literature—to John Milton’s Paradise Lost. Ironic, isn’t it? Furthermore, it could be argued that Pullman’s series is his response to Tolkien’s Middle-Earth and Lewis’ Narnia series. This first novel in the trilogy follows 11 year-old Lyra Belaqua, an orphan who goes on a journey to rescue her friend and other children from a religious order within her world, a world that is parallel and similar to our world.

The subplot of this trilogy is the cause and the effect religion has in a society. George R.R. Martin writes about various religions and about both their followers, and their fanatics. Unlike Martin, Pullman focuses on the darker side of Christianity. I’m not saying that I’m against Christianity, but every religion has its darker moments throughout history.

9) The Kingkiller Chronicles, Day 1: The Name of the Wind (2007) by Patrick Rothfuss

Fantasy fans have heard of this book, and if you have not read it yet, then you are really missing out on a great story. Patrick Rothfuss’ debut novel—which took 15 years to write—follows Kvothe, the protagonist, as he recalls the events of his childhood from youth to orphan to hero to expelled student. Do not let the length of the novel intimidate you. The story and the world building will seize you and leave you wanting more.

This novel looks into the making of a “living hero” and the “semi-retirement” of our protagonist Kvothe is a gifted individual who shows promise of what he’ll become eventually. He does attend a university to learn magic, which has its own rules and structure. Rothfuss incorporates realism by including the conviction, the trauma, and the struggles the protagonist faces as he grows up. In addition, readers learn a bit about the main antagonist, The Chandrian, through the author’s world building. There is a lot more to Kvothe’s world and past than Rothfuss lets on.

And, like George R.R. Martin, fans and readers have been waiting for the next and final book, Doors of Stone, to be released. In other words, fans of both Martin and Rothfuss will be able to relate to each other because both groups have been waiting for the next book for years! This is wishful thinking, but maybe we’ll get both The Winds of Winter, and Doors of Stone in the same year! Or, maybe Lin-Manuel Miranda will release his version of a soundtrack to The Kingkiller Chronicles!

 

10) The Broken Earth: The Fifth Season (2015) by N.K. Jemisin

This award-winning novel from the award-winning trilogy is one of my favorite books of all-time! And, if you have not read The Fifth Season yet, then I suggest you do so immediately! Speculative fiction is changing and this novel is one of many behind the new popularity of this genre of fiction!

In the distant future, where the Earth suffers long-term damage from earthquakes and volcanoes, people with the power to control the planet’s stability are enslaved in order to prevent the planet from destroying its life forms. You learn about the world, its history, and its culture from various characters told from multiple points of view. As you get further along in the story, you realize that not only do you become attach to all of the characters and understand their motives, but also recall everything you learned back in your high school science classes!

This book will remind fans of George R.R. Martin as to why characters are just as important to the story as the world building. You cannot have one without the other. The people make the world and its many societies, and the world and its societies determine what happens to its people. The world is already broken, and the people must decide on whether or not it should be fixed.

Those are some of the many books I recommend for you to read while we continue waiting for The Winds of Winter. These recommendations, and their sequels, should be enough to occupy your time while we continue to wait for the 6th book—remember, the 7th and final book in the series, A Dream of Spring, will have its own separate waiting period. As you read, there are several books to choose from, and there are more that I was not able to mention because I wished to keep this list short. All genres and sub-genres were mentioned in this list because their stories are captivating whether or not it’s meant for children, adults, graphic novel readers, or folklore fans.

The settings and the influence surrounding these stories should make you aware that each region and culture on planet Earth has influenced the way these authors present their stories to us. Plus, reading other contemporary works of George R.R. Martin will provide insight to what we—as fans and as readers—can and cannot expect from these modern speculative authors. These are stories of how society affects the characters and their world with magical and spiritual elements.

Please either message me on social media, or in the comments below on what you think of my recommendations. Have you read any of these books? Which ones are your favorite from this list? Is there a book I forgot to mention, or that you recommend I should read? What would your choices be? Please let me know.

Choose: A Movie Based on a Book or Your Religious Beliefs

With The Hobbit movie trilogy ending and with one more The Hunger Games movie left to be released, the public awaits the other movies within the same genre (Book to Film): Insurgent, Fifty Shades of Grey, Child 44, etc. (I will discuss comic books and their media adaptations in another post). While movies based on books are nothing new (i.e. The Exorcist, The Godfather, The Silence of the Lambs), we have been seeing more of them since the turn of the century. Harry Potter, The Lord of the Rings/The Hobbit, Twilight (it makes me cringe to mention that one) are some of the franchises that were the most successful and saw all of the books in the series adapted into movies.

Children’s books are always popular for media adaptations. And, the same can be said bestselling novels. Fans and audiences of both books and movies are always curious as to how the movie will look and how true to the book the movie will be. This is the main issue people often see in media adaptations, but it is NOT the only one. Recently, there have been complaints as to why there have been series in which there is only one movie, and then the rest of the books in the series do not receive the same translation.

Now, with franchises that have had more than one movie adaptation, audiences are wondering whether or not the movies will ever be completed. The Chronicles of Narnia saw three out of their seven books get translated into movies (The Lion, the Witch, and the Wardrobe; Prince Caspian; The Voyage of the Dawn Treader). However, the actors were also signed to doing an adaptation of The Silver Chair; and, as we figured out, the movie never got made.

Ironically, the situation surrounding The Chronicles of Narnia was not just about public and studio interest, but also about the religious overtones found within the remaining novels. The Magician’s Nephew, The Horse and His Boy, and The Last Battle all contain allegories and allusions to Christianity. C.S. Lewis, the author of the series, also included some mockery of the Islamic faith in those same novels. Many of us who have read those books as children and/or adolescents did not even notice the insult within the pages. However, as adults you tend to look at what is written into children’s books more intensely. I will admit that it was a pastor I know who pointed out to me what was really taking place in the pages of those books. He is a fan of C.S. Lewis, but he said that those insults should not have been placed in a children’s book. Given the fact that there is still a religious war within the Middle East, one can quickly understand why filming those books into movies would be an issue.

On the opposite end, there was the planned movie trilogy based on Phillip Pullman’s His Dark Material trilogy. The Golden Compass/The Northern Lights was a success in North America and Europe, but due to the anti-Christian themes found within the books, the movie was met with several protests. While Phillip Pullman is an atheist, the trilogy is a retelling of the classic work Paradise Lost. Plus, the author is a professor at Oxford University—just like C.S. Lewis was—so there are more allusions within the text that readers might have missed during the first reading.

For instance, “dæmons” are not based on present day society’s belief of “demons.” The former comes from Greek and Roman mythology. They were invisible beings assigned to every individual—masculine for men and feminine for women—who acted as guides for the duration of that person’s life. These dæmons sound more like angels, consciences, etc., not the “evil demons” we have transcribed them to be in modern society. I believe Phillip Pullman used these ancient deities within his novels to point out how much Christian mythology twisted other mythologies to where we forget the actual origins of them. To be honest, I am a little surprise that Rick Riordan did not mention dæmons in his Percy Jackson and the Olympians and The Heroes of Olympus series. Those books were perfect to include such a reference.

This is the scenario that Hollywood has had to deal with, adapting books into films regardless of the backlash they might get due to religious institutions. His Dark Materials halted the series after one movie because too many people called the first movie “anti-Christian” while The Chronicles of Narnia films was halted because people feared that the Muslim community would be offended by them. Other movies have poked fun at religion regardless of the protests and the backlash from society (i.e. the Catholic Church with The DaVinci Code). South Park has mocked all religions for several years (18 seasons), but the creators saw protests when both Islam and Scientology (Isaac Hayes, who voiced “Chef,” quit the show afterwards) were parodied.

Throughout history, many challenged religion with “new” knowledge and these people were either threatened or executed (i.e. Galileo, Sir Isaac Newton, etc.). However, it seems that the bigger concern within the religious powerhouses are how they are portrayed in within society, and it appears that the “new” threat is coming from children’s books. While some of the religious themes will most likely be glanced over by younger readers, it is the adults that make something as trivial as messages within a book to be a big deal. The Harry Potter series, while not religious, was met with several protests throughout the world because the books were about a school of witchcraft. Ironically, all seven books were adapted into eight movies, and those novels contain more lessons on morals and ethics than other modern children’s books. The Chronicles of Narnia and His Dark Materials also contain choices involving morals and ethics, but remain somewhat controversial as well. When you think about it, there is not really that much of a difference amongst these children’s literary series.

Current events within society have allowed us to witness what happens when there is no balance between literacy and religion. Boko Harem and Al-Qaida are doing everything they can to limit knowledge within their communities (especially amongst women). However, we cannot want every popular book to become adapted into a movie. At the same time, we cannot protest against every movie and/or book with influences to religion due to fear that a mob might be opposed to what is written in the text.

My question is: how many of these “protestors” take the time to read the book? Many people go by what they “hear” about the book instead of reading it. Also, it is known that media adaptations are not always similar to the book! Yes, Harry Potter and The DaVinci Code are books that go against organized religion. However, they are also great stories with interesting information. And yet, I did NOT see any petitions for the continuation of The Chronicles of Narnia movies! Protests work both ways!

To me, it looks as if we must choose between literature and their adaptations and our religious beliefs. No decision needs to be made because not many people want to do one or the other. Movies are straightforward, you either want to see them or not. Religion on the other hand, contains more layers. There are the devout, the spiritual, the ones who take part in it a few times a year, etc. Those who are leaders of these foundations assume the worst before they see what happens. Thus, everyone suffers because of it.

To prove my point further, the novel The Satanic Verses is (supposedly) an excellent work of literature (I just started reading it). However, the amount of backlash the book received upon its publication (1988) and the number of death threats its author, Salman Rushdie, received makes the book sound too dangerous to read. And yet, the book has been read and translated into languages all over the world. Unfortunately, no one has tried to make a media adaptation of the book because everyone is afraid of protests from the Muslim community. Has it ever occurred to you that some of them might have read the book and want the same thing as the other fans/readers?

We should not have to choose between the two because both of them have more in common than we know. Both The Bible miniseries and The Red Tent were successful adaptations based on religious texts. However, we also got Exodus, the visually acclaimed, but historically inaccurate adaptation of the story of Moses (Egypt has refused to show the movie for obvious reasons). There should not be a choice because everyone—even if they are in the same religious community—has a different way of interpreting a work of literature. As long as it is done appropriately, no one should have to choose. Plus, the author almost always includes a personal belief within the pages of their book.