Season Two immediately picks up where Season One left off. Lyra Silvertongue has crossed the bridge into a new world. A world that is devoid of people, except for one. Will Parry has found himself in the same world, and Lyra is the first person he’s seen since arriving there. However, both children soon learn that the other isn’t from that world, and they’re not alone.
Meanwhile, the witches have joined forces in order to search for Lyra and to protect her as the prophecies continue to play out. They find an ally in Lee Scoresby, who goes in search of another who is said to possess a weapon that offers protection. At the same time, the Magisterium and Mrs. Coulter find themselves preparing for war as they attempt to track down both Lord Asriel and Lyra.
The premiere episode of Season Two feels more like a filler than an episode, but it makes sense because there’s supposed to be a “fallout” due to Lord Asriel’s actions. He knew what he was doing and what would happen because of it, but he did it because he believes in his cause. The episode is split between the Magisterium, and Lyra and Will. The Magisterium fears losing power due to the “evidence” that they have no control over their world (and others), and Will and Lyra are searching for a haven. Lyra and Will’s interactions are almost parallel to the events in the beginning of The Subtle Knife—especially the cooking scene.
In all, The City of Magpies is a decent premiere of what is to come throughout Season Two. Not all worlds are the same or safe, and tensions continue to build up. Fans will enjoy the new introduction sequence. In addition, there is another cameo appearance by a young actress from another popular media adaptation series which will leave you all even more engaged in the scenes compared to other ones.
It’s almost time! Season 2 of His Dark Materials will premiere on HBO (in the U.S.) this Monday. This season will be based on the second book in the trilogy, The Subtle Knife, and it will be 8 episodes long, just like Season One. Now, while The Subtle Knife is the shortest book in His Dark Materials trilogy, it doesn’t lack in story, in plot development and in character development.
With the fillers from Season 1, viewers already know who Will Parry is and his “connection” to the Magisterium. In addition, Lyra Silvertongue sees her parents for the type of people they are and decides to leave her world in order to learn more about Dust before confronting her father. Unbeknownst to the two children, everyone is looking for them: the Magisterium, the witches, and their remaining allies. Lord Asriel is building up his army in order to end the reign of the Magisterium and other organizations like it. The numerous witch covens join into a single unit in order to see the prophecy to its end. And, the Magisterium will do all they can in order to gain dominance over all worlds. Yet, how will these adversaries beat the others towards their goal?
However, searching for “invisible doorways” to other worlds isn’t working for anyone anymore. Now, everyone is searching for a tool that “creates doorways.” Does the tool choose the bearer or does the bearer search for the tool? Is it similar to the alethiometer? Are the two items related?
The Subtle Knife contains the most action of the trilogy and I expect to see it reflected throughout Season 2 of the TV series. I doubt there will be any fillers, but I’m more curious as to how and when Season 2 will end. Without going into spoilers, I wonder whether or not Season 2 will end in the same manner as The Subtle Knife; or, if some of the opening chapters from The Amber Spyglass—the final book in the trilogy—will seep into Season 2. It was announced fans can expect Season 3—based on The Amber Spyglass—to happen by both the BBC and HBO. The only thing to be concerned with is when to expect the premiere of Season 3—COVID-19 sucks.
Obviously, I’m very excited for this season of the adaptation of one of my favorite books of all-time. I’ll be reviewing each episode as they air, commenting and making predictions about what will happen next based on the adaptation—as well as the books. Who else is excited about Season 2 of His Dark Materials?
Novellas are stories which range from 17,500 to 40,000 words, and they can be read within one sitting. Novellas—along with novelettes and short stories—continue to be written, published and read by all within the publishing industry and the reading community. While novellas are written for all literary genres, in recent years, more of them have been published and read for speculative fiction. That’s NOT to say that they weren’t available, just that there are more available to read now. While Tor.com appears to be dominating the market with novellas—which is NOT a bad thing—there are many novellas from Saga Press, Harper Voyager, DAW Books, and all of the magazines that publish them. There are numerous standalone novellas for speculative fiction fans to read, and there are series—some of which are ongoing—that are worth reading as well. Yes, all of these novellas on this list were released by Tor.com originally, but this is the first list of many that I’m compiling and presenting. It just so happens that one publisher releases more novellas than other ones (for now).
Tensorate by Neon (formerly known as J.Y.) Yang (2017-19)
This series was my introduction into silkpunk. Asian influence aside the story follows the lives of the Royal Family of Protectorate, particularly Protector Sanao—The Empress—and her youngest children—twins, Mokoya and Akeha—as they struggle to maintain control over the Empire as a rebellion grows more ruthless to match the Protector’s cruelty. However, it isn’t just the family saga or the politics that will intrigue readers, but the concept of biological sex and gender fluidity which is a mundane cultural practice in that world. I have read comparisons of this series to The Left Hand of Darkness by Ursula K. LeGuin (I haven’t read it, yet). Regardless, this quartet is worth reading.
The subplot of prophecy versus fate versus free will runs its course throughout the series, too. And yes, all of the books come full circle in the end, which will leave you emitting empathy for all of the protagonists. Not to mention, the last few chapters in the fourth book will stay with you for a long time.
I love it when authors write stories across genres. After reading Rosewater, The Murders of Molly Southbourne intrigued me with its plot: when a young woman bleeds, clones are created. So, not only does Molly have to prevent herself from bleeding, but also learn how to fight, to kill, and to dispose of these clones. So, how does Molly live her life with this “unusual ‘medical’ condition”? Is there a way to stop it? Is there a cure? Even the second book leaves Molly (and readers) with more questions than answers. Hopefully, the next book will let us know what Molly will do next.
This is a sci-fi horror/thriller series about the lengths a family will go to in order to protect their secret, and what an individual is willing to do in order to maintain their identity. Even if you’re not into sci-fi or horror or thriller, then you should still read this series because readers receive the point-of-view of the victim who never stood a chance for a “normal” life.
This Africanfuturistic series will remind readers that with space exploration, xenophobia will continue to be an issue, and only choosing to understand those who are different from themselves will resolve conflict. The series follows Binti as she decides to break one of her culture’s traditions to leave her home to study at the most prestigious universities in the galaxy. However, during the voyage, the ship is attacked by a race of aliens claiming something was stolen from them. When Binti finds herself to be the lone survivor of the attack, she realizes that her skills as a harmonizer will ensure her survival.
The rest of the series deals with both the aftermath and the consequences of Binti’s actions. Readers follow Binti’s first year at the university as she learns to overcome her classes, her PTSD, and her reunion with her family (amongst other things). Binti manages to overcome all of the obstacles she faces while attempting to maintain peace amongst various races and cultures in the galaxy. I’m looking forward to the TV adaptation of this series!
Wayward Children by Seanan McGuire (2016-Present)
This series takes everything you know about portal world fantasy and gives it a dose of reality with multiple worlds existing next to ours. The series centers on a school for children who went “missing” only to return “changed” from their “ordeal.” Their parents believe they are sending their children to a school for therapy; but, the school is a haven for the “visitors” to meet others like themselves who hope to return “home.”
The series alternates between the present and the past allowing readers to learn about the ongoings at the school—and its students—as well as all of the worlds the students reside in, and where they were able to become their true selves. The fact that some of these students might never be able to return “home” adds the reality to the situation that leaves you feeling emotionally twisted as to what our world does to all of us.
Murderbot is my favorite robot/A.I. of all-time (sorry R2-D2)! I don’t know what else I can say about this snarky and depressed A.I. who performs its tasks so it has more time to watch its favorite TV show?! Murderbot has more empathy for humans than it’s willing to admit, and that’s what makes the series so relatable and engaging. Throughout the first four novellas in this series, Murderbot performs its latest task with a group of scientists, discovers corruption, then decides to travel to various planets to collect evidence of the crime.
While Network Effect: A Murderbot Novel gave Murderbot the novel length adventure the A.I. deserved (I haven’t read it yet, I’m sorry), Murderbot will return to novellas when the next book in the series, Fugitive Telemetry is released in 2021. I hope the author continues to delight her fans and her readers with this series. And, I want to read an episode of Sanctuary Moon!
This is just a starter list of novellas all readers should read. Readers who either want a quick read, or who want to meet their reading goal by the end of the year should check out these books. As for other novella series, I hope to include Impossible Times by Mark Lawrence, Valkyrie Collections by Brian McClellan, Finna by Nino Cipri, others in a future post. As for standalone novellas, I hope to compile a list of them in the near future!
Released: September 14, 2020 Narrated by: Julia Whelan
Genre: Science Fiction/Thriller
Have you ever listened to any audio story or audio narrative without the text or any visuals to follow along to? I believe the most familiar example of this would be Peter and the Wolf. This Russian “symphonic fairy tale” is presented with specific orchestra ensembles representing each of the characters with a narrator telling the rest of the story. There are audiobooks which are standalones (as in no written edition) and it relies on an excellent narration and an engaging story so that the audience’s attention is maintained from start to finish. The Original by both Brandon Sanderson and Mary Robinette Kowal demonstrates a strong collaboration, but it is the talent of Julia Whelan that gives life to the story through her narration.
Holly is the protagonist. She wakes up in a hospital with no memory of how she got there; and, her husband, Jonathan, isn’t with her. She is told by doctors and by Detective Skylar that she is a Clone of the “Original” Holly, and that she was created on the orders of a warrant because Holly murdered her husband. On top of that bit of news, Holly learns she is an “Edited Clone,” which means that changes were made to the body and the DNA that can make a Clone “better” than the “Original.” Finally, Holly is told one more thing: no one can locate the real Holly, and she has to find her and kill her in order to survive. Holly leaves the hospital with her mission to carry out with a set of skills her “Original” doesn’t have and didn’t ask for. The Clone Holly has to shift through shared memories, to survive attacks from people she doesn’t recognize, and to find her Original within 4 days or cease to exist. Does Holly want to live the life of her Original? Can she find her? And, if she does, then will she be able to kill her?
The plot is very interesting. A clone awakens, learns the reason for her creation, told her purpose, and is sent to carry it out. Of course, that’s the short version of it. Holly has less than 4 days to find her Original before she ceases to exist because a Clone and its Original cannot exist at the same time. Detective Skylar explains to Holly that after she finds and kills her Original she can live her life for the duration of hers. Meanwhile, Holly is trying to figure out what led her Original to kill Jonathan. She goes through her memories of her relationship and love for Jonathan, his occupation and hers, the last time they were together before the murder, and the murder itself. This leads to Holly having more questions than answers, but she decides that finding her Original and demanding to know why she killed her husband before killing her is how she is going to complete her mission. The subplot is the elements of world-building, many of which includes the idea behind clones and other scientific practices the society performs. In addition to clones, nanotechnology exists so that people can reverse aging and accelerate healing. Yet, Holly discovers that nanotechnology and clones are not wanted by everyone, including Jonathan. So, if Jonathan was against the idea of clones, then why is Holly being promised with a clone of Jonathan after she kills her Original? The subplot develops alongside the plot in which both the society and the conflict are explained further as the story continues.
The narrative follows the point-of-view of Clone Holly. This makes for an interesting P.O.V. experience because none of her past experiences are hers, and she cannot remember everything of her past before she was created. This is important to know because this means that when Holly remembers something, it is NOT a flashback! It is NOT amnesia! This is because, one, the memory isn’t hers; and two, Holly can’t remember all of the details surrounding those memories. Holly knows that she was created without all of her memories intentionally. This revelation does make Holly’s stream-of-consciousness very interesting because in between Holly’s confusion and exhaustion, the audience knows how frustrated Holly is throughout everything that is happening to her. This knowledge and the experience Holly goes through makes her a reliable narrator. As a clone, she is dependent on what is being told to her. It is obvious she is being manipulated, but it is not her fault. The audio presentation makes the narration easy to follow.
The style both Brandon Sanderson and Mary Robinette Kowal used for The Original delves into two “traditional” conflicts: individual versus society, and science versus nature. Reiterating these conflicts within this story not only demonstrates the reality within the fiction, but also leaves the audience to question their identities as well. The word choice used throughout the narrative was done intentionally by the authors so that the audience can comprehend the story with the scientific terminology, which allows for a thought-provoking story without too much thought. The mood in the story is anxiety. Both the protagonist and the audience are anxious throughout the story as both the truth and the existence is at stake for a clone who isn’t sure whether or not she wants to live. The tone gives the vibe of a cautionary tale. This story serves as a warning against scientific advancements and government control over individuals within a society.
This audiobook was narrated by Julia Whelan, and I have to say that I am beyond impressed with how she presented this story. Her voice of the characters are easy to distinguish and her voice for the narrative is enough to keep the audience immersed in the story. If it weren’t for the chapters, then it would have been easy to get lost in the story until the very end. I’m looking forward to hearing her narrate other stories in the future.
The appeal for this audiobook have been positive. Many listeners seem to enjoy the story, but have mixed feelings of it being just an audiobook. I know many readers don’t always listen to audiobooks, but what makes The Original standout is that it’s only available as an audiobook. I was able to keep up with the story with the narrator’s pace, but I understand if other listeners did not feel the same way. That being said, both Brandon Sanderson and Mary Robinette Kowal have confirmed during a livestream on YouTube that there is no hurry for a written edition of The Original. If an adaptation were to be done for this audiobook, then I could see it as a graphic novel—both the action sequences and the story’s tone is enough to visualize a graphic novel. Fans of science fiction and readers of novellas will enjoy this audiobook the most. In fact, anyone who is on a long commute and/or are doing household chores should listen to this audiobook. This is because by the time you’re done with the commute or with your chores, you should be done with the story and not have to worry about losing your place within the audiobook.
The Original is a brilliant collaboration between two bestselling authors of the speculative fiction genre. Do not be intimidated by the fact that this is an audiobook. If you’ve listened to Broadway musicals on audio, then you can handle a sci-fi thriller novella on audio. At least listen to the story for the second twist in this story! Did you really believe these authors would include only one twist? I’m not going to tell you what it is, so you’re going to have to listen to the story to find out what the other twist is, and it’s not what you think it is!
So, TIME Magazine is the latest publication to release its list of “The Best Fantasy Novels of All Time.” The magazine even went further than Forbes and known fan sites (and critics) and had a panel consisting of leading fantasy authors to form, to vote, and to finalize their “selections.” While this list is impressive with selections ranging across centuries, age groups and cultures, you are left wondering whether or not this list is more of the panel’s “favorites” and/or “suggestions” than the “best of all time.” Now, I’m NOT insulting the panel! In fact, this panel did an excellent job with including books that were released within the last decade by P.O.C. authors; not to mention, some of the books on the list are meant for readers “of a certain age” (children and young adult), but can be read and enjoyed by fans and readers of all ages. So, why are so many fantasy fans upset with this list? And, why do I feel that this list is still lacking some other great books? This is my opinion, but I’m impressed and perplexed by this list, and other ones from recent years.
What do I mean by this? First and foremost, it seems that some of the same titles and/or authors do appear on all of these lists (i.e. Forbes, Unbound Worlds, etc.). This is a good thing because it means certain books have the same level of merit across fans, readers, authors and critics. However, certain titles end up on certain lists which makes you wonder how they made that list. And then, there are titles (and even certain subgenres and formats) that are omitted from those lists, which leaves you wondering whether or not those titles were considered (or read) by those on the panel. Once this realization is made, these lists become nothing more than a “how many have you read?” list.
Then, there is another question: is this supposed to be a list of “essential” reads? In this case, the answer is NO. There are lists of “essential fantasy books ‘every fan’ should read” and lists of recommendations. Note the difference between the former and the latter. The former is a list of books fans “should have” read, almost like assigned school readings. The latter is a list of books you may or may not enjoy, but should consider reading anyway. And, that’s the issue surrounding all of these lists. When you look over all of these lists and note which books continue to make them, you wonder whether or not those books are “essential” to the genre. When you read the history of the genre (and, there are several books on them, some of which I own and I have read), many of those books played a huge role in formulating the fantasy genre. Yet, fantasy, like imagination, is not a “fixed” concept. Eventually, readers decide to write “new” fantasy stories that allow for new worlds to be presented and for new fans to emerge. In fact, one of the things I like about TIME Magazine’s list is that 63 of the books were published and released within the last 30 years. That’s right, the list is in chronological order, so you can see how much the genre has changed and expanded during the last 3 decades. It’s an interesting homage to how quickly the genre has expanded. Then again, some titles are left off the list.
As a bookblogger, I read and I review books encouraging other readers to read them. There are so many books to read. And, while I don’t always get to finish reading certain books when I want to, and I read faster than I write, I take the time to mention all of the positives and the negatives within a book review. Meanwhile, I read reviews and I watch videos about books by other bookbloggers and Booktubers so I can learn whether or not books on my list should be read sooner rather than later, and whether or not we have the same thoughts for the same books. At the same time, these reviews are recommendations for other fans and readers. I don’t expect readers to enjoy the same books I do, and I’m not insisting that they should. This doesn’t mean I don’t look into books other fans and readers suggest, it’s how I ended up reading certain books no matter its genre.
Some of those books were not mentioned in TIME Magazine’s list. No graphic novels and no novellas or short stories were on the list. And, the grimdark and the witches subgenres were omitted. I’m not sure if any of those titles made the initial list, but it does make me wonder if we’re starting to limit what consists of “good” fantasy books. Yes, a few translated books made it on to TIME Magazine’s list, but I’m going to say that some works written by either Australian or indie authors should have been considered as well. Are we slowly becoming like Tom Shippey and Robert Silverberg (which is sort of scary)? So, are all books within the fantasy genre being considered? Should we be reading more of what is available BEFORE compiling such a list?
Obviously, one cannot read all of the books within a genre, but all titles and all formats should be considered for a “best of all time” list. Yes, some titles will always end up on the list, but what about the other books? Think about your favorite books. Now, think about your favorite fantasy books. If we were to compare our lists, then we would expect to have some similar and some different books. In fact, my list is always changing. Some books will always be appealing to me, and others will fall off of that list. Who is to say that within the next 5-10 years this list will be exactly the same? If fantasy continues to expand as a genre, then I hope the list does alter, continuously, overtime.
In 2018, V.E. Schwab delivered the 6th annual J.R.R. Tolkien Lecture on Fantasy Literature. Her lecture titled—“In Search of Doors”—she mentioned (and, I’m paraphrasing here) that just because one author made you a reader doesn’t mean that book should become “required reading.” Everyone has that one book which made them a reader; but, they’ve read more than one book, right? V.E. Schwab discusses what led her to write the stories she’s written, too; and, it’s simple. She was sick of reading the same sort of fantasy story over and over again. And, that’s what makes TIME Magazine’s list stand out from previous ones. Several of these stories move away from familiar fantasy tropes and are still amazing and well-written stories, which should be read. However, if any of those books don’t capture your attention enough to want to read them, then don’t feel obligated to do so.
I’m not going to nit-pick the genre or this list because I don’t have the time to start all of the never-ending debates that would come from it. Also, I still haven’t read all of the books on this list! For now, like the rest of the fandom, I’ll consider what should be included or excluded from the “best fantasy books of all time” list. I’ll keep reading the books as they are released, and I will offer my critical thoughts on each book. And, hopefully, whoever does the next list considers including me on the panel. I believe I could shake things up. Which books should you read next? Well, tell me the sort of story you enjoy and I will give you a suggestion or two (or three)!
Thank you Tor.com for sending me an ARC of this book.
“The Birth of a Nation” had delivered all the souls they needed to stir up them old evil powers. Across the country, white folk who ain’t even heard of the Klans surrendered to the spell of them moving pictures. Got them believing the Klans the true heroes of the South, and colored people the monsters, (TWO).
They are one of the most infamous groups in modern society; yet, for some reason, American society fails to call them what they are: a hate group. The Ku Klux Klan emerged during the Reconstruction Era and sought destruction, especially against several Black American communities throughout the U.S., particularly in the South. While their white hoods presented and hid their identities, the freed slaves had a new fear, and they weren’t from their folklore, but from actual fears which manifested. P. Djèlí Clark combines two fears—the known and the unknown—into his latest novella, Ring Shout.
Maryse Boudreaux is a 25-year-old monster hunter. However, she and her companions have “The Sight” so that they can distinguish one monster—the Klan—from the other one—the Ku Kluxes. To everyone else, they are one and the same, but Maryse and the other monster hunters know better. There is Sadie, the best shooter in the group; and, Chef, a war veteran who has a talent for explosives. Nana Jean is a Gullah woman who uses her skills to offer protection from the Ku Kluxes. And, Michael George, the man who provides Maryse with reprieve from and motivation for fighting. Then, there are Aunties Jadine, Ondine and Margaret, “spirits” who guide Maryse on her quest to eradicate the Ku Kluxes, including gifting her with the sword she uses throughout the war against the supernatural threat. Maryse has her reasons for hunting the Ku Kluxes, but she cannot grasp how far these monsters are willing to go for domination. And, who is conjuring them? The revelation pushes her to make “deals” so that she and her companions have a chance to survive. Maryse is a fighter, but she knows all too well that she cannot do it alone. Her companions allow her to develop into the person she must become in order to defeat this threat.
The plot is straightforward. It is July 1922, 7 years after The Birth of a Nation was released, and 4 years since the Great War (a.k.a. World War I) ended; and, there is to be a re-release of the film in Stone Mountain, Georgia. What many people—White and Colored—do NOT know is that the movie is based on a book written by a sorcerer. The sorcerer uses moving pictures in order to conjure a spell so that evil beings can be summoned and walk amongst humanity. The cost: human souls. The Klan offered their souls and became Ku Kluxes, which go on to terrorize Colored people. So, monster hunters—consisting of a group of Colored people with “The Sight”—continue to fight them off after the Ku Kluxes make their return to power. The storyline within this plot is how the characters fight, live, and survive during these trying times where a force of evil—which is fueled by hatred—is unseen by almost everyone. It is the subplot that drives the plot in this book. The subplot focuses on the Black American Experience during the 1920s, and it is not an easy time for them. In addition to fighting the supernatural, the characters have to maintain their way of life while remaining segregated. Jim Crow laws and lynchings are a common and an everyday practice. Combined, both the subplot and the storyline allows for the plot to develop an appropriate rate.
The narrative is told from the point-of-view of Maryse. The sequence is a combination of stream-of-consciousness and flashback, which are necessary for the story. The events and the sequence occur in the present. However, it is the dialogue (and the dialect) of the characters that will keep the readers engaged throughout the narrative.
The style P. Djèlí Clark uses in Ring Shout includes allusion, history and folklore. The history is obvious to anyone who is familiar with (actual) American history and Southern culture. The allusion refers to historical moments such as: Prohibition, the reemergence of the KKK, the construction of the Panama Canal, the Black Wallstreet Massacre, etc. Yet, it is the folklore that influences the story. The mention of fairy tales as cautionary tales are mentioned throughout this book (i.e. Bruh Rabbit, eating strange food, sharing stories, etc.) and drive the story in a way so that both the characters and the readers are familiar with all of the story’s ongoings. Another factor the author wants his audience to consider are the similarities between Black American and Caribbean cultures, particularly the practices of the Gullah and the Obeah. The mood in Ring Shout is hatred; and, the tone within this book is manipulation (for power using hatred). Readers should know that the book’s cover is essential to the events which occur towards the end of the story.
The appeal for Ring Shout will be positive. This is because the author does a great job fusing fear and hatred with folklore and dark magic. The former are human emotions which often lead to harm, while the latter are elements of several cultures that are believed and are practiced. Fans of horror, paranormal and supernatural stories will enjoy this story. Fans of recent and related novellas such as The Deep by Rivers Solomon and Riot Baby by Tochi Onyebuchi will appreciate the continuation of the Black American experience being told blatantly and directly in the speculative fiction genre. However, Ring Shout will be canonized alongside The Year of the Witching by Alexis Henderson in the horror genre. This book can be read again and again, and it is a great addition to the genre. It should be mentioned that this book can be read and enjoyed by historians and folklorists as well due to the information written into the pages of the story.
Ring Shout is a brilliant horror and supernatural story which will force you to recall all of the “stories” and the “magic” you’ve been exposed to throughout your life as you try to come up with an explanation for “the unknown.” Once again, P. Djèlí Clark has found a way to present readers with a story combining history and folklore into a believable, yet scary, tale that serves as a cautionary tale against hatred and sorcery.
By some miracle, we survived to the end of September (2020). It seems that books and video games have managed to remain constant throughout the year—as in some delays and/or minimal postponement. I’m still working my way through my TBR pile as it continues to grow. Fall 2020—September-December—continues the unceasing releases within the literary world (not that I’m complaining). Here are some of the books being released between October and December 2020 I’m excited to read.
Please note, I haven’t listed all of the speculative fiction books that will be released by the end of 2020, just the ones I’m hoping to read. If some books are missing, then it’s because either they are part of a series which I haven’t read yet, or I am unaware of their upcoming release.
For those of you who haven’t read my review of this book, you should read the book as soon as it’s released because this book doesn’t stop until its end. By the time you’ve reached the end of this book, you’ll realize that there will be a sequel, which will leave you asking: what else can happen?
Ring Shout by P. Djèlí Clark
If The Deep looks into the possibilities of the events surrounding the Transatlantic Slave Trade, and Riot Baby is the potential of the future surrounding current racial events, then Ring Shout presents a horror story of the consequences of hatred and violence within a society. Since this is based on U.S. History—a subject that continues to be glossed over—readers can expect Jim Crow Laws, and KKK rallies and attacks in this novella.
Books I am Reading
The Once and Future Witches by Alix E. Harrow
This is the second book by Alix E. Harrow. So far, it’s an amazing follow up to The Ten Thousand Doors of January. This time the story follows three sisters who use their magic to obtain the right to vote. So far, I can say that this is a clever look into how misogyny and sexist practices can lead to a small rebellion demanding equality by using unconventional methods, and magic.
The Hollow Places by T. Kingfisher
Finally, I’m reading a book by this acclaimed author. In this book, the protagonist is a recently divorced woman who moves into her uncle’s “museum,” only to locate a hidden passage inside the house. However, the length of the passage doesn’t equate to the perimeter of the museum, making her (and us) question as to where the passage leads to and whether or not anyone else knows about it.
Books To Be Read
Over the Woodward Wall by A. Deborah Baker
Anyone who has read Middlegame by Seanan McGuire is excited for this book. This book is a companion to Middlegame in that this is the book mentioned throughout the novel. Over the Woodward Wall is the book written by A. Deborah Baker in “code” for anyone who is interested in reaching The Impossible City. Think of it as a fictionalized version of The Secret: A Treasure Hunt.
The Invisible Life of Addie LaRue by V.E. Schwab
There’s the “age-old” story that serves as a cautionary tale: immortality can be a lonely life. However, what if on top of living forever, no one will remember meeting you? Eternal loneliness is the ultimate sadness, but what if—by some miracle—someone remembers you? That miracle can blossom into the hope the protagonist needs in her immortal life.
The Midnight Bargain by C.L. Polk
There are a lot of books about witches and their magic that have been released in 2020. This book by C.L. Polk is the latest of them, as well as the author’s first standalone novel. In a world where women have to choose between magic and marriage, the protagonist seeks a way to have both.
Eventide by Sarah Goodman
This historical fantasy focuses on the Orphan Train and the superstitions within a small town. Sisters Lilah and Verity struggle to stay together after the death of their parents. Unfortunately, their family history and the dark forces within the town seek to destroy the siblings like it destroyed their parents. This YA novel is the author’s debut book.
The Hanged God Trilogy #1, Northern Wrath by Thilde Kold Holdt
Norse mythology continues to be a source of new fantasy stories, and this debut novel by the author is no different. This epic fantasy occurs when Christianity and Norse folklore clash constantly for dominance. The book follows several characters as they go on a quest to save their gods and Midgard.
The Burning #2, The Fires of Vengeance by Evan Winter
The Rage of Dragons started off as an African-inspired military fantasy became something even more by the time readers reached the last quarter of the book. Tau has lost everything he’s cared about at the same time he’s given a promotion that would make anyone else happy. Unfortunately, all Tau has left is his rage. And, although the queen needs his skills to end the war, it’ll take more than anger to get Tau motivated again. What will it take to get him to fight again?
War Girls #2, Rebel Sisters by Tochi Onyebuchi
War Girls is the realistic dystopian YA novel about the cost of war and how it can affect children before, during and, after a war. Tochi Onyebuchi empathized the emotions felt by his readers throughout the book, especially the ending. Rebel Sisters takes place 5 years after the events of the first book, which sees Ify returning home to Earth. Those of us who read the first book already know to expect our emotions to pour out onto the pages, again.
The Poppy War #3, The Burning God by R.F. Kuang
After the release of The Dragon Republic, R.F Kuang announced who Rin, the protagonist, is supposed to represent in this historical military grimdark fantasy. Wow! And, with the way Book 2 ended and what that means for everyone who survived those events, I can only imagine how this trilogy is going to end. The title alone gives a hint as to what readers can expect from this finale. I hope I’m right about this assumption.
The Graven #1, Nophek Gloss by Essa Hansen
Hostile aliens, smart ships and humans can be found in this science fiction story. This debut novel follows the protagonist after he loses everything—literally—when his planet is destroyed. On a quest for vengeance, he travels to the home of those who destroyed his planet. Along the way, he learns more about the universe.
The Tide Child #2, Call of the Bone Ships by R.J. Barker
The Bone Ships was my surprise book of 2019; and, since I’ve finish it, I’ve been excited to read the sequel. I don’t know whether or not the sequel picks up immediately after the events of the first book, but I know that the subplot continues in this book and it’s going to be very interesting. More voyages ahead for the readers!
Poison Wars #2, Hollow Empire by Sam Hawke
City of Lies is a great book about political conspiracies, history and folklore, and poisonous plants. Now, with the return of magic within the Empire, will it lead to something positive or to more treachery for the protagonists? We’ll have to wait and read what happens next.
Now, will I complete all of these books by the end of this year? Probably not. Yet, I’m aiming to read as many of these books as I can by December 31, 2020. If that doesn’t happen, then I’ll finish reading them in 2021! Which books are you excited to read by the end of 2020?
Chronicles of the Bitch Queen, #1: The Wolf of Oren-Yaro
By: K.S. Villoso Audiobook: 14 hours
Published: February 18, 2020 Narrated by: Catherine Ho
Genre: Fantasy
I was Talyien aren dar Orenar, queen of Jin-Sayeng, daughter of Warlord Yeshin, wife of Rayyel Ikessar, and mother of Thanh. I did not just dream these things—I had a life before all this. I wanted nothing more than to return to it, (Chapter Thirteen: The Dragonlord in Distress).
Curiosity is an interesting thing. It’s not really an emotion because it provokes thought before emotions. Then again, there are moments when one’s curiosity can lead to a strong feeling: elation, fear, etc. However, when it comes to reading, our curiosity either is sated or is ignored (i.e. you don’t read the book). Yet, author K.S. Villoso titled her series, Chronicles of the Bitch Queen; and, the first book is titled, The Wolf of Oren-Yaro. If those titles don’t capture your attention and pique your curiosity, then I don’t know what will.
Queen Talyien is the daughter of the last warlord, who led an army in a civil war, which ended with her betrothal and her marriage to the male heir of the opposing side, Prince Rayyel Ikessar. Talyien is the queen of Jin-Sayeng, but her husband left her and their son, Thanh (approx. 2 years-old at the time) the night before their coronation. Five years later, Talyien receives a letter from Rayyel, stating they should meet in Anzhao City, which is in the Zarojo Empire, which is across the sea. Although her council advises her against the meeting, Talyien makes the journey for the sake of her son. Once there, things don’t go as planned, and Talyien finds herself alone in a foreign empire, with assassins chasing her through the streets. With her allies and her guardsmen dead and/or captured, Talyien must rely on her skills and on her reputation as a lethal warrior, and as a “non-traditional female.” Talyien has a reputation of being rash, violent, stubborn and flawed, but she is nurturing, observant, and quick. Talyien develops as a character in that she must remember her status and embrace the demeanor she spent the last five years distancing herself from because it’s the only way she is going to survive her ordeal and return home. Fortunately and unfortunately, Talyien is not alone on her journey. The first person who is willing to help Talyien is Khine, a con artist. The second person is Lo Bahn, one of the Lords of Anzhao City. The third person is the (Fifth) son of the Emperor of the Zarojo Empire. Just like Talyien, there are more to these individuals than their facades.
The plot is straightforward. A queen travels to a foreign land to meet with her estranged husband, the prince—for he was never crowned, they are attacked by assassins and are separated, leaving the queen alone and without allies as she hustles and fights her way home. That is the plot. The story is more complex. Throughout the story, Talyien struggles with her actions of the past and the present as she wrestles with the circumstances which led her to her current predicament. Her father’s legacy and parenting haunts her, and her nature turns people off. However, it is because of her upbringing as future queen, and as a “non-traditional” female that Talyien is able to survive her husband’s absence and survive in the Zarojo Empire. The subplot is all of the political and the historical moments mentioned throughout the novel. It is essential because readers learn of Jin-Sayeng’s history, of the war led by Talyien’s father which led to Talyien and Rayyel’s betrothal, and the real ongoings within the Zarojo Empire. In all, the plot develops at an appropriate rate alongside both the story and the subplot.
The narrative is told from Queen Talyien’s point-of-view, and the sequence moves between the present and the past. The past is told as flashbacks as Talyien recalls her meeting Rayyel for the first time and their tumultuous courtship throughout their childhood. Talyien remembers all of the harsh lessons her father gave her about ruling, marriage, and warfare; and, she cannot determine whether or not it is due to guilt or to desperation that she hears her father’s voice. The present is told through Talyien’s stream-of-consciousness, which lets the readers in on all of the emotions Talyien feels and expresses: fear, anger, rage, sadness, etc. All of Talyien’s thoughts make her a reliable narrator, which makes the narration easy to follow.
K.S. Villoso presents a fantasy story based on Asian influences. In addition, she wrote a narrative which uses realism to drive the story. If you found yourself lost in a foreign country, then what would you do? If you couldn’t trust anyone in that scenario, then what would you do to get yourself out of it? Queen Talyien is in survival mode, and while her training and her demeanor are viewed as “non-feminine,” those characteristics are why Talyien is able to survive her ordeal. She has to fight her way out of Anzhao City, literally. Then, she has to fight again, over and over. Many fantasy stories include scenarios where the protagonists comes out of a bad situation unscathed, physically and emotionally, but Villoso delivers the reality of such scenarios as cautionary tales. The reality is that not everyone wants to help you when you need help, and there are others who see your identity as a way to benefit themselves. The mood of this novel is hostility, and the tone is enduring (a bad situation). In other words, when you find yourself in a hostile environment, endure it until you can depart from it.
The appeal for The Wolf of Oren-Yaro have been positive. This novel was first published in 2018 as an indie book before the series was picked up by Orbit. Critics, readers and other authors have had nothing but praise for this book, and it is the same for me. This book is a great addition to the fantasy canon. And yes, readers and fans of Asian inspired fantasy will enjoy this book the most; and, it should not be overlooked by other fans and readers of the genre. The Ikessar Falcon, Book 2 in the Chronicles of the Bitch Queen trilogy, will be released on September 22, 2020. I’m just as excited as everyone else is for the sequel! I listened to the audiobook, which was narrated by Catherine Ho—who will be narrating the sequel as well. Not only does she do an amazing job with voicing Queen Talyien and making her sound as fierce as the author made her out to be, but also she was a huge help with every pronunciation of all of the names of the characters and the locations. I wouldn’t have been able to sound them out on my own.
The Wolf of Oren-Yaro is a fantasy story about a “non-traditional” queen who must rely on her “true nature” in order to survive an unconventional situation. While the plot may seem “unrealistic,” the reality of it is very realistic because readers are not used to having a royal female save herself from such plights. This makes for a unique tale in that the protagonist is the heroine in this story. The author does an amazing job in giving readers a character who must balance her identity and her kingdom. Do not miss out on this book!
Please note the title of this post refers to books! I will write a separate list containing movies, TV shows and video games related to speculative fiction sometime in the future. And, expect that list to consist of “originals,” not just media adaptations of books. Also, these are NOT my favorite speculative fiction books of all-time! I’m not even sure I can make a list without changing it every year; hence why I do an annual list.
Everyone has a favorite genre of literature (and films, video games, etc.), but has it occurred to you why and how that came to be? Did someone introduce you to the genre? Was it an author’s book—or, several of them—that hooked your passion for the genre? Was it a pop culture moment? In other words, do you remember the moment—or, the story—that got you into your favorite genre(s)? This question can be asked of any format or medium, but I thought about which books got me into speculative fiction and how it influenced my love and my appreciation for the genre. It did take some time to think back on what I’ve read since I was a kid, but I realized that some of the books released in the past decade have been just as influential as the ones I’ve read growing up.
I’ve managed to compile a list of 10 books/series that influenced my love for the speculative fiction genre. Please know that I listed the books in the chronological order I read them regardless of the book’s publication date. The reasons for this is obvious. I hope you read and enjoy them as much as I did.
Animorphs by K.A. Applegate
I’m a 90s kid, and there were several book series for kids—The Babysitter’s Club, Goosebumps, etc.—but, I remember when the debut book in this series was released. I was 10 years-old, still in elementary school, and intrigued by the book’s cover: a boy changing from human to animal (a lizard). The story was about a group of friends who are given powers to change into animals by a dying alien in order to fight an invasion against a race of hostile aliens. This sci-fi series was the first book series in which I had to learn how to wait patiently for a book to be written and released when I wanted to devour the next one immediately. At the same time, this series introduced me to the blending of both the science fiction and the paranormal genres. Even though I didn’t know what paranormal was at the time, I knew this was different from other alien media I consumed with an explanation of D.N.A., permanent consequences, and the difficulties in balancing family, school, and saving the world. Animorphs was my first obsessive book series.
2. Haroun and the Sea of Stories by Salman Rushdie
I’m in 9th grade and one of many students who participated in an optional reading course through our English class. Two of my best friends participated in this course with me. However, the three of us chose different books to read during the second quarter. I can’t remember what one friend chose, but my other friend was upset with us for not selecting The Once and Future King by T.H. White. Why? Well, the description of Haroun and the Sea of Stories by Salman Rushdie was more intriguing to me: a boy whose father loses the source of his stories, and he’s a storyteller. The boy, Haroun, goes on a journey to find out what happened to the “source” of the stories. The story is a twist on fairy tale tropes and fantastical elements with rounded characters and lots of humor. It wasn’t until I was reading The House of the Spirits by Isabel Allende (in 12th grade) that I learned about magic realism and Salman Rushdie’s contribution to the genre. Haroun and the Sea of Stories is one of my favorite books I read for (grade) school. And, before you ask, no I haven’t read The Once and Future King in its entirety, yet.
3. His Dark Materials by Philip Pullman
I’m going to say something controversial: Harry Potter is not my favorite (fantasy) series of my childhood. Don’t get me wrong! I love that series and what it’s done for the speculative fiction genre, children’s and YA literature, the popularity of fantasy, and the reading and the writing communities. Yet, there was another series that came out at the same time and introduced me to the blending of fantasy, science and religion. I read The Golden Compass by Philip Pullman after reading Harry Potter and the Sorcerer’s Stone by J.K. Rowling, and I found myself enjoying Lyra’s story more than Harry’s. I want to say it’s because the flawed characters were more believable, the aspects of science and philosophy in a fantasy worked with the plot, and the idea of “other worlds” was intriguing to me. I hadn’t read C.S. Lewis’ or Madeline L’Engle’s series yet, so Philip Pullman was my introduction to portal fantasy, and I’ve been obsessed with them since reading His Dark Materials trilogy. I’ve read The Book of Dust already, and I’m looking forward to reading the rest of the companion trilogy to His Dark Materials; and, I’m excited for Season 2 of the television series, too!
4. The Modern Faerie Tale Trilogy by Holly Black
I still remember reading Holly Black’s debut novel, Tithe. The story is an urban fantasy about how a teenaged girl realizes she’s been interacting with faeries since she was a child, and what that means for her and her family and her friends. Yes, I read one of Laurell K. Hamilton’s books—her debut novel, Nightseer—so I had a fair idea of what to expect from fae fantasy, but urban fantasy blends the original variants of fae stories with mundane society; and, the fae are NOT nice beings. Fae are not what they are according to Disney movies. They don’t “play fair” and are usually in it for themselves. It makes for an interesting story combining folklore and modernity. I would meet Holly Black at the BookExpo I attended that year, which was my first one; and, I met Cassandra Clare there, too! I read and enjoyed the rest of the trilogy, and Holly Black’s other books, especially The Air of the Folk trilogy. This series was my gateway to reading other books in that genre, especially ones by Seanan McGuire, Ilona Andrews and Amelia Hutchins.
5. The Twelve Kingdoms by Fuyumi Ono
Yes, there is a fantasy series by the same name by Jeffe Kennedy, but the name of the series is where the similarities end. The 90s saw an expansion of anime series: Pokémon, Gundam Wing, Sailor Moon, etc. Manga and books were being translated and imported to the U.S. The Twelve Kingdoms: Sea of Shadow was translated and released after I graduated from college, and I was introduced to Asian inspired dark fantasy. The story follows Yoko Nakajima, a high schooler who lives a mundane, yet lonely life. To make matters worse, she stands out due to her red hair—she is the biological daughter of Japanese parents. One day, Yoko is abducted at her school, transported to another world, abandoned and left to fend for herself in a new world. This series introduced me to a fantasy world in which the “traveler” is not welcomed as a “hero” and survival is based on realistic situations. The theme of xenophobia in fantasy is presented in a way that will make you think about what could happen in other fantasy worlds, especially when—SPOILER ALERT—the protagonist chooses to remain in that world instead of returning home, and how and why such a choice is made. So, if there are any fans of Seanan McGuire’s Wayward Children series, then you’ll love this series, too.
6. Monstress by Marjorie Liu, illustrated by Sana Takeda
Growing up, I read comics, graphic novels and manga, and many of them were recommended by friends and relatives. In fact, that’s how I learned about Neil Gaiman’s Sandman series. However, for several years, I didn’t read as many graphic novels as I wanted. I didn’t lose interest, but at the same time, I didn’t know what to read. I did take a course about graphic novels in college, but I took another one when I was in grad school—where I read Watchmen—and learned about the format and its growing influence, especially for the memoir and biography genre. At the same time, two of my friends and classmates introduced me to recent bestsellers and new releases. Not only did I begin to read Joe Hill’s Locke & Key series and Saga by Brian K. Vaughn, but a new series with an eye-catching cover intrigued me: a woman standing in front of a brass door with a matching mechanical arm. Monstress by Marjorie Liu and illustrated by Sana Takeda is a dark fantasy in which a young woman searches into her mother’s research and her lost memories as she deals with demons both real and inner. The artwork will engross you into the world both the author and the artist present. While describing the series as a “visual fantasy” isn’t 100% accurate, it is a way to get speculative fiction fans into reading this graphic novel series.
What can I say about this trilogy that hasn’t been said by everyone else who has read it, including myself? This Hugo Award winning series—yes, it swept the Hugos for Best Novel in consecutive years—is a gateway into the future of the speculative fiction genre and the type of stories that can be told withing the genre. N.K. Jemisin not only writes a brilliant science fantasy series, but also incorporates the atrocious practices humanity continues to perform, which forces readers to consider the realities of human society and its future. For me, this series introduced me to modern speculative fiction and the new set of expectations that it brought to the entire community! Jemisin’s contemporaries: Nnedi Okorafor, Tade Thompson, Jesmyn Ward, Tochi Onyebuchi, P. Djèlí Clark, Marlon James, Rivers Solomon, etc.—all have taken familiar tropes of the genre and presented readers with new methods of telling and writing these stories. If you haven’t done so already, then go and read this amazing trilogy!
This is not the first folklore retelling I’ve read, but it’s one of the most beautiful written ones I’ve come across; and, it brings a new appreciation for the season of winter. This series follows Vasya as she grows from child to adolescent to adult in a patriarchal society during a transition where “old traditions” are fading and being replaced with a “new” religion. Vasya fights to maintain the old traditions while Russian society undergoes several changes. Folklore is the cultural and the societal traditions that are passed along from generation to generation through a web of communication; and, history plays a role in folklore as well. Katherine Arden presents a balance amongst folklore, history and fantasy in this trilogy. This series will remind speculative fiction fans of the beauty within the genre and how it can remain from beginning to end.
While this is the first book in The Metamorphosis series—it’s the only one translated into English so far—it’s a great and mind-blowing introduction into the metaphysical genre. Not to mention, it takes the trope of the “magic school” and provides a more realistic, yet twisted story of what could occur at such a place. This story will make you think of Alan Moore and your concept of reality. In addition, you’ll start to think of these “magic schools” as drafts instead of opportunities. Other genres in speculative fiction has readers asking questions about the world around them, but metaphysical fiction has readers question the reality of their existence. The difference is it seems that a limited population experiences the metaphysical compared to fantasy, science fiction, paranormal, magic realism, etc. This series and genre will make you question everything!
Although I’ve heard enough about Joe Abercrombie, Peter McLean, John Gwynne, and Anna Smith Spark enough to buy their books, it was Gareth Hanrahan’s debut novel, The Gutter Prayer, which introduced me to the grimdark subgenre. Yes, I’m a reader and a fan of A Song of Ice and Fire series by George R.R. Martin, but to me that series is more of a historical low-fantasy series rather than straight grimdark (I could be wrong about that). This book introduced me to characters who are all “gray” with “reasonable” motivations who strive towards those goals as their lives and the world fall to pieces. As grim, dark and sad as the characters and their stories are, it continues with the knowledge that life goes one no matter how many people die and are resurrected and die again. This book and its contemporaries represent the harsh side of a fantasy world that reflect ours.
So, there is my list of speculative fiction books that kept my interest in the genre since childhood. While my list of all-time favorite speculative fiction books continue to change over and over, this list of books influenced my love and my appreciation of this genre of literature. And, from my perspective, I appreciate the influence and the bridging from one book or series to another with a similar genre structure. Which books got you into this genre? Have you read any or all of my picks or any books by the authors mentioned in this post? Comment below or send me a link to your online response.
Genre: Fantasy/Fractured Fairy Tale or Fairy Tale Retelling/Coming-of-Age Story
The Dragon didn’t always take the prettiest girl, but he always took the most special one, somehow: if there was one girl who was far and away the prettiest, or the most bright, or the best dancer, or especially kind, somehow he always picked her out, even though he scarcely exchanged a word with the girls before he made his choice, (Chapter 1).
I remember what led me to read this book. The ebook was on sale and I saw the promotion for its upcoming companion novel, Spinning Silver. Then, I attended BookCon in 2018. I had read an excerpt of the author’s upcoming novel, Spinning Silver, and I wanted to meet her and have her sign copies of her books. Yes, books, because in addition to Spinning Silver, I picked up Naomi Novik’s other books, His Majesty’s Dragon, Temeraire Book 1—which, I still haven’t read, yet—and Uprooted, which I had already read. I reviewed Spinning Silver first. Both books are similar in themes and tropes, but they stand out well as individual standalone novels.
Agnieszka is 17-years-old and lives with her parents in the village, Dvernik, near the corrupted Wood’s border. A wizard, known only as “the Dragon” to the villagers, protects the village from the Wood, which is his task set to him from the royal court. As part of the Dragon’s tribute, he takes one girl from the village for 10 years of service. No one knows what the service entails except the girls return as women, but “changed,” and leave the village for city life shortly after. Agnieszka is tall, clumsy and awkward, and she’s one of the girls who is of the age for the Dragon to choose from for his next tribute. However, Agnieszka knows she won’t be chosen, but her friend, Kasia, will be the one chosen. Kasia is beautiful and talented in almost everything she does, and Agnieszka and the entire village knows the Dragon will choose her. Only, he doesn’t. To everyone’s shock, Agnieszka is selected to serve the Dragon. Now, Agnieszka has to learn what is expected of her for the next 10 years. And, this includes filling in for the Dragon when he cannot attend court. Agnieszka learns about the Dragon and his service, why she was chosen over the other girls, and how the Wood became so corrupted. Agnieszka develops as a character and as a person as she learns about the outside world, which she has been sheltered from her entire life, and about the dark forces that make the Wood so dangerous. Agnieszka is accompanied by the Dragon, but as she learns more about what is expected from her, she refuses to lose contact with her family and her friends. Agnieszka grows up in an unusual way under unusual circumstances, and she manages in her own way.
The plot is divided into two parts. The first part regards Agnieszka’s “services” to the Dragon, which is easier said than done. While Agnieszka shows promise with the more “difficult” tasks, she is awkward when it comes to completing the “easier” ones, which makes for a very entertaining “education.” The second plot revolves around the Wood and how it continues to grow stronger and more aggressive. After the Dragon is injured during a confrontation with the Wood, Agnieszka must travel to the royal court in his place in order to request reinforcements. Once there, Agnieszka meets the royal family and other individuals like the Dragon. It is here when the subplot develops: the Dragon’s relationship with the court, and the court’s connection to the Wood. The subplot explains the two plots of the novel as they all go at an appropriate rate.
The narrative is told from Agnieszka’s point-of-view in first-person in the protagonist’s stream-of-consciousness. Everything the readers learn, is from Agnieszka’s perspective. If she is not where the action is taking place, then she learns about it afterwards from someone else (and, so do the readers). The fact that Agnieszka can only account for her actions and her experiences make her a reliable narrator. All of these elements make the narrative easy to follow.
The style Naomi Novik uses for Uprooted follows both a fairy tale retelling and a fractured fairy tale. A fairy tale retelling is when a known fairy tale is retold with components that alter either the setting or the characters. A fractured fairy tale is when a smaller, yet popular part of a fairy tale is kept while the rest of the story changes. In this case, elements of the story, “Beauty and the Beast” can be found throughout the narrative, but the author presents a new story from the few parts she fractured and used. The mood in this novel is anticipation. All of the characters in the story are anxious or excited about an upcoming event, or dreading a threat that cannot be stopped. The tone of the novel focuses on how all of the characters remain resilient during such difficult times and how they handle themselves. The last two literary elements of style will make you forget about the fractured fairy tale and focus on the fantasy story.
The appeal for Uprooted have been noteworthy. Besides receiving critical and popular acclaim, this novel won the Nebula Award for Best Novel in 2016. However, it seems that since the release of Spinning Silver, Uprooted has fallen a bit behind on the popularity, but I can assure you, if you enjoyed the former, then you will enjoy the latter. Uprooted remains a great addition to the fantasy canon, and fans of Katherine Arden, S.A. Chakraborty, and Rena Rossner will enjoy this book the most. There hasn’t been any announcements on whether or not we should expect another novel similar to this one, but I am willing to wait for as long as it takes, especially since the rumor is that both books are set in the same universe. Uprooted can be reread; in fact, older adolescents can read and enjoy this book as well (regardless of some of the adult content).
Uprooted is an entertaining coming-of-age story about identity and magic of all sorts. All of the familiar fairy tale tropes are twisted from what you know of them, and that makes the story more enjoyable. If you read and loved Spinning Silver, and you haven’t read Uprooted yet, then don’t wait any longer. If you want to read a fantasy story that uproots the expectations of the readers, then this is the book for you.
