Speculative Fiction Books that Kept My Interest in the Genre

Please note the title of this post refers to books! I will write a separate list containing movies, TV shows and video games related to speculative fiction sometime in the future. And, expect that list to consist of “originals,” not just media adaptations of books. Also, these are NOT my favorite speculative fiction books of all-time! I’m not even sure I can make a list without changing it every year; hence why I do an annual list.

            Everyone has a favorite genre of literature (and films, video games, etc.), but has it occurred to you why and how that came to be? Did someone introduce you to the genre? Was it an author’s book—or, several of them—that hooked your passion for the genre? Was it a pop culture moment? In other words, do you remember the moment—or, the story—that got you into your favorite genre(s)? This question can be asked of any format or medium, but I thought about which books got me into speculative fiction and how it influenced my love and my appreciation for the genre. It did take some time to think back on what I’ve read since I was a kid, but I realized that some of the books released in the past decade have been just as influential as the ones I’ve read growing up.

            I’ve managed to compile a list of 10 books/series that influenced my love for the speculative fiction genre. Please know that I listed the books in the chronological order I read them regardless of the book’s publication date. The reasons for this is obvious. I hope you read and enjoy them as much as I did. 

  1. Animorphs by K.A. Applegate

I’m a 90s kid, and there were several book series for kids—The Babysitter’s Club, Goosebumps, etc.—but, I remember when the debut book in this series was released. I was 10 years-old, still in elementary school, and intrigued by the book’s cover: a boy changing from human to animal (a lizard). The story was about a group of friends who are given powers to change into animals by a dying alien in order to fight an invasion against a race of hostile aliens. This sci-fi series was the first book series in which I had to learn how to wait patiently for a book to be written and released when I wanted to devour the next one immediately. At the same time, this series introduced me to the blending of both the science fiction and the paranormal genres. Even though I didn’t know what paranormal was at the time, I knew this was different from other alien media I consumed with an explanation of D.N.A., permanent consequences, and the difficulties in balancing family, school, and saving the world. Animorphs was my first obsessive book series. 

2. Haroun and the Sea of Stories by Salman Rushdie

I’m in 9th grade and one of many students who participated in an optional reading course through our English class. Two of my best friends participated in this course with me. However, the three of us chose different books to read during the second quarter. I can’t remember what one friend chose, but my other friend was upset with us for not selecting The Once and Future King by T.H. White. Why? Well, the description of Haroun and the Sea of Stories by Salman Rushdie was more intriguing to me: a boy whose father loses the source of his stories, and he’s a storyteller. The boy, Haroun, goes on a journey to find out what happened to the “source” of the stories. The story is a twist on fairy tale tropes and fantastical elements with rounded characters and lots of humor. It wasn’t until I was reading The House of the Spirits by Isabel Allende (in 12th grade) that I learned about magic realism and Salman Rushdie’s contribution to the genre. Haroun and the Sea of Stories is one of my favorite books I read for (grade) school. And, before you ask, no I haven’t read The Once and Future King in its entirety, yet. 

3. His Dark Materials by Philip Pullman

I’m going to say something controversial: Harry Potter is not my favorite (fantasy) series of my childhood. Don’t get me wrong! I love that series and what it’s done for the speculative fiction genre, children’s and YA literature, the popularity of fantasy, and the reading and the writing communities. Yet, there was another series that came out at the same time and introduced me to the blending of fantasy, science and religion. I read The Golden Compass by Philip Pullman after reading Harry Potter and the Sorcerer’s Stone by J.K. Rowling, and I found myself enjoying Lyra’s story more than Harry’s. I want to say it’s because the flawed characters were more believable, the aspects of science and philosophy in a fantasy worked with the plot, and the idea of “other worlds” was intriguing to me. I hadn’t read C.S. Lewis’ or Madeline L’Engle’s series yet, so Philip Pullman was my introduction to portal fantasy, and I’ve been obsessed with them since reading His Dark Materials trilogy. I’ve read The Book of Dust already, and I’m looking forward to reading the rest of the companion trilogy to His Dark Materials; and, I’m excited for Season 2 of the television series, too! 

4. The Modern Faerie Tale Trilogy by Holly Black

I still remember reading Holly Black’s debut novel, Tithe. The story is an urban fantasy about how a teenaged girl realizes she’s been interacting with faeries since she was a child, and what that means for her and her family and her friends. Yes, I read one of Laurell K. Hamilton’s books—her debut novel, Nightseer—so I had a fair idea of what to expect from fae fantasy, but urban fantasy blends the original variants of fae stories with mundane society; and, the fae are NOT nice beings. Fae are not what they are according to Disney movies. They don’t “play fair” and are usually in it for themselves. It makes for an interesting story combining folklore and modernity. I would meet Holly Black at the BookExpo I attended that year, which was my first one; and, I met Cassandra Clare there, too! I read and enjoyed the rest of the trilogy, and Holly Black’s other books, especially The Air of the Folk trilogy. This series was my gateway to reading other books in that genre, especially ones by Seanan McGuire, Ilona Andrews and Amelia Hutchins. 

5. The Twelve Kingdoms by Fuyumi Ono

Yes, there is a fantasy series by the same name by Jeffe Kennedy, but the name of the series is where the similarities end. The 90s saw an expansion of anime series: Pokémon, Gundam Wing, Sailor Moon, etc. Manga and books were being translated and imported to the U.S. The Twelve Kingdoms: Sea of Shadow was translated and released after I graduated from college, and I was introduced to Asian inspired dark fantasy. The story follows Yoko Nakajima, a high schooler who lives a mundane, yet lonely life. To make matters worse, she stands out due to her red hair—she is the biological daughter of Japanese parents. One day, Yoko is abducted at her school, transported to another world, abandoned and left to fend for herself in a new world. This series introduced me to a fantasy world in which the “traveler” is not welcomed as a “hero” and survival is based on realistic situations. The theme of xenophobia in fantasy is presented in a way that will make you think about what could happen in other fantasy worlds, especially when—SPOILER ALERT—the protagonist chooses to remain in that world instead of returning home, and how and why such a choice is made. So, if there are any fans of Seanan McGuire’s Wayward Children series, then you’ll love this series, too. 

6. Monstress by Marjorie Liu, illustrated by Sana Takeda

Growing up, I read comics, graphic novels and manga, and many of them were recommended by friends and relatives. In fact, that’s how I learned about Neil Gaiman’s Sandman series. However, for several years, I didn’t read as many graphic novels as I wanted. I didn’t lose interest, but at the same time, I didn’t know what to read. I did take a course about graphic novels in college, but I took another one when I was in grad school—where I read Watchmen—and learned about the format and its growing influence, especially for the memoir and biography genre. At the same time, two of my friends and classmates introduced me to recent bestsellers and new releases. Not only did I begin to read Joe Hill’s Locke & Key series and Saga by Brian K. Vaughn, but a new series with an eye-catching cover intrigued me: a woman standing in front of a brass door with a matching mechanical arm. Monstress by Marjorie Liu and illustrated by Sana Takeda is a dark fantasy in which a young woman searches into her mother’s research and her lost memories as she deals with demons both real and inner. The artwork will engross you into the world both the author and the artist present. While describing the series as a “visual fantasy” isn’t 100% accurate, it is a way to get speculative fiction fans into reading this graphic novel series. 

7. The Broken Earth Trilogy by N.K. Jemisin

What can I say about this trilogy that hasn’t been said by everyone else who has read it, including myself? This Hugo Award winning series—yes, it swept the Hugos for Best Novel in consecutive years—is a gateway into the future of the speculative fiction genre and the type of stories that can be told withing the genre. N.K. Jemisin not only writes a brilliant science fantasy series, but also incorporates the atrocious practices humanity continues to perform, which forces readers to consider the realities of human society and its future. For me, this series introduced me to modern speculative fiction and the new set of expectations that it brought to the entire community! Jemisin’s contemporaries: Nnedi Okorafor, Tade Thompson, Jesmyn Ward, Tochi Onyebuchi, P. Djèlí Clark, Marlon James, Rivers Solomon, etc.—all have taken familiar tropes of the genre and presented readers with new methods of telling and writing these stories. If you haven’t done so already, then go and read this amazing trilogy!

8. Winternight Trilogy by Katherine Arden

This is not the first folklore retelling I’ve read, but it’s one of the most beautiful written ones I’ve come across; and, it brings a new appreciation for the season of winter. This series follows Vasya as she grows from child to adolescent to adult in a patriarchal society during a transition where “old traditions” are fading and being replaced with a “new” religion. Vasya fights to maintain the old traditions while Russian society undergoes several changes. Folklore is the cultural and the societal traditions that are passed along from generation to generation through a web of communication; and, history plays a role in folklore as well. Katherine Arden presents a balance amongst folklore, history and fantasy in this trilogy. This series will remind speculative fiction fans of the beauty within the genre and how it can remain from beginning to end. 

9. Vita Nostra by Marina and Sergey Dyachenko

While this is the first book in The Metamorphosis series—it’s the only one translated into English so far—it’s a great and mind-blowing introduction into the metaphysical genre. Not to mention, it takes the trope of the “magic school” and provides a more realistic, yet twisted story of what could occur at such a place. This story will make you think of Alan Moore and your concept of reality. In addition, you’ll start to think of these “magic schools” as drafts instead of opportunities. Other genres in speculative fiction has readers asking questions about the world around them, but metaphysical fiction has readers question the reality of their existence. The difference is it seems that a limited population experiences the metaphysical compared to fantasy, science fiction, paranormal, magic realism, etc. This series and genre will make you question everything!

10. The Gutter Prayer by Gareth Hanrahan

Although I’ve heard enough about Joe Abercrombie, Peter McLean, John Gwynne, and Anna Smith Spark enough to buy their books, it was Gareth Hanrahan’s debut novel, The Gutter Prayer, which introduced me to the grimdark subgenre. Yes, I’m a reader and a fan of A Song of Ice and Fire series by George R.R. Martin, but to me that series is more of a historical low-fantasy series rather than straight grimdark (I could be wrong about that). This book introduced me to characters who are all “gray” with “reasonable” motivations who strive towards those goals as their lives and the world fall to pieces. As grim, dark and sad as the characters and their stories are, it continues with the knowledge that life goes one no matter how many people die and are resurrected and die again. This book and its contemporaries represent the harsh side of a fantasy world that reflect ours. 

So, there is my list of speculative fiction books that kept my interest in the genre since childhood. While my list of all-time favorite speculative fiction books continue to change over and over, this list of books influenced my love and my appreciation of this genre of literature. And, from my perspective, I appreciate the influence and the bridging from one book or series to another with a similar genre structure. Which books got you into this genre? Have you read any or all of my picks or any books by the authors mentioned in this post? Comment below or send me a link to your online response. 

Adult Fantasy: Is There Such a Thing?

Video games, graphic novels and comic books and manga, and fantasy literature continue to share the same criticism from those who are neither fans nor creators: they are for children and/or they have no place in a classroom or in an academic setting. The fact that such notions continue to be made is a disconcerting atrocity; and yet, hip-hop continues to gain recognition and acclaim for its role in the music industry and in the rest of society. Pop culture is what it is, popular culture, but there is a difference between an ephemeral fad and a transcendent impact. All of these genres of various entertainment have succeeded in being true art forms, although there are some who continue to ignore the value of these works and what they mean to the fandom and the creators.  

            In the weekend edition of The Wall Street Journal for July 18-19, 2020, there was a review in the Books section of The Nine Realms tetralogy by Sarah Kozloff. I read and reviewed all of the books in the series—both on my blog and for Fantasy-Faction—and, they are worth reading. However, the author of the review had more things to say other than praise for the book series. 

            During that same weekend, I learned of the review due to all of the retweets about what the author said about the series in relation to his personal feelings about the fantasy genre. I noticed that several authors, bookbloggers, and readers were angry by what was written in the review. Even one of the authors stated they were going to cancel their upcoming interview they had with The Wall Street Journal. Then, I saw who wrote the article. It took some time, but I found myself as annoyed as everyone else eventually. And, I’m still annoyed.

            Tom Shippey, the world-renowned Tolkien scholar, should be ashamed of himself. Writers, creators and fans of fantasy and other genres in speculative fiction have minimal expectations of The Wall Street Journal publishing anything with an open mind else besides economics. Yet, Tom Shippey presented a negative nostalgia of the fantasy genre, also known as stagnation. After everything Shippey has said about Tolkien taking fantasy to new heights—even though that wasn’t Tolkien’s intent—while writing the sort of tales he wanted to read himself, Shippey’s statement about The Nine Realms is an insult to Tolkien’s legacy—including all of the authors that were influenced by Tolkien—but an insult to Sarah Kozloff in which Shippey seemed to use in order to publicize his viewpoints about the genre. As a fan of The Nine Realms, the author deserves more praise than from someone who has been searching for Tolkien. Not only stating that “fantasy has grown up,” but also calling Tor a “sci-fi publisher” tells me that the quest for “adult fantasy” has managed to overlook Robert Jordan, Robin Hobb and Brandon Sanderson amongst numerous other authors as contributors to the genre. 

            The problem with Tom Shippey’s statements regarding fantasy is that after spending years discussing Tolkien, he neglects to recognize all of the fantasy works that came after Tolkien. Not to mention, Shippey made it sound like the genre has not made ANY progress since the publication of The Silmarillion in 1977. His beliefs on the genre demonstrate how other people—those in the out-group—continue to view fantasy as “kid’s stuff,” but to have a Tolkien scholar categorize which fantasy work is “adult fantasy” because that story reflects Tolkien’s “fantasy,” which Shippey spent his entire career hanging on to instead of admitting that the genre has continued to expand, to evolve, and to go beyond everyone else’s expectations. To say that Shippey is “missing out” on what “adult” fantasy has become would be a huge understatement. 

            Although fantasy continues to evolve and to be read by fans ubiquitously, the genre continues to receive harsh criticism, especially when compared to both horror and science fiction. Fantasy has gained more recognition because of the success of movies, television and video games, but to have the genre get identified based on age group adds another layer of prejudice to a genre whose progress remains unrecognized. People are willing to watch it and/or to play it, but reading fantasy remains to be an issue that needs to be addressed constantly. So, this all goes back to literature and answering the age-old question: Who reads this?

            Fantasy, or “myths for adults,” has been around since the beginning of humanity, going back to oral tradition. Even now, myths, legends and other folklore continue to entertain us through all styles and formats. Fairy tales are told and watched, movies allow actors and actresses to become those characters, graphic novels and manga and comics present non-stop illustrations, and video games give players an immersive experience. How is wanting to explore another world different from space travel and/or escaping from a haunted domain? Is it because space travel have become a reality? Is it because we all know what it feels like to experience fear no matter where an individual is? Maybe the issue with fantasy is that it remains open to interpretation. Maybe your personal fantasy world doesn’t match mine. Maybe, you wish to attend Camp Half-Blood over the Convent of Sweet Mercy. Or, you wish to go further and create your own fantasy world and share it with others who share your imagination and curiosity, like Tolkien did then, and what N.K. Jemisin, Neil Gaiman and M.L. Wang continue to do now. 

            As for the concept of “adult,” “children’s,” and “YA” fantasy, we should refer to J.R.R. Tolkien and some of his critical essays. Tolkien was a professor of Anglo-Saxon literature at Oxford University—alongside C.S. Lewis—whose edition of Beowulf and Sir Gawain and the Green Knight are still considered to be some of the “preferred” translations by (some) scholars. Maybe if Shippey recalled Tolkien’s professional works as much as his creative works, then maybe he would have remembered one essay of his in particular. 

            J.R.R. Tolkien wrote On Fairy Stories, and in the essay, he states, “the association of children and fairy-stories is an accident of our domestic history,” and “only some children, and some adults, have any special taste for them…it is a taste, too…one that does not decrease but increases with age, if it is innate.” In other words, if children do not show any interest in fairy tales, then they are not interested in them at all. If an individual is interested in those stories as a child, then do not assume that they will outgrow that interest as an adult. Hence, this is why Doctor Who and James Bond have been around for over 50 years! And before you quote that infamous line from 1 Corinthians 13, remember Tolkien was a devout Catholic who created his own fantasy world and inspired millions! Yet, similar to comics, superheroes, animation and fairy tales, fantasy continues to be criticized as being “too silly for adults” and labelled for children. 

            Yes, Disney altered our perspectives of how fairy tales are told, but the studio continues to water (most of) them down. Only the young readers with enough curiosity and imagination will search for the older (and the more violent and the more tragic) variants collected by the Grimm Brothers, those written by Hans Christian Andersen, and others. Nowadays, those children can read Harry Potter and Alanna of Trebond alongside the books written by Rick Riordan and Holly Black as adolescents. Afterwards, as adults, they can read the stories written by Naomi Novik, Katherine Arden and Neil Gaiman. Then, they can (and will) read all of the “adult fantasy” that is not based on folklore directly. As for the maturity content found within (most) adult fantasy, let me put it this way: Shakespeare is required reading in many secondary schools, and many of the plays that are read and/or performed tend to be from the “tragedies” catalog, not the “histories” or the “comedies.” And yes, I just brought up Shakespeare in an essay about Tolkien! Deal with it!

            Tom Shippey is one of the most informed Tolkien scholars, but his knowledge and his interests are limited to Tolkien. The Wall Street Journal tries and fails, constantly, to present insight into other topics besides economics. The newspaper has more than enough resources to gather authors and scholars of the fantasy genre, but wish to limit themselves by delivering something that reflects American society from the 1960s. Jack Zipes and Elizabeth Tucker are prime examples of scholars of folklore and children’s stories. If you want to discuss how much video games have evolved, then read what Frans Mäyrä, Nick Yee, Mia Consalvo, and other game studies scholars have to say and what they have researched. As for scholars of fantasy literature, you can start with Edward James, Farah Mendlesohn and Nnedi Okorafor.

            Ironically, this essay was written and posted during Worldcon 2020, which presents the Hugo Awards to authors in recognition of their achievements in science fiction or fantasy works for (mostly) adult readers and are chosen by its (adult) members. As I await the announcement of the winners, I’ll be reading N.K. Jemisin, Seanan McGuire, S.A. Chakraborty, John Gwynne and other authors of “adult fantasy.” If either Tom Shippey or The Wall Street Journal are interested, then I can offer a galaxy of books for you to choose from; and, you will find them all to be magical and extraordinary. 

            The peculiar quality of the “joy” in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. It is not only a “consolation” for the sorrow of this world, but a satisfaction, and an answer to that question, “Is it true?” The answer to this question that I gave at first was (quite rightly), “If you have built your little world well, yes: it is true in that world.”

—J.R.R. Tolkien, On Fairy Stories, Epilogue

TV Episode Review: “His Dark Materials: Armour”

This is the episode everyone has been waiting for! Armour is the episode in which, the audience is introduced to Lee Scoresby—played by Lin-Manuel Miranda—and Iorek Byrnison—voiced by Joe Tandberg. These characters are not only essential to the story because of the roles they’ll play in the future, but also because they explain more about the existence of daemons for more clarity. Viewers of the 2007 movie will see these characters portrayed differently; and, readers will rejoice at this faithfulness to the books. 

            Lyra Belaqua and the Gyptians arrive North at a port in order to stock up on supplies for the journey and to contact the Witches—including one named Serafina Pekkala—to ask for their alliance in getting the children back from the Gobblers. These are the scenes in which the other characters, and the audience, witness how Lyra uses and reads the alethiometer. Lyra’s abilities to read the alethiometer and the truth of her parentage has started to catch the attention of Mrs. Coulter, the Gyptians, the Witches’ Council, and the Magisterium. The audience will recall that the Master of Jordan College discovered something about Lyra, and he was trying his best to keep her safe to the extent (and the extremes) of his status. 

            Meanwhile, Mrs. Coulter continues to demonstrate her cunningness and her abilities as a power player within the Magisterium. She knows her previous actions went against their instructions and the law, but Mrs. Coulter manages to evade them because she’s already a few steps ahead of the Magisterium. She has made an alliance with the King of the Armoured Bears—yes, I’m using the British English spelling for this review—and they have someone both she, and the Magisterium, want.   

            Once again, these scenes are straight from the books with the exception of the bar fights. That scene was meant to present the demeanor and the skills Lee Scoresby has and what that means for the Gyptians as they continue their journey further North. Iorek Byrnison is presented to us as Armoured Bears are supposed to be; he’s a strong and fearless fighter, and he isn’t afraid to let everyone know. The Gyptians have the alliance of the Witches and Lyra manages to gain the alliance of both of these fighters for the rescue mission. The rescue party has assembled, and they are off to save the missing children. 

            Just like other media adaptations in recent years, we’ve seen actors transcend from one popular media series to another. So far, we’ve seen Narnia, X-Men, and Game of Thrones. This episode has a character from the Harry Potter movies. Do you know who it is? Did you recognize that individual in the role they were playing?  

My Rating: 10 out of 10

The Bittersweet Conclusions that are Coming in April 2019

Note: There are some spoilers and theories surrounding Game of Thronesand the MCU. I don’t have any knowledge of what’s going to happen in either Game of Thronesor Endgame.

Just like everyone else, I’m excited for both Season 8 of Game of Thrones and Avengers: Endgame. Both the television show and the movie are continuations of popular media adaptations of speculative fiction. Each one will pick up after a “shocking” ending, and the fandom has no idea what to expect in these upcoming installments. George R.R. Martin has announced that there will be differences in his final two books from the TV show. Marvel and Disney have announced some of the upcoming movies for “Phase Four” of the Marvel Cinematic Universe—Spider-Man: Far From Home and maybe an appearance of the Defenders (?). So yes, no one knows what to expect in April 2019 except for action and heartache. 

            Before I go into the obvious differences here are the similarities. Both Game of Thronesand Endgamewill take place after the characters suffer a major lost and are working to fight and to survive in the final showdown. Both involve forces in which there is little to no knowledge about. And, both have confirmed deaths of many of its characters. How will The North win against The Night King? What methods will be used to defeat Thanos and return the other half of the universe’s population? Who is going to die, because not everyone makes it to the end? Fans of either or both are anticipating finales that will destroy them emotionally. The actors and the actresses did admit to crying at the end of shooting their parts. Will it be the same for us? 

            Game of ThronesSeason 8 promises us epic battle sequences, lots of CGI, and several deaths. George R.R. Martin has told his readers to expect a “bittersweet” ending in the books, which should be reflected in the show. And, because the show has diverted from the books so much, it will be difficult to determine which of the minor characters are going to die. In terms of the major characters, Jamie and Cersei are definitely going to die; at least one more Stark will die; and, Winterfell will provide a winning strategy for surviving—and hopefully winning—the war. As for the minor characters, anyone is fair game. Although we didn’t see any footage in the trailer, the Battle for King’s Landing is going to be as epic as the Battle for the Dawn. 

            Less than two weeks after the premiere of the final season of Game of ThronesAvengers: Endgamewill be released in theaters. This latest entry in the Marvel Cinematic Universe takes place a few months after Thanos snapped his fingers. The surviving teammates are scattered and are brainstorming on how to defeat Thanos. There isn’t much to go on except that there will be a final showdown of some sort; Captain Marvel will make her appearance to both the Avengers and the Guardians of the Galaxy; and, at least one of the remaining Avengers—Captain America—will die. Thus, paving the way for Civil War II—read the graphic novel. However, it has already been confirmed that the characters who died before the “Snap” will remain dead (?). This plot device is there to implicate lasting repercussions to Thanos’ actions.

            April 2019 will give us the conclusions to the media storylines we want so badly, or do we? All we know about the anticipated features is that there will be a bittersweet ending to both of them. And yes, there have been clues in the previous seasons and movies, it is not clear what will happen. Unfortunately, the books don’t give us any additional hints. With human history to accompany us, viewers and fans should have an idea of how gut-wrenching these viewing experiences will be.

            I know I’ll be watching both media adaptions of these franchises; and yes, I’ll continue to read and to watch anything else related to them. But, am I prepared for the emotional train wreck that is part of these endgames? If the actors and the actresses were emotional, then what does that mean for us? All the same, I need to quench my curiosity because the buildup has been too much. I Need to Know How It All Ends!

My Theory on George R.R. Martin’s Writing “Plan” for A Song of Ice and Fire

What do you believe is going on with George R.R. Martin’s writing process?

Like many other fans and readers of A Song of Ice and Fire series, we have been waiting for a very long time for Winds of Winter. A Dance with Dragons was published in 2011, a few weeks after the first season of Game of Thrones ended. Now, the eighth and final season is being filmed, and there is still no word on the progress of Winds of Winter. The last rumor that many fans believed was that several preview chapters were pulled from the Internet for editing. Now, with the television adaptation diverging beyond the books, the only thing many of us are hoping for is that the books will continue its own narrative, and not reiterate what was changed for television too much.

Now, while I’m sure Reddit and Tower of the Hand have several theories and ideas about when Winds of Winter is going to be announced/published, and whether or not there will be three more books instead of two, this is my theory based on what other authors have said and done in similar scenarios, and G.R.R.M.’s writing style. However, I’m not familiar with all of those theories. I hear some of them when I participate in live chats on YouTube. And, for the record, I have made a similar theory/prediction in the past. I was one of a few who brought up and defended the theory surrounding the potential release date for the novel, Harry Potter and the Deathly Hallows, on 07/07/2007. As some of us may or may not remember, J.K. Rowling herself had to reject that theory.

While it has been over seven years since the fifth book in the A Song of Ice and Fire series was published, fans continue to enjoy the TV show, novellas, graphic novel adaptations, and fan chats surrounding the series. However, we remain curious as to when Winds of Winter will be released. I don’t believe there will be an additional book in the series. I believe we will get two very long novels to end it. I don’t believe George R.R. Martin will “pull a Robert Jordan (R.I.P.).” There is a children’s fantasy author and folklorist by the name of Alan Garner who released the final book in the Weirdstone trilogy, Boneland, 49 years after the release of the second novel! I doubt we’ll have to wait that long!

My theory might not be original, and many of you might want to disprove this idea immediately, but hear me out. I believe George R.R. Martin is writing both Winds of Winter and A Dream of Spring, consecutively. In other words, G.R.R.M. is writing both books as one long narrative. Remember the “split” that was A Feast for Crows and A Dance with Dragons? Maybe, G.R.R.M. is writing nonstop and without considering an “end” of one novel and a “start” of the other novel. This method of writing could prevent a longer wait period between the two novels. Also, George would not be the first author to write a long epic as “one piece.” For example, J.R.R. Tolkien wrote The Lord of the Rings as a single text. The novel was split because of the paper shortage at the end of World War II.

Why would I come up with a theory such as this? It is because of what George said about the end of his series, the “final showdown” will start in Winds of Winter and carry over into A Dream of Spring. Too much will be occurring for it to be saved for the last book. Not that I’m trying to guess the potential ending in Winds of Winter, but I believe it’s safe to say that the climax happened in A Dance with Dragons, and the falling action will be taking place starting from Winds of Winter until the “resolution” at the end of A Dream of Spring. We, as readers, might get so caught up with the action within Winds of Winter that we won’t even realize that we’ve reached the end of the novel until the end of the novel. We can only wait.

So, what does my theory about G.R.R.M.’s writing process have to do with the last two books in the series? I believe that if George is writing both novels consecutively, then there is a chance that the wait period between Winds of Winter and A Dream of Spring will be short(er). That being said, George also said that there would be three more novellas in the Dunk and Egg series. Many of us readers know that there are hints and ties between these two series. I’m not saying that we will get all of these stories within consecutive years, but I doubt that we will have to wait five years or more in between the two novels. Maybe we’ll get an announcement after the final season of Game of Thrones premieres or ends? We can only wait.

In Defense of George R.R. Martin’s Fire & Blood Release

Recently, George R.R. Martin announced his upcoming text in his Westeros world, and it’s NOT Winds of Winter. Instead, fans will buy (you know you will) and will read Fire & Blood, a “history of the Targaryens as kings (and queens) in Westeros—from Aegon I, the Conqueror, to the regency (not rule) of Aegon III, the Dragonbane.” This insight into the Targaryens will be an entertaining and an interesting read. And, this is only the first volume in this series!

And yet, several fans are annoyed, again, that this upcoming release is NOT Winds of Winter. I have mentioned my beliefs surrounding the publication and the release of Winds of Winter (read that post), and I don’t mind waiting a bit longer for a good story. I believe we’re missing the silver lining of the announcement. George R.R. Martin said in his blog “…there are dragons too. LOTS of dragons.” His “imaginary history” will give us a look into the dragons and their behaviors and their characteristics, and how the dragon lords tamed them. You know what has NOT been mentioned in any of George R.R. Martin’s other stories from Westeros, other dragons. Both A Song of Ice and Fire and A Knight of the Seven Kingdoms take place after the death of the last dragon. Readers will get some insight into how the dragons were tamed by the Targaryens. In addition, according to Tor.com, we could get some questions answered about the dragons. Personally, I’ve been wondering where Daenerys’ dragon eggs came from. I have some theories, but that’s for another time.

I want Winds of Winter as much as you do, but, similar to Harry Potter and Mistborn, I am willing to wait longer for a good story over a rushed one. Also, since this upcoming text takes place within Westeros history, we could learn more of what could happen in Winds of Winter. The first half of A Knight of the Seven Kingdoms has given us a look into how the Targaryens ruled the Seven—yes, all 7—Kingdoms, the Blackfyres are mentioned, and Bloodraven demonstrates how good of a Hand he was for the Targaryens. All of these names are mentioned throughout A Song of Ice and Fire series. We still don’t know a lot about dragons, so there should be some useful information about them, hopefully.

Fire & Blood is 640 pages with “more than 75 black and white illustrations” (http://georgerrmartin.com/notablog/2018/04/25/fire-blood-on-the-way/). That’s a lot of content surrounding the Targaryens, and their dragons. We could learn more about the Targaryen Valyrian swords: Blackfyre and Dark Sister, or whether or not this is the “book” Jaqen H’ghar is looking for in the Citadel. This book will be a plethora of information for the last two books of A Song of Ice and Fire.

Unfortunately, we won’t get Volume II until after A Dream of Spring is released. And, yes, I know that could be years from now, but George R.R. Martin cannot give us spoilers about Aegon IV, the Unworthy, and the Blackfyres before we find out what happens to the Others! So, while I (continue) to wait for Winds of Winter, I will be reading, analyzing, and theorizing about the Targaryens, and their dragons along with the rest of you!

What do you think about this upcoming “imaginary history”?

Poll & Theory: What is Jon Snow’s Actual Name?

PLEASE NOTE: The following contains spoilers for both HBO’s Game of Thrones series and George R.R. Martin’s A Song of Ice and Fire series. If you have neither read, nor watched, then you have been warned.

I want to thank Rawrist, AltShiftX, Radio Westeros, The World of Ice & Fire, apoiaf, Winter-Is-Coming.net, GOT_Academy, and Thrones Amino for the information and the their insight into everything Westeros. And, thanks to all my followers and fans for continuing to read my blogs regardless of my work schedule. Thank you for all your support.

POLL: What is Jon Snow’s Actual Name?

Fans of both Game of Thrones and A Song of Ice and Fire now know that Jon Snow is not the son of Eddard Stark, but of Prince Rhaegar Targaryen and Lyanna Stark. That being said—we know the use of Jon Snow for “John Doe”—what was Jon Snow’s name supposed to be? You know Rhaegar and Lyanna discussed it. Yet, because Rhaegar was naming his children after his conquering ancestors, we can all agree that if Jon was born a girl, her name would have been Visenya. Obviously, Jon is male, so is his name Viserys, like his uncle and other ancestors? Or, was another name considered?

For the record, I do believe that Lyanna and Rhaegar were married (Ned Stark’s thoughts about Rhaegar NOT having any bastards is a huge hint). The surname Targaryen will be used throughout this theory.

Viserys

WHY- Rhaegar was naming his children after Aegon the Conqueror and his sisters, Rhaenys and Visenya. He already has a son named Aegon and a daughter names Rhaenys. And, Viserys is the masculine variant of Viserys. This is makes a lot of sense.

WHY NOT- Given the fact that Rhaegar was knowledgeable about the history of his family’s dynasty and that he and his father, King Aerys II—the Mad King, did not have a good relationship, both men having sons named Viserys would have led into another Targaryen civil war. Only this time, it would be two Viserys warring in place of two Aegons.

Brandon

WHY- Lyanna is a Stark and Brandon is a family name.

WHY NOT- Lyanna (probably) is married to Rhaegar so her children would be Targaryens. It would not make sense to given a Northern name to a Targaryen prince.

Aemon

WHY- Maester Aemon (Targaryen) was Rhaeger’s role model and the two wrote to each other frequently. Maester Aemon was familiar with “the Prince that was Promised” prophecy. Also, he serves in the Night’s Watch, which is highly acclaimed by both the North and the Targaryen dynasty. Naming Jon after a Targaryen who served in the Night’s Watch would make sense.

– Aemon, the Dragonknight, Targaryen was the younger brother of King Aegon IV, the Unworthy, the worst Targaryen king. The Dargonknight is one of the most celebrated members of the Kingsguard. While Aegon indulged himself and dishonored his sister-wife, Naerys, Aemon performed deeds reflecting his vows as a knight and a Kingsguard. The Dragonknight was also a very puissant warrior. If Rhaegar were to have a son who would go on to save the world, then Aemon would be a great choice for a name.

WHY NOT- Rhaegar believed his son, Aegon, was “the Prince that was Promised.” Yet, having his second son as a strong warrior would be efficacious.

Jaehaerys

WHY- After Aegon (I and V), Jaehaerys is (one of) the most respected Targaryen kings. Jaehaerys I, called “the Conciliator” ruled for 55 years, brought “the Golden Age” to Westeros, and earned the respect of Dorne. All of this was accomplished with what his predecessor, Maegor I, (and uncle) left behind. Both he and his sister-wife, Good Queen Alysanne ruled together and made some progressive changes within the realm. This includes outlawing “the Right of First Night,” or the rights of a lord to sleep with a common maiden before her new husband, and funding the reconstruction of the Night’s Watch. Naming Jon after a Targaryen who assisted the Night’s Watch, and whose mother is the daughter of the Warden of the North—and a Stark—would be practical.

– Jaehaerys II was Rhaegar’s grandfather who ruled during the War of the Ninepenny Kings, the 5th Blackfyre Rebellion. Even though Jaehaerys II had poor health, he was astute enough to make his mark by reconciling with all of the great houses after the death of his father, King Aegon V—the Unlikely—and, the last Blackfyre War.

WHY NOT- If Rhaegar believed a great war was in the future, then would he choose to name his son after a savant diplomat over a potent warrior?

Jon Snow has many potential names. We can only assume that if Jon decides to his given name, then he will live up to it. At the same time, George R.R. Martin might surprise all of his fans by giving Jon an important, but forgotten Targaryen name like Daeron (who had high ambitions to piece the realm together). Only G.R.R.M. and Bighead and Littlehead know the Targaryen name.

Poll Results for “Who Dies in ‘Winds of Winter’ and is Already Dead on ‘Game of Thrones’?”

PLEASE NOTE: The following contains spoilers for both HBO’s Game of Thrones series and George R.R. Martin’s A Song of Ice and Fire series. If you have neither read, nor watched, then you have been warned.

This is a response to the poll: “Who Dies in Winds of Winter and is already dead on Game of Thrones?

I want to thank everyone who participated in this poll, including: apoiaf, Winter-Is-Coming.net, RedTeamReview, AltShiftX, Rawrist, GOT_Academy, and Thrones Amino for helping to promote this poll. Also, thanks to everyone else who participated.

There were 42 participants in this poll. And, like I mentioned in the poll, I will give my predictions surrounding the Top 5 leaders of this poll. In addition, I will mention the “Other” vote and offer my theory about that character as well.

  1. Barristan Selmy (Season 5) with 18 votes

I believe it is safe to say that there was some foreshadowing with Sir Barristan Selmy’s death when he was telling Daenerys Targaryen about Rhaegar. And, Sir Barristan died on the show the way he wanted, “as a knight.” Yet, it was still sad, and different because us readers know that Sir Barristan will be leading the defensive attack on Meereen in Winds of Winter. So, the question is, will he die during one of the battles in the next book?

On the one hand, it would make sense for the remaining members of Mad King Aerys’ Kingsguard to die by the end of the series. Many of us all ready expect Jamie Lannister to die by the end of the series, and hopefully, the remaining “Soiled” Kingsguard accepted after Robert’s Rebellion will be eradicated, also. On the other hand, maybe Barristan Selmy will survive the wars in Essos and in Westeros and help reestablish the Kingsguard to the way it was during the Targaryen reign.

 

      2. Jojen Reed (Season 4) with 14 votes

With the way Jojen died in the season 4 finale, and with the “Jojen Paste” theory being accepted by most readers, it’s safe to say that Jojen probably died a swift death on the show. Bran Stark has been having visions and has not seen Jojen since his training with the Three-Eyed Raven. However, while it is known by readers, and Jojen, that Jojen will die in the nearer future (by the end of the series), Jojen probably won’t die until after his father, Howland Reed, Jojen and Meera’s father, makes his appearance in the books (wherever he is in Westeros).

This does not mean that Howland will meet up with Jojen and Meera Beyond the Wall before Jojen’s death. Yet, Jojen will die around the time Howland Reed appears. And, Jojen’s death will not be as quick as it was on the show. Poor, poor Jojen.

 

      3. Mance Rayder (Season 5) with 6 votes

Mance Rayder was sentenced to death by Stannis Baratheon, and was being burned alive by Melisandre, until Jon Snow shot an arrow through his heart as mercy. And, that was only in the first episode of season 5. His name is mentioned constantly through the rest of that season, but Mance is dead.

In the books, Melisandre casted a glamor on Mance and it was Rattleshirt who was burned by Stannis, not Melisandre. After learning this, Jon Snow blackmails Mance by using his infant son (who is actually switched with Gilly’s baby boy to protect him) in order to have him and some Free Folk rescue “Arya” from the Boltons at Winterfell. Mance, Theon Greyjoy, and the 6 spear wives manage to rescue “Arya,” who is actually Jeyne Poole, but Bolton’s men are pursuing them.

Mance Rayder’s fate is currently unknown because Jon Snow receives a “(pink) letter” signed by Ramsay Snow/Bolton stating that he has captured Mance and will kill him if his bride is not returned to him. We do know that Mance and his party were not able to escape Winterfell with Theon and “Arya,” and for all we know they are still at Winterfell and trapped there.

As for Mance’s death, if he is not already dead, then there is a strong chance that he will be slain at the Battle of Winterfell in Winds of Winter. He is close enough to where the Boltons, the Wildlings, Stannis Baratheon’s army, and the Northmen are, so he will be present at the battle. Who kills Mance Rayder is still a mystery, but he will died at Winterfell.

 

       4. Xaro Xhoan Daxos (Season 2) with 1 vote

This member of the Thirteen met his end by being locked in a vault that has one key at the end of season 2. However, Xaro Xhoan Daxos is still alive and meets Daenerys in Meereen. He no longer wants a dragon because, “I saw their work at Astapor,” (ADwD, chap. 16, Daenerys III). Yet, he is willing to counsel Daenerys to prevent a war in Essos. When Daenerys refuses Xaro Xhoan Daxos’ gift of the 13 ships to send her and her army to Westeros, he, representing Qarth, declares war on Daenerys.

It is theorized that when Daenerys emerges from Vaes Dothrak, she will be a “true Targaryen Conqueror” and spread “Fire and Blood” to all of her enemies before going to Westeros. Daenerys will not hesitate to have her dragons burn Qarth to the ground and feed Xaro Xhoan Daxos to them. Hopefully, the dragons swallow him whole.

 

     5. Prat Pree (Season 2) with 1 vote

This warlock survived the burning of the House of the Undying by Drogon, Daenerys’s dragon, and now wants revenge against Daenerys. It is implied that Prat Pree and 3 other warlocks from Qarth left to find Daenerys, but were captured by Euron Greyjoy instead. Euron brought the warlocks to the Iron Islands for the Kingsmoot.

However, it is unclear if any of the warlocks are traveling with Victarion, Euron’s brother. Yet, there are hints that Prat Pree is with Victarion on the voyage to Meereen. There are 2 questions: one, does Prat Pree want to get closer to Daenerys in order to get more power from her dragons? Two, will Prat Pree die by the “hand” of Victarion when he does try to kill Daenerys?

 

     6. Other and Honorable Mention: Stannis Baratheon (Season 5) with 1 vote

I’m going to mention Stannis Baratheon because there were some other people who asked about him, and I read a few posts about him online. The main reason I didn’t include Stannis is because he dies in the season 5 finale on the show. And, the show’s producers and actors had to tell us that Stannis was dead because we did not see him die onscreen.

However, with what is happening to Stannis Baratheon in the books—Theon and Asha Greyjoy are his prisoners, winter has arrived in the North and many of his men are starving and/or dying, and the Battle of Winterfell has not occurred yet—Stannis cannot die so quickly, but he could still die in the next book.

Also, at the Wall, Selyse and Shireen Baratheon are with Melisandre, and Jon Snow was just stabbed by some members of the Night’s Watch. Stannis needs to come to his realization that Melisandre was wrong about him being Azor Ahai, but that does not mean he will not stop fighting for the Iron Throne. Remember, nothing about the Targaryens have been mentioned to the majority of the citizens in Westeros. Only Dorne and the Iron Islands have heard the news. As far as the rest of Westeros is concerned, Stannis still has the better claim to the Iron Throne.

 

 

These are my predictions for Winds of Winter. Thanks again to everyone that participated. Please check my blog in the future for more “theories” about A Song of Ice and Fire, and my other thoughts and ideas about other issues.

The Mirrors of Jamie Lannister: Who Does the “Kingslayer” Remind You Of?

(Note: Spoilers from A Song of Ice and Fire series, the Harry Potter series and the Legends of King Arthur.)

Jamie Lannister—the prodigy of the Seven Kingdoms, the youngest ever to join the legendary Kingsguard, the eldest son of Lord Tywin Lannister, the man who fucked his twin sister—the Queen of the Seven Kingdoms. The “Kingslayer,” at first, appears to be your typically over-confident rich boy who uses his family name to get what he wants. Well, that is true. And yet, by the time he becomes a P.O.V. character in A Song of Ice and Fire series, we view things from his angle (obviously) and get a full understanding of the man.

Jamie Lannister is a very complicated person, almost at the level of Severus Snape from the Harry Potter series (I mean that in terms of personality, nothing else). For instance, both characters proved to be very talented in their areas of study that were expected from them. Severus Snape was so talented as a young wizard at Hogwarts he corrected the “mistakes” in his spell books. Jamie Lannister was deemed a prodigy swordsman by age ten.

Next, both men appear to be haughty and fixated on “revenge” against an individual, but we later find out that it is self-pity and annoyance surrounding the ignorance of past events that drives them. Snape joined the Death Eaters while he was still at Hogwarts. As time past, he eventually realized that the group had more hatred than he could handle. But, when he tried to protect his childhood friend, Lily Potter, from Lord Voldemort, he failed and never forgave himself for her death. Throughout the series, Harry Potter believes that Snape hated him because he was more like his father than his mother. Yes, Snape and James Potter never got along because both of them were in love with the same woman, it could be argued that Snape hated Voldemort more for killing Lily.

Jamie Lannister joined the Kingsguard after being “persuaded” by his sister Cersei. What neither of them knew was that the relationship between Mad King Aerys and their father, the Hand of the King, was on edge. It was widely believed that King Aerys accepted Jamie only to humiliate Tywin Lannister by disinheriting his “heir.” It was also immediately after joining the Kingsguard that Jaime realizes that the vows of knighthood did not mirror the vows of the Kingsguard. Jamie believed that the duties of a knight were “to protect the weak and the innocent.” However, Jamie felt worthless the longer he remained within the Kingsguard. He wasn’t even allowed to protect Queen Rhaella when her husband was ravishing her violently. It was at the Sacking of King’s Landing that Jamie decided he had to step in for the “kingdom” instead of the king. He killed Mad King Aerys and his pyromancers before fire could be set to the entire capital. Unfortunately, the only witness to the incident was Lord Eddard Stark of Winterfell, and he had gotten inside the throne room after the deaths. Jamie knew that no matter what he said, truth or lie, he—a member of the Kingsguard—killed the King. Ned Stark would have seen it as dishonorable either way. So, Jamie becomes hateful towards Ned Stark simply because Ned Stark would not hear reason behind King Aerys’ murder.

Last, both characters are seeking redemption for their past actions. As of right now Snape managed to gain redemption, after death. According to J.K. Rowling, Harry Potter shares the memories of Snape with Professor McGonagall and several other wizards after the Battle at Hogwarts. Thus, it is proven that Snape was working with Professor Dumbledore the entire time and is praised for his actions. Jamie Lannister is trying to redeem his honor and that of the Kingsguard. While the Kingsguard is beyond his control in terms of “structure,” Jamie is focusing on making fair decisions throughout the kingdom and attempting to search, to find, and to protect the daughters of Lady Catelyn and Lord Eddard Stark, Sansa and Arya. Based on what George R.R. Martin has said, Jamie will attempt to, but never complete his journey for redemption. It is here when the comparisons between Jamie Lannister and Severus Snape stop. However, there is another fictional character that Jamie Lannister can be compared with.

Sir Lancelot is a character (or even a true person based on the legends) that many people throughout the world are familiar with. Most notably, he is one of the famous Knights of the Round Table, from King Arthur’s kingdom of Camelot. He was a good-looking, talented swordsman whose deeds proved him to be a “true” knight. That is the tale told within the numerous editions and variants of the story of Lancelot. However, no one is perfect. When Mordred—King Arthur’s bastard son with his half-sister, Morgause—reveals the love affair between Lancelot and Queen Guinevere, Camelot is thrown into a civil war, which brings about the end to the legendary kingdom. Hmm, this sounds very much like another popular story.

Jamie Lannister is most likely based on the character of Sir Lancelot, and to some extent King Arthur, from the Arthurian tales. Both men are handsome, are talented in the art of fighting, and are able to provide their talents for their king. Then, they commit adultery with their queen, and everything falls into chaos when the affair is revealed.

Sir Lancelot was said to be one of King Arthur’s best knights, and he was allowed to become part of King Arthur’s Knights of the Round Table. Jamie Lannister joined the Kingsguard when he was fifteen-years-old, the youngest ever to join the order in the Seven Kingdoms. Another thing both of these knights have in common is that they both love the queen they are supposed to serve and to protect. Sir Lancelot and Queen Guinevere (also spelled Gwenhwyfar) were in love with each other, but obviously Guinevere was already married to King Arthur (sounds like another romantic pair from A Song of Ice and Fire series, R+L=J!). In fact, some of the variants state that Sir Lancelot saved Queen Guinevere a few times when she was abducted or was in danger. However, this did not stop them from carrying out a love affair. When the affair is revealed, it is the distraction Mordred needed to start a war with King Arthur for rule over Camelot.

This is where Jamie Lannister mirrors King Arthur. King Arthur unknowingly sleeps with his half-sister, Morgause (or Morgan), and the result is Mordred, the (unacknowledged) bastard son of the king. Mordred was believed to have had a violent nature, and when his father left Camelot to fight a war, Mordred took complete control of the kingdom. Jamie Lannister carries an affair with his twin sister, Cersei, the Queen of the Seven Kingdoms, and that affair resulted in three children: Joffrey, Myrcella, and Tommen. The children are believed to be the heirs to King Robert Baratheon, until his brother, Stannis, and Jon Arryn, the Hand of the King, begin to suspect the parentage. Joffrey has a sadistic nature, and when Robert Baratheon dies, Joffrey ascends the throne and starts a full-out war within the Seven Kingdoms. Like Mordred, Joffrey dies, and everyone is happy to see him go.

Here’s where it gets interesting. Mordred mortally wounded King Arthur, and Arthur is “buried” at Avalon. As of right now, Jamie is still alive and nowhere near his remaining children. In addition, Jamie displays no grief after Joffrey dies because he believed him to be an ineffective ruler. On one hand, in comparison to Sir Lancelot, Jamie and Cersei have ended their “relationship,” and Jamie, like Lancelot, decides to live the rest of his life honorably while seeking redemption. On the other hand, Lancelot lives the rest of his life as a hermit and in penitence. When Lancelot does die, he is buried at his castle where his tomb was already waiting for him. Jamie Lannister is making his way across the Seven Kingdoms with several companions, which include other knights and members of his family. When he does die, will be buried where he died, like the other members of the Kingsguard before him. It is unlikely that Jamie will be buried at Casterly Rock with his ancestors.

In all, Jamie Lannister is based on two Arthurian characters: King Arthur and Sir Lancelot. However, I argue that Jamie Lannister reminds fans of Severus Snape. I know GRRM does NOT want his fans to assume that his fantasy series will be anything like J.K. Rowling’s, but there are times when it cannot be helped. It means that these fictional characters are so well developed that we can automatically think of another rounded characters. At the same time, because we have an idea of the inspirations surrounding A Song of Ice and Fire (and Harry Potter) we have several theories and educated guesses as to what could happen to these characters in future tales.

Who or What Is Shireen Baratheon supposed to be?

(Please Note: Spoilers from A Song of Ice and Fire series are found within this essay.)

Most of us has read, heard, or seen a version of The Iliad. The blind poet, Homer, is credited for compiling the epic tale of the Trojan War. The film, Troy (2004), has Achilles played by Brad Pitt, Sean Bean as Odysseus, and Orlando Bloom as Paris. However, like other media adaptations of literary and oral stories, little details are often left out. If one saw Helen of Troy (2003), then he or she would see more of what was part of the story.

Besides the backstory of how Helen became the pawn of the Trojan War, the audience saw more of what was happening within the kingdom of Sparta. For example, both Helen and her twin sister Clytemnestra marry brothers Menelaus and Agamemnon respectively. Helen and Menelaus have one daughter, Hermione; and Clytemnestra and Agamemnon have four children. One of who is their daughter, Iphigenia.

Iphigenia was the daughter who was sacrificed by her father in order to appease the goddess Artemis for favorable winds in order to sail to Troy. While it is unclear on the exact age of Iphigenia, the truth remains that the sacrifice brought the Greek Army to Troy. At the same time, Clytemnestra vowed vengeance against her husband for what he did to their daughter. The Trojan War lasted for 9 years with the Greeks sieging and destroying Troy. Helen returned to Sparta with her husband, and Agamemnon returned to Mycenae with Cassandra, the prophetess sister of Paris, as his prize. Soon after, Clytemnestra and her lover, Aegisthus, killed both Agamemnon and Cassandra as retaliation for Iphigenia’s death.

Shireen Baratheon is the daughter and only child of Stannis Baratheon and Selyse Florent. She almost died from grayscale and it left her disfigured. However, she is often described as being a sweet child. Her parents have renounced their religion of the Faith of the Seven and become worshippers of the Lord of Light, a religion from Essos, whose priestess is Melisandre, who is convinced that Stannis is the prophesized hero, Azor Ahai. While Stannis and Melisandre campaign throughout Westeros, Shireen is left at Dragonstone with her mother; her cousin, Edric Storm (a bastard); and her fool, Patchface.

Stannis’ campaign has led him to use dark magic provided by Melisandre. This magic had killed his brother, Renly; Cortnay Penrose, a guardian of Edric Storm and Renly’s castellan; and, Maester Cressen. However, Stannis believes that the magic has assisted him so far with “removing” his adversaries, and was considering sacrificing his brother’s bastard son until Davos Seaworth, his Hand, smuggled him out of Westeros. This was because Melisandre believed that “king’s blood” would “wake the dragons from stone” which would prove and provide Stannis’ status as King of the Seven Kingdoms.

King Robert Baratheon had sixteen bastard children, most of who were killed on the orders of Queen Cersei Lannister—to hide her infidelities and the parentage of her children. In addition to Edric Storm, only Mya Stone, Gendry, and Bella are what remain of the bastards. However, those who are looking for them do not know where they are in Westeros. So, what does this mean for Stannis and his “blood sacrifice” for dragons?

I believe you see where this is going based on what I started with, but that is because the series author, George R.R. Martin, has admitted that Greek and Roman mythology are huge influences in A Song of Ice and Fire. Additionally, there was some foreshadowing about what might happen to Shireen in A Dance with Dragons. It was when the wildling Val told Jon Snow that Shireen was “unclean” and should be killed due to her grayscale. It was then that Jon Snow observes that Queen Selyse is fond of Shireen, but like her husband, would put their efforts for the crown before their family’s well being if the Melisandre told them to.

The story of Azor Ahai states that when the hero forged his sword for the third time, he drove it into the thing he loved most, his wife, Nissa Nissa, and the sword was named “Lightbringer.” It was then that Azor Ahai was able to defeat the Others, their creatures, and the “Long Night.” Sounds very much like the story of Agamemnon and his daughter, Iphigenia.

Now, Selyse, Shireen, and Melisandre are at Castle Black while Stannis continues his campaign to get support from the Northerners. Between the wildings’ beliefs and Melisandre’s visions, Shireen’s chances for survival are looking grim. Victory for the Baratheons is starting to outweigh rational thinking, and even Melisandre does not understand some of the visions she has been receiving. Melisandre says that “king’s blood” will raise the dragons and give Stannis the power that he needs. All that is left of Stannis’ blood—as far as he knows—is his daughter, Shireen. Does Stannis reflect Agamemnon? Is Shireen supposed to be Iphigenia?

There are two more books and several character plots that are neither complete nor revealed. There is a possibility that Stannis will gain support from the North. There is a possibility that Melisandre is wrong about who the reincarnation of Azor Ahai really is. All the same, no one knows what to expect from a novel written by George R.R. Martin. And yet, I believe that Shireen Baratheon is going to end up becoming a sacrifice for someone whether or not anyone wants to believe otherwise. Remember, the sword is a fake!