Season Two immediately picks up where Season One left off. Lyra Silvertongue has crossed the bridge into a new world. A world that is devoid of people, except for one. Will Parry has found himself in the same world, and Lyra is the first person he’s seen since arriving there. However, both children soon learn that the other isn’t from that world, and they’re not alone.
Meanwhile, the witches have joined forces in order to search for Lyra and to protect her as the prophecies continue to play out. They find an ally in Lee Scoresby, who goes in search of another who is said to possess a weapon that offers protection. At the same time, the Magisterium and Mrs. Coulter find themselves preparing for war as they attempt to track down both Lord Asriel and Lyra.
The premiere episode of Season Two feels more like a filler than an episode, but it makes sense because there’s supposed to be a “fallout” due to Lord Asriel’s actions. He knew what he was doing and what would happen because of it, but he did it because he believes in his cause. The episode is split between the Magisterium, and Lyra and Will. The Magisterium fears losing power due to the “evidence” that they have no control over their world (and others), and Will and Lyra are searching for a haven. Lyra and Will’s interactions are almost parallel to the events in the beginning of The Subtle Knife—especially the cooking scene.
In all, The City of Magpies is a decent premiere of what is to come throughout Season Two. Not all worlds are the same or safe, and tensions continue to build up. Fans will enjoy the new introduction sequence. In addition, there is another cameo appearance by a young actress from another popular media adaptation series which will leave you all even more engaged in the scenes compared to other ones.
It’s almost time! Season 2 of His Dark Materials will premiere on HBO (in the U.S.) this Monday. This season will be based on the second book in the trilogy, The Subtle Knife, and it will be 8 episodes long, just like Season One. Now, while The Subtle Knife is the shortest book in His Dark Materials trilogy, it doesn’t lack in story, in plot development and in character development.
With the fillers from Season 1, viewers already know who Will Parry is and his “connection” to the Magisterium. In addition, Lyra Silvertongue sees her parents for the type of people they are and decides to leave her world in order to learn more about Dust before confronting her father. Unbeknownst to the two children, everyone is looking for them: the Magisterium, the witches, and their remaining allies. Lord Asriel is building up his army in order to end the reign of the Magisterium and other organizations like it. The numerous witch covens join into a single unit in order to see the prophecy to its end. And, the Magisterium will do all they can in order to gain dominance over all worlds. Yet, how will these adversaries beat the others towards their goal?
However, searching for “invisible doorways” to other worlds isn’t working for anyone anymore. Now, everyone is searching for a tool that “creates doorways.” Does the tool choose the bearer or does the bearer search for the tool? Is it similar to the alethiometer? Are the two items related?
The Subtle Knife contains the most action of the trilogy and I expect to see it reflected throughout Season 2 of the TV series. I doubt there will be any fillers, but I’m more curious as to how and when Season 2 will end. Without going into spoilers, I wonder whether or not Season 2 will end in the same manner as The Subtle Knife; or, if some of the opening chapters from The Amber Spyglass—the final book in the trilogy—will seep into Season 2. It was announced fans can expect Season 3—based on The Amber Spyglass—to happen by both the BBC and HBO. The only thing to be concerned with is when to expect the premiere of Season 3—COVID-19 sucks.
Obviously, I’m very excited for this season of the adaptation of one of my favorite books of all-time. I’ll be reviewing each episode as they air, commenting and making predictions about what will happen next based on the adaptation—as well as the books. Who else is excited about Season 2 of His Dark Materials?
Novellas are stories which range from 17,500 to 40,000 words, and they can be read within one sitting. Novellas—along with novelettes and short stories—continue to be written, published and read by all within the publishing industry and the reading community. While novellas are written for all literary genres, in recent years, more of them have been published and read for speculative fiction. That’s NOT to say that they weren’t available, just that there are more available to read now. While Tor.com appears to be dominating the market with novellas—which is NOT a bad thing—there are many novellas from Saga Press, Harper Voyager, DAW Books, and all of the magazines that publish them. There are numerous standalone novellas for speculative fiction fans to read, and there are series—some of which are ongoing—that are worth reading as well. Yes, all of these novellas on this list were released by Tor.com originally, but this is the first list of many that I’m compiling and presenting. It just so happens that one publisher releases more novellas than other ones (for now).
Tensorate by Neon (formerly known as J.Y.) Yang (2017-19)
This series was my introduction into silkpunk. Asian influence aside the story follows the lives of the Royal Family of Protectorate, particularly Protector Sanao—The Empress—and her youngest children—twins, Mokoya and Akeha—as they struggle to maintain control over the Empire as a rebellion grows more ruthless to match the Protector’s cruelty. However, it isn’t just the family saga or the politics that will intrigue readers, but the concept of biological sex and gender fluidity which is a mundane cultural practice in that world. I have read comparisons of this series to The Left Hand of Darkness by Ursula K. LeGuin (I haven’t read it, yet). Regardless, this quartet is worth reading.
The subplot of prophecy versus fate versus free will runs its course throughout the series, too. And yes, all of the books come full circle in the end, which will leave you emitting empathy for all of the protagonists. Not to mention, the last few chapters in the fourth book will stay with you for a long time.
I love it when authors write stories across genres. After reading Rosewater, The Murders of Molly Southbourne intrigued me with its plot: when a young woman bleeds, clones are created. So, not only does Molly have to prevent herself from bleeding, but also learn how to fight, to kill, and to dispose of these clones. So, how does Molly live her life with this “unusual ‘medical’ condition”? Is there a way to stop it? Is there a cure? Even the second book leaves Molly (and readers) with more questions than answers. Hopefully, the next book will let us know what Molly will do next.
This is a sci-fi horror/thriller series about the lengths a family will go to in order to protect their secret, and what an individual is willing to do in order to maintain their identity. Even if you’re not into sci-fi or horror or thriller, then you should still read this series because readers receive the point-of-view of the victim who never stood a chance for a “normal” life.
This Africanfuturistic series will remind readers that with space exploration, xenophobia will continue to be an issue, and only choosing to understand those who are different from themselves will resolve conflict. The series follows Binti as she decides to break one of her culture’s traditions to leave her home to study at the most prestigious universities in the galaxy. However, during the voyage, the ship is attacked by a race of aliens claiming something was stolen from them. When Binti finds herself to be the lone survivor of the attack, she realizes that her skills as a harmonizer will ensure her survival.
The rest of the series deals with both the aftermath and the consequences of Binti’s actions. Readers follow Binti’s first year at the university as she learns to overcome her classes, her PTSD, and her reunion with her family (amongst other things). Binti manages to overcome all of the obstacles she faces while attempting to maintain peace amongst various races and cultures in the galaxy. I’m looking forward to the TV adaptation of this series!
Wayward Children by Seanan McGuire (2016-Present)
This series takes everything you know about portal world fantasy and gives it a dose of reality with multiple worlds existing next to ours. The series centers on a school for children who went “missing” only to return “changed” from their “ordeal.” Their parents believe they are sending their children to a school for therapy; but, the school is a haven for the “visitors” to meet others like themselves who hope to return “home.”
The series alternates between the present and the past allowing readers to learn about the ongoings at the school—and its students—as well as all of the worlds the students reside in, and where they were able to become their true selves. The fact that some of these students might never be able to return “home” adds the reality to the situation that leaves you feeling emotionally twisted as to what our world does to all of us.
Murderbot is my favorite robot/A.I. of all-time (sorry R2-D2)! I don’t know what else I can say about this snarky and depressed A.I. who performs its tasks so it has more time to watch its favorite TV show?! Murderbot has more empathy for humans than it’s willing to admit, and that’s what makes the series so relatable and engaging. Throughout the first four novellas in this series, Murderbot performs its latest task with a group of scientists, discovers corruption, then decides to travel to various planets to collect evidence of the crime.
While Network Effect: A Murderbot Novel gave Murderbot the novel length adventure the A.I. deserved (I haven’t read it yet, I’m sorry), Murderbot will return to novellas when the next book in the series, Fugitive Telemetry is released in 2021. I hope the author continues to delight her fans and her readers with this series. And, I want to read an episode of Sanctuary Moon!
This is just a starter list of novellas all readers should read. Readers who either want a quick read, or who want to meet their reading goal by the end of the year should check out these books. As for other novella series, I hope to include Impossible Times by Mark Lawrence, Valkyrie Collections by Brian McClellan, Finna by Nino Cipri, others in a future post. As for standalone novellas, I hope to compile a list of them in the near future!
Published: August 4, 2020 Narrated by: Moira Quirk
Genre: Horror/Gothic/Dark Fantasy
The Reverend Daughter Harrowhark Nonagesimus ought to have been the 311th Reverend Mother of her line. She was the eighty-seventh “Nona” of her House; she was the first Harrowhark. She was named for her father, who was named for his mother, who was named for some unsmiling extramural penitent sworn into the silent marriage bed of the Locked Tomb. This had been common. Drearburh had never practiced Resurrection purity. Their only aim was to keep the necromantic lineage of the tomb keepers unbroken. Now all its remnant blood was Harrow; she was the last necromancer, and the last of her line left alive, (3).
Series are an interesting concept. They allow for the continuation of a story either with the same characters from the previous story, or with new characters, or both within the same world. At the same time, the plot (and, at times, the subplot(s)) continues to develop so that both the audience and the characters know what has to happen and what will happen by the end of this part of the story. Harrow the Ninth—the sequel to Gideon the Ninth—by Tamsyn Muir follows Harrowhawk after she achieves Lyctorhood and what it means to serve the Emperor.
Harrowhark Nonagesimus has achieved her goal (at 17 years-old). She has become a Lyctor and the Ninth Saint to serve the King Undying. However, she learns quickly that there are conditions for serving the Emperor; one of them is that Harrowhark cannot return home to the Ninth House. This means that her goal of restoring her House can no longer happen. Not to mention, Harrow must start training and using her abilities as a Lyctor as well as learn the responsibilities of her new role. The main one is protecting the Emperor from all threats. She learns about these threats as well, and Harrow is astonished to learn what they are. Overnight, Harrowhark goes from being in charge and knowing almost everything to finding herself at the bottom of the pyramid and answering to those who believe Harrow became a Lyctor at too young of an age. In addition, Harrow begins to suffer from hallucinations and memory loss. This puts Harrowhark in an even more vulnerable position than she is used to. Then again, it seems that Harrow was expecting this because she left several letters to herself so that she could remind herself of everything that led up to her current predicament. But, is it enough? Accompanying Harrow with her Lyctor training are: the Emperor, Augustine, Mercymorn, Ortus and Ianthe—all are the surviving Lyctors who train Harrow while serving the Emperor. Harrow is a very complex characters who develops throughout the story.
The plot is jumbled and confusing, but it does develop as the story is presented. The story is Harrowhark’s training as a Lyctor, which will remind readers of a combination of military boot camp and pledging for a fraternity or a sorority. While this form of training is brutal, it is the sort of training Harrow needs in order to survive her “work” for the Emperor. The plot of the story are the events which lead to the murder of the Emperor. The King Undying has reigned for 10,000 years; so, why and how would the Emperor meet his end? There are two subplots which are the main focus in this book. The first one focuses on the ongoings within the First House. This includes Harrow’s training, her missions, and the interactions amongst all of the Lyctors and the Emperor, which are essential due to Harrow’s memory loss. The second subplot is about the mysterious individual who is lurking throughout the First House. The individual seems to know of everything that is going on, but manages to remain unseen by everyone except for another mystery person who is unknown as well. The subplots are necessary for the plot, and the story will keep the reader(s) engaged, but neither one helps with the plot development. In fact, it is not until the end of Act Four where all of these plot devices come together into something more coherent.
The narrative in Harrow the Ninth is very difficult to follow, but it’s supposed to be that way. This is because the sequence jumps from streams-of-consciousness and flashbacks (amongst more than one character) as well the points-of-view moving amongst 1st, 2nd, and 3rd person. All the while, the reader(s) are attempting to figure out who the other narrators are besides Harrowhark. One of the narrators is someone readers did not expect to appear, but—in my opinion—the character’s revelation took too long to be confirmed by the author. I mentioned that the narrative is difficult to follow, but it is supposed to represent everything that is happening to Harrowhark. The narrative represents memory, trauma, and life, which are not always coherent, even to the individual experiencing it. In other words, Harrowhark is not a reliable narrator, but the other ones are; and, they take over whenever Harrow’s narrative begins to falter.
The style Tamsyn Muir uses in Harrow the Ninth is similar, yet different from the one she used in Gideon the Ninth. While the author continues writing her story following Gothic elements, she includes horror and science fiction in order to expand the world she has created. I mentioned Frankenstein by Mary Shelley in my review of Gideon the Ninth as one of the books that fall under the Gothic genre. I’m mentioning this book again because some aspects from that book can be found in this one. Another Gothic horror story that the author was influenced by as well is The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. The story is familiar to many people, but the book contains more of the reality of what was happening within the community and not just the “relationship” between the two “men.” Once you read both stories, then it should make (some) sense. The mood in this novel is one of anxiety. While it is clear Harrowhark suffers from anxiety, she is not the only one who is dreading the outcome of a potential end. The tone in this novel is a blueprint. Every character within this story was planning something; and they all carried it out. Whether or not the results came into fruition has yet to be determined.
Once again, I listened to the audiobook. Moira Quirk returns as the narrator and her performance and her pronunciation of the characters and the names were amazing and a huge help. It needs to be said that while the audiobook helped me with following along with the story, I still had to open the book (which was given to me by a friend) and reread portions so that I knew that I was keeping up with the story. So, in this case, I needed both the book and the audiobook in order to read this story.
The appeal for Harrow the Ninth have been mixed. Many fans who enjoyed Gideon the Ninth, loved the sequel. At the same time, other fans found themselves either torn or confused with how they were supposed to feel about the narrative. While everything falls into place by the story’s end, it shouldn’t come as a surprise that some of the readers have more questions than answers. Hopefully, these questions will be answered in the third and final book, Alecto the Ninth. It should be mentioned that this book is a great addition to the horror and the Gothic canon. Harrow the Ninth should be reread so that the readers can group everything that happened in the book.
Harrow the Ninth is a rollercoaster reading experience. There are several moments when your head jumbles and your thoughts move in loops, but once you reach the end, you are left with an unforgettable experience. I found this narrative to be confusing and incomplete compared to the first book, but the story kept my interest until the end. Everything starts to make sense towards the end, so I suggest that you don’t ignore everything leading up to that point. Other than all of that, my curiosity remains piqued. So yes, I will be reading the final book in this series.
Thank you Tor.com for sending me an ARC of this book.
“The Birth of a Nation” had delivered all the souls they needed to stir up them old evil powers. Across the country, white folk who ain’t even heard of the Klans surrendered to the spell of them moving pictures. Got them believing the Klans the true heroes of the South, and colored people the monsters, (TWO).
They are one of the most infamous groups in modern society; yet, for some reason, American society fails to call them what they are: a hate group. The Ku Klux Klan emerged during the Reconstruction Era and sought destruction, especially against several Black American communities throughout the U.S., particularly in the South. While their white hoods presented and hid their identities, the freed slaves had a new fear, and they weren’t from their folklore, but from actual fears which manifested. P. Djèlí Clark combines two fears—the known and the unknown—into his latest novella, Ring Shout.
Maryse Boudreaux is a 25-year-old monster hunter. However, she and her companions have “The Sight” so that they can distinguish one monster—the Klan—from the other one—the Ku Kluxes. To everyone else, they are one and the same, but Maryse and the other monster hunters know better. There is Sadie, the best shooter in the group; and, Chef, a war veteran who has a talent for explosives. Nana Jean is a Gullah woman who uses her skills to offer protection from the Ku Kluxes. And, Michael George, the man who provides Maryse with reprieve from and motivation for fighting. Then, there are Aunties Jadine, Ondine and Margaret, “spirits” who guide Maryse on her quest to eradicate the Ku Kluxes, including gifting her with the sword she uses throughout the war against the supernatural threat. Maryse has her reasons for hunting the Ku Kluxes, but she cannot grasp how far these monsters are willing to go for domination. And, who is conjuring them? The revelation pushes her to make “deals” so that she and her companions have a chance to survive. Maryse is a fighter, but she knows all too well that she cannot do it alone. Her companions allow her to develop into the person she must become in order to defeat this threat.
The plot is straightforward. It is July 1922, 7 years after The Birth of a Nation was released, and 4 years since the Great War (a.k.a. World War I) ended; and, there is to be a re-release of the film in Stone Mountain, Georgia. What many people—White and Colored—do NOT know is that the movie is based on a book written by a sorcerer. The sorcerer uses moving pictures in order to conjure a spell so that evil beings can be summoned and walk amongst humanity. The cost: human souls. The Klan offered their souls and became Ku Kluxes, which go on to terrorize Colored people. So, monster hunters—consisting of a group of Colored people with “The Sight”—continue to fight them off after the Ku Kluxes make their return to power. The storyline within this plot is how the characters fight, live, and survive during these trying times where a force of evil—which is fueled by hatred—is unseen by almost everyone. It is the subplot that drives the plot in this book. The subplot focuses on the Black American Experience during the 1920s, and it is not an easy time for them. In addition to fighting the supernatural, the characters have to maintain their way of life while remaining segregated. Jim Crow laws and lynchings are a common and an everyday practice. Combined, both the subplot and the storyline allows for the plot to develop an appropriate rate.
The narrative is told from the point-of-view of Maryse. The sequence is a combination of stream-of-consciousness and flashback, which are necessary for the story. The events and the sequence occur in the present. However, it is the dialogue (and the dialect) of the characters that will keep the readers engaged throughout the narrative.
The style P. Djèlí Clark uses in Ring Shout includes allusion, history and folklore. The history is obvious to anyone who is familiar with (actual) American history and Southern culture. The allusion refers to historical moments such as: Prohibition, the reemergence of the KKK, the construction of the Panama Canal, the Black Wallstreet Massacre, etc. Yet, it is the folklore that influences the story. The mention of fairy tales as cautionary tales are mentioned throughout this book (i.e. Bruh Rabbit, eating strange food, sharing stories, etc.) and drive the story in a way so that both the characters and the readers are familiar with all of the story’s ongoings. Another factor the author wants his audience to consider are the similarities between Black American and Caribbean cultures, particularly the practices of the Gullah and the Obeah. The mood in Ring Shout is hatred; and, the tone within this book is manipulation (for power using hatred). Readers should know that the book’s cover is essential to the events which occur towards the end of the story.
The appeal for Ring Shout will be positive. This is because the author does a great job fusing fear and hatred with folklore and dark magic. The former are human emotions which often lead to harm, while the latter are elements of several cultures that are believed and are practiced. Fans of horror, paranormal and supernatural stories will enjoy this story. Fans of recent and related novellas such as The Deep by Rivers Solomon and Riot Baby by Tochi Onyebuchi will appreciate the continuation of the Black American experience being told blatantly and directly in the speculative fiction genre. However, Ring Shout will be canonized alongside The Year of the Witching by Alexis Henderson in the horror genre. This book can be read again and again, and it is a great addition to the genre. It should be mentioned that this book can be read and enjoyed by historians and folklorists as well due to the information written into the pages of the story.
Ring Shout is a brilliant horror and supernatural story which will force you to recall all of the “stories” and the “magic” you’ve been exposed to throughout your life as you try to come up with an explanation for “the unknown.” Once again, P. Djèlí Clark has found a way to present readers with a story combining history and folklore into a believable, yet scary, tale that serves as a cautionary tale against hatred and sorcery.
By some miracle, we survived to the end of September (2020). It seems that books and video games have managed to remain constant throughout the year—as in some delays and/or minimal postponement. I’m still working my way through my TBR pile as it continues to grow. Fall 2020—September-December—continues the unceasing releases within the literary world (not that I’m complaining). Here are some of the books being released between October and December 2020 I’m excited to read.
Please note, I haven’t listed all of the speculative fiction books that will be released by the end of 2020, just the ones I’m hoping to read. If some books are missing, then it’s because either they are part of a series which I haven’t read yet, or I am unaware of their upcoming release.
For those of you who haven’t read my review of this book, you should read the book as soon as it’s released because this book doesn’t stop until its end. By the time you’ve reached the end of this book, you’ll realize that there will be a sequel, which will leave you asking: what else can happen?
Ring Shout by P. Djèlí Clark
If The Deep looks into the possibilities of the events surrounding the Transatlantic Slave Trade, and Riot Baby is the potential of the future surrounding current racial events, then Ring Shout presents a horror story of the consequences of hatred and violence within a society. Since this is based on U.S. History—a subject that continues to be glossed over—readers can expect Jim Crow Laws, and KKK rallies and attacks in this novella.
Books I am Reading
The Once and Future Witches by Alix E. Harrow
This is the second book by Alix E. Harrow. So far, it’s an amazing follow up to The Ten Thousand Doors of January. This time the story follows three sisters who use their magic to obtain the right to vote. So far, I can say that this is a clever look into how misogyny and sexist practices can lead to a small rebellion demanding equality by using unconventional methods, and magic.
The Hollow Places by T. Kingfisher
Finally, I’m reading a book by this acclaimed author. In this book, the protagonist is a recently divorced woman who moves into her uncle’s “museum,” only to locate a hidden passage inside the house. However, the length of the passage doesn’t equate to the perimeter of the museum, making her (and us) question as to where the passage leads to and whether or not anyone else knows about it.
Books To Be Read
Over the Woodward Wall by A. Deborah Baker
Anyone who has read Middlegame by Seanan McGuire is excited for this book. This book is a companion to Middlegame in that this is the book mentioned throughout the novel. Over the Woodward Wall is the book written by A. Deborah Baker in “code” for anyone who is interested in reaching The Impossible City. Think of it as a fictionalized version of The Secret: A Treasure Hunt.
The Invisible Life of Addie LaRue by V.E. Schwab
There’s the “age-old” story that serves as a cautionary tale: immortality can be a lonely life. However, what if on top of living forever, no one will remember meeting you? Eternal loneliness is the ultimate sadness, but what if—by some miracle—someone remembers you? That miracle can blossom into the hope the protagonist needs in her immortal life.
The Midnight Bargain by C.L. Polk
There are a lot of books about witches and their magic that have been released in 2020. This book by C.L. Polk is the latest of them, as well as the author’s first standalone novel. In a world where women have to choose between magic and marriage, the protagonist seeks a way to have both.
Eventide by Sarah Goodman
This historical fantasy focuses on the Orphan Train and the superstitions within a small town. Sisters Lilah and Verity struggle to stay together after the death of their parents. Unfortunately, their family history and the dark forces within the town seek to destroy the siblings like it destroyed their parents. This YA novel is the author’s debut book.
The Hanged God Trilogy #1, Northern Wrath by Thilde Kold Holdt
Norse mythology continues to be a source of new fantasy stories, and this debut novel by the author is no different. This epic fantasy occurs when Christianity and Norse folklore clash constantly for dominance. The book follows several characters as they go on a quest to save their gods and Midgard.
The Burning #2, The Fires of Vengeance by Evan Winter
The Rage of Dragons started off as an African-inspired military fantasy became something even more by the time readers reached the last quarter of the book. Tau has lost everything he’s cared about at the same time he’s given a promotion that would make anyone else happy. Unfortunately, all Tau has left is his rage. And, although the queen needs his skills to end the war, it’ll take more than anger to get Tau motivated again. What will it take to get him to fight again?
War Girls #2, Rebel Sisters by Tochi Onyebuchi
War Girls is the realistic dystopian YA novel about the cost of war and how it can affect children before, during and, after a war. Tochi Onyebuchi empathized the emotions felt by his readers throughout the book, especially the ending. Rebel Sisters takes place 5 years after the events of the first book, which sees Ify returning home to Earth. Those of us who read the first book already know to expect our emotions to pour out onto the pages, again.
The Poppy War #3, The Burning God by R.F. Kuang
After the release of The Dragon Republic, R.F Kuang announced who Rin, the protagonist, is supposed to represent in this historical military grimdark fantasy. Wow! And, with the way Book 2 ended and what that means for everyone who survived those events, I can only imagine how this trilogy is going to end. The title alone gives a hint as to what readers can expect from this finale. I hope I’m right about this assumption.
The Graven #1, Nophek Gloss by Essa Hansen
Hostile aliens, smart ships and humans can be found in this science fiction story. This debut novel follows the protagonist after he loses everything—literally—when his planet is destroyed. On a quest for vengeance, he travels to the home of those who destroyed his planet. Along the way, he learns more about the universe.
The Tide Child #2, Call of the Bone Ships by R.J. Barker
The Bone Ships was my surprise book of 2019; and, since I’ve finish it, I’ve been excited to read the sequel. I don’t know whether or not the sequel picks up immediately after the events of the first book, but I know that the subplot continues in this book and it’s going to be very interesting. More voyages ahead for the readers!
Poison Wars #2, Hollow Empire by Sam Hawke
City of Lies is a great book about political conspiracies, history and folklore, and poisonous plants. Now, with the return of magic within the Empire, will it lead to something positive or to more treachery for the protagonists? We’ll have to wait and read what happens next.
Now, will I complete all of these books by the end of this year? Probably not. Yet, I’m aiming to read as many of these books as I can by December 31, 2020. If that doesn’t happen, then I’ll finish reading them in 2021! Which books are you excited to read by the end of 2020?
Chronicles of the Bitch Queen, #1: The Wolf of Oren-Yaro
By: K.S. Villoso Audiobook: 14 hours
Published: February 18, 2020 Narrated by: Catherine Ho
I was Talyien aren dar Orenar, queen of Jin-Sayeng, daughter of Warlord Yeshin, wife of Rayyel Ikessar, and mother of Thanh. I did not just dream these things—I had a life before all this. I wanted nothing more than to return to it, (Chapter Thirteen: The Dragonlord in Distress).
Curiosity is an interesting thing. It’s not really an emotion because it provokes thought before emotions. Then again, there are moments when one’s curiosity can lead to a strong feeling: elation, fear, etc. However, when it comes to reading, our curiosity either is sated or is ignored (i.e. you don’t read the book). Yet, author K.S. Villoso titled her series, Chronicles of the Bitch Queen; and, the first book is titled, The Wolf of Oren-Yaro. If those titles don’t capture your attention and pique your curiosity, then I don’t know what will.
Queen Talyien is the daughter of the last warlord, who led an army in a civil war, which ended with her betrothal and her marriage to the male heir of the opposing side, Prince Rayyel Ikessar. Talyien is the queen of Jin-Sayeng, but her husband left her and their son, Thanh (approx. 2 years-old at the time) the night before their coronation. Five years later, Talyien receives a letter from Rayyel, stating they should meet in Anzhao City, which is in the Zarojo Empire, which is across the sea. Although her council advises her against the meeting, Talyien makes the journey for the sake of her son. Once there, things don’t go as planned, and Talyien finds herself alone in a foreign empire, with assassins chasing her through the streets. With her allies and her guardsmen dead and/or captured, Talyien must rely on her skills and on her reputation as a lethal warrior, and as a “non-traditional female.” Talyien has a reputation of being rash, violent, stubborn and flawed, but she is nurturing, observant, and quick. Talyien develops as a character in that she must remember her status and embrace the demeanor she spent the last five years distancing herself from because it’s the only way she is going to survive her ordeal and return home. Fortunately and unfortunately, Talyien is not alone on her journey. The first person who is willing to help Talyien is Khine, a con artist. The second person is Lo Bahn, one of the Lords of Anzhao City. The third person is the (Fifth) son of the Emperor of the Zarojo Empire. Just like Talyien, there are more to these individuals than their facades.
The plot is straightforward. A queen travels to a foreign land to meet with her estranged husband, the prince—for he was never crowned, they are attacked by assassins and are separated, leaving the queen alone and without allies as she hustles and fights her way home. That is the plot. The story is more complex. Throughout the story, Talyien struggles with her actions of the past and the present as she wrestles with the circumstances which led her to her current predicament. Her father’s legacy and parenting haunts her, and her nature turns people off. However, it is because of her upbringing as future queen, and as a “non-traditional” female that Talyien is able to survive her husband’s absence and survive in the Zarojo Empire. The subplot is all of the political and the historical moments mentioned throughout the novel. It is essential because readers learn of Jin-Sayeng’s history, of the war led by Talyien’s father which led to Talyien and Rayyel’s betrothal, and the real ongoings within the Zarojo Empire. In all, the plot develops at an appropriate rate alongside both the story and the subplot.
The narrative is told from Queen Talyien’s point-of-view, and the sequence moves between the present and the past. The past is told as flashbacks as Talyien recalls her meeting Rayyel for the first time and their tumultuous courtship throughout their childhood. Talyien remembers all of the harsh lessons her father gave her about ruling, marriage, and warfare; and, she cannot determine whether or not it is due to guilt or to desperation that she hears her father’s voice. The present is told through Talyien’s stream-of-consciousness, which lets the readers in on all of the emotions Talyien feels and expresses: fear, anger, rage, sadness, etc. All of Talyien’s thoughts make her a reliable narrator, which makes the narration easy to follow.
K.S. Villoso presents a fantasy story based on Asian influences. In addition, she wrote a narrative which uses realism to drive the story. If you found yourself lost in a foreign country, then what would you do? If you couldn’t trust anyone in that scenario, then what would you do to get yourself out of it? Queen Talyien is in survival mode, and while her training and her demeanor are viewed as “non-feminine,” those characteristics are why Talyien is able to survive her ordeal. She has to fight her way out of Anzhao City, literally. Then, she has to fight again, over and over. Many fantasy stories include scenarios where the protagonists comes out of a bad situation unscathed, physically and emotionally, but Villoso delivers the reality of such scenarios as cautionary tales. The reality is that not everyone wants to help you when you need help, and there are others who see your identity as a way to benefit themselves. The mood of this novel is hostility, and the tone is enduring (a bad situation). In other words, when you find yourself in a hostile environment, endure it until you can depart from it.
The appeal for The Wolf of Oren-Yaro have been positive. This novel was first published in 2018 as an indie book before the series was picked up by Orbit. Critics, readers and other authors have had nothing but praise for this book, and it is the same for me. This book is a great addition to the fantasy canon. And yes, readers and fans of Asian inspired fantasy will enjoy this book the most; and, it should not be overlooked by other fans and readers of the genre. The Ikessar Falcon, Book 2 in the Chronicles of the Bitch Queen trilogy, will be released on September 22, 2020. I’m just as excited as everyone else is for the sequel! I listened to the audiobook, which was narrated by Catherine Ho—who will be narrating the sequel as well. Not only does she do an amazing job with voicing Queen Talyien and making her sound as fierce as the author made her out to be, but also she was a huge help with every pronunciation of all of the names of the characters and the locations. I wouldn’t have been able to sound them out on my own.
The Wolf of Oren-Yaro is a fantasy story about a “non-traditional” queen who must rely on her “true nature” in order to survive an unconventional situation. While the plot may seem “unrealistic,” the reality of it is very realistic because readers are not used to having a royal female save herself from such plights. This makes for a unique tale in that the protagonist is the heroine in this story. The author does an amazing job in giving readers a character who must balance her identity and her kingdom. Do not miss out on this book!
This year, the solstice will be marked by the rarest of celestial occurrences. As the year divides into old and new, so also will the earth, sun, and moon align in the Convergence. Over our very heads, we will witness order move to chaos and back to order again. So it is with the heavens, so it will be with Tova. We will bear witness to the cycle of evil rising in darkness to be battled back by goodness and light when the sun prevails, (Chapter 9).
Remember when I said that I read Trail of Lightning, the first book in The Sixth World series, because I wanted to determine for myself whether or not the author was as big of a deal as the speculative fiction genre community made her out to be? And, that the author’s book was worth reading? Well, if Trail of Lightning was part of Rebecca Roanhorse’s debut—the other being her award-winning short story, “Welcome to Your Authentic Indian Experience”—then, Black Sun, the first book in the Between Earth and Sky series, cements her status as one of the must-read authors within the genre.
There are four protagonists in this novel. First, is Serapio, the son of an Obregi Lord and a foreigner. The foreigner is his mother, Saaya, who along with three others, prepare Serapio towards his destiny of his transcendence to godhood. Second, is Xiala, a female sea captain and an exile from the Teek tribe. She is hired to bring cargo to Tova, one of whom is Serapio. The two exiles form a friendship during their journey to Tova. Along the way, Xiala learns about Serapio and realizes that his magic is just as powerful and as lethal as hers. Third, is Naranpa, one of the four priests in Tova—and, the head of the oracle society. On top of all of her responsibilities, she must deal with several political conspiracies all at once, including: several assassination attempts on her life, rumors surrounding the death of one of the matrons to one of the four tribes, prophecies surrounding the return of the crow god, rumors of what is to come on the winter solstice, talks of revenge for an event of the past, and the plot to have her removed from her seat of power. With all of these political conspiracies surrounding her, Naranpa doesn’t know who to trust. This includes Iktan—head of the knife society—one of the other four priests and Naranpa’s friend. The fourth and final protagonist is Okoa, the son of the Carrion Crow matron and future leader of the Shield, a military troop who serve as the matron’s bodyguards. After his mother’s death, Okoa rises to his role. During the transition, he uncovers two conspiracies. One is about his mother’s death, and the other is about the cultists from his tribe who believe their god can be raised and returned to them so that past wrongs can be paid back through divine retribution. All of these protagonists are complex people who find themselves being responsible for a group of people, and their choices affect those around them and everything they care about. As “The Day of Convergence” approaches, each of the protagonists develop into the individuals their roles demand of them to the point where not even the secondary characters can divert them from their path.
The plot of this novel involves the events that lead up to “The Day of Convergence,” which falls on the winter solstice. The plot develops through each of the protagonists as they uncover the mystery of what is to occur on that day, and whether or not it can be prevented. Serapio travels to Tova in order to fulfill his destiny of becoming a god, as per his mother’s actions. Naranpa is doing everything she can to remain the Sun Priest of the Celestial Tower while uncovering a plot of revenge against the Faith for a treacherous transgression from the past which left hundreds dead. Okoa is trying to unravel the events that led up to his mother’s death while trying to shake off the unwanted attention of his tribe’s cultist group. And, Xiala is trying to keep her powers in check while deciding whether or not to bring the apocalypse into Tova. While these appear to be four separate plots, they converge into one unforgettable moment when all of the protagonists must decide on acting on their destiny, or doing the right thing. There are two subplots within this novel which not only explains the plots, but also the motivations for the actions that take place at the novel’s end. The first one is vengeance. Vengeance, while mentioned from time-to-time, plays a large role in the story. Usually, the reason for an act of revenge depends on those who want it; but, in this case, everyone is expecting it. It all depends on who is involved and when the act will be carried out. The second subplot involves religion and magic. Similar to our world and other fantasy worlds, there are a few religions, each with its own rituals and practices. Some of this involves magic and how those in the out-group view that magic as opposed to their magic. Some of it is accepted, some are based in superstition, and a lot of it is forbidden; yet, it is all real and powerful, especially when done correctly. These subplots play a huge role in the plot development and must not be overlooked by the reader(s).
The narratives are told from the points-of-view of the four protagonists. And, they are in third-person limited, which means readers know only what each protagonist is thinking and is experiencing at one time. Even when two characters are together, we are limited only to one character’s P.O.V. The sequence of the narration jumps back-and-forth from the start of Serapio’s transcendence to “The Day of Convergence” to the aftermath. While the sequence might come off as confusing, it is not because readers learn of all of the essential events leading up to the winter solstice from multiple P.O.V.s. So, while the narration moves from past to present, it follows a stream-of-consciousness of each protagonist so that we gain a better understanding of them, their culture, and their motivation of their actions. This presents the readers with a reliable narration (from each protagonist) that can be followed easily.
The style Rebecca Roanhorse uses for her new series is amazing and informative. Once again, she draws on inspiration from her Native American heritage; but this time, the author draws on inspiration from Yucatec Mayan, Tewa, Polynesian and pre-Columbian cultures of the Americas, many of which continues to be glossed over in school curriculums worldwide. Some of what I recall of ancient pre-Columbian societies (i.e. Mayan, Aztec, Inca, etc.) involve rituals and ceremonies to the gods, and their calendar, which was accurate. History and folklore aside, the use of foreshadowing and of characterization enhances the story to the point where readers known what is going to happen and why, and that there was no way to prevent the events from happening. By the time everything is revealed, the protagonists have made their decisions, and what is going to happen, happens. This leaves the reader(s) stunned, yet anticipating what will happen next during the aftermath of those events. It’s a shocking and an impressive move by the author. The mood in this novel is preparation. Everything that happens in this novel revolves on the winter solstice. To many, the day marks a celebration. To the protagonists and the other characters involved, it’s a day of dread, retribution, and change. The tone of the novel is fate. Without getting into too many spoilers, two of the protagonists were predestined to be part of “The Day of Convergence,” but an argument can be made that they could have chosen to resist that fate at any given time before that day. In fact, the choices of the other two protagonists should be noted as well because they all have no choice but to live with the decisions they make leading up to the winter solstice. I read an eARC of this book, and it did NOT come with any maps of the setting. Luckily, Rebecca Roanhorse provided some of the maps through Tor.com, which made picturing the mentioned towns and the distance between the cities easier.
The appeal for Black Sun is already positive. So far, literary critics and other authors have praised Rebecca Roanhorse for the story she has written. Fans of the author’s urban fantasy series will be impressed with how the author can fuse her heritage into one story of the past and another story of the future. Not to mention that this book is an amazing addition to the fantasy canon, and will leave readers anticipating the second book in this series. Fans of historical and/or mythological fantasy—Tasha Suri, S.A. Chakraborty, Evan Winter and Silvia Moreno-Garcia—should read this book as soon as they are able to, they will enjoy it a lot.
Black Sun is proof that Rebecca Roanhorse can weave her talent and her heritage into powerful stories over and over again. If you need a reason to read one of her books, or if you want to read a fantasy series that will take your expectations to another level, then you really should read this book. It has everything from magic and prophecies to political power struggle based on a moment in human history, in which it all could have happened, but its setting is a fantasy world. I don’t know about you, but while I’m waiting for Book 2 of this series, I’ll be reading Storm of Locusts, Book 2 in the author’s other series. Enjoy!
Genre: Fantasy/Fractured Fairy Tale or Fairy Tale Retelling/Coming-of-Age Story
The Dragon didn’t always take the prettiest girl, but he always took the most special one, somehow: if there was one girl who was far and away the prettiest, or the most bright, or the best dancer, or especially kind, somehow he always picked her out, even though he scarcely exchanged a word with the girls before he made his choice, (Chapter 1).
I remember what led me to read this book. The ebook was on sale and I saw the promotion for its upcoming companion novel, Spinning Silver. Then, I attended BookCon in 2018. I had read an excerpt of the author’s upcoming novel, Spinning Silver, and I wanted to meet her and have her sign copies of her books. Yes, books, because in addition to Spinning Silver, I picked up Naomi Novik’s other books, His Majesty’s Dragon, Temeraire Book 1—which, I still haven’t read, yet—and Uprooted, which I had already read. I reviewed Spinning Silver first. Both books are similar in themes and tropes, but they stand out well as individual standalone novels.
Agnieszka is 17-years-old and lives with her parents in the village, Dvernik, near the corrupted Wood’s border. A wizard, known only as “the Dragon” to the villagers, protects the village from the Wood, which is his task set to him from the royal court. As part of the Dragon’s tribute, he takes one girl from the village for 10 years of service. No one knows what the service entails except the girls return as women, but “changed,” and leave the village for city life shortly after. Agnieszka is tall, clumsy and awkward, and she’s one of the girls who is of the age for the Dragon to choose from for his next tribute. However, Agnieszka knows she won’t be chosen, but her friend, Kasia, will be the one chosen. Kasia is beautiful and talented in almost everything she does, and Agnieszka and the entire village knows the Dragon will choose her. Only, he doesn’t. To everyone’s shock, Agnieszka is selected to serve the Dragon. Now, Agnieszka has to learn what is expected of her for the next 10 years. And, this includes filling in for the Dragon when he cannot attend court. Agnieszka learns about the Dragon and his service, why she was chosen over the other girls, and how the Wood became so corrupted. Agnieszka develops as a character and as a person as she learns about the outside world, which she has been sheltered from her entire life, and about the dark forces that make the Wood so dangerous. Agnieszka is accompanied by the Dragon, but as she learns more about what is expected from her, she refuses to lose contact with her family and her friends. Agnieszka grows up in an unusual way under unusual circumstances, and she manages in her own way.
The plot is divided into two parts. The first part regards Agnieszka’s “services” to the Dragon, which is easier said than done. While Agnieszka shows promise with the more “difficult” tasks, she is awkward when it comes to completing the “easier” ones, which makes for a very entertaining “education.” The second plot revolves around the Wood and how it continues to grow stronger and more aggressive. After the Dragon is injured during a confrontation with the Wood, Agnieszka must travel to the royal court in his place in order to request reinforcements. Once there, Agnieszka meets the royal family and other individuals like the Dragon. It is here when the subplot develops: the Dragon’s relationship with the court, and the court’s connection to the Wood. The subplot explains the two plots of the novel as they all go at an appropriate rate.
The narrative is told from Agnieszka’s point-of-view in first-person in the protagonist’s stream-of-consciousness. Everything the readers learn, is from Agnieszka’s perspective. If she is not where the action is taking place, then she learns about it afterwards from someone else (and, so do the readers). The fact that Agnieszka can only account for her actions and her experiences make her a reliable narrator. All of these elements make the narrative easy to follow.
The style Naomi Novik uses for Uprooted follows both a fairy tale retelling and a fractured fairy tale. A fairy tale retelling is when a known fairy tale is retold with components that alter either the setting or the characters. A fractured fairy tale is when a smaller, yet popular part of a fairy tale is kept while the rest of the story changes. In this case, elements of the story, “Beauty and the Beast” can be found throughout the narrative, but the author presents a new story from the few parts she fractured and used. The mood in this novel is anticipation. All of the characters in the story are anxious or excited about an upcoming event, or dreading a threat that cannot be stopped. The tone of the novel focuses on how all of the characters remain resilient during such difficult times and how they handle themselves. The last two literary elements of style will make you forget about the fractured fairy tale and focus on the fantasy story.
The appeal for Uprooted have been noteworthy. Besides receiving critical and popular acclaim, this novel won the Nebula Award for Best Novel in 2016. However, it seems that since the release of Spinning Silver, Uprooted has fallen a bit behind on the popularity, but I can assure you, if you enjoyed the former, then you will enjoy the latter. Uprooted remains a great addition to the fantasy canon, and fans of Katherine Arden, S.A. Chakraborty, and Rena Rossner will enjoy this book the most. There hasn’t been any announcements on whether or not we should expect another novel similar to this one, but I am willing to wait for as long as it takes, especially since the rumor is that both books are set in the same universe. Uprooted can be reread; in fact, older adolescents can read and enjoy this book as well (regardless of some of the adult content).
Uprooted is an entertaining coming-of-age story about identity and magic of all sorts. All of the familiar fairy tale tropes are twisted from what you know of them, and that makes the story more enjoyable. If you read and loved Spinning Silver, and you haven’t read Uprooted yet, then don’t wait any longer. If you want to read a fantasy story that uproots the expectations of the readers, then this is the book for you.
“Most Eos are the result of accidents,” he said, studying the snow. “But Eli and I were different. We set out to find a way to effect the change. Incidentally, it’s remarkable difficult to do. Dying with intent, reviving with control. Finding a way to end a life but keep it in arm’s reach, and all without rendering the body unusable. On top of that, you need a method that strips enough control from the subject to make them afraid, because you need the chemical properties induced by fear and adrenaline to trigger a somatic change.”
–1: Resurrection, VIII: Three Years Ago: Capital City
Authors and creators have many works which demonstrate the change and the divergence their careers have taken them through time. Each “period” of the artist presents both the influence and the expression of the artist(s) at that time. This is essential to know because the audience will have their favorite “periods” and/or their favorite work(s) from each “period.” This is relevant because the creator will work with either different mediums and/or different themes, while the author will write several stories of various genres for different readers. V.E. Schwab has written several books for children and young adults readers; however, it is her stories for adults in which fans and readers notice both the talent and the desire found within the narrative in that we all get the story we want so badly. V.E. Schwab does it twice, as we see in Vengeful, the sequel to Vicious, the second book in the Villains series.
There are 4 protagonists in this novel. The first 3 are familiar: Victor Vale, Eli Ever and Sydney Clarke. Readers meet up with them following the events at the end of Vicious. However, that end was just an end of those set of problems as new ones emerge. All three protagonists have experienced the wonders of their EO abilities, but now are understanding the consequences that come with them. Victor and Eli experience more physical pain now compared to all of the emotional pain they felt before they became EOs. Sydney’s difficulties are more long-term and obvious, but she experiences more loneliness after the death of her sister, Serena. Being an “Extra Ordinary” is wonderful and life-changing, until reality sets in. This truth transforms all three of these protagonists into vulnerable beings. And, while Sydney is no stranger to being vulnerable—she is 13-years-old at the beginning of this novel—both Eli and Victor are not. These “powerful” males are struggling to regain control over both their abilities and their lives. All the while, a new EO rises to become ‘The Villain.’ Marcella Riggins is the 4th protagonist, the newest EO, and the next villain to be dealt with in this series. The novel opens with her life, her death, her rebirth, and her EO abilities, which put her on the same level as Victor Vale and Eli Ever. The latter are examples of toxic masculinity, but Marcella Riggins is a perfect example of “a woman scorned.” When all 4 of these protagonists meet up—for 3 of them, it’s a dangerous reunion—chaos will ensue and A LOT of people will die.
There are several plots within this novel and it’s because there are so many protagonists, with different conflicts in the story. First, there is Marcella Riggins. Her life and her death are mentioned as they influence the EO she becomes. Readers have no choice but to sympathize with her, even when Marcella becomes drunk on power and seeks to seize control of the city her late husband would not. Eli Ever is in prison serving multiple life sentences for all of his crimes. However, he is kept in a “special” high secured prison where Eli becomes the obsession of physician whose toxic masculinity makes Eli’s (and Victor’s) look “normal.” Readers actually feel bad for Eli once his experiences at the prison, and in his life before he met Victor, are revealed. Victor Vale is enjoying his life as a free man, yet again. Only, his EO ability isn’t what it used to be. Not used to being not in control of his life, Victor seeks help for his EO ability in his way, which usually ends up with people dying. As for Sydney Clarke, she continues to hone her EO ability, which continues to strengthen. This is significant because Sydney’s ability grows while her body seem to remain the same. There are two subplots which help to enhance the story. The first is the introduction to other EOs who help with the development of who EOs are, their understanding of their abilities, how they use it and why, and who knows about EOs. The second subplot delves right back into the concept of negative emotions and how they are expressed. This subplot is a repeated one, but whereas males were observed in Vicious, females act out on them in Vengeful. And, there are just as many angry females as there are males. The subplots are necessary because not only do they enhance the story, but also they expand on the concept of EOs and their world which is hidden from most of the remaining population. Meanwhile, the plots develop as several individual rising actions are working their way towards a climax amongst the protagonists, which promises the reader(s) that something big is about to happen.
The narrative is told from the points-of-view of all 4 protagonists across a 5-year time frame, which jumps across various moments in time. While the novel starts with Marcella Riggins’ P.O.V., the narrative jumps back to what happened to Victor Vale 5 years ago—the ending of Vicious. From that point and for the duration of this novel, the time sequence goes from the present to one moment in the past to another moment in the past. This is not so much of a flashback sequence, but a narrative frame in order to explain to the reader(s) what is happening to a certain protagonist at a certain time, and then jump ahead to the consequences of those past actions. While it may sound confusing, it isn’t because as the past is explained so are the actions and the motivations of the characters. The points-of-view are in 3rd person limited (or, subjective). This means that during one character’s P.O.V. chapter, neither the readers nor that character knows the thoughts of another character. For the reader, the thoughts of the other character may or may not get revealed to them in another chapter. The characters will never know what the other ones are thinking (just like in real life).
The style V.E. Schwab uses in Vengeful is a continuation from what she did in Vicious. The characters had to lose something in order to become EOs; and yet, they continue to lose parts of themselves as they become more powerful. Similar to related themes found in comic books and superhero stories, the characters lose more of their humanity as they continue on the path to become separate entities. The mood in this novel is dread. From Marcella Riggins’ death and rebirth, a new sensation of awe and fear emerges and no one knows what will come from it, but it won’t be anything good. The tone in this novel is the preparation. The upcoming showdown that is foreseen due to the rise of Marcella Riggins will keep EOs (and readers) in anticipation. Readers know that Eli Ever and Victor Vale must reunite, but the reason for it remains unknown to all, even to the two former friends. If Vicious was the origins story, then Vengeful is the action movie sequel!
The appeal for Vengeful have been positive. Fans of both V.E. Schwab’s other books, including Vicious, have claimed it is one of her best stories, yet. In addition to gaining (more) new readers, myself included, Vengeful has reminded readers not only of comic books and superheroes, but also of (great) action movies. V.E. Schwab is a huge fan of the John Wick movies (just like I am), and she has said more than once that both the fight scenes and the world-building were influences for her Villains series. And no, I have not located the John Wick Easter Egg in Vengeful, yet (DO NOT TELL ME WHERE IT IS!), it is obvious that the climactic scene was influenced by it A LOT! The author has promised her fans at least one more book in this series, with a publication date as early as 2023 (she takes 5 years to write each book). With at least 2 more John Wick movies scheduled to be released in between Vengeful and Book 3, I can only imagine the story that will emerge from V.E. Schwab’s imagination in response to those movies.
Vengeful is the beautiful yet dark and twisted sequel to the story about the reality of the metaphysical. Fans and readers are reminded why possessing such powers and desiring to become extraordinary should remain restricted. Not only are there long-term consequences to gaining such powers, but also not everyone should possess such abilities. There was a reason this book made my list of My Selections for Best Speculative Fiction Books of 2018! If I still enjoy this book now as I did then, then you will love it, too!