Reading Check-In: May 1, 2021

I’ve managed to get some reading done this week.

What did you finish reading?

I LOVE MURDERBOT! Another excellent novella about our favorite snarky robot! I’m aiming to reading Network Effect this summer, finally!

What are you currently reading?

I’m still listening to Chaos Vector, and I hope to finish it within the next 1-2 weeks.

I’m back to reading Shards of Earth. The good news is because I haven’t made too much progress, which means I still remember everything that I’ve read so far.

What will you read next?

FYI: The title for Book 5, which is the last book in this series, has been released. It’s available on a certain website!

I am WAY behind on my reading (for reasons I’ll get into when the time is right). These are 3 of several books I hope to start reading by the end of the month.

Reading Check-In: April 24, 2021

Hello everyone! This week’s post is another update on what I’m reading.

What did you finish reading?

I finished this book some about 2 weeks ago, but I haven’t written my review of it yet. For those of you who’ve read Middlegame, you will recognize the title of the series (The Up-and-Under) and the author’s name, A. Deborah Baker (a.k.a. Seanan McGuire’s pseudonym). This story follows two young children from opposite sides of the same community who come across a wall, climb over it, meet each other in a new world, and make their way through it while meeting everyone who resides there. The next book, Along the Saltwise Sea, comes out later this fall. Even if I don’t get a galley of this book, then I plan on preordering it.

What are you currently reading?

I was hoping to finish this book sooner so I would have my review ready BEFORE next week’s release. Tor.com was kind enough to approve my request for this galley, and I thought I had to read Network Effect before reading this novella. After a few of my fellow bookbloggers clued me in that this story takes places before the novel, I started it immediately. I LOVE MURDERBOT, and I’m aiming to finish this story and to have the review written and posted very soon!

Currently, I’m still listening to the audiobook (while re-reading the chapters in my galley), and I’m 75% done with this book. I believe I know what could happen by the end of this book. However, the cover reveal for Book 3 has me wanting to finish this book A.S.A.P.!

What will you read next?

Without getting into too much detail, I received an eARC of this book early. I’ve been meaning to read the books this author has written for a long time. In fact, I’ve read the 1st half of The Tiger and the Wolf, and I haven’t finished it yet (READ IT). I started this book, and so far it’s a space opera experience I won’t forget anytime soon. I’m looking forward to reading this book through. And yes, my review for this book will be SPOILER FREE.

This week’s Book Haul!

Do I have to explain how excited I am for this book?! The Broken God is supposed to take place right after the events at the end of The Shadow Saint. All I know about this book is that Cari returns as one of the main P.O.V. characters. And, the author announced recently that the series has been expanded to 5 books! Yes, I’m excited about that, and I’m curious as to what will happen between the end of this book and the end of the series.

Why You Need to Read: “The Light of the Midnight Stars”

The Light of the Midnight Stars

By: Rena Rossner

Published: April 13, 2021

Genre: Historical Fantasy/Folklore

            There are tales of red-haired mountain men and women who could work miracles, of a people who could trace their lineage all the way back to the great King Solomon himself. Tales of a people who kept to themselves, who lives in a tiny quarter of the city of Trnava where they built their own house of worship. They say that on the ceiling of their synagogue there were a thousand tiny stars, (Prologue).

            I’ve said more than once that history never stays buried forever because it always finds a way to be unearthed. At the same time, the knowledge finds other ways to be spread and passed on through posterity—storytelling. It is through these stories the audience can piece together what might have occurred in the past, especially when the audience knows what to expect from such stories. Rena Rossner presented a lovely tale of magic and sisterly love in her debut novel, The Sisters of the Winter Wood. In her latest novel, The Light of the Midnight Stars, we get a similar story, which is set during a much darker era. 

            This story follows 3 sisters: Hannah, Sarah and Levana. They are the daughters of Rabbi Isaac Solomonar and his wife, Esther, and they are the descendants of King Solomon. Hannah is the eldest and her father’s favorite daughter, and her talents include recording events and growing plants. Sarah is the middle daughter, whose temperament matches her fire magic—impulsive and strong. Her talent is the same as her father’s, but he refuses to teach her anything until after she learns control. Levana is the youngest sister, and she is always looking at the stars. She can decipher the messages they communicate to her. The sisters live a happy and prosperous life in the Jewish quarter of Trnava, where their parents hope to find them husbands who are worthy of them. Hannah meets Jakob, the son of the Duchess of Trnava; and, Jakob is willing to meet Rabbi Isaac’s conditions so that he can marry Hannah. Sarah meets Guvriel, one of Rabbi Isaac’s students; he takes it upon himself to teach Sarah about her magic, and the two of them bond over their shared talent and thirst for knowledge. Unbeknownst to her family, Levana starts seeing someone and it is someone who has spent the same amount of time watching her as Levana has spent watching him. The 3 sisters approach adulthood thanks to their parents’ guidance and the love that blooms from the young men in their lives. However, will it be enough for the sisters to survive their first trials as adults? 

            There are 2 plots in this novel. The first focuses on the love lives of Hannah, Sarah and Levana and what ensues because of it. Hannah falls for a non-Jew, Sarah must wait until she is allowed to marry Guvriel, and Levana doesn’t know how to tell her family about her beloved. Just as it seems like the sisters will live out their lives happily ever after, a tragedy occurs. The sisters flee Trnava with their parents leaving everything behind, including the men they love. The second plot delves into identity and the consequences surrounding it. Hannah, Sarah and Levana must choose on how much of themselves they are willing to reveal to their new acquaintances as they survive the circumstances which led them to their current predicament. How long can one’s identity be hidden before the truth emerges? There are 2 subplots in this novel and they develop alongside the plots. The first subplot is about love and loss. As cliché as it sounds, the protagonists and other characters have lost something (or someone) they love, and they are all struggling to overcome the grief and the trauma enclosing it. The second subplot is hope, which is cliché, too. Hope is what motivates all of the characters as death and violence continues to ravage the country. Hope brings out the resilience in people (and in fictional characters).

            The narrative is told from the points-of-view of Hannah, Sarah and Levana in the 1st person. However, Hannah’s P.O.V. chapters are in the past tense because her chapters are written as journal entries, but that doesn’t mean readers won’t be able to pick up on Hannah’s stream-of-consciousness. Sarah and Levana’s chapters are told in the present but in different styles, which is done because they match their personalities (anyone whose read the author’s first novel will know what to expect), and present their streams-of-consciousness, too. Each narrator unveils what they must do in order to survive in a world that seeks to eradicate them and others who share their heritage. 

            The style Rena Rossner uses in The Light of the Midnight Stars follows the history of the persecution of Jews throughout our history. The Jewish community were often scapegoats for any and all misfortunes that befell a town, a region, or a country. For example, during the Black Plague, the Jews were blamed for the deaths and the continuation of the pandemic. Many Jewish quarters were obliterated, leaving any survivors to wander to other places where some of them had to hide their heritage from the outside world in order to live. In addition, this book contains many allusions of Biblical (Old Testament/Torah) texts and fairy tales, which are well-written into this novel. This story will make readers recall what they believed they have forgotten about those tales. The mood in this novel is ominous. Who should the protagonists fear more, the Black Mist or those who wish to harm them for who they are? The tone in this novel is resilience. The protagonists demonstrate that they will do everything that is imperative for their survival. The style in the novel replicates all of the adversity the Jewish community dealt (and continues to deal) with and how they continue to overcome it all.

            Fans of the author’s first novel will love this one. The appeal for The Light of the Midnight Stars will be positive because the author wrote a strong follow up to her debut novel. Fans of Naomi Novik, Katherine Arden, Alix E. Harrow and Tasha Suri will enjoy this book the most. This book is an excellent addition to both the historical fantasy subgenre and the speculative fiction genre. Likewise, this novel is a great reminder of the importance of Jewish folklore. Once I started reading this book, I couldn’t stop until the end; and, that’s with all of the twists that transpired throughout the narrative. 

            The Light of the Midnight Stars is a strong standalone novel about family, heritage and survival. Rena Rossner’s style immerses her readers into the past where it was not always safe to parade one’s heritage. While I don’t believe the author meant for this book to be topical, it does serve as a reminder that there will always be opposition towards a group of individuals. Yet, it is those groups of persecuted individuals where we continue to get inspiration from for our daily lives. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Thank you Redhook (and Angela) for sending me a copy of this book!

Current Speculative Fiction Series I Need to Complete

The Poppy War, #3: The Burning God (2020) by R.F. Kuang

As I mentioned in the last post, I’ve been meaning to read this final book in this bloody and brilliant historical grimdark trilogy. I did read the first couple of chapters, so I know that this story begins immediately where The Dragon Republic left off. And, that Prologue! I’m familiar enough with this subgenre of fantasy to know how this story could end, but I’ll have to read it to find out! If you haven’t start this series yet, then you’re missing out. Remember to start with The Poppy War.

Blood and Gold, #3: Queens of the Sea (2019) by Kim Wilkins

This series is unknown outside of Australia, and I had to order a copy of the 3rd and final book in this trilogy from a bookstore in the Down Under. The first book in this trilogy is Daughters of the Storm, and the premise of the book is about 5 royal sisters who go on a journey to save their father, the king, from a mysterious illness. Meanwhile, their stepbrother seeks the throne, and goes out of his way to expose the secrets each of the sisters are hiding from each other. The second book in the trilogy, Sisters of the Fire, takes place 5 years later, and it delves into the oncoming threats heading towards the kingdom, and the aftermath of the fallout amongst the 5 princesses. Queens of the Sea takes place 5 years after the end of the second book, and I’m still excited to read it!

Mistborn: Era 1 (2006-8) by Brandon Sanderson

Yes, I started one of Brandon Sanderson’s series! It was a few years ago; and yes, I remember what happened where I left off (in the 2nd book)! Tor was kind enough to gift me these books from one of their (previous) sweepstakes, and I started reading the books immediately. However, I stopped halfway through The Well of Ascension (around the point where the pace slows down) and I haven’t had time to finish reading this trilogy. Interestingly, the only other book by Brandon Sanderson I’ve read was The Original (the audiobook he co-wrote with Mary Robinette Kowal). I own some of the author’s other books (including The Starlight Archive), but I guess I want to complete one series before starting another one.

Rosewater Trilogy (2017-19) by Tade Thompson

I read and reviewed Rosewater, and I was very excited to read the rest of the trilogy. And then, I read the author’s Molly Southbourne series instead. I should hurry up and read the rest of this Africanfuturism trilogy! If you’re a fan of both Nnedi Okorafor, Tochi Onyebuchi and P. Djeli Clark, then you need to start reading this series!

The Wicked + The Divine (2014-19) by Kieron Gillen, Jamie McKelvie (Illustrations), Matt Wilson (Colorist), Clayton Cowles

I’ve been getting back into graphic novels. I was reading this series until around Volume 3, and then I just stopped. I kept buying them, but I haven’t finished the series yet. With this series, I’m going to start from the beginning and read them all straight through.

This series is about how 12 immortals are reincarnated as teenagers, who get their live as pop idols with all of the fame and recognition. However, there is a catch: after 2 years, they die. So, what will this generation of reincarnated gods do with 2 years left to live?

Knowing my schedule, I probably won’t get to these books until the summer. Not to mention, I have A LOT of other books to get through from my TBR pile. What will I read next? Your guess is as good as mine.

Which series do you still need to finish reading?

Reading Check-In: March 20th 2021

Yes, I’m “borrowing” this idea from Realms of My Mind

This is not a review post. While I prepare to participate in some upcoming events (watch the livestream I participated for The Bone Shard Daughter here), I will continue to catch up on some of my reading. The reviews will be posted as they are written, but life is taking over more of my time. At the same time, I can’t just NOT post something!

What did you recently finish reading?

This debut novel is a brilliant blend of dark fantasy and horror. This book reminds me of Black Sun by Rebecca Roanhorse. I will explain how and why in my upcoming review.

This book is a beautiful follow up by Rena Rossner. This book comes out in April 2021. My review will be ready and posted by that time.

What are you currently reading?

I need to finish this audiobook.

I know, I know. I’m behind on my reading, but this book is so good!

I’m behind on reading this book, too. Believe it or not, for a YA novel, this book is just as brutal as my other current read.

What do you think you’ll read next?

I started this book last year, but I didn’t get to finish it by the end of 2020. I’ve heard nothing but amazing (and gory) things about this book, and I really, really want to finish it!

Who doesn’t love Murderbot?!

After THAT ending! I NEED TO KNOW what happens next!

Wish me luck! We’ll see what happens next week!

Why You Need to Read: “The House in the Cerulean Sea”

The House in the Cerulean Sea

By: T.J. Klune

Published: March 17, 2020

Genre: Fantasy

*Winner of the 2021 ALA Alex Award*

            It was set up a hill on a cliff overlooking the ocean. It looked as if it were at least a hundred years old. It was made of brick and had a large turret of all things set right in the middle of the roof. The side of the house facing Linus was covered in green ivy, growing around multiple white window frames. He thought he could see the outline of a gazebo set off next to the house and wondered if there was a garden. He would like that very much. He could walk through it, smelling the salt in the air and—

            He shook his head. He wasn’t here for such things. There would be no time for frivolities. He had a job to do, and he was going to do it right, (FIVE). 

            It’s amazing how a reader comes across a book. In this case, after receiving an eARC, I received a print copy of this book from a giveaway. At the time of this book’s release, the reviews were all about how great and how beautiful the story is, and how everyone should read this book. And, when I started reading the book, I realized the description didn’t do it justice to the story as a whole. The House in the Cerulean Sea by T.J. Klune is a poignant story about family and identity.

            The protagonist is Linus Baker, a middle-aged caseworker in the Department in Charge of Magical Youth (best described as social services for “magical” children). He is the stereotypical vapid and lonesome adult who lives alone—with his cat, Calliope—and focuses on his job, in which he is very good at. In fact, Linus is so good at his job, he receives a summons from Extremely Upper Management to take part in a highly classified assignment: investigate an orphanage on the distant island, Marsyas; report and determine whether or not it should remain open; and, check the well-being of 6 “magically dangerous” children and their caretaker, Arthur Parnassus. It doesn’t sound too bad, until Linus reads the files for each child. That is when Linus realizes this assignment is unlike the other ones he’s had before, and why the files are classified. Linus reads up on the files of the children: Lucy, Talia, Theodore, Chauncey, Sal and Phee. But, he waits to read Arthur’s file because Linus believes it isn’t relevant to the assignment. In addition to the children and Arthur, there is Zoë Chapelwhite, the “Caretaker of Marsyas Island,” and the mentor to one of the children. Each of the children are as unique as their files make them out to be, and Linus is able to see them all as children and NOT the magical beings they are. While Linus has no issues with writing up his reports and bonding with the children, he is puzzled by Arthur’s demeanor, especially when it comes to the humans who reside on the island. Arthur is a complex character, but it is through him that Linus develops as both a character and an individual throughout the story. 

            Although the plot appears to be cliché, it is less straightforward and more complex than presented in the first chapter. In this world, humans and magical beings coexist in society, but they remain segregated from each other. The obvious reason for this is the fear between both groups. Humans fear what they don’t know, and the magical beings fear for their safety (from humans). Linus believes he’s investigating the Marsyas Orphanage because of his ability to “do things by the book.” However, Linus learns quickly about the true intentions of Extremely Upper Management and of Arthur’s reasons for becoming the guardian for these particular children. There are two subplots in this book. The first one surrounds foster care. Just about everyone has heard of (or knows someone who went through or works within) the foster care system—which, includes orphanages and children’s homes—and, the numerous stories—both true and false—about the ongoings that occur within them. This includes visits from caseworkers and social workers. I’m not saying that this book provides “accurate” information—I wouldn’t know—but, there is enough familiarity in this book that brings out the reality within the fantasy. The second subplot involves trauma and fear, and how it is handled. Approximately, half of the characters are dealing with their personal fears and traumas, and they all deal with them in their own way. However, there are positive and negative methods to overcome them, which are explored in this story. These subplots are necessary because they provide more depth and development to both the plot and the characters.

            The narrative follows Linus’ point-of-view in the present, and is told in 3rd person limited narration. This means that the readers know what is happening from Linus’ experiences, and what is told to him by the other characters. This use of narration is essential for the story because of Linus’ role as a case worker. He must be able to understand the children, Zoë and Arthur while maintaining his identity as a human; especially, when Linus is told of the traumas the children have gone through. This makes Linus a reliable narrator. 

            The style T.J. Klune uses for The House in the Cerulean Sea is first and foremost a commentary on stereotypes, especially those placed on children. Ironically, this book was released during the year the world was forced to observe how they operated, and how their societal practices led to social turmoil. In addition, it is children who are taught how the world will perceive them based on these societal norms and practices; and, how it can get better, or worse (usually worse), as they reach adulthood. Earlier, I mentioned foster care systems, but there are several allusions to magical beings across folklore and speculative fiction, including the “smaller details” to what some of us suspected about those magical beings. The mood in this book is paradise. Linus arrives on the island and he is awed instantly by its beauty: the weather, the colors, and the appeal. However, each literary paradise contains its own underlining issue. The tone in this book is the dismantlement of stereotypes and appearances. All of the characters have something within themselves they need to overcome so that they can continue living their lives. 

            The appeal for The House in the Cerulean Sea have been immensely positive. Several readers and critics have had nothing but great things to say about this book. In addition, this novel was named “One of the Best (SFF) Books” of 2020 by everyone from Goodreads to Amazon. This book is a great addition to the speculative fiction canon and it should be read by all fans of the genre, especially for its lighter tone. Recently, this book became one of the recipients of the American Library Association’s (a.k.a. ALA) 2021 Alex Award. And, I’m going to say that this is the first of many accolades this book will receive. 

            The House in the Cerulean Sea is the magical book readers and fans didn’t know they needed. T.J. Klune presents a story about stereotypes surrounding identity, youth, family and appearances; and, it provides a bit of magic to it in order to present it as realistic, and it works. If you are looking for a fantasy story that will make you smile, then look no further. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “The Once and Future Witches”

The Once and Future Witches

By: Alix E. Harrow

Published: October 13, 2020

Genre: Historical Fantasy, Folklore, Paranormal

            …“The Tale of Saint George and the Witches.” It’s never been one of her favorites, but she reads it anyway.

            It’s the usual version: once upon a time there were three wicked witches who loosed a terrible plague on the world. But brave Saint George of Hyll rose against them. He purged witching from the world, leaving nothing but ashes behind him. 

            Finally only the Maiden, the Mother, and the Crone remained, the last and wickedest of witches. They fled to Avalon and hid in a tall tower, but in the end Saint George burned the Three and their tower with them, (3). 

            2020 was a memorable year in and of itself. This was unfortunate because events of the present—which, I won’t list in this review—did not allow us to celebrate any milestones. One in particular was the ratification of the 19thAmendment which extended the right to vote to women, which occurred on August 18, 1920. This was a huge event because the movement for women’s rights—known as the Suffrage Movement—launched on a national level with the Seneca Falls Convention in 1848. And yes, similar movements were occurring in other countries around the world. This is one example out of many which demonstrates how long women had to fight and to protest to have their voice heard within the government. Alix E. Harrow gives readers her historical interpretation of this movement—with elements of witchcraft—in her second novel, The Once and Future Witches

            There are 3 protagonists in this novel, the Eastwood sisters: Beatrice Belladonna, Agnes Amaranth and James Juniper. Circumstances have brought the sisters together in New Salem in 1893 on the spring equinox. Agnes, Bella and Juniper have neither seen nor communicated with each other in 7 years. And yet, they still feel like the family they once were regardless of what led them to their current predicaments: Bella is a librarian, Agnes works at a mill, and Juniper has left home (and is a wanted woman). Societal norms and gender stereotypes have placed the sisters in situations where they cannot hope to progress further in life. That is unless they decide to join the local suffrage group, and to practice the magic they were taught from their grandmother, Mama Mags. As these sisters reconnect and reclaim what was denied to them their entire lives, they realize that more is at stake than just having the freedom to practice magic, to vote, and to be a woman. And, they won’t have to do it alone. Joining the Eastwood sisters are: Cleopatra Quinn, a journalist and a member of the Colored Suffrage Movement from New Cairo; August S. Lee, a factory worker from Chicago who has a knack for fighting for fair treatment for factory workers and for practicing “male” witchcraft; and, several members of the Sisters of Avalon, local women who are willingly to use magic in order to receive fair treatment. The antagonists include: Gideon Hill, the ambitious politician, who knows more about witchcraft than he should; and, his ward, Grace Wiggins, who is the head of the Women’s Christian Union—an organization of women who are “content” with the way things are, and are against all suffrage groups and witchcraft. All of these characters develop at they push for what they believe in, and they are more complex than they first appear. These characters deserve our sympathy and our empathy. 

            There are 2 plots in this novel. The first plot is the female characters who decide to go rogue and to form their own suffrage group which permits them to use witchcraft the patriarchy has denied them for centuries. It seems whenever suffrage groups get closer to achieving their right to vote, society finds a way to “punish” these women, which forces them to learn witchcraft so that they have a way to fight back. However, why is it that magic is stronger in females than in males? The second plot surrounds the legend of “The Last Three Witches of the West” and “The Lost Way of Avalon.” In this book, everyone is familiar with the story of Saint George of Hyll and his “victory” over the witches and the destruction of their stronghold. Yet, Bella, Agnes and Juniper are able to find evidence the witches and the Tower of Avalon did and could still exist. The sisters are able to locate the Tower’s entrance and discover what is inside. The sisters learn the origins of the Tower and its “demise” and the connection it has to the present. There are 2 subplots in this novel, and they embellish the plots and allow them to go at an appropriate rate. The first subplot focuses on how society was “operated” towards the end of the 19th century; labor laws weren’t formed yet, Jim Crow and segregation were practiced, and females of all ages were subjected to misogyny from most of the males in their lives: fathers, male relations (who were favored for inheritance), bosses, politicians, etc. Females had little to no say over their lives, and they could find themselves arrested and imprisoned for refusing to follow these laws—mothers lost custody of their children—because social norms believed males were “superior” to females. The second subplot follows how witchcraft was able to exist alongside those who shunned and tried to expunge it. The question is, why? Was it due to fear, or because women were better at witchcraft than men? Once everything has been revealed to the characters (and the readers), how will they react? 

            The narrative in this novel is very intriguing. The narration follows the points-of-view of Bella, Agnes and Juniper in 3rd person limited narrative, which presents what each protagonist is experiencing at the moment without the other ones knowing about it. However, there is a slight difference in this narration. Magic allows the Eastwood Sisters to feel one another’s emotions, which allows them to know what is happening to the others at any given moment. The sequence is interesting as well because as the narration is presented in the present in real-time, the story halts whenever a “story” is being told by one of the characters. While the concept of “a story within a story” is nothing new, the presentation of the stories by the characters offers readers the chance to delve into the narrative even more. The narrators are reliable because readers follow their streams-of-consciousness and their memories of the pleasant and the traumatic, which makes the narrative easy to follow. 

            The style Alix E. Harrow uses for The Once and Future Witches is a tribute to all elements of folklore familiar and unfamiliar to her readers. The title is an allusion to the novel, The Once and Future King by T.H. White, but has the setting and the mood of The Mists of Avalon by Marion Zimmer Bradley. In addition, as I mentioned earlier, this novel is not only a retelling of folklore, but also a retelling of societal practices from over one hundred years ago. Labor and factory workers suffered long workdays with little pay, women had to follow the rules set by their fathers and their husbands and other laws otherwise they would be punished, and the blatant racism which saw segregation as a legal and an acceptable social practice. All of these are mentioned within the book as well as all of the advocates who pushed for equal rights and fair treatment such as: Ida B. Wells-Barnett and Elizabeth Cady Stanton. This novel is full of allusions to tropes from folklore and familiar tales: Avalon; the number 3; shadows, Maiden, Mother and Crone; witches, Christianity, etc. Also, Alix E. Harrow includes some of her “fractured fairy tales” throughout the story. A fractured fairy tale are stories in which “a writer or storyteller rewrites and refines them for the world we now live in,” (Yolen). Elements and/or familiar parts of a known story—Cinderella attends a festival, Sleeping Beauty must fall asleep at some point, etc.—but everything else is altered so the variant is presented as a new one. The storyteller is able to have fun with these tales as they have more freedom to tell the story that reflect their atmosphere. The Once and Future Witches is a combination of historical fiction and numerous fractured fairy tales, which presents readers with a unique historical fantasy story. The mood in this novel is oppression. Several of the characters—including the protagonists—are subjected to oppression and are willing to do anything to fight against those who dominate them. The tone in this novel refers to the legacy of witchcraft and spells; if they are not supposed to be practiced, then how has the knowledge survived since the death of the last coven of witches? It could be argued that the tone pertains to who has access to witchcraft and what it entails, especially those in power. 

            The appeal for this novel have been highly positive. Based on other ratings and reviews, it appears readers enjoyed The Once and Future Witches as much as or even more than the author’s first novel, The Ten Thousand Doors of January. It needs to be mentioned that the 2 books—while they belong in the speculative fiction canon—are of different subgenres. The former is a historical fantasy about witches, which is categorized in the paranormal and the urban fantasy (and the witches) subgenres. The latter is a portal fantasy, which is a subgenre of fantasy. Readers need to understand these books are different, yet enjoyable. Fans of The Priory of the Orange Tree by Samantha Shannon and the Winternight Trilogy by Katherine Arden will enjoy this book the most.

            The Once and Future Witches is more than a story about witchcraft, it is a combination of various folklore and moments in history. Alix E. Harrow celebrates the centennial of the 19th Amendment by gifting her readers a harsh reminder of how society used to be, and how we take certain rights for granted. If anything else, then you should read this story for the (fractured) fairy tales. 

My Rating: Enjoy It (4.5 out of 5). 

                                                      Works Cited

Yolen, Jane. How to Fracture a Fairy Tale. E-Book, Tachyon Publications, 2018. 

Why You Need to Read: “The Empire of Gold”

The Daevabad Trilogy, #3: The Empire of Gold

By: S.A. Chakraborty 

Published: June 30, 2020

Genre: Fantasy, Historical Fiction

            Daevabad, in all its glory and infamy. The mighty brass walls embellished with the facades of its founders, her ancestors. The crush of ziggurats and minarets, temples and stupas; the dizzying array of clashing architecture and eras—each group, each voice leaving its defiant mark on the city of djinn. The shafit stolen from Persepolis and Timbuktu, the wandering scholars and warrior-poets from every corner of the world. The laborers who, when their work was left unacknowledged in official chronicles, had instead emblazoned their names in graffiti. The women who, after erecting universities and libraries and mosques, were kept silent because of “respectability,” had stamped their presence on the cityscape itself, (42: Nahri).

            It still amazes me how I almost missed this series. When a book’s title and/or cover captures your attention, make time to read it because you might enjoy it to the point where it becomes one of your new favorite books. The Daevabad Trilogy has been a different reading experience and its due to the influence based on Middle Eastern culture and the classic story, One Thousand and One Arabian Nights. The series started with The City of Brass and continued with The Kingdom of Copper, which had an ending that left readers stunned. The Empire of Gold is the brilliant conclusion to this trilogy, and it begins where the last book left off.  

            The story begins with the antagonist, Manizheh—the former Banu Nahid and mother to both Nahri and Jamshid—as she looks over Daevabad after the almost successful usurpation of the kingdom and its ruler, King Ghassan. The rebellion was “almost successful” because Manizheh failed to retrieve Suleiman’s Seal. Instead, Nahri and Prince Alizayd beat her to the ring. And, just as Nahri and Ali are confronted by Manizheh, they jumped into the lake to get away from her only to find themselves transported to Cairo. Meanwhile, because the ring has been taken out of Daevabad, magic has vanished. Now, Manizheh is left without her magic and with hostile forces who are either trying to gain more independence or regrouping to take her down and reclaim the kingdom. Manizheh descends into madness as she struggles to maintain control of Daevabad. There is only one individual who has magic in Daevabad and it’s Darayavahoush e-Afshin. Dara is fighting a war within himself. He’s struggling to display his loyalty to Manizheh while trying to reach a truce with all of the 6 Tribes, the surviving members of the royal family, and the shafit. In addition, all of the trauma Dara experienced during the last war, which led to the deaths of his family has been resurfacing. It doesn’t take long for Dara to realize that history is repeating itself, and he’s the only one who comprehends what the war could lead to for everyone in Daevabad. This causes Dara to do everything he can to achieve a truce even if it means betraying his Nahid. Thousands of miles away, Nahri and Ali find themselves in Cairo with no clue as to how or why they ended up there. Ali wants to return to Daevabad immediately, but Nahri needs some convincing. The last 5 years haven’t been kind neither to the prince nor to the Banu Nahid, but it is the former’s surviving family members who remain at risk. After a lot of consideration, Nahri agrees to save Daevabad from Manizheh. Unfortunately, the journey back to Daevabad is even more perilous than Nahri’s first journey there with Dara. Not to mention, it turns out EVERYONE is searching for Nahri and Ali, and not just their families. Numerous “outsiders” hope to collect the bounty, and several mystical beings demand the payments of their ancestors’ “debts.” Why does everyone know about Nahri’s heritage except her? And, what other “debts” does Ali have to pay on behalf of both his maternal and his paternal ancestors? Throughout the story Nahri, Ali and Dara develop as characters as they find ways to overcome their traumas as they fight to save their home and to restore magic. It is essential to understand that the horrors and the traumas these protagonists face do not motivate their actions, they allow them to make “reasonable” decisions as they strive to change their world for the better. 

            The plot in this story picks up where The Kingdom of Copper ended. King Ghassan’s tyrannical rule is over, but Banu Manizheh proves quickly to be more ruthless and more paranoid than her former oppressor. And, Manizheh didn’t factor in losing Suleiman’s Seal or magic. Now, she feels powerless and she is forced to depend on Dara to complete her tasks. Meanwhile, Dara doesn’t wish to lose his independence, so he works against Manizheh secretly in order to keep everyone alive. Another plot in this story is Ali and Nahri’s journey back to Daevabad, which is full of physical and emotional turmoil. Ali has to decide whether or not to go through with his plans or that of his family’s. Nahri is dealing with what was revealed to her about her family and whether or not it’s true. The 2 friends need a plan to retake Daevabad and to defeat Manizheh, but it looks like they’ll have to make bargains of their own. There is one subplot in this novel and it relates to family. Ali, Nahri and Dara have struggled with family expectations—yes, even Nahri—and they’ve had an impact on all 3 of them. Ali has been a dutiful prince, but clashed against his father’s rule and his mother’s ambitions. Nahri was told what was expected of her due to her heritage even though she believed her relatives were all dead. Dara did everything that was expected of him by both his family and the (then) ruling family—the Nahids—only to witness his family’s deaths and the Nahids being overthrown. All 3 protagonists attempt to go against their family’s expectations as they strive to make their own decisions and what is best for themselves. This subplot is necessary for the plots of the story because readers can relate to some of the struggles the protagonists are experiencing and why they make certain choices throughout the story. 

            Once again, the narrative continues from the points-of-view of Dara, Nahri and Ali—with one chapter told in Manizheh’s P.O.V. The narrative is told in real-time and are in 3rd person limited narrative—the characters know only what is happening around them and to them at the moment. All 3 protagonists are reliable narrators because each of them provide everything that is happening to them, including the mistakes they make. The narrative follows the streams-of-consciousness of all of the protagonists. Yet, keep in mind these characters experience both flashbacks and memories. It is important to know the two are not the same thing, and the narrative is able to present this distinction.

            The style S.A. Chakraborty uses for The Empire of Gold is a continuation of what readers received from the previous books in the trilogy. One Thousand and One Arabian Nights and Middle Eastern culture are major influences in this book, and there are allusions to the Ottomans and the Napoleonic Wars as well. Now, instead of an impending rebellion, civil war has broken out after the ruler has been overthrown, and the person who claims she is in charge does not know how to maintain control and cannot solve the kingdom’s biggest dilemma, which is the loss of magic. The mood in this novel is discord. All over the world, magic is gone and everyone is dealing with the ramifications, including the civil war in Daevabad. The tone in this novel is resilience and which of the characters, including the protagonists, are able to withstand all of the incoming challenges. Readers should refer to the maps and the appendices as they read this book so that they can keep track of the Tribes and the world-building.

            The appeal for The Empire of Gold have been positive. Several fans and readers have lauded the author for providing a strong conclusion to this trilogy. Yes, this book is over 700 pages long, but any fantasy fan will appreciate all of the world-building the author has put into her books. Not only does this series belong in the fantasy canon, but also is a great addition to the historical fantasy and the Middle Eastern fantasy subgenres. Even George R.R. Martin has praised this series. And, fans can expect a new series from the author in 2022!

            The Empire of Gold is a gratifying end to The Daevabad Trilogy. The plots answer all of the questions readers have about the characters, and the author provides appropriate endings for all of them. Do not be intimidated by the book’s size because you will finish reading it before you know it. Fans of Tasha Suri, Sabaa Tahir, Egyptian mythology, and Scheherazade will enjoy this series the most. This book is a satisfying conclusion to this trilogy.

My Rating: Enjoy It (4.5 out of 5). 

Why You Need to Read: “The Memory of Souls”

A Chorus of Dragons, #3: The Memory of Souls

By: Jenn Lyons

Published: August 25, 2020

Genre: Fantasy

Thank you Tor Books for sending me an eARC of this book! And, thank you for your patience on waiting for my review.

Note: There are a few spoilers from the first two books in A Chorus of Dragons series. 

            “The more I remember, the more I hate being able to remember,” Janel said. “It feels like another person taking over my mind. Someone else’s thoughts intruding on my own. I’m not…those people anymore,” (74: Who They Used to Be).

            The cast has been introduced. The conflict has been revealed. So, the story can continue, right? Many readers of any genre understand both stories and real life are more complex than they first appear to be. Fans of epics, sagas and (space) operas know to expect more from such stories, but they never know which direction the story will move throughout the narrative. The Memory of Souls, the third book in A Chorus of Dragons series, is the latest epic fantasy to provide more plot devices as the story reaches its climax. 

            All of the characters (and, I mean all of them) from the first two books in the series—The Ruin of Kings and The Name of All Things—are back as they all continue with their roles pertaining to the end-of-the-world. The protagonists include: Kihrin D’Mon—the man who murdered the last emperor of Quur; Janel Thernanon—the Black Knight; Thurvishar D’Lorus—the son of the last emperor of Quur, who was also an infamous necromancer; and, Tereath—a member of the Black Brotherhood. These protagonists were saved and are tasked by the gods to convince the vané—the last race of immortal beings—to perform a sacred ritual. Unfortunately, there are a few parties who attempt to stop this quest, but the reasons vary between each group. One group is the parents of the protagonists: Therin D’Mon and Khaeriel—Kihrin’s parents; Terindel—Tereath’s father; and, Tya—Janel’s mother, work to assist their kids with the strength of their abilities. Another group involves more relations to the protagonists: Khaemezra—Tereath’s mother; and, Relos Var—Thurvishar’s grandfather, are some of the antagonists in this story, but they are neither working together nor working towards the same goal. Then, there are the characters who are working towards their own goals. First, is Senera who is still working with Relos Var (blindly), and who still possesses ‘The Name of All Things.’ Second, is Suless, one of the immortal wizards who seeks vengeance on those who kept her captive. Last, is Talea who was the former slave girl Kihrin failed to save, but she appears to have gain her freedom. After the events in The Name of All Things, all of the protagonists and the characters realize the “actual threat” wasn’t Relos Var, but someone who is more ancient and more powerful than him. There are more characters, old and new, who appear throughout the story who either try to hinder or try to help the “heroes” save the world. Throughout this story, the protagonists develop as they journey on their quest(s) and learn more about themselves through each other. Granted some of the protagonists’ revelations are just as shocking to them as they are for us, but the way the protagonists handle them allow them to make the decisions they know are coming their way, and they won’t have to do the fighting alone. 

            There are two plots in this story. The first plot revolves around the “newest” threat to Quur, Vol Karoth, who after having one of his tethers cut loose by Kihrin (who was tricked into doing it by Relos Var) is closer to being freed from his prison. The second plot concerns ‘The Ritual of Night.’ Kihrin, Janel, Tereath and Thurvishar must convince the vané to perform the ritual so that Vol Karoth will be reimprisoned. The catch is the race who performs the ritual will lose their immortality, which is something the vané are not giving up willingly. So, how will the “heroes” convince the vané Vol Karoth is a threat who should not be unleashed onto the Quur Empire? There are two subplots in this novel, and both of them embellish and develop alongside the plots in this story. The first subplot concerns the mysterious character known as Grizzst. He is a famous wizard whose magic may or may not have saved Quur from destruction. And yet, so few people know who he is and what he’s done, so why is everyone searching for him now? The second subplot involves memories and past lives. There are the vane—who are immortal—and, the god-kings—immortal wizards—then, there is reincarnation. That’s right, on top of gashes and soul swapping, there is the reincarnation of souls. However, how often do you hear of people remembering their past lives? There were a few examples in The Ruin of Kings, but it’s happening a lot more in this book. In fact, some of what the characters are starting to remember might contain clues as to how to stop both Vol Karoth and Relos Var. These subplots are necessary because they refer back to the plots, which allows them to develop and to go at an appropriate rate.

            The narrative in this book is slightly different from the narratives in the first two books in the series. Unlike the first two books in the series—where the narration and the points-of-view go back-and-forth among 2-3 characters—this book follows the narratives of several characters—some old and some new. Similar to the previous books, all of the narrations are being compiled into a single chronicle which presents all of the events in the “chronological order” they occurred in. Most of the P.O.V.s are told in 3rd person omniscient with one narration told in 1st person. In terms of how the narration is present, pay attention to the title. This means the narration goes from stream-of-consciousness to memories—NOT flashbacks! Without giving away too many spoilers, these memories are essential to the narration because it provides even more insight into the world the author created and the actions several of the characters performed as well. Not to mention, the events of the past influence the decisions some of the characters make in the present for the future. Believe it or not, all of the characters are reliable narrators, and the narrative can be followed easily by the readers. 

            The style Jenn Lyons uses for The Memory of Souls continues with the chronicler. Unlike the first two books, there is only one oral speaker recounting events. All of the other characters have written their “experiences” and “gave” them to the chronicler to compile. In this book, readers witness the “arrangement” of all of the “participants” into one coherent text. And, let me say the chronicler (and the author) make it look easy. The mood in this novel is crusade. All of the parties go their separate ways in order to engage in a campaign either personal or divine. However, many of these campaigns go against (one or more of) the other one(s). When that is the case and the parties involved meet up, discord occurs—which is the tone in this novel. Readers should refer to the map, the glossary, the family tree, and the timeline throughout their reading of this book. The series is at the point where these references provide enough information and backstory without having to refer back to the previous books.

            The appeal for The Memory of Souls have been mostly positive. While most of the readers enjoyed this book, there were a few who either found the story to be confusing, or thought the series was “getting too long” (not my words). That being said, those readers might want to look up the difference between fantasy and epic fantasy. Not all fantasy series are trilogies! I’ve made this assumption with this series and other ones before the authors corrected me! This book and the previous books in A Chorus of Dragons belong in the (epic) fantasy canon. Fans who have stayed with this series this long can look forward to reading the next book in the series, The House of Always, when it is released (in 2021); especially with those cliffhangers, we all need to know what happens next. 

            The Memory of Souls is the climax of A Chorus of Dragons series, which will leave fans and readers with the (grimdark) question: does the ends justify the means? While the story doesn’t omit any of the detail, it does leave readers with several more questions about the direction the author seems to be moving it in. No one is expected to survive the end of this series, but we’ll have to read in order to find out who will live.

My Rating: Enjoy It (4.5 out of 5). 

Speculative Fiction Starters for Children and Young Adults

This article was written for the Martian Chronicle blog, but it was never posted so I decided to rewrite and to present it on my blog. Enjoy!

            When children and adolescents show an interest in reading, we—as adults, and as readers ourselves—want nothing more than to load our recommendations and favorite books on to them. Unfortunately, not only will this overwhelm young readers, but also turn them off to reading the books we want them to read (outside of school reading). One of the reasons for this is because many adults fail to pay attention to the genre of literature the kids are reading. If a teen is reading non-fiction, then they’re not going to be interested in historical fiction. If a child enjoys fairy tales, then giving them a book about aliens might not capture their attention. In addition, suggesting “popular” (i.e. Percy Jackson, Magic Tree House, etc.) books isn’t the way to go because those readers might have read those books already. Knowing the books within a preferred genre is worth reading and it will keep the interest of reading in children and in adolescents. 

            When it comes to speculative fiction, adults tend to select the “typical” and/or the “popular” books of the genre to give to children and to young adults. And, there is nothing wrong with choosing Alice’s Adventures in Wonderland and Watership Down. However, there are so many other books to give to these young readers and the genre has expanded so much that it can feeling overwhelming for everyone. That being said, here are some recommended books for young readers who are fans of the speculative fiction genre. 

CHILDREN

  1. The Wizard of Oz: The Complete Collection by L. Frank Baum

There are 14 books in this series which is often compared to Alice’s Adventures in Wonderland and Through the Looking Glass by Lewis Carroll. Several books, including the 1st book, The Wonderful Wizard of Oz, does follow Dorothy and her dog, Toto, on their many adventures in Oz, but the series gives readers more insight into the entire world through several other characters who live in different parts of Oz. Think of them as “modern” American fairy tales. 

  • The Spiderwick Chronicles by Tony DiTerlizzi & Holly Black

Holly Black is more known for her young adult books, but she has co-written this series—and, a sequel series—with Tony DiTerlizzi; and yes, the books are better than the movie. This series follows twin brothers, Jared and Simon Grace, and their older sister, Mallory, as they move into their family manor. As they unpack, they wonder if there is something, or someone, else living in the house. When Jared finds a “field guide” that belonged to their great-uncle who disappeared over 80 years ago, Jared, Simon, and Mallory learn that their backyard is home to numerous magical creatures, both good and bad.

  • Akata Witch by Nnedi Okorafor

DO NOT CALL THIS BOOK, “HOGWARTS IN AFRICA,” because it is NOT THAT!!! This book will remind readers of Rick Riordan and Ursula K. LeGuin, in which “gifted” children attend a school where they learn magic that is based on their heritage. Sunny and her friends learn how to hone their abilities which is based on African shamanism and cultural practices. The plot alone makes this book and its sequel, Akata Warrior, stand apart from other “magic school” stories. 

  • Young Wizards by Diane Duane

What if wizardry and magic weren’t just about casting spells, but protecting the entire galaxy? What if your spell book was real and you had to be able to read the language its written in in order to cast spells? This series, which started in 1983 with So You Want to Be a Wizard, follows Nita Callahan and Kit Rodriguez as they begin their careers as wizards. After completing their “Ordeal,” the two friends travel throughout Earth, to Mars, and to the rest of the galaxy as they work on their tasks using scientific spells. Currently, there are 10 books in the series, and each one sees the development of the young wizards. 

This horror story will make readers question whether or not their local urban legends are real. The story follows 11-year-old Ollie, who is grieving the death of her mother. One day after school, Ollie sees a crazed woman yelling at a book and threatening to throw it into the river. Ollie steals the book and begins to read it. She reads about two brothers who were in love with the same woman, and a deal they made with “the smiling man.” Ollie believes what she’s reading is just a story until her school bus breaks down and her broken watch “warns” her to “RUN.” 

YOUNG ADULT

  1. Brave Story by Miyuki Miyabe, translated by Alexander O. Smith

This book won the Batchelder Award in 2008, and it was written for children as young as 8-years-old. However, this book can be enjoyed by adolescents; and yes, the fact that the book is more than 800 pages long is another reason this book is recommended for adolescent readers. The story follows Wataru Mitani as he goes on a quest in another world to save his parents’ marriage. The difference here is that this story is written in a style that appeals to gamers, especially fans of (Japanese) role-playing games, or RPGs. Fans of Ni no Kuni: Wrath of the White Witch and Final Fantasy will love this story.

  • Haroun and the Sea of Stories by Salman Rushdie

What if your father was a famous storyteller who receives his stories from a river of dreams? What happens when that river stops flowing and your father can no longer perform his job? Join Haroun as he journeys to defeat the dark force that is halting the flow of the river, and the stories, which flow to his father. This is a very unusual quest.

  • Memories of the Eagle and the Jaguar Trilogy by Isabel Allende, translated by Margaret Sayers Peden

15-year-old Alexander Cold is sent to stay with his grandmother who works for International Geographic. Her latest assignment takes both of them on an expedition to the Amazon. There, Alex meets Nadia Santos, and the two friends go on an adventure through the Amazon, where they learn about their spirit guides, which are in the forms of animals, so that they can save an ancient city from ruin. Isabel Allende’s YA trilogy, which starts with, City of the Beasts, follows the protagonists’ adventures both in the Himalayas and in Kenya as well. 

This book, which is set in a futuristic war-torn Nigeria, was influenced by the anime series (and its many spinoff series), Gundam. Onyii and Ify are sisters who live in a camp with other orphaned girls that is isolated from the ongoing civil war. However, after an attack on the camp, the sisters are separated and find themselves on opposite sides of the war. In a future where space colonies, A.I.s, and flying mechs exist, how does a war end when both sides have advanced technology. Will Onyii and Ify survive the war and reunite? 

  • Tamora Pierce Pantheon

For almost 40 years, Tamora Pierce has written stories of several characters through generations in the world of Tortall. Alanna: The First Adventure was released in 1983, and it follows Alanna as she and her twin brother, Thom, switch places in order to go to the school they want to attend. Thom goes to school to train as a mage, and Alanna travels to the King’s castle to train as a knight. There is only one problem. Females haven’t trained to be knights in over 400 years. This means Alanna will have to disguise herself as a boy so that she can become the knight she wants to be. And, that’s just the first quartet in that universe! There are a lot more stories about different girls learning and growing into strong women that take place inside and outside Tortall. 

These are a few of several books and series available for young readers of speculative fiction. Now, some of these authors have written other books for children and for adolescents, and I recommend those books as well. This is a starting point for young readers who want to read books that might not receive the recognition they deserve. Yes, let them read Harry Potter and The Chronicles of Narnia, and The Earthsea Cycle and the Rick Riordan Pantheon; but, these fantasy, horror, science fiction, fairy tale, and magic realism stories are worth reading, too. I hope you enjoy them all as much as I do!