Category Archives: graphic novels

Speculative Fiction: A Label for the Growing Spectrum of the Genres: Fantasy, Science Fiction & Horror

*My 100th Blog Post!*

For the past year in which I have devoted more time to working on my blog, I have gained a larger audience—followers, readers and other supporters—than I thought possible. Remember, even the most successful bloggers and vloggers start out as “small channels” and are thankful for those who support them. I feel the same way. Knowing that you all have taken the time to read, to comment, to subscribe/follow, and to share my content is a great feeling. I’m extremely grateful for all of you, and it’s because of you all I know what I’m doing is being appreciated by the macrocosm. 

            One of several topics I’ve been discussing with other fans, readers, bloggers and vloggers is the concept of genre and the limitations its definition bestows upon it. The notion that genres can and should be placed within “fixed” classifications is similar to the concept that gender is binary—which, it isn’t! Over the last 100 years, the genres have become more ubiquitous and more successful due to books written by L. Frank Baum, J.R.R. Tolkien, C.S. Lewis, T.H. White, J.K. Rowling, Frank Herbert, Arthur C. Clarke, Octavia Butler, Samuel R. Delany, Ursula K. LeGuin, Shirley Jackson, Isabel Allende, Haruki Murakami, Alan Moore, Stephen King, Anne Rice, etc. And, due to movies such as: The Invasion of the Body Snatchers, E.T., the Extraterrestrial, Star Wars, Star Trek, Pan’s Labyrinth, Akira, etc. Toward the end of the 20th century, other formats of literature and visual entertainment such as comics, graphic novels, manga, video games and music were becoming more popular and expansive. Imports from around the world—i.e. Japan, India, Spain, etc.—have presented popular works of these genres to fans as well. 

            Before the 2000s—I want to say around the 1970s—an emergence of works were presented and released to the public. Besides the Harry Potter Phenomenon and The Lord of the Rings movies, there was Buffy, the Vampire Slayer, The Matrix, and the continued book releases by Stephen King, Anne Rice and Robert Jordan. In addition, video games were growing in popularity and in addition to Mario, Sonic and Zelda there were Final Fantasy, Resident Evil and Shin Megami Tensei. Even those who weren’t reading the books, watching the TV shows or movies, or playing the video games were exposed to fantasy, science fiction and horror. Yet, why did some people prefer Harry Potter over The Lord of the Rings? What was it about Laurell K. Hamilton’s books that had some readers prefer her books over Anne Rice’s? What is it about Shin Megami Tensei, which has several spinoffs—including Persona—that has more of a cult fan base that players find appealing? 

            What I’m getting at is: how would you describe a book like The Northern Lights/The Golden Compass, the Dragon Quest video game series (besides Japanese role-playing games, or JRPGs), or even the Batman comics? Yes, one is a Young Adult novel, one is a JRPG, and the last is a superhero comic book series; but, aren’t there other genres to classify these works besides their marketing ones? Philip Pullman’s His Dark Materials Trilogy is a blend of fantasy, science (fiction), religion and philosophy—what did you expect from an Oxford professor? Dragon Quest is a JRPG with elements from the fantasy and adventure genres. Batman—one of the oldest and greatest superhero series of all-time—is a gritty and dark story about a traumatized man who uses his wealth and his wits to go up against the most dangerous criminals in his city. Nowadays, we would consider Batman to be a psychological thriller superhero series with elements of grimdark. Then again, with the recent success of the TV shows Game of Thrones and The Walking Dead, there were many non-readers and fans who said things like, “I don’t like fantasy, but I love Game of Thrones,” or “I don’t like zombies, but The Walking Dead is a great show,” etc. Yes, those shows were media adaptations, which are examples of fantasy and dystopia books that “divert” from “traditional” or “familiar” tropes. However, there are fans of those tropes who are not interested in neither the TV show nor the books. So, why are those the exceptions? They are NOT!

            Speculative fiction is a term that is being used more and more in order to describe literature and media that fall under the “traditional” genres of science fiction, fantasy, horror and comics. According to Marek Oziewicz, speculative fiction, “includes fantasy, science fiction, and horror, but also their derivatives, hybrids, and cognate genres like the gothic, dystopia, weird fiction, post-apocalyptic fiction, ghost stories, superhero tales, alternate history, steampunk, slipstream, magic realism, fractured fairy tales and more,” (3). In other words, speculative fiction includes: urban fantasy, mythological fantasy, zombies, paranormal, space operas, metaphysical, silkpunk, occult, military, historical, romance, etc., etc. Any and all of the genres and subgenres makeup this term.

            So why do some people—authors, writers, readers, critics, academics, fans—use this term? It’s because there are times when a medium either has more than two genres associated within it or displays aspects of speculative fiction that doesn’t fall under any of the “fixed” genres. For example, the Super Mario Bros. franchise is a video game series classified under both “action/adventure” and “platformer,” but could it be categorized in the fantasy genre due to the levels being in an imaginary world, or could it fall under horror or paranormal due to the ghosts and the skeletons, or even science fiction, especially in the context of the Super Mario Galaxy games? In this case, the term speculative fiction would fit best for this gaming franchise. I should mention that I’m not the one who should be recategorizing video games. Then again, this is proof that the term speculative fiction is becoming both recognizable and interchangeable. 

            Speculative fiction seems to become the more acceptable them to use when explaining works and forms of non-mimetic fiction without listing all of the many subgenres associated with it. Recent examples include The Broken Earth Trilogy by N.K. Jemisin and Gods of Jade and Shadow by Silvia Moreno-Garcia. The first has been categorized under fantasy, science fiction, dystopian literature and magic realism (the last one was on Amazon); and, the second has been categorized under fantasy, mythology, magic realism and historical fiction. Which is easier: listing all of those genres and subgenres in a description, or saying speculative fiction containing elements of certain genres and subgenres such as: a story about the end of the world and Mayan Gods during the Jazz Age? While speculative fiction is an umbrella term, many of us have been using it as a shortcut to explain a collection of books, films and video games. 

            Another factor surrounding speculative fiction concerns education and academia. How many of you remember reading Edgar Allan Poe and/or Turn of the Screw by Henry James in school and in college? How many of you remember reading The House of the Spirits, One Hundred Years of Solitude, or Haroun and the Sea of Stories in school or in college? And, how many of you remember reading one of the many dystopian books: Lord of the Flies, A Handmaiden’s Tale, 1984, Fahrenheit 451, The Giver, Brave New World, etc., in school and in college? Now, how many fantasy, fairy tales, and myths and legends were assigned to you after primary/elementary school? Keep in mind, there are courses and electives about these genres in college, but not everyone gets to take those classes (I was lucky enough to do so). Without going into too much detail, I’ve had disputes about fantasy literature with a few academic professors. Some of them believe that fantasy has no place in higher education except for in Children’s and Adolescent Literature (i.e. teaching, library science). However, scholars are responsible for some of the most recognized works in fantasy. Lewis Carroll, J.R.R. Tolkien, C.S. Lewis and Philip Pullman were Oxford professors. In addition, there are academic scholars who study and write books and articles about fantasy, science fiction and horror such as: Edward James, Farah Mendlesohn, John Grant, Nnedi Okorafor, John Clute, Jack Zipes and Tzvetan Todorov. This history and the study of these genres are just as essential as reading the fiction. I hate to say it, but speculative fiction seems to be the “safer” and the “more acceptable” term to use when it comes to discussing these genres. 

            So, why do I use the term speculative fiction? My simplest answer is because it signifies all of the genres I enjoy to read, to watch, to write and to game the most. Saying speculative fiction instead of the longlist of genres and subgenres is the easiest and the quickest way to describe certain works of media. If a book can be categorized in more than one genre or subgenre, then why not save the breakdown for a discussion with others in a fandom, or with authors and publishers? Most important, using the term speculative fiction does not limit the story of any medium to one genre. It allows a fan of a metaphysical book to say that “there’s elements of fantasy in this story,” or “the religion in this book is based on the myths and the history of this ancient civilization.” Speculative fiction is a term that allows an audience to observe the broader spectrum of a medium with similar beginnings and interconnecting styles of storytelling. However, there will continue to be moments where a book is categorized as “hard sci-fi,” a video game is of the “horror” genre, and Disney continues to fracture fairy tales. This is the new Golden Age of Speculative Fiction so we might as well enjoy everything that is presented to us while opening the doors for an open interpretation. 

            Thank you for reading my post(s), following my blog and my social media pages! Here’s to many more posts in the future and to several open discussions! Please like and comment here or on my other posts; and, be sure to check out the following references about our favorite genre(s). 

                                                                        References

James, Edward and Farah Mendlesohn, editors. The Cambridge Companion to Fantasy. Cambridge University Press, 2012.  

James, Edward and Farah Mendlesohn, editors. The Cambridge Companion to Science Fiction. Cambridge University Press, 2003. 

Martin, Philip. A Guide to Fantasy Literature: Thoughts on Stories of Wonder & Enchantment. Crickhollow Books, 2009.

Oziewicz, Marek. “Speculative Fiction.” Oxford Research Encyclopedia of Literature, March 2017, p.1-22. doi: 10.1093/acrefore/9780190201098.013.78

Stableford, Brian. The A to Z of Fantasy Literature. The Scarecrow Press, Inc., 2009.  

Why You Need to Read…My Selections for Best Speculative Fiction Books of 2019…So Far

We are halfway through 2019 and this year’s speculative fiction books have been both enjoyable and bountiful. Most of the books I’ve read so far this year have been amazing, and I still have A LOT of books in my TBR pile to go through. Like you, I’m an ardent reader and I’ll read just about anything I can get my hands on and has an interesting story. I’ve enjoyed novels, novellas, short stories across various genres of literature. If you’re interested in knowing some of the 51 books I’ve read between January 1stand June 30th2019, then please check out my Goodreads page here: https://www.goodreads.com/Misty306. 

            I’ve been trying to keep up with both ARCs, and the long list of nominations for this year’s Literary Awards as part of my Reading Award Challenge 2019. I knew it would be harder than it sounded, but I’ve read (and still reading) a lot of amazing books that I wouldn’t have done so otherwise. I suggest that you read a few of the numerous nominations for any of the 2019 SFF Awards. 

That being said, I wanted to point out some of speculative fiction books that were released in 2019 that I’ve enjoyed the most, so far. These are books I recommend you read, especially if you’re a fan of this genre of literature like I am. And, just so you know, these are books that I’ve read and finished between the 1sthalf of 2019. 

These are my Top Ten Picks in no particular order:

The Winter of the Witch (Winternight Trilogy #3) by Katherine Arden

The Wolf in the Whale by Jordanna Max Brodsky

In An Absent Dream (Wayward Children #4) by Seanan McGuire

Uncanny Collateral (Valkyrie Collections #1) by Brian McClellan

Seven Blades in Black (The Grave of Empires #1) by Sam Sykes

A Boy and His Dog at the End of the World by C.A. Fletcher

Aurora Rising (The Aurora Cycle #1) by Amie Kaufman & Jay Kristoff

An Illusion of Thieves (Chimera #1) by Cate Glass

Her Silhouette, Drawn in Water by Vylar Kaftan

Sisters of the Fire (Blood and Gold #2) by Kim Wilkins

Right now, I’m currently reading (released in 2019):

Broken Veil (Harbinger #5) by Jeff Wheeler

Velocity Weapon (The Protectorate #1) by Megan E. O’Keefe

One Word Kill (Impossible Times #1) by Mark Lawrence

Holy Sister (Book of the Ancestor #3) by Mark Lawrence

The Dragon Republic (The Poppy War #2) by R.F. Kuang

            Here are some of the MANY books I hope to read by the end of 2019 (many of these I received at Book Expo 2019!):  

            Those of my picks for the Best Speculative Fiction Books of 2019. I’m still aiming to read at least 100 books by the end of this year; and, I want to write as many reviews here, on Goodreads, on NetGalley and Edelweiss, and on Amazon and Barnes & Noble. If you have any suggestions on what I should read, then please mention them in the Comments Section below. Please keep in mind that I might not be able to get access to certain books for various reasons (i.e. no $$$, waitlist at the library, etc.). Yet, I want to read as much as I can before 2019 ends (it’ll make my Award Reading Challenge 2020 much easier). 

            Which speculative fiction books released in 2019 have been your favorite so far?

TV Episode Review: “Deadly Class: Sink with California”

Note: There are some minor spoilers in this review. You have been warned. 

This season finale is separated into two parts. One, being Marcus and his crew invading Chester’s stronghold in order to stop him and his crew, and to retrieve Chico’s body. And two, Master Lin running from the Cartel with his daughter in tow. Marcus’ storyline follows the graphic novels, while Master Lin’s storyline allows viewers and fans to learn more about the Headmaster’s convictions. 

Marcus and his friends—minus Willie—attack the house but learn quickly that Chester and his crew are formidable forces. The fight scenes and the dialogue are straight from the graphic novel. However, Chester’s monologue with his camcorder allows Marcus and viewers to learn more about him…before he dies. Chester reiterates how society is to blame for his actions and his lifestyle (the same B.S.); yet, Marcus tells him that’s no reason to take his frustrations on other people. Ironically, when Chester is killed by one of his “friendly” dogs, it is safe to say that Chester’s notions got him chewed up by his same philosophy. 

The fighting isn’t just between Marcus and Chester, Maria and Saya have some words and strikes against each other about their actions and feeling towards Marcus. Maria still hasn’t realized how much her friends are risking because of her actions. Saya—while admitting to sleeping with Marcus—feels she doesn’t have to explain herself to someone as selfish as Maria. While this sounds like typical adolescent girls fighting over a boy, it is important to know Saya and Maria were brought to King’s Dominion for a reason. Saya tells Maria that she still hasn’t figured out what she’s supposed to do and decides to leave Maria to figure it out by herself. But first, she and Marcus will have to escape the Cartel.

Meanwhile, Master Lin continues to feel the wrath of the Cartel. Now, this doesn’t happen in the graphic novels, but it is interesting to see how and why King’s Dominion is run the way it is, and to learn more about any potential relatives Master Lin may or may not have. This storyline is obvious, Master Lin and his daughter run to avoid gunshots, Master Lin manages to fight off those on foot, and father and daughter make it back to the school, where his sister, Master Gao, notices the errors of her brother’s actions. Master Gao does what her brother should have done, send his daughter to the “Temple” for her training. Now, this choice is a reminder to what happened to both Maria and Saya when they were the same age as Master Lin’s daughter. However, Master Lin should have taken more precautions in protecting his daughter by training her himself. What happens to Master Lin and Master Gao at King’s Dominion will remain a mystery until Season 2—if there is one.

For viewers who enjoyed Sink with Californiaand are curious to the ending—where Chico’s father meets Maria and Marcus at Chester’s stronghold—then I should let you know that that does occur in the graphic novel. However, I won’t tell you what happens next. You’ll either have to read the series, or wait for the next season. As for Willie, I have no idea what’s going to happen to him.

This season final offers the end of the plot of Marcus attending and adjusting at King’s Dominion School of the Deadly Arts. Marcus made friends with several of his classmates, and they’ve entertained themselves by traveling to places any adolescent would go to if given the chance and killing people while they were at it. Marcus managed to end his feud with Chester and can go back to being a student and not a fearful homeless kid. Unfortunately, life doesn’t work out the way we want them to, and Marcus should know that better than anyone else. And, with the two cliffhangers, all we can do is wait and see how Marcus will survive these next obstacles.

Note:A review of Season One will be available soon. 

TV Episode Review: “Deadly Class: Kids of the Black Hole”

Note: There are some minor spoilers in this review. You have been warned. 

            It’s the buildup to the final showdown and the kids decide to have fun before the big fight, which is during Christmas Break. Chester has gathered his posse at the house he has taken over and continues his torture, with Chico’s head still in the ice. Saya is able to track down Chester to his hideout, which he’s turned into a fortress. Chester is expecting a retaliation from Marcus and his friends for his actions. Marcus has been making plans in order to get revenge and to prove his conviction. 

            When Willie decides not to take any part of the upcoming showdown between Marcus and his former roommate, it’s a reminder to the audience that the characters do have a choice to their actions. Maria and Marcus made decisions because they believed they didn’t have a choice. Saya chooses her friends over the assignment Master Lin gives her. Willie does have a choice and his decision to leave is vital; at the same time, we know that Willie isn’t one to abandon his friends completely. 

            Meanwhile, Master Lin’s efforts to protect his family has reached its end. Yes, he didn’t want his daughter to have the same upbringing and lifestyle as his sister and Saya, but he underestimated the need for his family to be able to defend themselves. It is not clear who tipped off Chico’s father and the rest of the Cartel, but the cliché narrative about the consequences of secrets and making the decision that should have been made in the first place will play out in the season finale. 

            Kids of the Black Holegives viewers the title of the episode. The lifestyle of assassins sucks people into a vortex. And, when presented with the opportunity to avoid that vortex, the decision to either go in, or stay out can be a matter of life and death. And, like with every decision every character has made throughout this season, there will be consequences for all of those involved. 

TV Episode Review: “Deadly Class: The Clampdown”

 Note: There are some minor spoilers in this review. You have been warned. 

            While Kings Dominion investigates the death of another student, the students are placed under lockdown. The lockdown is effective to the point where several of the students are shoved into random dorm rooms instead of their own. This is interesting because viewers see more interaction between the students who are not friendly with one another. At the same time, the cliques from the Pilotepisode is brought back in order to reiterate the reasons why these kids became students at Kings Dominion in the first place. And yes, while some of the students believe Marcus is the center of the conflicts at the school, the teachers and the administration know that Marcus is being labeled as a scapegoat. This is how rumors spread. 

            Marcus gets interrogated by Master Lin and Maria gets interrogated by Master Gao. And, while it is obvious that Master Lin and Master Gao want the same thing—to diffuse a potential race/gang war within the school—their methods demonstrate how these siblings remain at odds with each other. Master Lin believes what he wants to believe, while Master Gao knows the truth, but cannot prove it. Master Lin is able to stop the adults from interfering with the school, but Master Gao believes in “an eye for an eye” philosophy. It makes you wonder what could happen when these siblings work together instead trying to outmaneuver each other.  

Confessions is the theme for The Clampdown. Maria confesses to killing both Chico and Yukio; Marcus confesses to knowing about it; and, Saya confesses that she sees Maria as a friend even with all of the tension breaking out between the Cartel and the Yakuza. And, while it seems that the conflict between the two gangs is over for now, Marcus’ confession to his friends about his past reminds everyone what is really at stake, the existence of Kings Dominion to the outside world. 

In all, The Clampdown presents which of the students are willing to do help themselves versus which students are willing to help each other. It becomes obvious that Marcus trusts his friends more than his roommate and that Maria and Saya trust each other more than their fellow members. Silly as it may sound, this friendship is what will bring about a very entertaining season finale. 

TV Episode Review: “Deadly Class: Rise Above”

Note: There are some minor spoilers in this review. You have been warned. 

            This episode is about revelations. Viewers learn about what happened to both Marcus and “F**kface” at the shelter, Maria’s “ranking” within the Cartel and how her troubles are not over, and Master Lin’s (family) secret. While the conflicts involve the outside world, everything still revolves around Kings Dominion. Marcus, Saya and Billy hunt for “F**kface” with one of their teachers; Maria continues to play her role within the Cartel by pretending to grieve for Chico and following his father’s quest for vengeance; and, how and why Master Lin kept his family hidden away from his sister. 

            Readers and viewers are treated to another motion comic about Marcus and “F**kface’s” relationship and why Marcus made his decisions when he escaped. However, things did not go as planned and Marcus is still dealing with the consequences, which have carried over into his school. The motion comic serves two purposes. One is to limit the live action violence. And two, to provide content from the graphic novel, directly. Readers get the “straight from the pages” content and viewers get more of the artistic style and the narrative structure of this series.

            The consequences of Chico’s murder are split into twofold. Marcus, worried about what his former roommate will do, puts together an excursion with his friends and his teacher in order to track him down, which they do. However, and for TV purposes, “F**kface” escapes, but knows he’s being hunted. At the same time, Maria continues to lie to save herself. Unfortunately, she is unable to let her schoolmates, who are not members of the Cartel, know what is going on. So, her actions by the end of the episode will single her out due to all the secrecy. Finally, Master Lin is avoiding his familial responsibilities, with good reason. He allows his emotions to cloud his thinking and his sister discovers Master Lin’s life outside of Kings Dominion. 

            Rise Aboveis an interesting buildup to the upcoming season finale. And, while it’s obvious what is going to happen with one of the storylines, it is difficult to imagine how the other two conflicts get resolved by then. Revelations and its consequences were central to this episode, but that doesn’t mean that it stops within this episode. Outside groups are interfering with the structure of Kings Dominion, so it’ll be interesting to see how the school responds to these outsiders. 

TV Episode Review: “Deadly Class: Stigmata Martyr”

Note: There are some minor spoilers in this review. You have been warned. 

            The fun ends and the consequences are mounting up in this follow up episode. A student died—due to “unknown circumstances”—and Kings Dominion is investigating because the family of the student wants to know what happened, which is understandable. However, no one is talking and the school, and the student’s crew, is losing patience. 

            The school administration conducts the investigation into how and why the student was killed off campus and why the body has not been found (a change from the graphic novel). In addition, the investigation observes the conduct of all of the classes and since it’s being done subtlety, some of the instructors find themselves in a position of compromise. One class in particular may or may not get a new instructor. 

            Maria, feeling both guilt and relief, decides she doesn’t need her medication anymore. This is a bad idea for several reasons the most obvious being that her behavior keeps changing and everyone at the school is watching her. A combination of emotions and mental health, including trauma, is not good for Maria. At the same time, Marcus’ former roommate, who survived the fire also, continues his desperation to gaining what he believed Marcus “stole” from him. Now, that someone outside of the school knows about the events in Las Vegas and the school’s existence, Marcus and his friends have to figure out a way to make another problem go away.

            In all, Stigmata Martyrreminds viewers that there are rules, consequences and conduct associated within a school, even ones for assassins. The fighting sequence on the school grounds was one of the episode’s highlights as well as Billy’s temperament in one of his classes. Marcus, Saya, Maria and Billy handle the circumstances in their own way, which makes us realize that they’re slowly becoming desensitized to murder. Yet, the friends will need to be desensitized in order to be ready for what’s about to come. 

TV Episode Review: “Deadly Class: Saudade”

Note: There are some minor spoilers in this review. You have been warned. 

            This episode was taken straight from the graphic novel! Anyone who has read the series knows what to expect from this episode of the television adaptation, and readers will not be disappointed. Yes, there was one minor change from the graphic novel for the episode, but the change and the foreshadowing was well done in this episode. Once again, readers know what to expect before the viewers.

The visuals of this episode are what make it worth watching. The hallucinations Marcus has throughout the episode, the scenery of Las Vegas in the 1980s, and the fight scene at the end illustrate the efforts in the cinematography. I have not seen a drugged scene play out so well on television since BoJack Horseman. Marcus’ “trip” lasts throughout most of the episode, which means viewers get a mural from Marcus rather than a soliloquy.

            The main theme surrounding this episode was victims of abuse. While it’s obvious that Marcus and his friends all have baggage from their pasts, we learn of the affects on other victims of abuse, and why their pent up emotions could have devastating, yet understanding effects. Marcus’ drug trip puts him out of commission for most of the episode, so the focus is more on Billy and Maria. It was Billy’s idea to take a road trip to Las Vegas in order to kill his father. And, Maria is making her plans for disappearing from Chico—and his family—permanently. The literal demons attack Marcus, Billy and Maria leading to some heart-wrenching consequences for them and their classmates.

            Saudadereturns the story back to the graphic novels. Now that the fillers provided more insight into each of the main characters, the school, and Marcus, viewers and fans have a better understanding of what to expect for the rest of the season. And, as of right now, viewers have seen the murders committed by 3 students (on screen), the death of 2 students, and the journey of the single psychopath who is getting closer and closer to our protagonist.    

TV Episode Review: “Deadly Class: Mirror People”

Note: There are some minor spoilers in this review. You have been warned. 

            This episode diverted from the overused references of 1980s pop culture, finally. Instead, viewers learned more about the students at Kings Dominion. Similar to The Breakfast Club, different students, including Marcus, find themselves in detention for their actions during the school dance. Only, this episode does not end with reconciliation and understanding.

            Mirror Peoplefocuses on Saya, Billy, and Chico. Saya and Chico find themselves in a weekend’s long detention with Marcus and a few of their other classmates, and they decide to break into the “Confiscation Room” for some fun. The students suddenly find themselves under attack; they soon realize that it’s not a “test,” but a real attack. Saya recognizes the attackers immediately, but is willing to fight back in order to protect her classmates who have become innocent bystanders. Saya is the target, but for some reason she isn’t ready to forgo her education to leave with them willingly.

            In the midst of the attack, Chico continues to show his true demeanor. He allows one of his classmates to die, he leaves the other two to bleed out, and he locks Saya and Marcus within the dungeon in order to save himself and to forgo his remaining punishment. All of his actions are noticed by his classmates and Master Lin, but viewers are left wondering if Chico is acting on his instincts, or if he’s really afraid of not living up to his family’s potential as a member of the Cartel. 

            Away from the Detention Crew, viewers learn more about Billy and how he ended up at Kings Dominion. Billy’s father is involved with some dangerous people everyone is familiar with, but he’s incompetent with his responsibilities to his job and his family. Billy’s actions determines the treatment of his mother and his brother, at least that’s what he allows himself to believe. This storyline will pickup in the next episode, but viewers are left wondering whether or not parents are responsible for their children’s circumstances. Family expectations and upbringing are the subplots of this episode. 

            In all, Mirror People is the turning point to this series. While Kings Dominion is a school, it is a school that trains future assassins. And, because the parents—those who have them—enroll their children within the school, their families know the school’s location. This means that whenever something happens, the students are not safe. Viewers knew that anything could happen to the characters outside of the school, but now they know that anything can and will happen inside the school. Also, now that a student has died within the school from outside forces, viewers are left wondering which of the main characters will be the first to die. 

Why You Need to Read: These Essential Reads for Black History Month

Black History Month can be a repetitive; this is because we honor the accomplishments of black people in the United States, and the rest of the world. And yet, we tend to recognize the same people: Dr. Martin Luther King, Jr., Jackie Robinson, Harriet Tubman, and we glance at Alex Haley, Madam CJ Walker, and Matthew Henson. I have nothing against honoring the same people every year, but we should honor the “hidden gems” as well. A few of those figures are still alive. 

            At most, schools assign students to read Frederick’s Douglass’ biography and Maya Angelou’s memoir, and memorize the speeches by both Sojourner Truth and Dr. King. The Civil Rights Movement is glanced over to the point where many people do not know what influenced Rosa Parks’ actions and why. Now, I’m not saying that U.S. Citizens should know every black person in history, but they should attempt to broaden their historical knowledge. Who else can we learn about? How can it be done?

            The books mentioned below are biographies, autobiographies and memoirs of a few obscure figures that influenced many lives in the United States and in the rest of the world. Some you may have heard of, some you have not, and one “controversial” selection (with good reason). These are recommendations, which I have read, or started reading. A few of these selections are denser than others, but that means that there is more to read and more to know.

Older Releases

            These selections include a couple of familiar names, a narrative from a runaway slave, a figure from the Reconstruction Era, and a white man in black face on a mission to expose the harsh reality of Black Americans right up to the Civil Rights Movement. These books will give you insight into how Black Americans were treated from slavery to the Civil Rights Movement.

The Autobiography of Malcolm X (1965) as told to Alex Haley

            Everyone has heard of this book and its biopic adaptation by Spike Lee, but how many of you have taken the time to read it? Malcolm X’s autobiography not only looks into the treatment and the struggles of poor African-Americans—and he does a great job distinguishing the various ethnicities and socioeconomic statuses of African-Americans throughout the U.S.—but also, points out how easy it is to corrupt religion. Yes, Malcolm X became a Muslim, but his journey of knowledge through self-education is one that can inspire everyone who reads his life story.

Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference (1986) by David J. Garrow

            This Pulitzer Prize winning biography is the most informative and in-depth look at Dr. King’s life and participation in the Civil Rights Movement from the Montgomery Bus Boycott to the Poor Peoples’ Campaign. This biography of Dr. King stands out because it includes Dr. King’s personal papers, FBI documents, and interviews with Dr. King’s (then) surviving associates giving readers one of the most comprehensive looks into Dr. King’s career as an activist. 

Incidents in the Life of a Slave Girl (1861) by Harriet Jacobs

            Many of us have heard of Frederick Douglass and Solomon Northup. Harriet Jacobs’ memoir—which was published in serials—tells us what slavery is like for females. Her slave master not only sexually harass Harriet to the point where she had to go into hiding, but also those experiences left Harriet feeling paranoid and insecure even after she escaped to the Free States. 

From Superman to Man (1917) by J.A. Rogers

            Written and published over a hundred years ago by this Jamaican-American writer, Rogers’ method of discussing race relations, prejudice, and misconceptions of history in America versus the rest of the world will have readers recalling the essays written by James Baldwin. Only, Rogers’ books were published before Baldwin’s. This book is written as a conversation between an educated black man named Dixon, and a few white males he ends up traveling with. This book contains information on how all races and all ethnicities of all socioeconomic statues are victims of misconceptions and falsehoods spread by political leaders and propaganda in order to keep “everyone in their place” and to “justify their beliefs” on how they think the world should operate. The historical and the revelations will leave readers with knowledge of what is made ubiquitous and what is limited to everyone. 

Black Like Me (1960) by John Howard Griffin

            The first time I heard of this book was on an episode of Boy Meets World. A journalist decided he was going to go undercover and document what is was like to be an African-American male in the Southern United States during the 1950s. What this Caucasian male witnessed and experienced made him both a best-selling author, and a target to those who opposed the Civil Rights Movement and integration. This book was a wakeup call into how segregationist and racists were able to get away with their violent actions for as long as they did. 

Recent Releases

            These selections were published in recent years—as early as 2008—and they’re all about the struggles of Blacks throughout the world and how, with all of the programs and the public awareness, the struggle remains. We are reminded by these authors that in this list that all is not well. 

March Trilogy (2013-6) by John Lewis, Andrew Aydin and Nate Powell

            Congressman John Lewis has lived an interesting and inspirational life. Growing up in the Southern U.S. right before the Civil Rights Movement, readers learn what inspired John Lewis to participate in this movement. John Lewis was one of the speakers at the March on Washington, and he knew Dr. King, Malcolm X, James Baldwin, and other figures from that era. The graphic novel format allows for the appropriate depictions of pivotal events from this moment in U.S. history. 

Between the World and Me (2015) by Ta-Nehisi Coates

            The author wrote this book for his son in response to the verdict of the Trayvon Martin murder trial. The book echoes James Baldwin’s works in that it serves as an informative tale of what modern Black Americans—particularly males—need to be aware of in American society. While racism is acknowledged and visible due to modern technology and coverage, it remains a “blinded” issue because the book illustrates how the accusations and the deaths of many Black people continue to occur in America. 

Men We Reaped: A Memoir (2013) by Jesmyn Ward

            This memoir focuses on how the repetitive struggles of a group of people because of race and socioeconomic status continue to lead to despair within the “upcoming” generation. Jesmyn Ward—2-time winner of the National Book Award—recalls how the deaths of five young black men, including her brother and her cousin, in four years from various causes, which sprouted from limited opportunities and expectations. This book is a cautionary tale as to why believing that times have progressed can lead to crushed hopes for a “good” life due to a lack of education, government spending, history, family expectations, and health. The focus here is how such limitations can lead to an early death instead of incarceration, which is just as bad. This book is a wake-up call to the harsh reality of those who are left behind deliberately. 

The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo (2012) by Tom Reiss

            What inspired Alexandre Dumas to write The Three Musketeersand The Count of Monte Cristo? Well, if your father was a general in Napoleon’s army, who was later betrayed and murdered by him, then those stories and experiences would find their way into your stories. This Pulitzer winner looks at the life of General Thomas-Alexandre Dumas who went from a bastard growing up in (what is now known as) Haiti to his rise and eventual fall in the French army. 

Ida: A Sword Among Lions: Ida B. Wells and the Campaign Against Lynching (2008) by Paula Giddings

            Ida B. Wells-Garnett was a fierce woman who was ahead of her time. While she is remembered during Black History Month, her accomplishments have been forgotten. Born into slavery, Ida B. Wells started her anti-lynching campaign after losing a friend to a lynch mob. In addition, she was one of the first to sue and to win a lawsuit after being thrown off a train for refusing to move her seat way before Rosa Parks did the same thing! And, she was a speaker of the Suffrage Movement in the U.S. and in Britain, and one of the founders of the National Association for the Advancement of Colored People (N.A.A.C.P.). Ida B. Wells remains one of the most infamous badasses in American history.

These books are recommendations for Black History Month in how the repetitive struggles of Black Americans continue to affect and to influence the growing demands for change in the United States. Even if the names of the authors are familiar to you, then you should still read the books due to the other names mentioned within these books. These are non-fiction reads, meaning that the people and the history are true whether or not you want to believe it. I believe reading these books will provide a better understanding of how and why people continue to mistreat each other. False knowledge and beliefs can often lead to denial once the truth and the facts are presented, but knowing that there is truth within history will allow the race of humanity to continue moving forward.