Category Archives: Historical Fiction

This Week’s Book Haul (April 4-10, 2021): NetGalley Edition

We are familiar with posts about Weekly or Monthly Book Hauls, or new arrivals of books. These books can be ARCs, purchases and/or gifts. Sometimes, there are stories surrounding these book hauls, but most of them don’t need to be told. I’m taking the opportunity and I’m using this week’s book haul to discuss some lingering and continuing issues I’ve been having with NetGalley.

Request Rejected

Most of us remember when we had our requests rejected. This is a scenario I’m still familiar with: request a book, have that request rejected, search other opportunities to receive an ARC (Goodreads giveaways, Bookish First, etc.) and fail in that, purchase the book the week it’s released.

‘Read Now’ Quota Reached

Those of us who check NetGalley daily and/or receive the newsletters know what I am talking about. You receive an email and/or you’re browsing a galley site and you realize that you can download the book immediately. However, you’re NOT in front of your computer and you are unable to download the galley from your mobile device, which means you’ve missed out on receiving the galley. On top of that, your request is rejected; so, you wait until you can purchase the book.

Request Pending (even with the ‘Read Now’ selection available)

This happens more often than NetGalley wants to admit. You request a galley and it’s pending. Then, a few weeks later, the publisher gives the book a “Read Now” status. So, you access your NetGalley account hoping to download the book, only to notice that your request is still pending. You can’t cancel the request and there is no way around downloading the book due to its “status,” which leaves you feeling more annoyed because you were so close to obtaining the galley that you wanted.

In this case, after entering numerous giveaways, the author of Firebreak, Nicole Kornher-Stace, mailed an ARC to me (Thank you SO MUCH for doing that for me)! Firebreak is one of my most anticipated books of 2021, and I’m honored that the author decided to mail me an Advanced Copy in exchange for an honest review, which I will be doing sooner rather than later (after I read the book of course)!

I should mention that this is NOT an issue with Edelweiss+. In fact, there have been times when I’ve had a request rejected only for the publisher to allow for the “Download” option for anyone who is interested. This change overrides the any previous status. If Edelweiss has this override, then shouldn’t NetGalley?!

Galley I Forgot to Download BEFORE the Archive Date

This one was my fault. I heard about this book from other bookbloggers, and I my request was granted almost immediately. Unfortunately, I did NOT download the galley by the archive date. Honestly, I might have misread April (Apr. on NetGalley’s website) for August (Aug. on NetGalley).

I still wanted to read this book, so I bought it! This book is a translation of a trilogy about Norse mythology. Since Norse myths are the stories to read at the moment (I still have to read both Northern Wrath and The Witch’s Heart), I decided to add this one to the list. I want to do a Norse-themed read through before Norsevember 2021!

So, why did I write this post? I wanted to let readers, bloggers and reviewers know that they are not the only ones with these issues on NetGalley. I believe that all of these issues are common knowledge, but for some unknown reason, NetGalley has yet to address the issues surrounding their available galleys. I understand some of it goes back to the publishers’, but they are NOT the ones running the site.

Have any of you had similar and/or different experiences with these galley sites? What did you do? What are your other options for gaining ARCs and galleys? And yes, I’m looking forward to reading ALL of these books!

Why You Need to Read: “The Light of the Midnight Stars”

The Light of the Midnight Stars

By: Rena Rossner

Published: April 13, 2021

Genre: Historical Fantasy/Folklore

            There are tales of red-haired mountain men and women who could work miracles, of a people who could trace their lineage all the way back to the great King Solomon himself. Tales of a people who kept to themselves, who lives in a tiny quarter of the city of Trnava where they built their own house of worship. They say that on the ceiling of their synagogue there were a thousand tiny stars, (Prologue).

            I’ve said more than once that history never stays buried forever because it always finds a way to be unearthed. At the same time, the knowledge finds other ways to be spread and passed on through posterity—storytelling. It is through these stories the audience can piece together what might have occurred in the past, especially when the audience knows what to expect from such stories. Rena Rossner presented a lovely tale of magic and sisterly love in her debut novel, The Sisters of the Winter Wood. In her latest novel, The Light of the Midnight Stars, we get a similar story, which is set during a much darker era. 

            This story follows 3 sisters: Hannah, Sarah and Levana. They are the daughters of Rabbi Isaac Solomonar and his wife, Esther, and they are the descendants of King Solomon. Hannah is the eldest and her father’s favorite daughter, and her talents include recording events and growing plants. Sarah is the middle daughter, whose temperament matches her fire magic—impulsive and strong. Her talent is the same as her father’s, but he refuses to teach her anything until after she learns control. Levana is the youngest sister, and she is always looking at the stars. She can decipher the messages they communicate to her. The sisters live a happy and prosperous life in the Jewish quarter of Trnava, where their parents hope to find them husbands who are worthy of them. Hannah meets Jakob, the son of the Duchess of Trnava; and, Jakob is willing to meet Rabbi Isaac’s conditions so that he can marry Hannah. Sarah meets Guvriel, one of Rabbi Isaac’s students; he takes it upon himself to teach Sarah about her magic, and the two of them bond over their shared talent and thirst for knowledge. Unbeknownst to her family, Levana starts seeing someone and it is someone who has spent the same amount of time watching her as Levana has spent watching him. The 3 sisters approach adulthood thanks to their parents’ guidance and the love that blooms from the young men in their lives. However, will it be enough for the sisters to survive their first trials as adults? 

            There are 2 plots in this novel. The first focuses on the love lives of Hannah, Sarah and Levana and what ensues because of it. Hannah falls for a non-Jew, Sarah must wait until she is allowed to marry Guvriel, and Levana doesn’t know how to tell her family about her beloved. Just as it seems like the sisters will live out their lives happily ever after, a tragedy occurs. The sisters flee Trnava with their parents leaving everything behind, including the men they love. The second plot delves into identity and the consequences surrounding it. Hannah, Sarah and Levana must choose on how much of themselves they are willing to reveal to their new acquaintances as they survive the circumstances which led them to their current predicament. How long can one’s identity be hidden before the truth emerges? There are 2 subplots in this novel and they develop alongside the plots. The first subplot is about love and loss. As cliché as it sounds, the protagonists and other characters have lost something (or someone) they love, and they are all struggling to overcome the grief and the trauma enclosing it. The second subplot is hope, which is cliché, too. Hope is what motivates all of the characters as death and violence continues to ravage the country. Hope brings out the resilience in people (and in fictional characters).

            The narrative is told from the points-of-view of Hannah, Sarah and Levana in the 1st person. However, Hannah’s P.O.V. chapters are in the past tense because her chapters are written as journal entries, but that doesn’t mean readers won’t be able to pick up on Hannah’s stream-of-consciousness. Sarah and Levana’s chapters are told in the present but in different styles, which is done because they match their personalities (anyone whose read the author’s first novel will know what to expect), and present their streams-of-consciousness, too. Each narrator unveils what they must do in order to survive in a world that seeks to eradicate them and others who share their heritage. 

            The style Rena Rossner uses in The Light of the Midnight Stars follows the history of the persecution of Jews throughout our history. The Jewish community were often scapegoats for any and all misfortunes that befell a town, a region, or a country. For example, during the Black Plague, the Jews were blamed for the deaths and the continuation of the pandemic. Many Jewish quarters were obliterated, leaving any survivors to wander to other places where some of them had to hide their heritage from the outside world in order to live. In addition, this book contains many allusions of Biblical (Old Testament/Torah) texts and fairy tales, which are well-written into this novel. This story will make readers recall what they believed they have forgotten about those tales. The mood in this novel is ominous. Who should the protagonists fear more, the Black Mist or those who wish to harm them for who they are? The tone in this novel is resilience. The protagonists demonstrate that they will do everything that is imperative for their survival. The style in the novel replicates all of the adversity the Jewish community dealt (and continues to deal) with and how they continue to overcome it all.

            Fans of the author’s first novel will love this one. The appeal for The Light of the Midnight Stars will be positive because the author wrote a strong follow up to her debut novel. Fans of Naomi Novik, Katherine Arden, Alix E. Harrow and Tasha Suri will enjoy this book the most. This book is an excellent addition to both the historical fantasy subgenre and the speculative fiction genre. Likewise, this novel is a great reminder of the importance of Jewish folklore. Once I started reading this book, I couldn’t stop until the end; and, that’s with all of the twists that transpired throughout the narrative. 

            The Light of the Midnight Stars is a strong standalone novel about family, heritage and survival. Rena Rossner’s style immerses her readers into the past where it was not always safe to parade one’s heritage. While I don’t believe the author meant for this book to be topical, it does serve as a reminder that there will always be opposition towards a group of individuals. Yet, it is those groups of persecuted individuals where we continue to get inspiration from for our daily lives. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Thank you Redhook (and Angela) for sending me a copy of this book!

Current Speculative Fiction Series I Need to Complete

The Poppy War, #3: The Burning God (2020) by R.F. Kuang

As I mentioned in the last post, I’ve been meaning to read this final book in this bloody and brilliant historical grimdark trilogy. I did read the first couple of chapters, so I know that this story begins immediately where The Dragon Republic left off. And, that Prologue! I’m familiar enough with this subgenre of fantasy to know how this story could end, but I’ll have to read it to find out! If you haven’t start this series yet, then you’re missing out. Remember to start with The Poppy War.

Blood and Gold, #3: Queens of the Sea (2019) by Kim Wilkins

This series is unknown outside of Australia, and I had to order a copy of the 3rd and final book in this trilogy from a bookstore in the Down Under. The first book in this trilogy is Daughters of the Storm, and the premise of the book is about 5 royal sisters who go on a journey to save their father, the king, from a mysterious illness. Meanwhile, their stepbrother seeks the throne, and goes out of his way to expose the secrets each of the sisters are hiding from each other. The second book in the trilogy, Sisters of the Fire, takes place 5 years later, and it delves into the oncoming threats heading towards the kingdom, and the aftermath of the fallout amongst the 5 princesses. Queens of the Sea takes place 5 years after the end of the second book, and I’m still excited to read it!

Mistborn: Era 1 (2006-8) by Brandon Sanderson

Yes, I started one of Brandon Sanderson’s series! It was a few years ago; and yes, I remember what happened where I left off (in the 2nd book)! Tor was kind enough to gift me these books from one of their (previous) sweepstakes, and I started reading the books immediately. However, I stopped halfway through The Well of Ascension (around the point where the pace slows down) and I haven’t had time to finish reading this trilogy. Interestingly, the only other book by Brandon Sanderson I’ve read was The Original (the audiobook he co-wrote with Mary Robinette Kowal). I own some of the author’s other books (including The Starlight Archive), but I guess I want to complete one series before starting another one.

Rosewater Trilogy (2017-19) by Tade Thompson

I read and reviewed Rosewater, and I was very excited to read the rest of the trilogy. And then, I read the author’s Molly Southbourne series instead. I should hurry up and read the rest of this Africanfuturism trilogy! If you’re a fan of both Nnedi Okorafor, Tochi Onyebuchi and P. Djeli Clark, then you need to start reading this series!

The Wicked + The Divine (2014-19) by Kieron Gillen, Jamie McKelvie (Illustrations), Matt Wilson (Colorist), Clayton Cowles

I’ve been getting back into graphic novels. I was reading this series until around Volume 3, and then I just stopped. I kept buying them, but I haven’t finished the series yet. With this series, I’m going to start from the beginning and read them all straight through.

This series is about how 12 immortals are reincarnated as teenagers, who get their live as pop idols with all of the fame and recognition. However, there is a catch: after 2 years, they die. So, what will this generation of reincarnated gods do with 2 years left to live?

Knowing my schedule, I probably won’t get to these books until the summer. Not to mention, I have A LOT of other books to get through from my TBR pile. What will I read next? Your guess is as good as mine.

Which series do you still need to finish reading?

Reading Check-In: March 20th 2021

Yes, I’m “borrowing” this idea from Realms of My Mind

This is not a review post. While I prepare to participate in some upcoming events (watch the livestream I participated for The Bone Shard Daughter here), I will continue to catch up on some of my reading. The reviews will be posted as they are written, but life is taking over more of my time. At the same time, I can’t just NOT post something!

What did you recently finish reading?

This debut novel is a brilliant blend of dark fantasy and horror. This book reminds me of Black Sun by Rebecca Roanhorse. I will explain how and why in my upcoming review.

This book is a beautiful follow up by Rena Rossner. This book comes out in April 2021. My review will be ready and posted by that time.

What are you currently reading?

I need to finish this audiobook.

I know, I know. I’m behind on my reading, but this book is so good!

I’m behind on reading this book, too. Believe it or not, for a YA novel, this book is just as brutal as my other current read.

What do you think you’ll read next?

I started this book last year, but I didn’t get to finish it by the end of 2020. I’ve heard nothing but amazing (and gory) things about this book, and I really, really want to finish it!

Who doesn’t love Murderbot?!

After THAT ending! I NEED TO KNOW what happens next!

Wish me luck! We’ll see what happens next week!

Why You Need to Read: “The Once and Future Witches”

The Once and Future Witches

By: Alix E. Harrow

Published: October 13, 2020

Genre: Historical Fantasy, Folklore, Paranormal

            …“The Tale of Saint George and the Witches.” It’s never been one of her favorites, but she reads it anyway.

            It’s the usual version: once upon a time there were three wicked witches who loosed a terrible plague on the world. But brave Saint George of Hyll rose against them. He purged witching from the world, leaving nothing but ashes behind him. 

            Finally only the Maiden, the Mother, and the Crone remained, the last and wickedest of witches. They fled to Avalon and hid in a tall tower, but in the end Saint George burned the Three and their tower with them, (3). 

            2020 was a memorable year in and of itself. This was unfortunate because events of the present—which, I won’t list in this review—did not allow us to celebrate any milestones. One in particular was the ratification of the 19thAmendment which extended the right to vote to women, which occurred on August 18, 1920. This was a huge event because the movement for women’s rights—known as the Suffrage Movement—launched on a national level with the Seneca Falls Convention in 1848. And yes, similar movements were occurring in other countries around the world. This is one example out of many which demonstrates how long women had to fight and to protest to have their voice heard within the government. Alix E. Harrow gives readers her historical interpretation of this movement—with elements of witchcraft—in her second novel, The Once and Future Witches. 

            There are 3 protagonists in this novel, the Eastwood sisters: Beatrice Belladonna, Agnes Amaranth and James Juniper. Circumstances have brought the sisters together in New Salem in 1893 on the spring equinox. Agnes, Bella and Juniper have neither seen nor communicated with each other in 7 years. And yet, they still feel like the family they once were regardless of what led them to their current predicaments: Bella is a librarian, Agnes works at a mill, and Juniper has left home (and is a wanted woman). Societal norms and gender stereotypes have placed the sisters in situations where they cannot hope to progress further in life. That is unless they decide to join the local suffrage group, and to practice the magic they were taught from their grandmother, Mama Mags. As these sisters reconnect and reclaim what was denied to them their entire lives, they realize that more is at stake than just having the freedom to practice magic, to vote, and to be a woman. And, they won’t have to do it alone. Joining the Eastwood sisters are: Cleopatra Quinn, a journalist and a member of the Colored Suffrage Movement from New Cairo; August S. Lee, a factory worker from Chicago who has a knack for fighting for fair treatment for factory workers and for practicing “male” witchcraft; and, several members of the Sisters of Avalon, local women who are willingly to use magic in order to receive fair treatment. The antagonists include: Gideon Hill, the ambitious politician, who knows more about witchcraft than he should; and, his ward, Grace Wiggins, who is the head of the Women’s Christian Union—an organization of women who are “content” with the way things are, and are against all suffrage groups and witchcraft. All of these characters develop at they push for what they believe in, and they are more complex than they first appear. These characters deserve our sympathy and our empathy. 

            There are 2 plots in this novel. The first plot is the female characters who decide to go rogue and to form their own suffrage group which permits them to use witchcraft the patriarchy has denied them for centuries. It seems whenever suffrage groups get closer to achieving their right to vote, society finds a way to “punish” these women, which forces them to learn witchcraft so that they have a way to fight back. However, why is it that magic is stronger in females than in males? The second plot surrounds the legend of “The Last Three Witches of the West” and “The Lost Way of Avalon.” In this book, everyone is familiar with the story of Saint George of Hyll and his “victory” over the witches and the destruction of their stronghold. Yet, Bella, Agnes and Juniper are able to find evidence the witches and the Tower of Avalon did and could still exist. The sisters are able to locate the Tower’s entrance and discover what is inside. The sisters learn the origins of the Tower and its “demise” and the connection it has to the present. There are 2 subplots in this novel, and they embellish the plots and allow them to go at an appropriate rate. The first subplot focuses on how society was “operated” towards the end of the 19th century; labor laws weren’t formed yet, Jim Crow and segregation were practiced, and females of all ages were subjected to misogyny from most of the males in their lives: fathers, male relations (who were favored for inheritance), bosses, politicians, etc. Females had little to no say over their lives, and they could find themselves arrested and imprisoned for refusing to follow these laws—mothers lost custody of their children—because social norms believed males were “superior” to females. The second subplot follows how witchcraft was able to exist alongside those who shunned and tried to expunge it. The question is, why? Was it due to fear, or because women were better at witchcraft than men? Once everything has been revealed to the characters (and the readers), how will they react? 

            The narrative in this novel is very intriguing. The narration follows the points-of-view of Bella, Agnes and Juniper in 3rd person limited narrative, which presents what each protagonist is experiencing at the moment without the other ones knowing about it. However, there is a slight difference in this narration. Magic allows the Eastwood Sisters to feel one another’s emotions, which allows them to know what is happening to the others at any given moment. The sequence is interesting as well because as the narration is presented in the present in real-time, the story halts whenever a “story” is being told by one of the characters. While the concept of “a story within a story” is nothing new, the presentation of the stories by the characters offers readers the chance to delve into the narrative even more. The narrators are reliable because readers follow their streams-of-consciousness and their memories of the pleasant and the traumatic, which makes the narrative easy to follow. 

            The style Alix E. Harrow uses for The Once and Future Witches is a tribute to all elements of folklore familiar and unfamiliar to her readers. The title is an allusion to the novel, The Once and Future King by T.H. White, but has the setting and the mood of The Mists of Avalon by Marion Zimmer Bradley. In addition, as I mentioned earlier, this novel is not only a retelling of folklore, but also a retelling of societal practices from over one hundred years ago. Labor and factory workers suffered long workdays with little pay, women had to follow the rules set by their fathers and their husbands and other laws otherwise they would be punished, and the blatant racism which saw segregation as a legal and an acceptable social practice. All of these are mentioned within the book as well as all of the advocates who pushed for equal rights and fair treatment such as: Ida B. Wells-Barnett and Elizabeth Cady Stanton. This novel is full of allusions to tropes from folklore and familiar tales: Avalon; the number 3; shadows, Maiden, Mother and Crone; witches, Christianity, etc. Also, Alix E. Harrow includes some of her “fractured fairy tales” throughout the story. A fractured fairy tale are stories in which “a writer or storyteller rewrites and refines them for the world we now live in,” (Yolen). Elements and/or familiar parts of a known story—Cinderella attends a festival, Sleeping Beauty must fall asleep at some point, etc.—but everything else is altered so the variant is presented as a new one. The storyteller is able to have fun with these tales as they have more freedom to tell the story that reflect their atmosphere. The Once and Future Witches is a combination of historical fiction and numerous fractured fairy tales, which presents readers with a unique historical fantasy story. The mood in this novel is oppression. Several of the characters—including the protagonists—are subjected to oppression and are willing to do anything to fight against those who dominate them. The tone in this novel refers to the legacy of witchcraft and spells; if they are not supposed to be practiced, then how has the knowledge survived since the death of the last coven of witches? It could be argued that the tone pertains to who has access to witchcraft and what it entails, especially those in power. 

            The appeal for this novel have been highly positive. Based on other ratings and reviews, it appears readers enjoyed The Once and Future Witches as much as or even more than the author’s first novel, The Ten Thousand Doors of January. It needs to be mentioned that the 2 books—while they belong in the speculative fiction canon—are of different subgenres. The former is a historical fantasy about witches, which is categorized in the paranormal and the urban fantasy (and the witches) subgenres. The latter is a portal fantasy, which is a subgenre of fantasy. Readers need to understand these books are different, yet enjoyable. Fans of The Priory of the Orange Tree by Samantha Shannon and the Winternight Trilogy by Katherine Arden will enjoy this book the most.

            The Once and Future Witches is more than a story about witchcraft, it is a combination of various folklore and moments in history. Alix E. Harrow celebrates the centennial of the 19th Amendment by gifting her readers a harsh reminder of how society used to be, and how we take certain rights for granted. If anything else, then you should read this story for the (fractured) fairy tales. 

My Rating: Enjoy It (4.5 out of 5). 

                                                      Works Cited

Yolen, Jane. How to Fracture a Fairy Tale. E-Book, Tachyon Publications, 2018. 

Why You Need to Read: “The Empire of Gold”

The Daevabad Trilogy, #3: The Empire of Gold

By: S.A. Chakraborty 

Published: June 30, 2020

Genre: Fantasy, Historical Fiction

            Daevabad, in all its glory and infamy. The mighty brass walls embellished with the facades of its founders, her ancestors. The crush of ziggurats and minarets, temples and stupas; the dizzying array of clashing architecture and eras—each group, each voice leaving its defiant mark on the city of djinn. The shafit stolen from Persepolis and Timbuktu, the wandering scholars and warrior-poets from every corner of the world. The laborers who, when their work was left unacknowledged in official chronicles, had instead emblazoned their names in graffiti. The women who, after erecting universities and libraries and mosques, were kept silent because of “respectability,” had stamped their presence on the cityscape itself, (42: Nahri).

            It still amazes me how I almost missed this series. When a book’s title and/or cover captures your attention, make time to read it because you might enjoy it to the point where it becomes one of your new favorite books. The Daevabad Trilogy has been a different reading experience and its due to the influence based on Middle Eastern culture and the classic story, One Thousand and One Arabian Nights. The series started with The City of Brass and continued with The Kingdom of Copper, which had an ending that left readers stunned. The Empire of Gold is the brilliant conclusion to this trilogy, and it begins where the last book left off.  

            The story begins with the antagonist, Manizheh—the former Banu Nahid and mother to both Nahri and Jamshid—as she looks over Daevabad after the almost successful usurpation of the kingdom and its ruler, King Ghassan. The rebellion was “almost successful” because Manizheh failed to retrieve Suleiman’s Seal. Instead, Nahri and Prince Alizayd beat her to the ring. And, just as Nahri and Ali are confronted by Manizheh, they jumped into the lake to get away from her only to find themselves transported to Cairo. Meanwhile, because the ring has been taken out of Daevabad, magic has vanished. Now, Manizheh is left without her magic and with hostile forces who are either trying to gain more independence or regrouping to take her down and reclaim the kingdom. Manizheh descends into madness as she struggles to maintain control of Daevabad. There is only one individual who has magic in Daevabad and it’s Darayavahoush e-Afshin. Dara is fighting a war within himself. He’s struggling to display his loyalty to Manizheh while trying to reach a truce with all of the 6 Tribes, the surviving members of the royal family, and the shafit. In addition, all of the trauma Dara experienced during the last war, which led to the deaths of his family has been resurfacing. It doesn’t take long for Dara to realize that history is repeating itself, and he’s the only one who comprehends what the war could lead to for everyone in Daevabad. This causes Dara to do everything he can to achieve a truce even if it means betraying his Nahid. Thousands of miles away, Nahri and Ali find themselves in Cairo with no clue as to how or why they ended up there. Ali wants to return to Daevabad immediately, but Nahri needs some convincing. The last 5 years haven’t been kind neither to the prince nor to the Banu Nahid, but it is the former’s surviving family members who remain at risk. After a lot of consideration, Nahri agrees to save Daevabad from Manizheh. Unfortunately, the journey back to Daevabad is even more perilous than Nahri’s first journey there with Dara. Not to mention, it turns out EVERYONE is searching for Nahri and Ali, and not just their families. Numerous “outsiders” hope to collect the bounty, and several mystical beings demand the payments of their ancestors’ “debts.” Why does everyone know about Nahri’s heritage except her? And, what other “debts” does Ali have to pay on behalf of both his maternal and his paternal ancestors? Throughout the story Nahri, Ali and Dara develop as characters as they find ways to overcome their traumas as they fight to save their home and to restore magic. It is essential to understand that the horrors and the traumas these protagonists face do not motivate their actions, they allow them to make “reasonable” decisions as they strive to change their world for the better. 

            The plot in this story picks up where The Kingdom of Copper ended. King Ghassan’s tyrannical rule is over, but Banu Manizheh proves quickly to be more ruthless and more paranoid than her former oppressor. And, Manizheh didn’t factor in losing Suleiman’s Seal or magic. Now, she feels powerless and she is forced to depend on Dara to complete her tasks. Meanwhile, Dara doesn’t wish to lose his independence, so he works against Manizheh secretly in order to keep everyone alive. Another plot in this story is Ali and Nahri’s journey back to Daevabad, which is full of physical and emotional turmoil. Ali has to decide whether or not to go through with his plans or that of his family’s. Nahri is dealing with what was revealed to her about her family and whether or not it’s true. The 2 friends need a plan to retake Daevabad and to defeat Manizheh, but it looks like they’ll have to make bargains of their own. There is one subplot in this novel and it relates to family. Ali, Nahri and Dara have struggled with family expectations—yes, even Nahri—and they’ve had an impact on all 3 of them. Ali has been a dutiful prince, but clashed against his father’s rule and his mother’s ambitions. Nahri was told what was expected of her due to her heritage even though she believed her relatives were all dead. Dara did everything that was expected of him by both his family and the (then) ruling family—the Nahids—only to witness his family’s deaths and the Nahids being overthrown. All 3 protagonists attempt to go against their family’s expectations as they strive to make their own decisions and what is best for themselves. This subplot is necessary for the plots of the story because readers can relate to some of the struggles the protagonists are experiencing and why they make certain choices throughout the story. 

            Once again, the narrative continues from the points-of-view of Dara, Nahri and Ali—with one chapter told in Manizheh’s P.O.V. The narrative is told in real-time and are in 3rd person limited narrative—the characters know only what is happening around them and to them at the moment. All 3 protagonists are reliable narrators because each of them provide everything that is happening to them, including the mistakes they make. The narrative follows the streams-of-consciousness of all of the protagonists. Yet, keep in mind these characters experience both flashbacks and memories. It is important to know the two are not the same thing, and the narrative is able to present this distinction.

            The style S.A. Chakraborty uses for The Empire of Gold is a continuation of what readers received from the previous books in the trilogy. One Thousand and One Arabian Nights and Middle Eastern culture are major influences in this book, and there are allusions to the Ottomans and the Napoleonic Wars as well. Now, instead of an impending rebellion, civil war has broken out after the ruler has been overthrown, and the person who claims she is in charge does not know how to maintain control and cannot solve the kingdom’s biggest dilemma, which is the loss of magic. The mood in this novel is discord. All over the world, magic is gone and everyone is dealing with the ramifications, including the civil war in Daevabad. The tone in this novel is resilience and which of the characters, including the protagonists, are able to withstand all of the incoming challenges. Readers should refer to the maps and the appendices as they read this book so that they can keep track of the Tribes and the world-building.

            The appeal for The Empire of Gold have been positive. Several fans and readers have lauded the author for providing a strong conclusion to this trilogy. Yes, this book is over 700 pages long, but any fantasy fan will appreciate all of the world-building the author has put into her books. Not only does this series belong in the fantasy canon, but also is a great addition to the historical fantasy and the Middle Eastern fantasy subgenres. Even George R.R. Martin has praised this series. And, fans can expect a new series from the author in 2022!

            The Empire of Gold is a gratifying end to The Daevabad Trilogy. The plots answer all of the questions readers have about the characters, and the author provides appropriate endings for all of them. Do not be intimidated by the book’s size because you will finish reading it before you know it. Fans of Tasha Suri, Sabaa Tahir, Egyptian mythology, and Scheherazade will enjoy this series the most. This book is a satisfying conclusion to this trilogy.

My Rating: Enjoy It (4.5 out of 5). 

TBRcon21: Another Success for Virtual Cons

It’s 2021, the pandemic is ongoing, and it still sucks. Fortunately, we’ve gotten better at entertaining ourselves through our hobbies and interests. Readers and bookbloggers have been able to make the most of lockdown by reading (or, trying to read) our TBR piles and helping authors and publishers with promoting any books we get our hands on! Technology continues to be a lifesaver as we all continue to find ways to keep up with news surrounding our favorite authors and any upcoming book releases.

            David Walters—a.k.a. FanFiAddict—impressed everyone last spring with last year’s “MayDayCon2020” where he hosted 7 panels and 7 live readings in 14 hours! This time around, FanFiAddict reached out to a few of his fellow bookbloggers—Beth Tabler, Travis Tippens (from The Fantasy Inn), and Jason, a.k.a. Traveling Cloak—to assist with “TBRcon2021.” This virtual Con had 17 panels across 6 days, with several of our favorite speculative fiction authors participating in the panels discussing numerous topics within the genre, and about writing in general. In fact, I’m going to say that it was because of the “Writerly Advice—NOT” panel that led to #writingadvice trending on Twitter (with some “interesting” responses).

            Without listing all of the authors, this virtual con had authors ranging from debut to indie to “established” ones across the speculative fiction genre—epic fantasy, grimdark, space operas, historical fantasy, etc.—and, all of the S.P.F.B.O. finalists were there too, with the Con ending with a round of Dungeons & Dragons. So, what made this virtual Con so memorable? First, as I mentioned before, was the authors. Just about all of the subgenres and genres were represented by the participants—whom were from diverse backgrounds and from around the world (i.e. Australia)! Next, were the topics discussed on each panel. Topics from world-building to history to the future of the genre were talked about, and it was interesting to hear what each author had to say about them. Last, was the schedule. While it was impressive how David managed to host the first Con in a day by himself, how he managed to get even more authors to participate in 1 or more panels for a 6-day event is beyond laudable. Yes, this virtual Con was free, and could be viewed on YouTube, Twitch and Facebook, but I would argue that this is further proof that these virtual Cons are worthy fillers for all author events while the pandemic continues (yes, I want it to end, too).

            “TBRcon21” had something for everyone, and you can rewatch these panels online. Another reason I’m discussing virtual Cons again is because of what I believe fans are getting out of them. Although several Cons have moved to virtual, not all of them are accessible for everyone. Everyone who is interested has to register for tickets, and there are times when they sell out. It is too early to tell what will happen to virtual Cons whenever “normalcy” returns, but I don’t believe they will go away. This Con is proof authors are interested in interacting with fans and readers, and those fans and readers will find ways to attend these events. I hope agents, marketers and publishers are paying attention because it looks like bookbloggers have found a way to bridge themselves between the publishing industry and the readers who Google whether or not they should read a particular book. And before you ask, I’m not excluding BookTubers. In fact, if these virtual Cons were to become more ubiquitous, then I believe some BookTubers could give us a hand with certain panels. While we’re on the subject, I know some podcasters who would be interested in participating as well. 

            “TBRcon21” is another accomplishment by FanFiAddict, and it is proof the publishing industry is paying attention to us, and authors are willing to communicate with their fans and vice versa, and will find ways to keep at it no matter what it takes. So, what shall we do as we all decompress from this event? Well, Virginia McClain will be hosting “QuaranCon2021” this spring, and I’m looking forward to it. I hope to see more participants (and authors) at that event this year! I hope to see you all there participating in the live chats!

Why You Need to Read…My Most Anticipated Speculative Fiction Books of 2021

How many books will I read in 2021? Let me rephrase the question: how many books coming in 2021 will I get to read in 2021? I ask this question because I’m still going through all of the books I didn’t get to read last year—including all of the books that came out in 2020. Yet, I can’t help myself because I’m so excited for all of the books coming out in 2021! These are just some of the numerous books I hope I get to read this year. Will I get to read them all in 2021? Probably not, but I’m going to aim to read these books at some point!

#1: Wayward Children #6: Across the Green Grass Fields by Seanan McGuire –> January 12th

            This next book in this fantasy series follows a girl who travels to a world where every horse creature resides. However, what happens there and whether or not the Visitor wishes to stay or leave has to wait until the book is released. Note: We’re getting 4 more books in this series!

#2: The Black Iron Legacy #3: The Broken God by Gareth Hanrahan –> May 20th

            It seems like we’re going to follow Carillon Thay’s adventures outside of Guerdon, which is probably for the best given what happened during the events in The Shadow Saint. Speaking of what’s going to happen to the city after all of the political and the divine betrayals? Looks like the world needs to be saved, again.  

#3: Bethel #2: The Dawn of the Coven by Alexis Henderson –> August 31st

            I was surprised and excited when I learned there would be a sequel to The Year of the Witching. I believe the story will focus on the aftermath of the events which occurred at the end of the first book. However, this is a dark fantasy series about witches and priests, so anyone can become powerful or die at any time. 

#4: A Chorus of Dragons #4: The House of Always by Jenn Lyons –> May 11th

            The way The Memory of Souls ended makes readers wonder how the author will continue her saga. What will the “heroes” do next to thwart the plans of the “threat”? And, is the House a place or an individual? 

#5: Magic of the Lost #1: The Unbroken by C.L. Clark –> March 23rd

            This is the first book in a new trilogy and it focuses on two young women. One is a soldier who was stolen from her home as a child. When her company has been sent back to her home to stop a rebellion, she doesn’t know which side she should be on. The other is a princess whose uncle has taken the throne which was meant for her. She needs a turncoat who is willing to balance treason and orders for what she sees as peace. All is fair in love and war. 

#6: Deathless #1: The Gilded Ones by Namina Forna –> February 9th

            This debut novel—which I believe was delayed due to the pandemic—follows 16-year-old Deka, who is about to be tested. If her blood runs red—normalcy—then she can carry on with her life. If her blood runs gold—impurity—then she faces a consequence worse than death. When Deka’s blood runs gold, she is given a choice: stay in her village to die, or leave and join the emperor’s army of girls—alaki, near immortals with rare gifts—like her to fight. Knowing she can find acceptance by serving the emperor, Deka leaves her home for the capital, where she learns that nothing is what it seems. Sounds like a great combination of Red Queen and The Old Guard. 

#7: Burning Kingdoms #1: The Jasmine Throne by Tasha Suri –> June 8th

            I LOVED the Books of Ambha Duology, so it should come as no surprise that I’m looking forward to reading Tasha Suri’s next book in her new series. A princess who is imprisoned by her dictator brother befriends one of the maidservants. When the princess discovers her maidservant’s secret, they join forces to get what they want—the former the throne and the latter her family. 

#8: Star Eater by Kerstin Hall –> June 22nd

            For several months, the author of The Border Keeper has been teasing her upcoming debut novel, and it cannot come soon enough. This book follows a female whose power must be preserved as ordered by her order. However, in order to preserve the magical bloodline, these women must give birth to the next generation, and the pregnancy kills these women. The protagonist is desperate for an escape, and she is granted the opportunity. All she has to do is spy on the highest ranks of her Order and learn their secrets. It shouldn’t be too difficult, right? 

#9: The Radiant Emperor #1: She Who Became the Sun by Shelley Parker-Chan –> July 20th

            This debut novel is described as “Mulan meets The Song of Achilles…(the) reimagining of the rise of the founding emperor of the Ming Dynasty.” That description alone should be enough to grasp the attention of any fan of historical fiction and fantasy. The year is 1345, China is under the rule of the Mongols. The story follows the second daughter in a Chinese family, who was given the fate of nothingness, while one of her brothers—Zhu— was given the fate of greatness. After Zhu dies, the daughter decides to use her brother’s identity to escape her fate and enters a monastery as a young male novice. After the monastery is destroyed by Mongolian forces, Zhu decides to claim the future that was meant for her brother. This is story is going to be EPIC!!!

#10: Empire of the Vampire by Jay Kristoff –> September 14th (in the U.S.)

            This upcoming series by the Australian author combines vampires with the legend of the Holy Grail. The protagonist is imprisoned not only for murdering the Vampiric King, but also for unknowingly destroying the holy order—The Silversaints—he served. Recounting his life and the events which led him to his current predicament, readers will learn first and foremost that the Holy Grail was a person, a teenager. Please Note: This series is NOT YA!!!       

#11: The Light of the Midnight Stars by Rena Rossner –> April 13th

            This historical fantasy is a retelling of Rabbi Isaac and his family, particularly his three gifted daughters. After an accusation of witchcraft forces the Rabbi and his family into exile, they learn of a dark force making its way across Europe. The sisters must choose whether or not to face the threat. This book is the author’s follow up to The Sisters of the Winter Wood, and fans of Alix E. Harrow, Katherine Arden and Constance Sayers will enjoy this book the most. 

#12: The Witch’s Heart by Genevieve Gornichec –> February 9th

            2021 continues the Norse-inspired books fantasy fans get to experience. This debut novel is a reimagination of Loki’s children as told by the woman who bore them and loved Loki—the witch, Angrboda. The story begins with Angrboda being burned by Odin for refusing to provide him with knowledge of the future—which Odin gains another way. After escaping and fleeing to the end of the world(s), Angrboda encounters Loki and fall for each other. Anyone who is familiar with Norse mythology recalls the role Loki’s children play in Ragnarök. Will Angrboda allow fate to happen, or attempt to change the future? 

#13: Firebreak by Nicole Kornher-Stace –> May 4th

            I learned about this book from author C.S.E. Cooney, and she had nothing but positive things to say about it. After reading the synopsis, I’m excited to read this book, too! The best way to describe this book is part 1984, part War Girls,and part Ready Player One. If you’re interest isn’t piqued after reading that, then I don’t know what else to tell you. 

#14: First, Become Ashes by K.M. Szpara –> April 6th

            I didn’t get to read Docile in 2020 (but, I will this year!), but I’m just as excited for the author’s second novel. The plot of this book sounds like it was supposed to start off as an RPG, but the quest ended before it could start. I’m curious to read what happens to the characters in this book. 

#15: The First Argentines Series by Jeff Wheeler –> Book 1: Knight’s Ransom release on January 26th

I got to read an eARC of Knight’s Ransom (click here to watch my first livestream Q&A panel with the author) and it’s an amazing beginning to a new series. Set about 400 years before the events in The Queen’s Poisoner, readers learn about the struggles the Argentine Family had when they first became the rulers of Kingfountain. The story is told from the perspective of one of the knights, Ransom, who witnessed many political and familial feuds as the Argentines commit to gain control over the entire realm, and survive. 

#16: Rook and Rose #1: The Mask of Mirrors by M.A. Carrick –> January 21

            This debut novel—written by a duo—presents a story of a con artist who hopes to secure a fortune and a future—for herself and her sister—by robbing a noble house. However, as this woman gets more involved with the family, she learns more about the aristocratic society, and the games they like to play. Soon, the protagonist has to choose between saving herself or saving an entire city. 

#17: Under the Whispering Door by T.J. Klune –> September 21st

            After reading the beautiful book that is The House in the Cerulean Sea—I hope to read The Extraordinaries this year—I had to find out what the author’s next book is going to be. This book takes a page from Greek mythology as the subplot of the story. The plot is about a recently deceased man who isn’t ready to cross over to the afterlife, so he resides with the ferryman at his tea shop for 7 days. Question: who is the artist of the cover art? I know it’s the same one who did the cover for The House in the Cerulean Sea. 

#18: The Legacy of the Mercenary Kings #2: The Two-Faced Queen by Nick Martell –> March 23rd

            This sequel to the author’s debut novel will focus on the aftermath of the events that occurred in The Kingdom of Liars. I curious to learn whether or not the queen really is two-faced. And, does she know what really happened to her father and her brother?  

#19: Wings of Ebony by J. Elle –> January 26th

            I won a copy of this book in a giveaway—which, will arrive on the book’s release day (an early birthday present for me!)—and I’m looking forward to reading it. This book focuses on a teenaged girl who is separated from her sister after their mother’s death to live on an island with her father and to learn about the heritage she never knew about. To me, this book sounds like a combination of Legendborn, Empire of Sand, and Percy Jackson, and I’m not complaining at all. 

#20: Wilderwood #1: For the Wolf by Hannah F. Whitten –> June 15th

            This retelling of the tales of Little Red Riding Hood and (Norse? or Greek?) mythology is the author’s debut novel. Red is the first Second Daughter born in centuries. This isn’t an issue for her family because while her older sister will get the Throne, Red is destined to be sacrificed to the Wolf in the Wood so he’ll return the world’s captured gods. Unfortunately, legends are not what they seem. The Wolf isn’t a monster, he is a man; and, Red isn’t a damsel, she has magic that she has to learn how to control in order to save her world. 

Additional Books to Lookout For: 

The Murderbot Diaries #6: Fugitive Telemetry by Martha Wells –> April 27th

The Tide Child #3: The Bone Ship’s Wake by R.J. Barker –> September 28th

The Ladies of the Secret Circus by Constance Sayers –> March 23rd

The Up-and-Under #2: Across the Saltwise Sea by A. Deborah Baker –> October 12th

Winter’s Orbit by Everina Maxwell –> February 2nd

The Bloodsworn Trilogy #1: The Shadow of the Gods by John Gwynne –> May 4th

Ashes of the Unhewn Throne #1: The Empire’s Ruin by Brian Staveley –> July 6th

The Desert Prince by Peter V. Brett –> August 3rd

The Protectorate #3: Catalyst Gate by Megan E. O’Keefe –> July 13th

Small Spaces #3: Dark Waters by Katherine Arden –> August 3rd

            As I mentioned earlier, this is some of the several books being released in 2021. Which books did I miss? What are you excited to read the most in 2021? Any debuts and/or new series others and I should look out for? Let me know! Happy New Year!

Why You Need to Read: “Ring Shout”

Ring Shout

By: P. Djèlí Clark

Published: October 13, 2020

Genre: Horror/Folklore/Supernatural/Historical Fiction

Thank you Tor.com for sending me an ARC of this book.

            “The Birth of a Nation” had delivered all the souls they needed to stir up them old evil powers. Across the country, white folk who ain’t even heard of the Klans surrendered to the spell of them moving pictures. Got them believing the Klans the true heroes of the South, and colored people the monsters, (TWO). 

            They are one of the most infamous groups in modern society; yet, for some reason, American society fails to call them what they are: a hate group. The Ku Klux Klan emerged during the Reconstruction Era and sought destruction, especially against several Black American communities throughout the U.S., particularly in the South. While their white hoods presented and hid their identities, the freed slaves had a new fear, and they weren’t from their folklore, but from actual fears which manifested. P. Djèlí Clark combines two fears—the known and the unknown—into his latest novella, Ring Shout. 

            Maryse Boudreaux is a 25-year-old monster hunter. However, she and her companions have “The Sight” so that they can distinguish one monster—the Klan—from the other one—the Ku Kluxes. To everyone else, they are one and the same, but Maryse and the other monster hunters know better. There is Sadie, the best shooter in the group; and, Chef, a war veteran who has a talent for explosives. Nana Jean is a Gullah woman who uses her skills to offer protection from the Ku Kluxes. And, Michael George, the man who provides Maryse with reprieve from and motivation for fighting. Then, there are Aunties Jadine, Ondine and Margaret, “spirits” who guide Maryse on her quest to eradicate the Ku Kluxes, including gifting her with the sword she uses throughout the war against the supernatural threat. Maryse has her reasons for hunting the Ku Kluxes, but she cannot grasp how far these monsters are willing to go for domination. And, who is conjuring them? The revelation pushes her to make “deals” so that she and her companions have a chance to survive. Maryse is a fighter, but she knows all too well that she cannot do it alone. Her companions allow her to develop into the person she must become in order to defeat this threat. 

            The plot is straightforward. It is July 1922, 7 years after The Birth of a Nation was released, and 4 years since the Great War (a.k.a. World War I) ended; and, there is to be a re-release of the film in Stone Mountain, Georgia. What many people—White and Colored—do NOT know is that the movie is based on a book written by a sorcerer. The sorcerer uses moving pictures in order to conjure a spell so that evil beings can be summoned and walk amongst humanity. The cost: human souls. The Klan offered their souls and became Ku Kluxes, which go on to terrorize Colored people. So, monster hunters—consisting of a group of Colored people with “The Sight”—continue to fight them off after the Ku Kluxes make their return to power. The storyline within this plot is how the characters fight, live, and survive during these trying times where a force of evil—which is fueled by hatred—is unseen by almost everyone. It is the subplot that drives the plot in this book. The subplot focuses on the Black American Experience during the 1920s, and it is not an easy time for them. In addition to fighting the supernatural, the characters have to maintain their way of life while remaining segregated. Jim Crow laws and lynchings are a common and an everyday practice. Combined, both the subplot and the storyline allows for the plot to develop an appropriate rate. 

            The narrative is told from the point-of-view of Maryse. The sequence is a combination of stream-of-consciousness and flashback, which are necessary for the story. The events and the sequence occur in the present. However, it is the dialogue (and the dialect) of the characters that will keep the readers engaged throughout the narrative. 

            The style P. Djèlí Clark uses in Ring Shout includes allusion, history and folklore. The history is obvious to anyone who is familiar with (actual) American history and Southern culture. The allusion refers to historical moments such as: Prohibition, the reemergence of the KKK, the construction of the Panama Canal, the Black Wallstreet Massacre, etc. Yet, it is the folklore that influences the story. The mention of fairy tales as cautionary tales are mentioned throughout this book (i.e. Bruh Rabbit, eating strange food, sharing stories, etc.) and drive the story in a way so that both the characters and the readers are familiar with all of the story’s ongoings. Another factor the author wants his audience to consider are the similarities between Black American and Caribbean cultures, particularly the practices of the Gullah and the Obeah. The mood in Ring Shout is hatred; and, the tone within this book is manipulation (for power using hatred). Readers should know that the book’s cover is essential to the events which occur towards the end of the story. 

            The appeal for Ring Shout will be positive. This is because the author does a great job fusing fear and hatred with folklore and dark magic. The former are human emotions which often lead to harm, while the latter are elements of several cultures that are believed and are practiced. Fans of horror, paranormal and supernatural stories will enjoy this story. Fans of recent and related novellas such as The Deep by Rivers Solomon and Riot Baby by Tochi Onyebuchi will appreciate the continuation of the Black American experience being told blatantly and directly in the speculative fiction genre. However, Ring Shout will be canonized alongside The Year of the Witching by Alexis Henderson in the horror genre. This book can be read again and again, and it is a great addition to the genre. It should be mentioned that this book can be read and enjoyed by historians and folklorists as well due to the information written into the pages of the story.

             Ring Shout is a brilliant horror and supernatural story which will force you to recall all of the “stories” and the “magic” you’ve been exposed to throughout your life as you try to come up with an explanation for “the unknown.” Once again, P. Djèlí Clark has found a way to present readers with a story combining history and folklore into a believable, yet scary, tale that serves as a cautionary tale against hatred and sorcery. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

End of 2020 Releases I’m Looking Forward to Reading

By some miracle, we survived to the end of September (2020). It seems that books and video games have managed to remain constant throughout the year—as in some delays and/or minimal postponement. I’m still working my way through my TBR pile as it continues to grow. Fall 2020—September-December—continues the unceasing releases within the literary world (not that I’m complaining). Here are some of the books being released between October and December 2020 I’m excited to read. 

            Please note, I haven’t listed all of the speculative fiction books that will be released by the end of 2020, just the ones I’m hoping to read. If some books are missing, then it’s because either they are part of a series which I haven’t read yet, or I am unaware of their upcoming release. 

Books I’ve Read

Between Earth and Sky #1, Black Sun by Rebecca Roanhorse

            For those of you who haven’t read my review of this book, you should read the book as soon as it’s released because this book doesn’t stop until its end. By the time you’ve reached the end of this book, you’ll realize that there will be a sequel, which will leave you asking: what else can happen? 

Ring Shout by P. Djèlí Clark

            If The Deep looks into the possibilities of the events surrounding the Transatlantic Slave Trade, and Riot Baby is the potential of the future surrounding current racial events, then Ring Shout presents a horror story of the consequences of hatred and violence within a society. Since this is based on U.S. History—a subject that continues to be glossed over—readers can expect Jim Crow Laws, and KKK rallies and attacks in this novella. 

Books I am Reading

The Once and Future Witches by Alix E. Harrow

            This is the second book by Alix E. Harrow. So far, it’s an amazing follow up to The Ten Thousand Doors of January. This time the story follows three sisters who use their magic to obtain the right to vote. So far, I can say that this is a clever look into how misogyny and sexist practices can lead to a small rebellion demanding equality by using unconventional methods, and magic. 

The Hollow Places by T. Kingfisher

            Finally, I’m reading a book by this acclaimed author. In this book, the protagonist is a recently divorced woman who moves into her uncle’s “museum,” only to locate a hidden passage inside the house. However, the length of the passage doesn’t equate to the perimeter of the museum, making her (and us) question as to where the passage leads to and whether or not anyone else knows about it. 

Books To Be Read

Over the Woodward Wall by A. Deborah Baker

            Anyone who has read Middlegame by Seanan McGuire is excited for this book. This book is a companion to Middlegame in that this is the book mentioned throughout the novel. Over the Woodward Wall is the book written by A. Deborah Baker in “code” for anyone who is interested in reaching The Impossible City. Think of it as a fictionalized version of The Secret: A Treasure Hunt.

The Invisible Life of Addie LaRue by V.E. Schwab

            There’s the “age-old” story that serves as a cautionary tale: immortality can be a lonely life. However, what if on top of living forever, no one will remember meeting you? Eternal loneliness is the ultimate sadness, but what if—by some miracle—someone remembers you? That miracle can blossom into the hope the protagonist needs in her immortal life. 

The Midnight Bargain by C.L. Polk

            There are a lot of books about witches and their magic that have been released in 2020. This book by C.L. Polk is the latest of them, as well as the author’s first standalone novel. In a world where women have to choose between magic and marriage, the protagonist seeks a way to have both. 

Eventide by Sarah Goodman

            This historical fantasy focuses on the Orphan Train and the superstitions within a small town. Sisters Lilah and Verity struggle to stay together after the death of their parents. Unfortunately, their family history and the dark forces within the town seek to destroy the siblings like it destroyed their parents. This YA novel is the author’s debut book. 

The Hanged God Trilogy #1, Northern Wrath by Thilde Kold Holdt

            Norse mythology continues to be a source of new fantasy stories, and this debut novel by the author is no different. This epic fantasy occurs when Christianity and Norse folklore clash constantly for dominance. The book follows several characters as they go on a quest to save their gods and Midgard. 

The Burning #2, The Fires of Vengeance by Evan Winter

            The Rage of Dragons started off as an African-inspired military fantasy became something even more by the time readers reached the last quarter of the book. Tau has lost everything he’s cared about at the same time he’s given a promotion that would make anyone else happy. Unfortunately, all Tau has left is his rage. And, although the queen needs his skills to end the war, it’ll take more than anger to get Tau motivated again. What will it take to get him to fight again?

War Girls #2, Rebel Sisters by Tochi Onyebuchi

            War Girls is the realistic dystopian YA novel about the cost of war and how it can affect children before, during and, after a war. Tochi Onyebuchi empathized the emotions felt by his readers throughout the book, especially the ending. Rebel Sisters takes place 5 years after the events of the first book, which sees Ify returning home to Earth. Those of us who read the first book already know to expect our emotions to pour out onto the pages, again. 

The Poppy War #3, The Burning God by R.F. Kuang

            After the release of The Dragon Republic, R.F Kuang announced who Rin, the protagonist, is supposed to represent in this historical military grimdark fantasy. Wow! And, with the way Book 2 ended and what that means for everyone who survived those events, I can only imagine how this trilogy is going to end. The title alone gives a hint as to what readers can expect from this finale. I hope I’m right about this assumption. 

The Graven #1, Nophek Gloss by Essa Hansen

            Hostile aliens, smart ships and humans can be found in this science fiction story. This debut novel follows the protagonist after he loses everything—literally—when his planet is destroyed. On a quest for vengeance, he travels to the home of those who destroyed his planet. Along the way, he learns more about the universe.  

The Tide Child #2, Call of the Bone Ships by R.J. Barker

            The Bone Ships was my surprise book of 2019; and, since I’ve finish it, I’ve been excited to read the sequel. I don’t know whether or not the sequel picks up immediately after the events of the first book, but I know that the subplot continues in this book and it’s going to be very interesting. More voyages ahead for the readers!

Poison Wars #2, Hollow Empire by Sam Hawke

            City of Lies is a great book about political conspiracies, history and folklore, and poisonous plants. Now, with the return of magic within the Empire, will it lead to something positive or to more treachery for the protagonists? We’ll have to wait and read what happens next. 

            Now, will I complete all of these books by the end of this year? Probably not. Yet, I’m aiming to read as many of these books as I can by December 31, 2020. If that doesn’t happen, then I’ll finish reading them in 2021! Which books are you excited to read by the end of 2020?