We are halfway through 2019 and this year’s speculative fiction books have been both enjoyable and bountiful. Most of the books I’ve read so far this year have been amazing, and I still have A LOT of books in my TBR pile to go through. Like you, I’m an ardent reader and I’ll read just about anything I can get my hands on and has an interesting story. I’ve enjoyed novels, novellas, short stories across various genres of literature. If you’re interested in knowing some of the 51 books I’ve read between January 1stand June 30th2019, then please check out my Goodreads page here: https://www.goodreads.com/Misty306.
I’ve been trying to keep up with both ARCs, and the long list of nominations for this year’s Literary Awards as part of my Reading Award Challenge 2019. I knew it would be harder than it sounded, but I’ve read (and still reading) a lot of amazing books that I wouldn’t have done so otherwise. I suggest that you read a few of the numerous nominations for any of the 2019 SFF Awards.
That being said, I wanted to point out some of speculative fiction books that were released in 2019 that I’ve enjoyed the most, so far. These are books I recommend you read, especially if you’re a fan of this genre of literature like I am. And, just so you know, these are books that I’ve read and finished between the 1sthalf of 2019.
These are my Top Ten Picks in no particular order:
Sisters of the Fire (Blood and Gold #2) by Kim Wilkins
Right now, I’m currently reading (released in 2019):
Broken Veil (Harbinger #5) by Jeff Wheeler
Velocity Weapon (The Protectorate #1) by Megan E. O’Keefe
One Word Kill (Impossible Times #1) by Mark Lawrence
Holy Sister (Book of the Ancestor #3) by Mark Lawrence
The Dragon Republic (The Poppy War #2) by R.F. Kuang
Here are some of the MANY books I hope to read by the end of 2019 (many of these I received at Book Expo 2019!):
Those of my picks for the Best Speculative Fiction Books of 2019. I’m still aiming to read at least 100 books by the end of this year; and, I want to write as many reviews here, on Goodreads, on NetGalley and Edelweiss, and on Amazon and Barnes & Noble. If you have any suggestions on what I should read, then please mention them in the Comments Section below. Please keep in mind that I might not be able to get access to certain books for various reasons (i.e. no $$$, waitlist at the library, etc.). Yet, I want to read as much as I can before 2019 ends (it’ll make my Award Reading Challenge 2020 much easier).
Which speculative fiction books released in 2019 have been your favorite so far?
“…Everything makes sense suddenly, and yet nothing makes sense at all.
There have always been rumors about the Kodari forest and the hidden things within it.
Now, I know we are a part of that unseen world,” (7, Liba).
2018 was a year in which books written by “established” authors and by debut authors were published and read by both readers and critics alike. So many good books were released in 2018 that there were a few that got lost within the pile. Rena Rossner’s debut novel, The Sisters of the Winter Wood, was one of those novels. This standalone novel has been compared to and enjoyed by fans of Katherine Arden’s Winternight Trilogy; and, it’s easy to see why. The story is a blend of history, culture, and magic with wonder about the workings of the “other.”
Liba and Laya are sisters who are as different as night and day. Liba is stout and dark-haired, and Laya is willowy and light-haired; each sister resembles each parent (in more ways than one). And, like most siblings, Liba and Laya are jealous of each other. They both want what the other has and are oblivious to what they already possess. Liba wishes she was as beautiful as Laya, and Laya wishes she could fit in amongst the (Jewish) community like Liba. These wants and personalities define the sisters. And, when their parents leave them home alone in order to address a family emergency, the sisters are able to grow into themselves and obtain respect for each other. Throughout this coming-of-age story, both Liba and Laya realize what their parents were trying to protect them from—their heritage and its dangers. It’s only after coming to terms with their heritage that the sisters are able to accept themselves and each other for who and what they are.
The plot seems simple—almost like a faerie tale—but, it’s not because faerie tales are not simply stories, they’re cautionary tales complied with cultural beliefs. For the first time, Liba and Laya are left home alone. Between their heritage and the disappearances of their neighbors and their friends, the sisters are warned “to be wary of strangers.” Of course, both sisters do the opposite: Liba has encounters with men who claim they “know” her father, and Laya becomes friendly with 7 brothers who arrive in town to sell fruit at the market. At the same time, the sisters learn of their magical heritage and try to cope with the knowledge and the meaning of it. They soon realize that they have to make choices that benefit them as individuals before deciding their place in the world with, or without, their family. The subplot in this novel is the growing tension between the Christians and the Jews, which is based on the tragic events in Moldova in 1903. After two young Christians were found dead under mysterious circumstances, the nearby Jewish community were left with the blame and the potential pogrom against them. The subplot mirrors the plot in that while Liba and Laya are concerned with how everyone else will see them. Their microcosm Jewish community is on edge on what could happen to them all if the macrocosm Christian community continues to blame them for the deaths and the disappearances. The elements of the faerie tales work their way into the plot and the subplot reminding readers that faerie tales are not just “stories,” and we should heed them.
The narrative within The Sisters of the Winter Wood are told from the points-of-view of both Liba and Laya. The narrative is told in real-time and whatever is happening within the setting of the story, either Liba or Laya, or both are witnessing and experiencing these events, which makes them reliable narrators. The narrative is easy to follow because the story focuses on the events as well as the maturation of the sisters. Keep in mind that this is a bildungsroman story and we’re reminded, constantly, that our protagonists are adolescent girls.
Rena Rossner incorporates her story of magic realism and folklore within her style of writing. She writes in two styles in order to reflect the differences between Liba and Laya, and the way they see their world compare to everyone else. Liba’s P.O.V. chapters are told in prose and lets the reader(s) know of what is happening within the community. Laya’s P.O.V. chapters are in poetic verse and presents the reader(s) with the growing tension within her family, within the community, and amongst the magical elements that are hidden to all the other denizens. The fable styled morals can be found within the theme (the fear of persecution for being the “minority”), the mood (beware of strangers), and the tone (beware of your neighbors) in this folklore inspired story. The author’s styles not only illustrate how the sisters see the world, but also deliver the experiences both sisters have throughout the story. Liba spends more time interacting with other people and Laya spends a lot of time interacting with the other. Both styles standout, but together they give a complete story of all of the happenings within the novel.
The appeal surrounding the novel have been well-deserved. Both the author and the novel have been nominated for literary awards, including the 2019 Compton Crook/Stephen Tall Award. Fans—readers and critics alike—note the similarities between Rena Rossner and Katherine Arden. The historical and cultural elements will draw comparison to both Nnedi Okorafor and Jordanna Max Brodsky as well. While this is a standalone novel, it’s a debut that will make readers wanting more from the author.
The Sisters of the Winter Wood is a beautiful story told with two styles of storytelling about two sisters adapting to adulthood. Fans of magic realism, historical fiction, and folklore will appreciate the combination of the genres and fall in love with the characters. It will leave you wondering whether or not your family is as magical as Liba and Laya’s.
Genre: Science Fiction, Native American Literature, Dystopian, Post-Apocalyptic, Folklore
NOTE:Understand that any incorrect use and/or spelling surrounding the culture mentioned is unintentional.
“But I’m no hero. I’m more of a last resort, a scorched-earth policy. I’m the person you hire when the heroes have already come home in body bags,”(Chapter 1).
There are numerous ways readers find out about which books to read by which authors: school assignments, friends and family, book clubs, random recommendations, the Internet, etc. In this case, it was from the 2018 Hugo Awards. One of the awards presented—the John W. Campbell Award for Best New Writer—announced its winner…Rebecca Roanhorse. If anyone watched my reaction video (https://www.youtube.com/watch?v=1oyX_U2U8kE&t=11s), then you know that I was shocked upon hearing this announcement because I believed either Katherine Arden, or Jeanette Ng should have won that award. Yet, I never heard of Rebecca Roanhorse, or her stories, before, and she did win a Hugo for Best Short Story that same evening. Suddenly, I had a new author to read and her debut novel is titled: Trail of Lightning. And, I’ll admit, I was wrong about my assumption!
Maggie Hoskie is the protagonist. She is a survivor of a climate apocalyptic event known as “The Big Water,” when the water levels rose and engulfed most of the Earth’s terrain and its inhabitants. After this event, the Navajo Gods, heroes and monsters returned to Earth and to humanity. One of the gods, Neizghání a.k.a. “Monsterslayer,” trains Maggie to become a Monsterslayer like himself. When Neizghání suddenly leaves Maggie, she is able to accept jobs for her handiwork. Maggie’s skills as both a survivor and a monster hunter reflect all of the emotional traumas she’s experienced. However, when a job becomes something more than she can handle, Maggie, reluctantly, agrees to work with Kai Arviso, a medicine man who is also unsure about his supernatural abilities. Throughout the story, readers learn about Maggie and Kai’s past lives including how they survived the flood and how their supernatural abilities are both assisting and restraining them. Other characters, such as Kai’s grandfather, Grandpa Tah, notice how the relationship between Maggie and Kai could be a good thing for the survival of their community, but in a post-apocalyptic world, one should know better than to hope for such a thing.
The plot of the story is Maggie and Kai searching Dinétah (the Navajo reservation) for the source of dark magic that’s hunting the surviving humans. The subplot, which will probably carry over to the next book, is the concept surrounding “clan powers.” Clan powers are gifts from the “Holy People” and the gods to mortals. Maggie isn’t a fan of her gift and Kai views his only as a way to survive. However, readers—and Maggie—don’t know what Kai’s gift(s) is, so there is that small mystery to consider. Maggie’s superhuman abilities are not what she would call a blessing from the Diyín Dine’é (people with supernatural powers). Yet, Maggie uses her gifts to make a life for herself. This subplot comes up again throughout the novel, and it is safe to say that this subplot won’t be resolved as quickly as the plot. Both the plot and the storyline of Maggie’s training go hand-in-hand. This is because readers learn how Maggie became acquainted with the gods and how to harness her gifts to become a Monsterslayer. At the same time, we learn about Maggie’s friends and her relationships with other people living in Dinétah. The plot development is appropriate for this story, allowing it to unfold through the characters.
The narrative in Trail of Lightningis 1stperson point-of-view from Maggie’s perspective. The sequence begins and ends with murder and the protagonist’s reaction to each one, which is the same reaction, indifference. However, by the end of the novel, Maggie’s reaction makes a lot of sense. Maggie is a reliable narrator who tells Kai and his grandfather her past and how she survived the first wave of chaos after “The Big Water,” many of which she is not proud of doing. Maggie recounting her past actions through flashback allows the author to present her protagonist as flawed and traumatized, yet relatable. This narrative lets readers follow Maggie’s story—both the present and the past—with ease.
Rebecca Roanhorse depicts Navajo Gods when an ethnic group of people would need them the most, after an apocalyptic event. While the retelling of gods, heroes and legends are similar to Neil Gaiman and Rick Riordan, Rebecca Roanhorse has the gods of her ancestors return to Earth when the lifestyle of humanity reverts. Many myths and folklore tell of a simple lifestyle, when humans needed the gods to survive. This style of writing lets readers know that the lifestyle changes, but the culture doesn’t. As long as humanity thrives, so will their gods. The author’s tone within the novel, humanity’s failure of taking care of Earth, reflects the mood, an urban apocalypse where everything has to be rebuilt in order to achieve a sense of normalcy. In addition, Rebecca Roanhorse incorporates Navajo diction for both authenticity and reality, with an explanation (and translation) of each meaning. If other cultures incorporate words of their own into everyday language, then why not learn Navajo ones?
The appeal surrounding Trail of Lightninghave been very positive. Called, “one of the Greatest Science Fiction & Fantasy Debut Novels Ever Written,” by Barnes & Noble, this novel received praise for the portrayal of Native American (one tribe) culture, too. Not to mention, Trail of Lightninghas been nominated for both the Nebula and the Hugo Awards. The follow-up to Trail of Lightning, Storm of Locustswill be released in April 2019. And, the author’s YA debut, Race to the Sun, which is part of the Rick Riordan PresentsUniversal Literary Pantheon, will be released in Fall 2019. This will expand Roanhorse’s readers and her universe, explaining the Dine’é to the rest of the world. Obviously, I’m looking forward to reading both novels.
Trail of Lightningis a brilliant debut novel that allows for an immersive story about Native Americans—Navajo—and their culture and folklore in an ironic apocalyptic urban fiction book. This narrative is slow at times because the world-building overtakes the pacing. I believe the next book in the series and any other one set in this universe will be just as memorable as the first one. I believe Rebecca Roanhorse will be publishing stories for many years to come, and I will read them all.
PLEASE NOTE: The following contains some minor spoilers. You have been warned.
“My name is Alek Fitz,” I said. “I’m a reaper for Valkyrie Collateral, and I’ve come to collect your debt.”(Chapter 1).
When an author diverts from their known genre, the fans notice. Several questions are asked: Why is this author working on this? Will this genre/sub-genre be as good as the author’s other books? Should I read it? J.K. Rowling and George R.R. Martin are the current popular examples of the genre switch up. Brian McClellan shifts from epic fantasy to urban fantasy in his new novella series, Valkyrie Collections. Both fans of McClellan and urban fantasy will enjoy Uncanny Collateral.
Alek Fitz is a part troll, part human individual who is an indentured servant/reaper for Valkyrie Collections, a debt-collecting agency that keeps track of people (mostly humans?) who exchange their souls for corporeal desires. Think of it as a world in which people think and behave like Dr. Faustus. However, instead of the individual going to Hell once the contract is over and the conditions are met, that individual is doomed to live without their soul for the rest of their mortal life. Of course, nobody wants to live without their soul, so there are some people who try to avoid the exchange; and, that’s where reapers—a.k.a. bounty hunters—like Alek Fitz comes in. Alek is the best in the business, but it isn’t because he is a workaholic. His boss, Ada, owns him, literally. Alek was sold to her as an infant by traffickers. The barcode over his heart gives the “owner” control of him. All Ada has to do is touch the barcode, which inflicts pain and Alek is obedient to her every whim. This means that Alek is put on the most demanding and dangerous cases.
Alek is “partners” with Margarete Abaroa, or Maggie, a jinn who is trapped inside a ring because of a curse, which Alek cannot get off due to the same curse. Both Alek and Maggie work well together, and both share common ground that they are victims of unwanted circumstances. Maggie gives Alek the upper hand and Alek treats her with respect. Both Alek and Maggie are the protagonists in this story because Alek is stuck with Maggie and vice versa. However, Maggie is not without her secrets, so whatever Alek knows about her is because she told him. No one knows about Maggie and why Alek wears a ring while at work. I would say Ada is the antagonist because she is the reason for Alek’s lifestyle. Just like in other stories from the genres of urban fantasy and mystery, Alek has confidantes and sources who are the type of “people” who you expect them to be, friendly but self-serving.
The plot for Uncanny Collateralis Alek is forced to take a job for the Ferryman—a.k.a. Death—in order to recover numerous souls, which have been stolen and are being sold secondhand to those who have traded their own. This is a problem for two reasons. One, missing souls throws off the “process” that occurs after an individual’s death. Two, someone who is in possession of any soul but theirs causes them to rot from the inside out. Alek and Maggie are on the case with a limited time span, because the balance of death is in jeopardy. The subplots within the story focuses on the past surrounding both Alek and Maggie. Alek wants out of his bondage from Ada, and he wants to know who his parents are and why they sold him. And, Maggie’s past is revealed to Alek—and to readers—when someone comes looking for her with ominous intentions. The subplots reveal more of Alek and Maggie’s character to each other, but it furthers their resolve in working on a way to escape their bondage. The plot develops, rises, and resolves at an appropriate rate because the series needs to begin and to end with the continuing dilemmas of these characters.
Just like in other urban fantasy stories, the setting plays a huge role because the characters interact and travel from place to place. Alek travels throughout parts of Ohio—real places—talking to imps, necromancers, and angels while searching for the missing souls for one of the agents of death. The narrative is told in real time, so everything happens in a stream-of-consciousness and we learn about the setting and the society in which Alek resides in. Obviously, Alek is the narrator, and it’s safe to say that he’s a reliable one because of his predicament and lifestyle. The real time and the action within the narrative makes this novella an easy read.
One of the ways the author writes his story is by using allusion and pop culture references. Ferryman is described as looking like Keith Richards with a voice like Bob Dylan. Alek works for Valkyrie Collections; Valkyries are beings who travel the world collecting souls of warriors to fight in Ragnarok. And, Maggie is a jinn who is cursed to live inside of a ring. McClellan uses these methods in order to set the mood of the story. At the same time, the tone of this story lets readers know that this urban world is harsher than ours. Lost souls, cursed objects, and necromancy are just some of the negatives that comes with living in a world with magic and paranormal forces. This is the author’s take on the paranormal and it is very engaging.
Fans of urban fantasy will enjoy Uncanny Collateral.Fans of McClellan’s other works will enjoy both the worldbuilding and the fight scenes. This novella is the first in a new series by a popular best-selling author who is branching out with his storytelling and giving readers something new and different to enjoy. It seems novellas are gaining more popularity when authors present their fans with the chance of reading more of what they have to offer. It is obvious that McClellan plans on continuing this series, and I hope he does because the story is very entertaining, and it would be a shame if the series ended before it could continue. And, while it’s too soon for any form of adaptation to be considered, I believe either a graphic novel or an animated series would be the best formats for consideration.
I had the opportunity to be both a Beta and an ARC reader for Uncanny Collateral. And, while it’s cool seeing your name on the Acknowledgements Page, I really did enjoy this story. The Valkyrie Collection reminds me of Neil Gaiman’s American Godsbecause of the use of actual places for the setting gives the story a realistic appeal, and something unknown could happen without anyone else knowing about it is a bit eerie. Brian McClellan presents his urban fantasy world and it works. All of the familiar elements are there: magic abilities, humans with knowledge of the existing worlds, and half human protagonists struggling with their identity. Like I said before, both urban fantasy readers and McClellan’s fans will enjoy this novella.
Uncanny Collateralis a fun addition to the urban fantasy genre. The setting is realistic, and the characters are rounded with conflicts that match the world the author created. The pacing of the story is appropriate for a novella and the plot fits within the length as well. My only issue is that it’s too obvious there is going to be more to come in this series, but of course readers won’t know what will happen next until the next book is released. I hope we get more because I want to know what happens next, too.
Winternight Trilogy: Book 3: The Winter of the Witch
By: Katherine Arden
Published: January 9, 2019
Genre: Fantasy, Historical Fiction, Fairy Tale Retelling, Folklore, Magic Realism
PLEASE NOTE: The following contains minor spoilers from this novel and the series. You have been warned.
“You are a fool, man of God,” he said. You never understood.”
Konstantin said, “I never understood what?”
“That I do keep faith, in my own fashion,” said the Bear.
(Chapter 23: “Faith and Fear”)
The Winter of the Witchis the third and final book in Katherine Arden’s Winternight Trilogy.What started with The Bear and the Nightingale—and yes, readers need to read that book and the second book, The Girl in the Tower,in order to know what is going on in the third book—ends with this beautiful end to a beautiful trilogy. This historical fiction fantasy starts where the second book ended, with Moscow recovering from both a fire and the actions of a wicked magician. Once again, Vasilisa Petrovna’s actions have caught up with her, and she barely escapes with her life. Then, she must come up with a plan to unite ALL of Russia—humans and chyerti—to fight against the invading Tatars, and to find balance between two belief systems—Christianity and Paganism.
The characters are those we were introduced to from the previous books: Vasya, Sasha (her brother), Olga (her sister), Marya (her niece), Solovey (her stallion), Dmitrii Ivanovich (the Grand Prince), Morozko (the frost-demon), Medved (the chaos-spirit), Konstantin Nikonovich (the charlatan priest), and Varvara (the Head servant). New characters are introduced and mentioned as well. Together, all of the characters are active in Arden’s story from the roles they play to the answers they provide to the readers’—and characters’—concerns and questions. Each character is well developed and motivated to accomplish their goals. The conviction in the protagonist, the antagonist(s), and the other characters remind the reader(s) that more scenarios are happening than the characters and we are aware of.
The plot, as I mentioned earlier, is both a continuation of the events in the previous book, and a continuation of Vasya’s growth into an adult. Christianity is now the dominant religion in Russia with the amount of people who keep the older traditions decreasing, the Tatars continue their campaign to take over Russia, ancient feuds continue to play on, and Vasya is a step closer to coming into her own and accepting her destiny. These subplots are part of the main plot—Russia is changing, but not all things fade away with those changes—and they cannot wait to be dealt with. Each change, along with its dilemma, is addressed again and again until the story’s end. It should be mentioned that each conflict does not get resolved and that is due to the reality found within the story. Conflict—from a minor issue to total chaos—never goes away. The three conflicts found within the plot are resolved, so that story ends, but the lives of the characters leaves for an ambiguous continuation and hope for both the surviving characters, and for the reader(s).
The narrative switches between the points-of-view of several characters: Vasya, Sasha, Olga, Konstantin Nikonovich, the Bear, Varvara, etc. Just like in other stories with multiple POVs, readers learn everything that is happening everywhere concurrently. The aftermath of Vasya’s actions affect her throughout the story; Sasha and Olga come to terms with their family’s history, gifts, and future; Konstantin Nikonovich achieves his goals with a bittersweet feeling to his conscience; and, the Bear, the Winter King, and Varvara have their roles to play in the war. Then, there is the other war that’s coming for all denizens of Russia. If it’s not one problem, then it is another problem. Remember, the first war for power happened in The Girl in the Tower,which was a short time ago within the narrative. Arden presents the conflicts and then shows how all of her characters deal with them within the story. Since the narrative is given from multiple viewpoints without the other characters knowing what is happening to other characters, readers know that each narrative is reliable and realistic. The resolution does not give the characters enough knowledge of what happened to the other characters as well, and that provides a believable ending.
The style of writing the author uses in this book is the same as it was in the previous books in the series. Magic realism is a genre of writing that is often used alongside the historical fiction genre. The difference is that folklore drives the narrative of a magic realism story. Arden’s style follows this method of writing. The aspect that makes Arden’s trilogy standout is the knowledge of the lore the denizens in the story have, because the lore remains as the world changes. Devout Christians are able to see the chyerti, and there are people who practice both “faiths.” One of the best things about the author’s trilogy is the way she reminds readers that old magic and ancient tales will always remain with the people (hence, the term “folklore”). Everyone knows them, some are aware of them, and few have the ability to use the deeper magic. Folklore is part of a culture, and Arden incorporated the importance of a country unifying, not just for its survival, but also for its way of life through their culture. The author did a beautiful job expressing this within her writing.
The appeal surrounding this novel is interesting. I’ve started reading the Winternight Trilogy from the release of The Bear and the Nightingalein 2017 and I knew Katherine Arden was one of my new favorite authors. I received an ARC of The Winter of the Witch, and while I was reading and gushing through it, I found that other readers picked up the first book out of curiosity and enjoyed it, too! If The Bear and the Nightingalewas the first book that introduced us to Katherine Arden, then The Winter of the Witchis the book that cements her as one of the best speculative fiction authors in this era of publication. Katherine Arden takes folklore and reshapes it into a new story to be read and enjoyed the same way Neil Gaiman, Nnedi Okorafor and Naomi Novik have done within their books. The Winternight Trilogyproves that the speculative fiction canon has room for authors who write across multiple elements within the genre like Katherine Arden.
I am proud to say that I’ve read Katherine Arden’s books since the publication of her first novel, and I’ve enjoyed them all! Now, while this review is about the last book in the trilogy, I still have to mention all of the books in the trilogy. There are many trilogies in the speculative fiction genre; and, when it comes to the trilogies I’ve read from that genre, the Winternight Trilogyleaves me with the same level of satisfaction as His Dark Materials(by Philip Pullman) and The Broken Earth (by N.K. Jemisin) trilogies. Anyone who knows about how I feel about those trilogies, know that’s a big deal! Reading Vasya’s journey from childhood to adolescence to adulthood was an absolute joy and I’m glad Katherine Arden shared her story with us. I recommend this novel, and the series, to all readers of the speculative fiction genre. None of you will be disappointed.
2018 has been a reflective year for me because I was able to prove my resilience through my writings and my other creative projects. However, I realized that when it came to the literary market, I had a lot of reading to catch up on. Blogging about the books I enjoyed reading and sharing pictures of the literary events I attended have been a great experience, and I plan on continuing to do both in 2019. This means I’ll be doing more reading, posting, and sharing of the books I read. I’ll share more photos of the literary events I attend, too. I don’t want to say that I will post articles and reviews on my blog every week, but I will aim to post content a few times a month. And, I’ll be expanding my blog to include additional topics surrounding literature such as media adaptations and genres of literature that are not speculative fiction.
Keep Up with My ARCs and Review Them On Time
Last year, I joined NetGalley and volunteered to read books by authors for review on retail websites (i.e. Amazon, B&N, etc.). Now, I have not been able to keep track, read, and review all of the books I said I review last year (I still have to complete the ones I missed), but I plan on reviewing as many of those books on time. In addition, I’ve been in contact with authors and I agreed to read and to review their ARCs. Many of the stories I read and review are worth reading, and I said so to other readers.
I already started reading my ARCs for 2019 with plans of completing most, if not all, of them. Like I said, I’ll be reading, reviewing and sharing other genres of literature as well. I will continue to let you know whether or not those books are worth reading. Yes, I take requests and I will make time to read your ARCs if you ask me to.
Keep Up with my Social Media Pages
I’ve put more work and effort into my blog and my social media pages. This blog is running more actively, my Goodreads page gets updated daily, and my social media accounts are more active with more friends and more followers (I thank you all for your support). I have started a Patreon account, which I hope to get running within the next few weeks. I will keep up with all I mentioned earlier with the new content on a more regular basis. My hope is that this becomes more than what it is at its current state.
Read 100 Books and Share Them on My Goodreads Page
In 2018, I read 70 books—based on my Goodreads page—and I know that I read more than that amount. This is probably because the books I reviewed made it to all of my social media pages. Sometimes you read a book just for “fun,” or for a “quick read.” You don’t think of sharing every book you’ve read, but sometimes you forget to mention it at all to other readers. Because of Goodreads, I am aware of the benefits of sharing those reads with other readers such as: meeting new people, attending books events, and learning about more books. It’s not that I want to share ALL of the books I read on Goodreads, but I will definitely include more of the books I enjoy the most on my page!
Some of the Books I Plan on Reading
Books Released in 2018 that I did NOT get to read: Speculative Fiction
2018 has been an amazing year for writers, editors, publishers, and readers of speculative fiction. Throughout this year, I’ve caught up with my reading of various genres in the print and digital formats. Also, I managed to read many of 2018’s new releases, and they were amazing reads. In fact, there were so many anticipated novels, novellas, short stories, non-fiction, and anthologies that I neither read, nor completed many of the books released in 2018.
There are two things I learned throughout all of this year’s readings. One, speculative fiction’s spectrum continues to lengthen including stories of all sorts from authors of multiple demographic backgrounds. Two, readers and publishers are becoming more and more aware of the sort of stories that could emerge from this broader genre of literature than the ‘older’ and ‘more rigid’ structures of the previous separate binary genres of the past.
The award winners and nominees of all the literature prizes demonstrate how the mainstream is starting to publicize these authors more and more. N.K. Jemisin’s historic win at the Hugo Awards made the news on several major news networks. And, Haruki Murakami withdrew his nomination for the Nobel Prize in Literature so he could, “stay focused on his writing.” These big moments in the literary community captured the attention of non-speculative fiction readers and everyone else. Maybe literary scholars will begin to pay more attention to this genre the way Americans are starting to pay attention to football (a.k.a. soccer).
Although I did NOT get to read and/or to finish many of the 2018 releases—Foundryside by Robert Jackson Bennett; Circe by Madeline Miller; Children of Blood and Bone by Toni Adeyemi; Head On by John Scalzi; Tempests and Slaughter by Tamora Pierce;How Long ‘til Black Future Month? by N.K. Jemisin, etc.—I managed to read many books of all formats (and in other genres). Obviously, my focus for this posting is what I consider to be the best releases in speculative fiction of 2018. If you are curious as to the other books I’ve read or started reading in 2018, then you can checkout my list on my Goodreads page.
Originally, I was not going to do a ranking. There were many books I wanted to mention and I was going to categorize my list based on: debut novels, novels with distinctive narratives, novellas, and anthologies. However, when I spoke to my friends and other readers, I realized that I kept mentioning the same books over and over again. These books stood out to me the most, so a Top Ten list came together.
Once again, this is a list of my favorite speculative fiction books of 2018. There won’t be any “Honorable Mentions” here, and this list will be descending (#10-#1). If you believe I missed a book, or if you wish to comment on my choices, then please leave a message in the comments section.
As I mentioned in my review of this novella on Goodreads, this novella is a good start to what will eventually be a series. And, since I have not read The Queen of Crowsyet, I can only assume that both the story and the pace will pick up in that book. Don’t get me wrong, the story is worth reading and is different from other stories I’ve read, but I wanted more from it, which is a good thing. For this reason, I cannot put this book any higher on my list.
That being said, The Armored Saintis an interesting medieval fantasy tale, which takes the notions of religion and combines it with the idea of technological warfare. In this case, giant armored bots (look at the cover) are the weapons of power. The story begins with the protagonist, Heloise, getting into trouble with those in power and she witnesses the death and the destruction of those she cares about. However, Myke Cole does not use tropes in the ‘clichéd’ way. Instead, readers are surprised at what happens to everyone within the protagonist’s inner circle. And, while this story ends with you wanting for more, you will believe you were cheated due to the slow pace of this novella.
#9Empire of Sandby Tasha Suri
2018 was a year containing many amazing debut books by authors—many of whom are not Caucasian—and managed to reintroduce readers to the notions of “old magic” and the treatment of the individuals who have the innate ability to wield it. Empire of Sandtakes a look into a society in which clans of tribesmen and tribeswomen are abducted for “the good of the Empire.”
Mehr is the illegitimate daughter of one of the Imperial Governors who defies her family’s wishes and paranoia, and performs the magical rites of her mother’s family. When the Religious Order notices her, she is forced to become a ‘tool’ for the Empire. As I read this novel, the characters are what kept my attention the most. The protagonist’s love for her family and her mixed heritage are what drives the story. The story gets really interesting during the last 100 pages, and it’ll make you want the next book in the series sooner rather than later.
#8Trail of Lightning (The Sixth World #1)by Rebecca Roanhorse
This debut novel written by the 2018 Recipient of the John W. Campbell Award for Best New Writer takes place on a dystopian Earth, which ended due to climate change. The aftermath includes the return of Navajo deities and monsters. Maggie, a monster hunter with supernatural abilities, is hired to locate a missing girl. From there, the story turns into a scavenger hunt in what remains of the Southwestern region of the United States.
This is the first fantasy novel involving Native American characters that I’ve read. Plus, I can see why Rebecca Roanhorse has been nominated for all the literary awards, and winning some of them. It’s not just about the idea that climate change is responsible for the dystopian society, but it includes the reminder that the ancient deities—no matter where they’re from and/or located—always have their desires over those of humans. The idea that the ‘end of the world’ leads to the return of the gods, so they can reform the world makes for a very intriguing story.
#7Rosewaterby Tade Thompson
I received an ARC of this book and I should have read it sooner, but I managed to read it all the same! This Afrocentric book tells an interesting story of individuals who use their innate abilities as part of their jobs, while residing near an alien dome. Yes, there was an alien invasion and every year people travel to Nigeria in order to be blessed with the healing powers of the dome.
This novel catches your attention with the reminder that a futuristic world will continue to have some of the same issues as we do in present society. In this case, cyber-hacking is a concern to the point where Kaaro, the protagonist, and others use their psychic abilities as part of their job description for both the local bank and (in Kaaro’s case) the government. After the annual healing ceremony, things go well and poorly for Kaaro. While he gets into an intimate relationship, Kaaro realizes that there is more happening to him and to those in his community. Some of it involves his past and some of it involves the changes occurring within his society. The blend of science, fantasy, and religion makes Rosewaterstand out from the rest of 2018’s speculative fiction releases. And, like the previous mentions, readers can expect a follow up book to be released in 2019.
I mentioned pacing as being essential to telling a story and Clark does an excellent job incorporating it into his novella, The Black God’s Drums. The setting is Post Civil War Louisiana where the technology is advanced and dangerous. Gender roles and terrorism are at the center of this steampunk thriller in which a young woman, Creeper, overhears a plot to bomb New Orleans during Mardi Gras.
The best thing about this novella is that I forget I was reading a novella! Creeper’s adventure in New Orleans does not occur through the span of a few weeks. Instead, the story and the dilemma occur and resolve within approximately 24-48 hours! The way Clark presents this story has you realizing that you are reading the action in real-time! For anyone who wants a quick and a fun tale, then I highly recommend The Black God’s Drums. I can’t wait to read more from this author!
#5Vengeful (Villains #2)by V.E. Schwab
Recently, I started reading Schwab’s books, and I can say that my interest in her other books and series continues to increase. Vengeful is the second book in the Villains series, and it lives up to both the fans’ expectations, and its title. Vengeful begins where Viciousends, and it’s a marvelous continuation of what happens to the characters from the first story. In addition, Schwab introduces us to new characters that either are EO’s, or know about them.
What I enjoyed the most about Vengefulis that Schwab continues to incorporate her take on the concept of ‘superheroes.’ In Schwab’s world, anyone can become an EO, but not everyone receives an ability worthy of awe. In addition, there are consequences pertaining to EO’s, and it reminds readers that anything involving magic, the supernatural, or the unknown comes at a cost. The new characters readers follow is another reminder regarding the name of the series. There are no ‘good superheroes’ in this story.
#4The Poppy Warby R.F. Kuang
This debut novel is based on the history of the Sino-Japanese War and the culture of China until that war. Readers learn about Chinese schooling, Chinese warfare, and shamanism. Rin is an orphan who decides that her only chance at a better life is an admission into Sinegard, the most elite military school in her country. While she does get into the university, Rin will have to train harder in order to remain a student there. Unfortunately, by the time Rin completes her training and her education, war breaks out and she’ll have to use everything she’s learned for her survival.
I enjoyed The Poppy Warbecause of the blending of history and fantasy. It’s interesting to read a book, which is influenced by another country’s history and culture. It’s a reminder that there are more aspects to our world than we know about. The best part of reading The Poppy Waris learning about the protagonist and the other characters who are learning and putting their training into action. Yes, the battle scenes and its aftermath are brutal reminders of war, but the scenes at the school are brutal reminders of the risks people take in order to achieve their goals.
I received an ARC for this novel, too; and, I couldn’t help it, but I started reading Spinning Silver, as soon as I got it. Spinning Silveris a companion novel to Novik’s award winning, Uprooted. This time, the tale is a retelling of Rumpelstiltskinand a cautionary tale of saying a ‘few harmless words.’ While Miryem is the main focus in Spinning Silver, she is not the only protagonist. For this reason, it makes the story all the more interesting. What will all the female characters (and one young male character)—from various backgrounds, with different dilemmas—do when the odds continue to buildup against them?
I knew that I would love Spinning Silvereven before I received it! Naomi Novik does an amazing job blending folklore into her fantasy tales. Folklore is the idea of customs, traditions and practices that get pass along through generations without keep any formal track of them, such as stories. Novik provides examples of such practices in Spinning Silver. It gives her readers something familiar while reading her fantasy stories!
This series was going to be my #1 pick of 2018 until I read the book that would push it back to #2. And, I know I’m cheating because the first novella, All Systems Red, was released in 2017, but since it won all of the awards in 2018, and you need to read the first novella in order to read the rest of them, so I rest my case! All four novellas in this series take place in consecutive order, with Artificial Conditionand Rogue Protocolfollowing the first novella, and the story concludes with Exit Strategy, for now.
Before reading Martha Wells’ books, I have not read any books about robot protagonists. However, The Murderbot Diariesare told from the point-of-view of a Security Unit, or SecUnit for short, who is a robot that offers contracted protection. In the case of our SecUnit, readers learn that it chooses to follow orders because it is not under the control of its manufacturers. In other words, the SecUnit went ‘rogue’ before the events of All Systems Red. All of the actions and the decisions our SecUnit makes throughout the novellas are choices it made itself and for its own reasons. I enjoyed every single book in this series and the series is a fun read for all science fiction readers. Yes, the SecUnit knows how to fight! I cannot wait until the upcoming novel is published!
#1Vita Nostraby Marina and Sergey Dyachenko
Every once in a while, one comes across a book, or a story, that is so captivating and impacting that it alters your view of literature. Not only does it find its way to your all-time favorite books list, but also has you searching for similar books in the same (sub)genre. I find it shocking that this award-winning novel from Ukraine was published in 2007! Why did it take over 10 years to get this novel in English?
The way Marina and Sergey Dyachenko tell this story is interesting. Sasha is ‘selected’ to become a candidate to an exclusive vocational school, before the start of her senior year in high school. Throughout that year, Sasha performs and accomplishes all of the tasks presented to her even as she notices some minor changes within herself. Once she becomes a student at the college, Sasha is pushed to her limits to the point of physical, mental, and emotional exhaustion. Yet, Sasha and her classmates continue with their studies because failure does NOT equate expulsion! Readers learn with Sasha and the other students as to why they were ‘selected’ and what they hope to achieve by the end of their education at ‘that’ school. Vita Nostrais the first book in the Metamorphosisseries; and, I hope we get the translations of those books sooner rather than later.
This is one of the best books I have ever read! Yes, I enjoy stories—regardless of its genre—that standout; Vita Nostrais an example of a story that takes its genre to a higher level. As I read the story and the events surrounding Sasha’s education, her growth into adulthood, and her disgruntled interactions with her family, I realized Vita Nostra is one of the best examples of what speculative fiction could be! The idea that there is more to our mundane world is nothing new to readers of the genre, but the way the authors present that notion through their writing leaves you in awe of everything you’ll read in this novel!
My favorites of 2018 contain books within the speculative fiction spectrum ranging from science fiction to fantasy, from folklore to alternative history, and from paranormal to metaphysical. And, while many of my picks are part of a continuing series, each book stood out to me due to the plot, the story, the setting, the characters, the pacing, etc. While there were many other noteworthy books released in 2018 that I have not read yet, I plan on reading those books while reading both other books and new releases in 2019.
2019 already looks promising with the books being released as well as others that may or may not get the same level of attention. Many of them sound exciting, but reading them will determine which stories get passed along. I hope this list provided some insight as to which books I enjoyed the most in 2018 and why. Let us continue reading in the New Year.