Why You Need to Read: “The Survival of Molly Southbourne”

Molly Southbourne #2: The Survival of Molly Southbourne

By: Tade Thompson

Published: July 9, 2019

Genre: Horror, Science Fiction, Sequel 

WARNING: Spoilers from The Murders of Molly Southbourne and The Survival of Molly Southbourne. You have been warned.

            Molly Southbourne was a freak whose blood grew genetically identical duplicates of her. One drop of blood, and a new molly popped up, but it wasn’t cute. It wanted to kill her. Molly spent her whole life killing her duplicates just to survive, (Chapter One).

            Similar to many of the recent sequels in speculative fiction, The Survival of Molly Southbourne starts where its predecessor, The Murders of Molly Southbourne left off. In the sequel, Tade Thompson answers the questions Molly Southbourne (and readers) have had about herself. And, like other works of sci-fi horror (i.e. Alien), there are more eerie forces at work than anyone else knows. 

            Molly Southbourne is a protagonist who is “a fish out of water” because she has no identity and no purpose to her life. Molly Southbourne—the one who survived both the attacks and the fire—is now Molly Southbourne and is living as Molly Southbourne whether or not she wants to. While Molly is a duplicate of Molly “Prime,” as she calls her, she is NOT Molly Southbourne. She lacks both the knowledge, and the skills Molly Prime had. In addition, Molly does NOT have the same problem with bleeding like Molly Prime did (“hemoclones”). All Molly has are the looks and the memories of someone who is dead. Unfortunately, the new Molly Southbourne is the only one who knows, and it’s driving her crazy, literally. 

            The plot in The Survival of Molly Southbourne is how the new Molly Southbourne is adjusting to life as a 27-year-old woman who is supposed to be living as someone else. Molly has more questions about herself than Molly Prime did; and, unlike Molly Prime, Molly decides to get answers to those questions. To say that Molly’s discoveries come straight from a spy novel—complete with multiple conspiracies—would be an understatement. After she gets some answers to her questions from “several” people, Molly must decide how she is going to survive. She doesn’t have to become Molly Southbourne, but she cannot get rid of that part of herself. There is a subplot, and its focus is about a minor character from the first book who was intimate with Molly Prime. In this book, that character attempts to fight the fate Molly Prime left him with unknowingly. Will the efforts be successful? Will Molly be able to help him?

            The narrative in The Survival of Molly Southbourne is an interesting one. While Molly is the protagonist, and the story of the aftermath is told from her point-of-view (1stperson), the sequence is a combination of Molly’s actions and daily life—told in present time—with the memories of Molly Prime—also her memories—bombarding her. The combination of the flashbacks, the stream-of-consciousness, and the present gives readers insight to the adaption and the chaos that is Molly Southbourne. Her struggles and her inexperience make the narrative reliable and believable. As discombobulated as it sounds, the narrative is easy to follow. 

            The style Tade Thompson uses in The Survival of Molly Southbourne is the same as it was in The Murders of Molly Southbourne. The author continues with telling this story using tropes and style based on previous sci-fi horror stories. However, it is the mood—apathetic—and the tone—bizarre—that have changed in the sequel. Molly is making sense of everything that is happening around her, only this time those involved behave as it’s not a big deal. Molly is neither unique, nor lethal as Molly Prime was, but she manages to survive and to adapt to her life as we see through the author’s style. Readers will be pleased with this (continued) style of storytelling. 

            So far, the appeal to The Survival of Molly Southbourne have been positive. Released a month ago (at the time of this posting), readers who were curious as to how Molly’s story would continue is answered. The mysteries and the conspiracies are addressed, and the continuation of the characters from the previous book lets readers know that neither Molly Southbourne, nor Tade Thompson have forgotten about them. Both novellas can be read and enjoyed in one reading. Fans and readers of sci-fi horror need to read these books.

            The Survival of Molly Southbourne is an amazing follow-up to its prequel. While the narrative and the perspective have changed from what came before, the story is as fast paced and as haunting as The Murders of Molly Southbourne. Tade Thompson does an excellent job in bringing Molly Southbourne’s story the resolution it needs. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read…My Selections for Best Speculative Fiction Books of 2019…So Far

We are halfway through 2019 and this year’s speculative fiction books have been both enjoyable and bountiful. Most of the books I’ve read so far this year have been amazing, and I still have A LOT of books in my TBR pile to go through. Like you, I’m an ardent reader and I’ll read just about anything I can get my hands on and has an interesting story. I’ve enjoyed novels, novellas, short stories across various genres of literature. If you’re interested in knowing some of the 51 books I’ve read between January 1stand June 30th2019, then please check out my Goodreads page here: https://www.goodreads.com/Misty306

            I’ve been trying to keep up with both ARCs, and the long list of nominations for this year’s Literary Awards as part of my Reading Award Challenge 2019. I knew it would be harder than it sounded, but I’ve read (and still reading) a lot of amazing books that I wouldn’t have done so otherwise. I suggest that you read a few of the numerous nominations for any of the 2019 SFF Awards. 

That being said, I wanted to point out some of speculative fiction books that were released in 2019 that I’ve enjoyed the most, so far. These are books I recommend you read, especially if you’re a fan of this genre of literature like I am. And, just so you know, these are books that I’ve read and finished between the 1sthalf of 2019. 

These are my Top Ten Picks in no particular order:

The Winter of the Witch (Winternight Trilogy #3) by Katherine Arden

The Wolf in the Whale by Jordanna Max Brodsky

In An Absent Dream (Wayward Children #4) by Seanan McGuire

Uncanny Collateral (Valkyrie Collections #1) by Brian McClellan

Seven Blades in Black (The Grave of Empires #1) by Sam Sykes

A Boy and His Dog at the End of the World by C.A. Fletcher

Aurora Rising (The Aurora Cycle #1) by Amie Kaufman & Jay Kristoff

An Illusion of Thieves (Chimera #1) by Cate Glass

Her Silhouette, Drawn in Water by Vylar Kaftan

Sisters of the Fire (Blood and Gold #2) by Kim Wilkins

Right now, I’m currently reading (released in 2019):

Broken Veil (Harbinger #5) by Jeff Wheeler

Velocity Weapon (The Protectorate #1) by Megan E. O’Keefe

One Word Kill (Impossible Times #1) by Mark Lawrence

Holy Sister (Book of the Ancestor #3) by Mark Lawrence

The Dragon Republic (The Poppy War #2) by R.F. Kuang

            Here are some of the MANY books I hope to read by the end of 2019 (many of these I received at Book Expo 2019!):  

            Those of my picks for the Best Speculative Fiction Books of 2019. I’m still aiming to read at least 100 books by the end of this year; and, I want to write as many reviews here, on Goodreads, on NetGalley and Edelweiss, and on Amazon and Barnes & Noble. If you have any suggestions on what I should read, then please mention them in the Comments Section below. Please keep in mind that I might not be able to get access to certain books for various reasons (i.e. no $$$, waitlist at the library, etc.). Yet, I want to read as much as I can before 2019 ends (it’ll make my Award Reading Challenge 2020 much easier). 

            Which speculative fiction books released in 2019 have been your favorite so far?

Why You Need to Read: “The Murders of Molly Southbourne”

Molly Southbourne #1: The Murders of Molly Southbourne

By: Tade Thompson

Published: October 3, 2017

Genre: Horror, Science Fiction

Winner of the Nommo Award for Best Novella 2018

            The rules are simple.

            “If you see a girl who looks like you, run and fight.

            Don’t bleed.

            If you bleed, blot, burn, and bleach.

            If you find a hole, find your parents.”

            Molly recites the lines to herself many times. She finds herself many times. She finds herself repeating them without intending to when she is bored, (Two).

            The Murders of Molloy Southbourne is an homage to classic horror and science fiction stories such as Strange Case of Dr. Jekyll and Mr. Hyde and Frankenstein. To say that Molly Southbourne makes the best of her situation through survival is a HUGE understatement. If Tade Thompson’s Rosewater didn’t capture your attention, then his novella will!

            Our first introduction to Molly Southbourne is from the perspective of the person she has shackled in her basement. After a few interesting interactions, Molly Southbourne tells the person her life story. From there, the person—and the reader—learns about the unusual upbringing and life of this tragic individual. Molly Southbourne grew up on a farm with her parents. And, due to an unusual condition, she is home-schooled. In between learning about literature, languages, and mathematics, Molly learns hand-to-hand combat, different types of bleach, and pyromantics. These lessons are essential because whenever Molly bleeds, a clone of her appears; and, whenever a “molly” appears, that “molly” attacks Molly. In order to keep Molly’s condition a secret, Molly is taught how to fight, to kill, to butcher, and to dispose “herself.” As eerie as it sounds, Molly proves to be an intelligent and a resilient individual. Unfortunately, life gets more complicated as she grows into adulthood and attempts to live a “normal” life. Molly continues to grow as a person, but she can neither keep her condition a secret, nor cope with what her condition could lead to. As much as Molly wants to be “normal,” she cannot.

            The plot of the story is Molly Southbourne’s life right up to the prisoner in her basement, and it follows a traditional sci-fi/horror storyline. Molly’s entire life has been stringent due to her “condition,” and as the plot develops, so does Molly, and we all realize Molly can only endure her situation for so long. At the same time, the subplots—Molly’s prisoner, and the root of Molly’s “condition”—are developing. To say both subplots will remind you of a spy thriller would be an understatement. By the time Molly discovers the “truth” of her existence, both the plot and, the subplots converge, and Molly’s character development reaches its end. 

            The narrative starts off in the first-person of Molly Southbourne’s prisoner. The prisoner is disoriented and has no memory of how and why Molly is doing what she is doing. Chapters 2 and 3 are told in flashback by Molly Southbourne and she refers to herself in the third-person. In the last chapter, the narrative switches back to the prisoner’s point-of-view, which is in the present. While it is easy for readers to view the prisoner as a reliable narrator, it is difficult to perceive Molly Southbourne as one. Yes, the narrative is vital to both the plot development and the character development, and it can be followed, but—by the end—both the prisoner and the readers are left with more questions than answers. It is safe to say that Molly Southbourne feels the same way, but she doesn’t know what else to do. 

            The style Tade Thompson presents in this novella is a throwback to the earliest horror stories we now view as classics. The word choice and the sentence structure alerts readers that the author wants your attention. Both the mood—bizarre—and, the tone—apathetic—are obvious as soon as you begin reading the story. The author makes sure that the actions and the skills of his protagonist come across as “normal” and that the condition of Molly Southbourne is “unusual.” Tade Thompson allows readers to determine whether or not Molly’s story is believable. At the same time, the author uses pivotal moments of Molly Southbourne’s life—her first menstrual period, her first boyfriend, etc.—to remind his audience over and over that Molly Southbourne is unique and lethal in her own right. Tade Thompson’s style of writing leaves the story with an open ending; just like the classic horror stories.

            The appeal surrounding The Murders of Molly Southbourne have been positive. The book won the “Nommo Award for Best Novella” in 2018; and, was nominated for the British Science Fiction Association Award, the Shirley Jackson Award, and the British Fantasy Award. The Tor.com eBook Club selected this novella as its June 2019 selection (free ebook!). Readers and critics enjoyed it enough that its sequel, The Survival of Molly Southbourne, is an anticipated follow-up (published July 9, 2019)! The Murders of Molly Southbourne is an amazing addition to the horror (and science fiction) genre and demonstrates Tade Thompson’s talent as a storyteller. This novella is enjoyable to the point where it can be read over and over again; and, readers might find an additional clue surrounding Molly Southbourne’s life during one of their many re-reads (I did!). I’m looking forward to reading the next book in the series. 

            The Murders of Molly Southbourne is the perfect story for readers who enjoy horror stories. All of the events that lead to the actions performed by Molly Southbourne and those she loves reminds readers that living with any condition is bearable as long as that individual is willing to bear it. Tade Thompson knows how to present a realistic horror story.

My rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Aurora Rising”

The Aurora Cycle: #1: Aurora Rising

By: Amie Kaufman & Jay Kristoff

Published: May 7, 2019

Genre: Young Adult, Science Fiction

            “Scarlett Jones (diplomat) introduces the other members of our squad. ‘Tyler Jones, our commander. Zila Madran, science officer. Finian de Seel. Engineer. Catherine Brannock, pilot. And finally, Kaliis Idraban Gilwraeth, combat specialist’.” (Chapter 7, Kal).

            I’ve always been curious to read stories by authors who write multiple genres of literature. Jay Kristoff has written several amazing stories within the sub-genres in both the fantasy and the science fiction genres. Now, he’s back with a new series with Amie Kaufman—who co-wrote The Illuminae Files with Kristoff—to present us with Aurora Rising, the first book in The Aurora Cycle. Jay Kristoff has described the series as a cross between The Breakfast Club and The Guardians of the Galaxy, which piques a reader’s curiosity. 

            This series is different from many other ones in that the story occurs after the characters graduate from school. Aurora Academy is a military school for future space cadets; and, after they graduate, there is a draft in which the top commanders get to pick their crew members for their first set of missions. Tyler Jones, who is The Top of his Class, missed the draft because he decided to explore a restricted section of a dimension—The Fold—used for space travel, stumbled upon a ship that was lost over 200 years ago, and rescued its only survivor—a girl who is the same age as him, technically. The good news is that his twin sister, Scarlett—who is a trained diplomat—and their best friend, Cat Brannock—a pilot nicknamed “Zero”—bail on the draft in order to join his crew. Unfortunately, those who make up the rest of Tyler’s crew—the science officer, the engineer, and the combat specialist—are the ones no one else wanted in their crew: an aloof girl with a trigger finger, a handicapped boy with a motormouth, and an ostracized male whose species is in the midst of a civil war and he’s not fighting in it. Then, there’s Aurora Jie-Lin O’Malley—or Auri—the girl who slept in cyro for over 200 years, who awakens with mystical powers and with the top intergalactic police forces deeming her a criminal and are attempting to arrest her. Meet Squad 312! All of these characters have flaws and with them being 17 years-old, they don’t know how to deal with their insecurities, which make all of these characters more relatable and more believable. 

            Both the plot and the narrative are told in the point-of-views of all 7 characters! Multiple P.O.V.s are NOT new for YA books, for it allows for both character development and plot development. For example, Tyler is a leader, who jumps to conclusions surrounding his crew members—with the exception of his sister—and he would rather follow orders than question them. Kal’s species is in the middle of a civil war and he must choose between serving his tenure with Squad 312 or leaving to participate in the war. Then, there’s Auri, who is dealing with being out-of-time and understanding what is happening to her. 

            The author’s style reminds readers of the reality of space travel. While it’s exciting, it’s dangerous and requires training and knowledge in order to endure it. Auri almost dies after spending over 200 years in cryostasis; Kal’s people are decimating each other in a civil war, which broke a treaty, which had dire consequences; and, an intergalactic coverup is the real threat to the universe. Both the mood and the tone match what Kaufman and Kristoff are exploring in this series: space is vast, mysterious, and archaic. Add an element of danger that is as realistic as space travel and you have a story told by these authors. Both authors do an excellent job illustrating the differences between the star students and the outcasts. However, school is out, and so are the treatments they were all used to receiving. Both the mood and the tone display the need for these characters to become the adults they need to be!

            The appeal surrounding Aurora Rising will be a positive one, and I say this because there are adolescent readers who are sci-fi fans, who have been craving for a new book series about space explorers who are kids like themselves! In response, Kaufman and Kristoff have come up with a trilogy that reflects the Star Trek series. Young readers will enjoy this novel because the characters are kids who just graduated from school and have to deal with the reality of the “real” world/universe. Adult readers will enjoy this book because it will remind them of how they were like after completing school and continuing on with life. The truth within the fiction is what will appeal to readers the most. And yes, I’m already looking forward to the second book in this series!

            Aurora Rising is a fun sci-fi book that presents the collaboration of two authors to readers who are both familiar and unfamiliar with them. While both the character development and the world-building are well done, the plot leaves more questions than answers, which means there will be a follow up to this book, obviously. Yet, the story is entertaining enough for readers to want more from this trilogy. 

My rating: Enjoy it (4 out of 5). 

Why You Need to Read: “A Boy and His Dog at the End of the World”

A Boy and His Dog at the End of the World

By: C.A. Fletcher

Published: April 23, 2019

Genre: Science Fiction, Coming of Age, Post-Apocalypse, Dystopian 

            “I wasn’t going home Not then, not yet, or not to my home anyway. I was going to go to his home. I was going to get my dog. I was going to take his boat. And then, when and only if I did that, I would go home,”(Chapter 13, “The tower”).

            The world has ended. However, this post-apocalyptic story does not occur as the world is ending, or immediately after the world ends. Instead, the story follows the descendants of those survivors; these people are living in what remains of the world 100 years later. And yes, the novel is about a boy who goes on a journey to recover his stolen dog. Before you judge the plot of this book, recall the plot of the movie, John Wick.

            Griz is the protagonist and we follow the events of his adventure afterthey happen. Griz lives with his family—parents and brother and sisters—on an island. There are other people who live in this big world, including their neighbors with whom both families make supply runs together. As mentioned in the summary, a thief—named Brand—“stops by the island” and takes one of the family’s dogs. Griz, who believes in family and doing the right thing, takes off after Brand in order to get the dog back. Throughout Griz’s journey, he explores what remains of our world: buildings, wildlife, landscape, etc. Griz learns more about the world because he must survive alone with his knowledge and his instincts to guide him. The few people Griz meets throughout his journey presents both the struggle and the complications surrounding each individual, including Griz. 

            The plot is straightforward. Griz leaves home to chase a thief who stole from his family and took his dog. I would not call this a “hero’s journey” plot; but, instead an adolescent leaves home, learns about the world, and returns a changed person. The plot is coming-of-age; and, the subplot is survival, the man versus nature conflict. It is mentioned throughout the novel that so much time has passed and there are so few people left—according to Griz, approximately 7,000—that a lot of the previous knowledge has been lost and abandoned. Computers and vehicles are no longer operating, medical services have been reduced to herbs and remedies—an injury or an illness can lead to one’s death—and, maps are as useless to someone who doesn’t know where they are compared to someone who is able to travel to those places. The apocalypse not only reduced the human population, but also reduced all helpful knowledge for humanity to thrive. These factors let readers know that Griz’s journey is more complicated than we first believe it to be. 

            The narrative is told from Griz’s point-of-view after the events occurred. Griz is recounting the events of his life and his journey in a blank journal he found during one of his family’s scavenging trips. With limited ways to keep oneself occupied, writing in a journal is a good idea. This narrative could be said to be reliable because the times in which, Griz does catch up with the thief, he doesn’t allow his judgment to cloud over with what the thief tells him about himself and the world. The fact that Griz includes what the thief has to say makes this story more believable because the need to survive is highlighted in this narrative. In addition, Griz mentions parts of the story he decided to omit because it was “irrelevant” to his story. Not only does this make the narrative easier to follow, but also gives the narrative a bit of realism in that not every detail has to be included within a given story. 

            The style the author, C.A. Fletcher, uses makes for a believable “what is” scenario without the mention of zombies. What happens to the world and its survivors years after the world ends? In this case, the world continues as it was, but with limited interference from the actions of humanity. What’s left of any buildings are either safe, or decrepit; all animals roam without fearing humans because there are so few left; and, plants and vegetation thrive where they are with only the elements to concern them. Fletcher’s mood for his story is that the world goes on with or without humans. However, the tone reiterates the darker side of humanity. Yes, Griz and his family were gullible enough to allow a thief into their home, but the thief tells Griz more than once that he is not a “bad guy.” And, the thief is right, to an extent. With so few people and limited resources, there are some people who would resort to darker methods for survival. There are no laws to restrict anyone, anyone could get away with doing just about anything—theft, kidnapping, murder, etc.—and, not worry about consequences or law enforcement. Fletcher gives readers a two-sided notion of a post-apocalyptic world with this style of writing. 

            Anyone who is a fan of post-apocalyptic stories will enjoy Fletcher’s novel. As I mentioned before, there are no zombies or first wave attacks in this story; and, this does not happen immediately after the events at the end of the world. And, that’s the appeal of A Boy and His Dog at the End of the World, the aftermath of the apocalypse! Given the approximate age of Griz (16?), adolescent readers will find this novel appealing as well. I can see this novel becoming an assigned book in schools.

            A Boy and His Dog at the End of the Worldis an entertaining dystopian bildungsroman novel that puts a lot of emphasis on the atmosphere of the Earth over the characters. Readers learn from Griz’s experiences that both knowledge of survival and knowledge of people go hand-in-hand. My only issue with this novel is that while Griz learned and accomplished much on his journey, he doesn’t seem changed by it that much. It could be because Griz is telling the story in his journal. The “story doesn’t end with the journey” notion that left me wondering whether or not Griz and his family has more to tell us about their world. Other than that this novel was fun to read. 

My rating: Enjoy It (4 out of 5).

Why You Need to Read: “Trail of Lightning”

The Sixth World: Book One: Trail of Lightning

By: Rebecca Roanhorse

Published: June 26, 2018

Genre: Science Fiction, Native American Literature, Dystopian, Post-Apocalyptic, Folklore

NOTE:Understand that any incorrect use and/or spelling surrounding the culture mentioned is unintentional.

            “But I’m no hero. I’m more of a last resort, a scorched-earth policy. I’m the person you hire when the heroes have already come home in body bags,”(Chapter 1).

            There are numerous ways readers find out about which books to read by which authors: school assignments, friends and family, book clubs, random recommendations, the Internet, etc. In this case, it was from the 2018 Hugo Awards. One of the awards presented—the John W. Campbell Award for Best New Writer—announced its winner…Rebecca Roanhorse. If anyone watched my reaction video (https://www.youtube.com/watch?v=1oyX_U2U8kE&t=11s), then you know that I was shocked upon hearing this announcement because I believed either Katherine Arden, or Jeanette Ng should have won that award. Yet, I never heard of Rebecca Roanhorse, or her stories, before, and she did win a Hugo for Best Short Story that same evening. Suddenly, I had a new author to read and her debut novel is titled: Trail of Lightning. And, I’ll admit, I was wrong about my assumption!

            Maggie Hoskie is the protagonist. She is a survivor of a climate apocalyptic event known as “The Big Water,” when the water levels rose and engulfed most of the Earth’s terrain and its inhabitants. After this event, the Navajo Gods, heroes and monsters returned to Earth and to humanity. One of the gods, Neizghání a.k.a. “Monsterslayer,” trains Maggie to become a Monsterslayer like himself. When Neizghání suddenly leaves Maggie, she is able to accept jobs for her handiwork. Maggie’s skills as both a survivor and a monster hunter reflect all of the emotional traumas she’s experienced. However, when a job becomes something more than she can handle, Maggie, reluctantly, agrees to work with Kai Arviso, a medicine man who is also unsure about his supernatural abilities. Throughout the story, readers learn about Maggie and Kai’s past lives including how they survived the flood and how their supernatural abilities are both assisting and restraining them. Other characters, such as Kai’s grandfather, Grandpa Tah, notice how the relationship between Maggie and Kai could be a good thing for the survival of their community, but in a post-apocalyptic world, one should know better than to hope for such a thing. 

            The plot of the story is Maggie and Kai searching Dinétah (the Navajo reservation) for the source of dark magic that’s hunting the surviving humans. The subplot, which will probably carry over to the next book, is the concept surrounding “clan powers.” Clan powers are gifts from the “Holy People” and the gods to mortals. Maggie isn’t a fan of her gift and Kai views his only as a way to survive. However, readers—and Maggie—don’t know what Kai’s gift(s) is, so there is that small mystery to consider. Maggie’s superhuman abilities are not what she would call a blessing from the Diyín Dine’é (people with supernatural powers). Yet, Maggie uses her gifts to make a life for herself. This subplot comes up again throughout the novel, and it is safe to say that this subplot won’t be resolved as quickly as the plot. Both the plot and the storyline of Maggie’s training go hand-in-hand. This is because readers learn how Maggie became acquainted with the gods and how to harness her gifts to become a Monsterslayer. At the same time, we learn about Maggie’s friends and her relationships with other people living in Dinétah. The plot development is appropriate for this story, allowing it to unfold through the characters. 

            The narrative in Trail of Lightningis 1stperson point-of-view from Maggie’s perspective. The sequence begins and ends with murder and the protagonist’s reaction to each one, which is the same reaction, indifference. However, by the end of the novel, Maggie’s reaction makes a lot of sense. Maggie is a reliable narrator who tells Kai and his grandfather her past and how she survived the first wave of chaos after “The Big Water,” many of which she is not proud of doing. Maggie recounting her past actions through flashback allows the author to present her protagonist as flawed and traumatized, yet relatable. This narrative lets readers follow Maggie’s story—both the present and the past—with ease. 

            Rebecca Roanhorse depicts Navajo Gods when an ethnic group of people would need them the most, after an apocalyptic event. While the retelling of gods, heroes and legends are similar to Neil Gaiman and Rick Riordan, Rebecca Roanhorse has the gods of her ancestors return to Earth when the lifestyle of humanity reverts. Many myths and folklore tell of a simple lifestyle, when humans needed the gods to survive. This style of writing lets readers know that the lifestyle changes, but the culture doesn’t. As long as humanity thrives, so will their gods. The author’s tone within the novel, humanity’s failure of taking care of Earth, reflects the mood, an urban apocalypse where everything has to be rebuilt in order to achieve a sense of normalcy. In addition, Rebecca Roanhorse incorporates Navajo diction for both authenticity and reality, with an explanation (and translation) of each meaning. If other cultures incorporate words of their own into everyday language, then why not learn Navajo ones?

            The appeal surrounding Trail of Lightninghave been very positive. Called, “one of the Greatest Science Fiction & Fantasy Debut Novels Ever Written,” by Barnes & Noble, this novel received praise for the portrayal of Native American (one tribe) culture, too. Not to mention, Trail of Lightninghas been nominated for both the Nebula and the Hugo Awards. The follow-up to Trail of LightningStorm of Locustswill be released in April 2019. And, the author’s YA debut, Race to the Sun, which is part of the Rick Riordan PresentsUniversal Literary Pantheon, will be released in Fall 2019. This will expand Roanhorse’s readers and her universe, explaining the Dine’é to the rest of the world. Obviously, I’m looking forward to reading both novels. 

            Trail of Lightningis a brilliant debut novel that allows for an immersive story about Native Americans—Navajo—and their culture and folklore in an ironic apocalyptic urban fiction book. This narrative is slow at times because the world-building overtakes the pacing. I believe the next book in the series and any other one set in this universe will be just as memorable as the first one. I believe Rebecca Roanhorse will be publishing stories for many years to come, and I will read them all. 

My Rating: Enjoy It (4 out of 5). 

The Shortlist Award Reading Challenge 2019

It seems that my #1 goal for 2019 is to exhaust myself into completing all of the other goals I have made for myself: get a job, read 100 books, read and post about ARCs, connect with authors and editors, work on my content for my social media pages, finish some of my WIP for submission, etc. Now, I’ve decided that I’m going to read the books that are nominated for various book awards.

            I’m going to call it: The Shortlist Award Reading Challenge. Last year, I followed the Hugo Awards closely because I knew that The Stone Skyby N.K. Jemisin was going to win “Best Novel,” and All Systems Redby Martha Wells was going to win “Best Novella.” However, as I was looking at the shortlist for the other categories, I realized that I read many of the books and watched many of the media that were nominated. So, I decided to read as many of the other nominees as I could before the winners were announced. Not only did I caught up to many recent series, but also I started reading works by authors who had been writing in the genre for several years. I read what I could access through libraries, bookstores, and the Internet. This process was very insightful. Soon, I was able to select whom I believed should win the Hugo Awards. While I was correct in who won in categories such as Best Novel and Best Novella, I was wrong in other categories such as John W. Campbell Award for Best New Writer. 

            After the winners of the Hugo Awards were announced, I made a reaction video and posted it on my YouTube channel. Then, I continued looking into the nominees and their works. For example, while I am a huge fan of Katherine Arden’s Winternight TrilogyI understood why Rebecca Roanhorse won the award in the category—Best New Writer—over her. And, I realized that some works won in the same category at other awards, and then there were a few awards in which one book won over another book. It makes you wonder if there was a difference in who voted based on preference and/or guidelines. Not to mention, one notices that other works win awards due to the way they stand out from the rest of the nominees per category.

            Like everyone else, I read what is released when I am able to do so. In addition to reading my usual genres—fantasy, science fiction, magic realism, contemporary, classics, graphic novels, etc.—I read many debut novels and I catch up on series that were unknown to me previously. Now, with the 2019 Award Season gaining momentum, I’m excited to see what is nominated and who could win. TV shows and movies can be viewed from at least one viewing before comparing them. Video games are similar to books in that one must invest the time needed to immerse themselves within that narrative. I will comment on these categories for the given awards as well. As of right now, I noticed that once again, there are many books that I have not read, but I am willing to read as many of them as I can before the winners are announced. 

            I want to be able to determine for myself why these books and media have been nominated for these awards. I keep using the terms “books” and “media” because both fiction and non-fiction works get nominated, and movies, television shows, and video games get nominated, too. This is not only a chance to insert myself into what I might have missed otherwise, but also learn how and why these selections were nominated in the first place. 

            So, between now and the end of the 2019 award season, I will read as many of the nominated books and watch as many of the nominated media as I can. This way I can give my critiques before and after the awards. If you want to see the compiled list for the awards I will be following, reading, and critiquing, then please checkout this list on my Google Docs page: https://docs.google.com/document/d/1yzQEUvGTILR2LaGMVCibEbeZXp1q5PlSQIch9c0Q-IQ/edit. This list will be updated throughout the award season in order to add to the list, to highlight my reading progress, to provide access to my reviews of the nominees, and to mark the winners of each award in each category.

            In addition, I will be continuing to upload reviews to this blog. Some of the nominees were reviewed previously, and I will continue to add more to my website so that you all have a better understanding of what each book is about. In other words, I’ll do the reading—which, you can do as well—and I’ll let you look over my notes, similar to what I did back in high school. As I complete the list of nominees—regardless of which award each one is nominated for—I will write, upload and share my review. As each awards ceremony gets closer, I will upload both a blog post and a YouTube video with my “prediction” on who should win and why. And, after each award ceremony, I will upload my reaction video on the winners. This is an arduous path I’ve put myself on, but I’m eager to attempt and to accomplish this ambitious goal. 

            Just so everyone knows, this will slow down my progress on my ARCs, essays, theories, and other reviews and content I am currently working on. However, they will get completed, eventually. The only thing that will put a complete halt on everything I’ve been doing is starting a new job—which I really, really need right now—and reworking my schedule to accomplish everything.

            All that being said and addressed, I hope you either follow me, or participate with me as I read as many books as I can and offer my opinions on them. There will be many awards that I won’t be able to add to this challenge, but I’m open to the names and the nominees of each of them. Who knows? I might have read some of those books already, too. This year’s award season is going to be very exciting due to ALL of the nominees. It’s going to be very close, so close that I might have to predict a (potential) second winner within some of the categories. Bring on the 2019 Shortlist Award Reading Challenge! Will you join me?