Why You Need to Read: “Shards of Earth”

The Final Architects Trilogy, #1: Shards of Earth

By: Adrian Tchaikovsky

Published: May 27, 2021 (U.K.)/August 3, 2021 (U.S.)

Genre: Science Fiction

            The Architects had discovered that humans existed. The war, that had raged for eighty years and cost billions of lives, had been fought without the knowledge of one of its parties. And on becoming aware of humanity, the Architects had simply vanished. Nobody knew where they went. Nobody knew where they had come from or why they’d done what they did. They had never been seen again, (Part 1: Roshu, 3: Solace). 

            There is always that one author whose books you try to make time to read because you’ve heard nothing but excellent things about their books. However, for some reason, you buy, and you start reading one of their books, and for some reason, you don’t get to finish it. So, what do you do? Well, in my case, you get asked to participate in a book tour for the author’s upcoming novel, Shards of Earth, the first book in The Final Architects Trilogy. Finally, I could delve into this author’s creative mind. 

            The main characters in this novel are the crew of the ship, Vulture God, scavengers who travel throughout the galaxy and perform jobs for payment. The captain of the Vulture God is Rollo Rostand, but one of the protagonists is the ship’s navigator, Idris Telemmier, who is an Intermediary, a genetically modified individual who was used as a weapon to fight against the Architects 40 years ago. Idris still suffers from PTSD and keeps both his past and his abilities to himself. That is until Myrmidon Executor Solace, a Partheni soldier and agent, tracks Idris down with a “proposition” for him. Idris knows he can’t evade Solace forever, but before he can confront her, the Vulture God accepts a job no one else wants. The good news is the Vulture God completes the job. The bad news is the crew stumbled upon something HUGE, which forces them to become fugitives. Another protagonist is Havear Mundy, an Intervention Board agent, who has been tasked with tracking down the crew of the Vulture God to learn of their “activities.” The rest of the crew—Kris (another protagonist), Olli, Barney and Medvig—develop alongside Idris, Solace and Havaer. While they are all different races and have separate histories, they are terrified of the Architects.  

            The plot of this story focuses on the long-term aftermath of an alien invasion of a different sort. The Architects invaded the galaxy, but instead of simply dominating humans and the other races, they destroyed planets in a way which leaves the survivors shaken. After several decades, the Architects left and the societal galaxy has changed, but there have been signs that the Architects have returned. The question is: should the news go public? Not to mention, who is left that knows how to fight them off? There is one subplot that deserves the most attention and that is the various factions—both political and religious—who are fighting for dominance and have their own views about the Architects and the rumors of their “return.” Between the cults and the stereotypes all of the races have about each other, you are left wondering how they all would survive a 2nd invasion. This subplot develops alongside the plot at an appropriate rate. This is because the world is fleshed out as the story develops.

            The narrative is told from the points-of-view of Idris, Solace, the other crew members of the Vulture God, and Havear in the 3rd person limited. This means the reader knows what is happening to the characters from one of their perspectives. While there are moments where the characters present their memories and their past experiences, the narrative is presented through their streams-of-consciousness in the present; and, their experiences and knowledge of their race and their history make them reliable narrators. Yes, the narrative is heavy at times, but it can be followed by the reader(s). 

            The style Adrian Tchaikovsky uses for Shards of Earth is part hard science fiction and part space opera. Readers can tell this story is a space opera—the mention of spaceships, galaxies, space battles, etc.—from the Prologue. The hard science fiction becomes noticeable when readers learn about the genetics of each race and the ecosystems of each planet. Yes, it is A LOT of information and scientific terminology, but the world-building that comes from it presents a believable galaxy (could it be our future?). Plus, there is a Glossary which readers can consult while they read the book. In addition, the author’s take on the factions as part of the war’s aftermath is believable. Think about it, during the last 20 years of global events—including the COVID-19 Pandemic—how much has religion and politics changed? In fact, it’s creepy how accurate the cult following of the author’s factions reflect the ones in our present day. The mood in this novel is an ominous one because the signs of the threat are there, and the individuals must decide on what they are going to do about it. The tone in this novel focuses on the self-imposed options of all of the characters within the story. Many of the characters in this story come from races and/or planets where certain “orders” are expected to be followed by those in charge. However, when “bigger” things are at stake, shouldn’t there be a choice for everyone regardless of societal expectations? In fact, why is free will such a difficult concept for some of these factions and races? 

            So far, the appeal for Shards of Earth have been positive. I say this because this book have been released in the U.K. with an upcoming release in the U.S. later this summer. As I mentioned earlier, I am participating in a book tour, so I received an eARC of this book. I can tell you that the hype surrounding this book is real, and fans of Adrian Tchaikovsky’s previous books will appreciate this one. And, as a fan of both Megan E. O’Keefe and Martha Wells, I highly recommend this book. Yes, this is the 1st book in a trilogy, and with the way this book ended, you’re going to be anxious to read Book 2 when it comes out. While there were moments where familiar sci-fi tropes appeared, the story was worth the read.

            Shards of Earth is an informative and an exceptional story about alien invasions, feuding factions, and eugenics. I’m glad this book tour gave me the opportunity to read this book in advanced, which allowed me to complete a book by Adrian Tchaikovsky! So, which of his books should I read next as I wait for the next book in this series?   

My Rating: Enjoy It (4 out of 5). 

Why You Need to Read: “Tower of Mud and Straw”

Tower of Mud and Straw

By: Yaroslav Barsukov

Published: February 21, 2021

Genre: Fantasy

            The tower took the length of the world—only it was an alien world, replicating itself over and over as it climbed to a distinct, ghostly gap into the clouds. Or did he stare down a well? (Part I. The Duchy. 5).

            Critics have an interesting job. They review a genre of media—books, films, video games, etc.—and they offer their thoughts and opinions on each one for the public to have a perceived notion before experiencing it for themselves. While it sounds like an ideal job, many do not know critics are expected to review the “poor” and/or the “bad” works as well. Not to mention, the amount to review never seems to decrease. And yet, critics continue to do it because they enjoy it. So, what happens when a request is sent to them from the creator directly? One of two things: either the request is granted, or it gets shuffled into the pile until further notice. In the case of Yaroslav Barsukov, the former happened and I read his novella, Tower of Mud and Straw, a fantasy story that pays homage to familiar tropes while presenting his twists to his readers.

            The protagonist in this story is Shea Ashcroft, the former Minister of Internal Affairs and the former councilor to Queen Daelyn. Shea was stripped of his position after he refused a direct order and is sent to Owenbeg—the kingdom’s border—as the new “intendant” to oversee the construction of a massive tower. Shea, who knows this is a combination of a test and a punishment, arrives to learn about the tower’s construction or lack thereof. Once Shea observes the tower, he learns a truth which triggers a series of traumatic events from his past. Suddenly, Shea is torn between his role and his status, and his knowledge about the potential consequences surrounding the Tower’s completion. Shea demands that the Duke halts the Tower’s construction, which goes against Brielle’s—the Chief Engineer—goals of seeing the Tower completed in record time. Patrick is the Duke’s Military Counselor who is searching for whoever is sabotaging the Tower’s construction. Then, there is Aidan, a man who is obsessed with the Tower’s completion no matter what the cost is so that he can see it through. And, there are 2 women named Lena. The first Lena is the Duke’s Counselor of Arts, and the Duke’s lover. The second Lena is Shea’s (twin?) sister whose been dead for several years. All of these characters forces Shea to confront both his traumas and his fears as he chooses to do what is right instead of his duty.

            The plot in this story revolves around the construction of the Tower. The queen has ordered the airship tower to be built for society and for her legacy. However, Shea discovers that the Tower is being built faster than possible. This is because Brielle has been using Drakiri devices—which Shea’s sister called “tulips”—in order to build the Tower to massive size and expectations. As he processes this information, Shea learns from Patrick that there have been sabotage attempts on the Tower. Shea believes it is the Drakiri devices and demands to have them removed. But, Patrick believes there is a more “primitive” attempt to stop the Tower’s construction. There are 3 subplots in this story. The first subplot focuses on Shea’s new responsibilities and the consequences of not seeing them through—2 men attempt to assassinate him for opposing reasons. The second subplot surrounds the legends of the “Mimic” Tower, which are told to him by Lena—the Duke’s lover—who is part Drakiri and is familiar with the culture and the technology of her ancestors. The third subplot delves into Shea’s past, especially his sister, Lena, what led to her death, and why he ignored all of the signs which led him to make a decision with lethal consequences. Not only do all of these subplots connect to the plot related to the Tower’s construction, but also as to why Shea Ashcroft makes the choices he does throughout the story knowing the outcome won’t change. 

            The narrative is told from Shea’ point-of-view. However, the sequences are presented using different narrations. Most of the narrative is told in 3rd-person limited narrative, meaning readers know what is happening to Shea, but any inner monologues or thoughts are presented in 1st-person narrative. This change in narration illustrates the inner conflicts Shea deals with throughout the story, and these moments of streams-of-consciousness not only present Shea as a reliable narrator, but also presents the conflicts and the protagonist as relatable. What does it take to make a “good” decision? The protagonist’s flashbacks throughout the narrative are written so that they are easy to follow along as well. 

            The style Yaroslav Barsukov uses in Tower of Mud and Straw is a fantasy story with a steampunk setting and elements of folklore which is part political thriller and part cautionary tale. The language used by the author focuses on the “political” aspects found within the world-building as well as the culture of the “immigrants” and their “contribution” to the society they reside in. What happens when more emphasis is placed on the benefits of an unknown technology instead of its origins? And, what happens when “stories” are no longer “just stories”? And, when every side wants you dead, how will you “go out”? The mood in this novella is eerie. There is an unnatural state in the atmosphere, which is brought on by the Tower, but it seems most of the denizens decide to ignore it and say that it’s people and NOT the Unknown who are bringing this change in the atmosphere. The tone in this story is revelation. What happens when there is truth to legends, and they are linked to a personal tragedy? What would you do?

            The appeal for Tower of Mud and Straw have been and will be positive. I received an eARC from the author, and I strongly recommend it. This book will be released through an independent publisher, so it won’t receive the same marketing as books from larger publishers, but I’m a bookblogger who is recommending that you read it. And, it seems that other early readers have enjoyed it as well. This story is a great addition to the fantasy canon, and its lasting appeal will be due to its cult following. This story can and will be re-read because of the story’s structure and format. Each part of the story and the protagonist’s backstory are essential to the story—you can’t skip over anything! And, while one of the final scenes in the story seems “overdone,” it works with the question readers will have by the time they read the last sentence.

            Tower of Mud and Straw is a story full of themes and tropes presented in a way that makes for an incredible story. Yaroslav Barsukov is an author who seems to have more stories ready to give to readers than he is letting on. Until we get those stories, we’ll have to settle for this one about politics, unknown technology, folklore and vertigo. Anyone who is looking for an intriguing story written by an indie author should read this one.

My Rating: Enjoy It (4.5 out of 5). 

Why You Need to Listen to: “The Original”

The Original

By: Brandon Sanderson & Mary Robinette Kowal                Audiobook: 3 hours 24 minutes

Released: September 14, 2020                                                       Narrated by: Julia Whelan

Genre: Science Fiction/Thriller

            Have you ever listened to any audio story or audio narrative without the text or any visuals to follow along to? I believe the most familiar example of this would be Peter and the Wolf. This Russian “symphonic fairy tale” is presented with specific orchestra ensembles representing each of the characters with a narrator telling the rest of the story. There are audiobooks which are standalones (as in no written edition) and it relies on an excellent narration and an engaging story so that the audience’s attention is maintained from start to finish. The Original by both Brandon Sanderson and Mary Robinette Kowal demonstrates a strong collaboration, but it is the talent of Julia Whelan that gives life to the story through her narration. 

            Holly is the protagonist. She wakes up in a hospital with no memory of how she got there; and, her husband, Jonathan, isn’t with her. She is told by doctors and by Detective Skylar that she is a Clone of the “Original” Holly, and that she was created on the orders of a warrant because Holly murdered her husband. On top of that bit of news, Holly learns she is an “Edited Clone,” which means that changes were made to the body and the DNA that can make a Clone “better” than the “Original.” Finally, Holly is told one more thing: no one can locate the real Holly, and she has to find her and kill her in order to survive. Holly leaves the hospital with her mission to carry out with a set of skills her “Original” doesn’t have and didn’t ask for. The Clone Holly has to shift through shared memories, to survive attacks from people she doesn’t recognize, and to find her Original within 4 days or cease to exist. Does Holly want to live the life of her Original? Can she find her? And, if she does, then will she be able to kill her? 

            The plot is very interesting. A clone awakens, learns the reason for her creation, told her purpose, and is sent to carry it out. Of course, that’s the short version of it. Holly has less than 4 days to find her Original before she ceases to exist because a Clone and its Original cannot exist at the same time. Detective Skylar explains to Holly that after she finds and kills her Original she can live her life for the duration of hers. Meanwhile, Holly is trying to figure out what led her Original to kill Jonathan. She goes through her memories of her relationship and love for Jonathan, his occupation and hers, the last time they were together before the murder, and the murder itself. This leads to Holly having more questions than answers, but she decides that finding her Original and demanding to know why she killed her husband before killing her is how she is going to complete her mission. The subplot is the elements of world-building, many of which includes the idea behind clones and other scientific practices the society performs. In addition to clones, nanotechnology exists so that people can reverse aging and accelerate healing. Yet, Holly discovers that nanotechnology and clones are not wanted by everyone, including Jonathan. So, if Jonathan was against the idea of clones, then why is Holly being promised with a clone of Jonathan after she kills her Original? The subplot develops alongside the plot in which both the society and the conflict are explained further as the story continues. 

            The narrative follows the point-of-view of Clone Holly. This makes for an interesting P.O.V. experience because none of her past experiences are hers, and she cannot remember everything of her past before she was created. This is important to know because this means that when Holly remembers something, it is NOT a flashback! It is NOT amnesia! This is because, one, the memory isn’t hers; and two, Holly can’t remember all of the details surrounding those memories. Holly knows that she was created without all of her memories intentionally. This revelation does make Holly’s stream-of-consciousness very interesting because in between Holly’s confusion and exhaustion, the audience knows how frustrated Holly is throughout everything that is happening to her. This knowledge and the experience Holly goes through makes her a reliable narrator. As a clone, she is dependent on what is being told to her. It is obvious she is being manipulated, but it is not her fault. The audio presentation makes the narration easy to follow. 

            The style both Brandon Sanderson and Mary Robinette Kowal used for The Original delves into two “traditional” conflicts: individual versus society, and science versus nature. Reiterating these conflicts within this story not only demonstrates the reality within the fiction, but also leaves the audience to question their identities as well. The word choice used throughout the narrative was done intentionally by the authors so that the audience can comprehend the story with the scientific terminology, which allows for a thought-provoking story without too much thought. The mood in the story is anxiety. Both the protagonist and the audience are anxious throughout the story as both the truth and the existence is at stake for a clone who isn’t sure whether or not she wants to live. The tone gives the vibe of a cautionary tale. This story serves as a warning against scientific advancements and government control over individuals within a society. 

            This audiobook was narrated by Julia Whelan, and I have to say that I am beyond impressed with how she presented this story. Her voice of the characters are easy to distinguish and her voice for the narrative is enough to keep the audience immersed in the story. If it weren’t for the chapters, then it would have been easy to get lost in the story until the very end. I’m looking forward to hearing her narrate other stories in the future. 

            The appeal for this audiobook have been positive. Many listeners seem to enjoy the story, but have mixed feelings of it being just an audiobook. I know many readers don’t always listen to audiobooks, but what makes The Original standout is that it’s only available as an audiobook. I was able to keep up with the story with the narrator’s pace, but I understand if other listeners did not feel the same way. That being said, both Brandon Sanderson and Mary Robinette Kowal have confirmed during a livestream on YouTube that there is no hurry for a written edition of The Original. If an adaptation were to be done for this audiobook, then I could see it as a graphic novel—both the action sequences and the story’s tone is enough to visualize a graphic novel. Fans of science fiction and readers of novellas will enjoy this audiobook the most. In fact, anyone who is on a long commute and/or are doing household chores should listen to this audiobook. This is because by the time you’re done with the commute or with your chores, you should be done with the story and not have to worry about losing your place within the audiobook. 

            The Original is a brilliant collaboration between two bestselling authors of the speculative fiction genre. Do not be intimidated by the fact that this is an audiobook. If you’ve listened to Broadway musicals on audio, then you can handle a sci-fi thriller novella on audio. At least listen to the story for the second twist in this story! Did you really believe these authors would include only one twist? I’m not going to tell you what it is, so you’re going to have to listen to the story to find out what the other twist is, and it’s not what you think it is!

My Rating: Enjoy It (4 out of 5). 

My Experience at FIYAH Con & What It Represents for Speculative Fiction

So, remember when I praised virtual cons (and creators) for finding ways to continue hosting their cons and presenting their content to everyone? And, how some groups and individuals decided to host their own con? Well, I was able to attend FIYAH Magazine’s 1st FIYAH Con! I won’t bore you or make you all jealous of what I enjoyed about this con—besides the panels of various topics and issues. Instead, I’m going to list what I considered to be the best parts of FIYAH Con; and, there are at least 3 of them.

            First, was the layout of the schedule. This con was 3 days long, but the first 2 days consisted of panels that ran over 24 hours straight. And no, I didn’t stay up for 24 hours to watch those panels! Yet, you know who did watch those panels? The guests and the attendees in other countries throughout the world who were able to enjoy these panels during their daytime hours. This was a very considerate idea because there are fans, authors, and staff within the speculative fiction community who live beyond the U.S., Europe and Asia. Allowing panels to run for those who reside in Africa, Australia and the Pacific was a very thoughtful idea. Many attendees from those regions were able to enjoy those panels live. It served as a reminder that there are people involved in this community who reside all over the world. 

            Second, was the inclusion of all who participate within speculative fiction. There were authors, bloggers, YouTubers, editors, academics, publishers, artists, etc., who were guests of this con. This serves as a reminder that those who participate within this genre community is as diverse and as essential as the (remaining) identities of all of the panelists and the attendees. Everyone makes up the fandom and the community, and it was great to see that FIYAH knew that as well and had (some of) them as guests. In fact, it was interesting to see them all discuss numerous subgenres, issues, topics, changes, etc., within the genre. In addition, FIYAH took the liberty of inviting guests from numerous identities and gave them a panel to discuss their works and the inspiration surrounding them (I didn’t know there were Māori and Pasifika authors in this genre)! This was one of the most eye-opening experiences FIYAH Con offered because, yes more attention has been offered to diverse authors, but we continue to overlook other cultural groups who continue to expand this literary genre. My interest in their works has piqued and I’m looking forward to reading them.

            Last, is what FIYAH is doing after their Con. Remember, when I said that some of the panels occurred overnight in some time zones and during the daytime for other ones? Well, FIYAH is posting the archives of all the panels on the conference website for attendees to access what they missed during the Con. This is great because there were panels I missed due to the time difference and overlapping panels, I didn’t get to watch all of the panels—and, some of them seemed very interesting. This is a great opportunity to catch up on what I missed and learn more from all of the guests and the panelists. I know other attendees feel the same way, too. Right now, some of the panels are posted and available on the website. The rest of them will be posted as they become available. 

            In all, this was a virtual con that was just as amazing as the other ones I’ve attended this year. Yes, 2020 has not been the best year, but it forced everyone to find ways to bring members of various communities and/or fandoms together. Not to mention, FIYAH went beyond everyone’s expectations and made sure the guests were as diverse as the speculative fiction genre. I am guilty of forgetting that other regions in the world hope to present their works to the mainstream (of the community), and this Con presented some of what the rest of the world has to offer. Thanks to FIYAH and their (first ever) Con, I am more aware of other people who write, work and participate in the speculative fiction genre community.

            What did you think of FIYAH Con 2020?   

Why You Need to Read: “Velocity Weapon”

The Protectorate: Book 1: Velocity Weapon                          

By: Megan E. O’Keefe                                        Audiobook: 18 hours 22 minutes

Published: June 11, 2019                                  Narrated by: Joe Jameson

Genre: Science Fiction/Space Opera

I am called “The Light of Berossus,” the voice said, (Chapter 1, The Aftermath of the Battle of Dralee). 

For every individual in a fandom, there is the moment, in which they were hooked, thus beginning their membership. For me and science fiction, it was my parents’ love for the two Star Trek shows which aired during the 1990s: The Next Generation and Deep Space Nine—yes, Star Wars was part of my introduction to the genre, too. From there, I started reading science fiction novels, until I stopped. Don’t get me wrong, I was still a fan of the genre, but I didn’t read as many books as I wanted to (there were plenty of movies, TV shows and video games, but that’s for another time). Sometime later I got back into the science fiction by reading the recent releases by different authors which had my exploring the genre again. Yet, it was Velocity Weapon by Megan E. O’Keefe which kept my interest to the point where I bought the audiobook so that I could know what happened after my “stop point” in reading the print book. This space opera reintroduced me to the science fiction genre and reminded me why I fell in love with it in the first place!

There are 3 protagonists in this novel, who narrate the events over the course of several years from 3 different settings. First, there is Sanda Greeve. She is a sergeant for the Ada Prime System, and the last thing she remembers is being shot by the Icarions before her evac pod allowed her to escape, onto an enemy ship—an A.I. Smartship. When she wakes up she learns is the only living being on the ship—The Light of Berossus, or Bero—and, when she asks how and why this is possible, she learns that it’s been 230 years since her ship was shot down. Sanda processes this shocking bit of news as she figures out a way to survive in space with a smartship for company. Next, there is Biran Greeve, Sanda’s younger brother, who has just graduated from the academy at the top of his class. This means that Biran will become a Keeper—a member of the Protectorate who leads Ada Prime and is one of the “keepers” of secrets and knowledge of the Star Systems, which are embedded in a chip that gets implanted inside their skull. However, as Biran is giving his speech, the Battle of Dralee—the same battle his older sister ends up fighting in—breaks out. Biran must behave as a Keeper before his indoctrination and before he can wonder whether or not his sister survived the battle. Last, there is Jules, a thief. During the latest heist with her crew, Jules and the others stumble upon two things: a dead body and a room filled with test tubes. There are other characters who interact with these protagonists throughout the story: Lolla and Harlan, Tomas Cepko, Anaia, and Callie Mera; and, they all help the protagonists develop into the people they need to be given their circumstances. Then, there is Bero, who is more than a smartship. It is aware of what’s going on more than its letting on to everyone else. 

The plot of this novel is an interesting one. The Battle of Dralee in the Prime Standard Year 3541 starts the story and the plot emerges from there, from the Greeve siblings. Biran must step up into his role as Keeper, while he breaks protocol in order to search for his missing sister. Sanda is drifting towards another Star System injured and alone on a damaged smartship. She must rely on her training and instincts, and on Bero to survive her situation. There are two subplots, which are related to the plot. The first one is the secret, in which Jules and her crew stumble across and what it could mean for them, for Icarion and for Ada Prime. The second one focuses on Bero and his motivations. Why is an enemy smartship drifting in the middle of Space? And, why did he rescue Sergeant Sanda Greeve? The plot and the subplots develop alongside the characters and the world-building at an appropriate rate, which make it impossible for the readers to lose track of everything that is going on in the story. 

The narrative jumps across 3 different years from 3 different locations from the points-of-view of several characters. All of the narratives are told in first person from the protagonists and the other characters perspectives. Readers must pay attention to the sequence of the narrative because while the narrative is the present for one character, it may be occurring in the past or the future for another character. The sequence of the narrative starts off with puzzlement for both the readers and the characters, but the events within the sequence keep the narrative in one constant motion where it can be followed by the readers and the audience. The characters’ streams-of-consciousness allow readers to know the thoughts of the characters and the reasons they make the decisions and perform the actions they do. There are moments of flashbacks within the narrative, and they provide clues of the bigger story that is being told. 

The style Megan E. O’Keefe uses in Velocity Weapon consists of the jargon of science fiction, the colloquialism of the armed forces, and the terminology for the world of space she cultivated for this series. The idea that two-star systems have been at war with each other for hundreds, or thousands, of years, with Earth as the potential beacon for the establishments for these star systems is an interesting factor to consider for the sort of story the author is presenting to her readers. The author is not presenting a science fiction story about two warring nations, she is writing a space opera—”a space story involving conflict between opponents possessing powerful technologies and abilities on a very large scale”—and about the consequences of hidden technology, which is the tone of this novel. The mood is hostility, including what it entails and how it is dealt with. While it is not that different from other space operas, it’s the way the author writes it that makes it very engaging.

The appeal for Velocity Weapon has been positive for sci-fi fans—which is good—but, minimal for the rest of the speculative fiction community. And, what I mean by that is that it is a great story that seems to be limited to one part of the literary fandom. There is enough of the same themes and ideas found in other works of science fiction and in fantasy fiction, yet it seems that more people would read this book and others like it if given the chance to learn about this story. There is a reason why this book was one of My Selections for Best Speculative Fiction Books of 2019. When I wasn’t able to continue reading this story, I finished it by listening to the audiobook. Joe Jameson’s performance of the characters make them easy for listeners to make out which character is speaking and narrating the story; and, his narration and voice is appropriate for the story that is being read by the listeners. The next book in The Protectorate series, Chaos Vector, will be released in July 2020. Fans of the first book are waiting eagerly to learn what happens next.

Velocity Weapon is an entertaining space opera about family, government conspiracies, A.I. ships, and an ongoing military campaign between nations that will keep readers’ interests from beginning to end. Megan E. O’Keefe demonstrates her abilities for writing engaging stories across the spectrum of speculative fiction. Sci-fi fans should consider adding it to theirs. This book is a reminder that space is a fascinating frontier!

My Rating: Enjoy It (4.5 out of 5). 

Why You Need to Read…My Most Anticipated Speculative Fiction Books of 2020

2020 is coming and so are the books. Many of them are to be expected because they are follow-ups or sequels to previous books in a series. Others are either new or standalones books that have piqued our interests. Here is a short list of the books I’m excited to read in the new year (and, new decade). Note: if there is a book that is NOT listed here, then it is because either no release date has been announced, or I have not yet read the previous book(s) in that series. Also, keep in mind that intended release dates can change due to multiple reasons. This is based on the dates stated on the day this was posted. 

#1 The City We Became (The City #1) by N.K. Jemisin à March 26, 2020

            Many of us have been waiting for N.K. Jemisin to follow-up on her success of The Broken Earth Trilogy and we won’t have to wait much longer. This urban fantasy is a follow-up of the author’s short story, “The City Born Great,” and it appears to be an expansion of the “mythology” she mentioned in it. The focus is on New York City and its five protectors as they come together to protect the city from an ancient evil. As a New Yorker, I’m curious to see which aspects of City life the author decided to incorporate into her story. 

#2 The Network Effect (The Murderbot Diaries #5) by Martha Wells à May 5, 2020

            When it was announced that there would be a novel to continue The Murderbot Diaries series, I not only added the novel to my TBR list, but also made sure I was either able to claim an ARC of the book, or to preorder a copy of it! All we know of the plot so far is that Murderbot has to choose between saving his human friends and binge watching his favorite TV show. We already know what it’s going to do, and the story is going to be epic! I’m glad the author chose to continue this series!

#3 The Shadow Saint (The Black Iron Legacy #2) by Gareth Hanrahan à January 7, 2020

            This one shouldn’t surprise anyone. The Gutter Prayer was my favorite speculative fiction book of 2019, and the sequel, The Shadow Saint, has been on my TBR list since I started reading the first book in the series. The sequel takes place six months after the events in The Gutter Prayer. All we know is that the two warring factions—probably the ones from the first book—are competing against one another in search of a rumored weapon. It’s not clear whether or not any of the characters from the first book will appear in the second one, but if The Shadow Saint is anything like its predecessor, then we have nothing to worry about. 

#4 Daughter from the Dark by Marina & Sergey Dyachenko à February 11, 2020

            Vita Nostra was my favorite book of 2018, so you know I’m looking forward to reading this book by the husband and wife duo! This is a standalone novel is about a man who saves a 10-year-old girl from danger, who claims to be a music prodigy who is searching for her missing brother. Not sure whether or not the girl is a con artist, the man does everything he can in order to get the girl to leave, but every time he does, a “protector” thwarts him. All the while, darker forces threaten to separate the two before either of them can determine whether or not there’s a connection between them. 

#5 Ten Arrows of Iron (The Grave of Empires #2) by Sam Sykes à August 4, 2020

            Seven Blades in Black was my surprise read of 2019 and I’ve been anticipating the sequel since I finished it! Based on the synopsis, Sal is alone after the events of the previous book. However, she gains new purpose when she is asked to participate in a heist on the airship fleet, the Ten Arrows, in order to steal power for a mysterious patron. Things turn for the worse when Sal uncovers yet another conspiracy which may or may not with the death and the destruction of the world, again. If Ten Arrows of Iron is anything like its predecessor, then I already know it’s going to be fast-paced and full of action!   

#6 The Girl and the Stars (Book of the Ice #1) by Mark Lawrence à April 30, 2020

            The author is basing his new series in the same world as in the Book of the Ancestor Trilogy. Except now, readers will be transported to the Ice instead of a convent. Yaz is an ice triber who survives the harsh environment based on the ways of her people. However, she is separated from that life and everyone she knows and Yaz has to learn how to survive in a world she never knew existed. Fans and readers get to return to Abeth for a new story set in a world we only got a glimpse of before. 

#7 The Empire of Gold (The Daevabad Trilogy #3) by S.A. Chakraborty à June 30, 2020

            Daevabad has fallen to the rebels, unrest has erupted amongst the denizens, and magic has disappeared from the world. Meanwhile, both Nahri and Ali are safe in Cairo but decide to save their loved ones in the fallen kingdom. At the same time, Dara must confront his guilt while working alongside Banu Manizheh in order to bring some stability to the kingdom they’ve managed to overtake. The Empire of Gold is the final book in the author’s trilogy and we’re wondering who will survive the final fight for power within Daevabad. 

#8 The Burning God (The Poppy War #3) by R.F. Kuang à November 19, 2020

            There is no synopsis for this book, but here’s my hypothesis. The final book in The Poppy War Trilogy sees Rin struggling with the few friends she has left after more death and betrayal from both allies and enemies. However, she might have figure out the secret to the Empress’ power, but before she can do anything, she must face-off against the colonizers and those who betrayed her. 

#9 Legacy of Ash (Legacy Trilogy #1) by Matthew Wardà April 7, 2020 (Print)

            This debut novel focuses on three protagonists with different motivations must work together in order to save their country from a hostile empire. This is easier said than done, but are old hatreds and grudges worth it when their empire is about to fall to destruction? The eBook is available to purchase, but I know many are awaiting to read the printed format. 

#10 The Nine Realms by Sarah Kozloff à    

#1: A Queen in Hiding à January 21, 2020

#2: The Queen of Raiders à  February 18, 2020      

#3: A Broken Queen à  March 24, 2020

#4: The Cerulean Queen à   April 21, 2020

            Fantasy readers are in for a treat! The Nine Realms is a new series and both the author—who is making her debut—and the publisher—Tor Books—are releasing all four books within four consecutive months! Instead of waiting until after the author writes the next book in the series, each book will be released so that readers can enjoy the series—all 1,968+ pages of it—within a short time span. In other words, the time between each novel is more than enough time for readers to read and to process each one. The efforts of both the author and the publisher are appreciated immensely!

            The series is a fantasy bildungsroman and it follows Cérulia, Princess of Weirandale, who is starts off as an exiled and hunted orphan who is determined to do whatever it takes to reclaim the throne that is her birthright. Readers will get to experience the protagonist as she learns magic and how to fight; to participating in a battle against the invaders; to recovering from both visible and invisible scars caused by the war; to reclaiming her throne and establishing herself as a ruler and restoring order to the realm that was left in chaos. This journey sounds so promising that it’s no wonder the author and the publisher decided to release the books in consecutive months!  

#11 The Ranger of Marzanna (The Goddess War #1) by Jon Skovron à April 21, 2020

            Two siblings find themselves on opposing sides of allegiance to the Empire. After their father is murder by imperial soldiers, one will seek to destroy the Empire, while the other will strive to protect it. Sonya is a Ranger of Marzanna, an ancient sect of warriors and her brother, Sebastian, is the most powerful sorcerer in the world. What will happen when the siblings face-off against each other? 

#12 The Obsidian Tower (The Gate of Secrets #1) by Melissa Caruso à June 4, 2020

            The granddaughter of the ruler of a kingdom has broken magic. Although Ryx is mage-marked, all she can do is drain the life from everything she touches, making her place in society unstable. However, after she kills a visiting dignitary and activates a mysterious magical artifact, both by accident, she flees and meets up with a group of unlikely magical experts who are investigating the disturbances of the kingdom. Once, Ryx learns that her family is in danger, she risks everything to save them and to gain control of the same artifact she activated. The Obsidian Tower is the first book in a new series by the author of the Swords and Fire trilogy. 

#13 Call of the Bone Ships (The Tide Child Trilogy #2) by R.J. Barker à September 2020

            There is little to no information about this book and I had to confirm the rumored anticipated release date with the author. My hypothesis: the Tide Child continues its voyage into uncharted territory in order to determine whether or not the “sea dragons” are as endangered as everyone else believes them to be. At the same time, the crew must fend off any suspicious and curious ships whom decide to follow the path of their voyage. 

#14 The Fires of Vengeance (The Burning #2) by Evan Winter à July 16, 2020

            All that is known about this sequel to The Rage of Dragons is that it takes place after the events in the first book. I’m going to make a hypothesis and say that the story follows Tau as he continues his path towards vengeance for his father’s death and the betrayal of his warrior brothers. The Fires of Vengeance is a continuation of the war between two nations, but loyalties have altered since the end of Book One. 

#15 The Memory of Souls (A Chorus of Dragons #3) by Jenn Lyons à August 25, 2020

            I haven’t started to read The Name of All Things, the second book in A Chorus of Dragons Trilogy, but I know I’ll be done with it in time to read The Memory of Souls, the last book in the same trilogy. Kihrin has managed to convince everyone of the plans of his enemies to release the dark god, thus ending the world. There might be a way to prevent this from happening, but at the cost of all of the immortals. However, will Kihrin have to make the ultimate sacrifice in order to save the world? Is he willing to do that? 

#16 The Unspoken Name (The Serpent Gates #1) by A.K. Larkwood à February 11, 2020

            If you were supposed to die, but were then given the opportunity to live, then would you take it? Csorwe was supposed to be a sacrifice for the gods, but a mage gives him the chance to live, with some conditions. All he has to do is become a thief, train as a spy and an assassin, topple an empire and help the mage reclaim his seat of power. What’s the problem? Well, it turns out that Csorwe was supposed to be sacrificed for a reason; and the gods never forget. 

#17 The Wolf of Oren-Yaro (Chronicles of the Bitch Queen #1) by K.S. Villoso à February 18, 2020

            Queen Talyien was a hero of the War of the Wolves and set to marry the son of her father’s rival. Unfortunately, he vanishes before their reign can begin and the fragile peace crumbles. Years later, the Queen receives a message and she crosses the sea towards the meeting place. She survives an assassination attempt and now must find a way home while surviving through a hostile land. The Wolf of Oren-Yaro is the debut novel of a new epic fantasy series by this up-and-coming author. 

#18 The Protectorate #2 by Megan E. O’Keefe à August 18, 2020

            The sequel to Velocity Weapon takes place after the events in that novel. After the truth of Sanda’s imprisonment abroad Bero—whom escape from both Nazca and the Protectorate—she and Tomas flee before she can become a pawn of the greater powers. All they have are coordinates to a dead gate with no way to survive there. Unsure of what to do, Sanda and Tomas might have to plead to the only group willing to assist them, Nazca.

#19 Docile by K.M. Szpara à March 3, 2020

            Dociline is a drug. It is given to Dociles when they serve out their contracts of servitude to those who own them. However, there are negative side effects to this drug and for some reason only Elisha is willing to avoid the drug. When his contract of servitude is purchased by the family of the creators of the drug, Elisha refuses to take it. This puts him at odds against Alexander Bishop III, who believes he can turn Elisha into a Docile without the drug. This story is a parable about sex, love, corruption and capitalism.  

#20 Strange Exit by Parker Peevyhouse à January 14, 2020

            Lake, the seventeen-year-old protagonist in this story, seems to be the only one who knows that the world she and everyone is living in is in fact a simulation. For some unknown reason, after a nuclear event everyone’s bodies have remained in stasis and their minds are trapped within a shared virtual reality all aboard a spaceship. The only way to get off the ship is to remind all of the passengers that they are living in a virtual reality. Lake is accompanied by Taren, but he doesn’t share the same views about saving everyone as she does and soon they are both of them are in a race to locate the heart of the simulation so that everyone can get off the ship dead or alive. 

Additional Books to Lookout For:

Come Tumbling Down (Wayward Children #5) by Seanan McGuire à January 7, 2020

Stormsong (The Kingston Cycle #2) by C.L. Polk à February 11, 2020

The Killing Fog (The Grave Kingdom #1) by Jeff Wheeler à March 1, 2020

Race the Sands: A Novel by Sarah Beth Durst à April 21, 2020

Aurora Burning (The Aurora Cycle #2) by Amie Kaufman and Jay Kristoff à May 5, 2020

The Only Good Indians by Stephen Graham Jones à May 19, 2020

The Order of the Pure Moon Reflected in Water by Zen Cho à June 23, 2020

Ashes of the Sun (Burningblade & Silvereye #1) by Django Wexler à July 21, 2020

The Invisible Life of Addie La Rue by V.E. Schwab à October 6, 2020

Between Earth and Sky (Anasazi Series #1) by Rebecca Roanhorse à TBA 2020

            These are some of the many books I plan to read in 2020. There are so many other books to expect—some to be released in 2020 and others beyond 2020—but, these are the ones I’m going to start reading, immediately. As for the obvious anticipated books that were not listed here, don’t worry I plan on making my way through the previous books in those series so that I can read the follow-ups as soon as they are released. Which books are you excited for the most in 2020 Are there any other buzzworthy books to lookout for? 

Why You Need to Read: “The Dragon Republic”

The Poppy War: #2: The Dragon Republic

By: R.F. Kuang

Published: August 8, 2019

Genre: Fantasy, Historical Fiction, Grimdark, Folklore, Military 

WARNING: The following contains minor spoilers from both The Poppy War and The Dragon Republic. You have been warned. 

            She didn’t care about anyone’s visions for the future. She’d stopped wanting to be great, to carve out her place in history, a long time ago. She’d since learned the cost, (Chapter 6).

            Books about war—whether or not it’s fiction or non-fiction—attempts to include the horrors it brings along with it. In recent years, more fiction stories have included the “realities” of war as opposed to the “glories” of it, which usually make their way into the narratives. R.F. Kuang, author of The Poppy War, re-establishes the “cost of war” and its aftermath in the sequel, The Dragon Republic.

            Runin “Rin” Fang is (still) reeling from her actions, which led to the end of the Third Poppy War and victory for the Empire. However, the victory has left Rin feeling hollow due to the deaths of her friends, her teachers, and her comrades. Everything she’d witnessed throughout the war: death, rape, starvation, mutilation, her lack of control as a shaman over a goddess, her addiction to opium, and the betrayal she and her Unit suffered towards the end of the war has left Rin in a depressive state of mind. As a soldier, Rin believes her only purpose lies in seeking revenge against those who betrayed her and the other denizens of the Empire. Lacking support, resources, and leadership skills, Rin leads the 13th Division to fight their remaining enemies. However, Rin and her soldiers are approached by Yin Vaisra—the Dragon Warlord, the Head of the House of Yin, and the father of one of her Sinegard classmates—and, he has a proposition for her: join up with him to form a “democratic” Republic amongst the now disbanded 12 Provinces and he will assist her with her vengeance. Rin—suspecting hidden motives and desiring to remain a soldier—agrees to the Dragon Warlord’s terms. As Rin works with her Unit and the Dragon Province, she is reunited with her former classmates who make their own decisions regarding the civil war that has broken out between the Empire and the Dragon Republic. This time, she has to determine her worth within this latest conflict. In order to do this, Rin develops from soldier to puppet to commander; it is a rough, but essential growth for Rin!

            Just like The Poppy WarThe Dragon Republic has three parts: the aftermath of war, the beginning of a civil war, and the fallout as a result of the civil war. Part I focuses on the Aftermath of the Third Poppy War, especially how the survivors—both military and civilian—are dealing with the damage that remains. Rin struggles with keeping her unit alive while avoiding the troops who would capture Rin in order to collect the bounty on her head. She makes a deal with the Dragon Warlord not only to achieve her goal of revenge and to have access of supplies for her troops, but also to maintain her purpose of being a soldier. All Rin knows is warfare and she doesn’t know what else to do with herself. She’s not alone in this because her friends and her comrades feel the same way. 

            Part II is the campaign launched by the Dragon Province. The mission: either to parlay, or to destroy the other 11 Provinces. The choice lies between siding with the Dragon Warlord or fighting against him. The reality of war is presented to readers again as war tactics, war strategy, and death becomes part of the plot. Decisions are the difference between life and death, and death always seems to prevail. Meanwhile, Rin is suffering from her lost abilities as a shaman and from the humiliating “testing” done to her by the Hesperians—an advanced civilization who promises to ally themselves with the Dragon Province towards the goal of a united republic with the promise of weapons as long as they: win the civil war, allow missionaries to assist with the refugees, and to “study” Rin. Rin has flashbacks to the same experiments done to her and Altan by the Mugenese and begins to wonder whether or not if more than her self-worth is on the line. At the same time, Rin learns how the Empress became so powerful and how the damage she inflicted on Rin can be skirted. For that to happen, Rin must learn more about the powers of a shaman. To do that she’ll have to learn from those who taught Jiang, her former Master of Lore. These two subplots are necessary for both the plot development, and the character development, especially Rin’s. 

            Part III unveils all of the revelations and the intentions of all of the characters. Everyone is involved with another oncoming war whether or not they want to be. The Empire and the Hinterlanders are on the brink of another civil war, and Rin and her Unit must decide who they are going to fight for when the war begins. Even Rin has intentions for this war, especially after she learns the truth about the Dragon Province, the Empress, and their “allies.” Amongst the death and the reunions Rin must determine if she is a soldier or a shaman. 

            Once again, the narrative is in 1stperson and stream-of-consciousness. With the exception of the Prologue, readers follow Rin’s experiences during the aftermath of the Third Poppy War. All of Rin’s thoughts and traumas are witnessed by both readers and other characters. It seems during the postbellum everyone sees Rin as a solder without purpose. She’s a terrible leader and her mistakes puts others in danger. Yet, she wants peace and prosperity (and revenge) just like the other survivors of the war. The scenes involving war, refugees, and previous events and memories are told in real time, so readers experience the anticipation, the suffering, and the confusion all of the characters experience. While it is long, the pacing of the narrative is appropriate for this military fantasy novel.    

            The style Kuang uses in The Dragon Republic is both similar and different from The Poppy Way. The conflict and the aftermath of war—based on the conflicts stirring in several countries before the beginning of both the Spanish Civil War and World War II—is found throughout the pages within this novel. The difference, or better yet the addition to the conflict, is the notion of imperialism. It is obvious that the Dragon Province is attempting to do this, but they are not the only ones fighting for control of a weaken empire. The mood of The Dragon Republic is death and suffering; just because (one) war is over doesn’t mean everything will get better soon. The tone in this novel is not only about the cost of war, but also about the price one is willing to pay for power. There are no innocent people left alive in this story. 

            The appeal surrounding The Dragon Republic have been positive. Fans of The Poppy War, other military fiction, and grimdark will enjoy this sequel. As the world expands, so does the world-building, which is found in the characters and the weapons, which are based on military history and Chinese culture and folklore. It must be mentioned that anyone who couldn’t finish The Poppy War and/or are triggered by real life acts of violence should NOT read this book! While not all readers are into military literature, actual events of war, such as rape, is mentioned in this novel. Otherwise, expect another well-written story by R.F. Kuang. 

            The Dragon Republic is an amazing sequel. The story picks up where The Poppy War left off and it is both creative and realistic for the type of grimdark and military fantasy the author is telling the readers. Parts of the plot and the narrative can drag on at times, but they are necessary for the story the author is telling everyone. I can’t wait for the next book, even though I must. 

My Rating: Enjoy It (4 out of 5)!

Why You Need to Read: “The Survival of Molly Southbourne”

Molly Southbourne #2: The Survival of Molly Southbourne

By: Tade Thompson

Published: July 9, 2019

Genre: Horror, Science Fiction, Sequel 

WARNING: Spoilers from The Murders of Molly Southbourne and The Survival of Molly Southbourne. You have been warned.

            Molly Southbourne was a freak whose blood grew genetically identical duplicates of her. One drop of blood, and a new molly popped up, but it wasn’t cute. It wanted to kill her. Molly spent her whole life killing her duplicates just to survive, (Chapter One).

            Similar to many of the recent sequels in speculative fiction, The Survival of Molly Southbourne starts where its predecessor, The Murders of Molly Southbourne left off. In the sequel, Tade Thompson answers the questions Molly Southbourne (and readers) have had about herself. And, like other works of sci-fi horror (i.e. Alien), there are more eerie forces at work than anyone else knows. 

            Molly Southbourne is a protagonist who is “a fish out of water” because she has no identity and no purpose to her life. Molly Southbourne—the one who survived both the attacks and the fire—is now Molly Southbourne and is living as Molly Southbourne whether or not she wants to. While Molly is a duplicate of Molly “Prime,” as she calls her, she is NOT Molly Southbourne. She lacks both the knowledge, and the skills Molly Prime had. In addition, Molly does NOT have the same problem with bleeding like Molly Prime did (“hemoclones”). All Molly has are the looks and the memories of someone who is dead. Unfortunately, the new Molly Southbourne is the only one who knows, and it’s driving her crazy, literally. 

            The plot in The Survival of Molly Southbourne is how the new Molly Southbourne is adjusting to life as a 27-year-old woman who is supposed to be living as someone else. Molly has more questions about herself than Molly Prime did; and, unlike Molly Prime, Molly decides to get answers to those questions. To say that Molly’s discoveries come straight from a spy novel—complete with multiple conspiracies—would be an understatement. After she gets some answers to her questions from “several” people, Molly must decide how she is going to survive. She doesn’t have to become Molly Southbourne, but she cannot get rid of that part of herself. There is a subplot, and its focus is about a minor character from the first book who was intimate with Molly Prime. In this book, that character attempts to fight the fate Molly Prime left him with unknowingly. Will the efforts be successful? Will Molly be able to help him?

            The narrative in The Survival of Molly Southbourne is an interesting one. While Molly is the protagonist, and the story of the aftermath is told from her point-of-view (1stperson), the sequence is a combination of Molly’s actions and daily life—told in present time—with the memories of Molly Prime—also her memories—bombarding her. The combination of the flashbacks, the stream-of-consciousness, and the present gives readers insight to the adaption and the chaos that is Molly Southbourne. Her struggles and her inexperience make the narrative reliable and believable. As discombobulated as it sounds, the narrative is easy to follow. 

            The style Tade Thompson uses in The Survival of Molly Southbourne is the same as it was in The Murders of Molly Southbourne. The author continues with telling this story using tropes and style based on previous sci-fi horror stories. However, it is the mood—apathetic—and the tone—bizarre—that have changed in the sequel. Molly is making sense of everything that is happening around her, only this time those involved behave as it’s not a big deal. Molly is neither unique, nor lethal as Molly Prime was, but she manages to survive and to adapt to her life as we see through the author’s style. Readers will be pleased with this (continued) style of storytelling. 

            So far, the appeal to The Survival of Molly Southbourne have been positive. Released a month ago (at the time of this posting), readers who were curious as to how Molly’s story would continue is answered. The mysteries and the conspiracies are addressed, and the continuation of the characters from the previous book lets readers know that neither Molly Southbourne, nor Tade Thompson have forgotten about them. Both novellas can be read and enjoyed in one reading. Fans and readers of sci-fi horror need to read these books.

            The Survival of Molly Southbourne is an amazing follow-up to its prequel. While the narrative and the perspective have changed from what came before, the story is as fast paced and as haunting as The Murders of Molly Southbourne. Tade Thompson does an excellent job in bringing Molly Southbourne’s story the resolution it needs. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Aurora Rising”

The Aurora Cycle: #1: Aurora Rising

By: Amie Kaufman & Jay Kristoff

Published: May 7, 2019

Genre: Young Adult, Science Fiction

            “Scarlett Jones (diplomat) introduces the other members of our squad. ‘Tyler Jones, our commander. Zila Madran, science officer. Finian de Seel. Engineer. Catherine Brannock, pilot. And finally, Kaliis Idraban Gilwraeth, combat specialist’.” (Chapter 7, Kal).

            I’ve always been curious to read stories by authors who write multiple genres of literature. Jay Kristoff has written several amazing stories within the sub-genres in both the fantasy and the science fiction genres. Now, he’s back with a new series with Amie Kaufman—who co-wrote The Illuminae Files with Kristoff—to present us with Aurora Rising, the first book in The Aurora Cycle. Jay Kristoff has described the series as a cross between The Breakfast Club and The Guardians of the Galaxy, which piques a reader’s curiosity. 

            This series is different from many other ones in that the story occurs after the characters graduate from school. Aurora Academy is a military school for future space cadets; and, after they graduate, there is a draft in which the top commanders get to pick their crew members for their first set of missions. Tyler Jones, who is The Top of his Class, missed the draft because he decided to explore a restricted section of a dimension—The Fold—used for space travel, stumbled upon a ship that was lost over 200 years ago, and rescued its only survivor—a girl who is the same age as him, technically. The good news is that his twin sister, Scarlett—who is a trained diplomat—and their best friend, Cat Brannock—a pilot nicknamed “Zero”—bail on the draft in order to join his crew. Unfortunately, those who make up the rest of Tyler’s crew—the science officer, the engineer, and the combat specialist—are the ones no one else wanted in their crew: an aloof girl with a trigger finger, a handicapped boy with a motormouth, and an ostracized male whose species is in the midst of a civil war and he’s not fighting in it. Then, there’s Aurora Jie-Lin O’Malley—or Auri—the girl who slept in cyro for over 200 years, who awakens with mystical powers and with the top intergalactic police forces deeming her a criminal and are attempting to arrest her. Meet Squad 312! All of these characters have flaws and with them being 17 years-old, they don’t know how to deal with their insecurities, which make all of these characters more relatable and more believable. 

            Both the plot and the narrative are told in the point-of-views of all 7 characters! Multiple P.O.V.s are NOT new for YA books, for it allows for both character development and plot development. For example, Tyler is a leader, who jumps to conclusions surrounding his crew members—with the exception of his sister—and he would rather follow orders than question them. Kal’s species is in the middle of a civil war and he must choose between serving his tenure with Squad 312 or leaving to participate in the war. Then, there’s Auri, who is dealing with being out-of-time and understanding what is happening to her. 

            The author’s style reminds readers of the reality of space travel. While it’s exciting, it’s dangerous and requires training and knowledge in order to endure it. Auri almost dies after spending over 200 years in cryostasis; Kal’s people are decimating each other in a civil war, which broke a treaty, which had dire consequences; and, an intergalactic coverup is the real threat to the universe. Both the mood and the tone match what Kaufman and Kristoff are exploring in this series: space is vast, mysterious, and archaic. Add an element of danger that is as realistic as space travel and you have a story told by these authors. Both authors do an excellent job illustrating the differences between the star students and the outcasts. However, school is out, and so are the treatments they were all used to receiving. Both the mood and the tone display the need for these characters to become the adults they need to be!

            The appeal surrounding Aurora Rising will be a positive one, and I say this because there are adolescent readers who are sci-fi fans, who have been craving for a new book series about space explorers who are kids like themselves! In response, Kaufman and Kristoff have come up with a trilogy that reflects the Star Trek series. Young readers will enjoy this novel because the characters are kids who just graduated from school and have to deal with the reality of the “real” world/universe. Adult readers will enjoy this book because it will remind them of how they were like after completing school and continuing on with life. The truth within the fiction is what will appeal to readers the most. And yes, I’m already looking forward to the second book in this series!

            Aurora Rising is a fun sci-fi book that presents the collaboration of two authors to readers who are both familiar and unfamiliar with them. While both the character development and the world-building are well done, the plot leaves more questions than answers, which means there will be a follow up to this book, obviously. Yet, the story is entertaining enough for readers to want more from this trilogy. 

My rating: Enjoy it (4 out of 5). 

Why You Need to Read: “A Boy and His Dog at the End of the World”

A Boy and His Dog at the End of the World

By: C.A. Fletcher

Published: April 23, 2019

Genre: Science Fiction, Coming of Age, Post-Apocalypse, Dystopian 

            “I wasn’t going home Not then, not yet, or not to my home anyway. I was going to go to his home. I was going to get my dog. I was going to take his boat. And then, when and only if I did that, I would go home,”(Chapter 13, “The tower”).

            The world has ended. However, this post-apocalyptic story does not occur as the world is ending, or immediately after the world ends. Instead, the story follows the descendants of those survivors; these people are living in what remains of the world 100 years later. And yes, the novel is about a boy who goes on a journey to recover his stolen dog. Before you judge the plot of this book, recall the plot of the movie, John Wick.

            Griz is the protagonist and we follow the events of his adventure afterthey happen. Griz lives with his family—parents and brother and sisters—on an island. There are other people who live in this big world, including their neighbors with whom both families make supply runs together. As mentioned in the summary, a thief—named Brand—“stops by the island” and takes one of the family’s dogs. Griz, who believes in family and doing the right thing, takes off after Brand in order to get the dog back. Throughout Griz’s journey, he explores what remains of our world: buildings, wildlife, landscape, etc. Griz learns more about the world because he must survive alone with his knowledge and his instincts to guide him. The few people Griz meets throughout his journey presents both the struggle and the complications surrounding each individual, including Griz. 

            The plot is straightforward. Griz leaves home to chase a thief who stole from his family and took his dog. I would not call this a “hero’s journey” plot; but, instead an adolescent leaves home, learns about the world, and returns a changed person. The plot is coming-of-age; and, the subplot is survival, the man versus nature conflict. It is mentioned throughout the novel that so much time has passed and there are so few people left—according to Griz, approximately 7,000—that a lot of the previous knowledge has been lost and abandoned. Computers and vehicles are no longer operating, medical services have been reduced to herbs and remedies—an injury or an illness can lead to one’s death—and, maps are as useless to someone who doesn’t know where they are compared to someone who is able to travel to those places. The apocalypse not only reduced the human population, but also reduced all helpful knowledge for humanity to thrive. These factors let readers know that Griz’s journey is more complicated than we first believe it to be. 

            The narrative is told from Griz’s point-of-view after the events occurred. Griz is recounting the events of his life and his journey in a blank journal he found during one of his family’s scavenging trips. With limited ways to keep oneself occupied, writing in a journal is a good idea. This narrative could be said to be reliable because the times in which, Griz does catch up with the thief, he doesn’t allow his judgment to cloud over with what the thief tells him about himself and the world. The fact that Griz includes what the thief has to say makes this story more believable because the need to survive is highlighted in this narrative. In addition, Griz mentions parts of the story he decided to omit because it was “irrelevant” to his story. Not only does this make the narrative easier to follow, but also gives the narrative a bit of realism in that not every detail has to be included within a given story. 

            The style the author, C.A. Fletcher, uses makes for a believable “what is” scenario without the mention of zombies. What happens to the world and its survivors years after the world ends? In this case, the world continues as it was, but with limited interference from the actions of humanity. What’s left of any buildings are either safe, or decrepit; all animals roam without fearing humans because there are so few left; and, plants and vegetation thrive where they are with only the elements to concern them. Fletcher’s mood for his story is that the world goes on with or without humans. However, the tone reiterates the darker side of humanity. Yes, Griz and his family were gullible enough to allow a thief into their home, but the thief tells Griz more than once that he is not a “bad guy.” And, the thief is right, to an extent. With so few people and limited resources, there are some people who would resort to darker methods for survival. There are no laws to restrict anyone, anyone could get away with doing just about anything—theft, kidnapping, murder, etc.—and, not worry about consequences or law enforcement. Fletcher gives readers a two-sided notion of a post-apocalyptic world with this style of writing. 

            Anyone who is a fan of post-apocalyptic stories will enjoy Fletcher’s novel. As I mentioned before, there are no zombies or first wave attacks in this story; and, this does not happen immediately after the events at the end of the world. And, that’s the appeal of A Boy and His Dog at the End of the World, the aftermath of the apocalypse! Given the approximate age of Griz (16?), adolescent readers will find this novel appealing as well. I can see this novel becoming an assigned book in schools.

            A Boy and His Dog at the End of the Worldis an entertaining dystopian bildungsroman novel that puts a lot of emphasis on the atmosphere of the Earth over the characters. Readers learn from Griz’s experiences that both knowledge of survival and knowledge of people go hand-in-hand. My only issue with this novel is that while Griz learned and accomplished much on his journey, he doesn’t seem changed by it that much. It could be because Griz is telling the story in his journal. The “story doesn’t end with the journey” notion that left me wondering whether or not Griz and his family has more to tell us about their world. Other than that this novel was fun to read. 

My rating: Enjoy It (4 out of 5).