This episode opens up with Lyra crossing over into another world—our world—to learn more about Dust and about the similarities between her Oxford and Will’s Oxford. Unfortunately, Lyra has to learn how to adapt to this “new” world as she experiences technology—the scene with the car is straight from the books—and people without daemons, poor Pantalaimon.
Will warns Lyra that people are looking for them and they have to do everything they can to blend in and stay hidden. Alas, Lyra is still young enough to be naïve as she makes her way through Will’s Oxford. She hasn’t figured out that there are a few individuals from her world who’ve made their way into hers a long time ago.
Meanwhile, the Magisterium deals with the death of Cardinal Sturrock—due to the witches’ attack and the motivations of both Father MacPhail and Mrs. Coulter—and an election for a new leader must occur before their plans can continue to move forward. At the same time, the witches convene in order to further their plans, before they receive retribution for their actions. The “testimony” provided by Dr. Martin Lanselius delves into the culture of the witches, which reveals why the Magisterium is afraid of them. “Rituals are not secret.” However, does the Magisterium fear the witches, their knowledge, or both?
Will’s story continues to develop further in this media adaptation. There are some hints in the books that Will’s father made arrangements for his family just in case something happened to him. Will learns he has living (paternal) grandparents, but soon realizes why his family is estranged from them. Not to mention, they are working with the authorities in the investigation about Will’s father. This scene embellishes Will’s fear of people looking for him.
Lyra’s search into what Dust is and her meeting with Dr. Mary Malone is from the books, precisely. Everything from Lyra using the alethiometer to her using Dr. Malone’s equipment, which confirms that both Dust and Dark Matter are the same thing. In my opinion, Dr. Malone’s research about Dust—known as Dark Matter to us—is explained better in the TV series than in the books. This could be because I read the books when I was in high school, and while I’ve heard of Dark Matter, I didn’t know enough about it to grasp the explanation of it in the books.
Lyra and Will share a heart-to-heart about their experiences, their situations, and their families. From there, they decide on what they have to do next. At the same time, a new Cardinal has been elected, and someone else has pinned-pointed Lyra’s location. And, the witches’ decision about war is made for them by their adversaries.
In all, The Cave was a better and a stronger episode than the previous one. Now, that all of the characters have a better understanding of themselves through their interactions with each other, they know what they have to do and are ready to follow up on those choices. War has been declared, the existence of worlds are starting to become recognized, and actions are about to be taken as the story continues. What will happen in the next episode?
Dodger was never going to be a linguist, any more than Roger was going to be a mathematician, but they could cope, which was more than some of their fellows ever learned. They balance each other, (Variation).
Seanan McGuire is an author whose books you’ve heard of, but you probably haven’t read, or maybe you have and didn’t know it. Known for her two urban fantasy series—October Daye and InCryptid—they are some of her most popular books. Under her pseudonym, Mira Grant, her paranormal horror stories—Newsflesh and Parasitology—brought more readers and fame to her. Once you start reading her books—the Wayward Children series is my favorite books by her—you become curious as to which books to read next by her. Middlegame is a standalone novel, which is Seanan McGuire’s most ambitious book to date, and is the story she claims she’s “been working on for years.” Well, the wait was worth it, and if there is any book to be read by this author, then look no further than Middlegame.
There are three protagonists in the novel. First, are the twins, Roger and Dodger, child prodigies who were “created” in a lab and separated to be raised separately so that their “abilities” can manifest apart from each other, and from those who created them for their purposes. Roger is adopted by a couple and is raised in Massachusetts. To him, words and languages come to him as easily as breathing, but don’t ask him for help with math. One day, when he is seven years-old, he is struggling with his math homework and he cannot come up with the answers as he can with his spelling. And then, he hears a voice in his head, which gives him the answers to the questions. The voice belongs to a girl named Dodger. She is the same age as Roger and she lives with her adopted parents in California. She’s a prodigy too, but math is her subject. The two children think nothing about their “ability” to speak to each other with their minds, and they help each other with their schoolwork. Unbeknownst to them, they’re twins who’ve been kept apart from the day they were born. They don’t know that they’re being watched by members of the Alchemical Congress, too. Dr. James Reed—our third protagonist—is the one who created the twins and monitor their “growth.” He is the former student, and “son,” of Asphodel Baker, and his goal is to finish the work of his mentor: seeking a way to embody the Doctrine of Ethos, to enter the Impossible City, and to harness the omniscient power that lies within it. So far, Reed has accomplished the first goal in the twins. As Roger and Dodger develop as characters and grow (up) as people, Reed’s goals and motivations develop and alter alongside them. While readers witness the harsh upbringing of the twins, they comprehend Reed’s goals and his reasons for achieving them. He is a monster and a mad scientist in one embodiment, but he earns some sympathy throughout the narrative; some. There are several other characters in the story, but Erin is the liaison between the twins and Reed. She is the most complex character in this story and one of the reasons is because she has a love-hate relationship with all three protagonists, which means her motivations are unknown to everyone, including the readers.
There are two plots in this story. The first one follows the growth and the development of Roger and Dodger from childhood to adulthood. Readers witness how the twins are raised as prodigies and the pressures that come with it; the pattern of their friendship, including all of the highs and the lows that match any other friendship; and, the development of their powers and what it means for them and those who have been observing them. The second plot follows James Reed and all of his actions over the years as all the “embodiments” of the Doctrine of Ethos develop, and what it means to him and all of his desires. Throughout the story, readers experience all of Reed’s failures and triumphs as he does everything in his power to keep his project going, while remaining one step ahead of the Alchemical Congress so that everything will come together the way he wants it to be. There are two subplots that go along with the plots at their own rate. The first is all of the events surrounding the Alchemical Congress from the council, to Reed and his “other” projects, to Erin’s actions and influences on the work and the legacy of Dr. Asphodel D. Baker and how all of her research is the catalyst of this story. Everything comes together as the story develops along with these plots. The second subplot focuses on Dr. Baker’s “research” and the lengths she went to in order to have her work “published.”
The narrative is told from the points-of-view of all of the main characters using 3rd person omniscient, which allows for everything to be witnessed by the readers from their streams-of-consciousness to their flashbacks. Given the narration and the P.O.V.s, all of the characters are reliable narrators (even though they’re not reliable individuals). While the narrative has a sequence that can be followed by the readers, it can get confusing at times, especially to those who are not familiar with elements of the metaphysical genre. There are jumps in the timeline, but they don’t happen randomly; otherwise, the narrative flows at a rate that matches the development of the characters and the plot.
The style of Seanan McGuire will be familiar to her fans and captivating to other readers. Her word choice and sentence structure reflect the jargon and the ongoings of the characters’ occupations. Math, science and literary technology are used at the given moments. In addition, the novel is an allusion to L. Frank Baum’s Oz series (yes, The Wizard of Oz movies are based on books), and anyone who is familiar with those books will appreciate both the reference and the criticism of the series by the author. Other pop culture (i.e. movies) and literary (i.e. authors) references will be recognized by readers who will comprehend their usage. Another thing the author does is criticize the gender bias surrounding both child prodigies and female STEM (Science, Technology, Engineering, Mathematics) workers. The sexism experienced by both Dodger and Dr. Asphodel D. Baker should not by overlooked. Instead, readers should be aware that such occurrences are still ongoing and have traumatic and long-term consequences. The mood in this novel is authority: who has it, who wants it, and who fights against it. The tone is the idea and the question of whether or not authority should be claimed at all. If an individual gains control of authority, then what would it mean for everyone else? Should authority be given to one person, even if they don’t deserve it? I want to point out that the theme of the creator being betrayed by their creation is well done here as well.
The appeal for Middlegame has been extremely positive. Not only have fans of the speculative fiction genre have had praise for the book, but also several critics have given their own positive feedback. NPR and Amazon called the book, “one of the best of 2019” and has received praises from other literary critics. It’s already getting hype for the upcoming literary awards. Middlegame is a recipient of the 2019 Alex Awards, which makes Seanan McGuire the first author to win this award three times! And, Middlegame was one of My Favorite Selections for Best Speculative Fiction Books in 2019. In addition, fans of this book can expect, Over the Woodward Wall by A. Deborah Baker, a companion book to this novel, which may or may not provide further insight into the fictional work referenced throughout the real one, in Fall 2020. Middlegame is a great addition to the canon and should be read by fans of science fiction, fantasy, and children’s literature. All of the pop culture and literary references will have readers of other genres picking up this book, too.
Middlegame is a brilliant work which combines all aspects of the speculative fiction genre into one story to be enjoyed by all readers. The plot, the characters, and the narrative are elements that fans of the genre will love, but the allusions to pop culture and other influences will pique the curiosity of readers of other genres as well. The book is a story about knowledge, ambition and failure, and the consequences of acceptance and perfection. These themes of the human heart are why Seanan McGuire continues to buildup her fandom with readers who love a good story about people and their desires.
This episode follows the order of Lyra’s “stops” in the North. In the books, Lyra ends up at “The Station” before she searches for her father. So, to those who haven’t read the books, but saw the movie, this is the sequence that the story follows. It’ll all make sense in the finale.
Lyra—using the alias Lizzie Brooks—finds herself at “The Station” but doesn’t know its exact location. The other children—including Roger—tell her what’s been going on and warn her to be careful. While Lyra remains confident that the rescue party will arrive soon, she must stay vigilant because she can be chosen next for intercision.
This episode is essential for many reasons. First, we learn what the Magisterium has been doing to the children and how they do it. But, we don’t know why. Intercision is the process of separating one’s soul from the body (no, NOT like in Harry Potter, or in other fantasy books). Only, in this case, an individual’s soul is manifested as a daemon; so, not only is there a physical soul for the separation process to occur, but also it is a total separation. And, severing one’s connection with their soul leaves the person exactly as you would expect them, a vacant form of who they used to be. Lyra snoops around to the point where the Magisterium selects her to be next for severing. She is saved by Mrs. Coulter.
Next, we find out how involved Mrs. Coulter was in with this experiment and how it affects her relationship with Lyra. It seems that her involvement with the Magisterium runs very deep, but it’s obvious she’s not devoted to them, or their cause. Unfortunately, her saving her daughter from a terrible fate doesn’t mean that their relationship is going to improve. It’s just the opposite, Lyra doesn’t want to have anything to do with someone who commits taboo. By the time Lyra runs away from her (again), the Gyptians, Iorek Byrinson, and Lee Scoresby, arrive to save the children. Yes, I’m know the fighting was done off screen due to budget constraints, but it was a rescue mission, not a battle. Lyra’s first goal in the North has been accomplished and she’s ready to go and save her father from the same people.
Last, The Daemon Cages see the end of one of the subplots; and, it’s the one with the Gyptians The Gyptians completed their task. They traveled North to rescue the missing children. The episode ends with them starting the journey back to London and back home. They’re also willing to take care of any child who will be rejected by their parents because of what happened to them. This is a reminder that what the Magisterium did was inhumane and taboo.
This episode gets to the heart of the series’ name. It is a coming-of-age story and that means learning hard truths about the world. Many of the children experienced the authoritative control the Magisterium has in their world and it left them traumatized. This is the beginning of the end for the Magisterium, but what will the Magisterium do in order to maintain their power? And, why did the Magisterium perform such horrific experiments on children?