TRIGGER WARNING: This book contains elements of rape, misogyny, familicide, dismemberment, human trafficking, and violence against females. Be advised.
Confusion lines my face, and I frown at her. “An invitation for what?”
“For you, Impure One. Emperor Gezo has decided to create an army of your kind. He invites you to join it and protect our beloved Otera from those that would oppose her will,” (3).
Readers have become familiar with genre-blending—the blending of at least 2 distinguished genres and/or subgenres within a book or a book series—but, every now and then there are books which are “crossovers” for the audience. For example, consider which books you had to read in secondary school for your literature class. You know many of those books were written for adults, right? And yet, many adolescents have at least 1 book from school that they remembered reading, and some even enjoyed the story. There are several examples of books written for adults that should NOT be read by younger readers—The Nevernight Chronicle by Jay Kristoff—but, there are several young adult books containing numerous adult themes that should be read both by adolescents and by adults as well. The Gilded Ones by Namina Forna is the latest book to tackle how the “adult world” influences the youth negatively and why certain societal practices continue to exist through posterity.
The protagonist is Deka. She is 16 years-old and is about to undergo the “Ritual of Purity,” a rite to see if a female’s blood runs red or gold. If a girl’s blood runs red, then she is declared a woman and becomes a member of the village they reside in. Deka has become even more terrified of the Ritual since her mother’s death 3 months earlier; her father is the last family member she has left. However, she has 2 close friends who she envisions remaining close to after she passes the Ritual. Unfortunately, 2 events occur on the day of the Ritual that changes Deka’s life. First, her village is attacked by creatures known as Deathshrieks who kill several people. Second, her blood runs gold—the blood of the Impure—and she is ordered to be “cleanse…” that is until a figure—a woman with white hands—arrives with an offer to reclaim her identity: join the emperor’s army of Impure women to defeat the Deathshrieks for good, or be sentenced to death. Almost immediately, Deka leaves her fanatical village for a chance at “absolution.” Along the way, Deka meets and befriends Britta from the Northern Province. Once at the compound, she meets twin sisters, Adwapa and Asha from the Southern Province; Belcalis from the Western Province; and, Gazal and Jeneba their “Honored Elder or Senior Bloodsisters” who help the girls with their training and to become acclimated with their new life. Then, there is Keita, an uruni—(human) men partnered with each of the girls to work together with (and to spy on) the women as they fight against the Deathshrieks. Last, is White Hands, the Impure woman who brought Deka and Britta to the compound for a chance at absolution; but, she has a close relationship with the Emperor, and she has an interest in Deka, and Deka doesn’t know why. All of these characters help Deka accept her new life and her purpose as she becomes stronger—physically, mentally and emotionally—and determined to protect Otera.
The plot of this novel has several parts. First, is Deka’s journey towards absolution after her blood classifies her as a demon. Second, is the explanation of the “Infinite Wisdoms,” the religious mandate practiced in most of the provinces in Otera, which limits the roles of females to their families and their households; but, an army of Impure Ones has existed for some time. Last, is the world-building that occurs throughout the narrative including the various provinces of Otera, the history of Otera—including the goddesses and the Infinite Father. There are 2 subplots in this novel. The first is about the Deathshrieks. What are they? Why have they been attacking villages? Why have their numbers continued to grow? The second subplot is about the “Impure Ones,” or “demons” who are descended from the Gilded Ones—the goddesses who founded Otera. It seems that there are some unknown benefits to being “impure,” which are known by those who are “impure.” In addition, why are all the “Impure Ones” female? What about males? These subplots are essential to the plots as the reader(s) learn more about the characters and the world through them and their conflicts. The plots and the subplots go at an appropriate rate as the story reveals everything that will happen in it.
The narrative is in 1st person from Deka’s point-of-view. And, the narrative is presented in the present tense. This means that the reader experiences everything and learns about everything through Deka’s P.O.V. and her stream-of-consciousness. Deka’s growth from devout outcast to lead warrior—including some revelations about herself—make her a reliable narrator. A reminder that the narrative is intended for young adult readers, and it can be followed easily by both YA and adult readers.
The style Namina Forna uses for The Gilded Ones is NOT new, but it is one of the most candid seen in (YA) literature for some time. The author wanted to examine the idea of the patriarchy—how and why it is practiced—and how religion continues to influence this societal practice. Namina Forna is from Sierra Leone and—when she moved to the U.S.—she saw no difference in the practice of patriarchy between Africa and America. And, given what many of us know about similar practices in the rest of our world (i.e. Asia, the Middle East, etc.), this book is a commentary on how females continue to be treated throughout the world. Feminism and misogyny are international themes and issues that continue to permeate into individuals worldwide. Personally, I believe that one of the reasons “change” and “equality” haven’t happened for women yet is because every region of the world acts like gender equality is “better” where they are; and that is a HUGE lie. Namina Forna presents the harsh reality females—especially young ones—face because some males desire to express their dominance over them. Regardless of age, race, sexuality, gender identity, religion, or ethnicity, this book speaks volumes of what girls and women experience throughout their lives. The mood in this novel is domination. The females are dominated by the males and their religion, even the “Impure Ones” are oppressed by men. The tone in this novel is belligerence. The “Impure Ones” are trained to fight their foes, but are they limited to the Deathshrieks? There is a map of Otera at the front of the book and it should be used by the reader(s) whenever they need to consult it.
The appeal for The Gilded Ones have been mostly positive with 75% of the ratings on Goodreads being 4- and 5-stars. One thing that needs to be mentioned is the book’s publication. This book’s release was delayed due to the COVID-19 Pandemic. That being said, the hype surrounding the author’s debut novel made the wait worth it (I read an eARC of this book). This book is described as being for fans of Children of Blood and Bone, Shadow and Bone, Legendborn and Raybearer. I would describe The Gilded Ones as a combination of The Year of the Witching and Speak. Once again, this book is written for YA readers containing “adult” themes they know exist in our world. Not everyone will view this book for what it is, and that’s all right because it means that the book wasn’t written for them. The next book in this series—The Merciless Ones, which releases in April 2022—continues Deka’s journey to discovering her role within the Impure Ones and warring against those who want her dead.
The Gilded Ones is the book young girls crave and adult women wished they had as children. Namina Forna found a way to present the truth within the fiction for adolescent readers, but made it alluring for adult readers as well. While this book should NOT be read by everyone, it should NOT be missed by anyone. Go and read one of the best (debut) novels of this year!
I started reading this eARC at the beginning of the year, but I had to stop because of classes. It turns out that I stopped at the right spot because I was able to dive back into the story when the story, the plot and the characters continued to developed.
It’s not speculative fiction, but it’s still enjoyable so far. I haven’t watched the movie yet, but I did read some of the Sherlock Holmes books as a kid so I had high hopes for this book. This is the 7th book in the series and the only one I’ve read so far; and, it’s an excellent spinoff!
What are you reading currently?
I’ll be reading this book throughout the weekend. I don’t know whether or not I’ll finish it by then, but I expect to make some more progress.
There are 2 plots within this story, but it seems like only one of them will continue onto Book 2!
What will you read next?
There is a reason why I started reading this book, which I can’t get into yet. That being said, I should have tried to read the eARC I received when I had the time.
I should read this book before the next one in the series is released.
I haven’t forgotten about this book!
I want to read this book BEFORE its publication.
I know my list of books keeps getting shuffled, but I read what I want when I’m in the mood and when I have the time.
Here we go again. It’s been almost 3 years since I complied the 1st list of book recommendations; and, we’re still waiting for The Winds of Winter, the next book in A Song of Ice and Fire series. Many of us continue to wait, patiently, for this book by reading similar books by authors who write fantasy stories. There have been numerous books released since I compiled my 1st list of recommendations; yet, I know some of the readers enjoyed the latest releases from Brandon Sanderson, Steven Erikson, etc. Within the last decade, several new authors have made a name for themselves through their works, and others have continued to release books for us to enjoy as well.
This is my 2nd list of book recommendations for those who are waiting for George R.R. Martin to finish and to release the next book in his fantasy series. Please note that I couldn’t include all of the fantasy authors for this list, and there are a few “obvious” authors who are not on this list (i.e. Sanderson, Jordan). I am reading books by Joe Abercrombie and Ben Galley for the first time, so they will be on the next list I compile, hopefully. In addition, if there is an author you don’t see on this list, then please refer to the first one I’ve written and posted.
This trilogy is a retelling of the Sino-Japanese War (1937-45) and is as grimdark as A Song of Ice and Fire. The story follows Rin, who studies to enroll into a prestigious military university to escape an arranged marriage and poverty. As she studies to become a soldier, Rin studies shamanism, which ignites a power linked to her heritage. Then, a war breaks out and Rin—and her classmates—soon realize that war is NOT what you learn in a classroom.
Based on the speculative fiction books I’ve read so far this series is the most identical to A Song of Ice and Fire. This is because the mood and the tone in both series follow both warfare and social mobility. The politics are the subplot which carries the narrative through the series in both the characters and the conflict.
Fans of A Song of Ice and Fire have heard of this series because Martin has read this series and praised the author for her storytelling and for the narrative. This trilogy is a retelling of one of the tales from One Thousand and One Arabian Nights, and it is full of political intrigue and backstabbing. The world-building alone will keep you invested in this trilogy.
The trilogy follows 3 protagonists who represent different tribes with overlapping histories. As their heritages are revealed, so are the conflicts amongst those groups of individuals. And then, there are all the “mythical beings” mentioned throughout the series—the ones we heard about in tales such as Aladdin, Sinbad, etc.—play a role as well. In addition, the twists presented throughout the series could rival the ones written by Martin!
The standalone epic fantasy novel has everything A Song of Ice and Fire has in one massive tome: dragons, prophecies, secret societies, political conspiracies, strong female characters, and a historical timeline. While the story follows 3 female protagonists, there are points-of-view chapters from several other characters that will feel familiar to any and all fans of Martin’s series. And, before you ask: yes, there are a TON of references to historical events, many of which you will recall from your school days.
I would describe this trilogy to fans of Martin as a religious combative school for girls. While the protagonist will remind readers of Arya Stark, I would say these female characters resemble the Free Folk. These characters are strong, intelligent and combative females who are, or are training to become, nuns.
This trilogy delves into the “idea” and the “expectation” of prophecies—especially the concept of “the chosen one”—how and why they come into existence, when they become relevant, and who they are about. In addition, this series presents a different look into “heritage.” Yes, political and social hierarchy play their roles in the narrative, but both magic and social hierarchy is inherited through blood. So young girls with magical abilities are sought after by these nuns so they can learn about their magic and how it relates to the religion they practice. And yes, there are plenty of battles that present these powers and fighting skills in action.
I describe the protagonist in this trilogy as a female Kratos. For those of you who don’t play video games, you will be reminded of a bloodier and an angrier Arya Stark. From the opening pages, you can expect one of the ultimate tales of betrayal, family, vengeance, love, conspiracy, and murder—lots and lots of murder—from this trilogy.
This trilogy is one-part dark fantasy and one part folklore. The magic in this series is as twisted as the foundation of the school of assassins the protagonist trains and then works for. And, if that’s not enough for you, then know that the footnotes are guaranteed to make you laugh. One final thing to know about this trilogy: IT’S NOT YA!!!
6. The Books of Ambha by Tasha Suri
Some of you might be reading this author’s latest book, The Jasmine Throne, but how many of you read her debut novel, Empire of Sand, and the sequel, Realm of Ash? This duology delves into colonialism, family relationships, colorism, buried history, magic, and political corruption and gameplay. The duology follows 2 sisters—one per book—who are the illegitimate daughters of the governor in a historical and a magical India. The sisters possess magical abilities which are coveted by both the royal family and their mystics. The elder sister reveals her magic, which leads to the mystics separating her from her family, leaving her younger sister behind. Several years later, the younger sister offers her services to the royal family where she learns about the dark history of the Empire and what happened to her sister.
7. The Nine Realms by Sarah Kozloff
Anyone who is a fan of Tamora Pierce should pick up this series—think of following a strong female protagonist from childhood through early adulthood. This comparison is valid because instead of one thick tome, the author insisted on a binge-reading experience, providing readers with 4 novels: A Queen in Hiding, The Queen of Raiders, A Broken Queen, The Cerulean Queen. The story follows a princess who must live in exile after her mother—the Queen—uncovers a plot for her Council to seize power through the princess. The princess grows up amongst commoners, evades capture from her enemies, and makes allies along the way so that she can reclaim her family’s throne.
This series will be enjoyed by those who’ve read the Dunk and Egg series (still incomplete). The protagonists travel and reside in the Nine Realms where each realm has its own culture and conflict. All of the plots, the characters and the conflicts revolve around individual realms, politicians, magic, gods, warfare, history and science. And yes, you must read one book after the other in order to grasp the entire experience.
If you’re a fan of intricate world-building with matching histories that rival both Tolkien and Martin (yes, I said it), then, this series is for you! This series delves into prophecies, family trees (think of the Lannisters) and magical artifacts as the narration jumps back-and-forth between the past and the present with several characters to tell the story as it progresses. Did I mention the dragons?
The series follows several characters from different regions of the world whose “circumstances” brings them together in order to save the world as per the prophecies. However, those “prophecies” are questioned by all of the characters—“who came up with them,” “are they relevant right now,” etc.—but, they understand that there is a force that will bring about the end-of-the-world, and they are the ones “chosen” to save it. Note: this is a 5-book series.
This series started as a 4-book series and was announced recently that it will be a 5-book series. This series is part dark fantasy and part grimdark (NOT THE SAME SUBGENRE) in which the characters within the series who are morally gray must survive a harsh society (that reflect ours) and have a dark portrayal of magic. If the series needs more reason to be read, then know that there will be at least 1 character you will want to learn more about throughout your reading.
Each book in the series focuses on a cast of characters who end up playing a pivotal role with events in their society, but not in the “traditional fantasy” narrative. Each of the characters have a backstory which in turn influences the reasons for the actions they take (sound familiar?). In addition, the gods—from various cultures throughout the world—are at war with each other for dominance; and, they need “vessels” to assist them with their plans.
This series is about pirates, but not the ones from the movies or in real life. Fans of the nautical, and House Greyjoy, will appreciate this unique narrative of sea life and sea dragons. And no, this series is NOT like The Voyage of the “Dawn Treader.” These pirates are on these ships serving because they all committed crimes and were convicted of them.
As you may have guessed, this series isn’t about piracy, but about a crew who is on a mission to protect their home (even though they are no longer welcomed there) and to search for the source of their ships. This series offers an interesting look into life on the seas, which match the harsh lifestyles of the land dwellers. Not to mention, there are plenty of battle sequences that place you right in the middle of it all. This is one of the best nautical fantasy books yet!
You are the daughter of the Empire’s most notorious war lord, who on the eve before the coronation with your husband—the would-be king—he abandons you and your young son, which makes you “the Queen” while leaving you to deal with a new kingdom, numerous enemies, and parenthood by yourself. A few years later, your husband asks to meet in order to reconcile, in another country. After an attack by unknown enemies, you find yourself alone in a foreign land with no one to trust and with no way to return home.
This series presents several political conspiracies which go back to before the protagonist was born. And, the narrative presents realistic scenarios with realistic dilemmas on what the protagonist must do if she wants to survive and to return home. Did I mention the queen is also a kickass warrior?
12. The Burning by Evan Winter
Both fantasy and folklore mention the origins of dragons as from both Europe and East Asia. That being said, have you ever wondered whether or not dragons could have existed elsewhere (in our world)? Who said dragons couldn’t have come from Africa? If they did, then why haven’t we heard of them until now?
The 1st book in this quartet—The Rage of Dragons—begins with a battle between 2 tribes—one of them has women who have the power to summon dragons. Then, the story heads in the direction of a military fantasy with a protagonist driven by vengeance (especially against the social hierarchy), which sees the pace of the narrative zoom until you realize that the series is about 2 warring nations and an in tribal struggle amongst social classes and magic users. This series will leave you with a new appreciation for battle sequences.
13. The Poison War by Sam Hawke
This series is part political fantasy and part mystery. The 1st book in this series—City of Lies—follows a brother and a sister as they try to figure out who murdered the lord they serve and their uncle, who was his closest friend and his poisoner. That’s right, the plot of this novel delves into various poisons. So, fans of Dorne and the Red Viper will find this narrative very intriguing.
This series delves into the world’s politics, civil war and lost magic. At the same time, the siblings must step into the roles they’ve trained for their entire lives. All the while, who poisoned their uncle and their lord, and why?
The newest book on this list focuses on a group of siblings who are struggling to survive after their family was stripped of their status after their father murdered the crown prince, supposedly. The protagonist—who is the younger brother—is determined to prove his father’s innocence. How is he going to do it? By re-entering the royal court and gaining the attention of the royal family, or what’s left of it.
The world in A Song of Ice and Fire has “unusual seasons” and this trilogy has a fractured moon. Fans of the former will enjoy the latter due to the political system, the political backstabbing (and there are A LOT of them), and the political corruption (A LOT of that, too). And, all of that doesn’t compare to the series’ magic system and the twist at the end of the 1st book.
15. Die by Kieron Gillen, Stephanie Hans, Clayton Cowles, Rian Hughes & Chrissy Williams
I would describe this graphic novel series as a cross between Jumanji and Dungeons and Dragons. The premise of this series follows 6 high schoolers who meet up to play D&D only to disappear for 3 years; then, 5 of them return to our world. 20 years later, the players reunite when a package arrives for them, which returns them back into the “game.”
So far, this is an on-going series, which narrates the darker side of a fantasy world. The images illustrate the world the main characters are trapped in. However, the story is about these traumatized individuals, their dual personalities, and their desires. Kieron Gillen has written numerous graphic novels, and this series is character driven that is similar to A Song of Ice and Fire. If you’re a fan of this graphic novelist and you haven’t started reading this series, then you’re missing out on an excellent one!
As you can see, there is a reason why it took me a while to compile a 2nd list of recommendations. And no, I was not able to add more books and/or series to this list without it being too long. That being said, I am reading my way through other books I hope to recommend in a future post. Hopefully, by then it will be when we’re waiting for A Dream of Spring to be released. Not to mention, many of these “in-progress” series should be completed by that time as well.
If it does come to another list, then I hope to have one compiled of books and series by indie authors; and, I believe you have an idea of which ones I might include on that list. And yes, they’ll be another list because there are so many more books to read and to enjoy as we continue to wait for Martin to finish writing his series, patiently.
Which books and/or series do you recommend reading while waiting for the next book in this series?
***This short story can be read for free here on Tor.com.
They walked west, the three girls: Lundy with her knife, Mockery with her spear, and Moon with her sling. And when the trees loomed before them like the walls of heaven, they exchanged a look but not a word, ducked their heads, and stepped into the darkness.
This short story is NOT an interlude, but an expansion on Lundy’s first “trip” to the Goblin Market. So, you need to read In An Absent Dream before reading this story. Juice Like Wounds explains why Lundy decided to return to her parents after her first trip to the Goblin Market.
Lundy is 8-years-old and is learning how the world of the Goblin Market operates. She has made a deal to stay with the Archivist, whose library Lundy has access to. This means Lundy has been able to read upon the world’s history. And, Lundy is hanging out with her new friends: Moon and Mockery. This is the first time Lundy has had friends, and she is about to lose one of them. Just like Lundy, Moon and Mockery are from other worlds who ended up in the Goblin Market and find themselves happy to be there. This trio of travelers decide to slay a monster in order to retrieve back what was once stolen.
The plot is simple: children go on an adventure so they can become heroes. Unfortunately, they are too young to understand adventures don’t always have happy endings. There are 2 subplots in this story. The first one is a further explanation of the world of the Goblin Market. There is more there than the Market, and Lundy and her friends want to learn more about it. The second subplot revolves around Mockery. Readers learn who she was, what happened to her, and her relevance to Lundy’s story. Both subplots are necessary for the plot, and the development of the characters.
The narrative in this short story is a continuation of Lundy’s first visit to the Goblin Market, which ended with blood and death. The points-of-view are those of Lundy, Moon and Mockery, and the Archivist, which makes it 3rd person omniscient. The sequence is of the past, and told in the past tense. Readers follow the streams-of-consciousness of the protagonists, and given what happens to them, it is fair to say the narrators are reliable.
The style Seanan McGuire uses for Juice Like Wounds is a continuation of what she used in In An Absent Dream. The reference to Goblin Market by Christina Rosetti comes up again because the poem mentions a 3rd girl who died after buying and eating fruit from the goblins. Seanan McGuire goes further with her cautionary tale and mentions not only Mockery, but also Zorah—another young visitor to the Goblin Market who no longer lives there. This short story is the first of many cautionary tales about “fair value,” which goes over Lundy’s head. While the Wasp Queen could be a figure of foreshadowing, the story is about Lundy and the Archivist in equal measure.
Fans of Wayward Children will enjoy this short story. Juice Like Wounds lets readers know what Lundy was up to during her first visit to the Goblin Market and why she was so eager to return to her parents afterwards. It is unfortunate Lundy never understood the reason why Mockery died although hints were left throughout In An Absent Dream for her to pick up on—Lundy never forgot about Mockery; she just didn’t know what her death signified.
Juice Like Wounds is a short story which serves as a cautionary tale as readers travel back with Lundy to the Goblin Market. Seanan McGuire answers the question: who was Mockery? in this expansion of In An Absent Dream. I hope the author has similar stories for future releases because I have some questions about other characters I would enjoy reading in similar format. I know other fans of the Wayward Children series feel the same way.
Wayward Children, #2: Down Among the Sticks and Bones
By: Seanan McGuire
Published: June 13, 2017
*Winner of: ALA Alex Award 2018, ALA RUSA Fantasy Award 2018
It did not occur to Jill that Jack’s avoidance, like her own, had been born purely of parental desire and never of a sincere wanting. Their parents had done everything they could to blur the lines of twinhood, leaving Jack and Jill stuck in the middle, (6: The First Night of Safety).
Series of any kind—books, movies, TV shows (including anime), video games, etc.—remain intriguing. One of the many reasons series continue to fascinate everyone is due to the ways the elements—the story, the characters, the setting, etc.—keep us immersed within them. Another reason is because of the creators of these series. They have to come up with creative ways not only to keep our interest, but also find ways to make us want more from them. Not to mention, some of the creators find ways to expand on their world through their series. Series are not limited to any genre or any format, but it seems speculative fiction captivates our expectations when it comes to using series to expand on everyone’s desires, especially the creators’. And, series can be presented to the audience in any order the creator wants to present them. Seanan McGuire is such an author who presents her Wayward Children series across moments in time. Down Among the Sticks and Bones is the second book in the series, which takes place before the events in its predecessor, Every Heart A Doorway.
The protagonists in this story are Jacqueline and Jillian Wolcott—also known as, and preferred to be called, Jack and Jill—identical twins with different personalities yet similar demeanors. Both girls had the unfortunate luck of being born to Chester and Serena Wolcott who believe having children would move them up the social ladder (and yes, such adults still exist, sadly). The parents take this notion to extreme levels by forcing their daughters into roles of binary femininity—the girly-girl, Jack; and, the tomboy, Jill. Unfortunately for the twins, the style of parenting forced upon them not only messes up their idea of what femininity is, but also causes a crescendo of sibling rivalry instead of sisterhood. Jacqueline, who always wore dresses she could never get dirty, wants to prove she knows more than what others let on—which she does. Jillian, who cannot decide whether or not her short hair and her boyish clothes make her a freak, wants nothing more than to have any sort of affection from anybody—which she deserves. It comes as no surprise their Door leads to the Moors, a place which reminds travelers of black-and-white monster movies (where monsters are “born”). Once there, the twins are separated—physically—for the first time, and will remain that way for the next 5 years, through most of their adolescence. Jack goes with Dr. Bleak to become his apprentice, which allows her to learn everything she could ever want; and, Jill goes with the Master—a real monster—who showers her with all of the affection and the attention she always craved. As the twins grow apart with their new parental figures, it comes as no surprise Jack and Jill develop a spectrum of psychopathic behavior, one way more extreme than the other.
The plot of this story revolves around the birth, the upbringings—remember, they each had 2—and the growth of the twins into what they become by their 17th birthday. Yes, the Moors cemented Jack and Jill into monsters; but, one could argue their parents put them on that path before their Door appeared. There are two subplots which develop alongside the plot and are essential to the story. The first subplot follows how the twins gain separate identities, something that was denied to them by their parents, but explored in the Moors. The second subplot delves into types of parenting, especially toxic parenting. There are 5 adults who “parent” Jack and Jill, and 3 of them would be labeled as “toxic.” These subplots and the plot are important to the story because readers get an understanding of the nurturing the twins endured throughout their entire childhood. Keeping this in mind, while Jack and Jill are not responsible for their adult role models, they are responsible for their decisions and their actions.
The narrative in this novella isn’t a flashback, but a look into the past. The points-of-view is 3rd person omniscient, or a narration which moves between the P.O.V.s of multiple (main) characters. In Down Among the Sticks and Bones, the first characters readers are introduced to are Jack and Jill’s parents, Chester and Serena Wolcott. Readers learn the reason why they decided to have children, why their parenting methods are viewed as “toxic,” and their “reactions” to their daughters’ disappearance and their return. Due to the narrative styles used in this book, the characters’ P.O.V.s are reliable because readers follow their streams-of-consciousness. In this case, the readers are able to empathize with (most of) the characters, especially Jack and Jill. This narration is straightforward and engrossing.
The style Seanan McGuire uses in Down Among the Sticks and Bones can be argued as becoming “the villain.” I’m NOT an expert in psychology, but it has been mentioned by several experts that neglected and abused children often crave love and affection and are willing to do just about anything to get it. However, if those parents and/or adult role models are “toxic,” or are “parents who inflict ongoing trauma, abuse, and denigration on their children,” (Forward and Buck, 12). The author’s use of specific moments Chester and Serena and the Master inflicted the identities and the roles they wanted onto their daughters—throwing away gifts from Gemma Lou, murdering playmates, etc.—foreshadows the behaviors (i.e. Obsession Compulsive Disorder, or OCD) and the traits (i.e. eager-to-please) the twins will exhibit in the future. This story is NOT a parenting book, but a cautionary tale of children and how they are individuals, and NOT blank slates to force into a role of the adults’ choosing. The mood in this story is duality. Jacqueline and Jillian are identical twins—who are nicknamed after the nursery rhyme by everyone but their parents—who are forced into the false binary roles of femininity—girly and tomboy—by their parents, who are brought up separately in the Moors later on by 2 new “role models” as the mad scientist’s apprentice and the vampire’s daughter—two of the most notorious “monsters” in literature. This book is the first in the series to include illustrations—by the talented Rovina Cai—and they present the moments of “love” the twins experienced during their stay at the Moors.
The appeal for this book have been positive. It was nominated for the same literary awards as its predecessor. Yet, it was the American Library Association, or the ALA, who gave this novella its accolades winning both the Alex Award—given to 10 books written for adults that have special appeal to young adults, ages 12 through 18—and, the ALA RUSA Award—an annual best-of-list comprised of 8 different fiction genres for adult readers—in Fantasy. These awards—given by librarians—demonstrate readers of most ages can read and appreciate this book. And, while this book takes place before the events of Every Heart A Doorway, you should read that book before reading this one. That way readers won’t get confused about the book’s context. After learning about the world Jack and Jill traveled to, who wouldn’t want to learn what happens in the next book in the series, Beneath the Sugar Sky?
Down Among the Sticks and Bones is an engrossing follow up to its predecessor. Readers get a look into how the twins lived before finding their Door and living in a new world who embraced them for better and for worse. Seanan McGuire uses duality in order to give readers the beauty and the horror in everything from gender identity to parental figures. Which world will we travel to next?
My Rating: MUST READ IT NOW (5 out of 5)!!!
List of Works Cited
Forward, Susan, and Craig Buck. Toxic Parents: Overcoming Their Hurtful Legacy and Reclaiming Your Life.
*Winner of: Hugo Award for Best Novella 2017, Nebula Award for Best Novella 2016, Locus Award for Best Novella 2017, ALA Alex Award 2017
…the wanting. You want to go back, and so you hold on to the habits you learned while you were traveling, because it’s better than admitting the journey’s over. We don’t teach you how to dwell. We also don’t teach you how to forget. We teach you how to move on, (3: Birds of a Feather).
Anyone who is a fan of Lewis Carroll, L. Frank Baum, C.S. Lewis, Philip Pullman, and authors who write similar stories MUST READ THIS SERIES!!! The Wayward Children books are a portal fantasy series which asks the question: what happens when those who are “spirited away” return to our world? Seanan McGuire answers this question in her series. While it is obvious which stories inspired and influenced the author, the originality will draw readers into this series. It mentions how a combination of Time and Desire can lead to a portal to another world. And, there are many worlds which we are familiar with whether or not we realize it. They are allusions to other portal fantasy and adventure books and readers have to recall all of them in order to comprehend the series.
While there are several characters in this book—the students and the (resident) teachers are “travelers”—the protagonist is Nancy, the newest arrival at Eleanor West’s Home For Wayward Children: No Solicitation, No Visitors, No Quests. She is 17-years-old and was “gone” for six months in the Halls of the Dead before the Lord of the Dead returned Nancy to our world so that she can “Be Sure” before making her choice to stay there forever. It’s been “seven weeks, four days” and counting, and Nancy is waiting for her Door to reappear. Nancy is like many of the students at the school, she wants to return Home, but knows there is a slim chance of it happening. Nancy’s parents send her to this school so she can “get better,” but Nancy learns quickly that the school is a haven for other children like her who want nothing more than to return to their Homes. There’s Sumi—Nancy’s roommate—who traveled to Confection and cannot sit still long enough to hold a conversation. Kade—a relative of Eleanor’s—who was kicked out of Fairyland and is in charge of managing everyone’s “preferred” wardrobe. Jacqueline and Jillian—known as Jack and Jill—are identical twins whose adventures in the Moors is something out of a black-and-white horror movie. And, Christopher who traveled to a world of “happy, dancing skeletons” similar to the holiday, Día de los Muertos. The adults in charge consist of Eleanor West, the headmistress, whose Door is still open; and, Lundy, the school’s therapist, who is aging in reverse as punishment for breaking the rules of the High Logic, High Wicked world she “visited.” Unlike Eleanor, Lundy knows she can never return to her Home, and so she projects her bitterness on to the students. All of the residents at the school want to go Home, but they all have to settle on having to learn how to readapt in our world. And yet, many of the students refuse to believe their Doors are lost to them forever.
There are 2 plots in Every Heart A Doorway. The first is learning how the school operates and how Eleanor recruits students while keeping them safe. The second is the construction of the “Great Compass.” Eleanor, Lundy and Kade spend their free time compiling a book of the descriptions and the characteristics of each world. The most common “directions” are: Nonsense, Virtue, Logic and Wicked; then, there are several “minor” compass directions such as Rhyme and Linearity. These plots are continuous throughout the series, and it is fascinating to learn how the school is managed, and it’s intriguing to learn which worlds are “connected” to one another. However, it is the subplots that keep the readers engaged, and there are two of them. The first concerns the murders of some of the school’s residents. Who is killing them and why? The second subplot follows the worlds each traveler visited and the “stereotypes” surrounding each one. For example, who’s to decide on whether or not a world of rainbows is “good” over the world with skeleton people? All worlds whether or not they exist in reality contain both beauty and danger.
The narrative in this story follow’s Nancy’s point-of-view; but, she does not remain as the only P.O.V. character in this story. There are times when the P.O.V. switches to other characters, even for a paragraph. So, this narration is presented using 3rd person limited omniscience. Due to the style of narration, the protagonist—and, the other P.O.V. characters—are reliable narrators. Not to mention, readers get the characters’ streams-of-consciousness throughout the story. It should be mentioned whenever the characters are talking about their Homes—both their worlds and their families—they are as memories, NOT flashbacks! This is because the characters are describing their experiences as they remember them; and, some of those recollections are unreliable because they are from their perspectives, which are biased.
The style Seanan McGuire presents is a twist on portal and quest fantasies. Farah Mendlesohn defines “Portal-Quest Fantasy” as: “In both portal and quest fantasies, a character leaves her familiar surroundings and passes through a portal into an unknown place. Although portal fantasies do not ‘have’ to be quest fantasies the overwhelming majority are,” (Mendlesohn, 1). McGuire asks the question: what happens if the ‘hero’ or the ‘traveler’ returns to our world? On the one hand, Alice from Alice’s Adventures in Wonderland goes back to Wonderland in Through the Looking Glass before returning to our world for the rest of her life. On the other hand, Dorothy from the Oz series traveled to Oz so often, she, her aunt and her uncle, and Toto move there permanently. So, why did one stay in our world while the other one didn’t? Would Alice have stayed in Wonderland if she was given a choice? And, the characters from McGuire’s story, what would they give to return Home? The author asks these questions as these children return from their travels changed, and are suffering—NOT from PTSD—but from struggling to return to their mundane existence. The allusions to all of the stories and their authors mentioned are informative and valid. Instead of the “familiar” fantasy stories and fairy tales we believe we know, readers receive the dark lore and the styles from other variants of folklore and fantasy stories. And, it’s the reality check fantasy readers didn’t know they needed. The mood in Every Heart A Doorway is a haven for all of the travelers. The tone in this story is how each character struggles to accept their current predicament. Some have accepted it and others continue to search for their Doors.
The appeal for Every Heart A Doorway were and continue to be multitudinous. Not only did this novella win several awards—including the Hugo and the Nebula—but also gain numerous readers who were introduced to the author and her other books, including myself! This book and the other ones in the Wayward Children series belong in the speculative fiction canon, and have lasting appeal because of the characters and their stories. The fact this continues to be an ongoing series will have fans rereading this book over and over again. In fact, Tor.com announced fans and readers can expect the series to have at least 4 more books, bringing the current total to 10 books!
Every Heart A Doorway is an amazing and unique look into how diversified fantasy is based on all of the worlds the characters have traveled to, and why all of the authors who wrote similar stories believed their characters were better off returning whence they came from instead of remaining where they were the happiest. Fans of both traditional and twisted fantasy stories should read this book. This novella will have you searching for your Door.
My Rating: MUST READ IT NOW (5 out of 5)!!!
List of Works Cited
Mendlesohn, Farah. Rhetorics of Fantasy. Wesleyan, 2008.
Immanuelle had always felt a strange affinity for the Darkwood, a kind of stirring whenever she neared it. It was almost as though the forbidden wood sang a song that only she could hear, as though it was daring her to come closer, (Chapter Two).
Readers continue to be presented with several new books, many of them by debut authors. Every once in a while, a debut comes along that makes you wonder whether or not that book really is that author’s first book. Alexis Henderson is the latest author to gift readers with her dark fantasy and occult fiction novel, The Year of the Witching.
Immanuelle Moore is the protagonist in this novel. She is almost 17 years-old and is the illegitimate granddaughter of the town’s midwife, Martha, and carpenter, Abram Moore. The circumstances surrounding her birth and her mother’s, Miriam, death remains a mystery even to her family. Her mother’s “love affair” with her father—Daniel Lewis Ward—an Outskirter, a group of people known for their ebony skin and their own religious practices, resulted with Immanuelle, her parents’ deaths, and her being ostracized by all of the denizens in Bethel. Her only companion is Leah, who is golden-haired, blue-eyed, and “religiously moral.” She is also about to become the latest of a slew of wives of the Prophet, the leader of Bethel. Immanuelle feels lonelier than ever before, especially because her family’s circumstances does not allow for her to have such aspirations. Meanwhile, the Darkwood—the forest that borders Bethel and is said to be the dwelling of four witches—seems to be calling to her, even though it’s forbidden to enter it. However, one night, circumstances lead Immanuelle to enter the Darkwood and to interacting with the witches who live there. Afterwards, she cannot help but feel like something bad is going to happen because of this encounter. Yet, Immanuelle has help from Ezra Ford, the Prophet’s son and successor, who does all he can to protect both Immanuelle and Bethel from the threats brought on by the inhabitants of the Darkwood. Even though Immanuelle is the protagonist, both Leah and Ezra are essential into the growth and the development she undergoes throughout the novel. All three adolescents question the roles they will have to play as both adulthood and dark magic threaten to consume them. And, Immanuelle has to determine whether or not she will follow in her mother’s footsteps.
The plot of the novel explores the opposing forces of religion and the repercussions they have on individuals who practice them. Ezra is the Prophet’s son and heir, but he doesn’t believe in all of the societal practices his father preaches. Leah is Bethel’s “golden child” who is known for her beauty and her (religious) virtue, which makes her a suitable bride for the Prophet; and yet, she knows that no matter what happens, she cannot hope to go against the teachings of the Church. Immanuelle is the product of two religions and that has labeled her as both an outcast and a target of bullying by the members of the community. When she comes across her mother’s journal, she learns the truth behind her parents’ deaths and her family’s, and the Prophet’s, obsession with her, and her being drawn to the witches. All of these circumstances lead to plagues arriving and afflicting the town of Bethel. There are two subplots in this novel. The first one deals with the concept of history and religion. Just because someone does not practice your faith and/or has different views on the same religion does not make them a heretic. At the same time, the history of one’s religion is no reason for the mistreatment of those who practice the same faith. The second subplot investigates the influence parents have on their children. Immanuelle is Bethel’s reminder of Miriam’s sins, which were believed to be based on the sins of her parents, the grandparents who raised Immanuelle to follow the teachings of the Father. However, if Immanuelle was raised the same way as her mother, then how and why did her mother “go astray,” and what does that mean for Immanuelle, her family, and the town of Bethel? Both subplots are necessary for the plot’s development because they get to the center of the conflict and how it affects everyone in Bethel.
The narrative is told from Immanuelle’s point-of-view. Readers follow along with her stream-of-consciousness as she figures out how to stop the plagues and to learn the truth about her parents and the real cause of the plagues. The story moves from the present to the past and to the present again as Immanuelle learns of the past from her mother’s journal, from her grandparents, and from Ezra through the Church’s archives. Immanuelle’s discoveries and reactions to them, as well as her fear of being accused of witchcraft, make her a reliable narrator. The narrative focuses on time throughout the story. This presents a sense of urgency that the protagonist faces throughout the narrative. All of these elements make the narrative engaging and easy to follow.
The style that Alexis Henderson uses is one that is familiar, yet different. The theme of hypocrisy in religion is not new, but the author not only adds the historical aspects of the racism within religion—particularly Christianity, but also delves into two warring faiths and the long-term effects they have on their followers overtime. In addition, the themes of ageism, sexism, abuse of power and blind devotion—which can be found in just about every religion ever to exist in human history—make for the ultimate cautionary tale for anyone who is devoted to their faith. All of the allusions to Biblical names and the tales from the Old and the New Testaments give further insight into the story and what readers should expect from it. The mood in this novel is foreboding. The knowing of misfortune has been on the horizon for the town of Bethel for generations, and it erupts all at once due to both an act innocence and due to generations of malice and corruption. The tone in this novel is rebellion. In this story, rebellion is a double-edged sword; and, this is because those who rebel quietly do not fare any better compared to those who rebel openly. Nevertheless, allowing vices to continue can lead to the destruction of a community and/or religion either from internal or external forces.
The appeal for The Year of the Witching will be positive. I was able to read an eARC of this novel, and I read it in 3½ days! Not to mention, this is the author’s debut novel! Even if the subgenres of dark fantasy and occult fiction are not your “go to” reads, you have to admire the story Alexis Henderson put together. Fans of both Alice Hoffman and Louisa Morgan will enjoy this book the most. It needs to be mentioned that due to the religious themes in this novel, fans of both His Dark Materials by Philip Pullman and the Winternight Trilogy by Katherine Arden will find this book appealing as well. The novel blends fantasy, the occult, religion, with a touch of gothic to make this novel a great addition to the speculative fiction canon. This novel has lasting appeal because of the story the author was willing to present as her debut. The Year of the Witching is a standalone novel, but I wouldn’t mind either a continuation or a companion book to this one!
The Year of the Witching is a fast-paced immersive coming-of-age story, one that will surpass your expectations once you realize that it is a debut novel! While the story of rebellion in a religious and an oppressive society is not new, the idea of witches being real and using religious tropes for revenge is (somewhat) novel and very entertaining. Whether or not this book is to your taste in literature, you will appreciate this new talent and her future books.
NOTE: Some minor spoilers from Empire of Sand. You have been warned.
“My blood—my Amrithi blood in this loyal Ambhan body—is part of the curse. But it’s also part of the cure. I just don’t know how. But the Emperor’s family, your mistress…they might. Perhaps they’ll find answers in my blood that I can’t. You should send me to them, if they’ll have me,” (Chapter Five).
In 2018, a debut fantasy novel based on Indian mysticism was released to praise by readers and critics alike; and, Empire of Sand won the 2019 British Fantasy Award for Best Newcomer and the 2019 Brave New Words Award. In 2019, the follow-up, Realm of Ash, picks up ten years after the events in the first book and answers all of the questions in it. It was a long year to wait to read this book by Tasha Suri, and it was worth it.
Arwa, Mehr’s younger sister who was spirited away to safety by their stepmother, Maryam, and their father, is all grown-up (she’s 21) and recently widowed from a massacre at Darez Fort. Instead of returning to Hara to live with her parents, Arwa decides to live in a hermitage of widows (for nobility). At the beginning of the novel, Arwa is plagued by guilt for surviving the massacre, for failing in her duties as a wife (to her stepmother’s grief), and for revealing her heritage of being an Amrithi. Arwa believes Mehr died with the Maha, and her parents did everything they could to make sure Arwa didn’t repeat the same mistakes her sister made. Since Arwa looks more Ambhan (lighter skin tone) than Mehr (darker skin tone), she was taught to blend into Ambhan society and view her Amrithi heritage as a curse. However, the last lesson Mehr taught Arwa about their blood is the reason Arwa survived the massacre, and she doesn’t know how to feel about it. After arriving at the hermitage, Arwa meets Gulshera, another widow with connections to the royal family. Arwa asks Gulshera for the chance to serve the royal family and to save the Empire from ruin, an unfortunate effect of the Maha’s death. At the palace, Arwa meets Jihan, the princess, who tells her her assignment, to assist the Emperor’s blessed (bastard) son, Zahir—Jihan’s brother, with his work in occult arts to seek the Maha’s knowledge. Knowledge that could revive the Empire. Readers will see the resemblance Arwa has to Mehr in how the two sisters were sheltered from the truth of their heritage and the Emperor’s power. The more Arwa learns the more she grows into the person she had to suppress as per her stepmother and (Ambhan) gender role expectations. Arwa develops as both a characters and an individual as she makes her way through the complexities of her new status—widow and tool of the Empire—in a society which believes the past has the answers.
The plot of Realm of Ash is the fallout based on the ending of Empire of Sand. The Ambhan Empire has fallen on hard times since the Maha’s death. In addition, Arwa’s father was stripped of his governorship due to his behavior towards the Emperor regarding Mehr. For ten years, Arwa was raised with the goal of restoring her family to their previous status while the Empire moved into decline after 400 years of affluence. Arwa’s widowhood and revealed heritage is the chance for Arwa to restore both her family’s glory and the Empire’s prosperity. However, as Arwa and Zahir study more about the Empire’s past with the Amrithi and learn about the motivations the royal family hope to achieve with this knowledge, the two “illegitimate heretics” must determine other factors for saving the Empire. There are two subplots in this novel. The first is the truth which is revealed about the Amrithi and their ties to the Emperor’s and the Maha’s rule. The second is the tension amongst the royal siblings as the Emperor is on his deathbed and must name his successor. Both subplots are related because, as Arwa learns, the Amrithi aren’t cursed, but they were coveted for their abilities and their magic, which were used and abused by the Maha and the royal family for their benefit. These revelations comes as a shock to Arwa because it means that the foundations of the Ambhan Empire are built on lies and corruption, and the royal family made sure that those lies became beliefs within the Empire. Of course, the royal family would prefer if Arwa and Zahir would stay focused on gaining the Maha’s knowledge so that everything can go back to the way things were before his death. It’s too bad Arwa has her sister’s temperament and stubbornness for doing the “right” thing. These subplots enrich the plot in that Arwa’s life gets sidetracked again and she has to decide what to do with the truth she’s learned regarding the Empire and her family. Arwa realizes that the Empire, the Emperor and the Maha are at fault, not her sister and not the Amrithi.
The narrative is told from Arwa’s point-of-view as she becomes the hope for reviving the Empire. In Empire of Sand, readers learned about the Amrithi and the Maha from Mehr’s P.O.V.; in Realm of Ash, readers learn about the Ambhan and the Emperor from Arwa’s P.O.V. This provides readers with the two halves of the world-building and an understanding of all of the events across both books. In the case of Realm of Ash, Arwa experiences moments of the past in flashbacks as part of the occult rituals she performs with Zahir. In those memories, Arwa witnesses the horrific truth of her Amrithi heritage, but it leads to her accepting and marveling at it, eventually. The narrative presents Arwa’s change in demeanor and personality as she learns to heal from her traumatic experience and the shame she believed she should have for her Amrithi heritage. All of these elements of the narrative make Arwa a reliable narrator whom can be followed by all readers.
Tasha Suri continues to use the same style she used in Empire of Sand in Realm of Ash. She presents the Ambhan Empire as a beautiful place with denizens of various social classes and faiths. Only this time, the author puts more emphasis on the consequences of colonialism, parental influences, magic, and societal expectations and practices. The mood is hardship of a declining society and a loss of purpose in life. The tone is how individuals and society can continue to thrive once they find a new purpose and a new way to live, if given the chance. If Empire of Sand focuses on themes of strength and survival, then the themes in Realm of Ash are based on enduring and resilience!
The appeal of Realm of Ash surpasses its predecessor, thus making the series, and the author, worthy of all of the praise given to it. Fans of fantasy, and the first book, will want to read this book; and, fans of historical fiction might enjoy this book as well. Both Books of Ambha can be read in either order—amidst minor spoilers—and readers will get the complete experience of the world the author created. The same warnings of violence and abuse from the first book are relevant in this one, but given the historical and societal context of the story, those aspects do not affect the way readers will enjoy the story.
Realm of Ash is an amazing follow-up to Empire of Sand and answers all the questions readers had from the previous book. It is not unusual for the next book in a series to be better than the first, but Realm of Ash is a stronger story dealing with issues of lost, family, and magic. It also adds to the world-building that was half-finished in the first book, providing a complete and beautiful world that is worth saving. This book was in my top five of my favorite speculative fiction books of 2019, and I’m looking forward to reading more books by Tasha Suri.
2019 was an amazing year for everyone involved with speculative fiction. Picking up where 2018 left off, there were plenty of books released when caused our TBR piles to increase even more. It is unfortunate that more books were published than there are days in a year, but that means we always have something available to read, and we are able to share our reads with others thanks to social media. Sharing favorite and recommended books helped increase my range of books within the genre. I’ll admit I wouldn’t have read many of these books if it weren’t for recommendations and ARCs.
This year saw a year of both debut authors and endings to series. Not to mention the popularity of self-published authors thanks to public recommendations. I was glad I was able to contribute more to the fandom through my reviews and my participation in various fan groups. In fact, I read faster than I was able to write the reviews (which will be posted as they become available).
All of the books I’ve read in 2019 are worth reading, but I can only list so many of them. So, I’m going to post my Top 25 in this post. Remember, this list are the books that were released in 2019! There are many books that did NOT make this list because they were released previously. If you’re curious about the other books I’ve read in 2019, then you can checkout either my Goodreads page, oy my mid-year (2019) post. Now, for my favorite speculative fiction books of 2019.
This is the first book I’ve read by this author, and I won it in a giveaway. He messaged me and told me it was “different” from “other” fantasy stories I’ve read before. He was right! The Bone Ships is about the life of pirates—outcasts and criminals who are sentenced to the sea as a punishment—who travel the seas in order to trade, and to locate an endangered whale species. The worldbuilding is based on how the characters survive and operate the ship and readers learn about the society that chose to ostracize them. The Bone Ships is a realistic fantasy story about life at sea and all of the dangers and the excitement that comes with it.
As someone who still hasn’t read The Night Circus yet, it was easy for me to read the author’s latest novel with an open mind. This story is an homage to New York City and all of the bookstores located in (and below) it. The story follows Zachary Ezra Rawlins, a grad student, who finds an unusual book in his university library. The book is unusual because it’s about him and his life. From there, the story follows different narratives and writing styles as Zachary meets two individuals who know about the book’s origins and the library it came from. The Starless Sea is the perfect book about preserving stories and the people who play their role in the stories themselves.
I didn’t get the opportunity to complete the Rosewater Trilogy, but I did get to read the follow-up to The Murders of Molly Southbourne. This novella picks up where the previous one left off and Molly Southbourne has to find a way to survive yet again. The author answers the questions both Molly and the readers had about what Molly is and why it happened. The story brings back all of the characters and they are all given appropriate endings. However, it makes you wonder whether or not they’ll be a companion story to this series.
#22 The Ascent to Godhood (Tensorate #4) by J.Y. Yang
I’ve read and enjoyed the entire Tensorate series, however it was the last book that really grasped my attention the most. In this book, the Empress—the mother of the twin protagonists from the first two books—has died. While everyone is questioning the line of succession and remembering her reign, one person recalls when the Empress was a princess who strived to do what was best for her subjects through the goodness of her heart. Unfortunately, it was through several series of hardship that transformed the Princess into the powerful, yet unforgiveable monarch she became. It left me mortified yet emphasizing with the Empress (to an extent). The Ascent to Godhood connects the previous books in the series with the story of the Empress, who was also a mother and a companion to those who knew her the best.
#21 To Be Taught, If Fortunate by Becky Chambers
This is the first book I’ve read by this respected author and I understand why everyone rages about her books. To Be Taught, If Fortunate is a hard science fiction story about space explorers who travel beyond of galaxy in order to study planets in other ones. The difference is that instead of forcing the planets to acclimate to them, the humans acclimate to the planet. It is an interesting take on space exploration and planet observation, and the harsh reality and repercussions of what being away from home for so long can do to those who have no choice but to fend for themselves.
One war ends, but what does that mean for the “winning side.” Rin ended the Third Poppy War single handily. However, her country has suffered from the damage—physical, mental and emotional—inflicted on them as well. The Dragon Republic delves into the idea of purpose for soldiers who no longer have a war to fight, the idea of a country no longer united because of the suffering its denizens continue to endure, and the struggle for power and what leaders are willing to do in order to grasp it. This is a book about the brutality of the postbellum and how winning the war was the easy part.
I’m glad I made the time to start this series. The City of Brass is an amazing story about magic and magical beings set in the Middle East during the Ottoman Occupation. In the first book, Nahri is spirited award to Daevabad where she learns of her magical origins and the oppressive society she finds herself in. In The Kingdom of Copper, five years have pass since the events in the first book, and all of the characters are suffering from the ruling tyrant and the beginnings of a rebellion. The story continues to explore the magical world and explores how the caste system continues to breakdown society, exposes the history of conspiracies and treacheries that resurfaces thanks to prejudice, vengeance, oppression and magical feuding.
One of the last books I completed in 2019, this debut novel is a story about military training, caste systems, and magic based on African history and mythology. What starts off as the “usually fantasy trope” grows into something else entirely and it will seize your attention until the end (with you wanting to read Book 2)! Tau is a young man who has lost everything he cares about and his goals are motivated by revenge. He trains with a military unit in order to become the best fighter he can be; however, as Tau realizes that military status doesn’t change the way society sees him, he uncovers a political conspiracy between his country and their longtime enemies. The Rage of Dragons is an enjoyable read for any reader who loves a great military story with its own magic users!
#17 The Deep by Rivers Solomon, Daveed Diggs, William Hutson, Jonathan Snipes
This novella is worth all of the hype it received! The Deep is a what if tale about mermaids who are the surviving descendants of pregnant Africans who were captured and then thrown overboard the slave ships while crossing the Atlantic Ocean. While the women died, their children were born and survived in the ocean depths. 400 years later, the wajinru are a community who continues to thrive under the sea. The story focuses on the group’s “historian” who is responsible for keeping and sharing the memories of the wajinru’s past. The responsibility of being a historian is painful—especially given our history of the African Slave Trade. The Deep isn’t just a title of the story, it’s metaphorical in every sense and in every way the story is told. It’s one of the most poignant books of 2019.
#16 The Killing Light (The Sacred Throne #3) by Myke Cole
To me, The Armored Saint had a slow beginning, but it made up for it in The Queen of Crows. The author presents a realistic view on military, especially the real-time events. The Killing Light is the perfect ending to The Sacred Throne trilogy, not only because it reflects back to the events of the first book, but also because it presents the reality of war and how and why people are motivated—and then lose that same motivation—to participate in it. Heloise is a protagonist that has everything to gain from the war after losing so much. The ending will leave readers satisfied because of the way the author portrays war and military strategy.
I wasn’t sure what to expect from this story, but once I started reading (listening) to it, I couldn’t stop. The Ruin of Kings is a story about the power struggle between incarnated immortals and power-hungry mortals. The story focuses on Kihrin, a young man who goes from street urchin to the heir of a noble family, and he hates every moment of it. However, that is only a fraction of Kihrin’s story because there is another character who provides Kihrin, and the readers, a full account as to all that is happening within and to Kihrin and his family. The worldbuilding alone will keep readers interested and the power struggle between mortals and immortals alike will have you wanting to read Book 2, The Name of All Things, and finding comfort from the Lannisters (yes, THOSE Lannisters)!
2019 was the year I read more self-published fantasy books than in previous years. I opted to read Smoke and Stone on behalf of Fantasy-Faction, and I’m glad I did. This book is a great introduction to grimdark fantasy. There are two protagonists who are one opposing ends of a brutal caste system, and they are determined to prove themselves to those they care about by appealing to their patron gods. However, the gods have their own agenda and they—like any god—use the mortals to meet their goals. Smoke and Stone is a story about a harsh society, harsh gods, and harsh consequences. It’s a great book for fans of grimdark!
How many worlds exist besides our own? There have been several portal fantasies written before this one. Then again, The Ten Thousand Doors of January make it known that Doors have always been and continue to exist to those who know where to look for them. The story is about January Scaller, the daughter of an explorer and the ward of his benefactor, who desires to travel with her father. Instead, she is left behind with Mr. Locke, a collector of artifacts from around the world. One day, January is inspecting the artifacts and she finds a book about the exploration of “other worlds” and about two individuals who know about them. From there, readers learn more about January and the other individuals, who turn out to be explorers of these other worlds and the connection January has with them. The Ten Thousand Doors of January is a debut novel about other worlds, love and sacrifice, and it’ll leave readers wondering whether or not someone can and will explore ALL of those worlds.
If you haven’t already read anything by this author, then Middlegame is the best book to read first! A metaphysical and dark fantasy story—with an homage to both L. Frank Baum and John Wyndham—is about twins Roger and Dodger—siblings born with extraordinary powers and intellect—who were separated at birth and raised at opposite ends of the United States. However, distance means nothing to the twins as they find ways to communicate with each other throughout their childhood and college lives. The more time they spend with each other, the more they realize that they have extraordinary abilities which they struggle to understand. Conversely, there is someone who understands, and he wants Roger and Dodger’s abilities in order to unlock forbidden knowledge so that he can harness it for himself.
This epic story is worth the reading! Over a thousand years ago a prophecy was made and now that prophecy is about to be fulfilled. Destruction in the form of a dragon is coming and only a select few—a queen, a dragon rider, a scholar, and a member of a secret order of mages—know what is coming and have to find a way to save the world. Based on historical and religious events, The Priory of the Orange Tree is a story about the origins behind the stories of “heroes” and how lies and religion shape societies to the point where knowledge is lost, and the lies become the truth. At the same time, an ancient evil is reawakening, and the various parts of the world have to acknowledge the truth beneath the lies and come together to fight a forgotten enemy. The author has written an unforgettable epic standalone story about the power of females and the way to save the world is to get the world to come together to fight the enemy.
Yes, I know what I did for #10 and #9, but hear me out! Both stories, while different, are a lot alike. They are bildungsroman stories which focuses on the growth, the development, and the education of a young female protagonist. Throughout the series, the female protagonist matures and learns what is expected of them and how they go about doing it. At the same time, friendships are formed, loved ones die, and the truth is revealed to them. When the final battle occurs, the female protagonist must use all of their knowledge and abilities learned throughout the series in order to conquer the enemy and to protect those they care about. Both authors have written amazing stories about their young female protagonist in their own way, but one cannot deny the similarities they have; yet, the differences are enough that they merit their own stories, and both are worth reading!
This book, which is based on Ancient Rome, tells of the end of Mia Corvere’s life and how it all came to an end. Starting from where Godsgrave left off, Mia and her brother, Jonnen, travel throughout the Itreyan Republic to avoid Consul Julius Scaeva. Meanwhile, Mia learns more about the Red Church, the Mother Goddess, and her identity. None of them are what Mia thought she knew. Now, given the chance to “set the world right” and to “help the Maw,” Mia has to decide whether or not her life is worth giving to save the Itreyan Republic. Mia Corvere has become the most lethal assassin in the Republic’s history, and she does not hesitate to spill blood as she makes her way back to the heart of the Republic and killing everyone who gets in her way. The author delivers on both the blood and the vulgarity! And yes, the footnotes are back and should NOT be overlooked!
In this book, war has arrived, and everyone is expected to fight to defeat the enemy. Holy Sister is the epic end to the author’s trilogy, which is a blend of violence and magic. The narrative is split into two parts: the immediate events after the end of Grey Sister, and two years later when the armies have invaded Abeth. The author not only wraps up the narrative about the protagonist, Nona Grey, but also he manages to tie up all of the loose ends—everything mentioned from the opening pages of Red Sister, all of the plots, the subplots, the characters and the prophecy—within the pages of this book. This action-packed story concludes with an ending that leaves readers satisfied.
War is a terrible thing, and yet we cannot stop ourselves from having them. War Girls is a story that starts at a refugee camp for female soldiers. Two sisters—Onyii and Ify—are surviving with the limited resources they have while remaining hidden from the two war fronts. Unfortunately, they are discovered and are separated. For four years, each sister lives with the opposing side until circumstances forces them to confront each other as enemies. The author writes this poignant story as a cautionary tale to readers that war takes victims and turns them into unwilling accomplices. Readers won’t even realize that they’re reading a story meant for a YA audience, it’s that good.
The protagonist is one pissed off woman, and she has every right to be angry. Sal the Cacophony is a hybrid of John Wick and Lara Croft, she’s that easygoing, clever, and trigger happy. Seven Blades in Black is the first book in The Grave of Empires series, and it follows Sal the Cacophony’s quest for revenge in a location known as “The Scar,” a world in which magic users become deformed as a result of their magical properties. The protagonist and her companion, Liette—a character we learn more about in the novella, The Gallows Black—make their way throughout the continent so that Sal can cross off the names on her list of those who wronged her. This book was my surprise read of 2019 in that I had never heard of the author, and I did not know what to expect from the story. My limited expectations were blown away and I’m looking forward to reading the next book by the author.
The Winternight Trilogy is a beautiful series with a beautiful ending. Vasya, now an adult, has been accused of witchcraft and finds herself in exile. However, war is on the horizon and Vasya has to find a way to unite Russia—humans and chyerti—in order to defeat the invaders. The Winter of the Witch presents readers a look into the world of the chyerti, which is beyond the vision of most human, and the tasks Vasya must perform in order to accept her destiny and save everything she cares about. The story is based on both Russia history and folklore and it provides a lovely, yet action packed tale.
This is another self-published book that I picked up (actually, the author mailed it and another book to me for reading and reviewing) because it was receiving a ton of praise by everyone who read it. The Sword of Kaigen is a standalone novel that is the first of the author’s Theonite (world) series. The story follows Mamoru Matsuda, the first son of the second son of the Matsuda family, and his mother, Misaki. Mamoru is fourteen years-old and when a new student transfers to his school and criticizes the lifestyle of the region, he is forced to question everything he’s learned from his community. What he doesn’t know is that his mother knows that Mamoru is right to question his beliefs. But, before mother and son can have a full-length discussion, an invading army arrives, and they are under attack. The author presents a story about the consequences of isolation and blind loyalty while exploring family dynamics and unwanted familial expectations. The Sword of Kaigen is a finalist for the SPFBO 2019 and it’s easy to say why. And, while the author is taking a hiatus from the Theonite series, it is safe to say that whatever else she writes will be just as good and as touching as this book.
This debut novel was my reintroduction to hard science fiction. A world has come under attack and the last thing Sanda Greeve remembers is being shot in space. When she comes to, she learns that she’s aboard an enemy AI ship, who calls himself Bero, and that 230 years have passed since she was shot down. Meanwhile, her brother, Biran—who has just joined the Protectorate, a group of politicians who protect the universe—breaks every rule in order to find his missing sister. At the same time, a group of thieves come across some forbidden technology and have to go into hiding from the Protectorate. Velocity Weapon starts off as a story of survival and a rescue mission but evolves into a fantastic science fiction story about political ambitions, hidden technology, space war and science experiments. The author reminds her readers as to why they love science fiction and AI ships.
I was waiting for this book since I read its predecessor, Empire of Sand, and the author teased readers with a couple of sample chapters! Ten years after the events of Empire of Sand, Arwa, Mehr’s younger sister, is now an adult and recently widowed in a massacre in which she was the sole survivor. Believing she lost her purpose for living, Arwa decides to pledge service to the royal family, who are suffering due to the events a decade before. Arwa not only learns how to find a reason to live, but also about the brutal history of her (birth) mother’s people and how the Empire is built on false power and oppression. Realm of Ash is a story about enduring and remembering, and how one continues while experiencing grief and tragedy.
The easiest way I can describe this story is that it’s a non-traditional Cinderella story that takes place in Mexico during the Jazz Age and involves the Mayan deities. Gods of Jade and Shadow is part fantasy, part magical realism, and part historical fiction. The novel will have to consulting maps and atlases so that you can follow along with the protagonists throughout the narrative. The story focuses on Casiopea Tun, who is the granddaughter of the wealthiest man in town, but because her mother married a poor man—who later died—both mother and daughter live as servants in the family home. Casiopea is bullied by her cousin, Martín—the traditional spoiled heir—to the point where neither cousin can stand each other. One day, Casiopea is left home alone as punishment and she opens a mysterious chest under her grandfather’s bed and she unknowingly frees Hun-Kame, Lord of Shadows and the rightful ruler of Xibalba, the Mayan Underworld. From there, Casiopea is spirited away on a quest through Mexico by a Mayan deity so that he can regain his throne. The author blends everything about human society and culture—history, pop culture, folklore, familial expectations, etc.—into a narrative that can be explained as Rick Riordan for adults! Gods of Jade and Shadow is part folklore, part bildungsroman, and a hundred percent entertainment.
Sometimes peer pressure can be a good thing. This debut novel was released at the beginning of 2019, and it was all everyone was talking about. In groups on social media, critics’ reviews, other authors, etc. were all talking about how The Gutter Prayer, the first book in The Black Iron Legacy series by Gareth Hanrahan needed to be read by all fans of the fantasy genre. I decided to determine whether or not the hype was deserved, and I was not disappointed! The Gutter Prayer is a dark and twisted fantasy story that is both new and different from what I was used to reading. This novel is part heist, part conspiracy, and part magic all the while the “bad guys” are the ones who save the world from Armageddon! The author finds a way to tell a story that twists readers expectations of fantasy tropes, presents the reality of what magic users—mages, alchemists and gods—can and will do with the power they have over others, and provides enough backstory of all of the characters so that readers have a comprehension of all the characters as rounded individuals who are surviving the circumstances of life in their world. The Gutter Prayer is an example of a story that stands out from other books of the genre (and subgenre) while remaining faithful to the elements and the tropes of what makes it a work of speculative fiction. This debut novel not only provided an entertaining story, but also balances fantasy and reality in a way that is both improbable and believable. For all of these reasons, The Gutter Prayer by Gareth Hanrahan is my favorite speculative fiction book of 2019!
It was hard narrowing my list of reads to 25, but these were the books I enjoyed the most and discussed the most with other readers. Reading these books (and other ones) puts into perspective how the range of the speculative fiction spectrum continues to expand beyond our limits and expectations. With 2020 around the corner, readers know that the follow ups and the sequels to 2019’s books already presents promises and we know they’ll deliver! 2020 is going to be epic!
The Emperor’s hatred had not grown suddenly, as Mehr had so foolishly believed when Maryam had warned her of his messages to his nobles. His hatred was a storm that had grown ever larger by feeding on itself, and Mehr had been protected from the full weight of it by the shelter of her privilege and of the very Ambhan walls that so stifled her. Now the storm was too great for even Mehr to ignore. Her status as the Governor’s daughter couldn’t protect her forever. She had Amrithi blood, and the Amrithi were being erased, (Chapter Two).
I’ll repeat what I’ve said about the speculative fiction released in 2018: it was the best year yet! There were many debut novels that gained the acclaim of fans and critics alike. In addition, there seemed to be a debut novel that represented each region of our world. Tasha Suri is one of many whose novel takes place in a historical fictionalized Middle East. Empire of Sand reflects on the notions of “old magic” and the oppression of the users that comes with it from those with political power.
Mehr, who is 18 years-old, is the eldest illegitimate daughter of the Governor of Irinah. Mehr and her younger sister, Arwa, who is 9 years-old, live with their father and their stepmother, Maryam, at the Governor’s home. As daughters of a nobleman, the sisters live sheltered lives of luxury; as daughters of an Amrithi woman, the sisters have magic in their blood. Mehr is old enough to remember their mother and has accepted the customs of her mother’s people. Arwa is too young to remember their mother, but Maryam has no issue with raising and molding Arwa into an Ambhan noblewoman. Obviously, Mehr and Maryam are at odds with each other and it seems that the girls’ father is unaware of the relationship between his wife and his daughters. As paranoid as Maryam is, it turns out that she is right to be worried about Mehr’s rebellious behavior. When Mehr defies her family’s wishes and her mother’s cultural paranoia, she is married off and sent away to become a “tool” of the Empire. She is married to Amun, a full-blooded Amrithi who has been a captive of the Maha—mystics of the Religious Order—since he was a child. Married, isolated, and far from home, Mehr has to figure out how to survive her new life, to stay alive, to determine who is trustworthy, and to determine how much magic she has and what that means for her. Throughout the novel, Mehr grows into a powerful woman who embraces both her magic and her culture as she interprets the use of her power for the good of everything she cares about.
The plot of the story follows the culture and the traditions of South Asia, along with its dark side based on historical events. “The rule of law and rule of faith are tied together. One cannot exist without the other,” (p.76). The Maha—the one in charge of the mystics—founded the Empire, so the Emperor and all of the Ambhan are “blessed” with their fortunes and lifestyles because of them. However, when angered, or demand something and are denied, the Maha can become anyone’s worse enemy. And, Mehr has alerted the Maha of her presence and her heritage. The mystics demand that she serves “for the Maha and the Empire.” Mehr knows that this goes against the practices of the nobles and her father threatens to rebel. Mehr gives into the demands in order to protect her family, especially Arwa. The plot develops as Mehr grows into herself and she learns more about the Maha and the Empire. She learns the reasons why her mother left her father, and her father’s neglect to teach her what she needed to know about herself and the Empire. Mehr soon realizes that power is determined based on who wields it. And, if the Emperor looks to the Maha for power, then does that mean the Maha hold the power? The subplot here is family and the bonds that come with it. Mehr sees herself as her mother’s daughter to the horror of her stepmother. Maryam, who has not been able to have children of her own, claims Arwa as hers and does everything in her power to keep the sisters apart. While her abuse of Mehr and harsh upbringing of Arwa is disturbing, her paranoia is justified when the Maha demand Mehr to be delivered to them. At the same time, Mehr learns more about her mother and father’s relationship as well as the decisions they made together and separately. This subplot is essential to the plot in that all of Mehr’s decisions are based on what’s best for her family.
The novel is told in real-time from the point-of-view of Mehr. With the exception of 3 chapters from 3 minor characters, the narrative is told in 3rd person free indirect discourse. In other words, readers are aware of all of Mehr’s thoughts, impressions, and perceptions—a.k.a. stream-of-consciousness—and, given the mistakes Mehr makes throughout the story and her known flaws, she is a reliable narrator.
The style Tasha Suri uses in her novel presents the various lifestyles people of different classes and faiths have even in modern South Asia. The descriptions of the different homes and clothes display the distinction between cultures and social classes. The word choice and the figurative language that illustrates the lands and the dances gives the beauty of the two to the readers. The mood in this story is the beauty of the Empire, which the Gods created. Yet, the tone in the novel is the balance of the world and the consequences of any unbalance in the world whether or not it’s from divine intervention, societal expectations, or parental influence. In all, the style presents how beauty in the world can remain if there is a balance.
The appeal surrounding Empire of Sand have been immensely positive. The novel has received positive reviews from critics, readers, and other authors. The novel has been nominated for several awards including the Locus Award; and, it won the Brave New Words Award in 2019! This fantasy novel is a beautiful debut and a wonderful addition to the speculative fiction genre. Fans will want to re-read Empire of Sand, especially before the sequel, Realm of Ash, is released in November 2019. I should warn readers that in addition to familial abuse and neglect, there is a scene in the story that contains non-consensual sex, and scenes of torture and murder. Other than those scenes of trauma, the novel is worth reading and the follow-up looks to be very promising, too.
Empire of Sand is a beautiful debut novel about the history of an empire that struggles to maintain control of everything and how the bonds of love and family can help an individual endure suffering. Even though there were some flaws surrounding the pacing of the novel, my love of the characters is what kept me reading this novel. Empire of Sand was one of my favorite speculative fiction books of 2018, and I’m really excited for the next book in the series, and any future books by the author!