Why You Need to Read: “Velocity Weapon”

The Protectorate: Book 1: Velocity Weapon                          

By: Megan E. O’Keefe                                        Audiobook: 18 hours 22 minutes

Published: June 11, 2019                                  Narrated by: Joe Jameson

Genre: Science Fiction/Space Opera

I am called “The Light of Berossus,” the voice said, (Chapter 1, The Aftermath of the Battle of Dralee). 

For every individual in a fandom, there is the moment, in which they were hooked, thus beginning their membership. For me and science fiction, it was my parents’ love for the two Star Trek shows which aired during the 1990s: The Next Generation and Deep Space Nine—yes, Star Wars was part of my introduction to the genre, too. From there, I started reading science fiction novels, until I stopped. Don’t get me wrong, I was still a fan of the genre, but I didn’t read as many books as I wanted to (there were plenty of movies, TV shows and video games, but that’s for another time). Sometime later I got back into the science fiction by reading the recent releases by different authors which had my exploring the genre again. Yet, it was Velocity Weapon by Megan E. O’Keefe which kept my interest to the point where I bought the audiobook so that I could know what happened after my “stop point” in reading the print book. This space opera reintroduced me to the science fiction genre and reminded me why I fell in love with it in the first place!

There are 3 protagonists in this novel, who narrate the events over the course of several years from 3 different settings. First, there is Sanda Greeve. She is a sergeant for the Ada Prime System, and the last thing she remembers is being shot by the Icarions before her evac pod allowed her to escape, onto an enemy ship—an A.I. Smartship. When she wakes up she learns is the only living being on the ship—The Light of Berossus, or Bero—and, when she asks how and why this is possible, she learns that it’s been 230 years since her ship was shot down. Sanda processes this shocking bit of news as she figures out a way to survive in space with a smartship for company. Next, there is Biran Greeve, Sanda’s younger brother, who has just graduated from the academy at the top of his class. This means that Biran will become a Keeper—a member of the Protectorate who leads Ada Prime and is one of the “keepers” of secrets and knowledge of the Star Systems, which are embedded in a chip that gets implanted inside their skull. However, as Biran is giving his speech, the Battle of Dralee—the same battle his older sister ends up fighting in—breaks out. Biran must behave as a Keeper before his indoctrination and before he can wonder whether or not his sister survived the battle. Last, there is Jules, a thief. During the latest heist with her crew, Jules and the others stumble upon two things: a dead body and a room filled with test tubes. There are other characters who interact with these protagonists throughout the story: Lolla and Harlan, Tomas Cepko, Anaia, and Callie Mera; and, they all help the protagonists develop into the people they need to be given their circumstances. Then, there is Bero, who is more than a smartship. It is aware of what’s going on more than its letting on to everyone else. 

The plot of this novel is an interesting one. The Battle of Dralee in the Prime Standard Year 3541 starts the story and the plot emerges from there, from the Greeve siblings. Biran must step up into his role as Keeper, while he breaks protocol in order to search for his missing sister. Sanda is drifting towards another Star System injured and alone on a damaged smartship. She must rely on her training and instincts, and on Bero to survive her situation. There are two subplots, which are related to the plot. The first one is the secret, in which Jules and her crew stumble across and what it could mean for them, for Icarion and for Ada Prime. The second one focuses on Bero and his motivations. Why is an enemy smartship drifting in the middle of Space? And, why did he rescue Sergeant Sanda Greeve? The plot and the subplots develop alongside the characters and the world-building at an appropriate rate, which make it impossible for the readers to lose track of everything that is going on in the story. 

The narrative jumps across 3 different years from 3 different locations from the points-of-view of several characters. All of the narratives are told in first person from the protagonists and the other characters perspectives. Readers must pay attention to the sequence of the narrative because while the narrative is the present for one character, it may be occurring in the past or the future for another character. The sequence of the narrative starts off with puzzlement for both the readers and the characters, but the events within the sequence keep the narrative in one constant motion where it can be followed by the readers and the audience. The characters’ streams-of-consciousness allow readers to know the thoughts of the characters and the reasons they make the decisions and perform the actions they do. There are moments of flashbacks within the narrative, and they provide clues of the bigger story that is being told. 

The style Megan E. O’Keefe uses in Velocity Weapon consists of the jargon of science fiction, the colloquialism of the armed forces, and the terminology for the world of space she cultivated for this series. The idea that two-star systems have been at war with each other for hundreds, or thousands, of years, with Earth as the potential beacon for the establishments for these star systems is an interesting factor to consider for the sort of story the author is presenting to her readers. The author is not presenting a science fiction story about two warring nations, she is writing a space opera—”a space story involving conflict between opponents possessing powerful technologies and abilities on a very large scale”—and about the consequences of hidden technology, which is the tone of this novel. The mood is hostility, including what it entails and how it is dealt with. While it is not that different from other space operas, it’s the way the author writes it that makes it very engaging.

The appeal for Velocity Weapon has been positive for sci-fi fans—which is good—but, minimal for the rest of the speculative fiction community. And, what I mean by that is that it is a great story that seems to be limited to one part of the literary fandom. There is enough of the same themes and ideas found in other works of science fiction and in fantasy fiction, yet it seems that more people would read this book and others like it if given the chance to learn about this story. There is a reason why this book was one of My Selections for Best Speculative Fiction Books of 2019. When I wasn’t able to continue reading this story, I finished it by listening to the audiobook. Joe Jameson’s performance of the characters make them easy for listeners to make out which character is speaking and narrating the story; and, his narration and voice is appropriate for the story that is being read by the listeners. The next book in The Protectorate series, Chaos Vector, will be released in July 2020. Fans of the first book are waiting eagerly to learn what happens next.

Velocity Weapon is an entertaining space opera about family, government conspiracies, A.I. ships, and an ongoing military campaign between nations that will keep readers’ interests from beginning to end. Megan E. O’Keefe demonstrates her abilities for writing engaging stories across the spectrum of speculative fiction. Sci-fi fans should consider adding it to theirs. This book is a reminder that space is a fascinating frontier!

My Rating: Enjoy It (4.5 out of 5). 

Why You Need to Read: “The Queen of Raiders”

The Nine Realms #2: The Queen of Raiders

By: Sarah Kozloff

Published: February 18, 2020

Genre: Fantasy

            I could lend my Talent to (the) Raiders. I could attack the Oros in their lair, (Chapter Thirteen, Slagos to Alpetar).

            The wait between books in a series are often long. There are times when the book comes out the next year, or in two or three years. Then, there was the case of Alan Garner’s Tales of Alderley Trilogy which had a 50-year wait between the 2nd and the 3rd books! And, of course fantasy fans still await for the next books by both George R.R. Martin and Patrick Rothfuss, patiently. Meanwhile, author Sarah Kozloff gifted her fans and readers with a one-month waiting period between each book in her The Nine Realms Quartet! And, The Queen of Raiders begins where A Queen in Hiding ended.

            Book 2 starts off with Thalen and the other survivors of the invasion of the Oromondo army. Thalen decides that a small group of raiders instead of a large army would work more to their advantage in fighting back. Once the first rounds of recruitment are over, Thalen and his Raiders travel into Oromondo in order to liberate the Free States. Meanwhile, Wren—now under the alias of ‘Kestrel’—escaped detection from Lord Matwyck but had to leave her foster family. She arrives in the Green Isles and Kestrel must decide her next move before she is recognized again and captured. Gustie, one of Thalen’s friends from the Scolairíum, has been captured by the Oros and is forced to serve one of the generals, but she decides to fight back with the other captors. And, Lord Matwyck continues to increase his power and corruption as Lord Regent of Weirandale, leaving only his son, Marcot, to question his governorship without fear of losing his life. Each of these characters develop more into themselves due to the Oromondo aggression. Out of all of these protagonists, only Matwyck ignores the Oromondo threat, which serves as a reminder that Matwyck is ruling for himself and for power, and not for the benefit of his country or its people. Thalen, Kestrel, Gustie and all of the other characters are aware of the extent the Oromondos can have on their nations if they’re not stopped. The only thing Marcot can do is work behind his father’s back and learn how Matwyck’s selfishness is affecting everyone else in Weirandale. No one is safe from either Matwyck or the Oro army. The complexity lies not amongst the characters, but how they deal with their complex scenarios. These characters develop because of these hardships and conflicts.

            The main plot in The Queen of Raiders is the resistance and the retaliation against the Oromondo army. Thalen is the Commander of the Raiders and he leads his small army into enemy territory knowing that the odds are stacked against them. Gustie uses her location amongst the Oros to her advantage and plots various attacks on the Oro army from the inside. And, Kestrel decides to participate alongside the Raiders in order to protect her citizens and to get vengeance for Weirandale. There are two subplots within this novel. The first is the continued corruption of Lord Matwyck and his “council.” It’s been over a decade since Matwyck seized control of Weirandale and he’s become obsessed with power. Matwyck’s corruption and desperation to maintain power has him posting bounties of the missing heir in other realms and executing the nobles who remain loyal to the Nargis Throne. The citizens suffer and Cerúlia remains in exile. The second subplot focuses on both the survival and the world-building in the other realms affected by the Oromondo invasion. The army didn’t just invade the Free States, but the realms bordering Oromondo as well. It turns out that because the Oromondos suffered, it lead to the suffering of the neighboring realms in the name of survival. So, these other realms decide to fight back as well, and the protagonists (and the readers) learn about the culture and the livelihood of the denizens of those realms, and what they need to do in order to survive the war and the occupation. Kestrel doesn’t return to Cascada due to the Oromondo invasion. She knows that the bigger conflict must be dealt with first before she reclaims the Nargis Throne. This is necessary to know because Kestrel is aware of her responsibilities as the queen she hopes to become. 

            Once again, the narration is told from several points-of-view. The protagonists and the other characters are reliable narrators as they provide this chronological sequence from first-person P.O.V. and their stream-of-consciousness. Just like in A Queen in Hiding, the readers will know everything that is going on everywhere consecutively. Only this time, the motivations and the actions of the characters aren’t as complicated and justified as they were in the first book.   

            The style Sarah Kozloff uses in The Queen of Raiders focuses on military occupation and military strategy. Other recent military fantasy series written by R.F. Kuang and Myke Cole are about the realities of war. War isn’t just fighting and dying. Not all soldiers are trained fighters and are able to survive harsh conditions and injuries. Supplies run out, wounds become infected, horses die, etc. The stories told afterwards mentions all of the heroics and the battles; however, what occurs in the present are the planning, the struggling, the decision making, the suffering and the dying are often left out of those tales. The author presents war and occupation as a long-term conflict, not a quick battle. Anyone who participates with the fighting unit—cooks, medics, etc.—is just as vulnerable as the soldiers to the costs and the conditions of war. Success is often paid with death. The mood in this book is the occupation of hostiles and the terror that comes with it. Victims of the Oromondo army are held as slaves within their own homes and the denizens of Weirandale are suppressed by Matwyck and his “council.” The tone of the novel is rebellion. Both groups of oppression rebel in catches as opposed to one large group. This is done in order to derive suspicion from everyone else while succeeding with smaller victories; victories that garter hope for the oppressed and reflect the same fear back to the oppressors. Sometimes warfare becomes a necessity for survival.  

            The appeal for The Queen of Raiders will be a positive one. I say this because both the narrative and the pacing continues where A Queen in Hiding ended, leaving no open questions to be asked by the readers. Anyone who enjoyed the first book in The Nine Realms will be pleased with the short waiting period so that they can start back where they left off. And, with the cliffhanger at the end of this book, many readers will be happy that the wait for Book 3—A Broken Queen—is a short one! I want to mention that the final publications of the books do contain maps of the realms so following along the treks of all of the characters makes it easy for the readers to keep track of the events everywhere in the author’s world. 

            The Queen of Raiders is an excellent follow-up to A Queen in Hiding. Fans will appreciate how the conflicts continue in their own direction while all of the characters develop and participate in maintaining order through those conflicts. This action-packed part of the series reminds readers that there are other responsibilities individuals must rise up to in order to becomes the leaders they must be.

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Seven Blades in Black”

The Grave of Empires: Book One: Seven Blades in Black

By: Sam Sykes

Published: April 9, 2019

Genre: Fantasy

            “Galta the Thorn. Riccu the Knock. Zanze the Beast. Taltho the Scourge. Kresh the Tempest. Vraki the Gate. Jindu the Blade. Seven names. Seven out of thirty-three. It might have seemed small, maybe. But there was another name on my list that had taken a lot of bullets, a lot of blood, and a lot of bodies so that I could finally cross it out. I would have killed for one name. For seven? I’d burn the world to cinders,”(Nine: Lowstaff). 

            This novel only takes the idiom, “Hell has no fury like a woman scorned,” to the zenith, but it also puts revenge tales on the same level as Quentin Tarantino’s,Kill Billmovies. Sal the Cacophony is one angry woman and she’s on a journey to make sure those who have made her this way pay with their lives. She has a list with 33 names on it. The first book in The Grave of Empirestrilogy (or series?) focuses on seven of those names.

            Sal the Cacophony is a Vagrant—a mage who no longer fights for the Imperium—who is imprisoned and awaiting execution by the Revolution—a group of non-mages who oppose the dominance of the mages. She is questioned by Governor-Militant Tretta—a figure who is only concerned with earning a promotion so that she’ll become more noticeable to her superiors—who demands an explanation surrounding the disappearance of Revolutionary Low Sergeant Cavric Proud and the attack on one of the towns within the region known as “The Scar.” Sal accepts both the (multiple) charges and her fate and tells the Governor-Militant the recent events, which led to the disappearance of the Low Sergeant. Tretta—and readers—learn of all the events right up to Sal’s arrest. Sal tells of her last bounty job, which turned into the hunt for the names on her list, which uncovered a conspiracy, which became a rescue mission, which turned into a massacre, which led to her arrest. Along the way, we learn what happened to the devout Revolutionary Sergeant Cavric, and Sal’s girlfriend, Liette, who is a mage. Sal is a woman with many aliases, abandonment issues, and a lot of anger. And, it is ALL justified!

            The plot, as mentioned earlier, focuses on Sal’s revenge against those who wronged her. However, we learn of 7 of the 33 names and why she goes after those particular people first. Like many revenge tales, we follow the person who has been wronged while wondering whether or not the ends justifies the means. In the case of Sal the Cacophony, she has been wronged and she has every reason to be angry to the point where you can understand her murder streak. Yet, you wonder about the “after.” What will Sal do if she does cross out all the names on her list? How will this journey change Sal? The subplots include the world-building and the world’s history, which is mentioned by Sal through her story. Since Sal is retelling the events that led to her arrest, the plot moves very quickly, which is a good thing because a lot happens and we want to know what happens next, and we don’t need all the little details in order to get to the heart of the story. 

            The narrative is told in flashback from Sal’s point-of-view; and, given the state of Sal’s situation, it could be argued that Sal is an objective narrator, yet Sal is a character that allows for both Tretta and the reader to be empathetic towards Sal. Sal does admit to all of the crimes—and the heroics—she’s done, recently; but it isn’t until the novel’s end that you realize how truthful Sal has been to the Governor-Militant, to her friends, and to herself. Each chapter is labelled with the setting where each event occurs. This makes it easy to follow the narrative because the sequence of events follows Sal’s destructive path towards vengeance. The narrative clues you in to what happens next.

            The author, Sam Sykes, sets the tone of this humorous epic fantasy tale by giving his readers a cynical protagonist who drinks, curses and kills as a coping mechanism. Both the tone and the mood setup the grittiness of the location known as, “The Scar.” Sal’s exploits illustrate how everything can go wrong while accomplishing a task but completing it anyway. Readers have no choice but to laugh as each event occurs because you have no choice but to laugh. Sykes does an amazing job teasing some of the common fantasy and revenge story tropes in his dark comedy novel.

            The appeal surrounding Seven Blades in Blackwill introduce SFF readers who haven’t read Sam Sykes’ books before to him. The description surrounding this novel as a “blend of Kill Billand Final Fantasy” is very accurate. Fans of George R.R. Martin and Brian McClellan will enjoy this new series, too! Readers of epic fantasy will enjoy this story and appreciate the effort the author makes in clarifying both The Scar and Sal’s character. This has been one of the most humorous books I’ve read in a long time, and I’m already anticipating Book 2! Seven Blades in Blackis a welcomed addition to the speculative fiction genre. One more thing, if there was to be an adaptation, then an anime-styled animated series would be the way to go!

            I’m glad I received an ARC of Seven Blades in Blackbecause not only did it allow me to read a book by an author I had never heard of before, but also it allowed me to appreciate epic fantasy by providing a 704-page novel and leave me begging the author for a potential release date for Book 2! The protagonist is one who deserves our sympathy and will leave you hoping that she does accomplish her goals without destroying herself. I want to know what happens next!

My rating: MUST READ IT NOW! (5 out of 5).