Why You Need to Read: “The Stone Sky”

The Broken Earth 3: The Stone Sky

By: N.K. Jemisin

Published: August 15, 2017

Genre: Science Fiction/Dystopian/Fantasy

*Winner of the Hugo Award for Best Novel 2018, Winner of the Nebula Award for Best Novel 2017, Winner of the Locus Award for Best Novel 2018*

            The job you “have” to do is the easier of the two, you think. Just catch the Moon. Seal the Yumenes Rifting. Reduce the current Season’s predicted impact from thousands or millions of years back down to something manageable—something the human race has a chance of surviving. End the Fifth Seasons for all time.

            The job you “want” to do, though? Find Nassun, your daughter. Take her back from the man who murdered your son and dragged her halfway across the world in the middle of the apocalypse, (1: you, in waking and dreaming). 

            N.K. Jemisin has done what very few authors have managed to do, present a good and believable ending to a series that leaves readers with a sense of both accomplishment and satisfaction. What started with The Fifth Season and continued through The Obelisk Gate ends with The Stone Sky, the third and final book in The Broken Earth Trilogy. Readers and critics learn what must be done in order to put an end to an apocalypse. 

            The protagonists are once again Essun and Nassun, mother and daughter, and two of the most powerful orogenes in the world right now. Both mother and daughter have made their choices regarding themselves: Essun decided to grow her powers to the fullest, and Nassun decided to identify herself as an orogene. And, both mother and daughter have to live with the consequences of their decisions—both physical and emotional. All that’s left is for the two orogenes to determine the path of the Moon. One orogene and her companions hope to save the world, while the other orogene is coaxed by her companions to destroy it. Mother and daughter will face off after they’re reunited. Essun just wants to know whether or not her 10-year-old daughter is traumatized, and Nassun wants the world to know that those with power can and will determine the ways of the world. The daughter has become as powerful as her mother, and her mother isn’t with her to provide guidance. 

            The plot of the story is a race to an underground network in order to restore “order” to the Earth. This can be achieved with orogeny and there are 2 orogenes who are powerful enough to restart it. So, who will get there first? And, what will happen once the obelisks are activated? Another plot of the story involves Essun and Nassun preparing for action when the Moon is closest to them in “orbit.” Essun has succeeded in activating the Gate while at the comm, and Nassun travels to one that’s been lost and forgotten to history. There are two subplots in this story which answers some of the remaining questions in the trilogy. The first subplot is the origin of the Stone Eaters, which leads to how the Seasons became so dangerous. The second subplot answers the question regarding the purpose of the Guardians and their relation to the Seasons. These subplots are necessary because they provide the bits of information required for the plot’s development and resolution.

            The narrative continues to shift between 1st, 2nd and 3rd points-of-view. And, the sequence falls back into flashbacks and present time. The flashbacks provide both background information and answers to the questions to how everything came to be and how it will all end. The streams-of-consciousness of all the characters make them all reliable narrators. Yes, not all of their motivations are morally good, but it’s understandable given the circumstances. These elements of the narrative make it easy to follow. 

            The style N.K. Jemisin uses for The Stone Sky tells that an end is coming. Now, whether or not that end is for the Seasons, or for the characters, or both is to be determined. But first, the author lets the audience know how the Seasons came about. At the same time, Jemisin lets her readers know that oppression of any form does not ensure safety and/or order within a society. Instead, fear and suppression take place, which can lead either to a life of secrecy or to a life full of anger. The mood in this story is one of readiness—the need to make it on time to save the world, to save the last surviving member of one’s family, and to finish preparations in order to survive the Seasons. The tone in the novel is dread due to the choices and consequences of saving the world and reuniting with estranged loved ones. However, if it came down to two possibilities, then which choice would you make? This is what the author has her characters do, they must make a choice and live, or die, with the consequences. 

             The appeal for The Stone Sky have been massive and monumental! Not only did this novel win the Nebula Award (2017) and the Locus Award (2018) for Best Novel, but also won the Hugo Award for Best Novel (2018)! This means that The Broken Earth Trilogy has won the Hugo Award in the same category in three consecutive years! N.K. Jemisin is the first author to accomplish this feat; and, it’s well-deserved! The Broken Earth Trilogy is not only a must read for readers of speculative fiction, but also is a magnificent work of literature overall. There have been people who’ve read this series and found it to be an excellent story regardless of its genre. The message of the cost and the resistance that results from oppression and the end-of-the-world is received—although it’s not practiced in our world, yet—and is the reality within the fiction. The Stone Sky completes this trilogy and is a must read within the canon of speculative fiction.

            The Stone Sky is a strong and powerful end to this ambitious trilogy. N.K. Jemisin has managed to raise the expectations and the standards of writing and presenting a work of speculative fiction. This book series is one of my all-time favorites. Not to mention, I’ll be re-reading and recommending these books for years to come! Everyone needs to read this amazing trilogy!

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “A Queen in Hiding”

The Nine Realms #1: A Queen in Hiding

By: Sarah Kozloff

Published: January 21, 2020

Genre: Fantasy/Coming-of-Age/Military Fantasy

            Though dusty sits the Nargis Throne

            While tyrants befoul and bluster;

            Though citizens do their yoke bemoan,

            And the Fountain’s lost its luster:

            Someday the drought shall be broken,

            And the wondrous Waters course clean,

            One dawn the words shall be spoken,

            As the long-lost heir becomes queen,

                                                                        (Epilogue, Cascada).

            Binge reading. It’s something some readers will do when the time comes for it. If a book in a popular series is about to be released, then fans will not just re-read, but binge read those books. This happens a lot with readers of comics, graphic novels and manga, but it occurs amongst fans and readers of other genres of literature as well. Within the fantasy genre, readers have and continue to binge read their favorite series, and it happens when the series has enough books for fans to pass their time with while waiting for the next book (i.e. Harry Potter, A Song of Ice and Fire, etc.,). Yet, every once in a while, an author will put out several of their books within a short time frame so that fans and readers can read them all at once and they won’t lose track of the events of the story. Brent Weeks did it with his The Night Angel Trilogy(from what I’ve read online); and now, Sarah Kozloff is doing the same with her debut series, The Nine Realms. All four books in the series will be released within four consecutive months so readers don’t have to wait too long to learn what happens next. A Queen in Hiding is the first book in the series. 

            The novel begins with the central protagonist, Princella Cerúlia, who is eight years-old, and her mother, Queen Cressa, on a visit to Chronicler Sewell, the royal scriber and historian, for Cerúlia’s Definition—the moment when the future queen’s Talent (magical ability) manifests, and then announced throughout the kingdom of Weirandale. Queen Cressa is an Enchanter whose Talent involves gaining the truth from other people and alternating someone’s memories, and her late mother, Queen Catreena was known as “The Strategist” for being able to strategize her movements several steps ahead of her opponents. While Queen Cressa worries about her daughter’s future, she is dealing with grievances from the realm of Oromondia—which is dealing with drought and poisoned water—who accuses the Queen and Weirandale of sending poisoned food to them, which they did not do. After an assassination attempt on the royal family, the queen spirits her daughter away to the region of Wyndton. There the princella is disguised as an orphaned peasant and hidden with a family who is loyal to the throne. Cerúlia goes by the alias, Wren, the adopted daughter of Wilim and Stahlia, and sister to Percia. This happens because Cressa learns that her Lord Steward, Matwyck, arranged the assassination attempt in order to rule as Lord Regent through her daughter and then imprison her once she comes of age to rule by herself. Meanwhile, Sumroth leads an army from Oromondo through the other realms in order to obtain food and resources for Oromondia’s survival. At the same time, Thalen, the son of a potter, is accepted into the Scolairíum (a university) in the Free States where he divides his time between studying the subjects Earth and Water, and History and Diplomacy. Throughout the narrative, Cerúlia/Wren and Thalen are the protagonists who develop the most; not only because they demonstrate growth through their learning and maturity, but also because it is obvious that their stories are the most relevant to the entire series (so far). There are several minor characters who are essential to the story in their own ways: those whose remain faithful to the Nargis Throne, those who sided with Matwyck and his treachery, and Cerúlia’s foster family who remain oblivious to Wren’s true identity. These characters are just as heartwarming and memorable as the protagonists. 

            The plot of A Queen in Hiding is one that will carry throughout the entire The Nine Realms series. The Queen of Weirandale fled her kingdom with her daughter so that the Nargis Throne could not be usurped by her traitorous council. However, she is killed before she can reclaim the throne, which forces the princella to remain in exile in order to avoid capture by those who usurped the throne in the first place. The main storyline narrates the occurrence of the before and the after of the usurpation, which follows Queen Cressa’s campaign to reclaim the throne, Princella Cerúlia’s upbringing while in hiding, and the “Regency” of Lord Matwyck and the lengths he goes to in order to maintain power. There are several subplots within this novel and they’re all necessary for the plot and its development. This first is the threat of Oromondia and its army. Due to the land not being able to sustain life, the leaders decide to invade the Free States for their survival. At the same time, the fire priests who travel with the army act as the Spanish Inquisition and punish the denizens stating that their “lack of faith” caused the land to become uninhabitable. The next subplot is Thalen’s education at the Scolairíum. Thalen (and the readers) learn how each of the realms operate, why the Oromondos are invading the other realms, and why the lack of a Weirandale ruler is upsetting the balance of the world. The last subplot is how the lower-class denizens of Weirandale are handling the brutal regency of Lord Matwyck and how they avoid detection from other nobles—and how they continue to track down the princella—as they continue to hope and to prepare for the return of the new Queen. All of the subplots go at an appropriate rate with the plot, and the pacing is believable because all of these campaigns and events would develop over the course of several years. 

            The narrative is told from several points-of-view from both the protagonists and the other characters in a chronological sequence. As all of the events unfold, the narrative moves from character and setting to character and setting. This allows readers to know everything that is going on from each of the characters’ 1st person P.O.V.s and their stream-of-consciousness. Because of this flow of narration from character to character, readers are able to keep track of everything that happens within the story. In addition, readers can determine for themselves which characters’ motivations and actions are justified. 

            The style Sarah Kozloff uses for A Queen in Hiding follows the tropes and the traditions of epic fantasy with elements of reality that make the story more believable to her audience. The elements of magic and religion with the use of science and knowledge lets readers know that the author does not want either her characters or her readers to become too reliable on one factor of knowledge over the other one. This is similar to our world; science doesn’t explain everything, and different realms have different governments and cultural practices. The author’s word choice and sentence structure reflects the age, the level of education, and the location of each P.O.V. character. The author’s style for her characters and settings enriches her world and her story; and, the inclusion of science and military strategy—knowledge we take for granted—demonstrate realism and familiarity for the readers and any potential foreshadowing in the next book(s). The mood in A Queen in Hiding is chaos. Weirandale is without a queen and at the mercy of a tyrant, Oromondia believes conquest will ensure their survival, and all of the scholars and the students at the Scolairíum lack common sense when it comes to preparing for and to fighting against an army of invaders. The tone in this novel is the consequences and the results of chaos across all realms regardless of conflict and government. I should mention that I read a digital ARC of this book and there were no maps to be found in my edition of the book. They’re not necessary, but they would have been helpful to have them in the book. 

            Fans of other epic fantasy series such as A Song of Ice and Fire, The Daevabad Trilogy, The Lord of the Rings and The Priory of the Orange Tree will enjoy this series the most. This is because A Queen in Hiding focuses on one main conflict and fantasy trope of “the missing heir” while exploring several other conflicts and world-building in other settings from the points-of-view of several other characters. And, there’s a bonus: each book will be released in consecutive months, so by April 2020, readers can read the entire quartet in one sitting! If the story moves at the same pace and uses the same style as in the first book, then the appeal for The Nine Realms will be a positive one. The time and the effort of the author to write this series and to convince the publisher, Tor, to release them all in consecutive months must be lauded because one, over 2,000 pages and God knows how many characters written and presented as one chronicle is an accomplishment all on its own; and two, I already plan (and want) to read the rest of the series, starting with Book 2, The Queen of Raiders

            A Queen in Hiding is a bold debut epic fantasy novel. Sarah Kozloff creates one world with nine realms and numerous characters and conflicts which are tethered in ways that keep the attention of the readers from beginning to end (of Book 1). By the time readers reach the end of this book, they will be pleased with the short waiting period for the next one, and the one after that, and the last one.

My Rating: MUST READ IT NOW (5 out of 5)!!!