Why You Need to Read: "The Kingdom of Copper"

The Daevabad Trilogy #2: The Kingdom of Copper

By: S.A. Chakraborty

Published: February 21, 2019

Genre: Fantasy/Historical Fiction

            She shook her head. “Whatever the consequences, Dara acted to protect my daughter from a fate I fought for decades. I cannot fault him for that. And if you think Ghassan wasn’t looking for a reason to crack down on the Daevas the instant a Nahid and Afshin strolled through the gates of Daevabad, you clearly do not know him at all.” She gave them another sharp look. “Tearing each other apart is not why we are here,” (4, Dara). 

            As I mentioned in my review of The City of Brass, the first book in The Daevabad Trilogy, this is a series in which the characters and the world are influenced by Middle Eastern history, culture and folklore. Yet, the story of political power, corruption and struggle is a universal theme in stories and an issue within our world. The Kingdom of Copper expands both the influences and the themes in the magical world S.A. Chakraborty presents to us.

            The story takes place 5 years after Dara’s—short for Darayavahoush e-Afshin—death and resurrection, Nahri’s forced marriage to Prince Muntadhir, and Prince Alizayd’s—Muntadhir’s younger brother—exile to Am Gezira for plotting against his father, King Ghassan al Qahtani. Dara has been resurrected by Manizheh, Nahri’s mother—who faked her death in order to protect herself and her family—so that he can assist her in leading a rebellion against King Ghassan for his treachery and in order to reclaim the throne that was held by the Nahids—the ancestors and tribe of Nahri and Manizheh. Nahri is now wife to Muntadhir, the king’s son and heir, is the new Banu Nahid, or royal healer, and is trapped in the gilded cage of the palace with no one she can trust. She uses her healing gifts and her desire to be a physician in order to cope with her current scenario and unwanted status. Prince Ali has settled in a small community in an oasis in Am Gezira away from his father’s assassins and members of his mother’s family (who want him on the throne). During his exile he learns how to control the abilities gifted to him by the marid, water spirits, on the night he slew Dara. All three protagonists are in scenarios based on the poor choices they made 5 years ago. They all have to live with the consequences of their actions and find other methods to achieve their original goals. Dara, Nahri and Ali develop further into maturity and they must find a way to maneuver through the unrest between ruling classes and amongst the six tribes of the djinn. The complexity of their situations mirror the complexity of their characteristics. 

            The plot continues from where The City of Brass left off. King Ghassan continues to subdue his subjects—mostly the shafit (those of mixed human and djinn heritage)—to harsh treatment and brutal punishments for minor offenses. Ghassan believes with Ali exiled for his betrayal, the death of the last of the Afshins (a.k.a. Dara), and his dominance over Nahri and the supporters of the Nahids he’ll remain in control. However, the king’s enemies have learned how to work underground and soon of the king’s subjects will revolt against the descendants of the rebel who overthrew the Nahids from power. This plot was the subplot in the first book, and it proves how relevant it is to this story’s narrative. There are two main subplots. The first regards Dara and his failure to protect Nahri is the latest of his long list of failures. Due to his imprisonment before meeting Nahri, Dara hasn’t had time to deal with the consequences of his actions that led to the death of his family. Not to mention, Dara’s memories are becoming clearer and he’s starting to remember the events that led to his actions from centuries ago, and those memories are causing him to question whether or not his alliance with Manizheh will lead to similar consequences. The second subplot focuses on the concept of identity and what it means for both Nahri and Ali. Nahri knows she is descended from the Nahids, but she’s not sure what that means. She doesn’t trust anyone in Daevabad, so promises of better things to come by the priests and the other healers means nothing to her. At the same time, Nahri stumbles over information as to how and what her ancestors were really like during their reign in Daevabad and what the Daeva priests expect from her. Meanwhile, Ali learns that he has more abilities than the ones “gifted” to him by the marids. Once again, Ali must find a way to keep his family safe while protecting the denizens of Daevabad from his father’s tyranny. These subplots move along with the plot at an appropriate rate providing development of the plot and the characters, and a way to continue the world-building left off in the first book. 

            The narrative continues from the points-of-view of Dara, Nahri and Ali. Once again, the P.O.V.s are 3rd person limited narrative; meaning they know only what is happening around them at that moment, which means the narrative is told in real time. Readers are aware of each protagonist’s thoughts thanks to their stream-of-consciousness, and because there are moments when one protagonist knows more than the other two at random intervals. All three protagonists are reliable narrators and they provide readers with everything that is going on with all of the characters—including moments of foreshadowing—which, can be followed easily due to the narrative’s sequence.

            The style S.A. Chakraborty uses continues from The City of Brass to The Kingdom of Copper. The history and the folklore of the Middle East—during the Ottoman Rule—continues to influence the story, and the themes of tyrannical rule and rebellion and its endless cycle within the story. The mood in this book is one of tension brought on by corruption and mistreatment of people and the fighting amongst the tribes and the growth of that tension. The tone in this story is how someone should react when tensions are to the point where unrest is coming and how someone should prepare themselves for it regardless of how others want them to act. Trusting one’s instincts is the only way someone can hope to survive when unrest is inevitable. 

            The appeal towards The Kingdom of Copper buildup from the first book. Readers and critics alike praised the author for continuing her fantasy story using her method of storytelling, which led to compliments about the story’s structure by a few readers. Now that the stakes have been raised, fans can only hope for more from S.A. Chakraborty. The critical acclaim will keep the book in popularity and in the fantasy canon. And, fans will be eager to read the story’s conclusion in The Empire of Gold when it is released. 

             The Kingdom of Copper is a strong sequel in The Daevabad Trilogy. The pacing of the world-building and the conflicts go at a more appropriate rate this time, and the input of a realm’s forgotten history makes the story more realistic. The complexity of the characters make them all the more tragic, yet lovable. This novel makes the upcoming conclusion to this trilogy to be very promising. 

My Rating: Enjoy It (4.5 out of 5)!

Why You Need to Read: "A Queen in Hiding"

The Nine Realms #1: A Queen in Hiding

By: Sarah Kozloff

Published: January 21, 2020

Genre: Fantasy/Coming-of-Age/Military Fantasy

            Though dusty sits the Nargis Throne

            While tyrants befoul and bluster;

            Though citizens do their yoke bemoan,

            And the Fountain’s lost its luster:

            Someday the drought shall be broken,

            And the wondrous Waters course clean,

            One dawn the words shall be spoken,

            As the long-lost heir becomes queen,

                                                                        (Epilogue, Cascada).

            Binge reading. It’s something some readers will do when the time comes for it. If a book in a popular series is about to be released, then fans will not just re-read, but binge read those books. This happens a lot with readers of comics, graphic novels and manga, but it occurs amongst fans and readers of other genres of literature as well. Within the fantasy genre, readers have and continue to binge read their favorite series, and it happens when the series has enough books for fans to pass their time with while waiting for the next book (i.e. Harry Potter, A Song of Ice and Fire, etc.,). Yet, every once in a while, an author will put out several of their books within a short time frame so that fans and readers can read them all at once and they won’t lose track of the events of the story. Brent Weeks did it with his The Night Angel Trilogy(from what I’ve read online); and now, Sarah Kozloff is doing the same with her debut series, The Nine Realms. All four books in the series will be released within four consecutive months so readers don’t have to wait too long to learn what happens next. A Queen in Hiding is the first book in the series. 

            The novel begins with the central protagonist, Princella Cerúlia, who is eight years-old, and her mother, Queen Cressa, on a visit to Chronicler Sewell, the royal scriber and historian, for Cerúlia’s Definition—the moment when the future queen’s Talent (magical ability) manifests, and then announced throughout the kingdom of Weirandale. Queen Cressa is an Enchanter whose Talent involves gaining the truth from other people and alternating someone’s memories, and her late mother, Queen Catreena was known as “The Strategist” for being able to strategize her movements several steps ahead of her opponents. While Queen Cressa worries about her daughter’s future, she is dealing with grievances from the realm of Oromondia—which is dealing with drought and poisoned water—who accuses the Queen and Weirandale of sending poisoned food to them, which they did not do. After an assassination attempt on the royal family, the queen spirits her daughter away to the region of Wyndton. There the princella is disguised as an orphaned peasant and hidden with a family who is loyal to the throne. Cerúlia goes by the alias, Wren, the adopted daughter of Wilim and Stahlia, and sister to Percia. This happens because Cressa learns that her Lord Steward, Matwyck, arranged the assassination attempt in order to rule as Lord Regent through her daughter and then imprison her once she comes of age to rule by herself. Meanwhile, Sumroth leads an army from Oromondo through the other realms in order to obtain food and resources for Oromondia’s survival. At the same time, Thalen, the son of a potter, is accepted into the Scolairíum (a university) in the Free States where he divides his time between studying the subjects Earth and Water, and History and Diplomacy. Throughout the narrative, Cerúlia/Wren and Thalen are the protagonists who develop the most; not only because they demonstrate growth through their learning and maturity, but also because it is obvious that their stories are the most relevant to the entire series (so far). There are several minor characters who are essential to the story in their own ways: those whose remain faithful to the Nargis Throne, those who sided with Matwyck and his treachery, and Cerúlia’s foster family who remain oblivious to Wren’s true identity. These characters are just as heartwarming and memorable as the protagonists. 

            The plot of A Queen in Hiding is one that will carry throughout the entire The Nine Realms series. The Queen of Weirandale fled her kingdom with her daughter so that the Nargis Throne could not be usurped by her traitorous council. However, she is killed before she can reclaim the throne, which forces the princella to remain in exile in order to avoid capture by those who usurped the throne in the first place. The main storyline narrates the occurrence of the before and the after of the usurpation, which follows Queen Cressa’s campaign to reclaim the throne, Princella Cerúlia’s upbringing while in hiding, and the “Regency” of Lord Matwyck and the lengths he goes to in order to maintain power. There are several subplots within this novel and they’re all necessary for the plot and its development. This first is the threat of Oromondia and its army. Due to the land not being able to sustain life, the leaders decide to invade the Free States for their survival. At the same time, the fire priests who travel with the army act as the Spanish Inquisition and punish the denizens stating that their “lack of faith” caused the land to become uninhabitable. The next subplot is Thalen’s education at the Scolairíum. Thalen (and the readers) learn how each of the realms operate, why the Oromondos are invading the other realms, and why the lack of a Weirandale ruler is upsetting the balance of the world. The last subplot is how the lower-class denizens of Weirandale are handling the brutal regency of Lord Matwyck and how they avoid detection from other nobles—and how they continue to track down the princella—as they continue to hope and to prepare for the return of the new Queen. All of the subplots go at an appropriate rate with the plot, and the pacing is believable because all of these campaigns and events would develop over the course of several years. 

            The narrative is told from several points-of-view from both the protagonists and the other characters in a chronological sequence. As all of the events unfold, the narrative moves from character and setting to character and setting. This allows readers to know everything that is going on from each of the characters’ 1st person P.O.V.s and their stream-of-consciousness. Because of this flow of narration from character to character, readers are able to keep track of everything that happens within the story. In addition, readers can determine for themselves which characters’ motivations and actions are justified. 

            The style Sarah Kozloff uses for A Queen in Hiding follows the tropes and the traditions of epic fantasy with elements of reality that make the story more believable to her audience. The elements of magic and religion with the use of science and knowledge lets readers know that the author does not want either her characters or her readers to become too reliable on one factor of knowledge over the other one. This is similar to our world; science doesn’t explain everything, and different realms have different governments and cultural practices. The author’s word choice and sentence structure reflects the age, the level of education, and the location of each P.O.V. character. The author’s style for her characters and settings enriches her world and her story; and, the inclusion of science and military strategy—knowledge we take for granted—demonstrate realism and familiarity for the readers and any potential foreshadowing in the next book(s). The mood in A Queen in Hiding is chaos. Weirandale is without a queen and at the mercy of a tyrant, Oromondia believes conquest will ensure their survival, and all of the scholars and the students at the Scolairíum lack common sense when it comes to preparing for and to fighting against an army of invaders. The tone in this novel is the consequences and the results of chaos across all realms regardless of conflict and government. I should mention that I read a digital ARC of this book and there were no maps to be found in my edition of the book. They’re not necessary, but they would have been helpful to have them in the book. 

            Fans of other epic fantasy series such as A Song of Ice and Fire, The Daevabad Trilogy, The Lord of the Rings and The Priory of the Orange Tree will enjoy this series the most. This is because A Queen in Hiding focuses on one main conflict and fantasy trope of “the missing heir” while exploring several other conflicts and world-building in other settings from the points-of-view of several other characters. And, there’s a bonus: each book will be released in consecutive months, so by April 2020, readers can read the entire quartet in one sitting! If the story moves at the same pace and uses the same style as in the first book, then the appeal for The Nine Realms will be a positive one. The time and the effort of the author to write this series and to convince the publisher, Tor, to release them all in consecutive months must be lauded because one, over 2,000 pages and God knows how many characters written and presented as one chronicle is an accomplishment all on its own; and two, I already plan (and want) to read the rest of the series, starting with Book 2, The Queen of Raiders

            A Queen in Hiding is a bold debut epic fantasy novel. Sarah Kozloff creates one world with nine realms and numerous characters and conflicts which are tethered in ways that keep the attention of the readers from beginning to end (of Book 1). By the time readers reach the end of this book, they will be pleased with the short waiting period for the next one, and the one after that, and the last one.

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Holy Sister”

Book of the Ancestor: Book Three: Holy Sister

By: Mark Lawrence

Published: April 9, 2019

Genre: Fantasy, Grimdark, Trilogy

            Lessons were over. The closed world of the convent was about to be broken open. The endgame had arrived, (Chapter 9). 

            Any literary series—whether or not they’re duologies, trilogies, quartets, 5, 6, 7, 10, 12, 15 books—follow similar formats in order to bring the story to a close. In many cases, the ending has a “good” ending for the remaining characters—and the dedicated readers. And yet, there are times when a “believable” ending is what is required for certain stories to have appropriate resolutions for everyone. Holy Sister by Mark Lawrence provides a “believable,” yet satisfying ending for the characters and the readers alike. All of the characters have an ending. 

            Nona Grey—our protagonist—is now around 19 years-old and is preparing for her examinations in Holy Class in order to become a nun at the Convent of Sweet Mercy. A lot has happened since the events in Grey Sister including: the escape from Sherzal’s Palace, the war that’s occurring on two fronts in Abeth, and Nona’s growth spurt. Through it all, Nona not only has to prepare for war (which, she is more than ready for), but also has to keep the promises she made to her friends and to her mentors. Nona matures throughout this novel as well. She is about to leave her teenaged years (but, NOT her adolescence) and she is making choices that will have a long-term effect on not just herself but everyone else, similar to Abbess Glass’ choices. At the same time, readers and Nona learn more about Zole (finally) and her ambitions. Zole is an ice-triber who was “found” be Sherzal and educated by her before attending Sweet Mercy. She was declared to be the “Chosen One” by Sherzal (and by Sister Wheel) at the time. While Zole did prove to be a 4-blood and very powerful, she never said she had plans to remain at Sweet Mercy beyond her education. Through Nona, we learn about Zole, her ambitions, and her culture. Zole does call herself Nona’s friend and she proves that to her over and over again. Both girls learn from each other and grow in both their powers, and their character. By the time the friends go their separate ways, we learn more about Zole and Nona, their roles in the prophecy, and their ambitions for themselves and all of Abeth. 

            There are 2 plots in Holy Sister. The first, Nona, the nuns and her friends—the other novices and her “cage mates”—are preparing to fight in the war that is moving closer and closer towards them. The second, follows Nona and Zole as they continue their escape from Sherzal’s Palace, with the Noi-Guin shipheart, immediately after the events of Grey Sister 3 years earlier. While in Holy Class, Nona gathers her friends in order to steal a book containing secrets about the 4 shiphearts, the Ark, and the prophecy of the “Chosen One.” However, the novices are not alone in seeking this book and the information within it. In addition, neither Nona, nor readers have forgotten about Sherzal, Lano Tacsis, Joeli Namsis, the Noi-Guin, Yisht, and Queen Adoma. Once again, grudges and ambitions take precedence over the problems at hand. The question is, who will be the victor as the war rages around them? Meanwhile, 3 years prior, Nona and Zole are leading the Noi-Guin away from the others who survived the assault on Sherzal’s Palace. With the Noi-Guin shipheart in their possession, the “Argatha” and her “Shield” make their way towards the Ice—where the ice-tribers, including Zole, reside. Throughout the escape, Nona learns about Zole, the ice tribes, and the shiphearts. Nona learns where Zole fits into everything that has happened at Sweet Mercy, and the power of the shiphearts. These two plots present the growth of the characters and the on goings in Abeth. At the same time, there are two subplots. One is Abbess Glass’ continued influence and plans for the endgame; two is the prophecy of the “Chosen One” and its interpretation and its (true) meaning. Both plots and both subplots converge into this final moment in Nona’s education. Everything fits together as the plot hits the climax and moves towards the resolution. Everything moves at an appropriate rate and all is revealed in due time. 

            The narrative is limited omniscient narration—only from Nona’s point-of-view—with a sequence that moves from “Present Day” to “3 Years Earlier.” Nona Grey is out reliable narrator as she continues on her journey to fulfill her role in the war (and in the prophecy). Her stream-of-consciousness goes from the war to the escape (which, is told in present tense) and her powers determine where and what Nona witnesses and experiences. At first, readers will wonder as to why the story is being told from one point in time to another one, but what Nona experiences in both narratives determine her actions as the war reaches its climax. Once this is realized, then the narrative can be followed easily. 

            The style Mark Lawrence uses changes slightly from what readers have gotten used to, but it remains relevant to the story he is telling. The prophecy and its interpretation and its meaning continues, but the significance and the importance of playing the endgame for the long run is essential in this story as well. Readers already know that the prophecy will come to pass in Holy Sister, but how will it affect the other characters? The author reminds his readers that prophecies and war focus on one event in particular, while ambitions last beyond the short term. Behind the frontlines, each character is thinking about what they will do if they survive the war and whether or not the prophecy comes to pass. The mood is war and what it brings with it; the tone is the choices individuals make as a result of war. And, the choices are not always for the good of all of the denizens. Power determines the victor in most wars, but once the war is over, what happens next? This is the importance of the endgame. Planning before and during should being a reasonable after in the long run. 

            The appeal of Holy Sister matches those in the rest of the Book of the Ancestor trilogy, positive and satisfying. Mark Lawrence has delivered a trilogy with magic, history and action alongside strong, yet flawed female characters. This series is an amazing addition to the fantasy genre, and Nona Grey is right alongside Alanna of Trebond and Lyra Belacqua as resilient and powerful female characters who proved themselves against all perceived notions against them. The popularity of this series has given readers a surprise from the author. Readers will get the chance to return to Abeth when The Girl and the Stars, the first book in the Book of the Ice is released in April 2020. 

            Holy Sister is satisfying end to the Book of the Ancestor trilogy. Both the plot and the characters are given reasonable and believable ends to their stories. The pacing and the world-building provide answers to the questions the characters and the readers had previously. Fans of fantasy and grimdark will enjoy the conclusion to this series. Mark Lawrence presents another brilliant series. 

My Rating: MUST READ IT NOW (5 out of 5)!!! 

Why You Need to Read: “The Gutter Prayer”

Book One of the Black Iron Legacy: The Gutter Prayer

By: Gareth Hanrahan

Audiobook: 16 hours 58 minutes

Narrated by: John Banks

Published: January 15, 2019

Genre: Fantasy, Grimdark 

WARNING: This review contains some spoilers. You have been warned. 

…the thieves—the ghoul, the Stone Boy, the nomad girl…(Prologue).

            All readers have at least this one thing in common—so many books and very little time to read them all. With so many books—in all genres—being released to the acclaim of both critics and readers, there are moments when a reader does not know which book to read next. Also, there are times when a reader wants to read a book but has to find a way to read it alongside the other books they are reading. In this case, I wanted to read The Gutter Prayer—a grimdark fantasy debut novel by Gareth Hanrahan—which, I have heard nothing but positive things about the book. However, I didn’t have time to read my eBook copy, and I did not want to wait until “later” to read it. So, the only option I had left was the audiobook. I bought it and I prayed that the narration would be as good as the story, and I was not disappointed in either one! The Gutter Prayer is one of the most creative and most entertaining debut novels I’ve read in a while; and, listening to the audiobook gave me a new respect and outlook on narrators. 

            This novel contains several characters. There are 3 protagonists: Carillon Thay, or Cari, a young woman who lived a nomadic life before becoming a thief for the Guild; Rat, a ghoul who is considered to be of a young age amongst other ghouls; and, Spar, a lifelong member of the Thieves’ Guild, who is also a Stone Man, suffering from a disease that slowly petrifies people. When we first meet this trio, they are breaking into a building to steal some documents as appointed by Heinreil, the Guild’s leader. After the job goes awry, we meet: Jere: a thief-taker (a.k.a. bounty hunter) who has a borderline obsession with the trio; Professor Ongent and his son, Miren, scholars with their own baggage and piqued interest in Cari; Eladora Duttin, Cari’s cousin whom she has not seen since they were children; and, Aleena, a woman with unusual ties to Cari. This motley band of characters are about to become acquainted with each other whether or not they want to be. All of the characters are rounded and complex and have down-to-Earth concerns, secrets, and ambitions. At first, readers assume these characters are static and are expected to adhere to the tropes, but the complexity and the connection these characters have demonstrate how each of them develop throughout the novel. 

            The plot of The Gutter Prayer is extremely intriguing: 3 thieves are betrayed by their leader, and as they plot their revenge they uncover not only political conspiracies, but also an ongoing war amongst gods, mages, and alchemists. All the while, Cari, Rat and Spar are linked to this war whether or not they want to be. However, if they want a chance at vengeance, then they must stop Armageddon from happening. Of course, this is easier said than done, but they are not alone. The subplots are interconnected with the plot. First, there are Cari and Eladora. Most of their relatives were killed in a massacre, in which neither Cari, nor Eladora were present. Cari ran away from home and became a thief, and Eladora settled in Guerdon to distance herself from her religious zealot mother. Professor Ongent and Miren take interests in them, but Cari can’t shake the feeling that the Professor has ulterior motives. Next, Spar struggles with the disease that will kill him eventually. At the same time, he knows it’s time to fight Heinreil in order to become the Head of the Thieves’ Guild. This is one of two promises Spar makes to Cari; the second one involves getting back an amulet Heinreil took from Cari. Last, Rat, the ghoul who spends as much time underground as he does above it, is very knowledgeable about the ongoing war between the gods and all of the mages. What the others don’t know is that Rat and the other ghouls have a role to play in the war as well. All of these subplots are necessary for the plot to go at an appropriate rate. This is because, as the plot continues, readers learn the hows and the whys all of these characters remain motivated to stop the mages from bringing destruction to the world. 

            The narrative follows a chronological sequence of events that are told from multiple points-of-view. From the botched robbery to the motives of all of the characters, the readers learn everything that is happening and why from all of the locations the characters find themselves in. Usually, in narratives like these, it is difficult to determine which of the characters are reliable. However, due to each of the protagonists’ stream-of-consciousness—which include flashbacks of important moments in their lives—readers are able to follow the narrative easily. In other words, readers learn where each protagonist is coming from and are able to understand them a lot more. 

            The style Gareth Hanrahan uses is very interesting, and it brings out the grimdark aspect within the fantasy. The author created a world where ghouls are NOT the threat, but mages, saints, and wax figures are working to prompt Armageddon. In addition, the use of word choice and figurative language—especially when it comes to describing bells and medallions—clues readers in as to what they should pay attention to. The mood of The Gutter Prayer is preventing the coming of the end of the world and the lengths people go to either to invoke it, or to prevent it. No one survives the coming or the prevention of the end-of-the-world unscathed, so the mood here would be the tension of the dilemma. And, while the author did this unknowingly (I asked him about it on social media), a lot of the action occurs on “Desiderata Street.” Anyone who is familiar with the poem, Desiderata by Max Ehrmann, knows that it is a reminder to individuals to strive for high ideals and to respect others the way they want to be treated. This is the tone of the novel, and this “way of life,” is the philosophy (remember “Philosopher’s Street”?) which, is reflected in one of the protagonists. Yes, it sounds cliché, but the way this is used within the author’s style of writing doesn’t feel that way at all. 

            The appeal surrounding The Gutter Prayer have been beyond positive. While it’s obvious that grimdark fans will enjoy this book the most, this should NOT be missed by other fantasy fans and readers! This debut—yes, remember debut—novel is already considered to be one of the “Best Sci-Fi/Fantasy Books of 2019” by both Amazon and Barnes & Noble. Social media fandoms kept raving about this book to the point where I knew I had to find a way to read it. So, I bought the audiobook. The narrator, John Banks, was perfect for voicing this book. The way he used his voice to convey each character and to describe the setting the way he did matched the story perfectly. I felt that John Banks’ narration embellished the story. And, while I hope to read The Shadow Saint, the upcoming sequel to The Gutter Prayer (to be released on January 9, 2020), I wouldn’t mind if John Banks narrated that book and any other ones in the series as well. It did not feel like I was listening to 17 hours of a novel, it felt like I was there!

            The Gutter Prayer is a striking addition to the fantasy genre. It’s dark and twisted story will remind readers that fantasy is more than “knights in shining armor arriving to save the world.” The fact that it is a debut novel will leave fans craving for more from Gareth Hanrahan. If you’re a fan of fantasy and you want something both new and different, then look no further. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Darkdawn”

The Nevernight Chronicle: #3: Darkdawn

By: Jay Kristoff

Published: September 3, 2019

Genre: Fantasy, Grimdark, Historical Fantasy, Folklore

NOTE: This review contains spoilers from both Nevernight and Godsgrave.

            Goddess, if only we’d known what she’d become…(Chapter 33, Wellspring). 

            Darkdawn is the stunning conclusion to The Nevernight Chronicle. Jay Kristoff gives his readers a blood-soaked conclusion to his antiheroine that rivals “The Bride” from Kill Bill and Kratos from God of War. Mia Corvere and her vengeance concludes in Darkdawn, and the author delivers on everything he promised his readers and gives them even more.

            Mia Corvere has transformed from an assassin of the Red Church to a gladiator of the Falcons of Remus to the most infamous murderer in the Itreyan Republic. While she was killing her family’s enemies, she made a startling discovery and acted without thinking. Her brother, Jonnen, has been alive the entire time and has been raised as Consul Julius Scaeva’s son. More about Scaeva’s deception is revealed to Mia and she realizes that her identity was a lie as well. As she comes to terms with this new information, Mia learns that she has been chosen to “seek the Crown of the Moon.” It turns out the gods and the goddesses of the Itreyan Republic are as real as the magic in that world. Mia’s power of a darkin is strongest during Nevernight—which, is coming again soon—and, when the Mother Goddess—Niah, the Maw, the Mother of Night, and Our Lady of Blessed Murder—is strong enough to get her vengeance on Aa—the Father of Light, the Everseeing—her husband. Mia is powerful enough to assist the Maw with her path for revenge. However, Mia has accomplished her tasks and wishes to put as much distance between herself and the Itreyan Republic as possible. But first, Mia has to complete purging the Red Church who has sent ALL of their assassins after her. Meanwhile, Mercurio—Mia’s mentor and foster father—is a captive in the Red Church to use as bait to lure Mia Corvere to them. At the same time, Mercurio learns of the role he’s to play in the Mother’s plan, and it’s as shocking to the readers as it is to him! Throughout the story, we see Mia being split between keeping her brother and her friends safe and killing Consul Scaeva once and for all and following the path the Mother has laid before her. Mia deals with all of these revelations the only way an 18-year-old can…by lashing out; and, Mia’s method of lashing out involves killing a lot of people. Mia is now the most lethal assassin in the history of the Itreyan Republic and the true faith of the Maw expects Mia to fulfill her final task. Will Mia accept the task of the Mother? 

            The plot in Darkdawn is the conclusion to Mia’s life. Readers have known since Nevernight that Mia Corvere would die. The question was how and why. Mia’s quest for revenge now includes the Red Church and anyone Consul Scaeva sends after her. On top of that the Mother (darkness) and the Father (sunlight) are preparing to meet each other and to end their “spousal disagreement.” Mia has to battle gods and goddesses at the same time she is battling mortals. The plot develops as Mia and Mercurio learn more about the history of the Red Church and the darkin. As for the history of the gods and the goddesses, all of those footnotes throughout the trilogy was information as to what would occur eventually. The immortals—like all mythologies—have foresaw their Ragnarök and Mia is to play a very critical role in the end of the Itreyan Republic. Will the gods allow Mia to defeat them? Along with this subplot is the subplot of Mia’s reunion with Jonnen and the relationship she struggles to build with him. These subplots are crucial to the conclusion of The Nevernight Chronicle and they take over the plot of Darkdawn as the story continues. The plot starts with and ends with Mia Corvere. 

            The narrative in Darkdawn is a continuation of Nevernight and Godsgrave until the final part of Darkdawn (Book 4, The Ashes of Empires). From there, the story seems to follow a stream-of-consciousness in the present tense, until it shifts back to the 3rd limited point-of-view. This narration allows readers to follow the actions of Mia, Ashlinn, Jonnen, Mercurio, and other characters as all is revealed throughout the Itreyan Republic. Mia—even with her darkin abilities—cannot be everywhere at once, so readers get the chance to learn how all of these characters are feeling with their situation and what will come to pass. While readers might not like certain characters, their narratives are objective and essential to the story that is being told. The footnotes remain informative and hilarious but are just as vital to the story as the world-building. Everything converges within the narrative. 

            The style Jay Kristoff uses continues in the final book in this trilogy. The events of the past are told in italics, the darkin’s dialogue are told using various font sizes, and the footnotes continue to explain Itreya’s history and culture. That last part is crucial to the narrative because it can be argued that the history and the culture was the real story being told in The Nevernight Chronicle. For example, the “author” of the entire chronicle is revealed, and once readers get over their shock, they will realize that it makes a lot of sense. On top of that readers are reminded that books still enact a sense of fear whether or not it’s the reader or the people mentioned within it. Jay Kristoff reveals the actual story he is telling in his trilogy, the anger of a goddess and the revenge she is waiting to enact on her husband. Similar to how Mia wants vengeance for her family, Niah wants revenge against Aa. The clues were in the titles: Nevernight, Godsgrave, and Darkdawn. The author wasn’t only telling Mia’s story, but also creating his own mythology about the world he created: the gods and the goddesses, how they created the world, and the religion that came out of it as well. The mood in Darkdawn is the coming end of an empire, a cult and its followers, and the protagonist. Readers are familiar with the saying, “tear it all down and begin anew.” Usually this statement comes out of the mouth of a madman; however, in the case of the Itreyan Republic—similar to the Roman Empire—there is so much corruption and greed that the end was going to happen sooner or later (I’m not a historian). The tone of this novel follows the idiom: “the sins of the father shall be visited upon the sons.” The actions of Mia and Jonnen’s parents are reaped by the siblings. At the same time, the actions of the gods affect the mortals who worship them. And yet, the same emotions are felt by mortals and by immortals alike. 

            The appeal surrounding Darkdawn will be a positive one. I received an ARC of this book and Jay Kristoff gives a satisfying ending to this creative and bloody trilogy. Fans of fantasy and grimdark will enjoy this story. Readers of historical fiction will appreciate the parallels (and the research) to the Roman Empire. And, folklore enthusiasts and experts will love how the author reminds his audience of the source of magic and faith found throughout the trilogy. Darkdawn concludes the way it does as mentioned in the beginning of Nevernight.

            Darkdawn is the action-driven end to a fast-paced trilogy. Mia Corvere’s life story ends as it began, with blood and death. Readers will cringe at the death count, will mourn the characters who die, and won’t be able to stop reading until the end. Fans will complete The Nevernight Chronicle and be more than satisfied with its conclusion. Mia Corvere is one of the best antiheroines I’ve ever read. Thank you Jay Kristoff for sharing her story with us! 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Grey Sister”

Book of the Ancestor: Book Two: Grey Sister

By: Mark Lawrence

Published: April 3, 2018

Genre: Fantasy, Grimdark, Sequel

            “You’re powerful Nona, and you’ve come into your power at an early age. The understanding that power corrupts is an idea older than the language we repeat it in. All of us in positions that afford authority over others are susceptible, be we high priests, prime instigators, even abbesses.”

            “Or emperors,” Nona said.

            The abbess winced. “Some truths are better left implied, dear,” (Chapter 17).

            Sequels and other follow ups to their predecessors work well when the events that occurred beforehand are addressed AND the action picks up where it left off. In addition, both the plot development and the character development must continue to show growth in order for the story to remain realistic, and to keep the attention of the reader(s). Mark Lawrence achieves all of this in Grey Sister, the Second Book of the Ancestor.

            The second book in the trilogy has two protagonists: Nona Grey, who is now around 14 years-old and just reached Mystic Class; and Abbess Glass, the Reverend Mother and Headmistress at the Convent of Sweet Mercy. From these protagonists, readers are able to gain knowledge of the on goings of everything happening at the Convent. Nona is coming into her powers and her abilities and is dealing with the consequences of her actions from her time in Grey Class. At the same time, Abbess Glass continues her task of running the Convent and continuing her task of exposing corruption inside and outside of the Convent. More is at stake for both female protagonists as both the Emperor and the Inquisition continue to meddle in the affairs of the Church. All of the other novices: Ara, Darla, Ruli, Jula, and Zole, and the nuns: Wheel, Apple, Kettle, Pan, Rose, Tallow, and Rail know that more is happening outside of the Convent than the Emperor is willing to admit. And, once again, Nona meets up with a few of her former “cage mates,” who have grown into their abilities as well. Everyone is preparing for a war that is inevitable. Nona must endure the obstacles and the hardships in order to graduate from Mystic Class. Abbess Glass must use all of her wisdom and her connections to keep everyone safe, including the “Chosen One” and her “Shield.”

            The plot for Grey Sister is a continuation from Red Sister. Nona and her friends and classmates continue with their classes and the nuns continue their work inside and outside of the Convent. All of this occurs after the betrayals and the heartbreaks from the last two years. These events prompt the identity of the “Chosen One” to be revealed, which brings a motley crowd of zealots and doubters alike. At the same time, neither the noble families, nor the nuns have forgotten the efforts of one noble family’s continued plans to kill Nona. Nona is struggling with her classes due to the long-term “consequence” of the attack on her life. Through it all, Nona grows stronger and more powerful to the delight of her peers and to the horror of her enemies. If Nona wishes to remain at the Convent of Sweet Mercy and to stay alive, then she must find a way to navigate herself through her trials. The subplot of the “Chosen One” is growing and merging into the plot of Nona’s education and the significance of the 4 tribes that traveled to Abeth.

            Once again, the narrative is limited omniscient narration, meaning the readers and the protagonists know what is being experienced at that moment through the character’s point-of-view. Unlike Red Sister, the narrative in Grey Sister is told in real-time through the P.O.V.s of both Nona and Abbess Glass. Thus, these stream-of-consciousness narrations are reliable and can be followed by readers easily. It should be mentioned that the present narration of Grey Sister starts with Chapter 2. Chapter 1 picks up with the cliffhanger from Red Sister, and the Prologue provides a continuation of the action first introduced in the Prologue in Red Sister. Since Grey Sister’s narration is told in the present, any events of the past that is mentioned proves to be a revelation to both the characters and the readers. This is because what gets revealed demonstrates that everything that is, has been, and will continue to happen is bigger and more grievous than anyone at the Convent of Sweet Mercy could imagine. 

            The style Mark Lawrence uses in Grey Sister is a continuation of how prophecy is exploited through means of distraction. Those involved directly with the prophecy want nothing more than to be left alone and to live their lives as “normal” individuals. Some hopefuls wish for the “divine” powers of the “Chosen One” to work miracles for them only to be left disappointed with this notion. Then, there are those who use the prophecy as a way to fulfill their agendas, typically political ones. And, if the prophecy of the “Chosen One” is a distraction, then the political agendas of several noble families, including the Royal Family, serves as the knowledge that no one wants to admit is the issue: war is coming. In other words, religion is exploited in order to distract everyone from the politics of society. This is the mood found within Grey Sister; and, the tone is how the truth—surrounding both religion and politics—is revealed and the reactions and the consequences of it. There are neither winners, nor losers, yet everyone continues to believe whatever they want to believe in. 

            The appeal of Grey Sister is as positive as Red Sister. Fans of the first book had just as many praises for its sequel. This is because the sequel continues to build and to develop the characters, the plot, the world-building, and the action. Not only will readers want to re-read this book (to search for clues and Easter Eggs), but also to continue recommending this series to other readers, all while waiting to read Holy Sister, the third and final book in the series. 

            Grey Sister is an amazing sequel to Red Sister. This is because there is an expansion of the world and further development of both the plot and the characters. At the same time, the events and the revelations from the first book play a critical role that cannot be overlooked. The story is as immersive as the action is entertaining. Mark Lawrence’s novel is a must-read for fans of both fantasy and grimdark.

My Rating: MUST READ IT NOW (5 out of 5)!

Why You Need to Read: “Godsgrave”

The Nevernight Chronicle: Book Two: Godsgrave

By: Jay Kristoff

Published: September 5, 2017

Genre: Fantasy, Grimdark, Historical Fiction

            Ashlinn sighed, her temper fraying. “You have no fucking idea what’s going on here, do you? I know you, Mia. Do you have any idea what the Red Church actually is? Do you think they’re ever going to let you kill Scaeva when he pays their wages?”

            Mia felt the consul’s name like a fist in her belly. 

            “You’re full of shit.”

            “Why do you think Scaeva isn’t dead already?”(Chapter 10, Secrets). 

            Godsgrave—the follow up to Nevernight—is an action-packed fantasy story from beginning to end. Conspiracies are uncovered and secrets are revealed, and characters grow more into themselves. Mia Corvere’s quest for revenge continues when she learns more about the Red Church and the politics of The Republic of Itreya. Jay Kristoff not only delivers an amazing sequel to his readers, but also gives us his take on the Gladiator Games, which are based on the ones from Ancient Rome. 

            Mia Corvere is now a Blade—an assassin—for the Red Church. Thus, she is closer to achieving her quest for vengeance; or, she would be if she hadn’t uncovered a conspiracy within the Red Church that includes her family. Curious to learn more about this connection, she goes undercover by selling herself to one of the noble families—similar to the one she grew up in—as a gladiator. Mia not only has to survive and to learn how to fight within these games, but also must navigate her way into the inner circle of the elite. Mia makes new allies, works with her darkin (shadow) companions, and works with a frenemy. Mia realizes that if she had continued living the life as a Justicus’ daughter it would not have equated to a happy life. At the same time, she learns more about why her parents rebelled against The Republic of Itreya. All the while, Mia learns how to fight as a gladiator, which is its own style and not like how she learned to fight at the Red Church. This is Mia’s coming-of-age story in which she sees everything for what it actually is and how to adapt to this new knowledge, just like everyone else goes through while growing up. Mia and all of the characters she interacts with are as complex as her. 

            The plot is straightforward; Mia continues her path to avenge her family. She’s closer to that goal now she’s a Blade for the Red Church. However, when she’s told not to pursue her target, Mia begins to question the operations within the order. Mia decides to go rogue and to continue her quest by selling herself as a slave to a gladiatorial collegium in order to get closer to Consul Scaeva. There she learns how to fight as a gladiator and how deep conspiracies run. The subplot is Mia learning the hows and the whys of her government and the roles her parents had in it before the rebellion. Both the plot and the subplot are linked in that Mia learns some hard truths about the life she thought she had and lived. This turn of events could alter the way Mia carries out the rest of her plans.

            The narrative in Godsgrave continues from what it was in Nevernight. The events of the past lead up to the events in the present. The difference here is that the narration is in the 3rdperson omniscient point-of-view. Readers want to know what is happening with the other characters when Mia is not around, and the author gives that to us with that method of narration. The world-building continues in the second book through the footnotes, which remain informative and hilarious. Jay Kristoff’s world continues to grow through his narration. 

            The style continues as it started in the first book. Remember, this story is supposed to be one huge chronicle, so the style won’t change, which is a good thing because changing the style would change the way the story is being told and we don’t want that to happen. So, the events of the past are written in italics, the darkins’ dialogue are told using smaller font sizes, and the footnotes continue to explain Iterya’s history and culture. The mood, once again, lets readers know that this world is not a caring one; even the elite mistreat each other. The tone illustrates how an individual could react to such mistreatment; and, it is not good. 

            Godsgrave is the follow up that fans and readers crave for from a sequel. The appeal surrounds how the story and the plot develop through character growth and world expansion. Jay Kristoff succeeds in providing a perfect continuation of this trilogy. It’s safe to assume the same will happen in Darkdawn, the final book in the trilogy. 

            Godsgrave is the perfect transition from Nevernight to the point where you forget that you’re reading two separate books. The theme of doing the wrong thing for the right reason continues in this narrative and in many of the characters. Fans will not be disappointed with this sequel! Mia Corvere’s journey continues to grasp our attention!

My Rating: MUST READ IT NOW (5 out of 5)!!!