She shook her head. “Whatever the consequences, Dara acted to protect my daughter from a fate I fought for decades. I cannot fault him for that. And if you think Ghassan wasn’t looking for a reason to crack down on the Daevas the instant a Nahid and Afshin strolled through the gates of Daevabad, you clearly do not know him at all.” She gave them another sharp look. “Tearing each other apart is not why we are here,” (4, Dara).
As I mentioned in my review of The City of Brass, the first book in The Daevabad Trilogy, this is a series in which the characters and the world are influenced by Middle Eastern history, culture and folklore. Yet, the story of political power, corruption and struggle is a universal theme in stories and an issue within our world. The Kingdom of Copper expands both the influences and the themes in the magical world S.A. Chakraborty presents to us.
The story takes place 5 years after Dara’s—short for Darayavahoush e-Afshin—death and resurrection, Nahri’s forced marriage to Prince Muntadhir, and Prince Alizayd’s—Muntadhir’s younger brother—exile to Am Gezira for plotting against his father, King Ghassan al Qahtani. Dara has been resurrected by Manizheh, Nahri’s mother—who faked her death in order to protect herself and her family—so that he can assist her in leading a rebellion against King Ghassan for his treachery and in order to reclaim the throne that was held by the Nahids—the ancestors and tribe of Nahri and Manizheh. Nahri is now wife to Muntadhir, the king’s son and heir, is the new Banu Nahid, or royal healer, and is trapped in the gilded cage of the palace with no one she can trust. She uses her healing gifts and her desire to be a physician in order to cope with her current scenario and unwanted status. Prince Ali has settled in a small community in an oasis in Am Gezira away from his father’s assassins and members of his mother’s family (who want him on the throne). During his exile he learns how to control the abilities gifted to him by the marid, water spirits, on the night he slew Dara. All three protagonists are in scenarios based on the poor choices they made 5 years ago. They all have to live with the consequences of their actions and find other methods to achieve their original goals. Dara, Nahri and Ali develop further into maturity and they must find a way to maneuver through the unrest between ruling classes and amongst the six tribes of the djinn. The complexity of their situations mirror the complexity of their characteristics.
The plot continues from where The City of Brass left off. King Ghassan continues to subdue his subjects—mostly the shafit (those of mixed human and djinn heritage)—to harsh treatment and brutal punishments for minor offenses. Ghassan believes with Ali exiled for his betrayal, the death of the last of the Afshins (a.k.a. Dara), and his dominance over Nahri and the supporters of the Nahids he’ll remain in control. However, the king’s enemies have learned how to work underground and soon of the king’s subjects will revolt against the descendants of the rebel who overthrew the Nahids from power. This plot was the subplot in the first book, and it proves how relevant it is to this story’s narrative. There are two main subplots. The first regards Dara and his failure to protect Nahri is the latest of his long list of failures. Due to his imprisonment before meeting Nahri, Dara hasn’t had time to deal with the consequences of his actions that led to the death of his family. Not to mention, Dara’s memories are becoming clearer and he’s starting to remember the events that led to his actions from centuries ago, and those memories are causing him to question whether or not his alliance with Manizheh will lead to similar consequences. The second subplot focuses on the concept of identity and what it means for both Nahri and Ali. Nahri knows she is descended from the Nahids, but she’s not sure what that means. She doesn’t trust anyone in Daevabad, so promises of better things to come by the priests and the other healers means nothing to her. At the same time, Nahri stumbles over information as to how and what her ancestors were really like during their reign in Daevabad and what the Daeva priests expect from her. Meanwhile, Ali learns that he has more abilities than the ones “gifted” to him by the marids. Once again, Ali must find a way to keep his family safe while protecting the denizens of Daevabad from his father’s tyranny. These subplots move along with the plot at an appropriate rate providing development of the plot and the characters, and a way to continue the world-building left off in the first book.
The narrative continues from the points-of-view of Dara, Nahri and Ali. Once again, the P.O.V.s are 3rd person limited narrative; meaning they know only what is happening around them at that moment, which means the narrative is told in real time. Readers are aware of each protagonist’s thoughts thanks to their stream-of-consciousness, and because there are moments when one protagonist knows more than the other two at random intervals. All three protagonists are reliable narrators and they provide readers with everything that is going on with all of the characters—including moments of foreshadowing—which, can be followed easily due to the narrative’s sequence.
The style S.A. Chakraborty uses continues from The City of Brass to The Kingdom of Copper. The history and the folklore of the Middle East—during the Ottoman Rule—continues to influence the story, and the themes of tyrannical rule and rebellion and its endless cycle within the story. The mood in this book is one of tension brought on by corruption and mistreatment of people and the fighting amongst the tribes and the growth of that tension. The tone in this story is how someone should react when tensions are to the point where unrest is coming and how someone should prepare themselves for it regardless of how others want them to act. Trusting one’s instincts is the only way someone can hope to survive when unrest is inevitable.
The appeal towards The Kingdom of Copper buildup from the first book. Readers and critics alike praised the author for continuing her fantasy story using her method of storytelling, which led to compliments about the story’s structure by a few readers. Now that the stakes have been raised, fans can only hope for more from S.A. Chakraborty. The critical acclaim will keep the book in popularity and in the fantasy canon. And, fans will be eager to read the story’s conclusion in The Empire of Gold when it is released.
The Kingdom of Copper is a strong sequel in The Daevabad Trilogy. The pacing of the world-building and the conflicts go at a more appropriate rate this time, and the input of a realm’s forgotten history makes the story more realistic. The complexity of the characters make them all the more tragic, yet lovable. This novel makes the upcoming conclusion to this trilogy to be very promising.
Binge reading. It’s something some readers will do when the time comes for it. If a book in a popular series is about to be released, then fans will not just re-read, but binge read those books. This happens a lot with readers of comics, graphic novels and manga, but it occurs amongst fans and readers of other genres of literature as well. Within the fantasy genre, readers have and continue to binge read their favorite series, and it happens when the series has enough books for fans to pass their time with while waiting for the next book (i.e. Harry Potter, A Song of Ice and Fire, etc.,). Yet, every once in a while, an author will put out several of their books within a short time frame so that fans and readers can read them all at once and they won’t lose track of the events of the story. Brent Weeks did it with his The Night Angel Trilogy(from what I’ve read online); and now, Sarah Kozloff is doing the same with her debut series, The Nine Realms. All four books in the series will be released within four consecutive months so readers don’t have to wait too long to learn what happens next. A Queen in Hiding is the first book in the series.
The novel begins with the central protagonist, Princella Cerúlia, who is eight years-old, and her mother, Queen Cressa, on a visit to Chronicler Sewell, the royal scriber and historian, for Cerúlia’s Definition—the moment when the future queen’s Talent (magical ability) manifests, and then announced throughout the kingdom of Weirandale. Queen Cressa is an Enchanter whose Talent involves gaining the truth from other people and alternating someone’s memories, and her late mother, Queen Catreena was known as “The Strategist” for being able to strategize her movements several steps ahead of her opponents. While Queen Cressa worries about her daughter’s future, she is dealing with grievances from the realm of Oromondia—which is dealing with drought and poisoned water—who accuses the Queen and Weirandale of sending poisoned food to them, which they did not do. After an assassination attempt on the royal family, the queen spirits her daughter away to the region of Wyndton. There the princella is disguised as an orphaned peasant and hidden with a family who is loyal to the throne. Cerúlia goes by the alias, Wren, the adopted daughter of Wilim and Stahlia, and sister to Percia. This happens because Cressa learns that her Lord Steward, Matwyck, arranged the assassination attempt in order to rule as Lord Regent through her daughter and then imprison her once she comes of age to rule by herself. Meanwhile, Sumroth leads an army from Oromondo through the other realms in order to obtain food and resources for Oromondia’s survival. At the same time, Thalen, the son of a potter, is accepted into the Scolairíum (a university) in the Free States where he divides his time between studying the subjects Earth and Water, and History and Diplomacy. Throughout the narrative, Cerúlia/Wren and Thalen are the protagonists who develop the most; not only because they demonstrate growth through their learning and maturity, but also because it is obvious that their stories are the most relevant to the entire series (so far). There are several minor characters who are essential to the story in their own ways: those whose remain faithful to the Nargis Throne, those who sided with Matwyck and his treachery, and Cerúlia’s foster family who remain oblivious to Wren’s true identity. These characters are just as heartwarming and memorable as the protagonists.
The plot of A Queen in Hiding is one that will carry throughout the entire The Nine Realms series. The Queen of Weirandale fled her kingdom with her daughter so that the Nargis Throne could not be usurped by her traitorous council. However, she is killed before she can reclaim the throne, which forces the princella to remain in exile in order to avoid capture by those who usurped the throne in the first place. The main storyline narrates the occurrence of the before and the after of the usurpation, which follows Queen Cressa’s campaign to reclaim the throne, Princella Cerúlia’s upbringing while in hiding, and the “Regency” of Lord Matwyck and the lengths he goes to in order to maintain power. There are several subplots within this novel and they’re all necessary for the plot and its development. This first is the threat of Oromondia and its army. Due to the land not being able to sustain life, the leaders decide to invade the Free States for their survival. At the same time, the fire priests who travel with the army act as the Spanish Inquisition and punish the denizens stating that their “lack of faith” caused the land to become uninhabitable. The next subplot is Thalen’s education at the Scolairíum. Thalen (and the readers) learn how each of the realms operate, why the Oromondos are invading the other realms, and why the lack of a Weirandale ruler is upsetting the balance of the world. The last subplot is how the lower-class denizens of Weirandale are handling the brutal regency of Lord Matwyck and how they avoid detection from other nobles—and how they continue to track down the princella—as they continue to hope and to prepare for the return of the new Queen. All of the subplots go at an appropriate rate with the plot, and the pacing is believable because all of these campaigns and events would develop over the course of several years.
The narrative is told from several points-of-view from both the protagonists and the other characters in a chronological sequence. As all of the events unfold, the narrative moves from character and setting to character and setting. This allows readers to know everything that is going on from each of the characters’ 1st person P.O.V.s and their stream-of-consciousness. Because of this flow of narration from character to character, readers are able to keep track of everything that happens within the story. In addition, readers can determine for themselves which characters’ motivations and actions are justified.
The style Sarah Kozloff uses for A Queen in Hiding follows the tropes and the traditions of epic fantasy with elements of reality that make the story more believable to her audience. The elements of magic and religion with the use of science and knowledge lets readers know that the author does not want either her characters or her readers to become too reliable on one factor of knowledge over the other one. This is similar to our world; science doesn’t explain everything, and different realms have different governments and cultural practices. The author’s word choice and sentence structure reflects the age, the level of education, and the location of each P.O.V. character. The author’s style for her characters and settings enriches her world and her story; and, the inclusion of science and military strategy—knowledge we take for granted—demonstrate realism and familiarity for the readers and any potential foreshadowing in the next book(s). The mood in A Queen in Hiding is chaos. Weirandale is without a queen and at the mercy of a tyrant, Oromondia believes conquest will ensure their survival, and all of the scholars and the students at the Scolairíum lack common sense when it comes to preparing for and to fighting against an army of invaders. The tone in this novel is the consequences and the results of chaos across all realms regardless of conflict and government. I should mention that I read a digital ARC of this book and there were no maps to be found in my edition of the book. They’re not necessary, but they would have been helpful to have them in the book.
Fans of other epic fantasy series such as A Song of Ice and Fire, The Daevabad Trilogy, The Lord of the Rings and The Priory of the Orange Tree will enjoy this series the most. This is because A Queen in Hiding focuses on one main conflict and fantasy trope of “the missing heir” while exploring several other conflicts and world-building in other settings from the points-of-view of several other characters. And, there’s a bonus: each book will be released in consecutive months, so by April 2020, readers can read the entire quartet in one sitting! If the story moves at the same pace and uses the same style as in the first book, then the appeal for The Nine Realms will be a positive one. The time and the effort of the author to write this series and to convince the publisher, Tor, to release them all in consecutive months must be lauded because one, over 2,000 pages and God knows how many characters written and presented as one chronicle is an accomplishment all on its own; and two, I already plan (and want) to read the rest of the series, starting with Book 2, The Queen of Raiders.
A Queen in Hiding is a bold debut epic fantasy novel. Sarah Kozloff creates one world with nine realms and numerous characters and conflicts which are tethered in ways that keep the attention of the readers from beginning to end (of Book 1). By the time readers reach the end of this book, they will be pleased with the short waiting period for the next one, and the one after that, and the last one.
2019 was an amazing year for everyone involved with speculative fiction. Picking up where 2018 left off, there were plenty of books released when caused our TBR piles to increase even more. It is unfortunate that more books were published than there are days in a year, but that means we always have something available to read, and we are able to share our reads with others thanks to social media. Sharing favorite and recommended books helped increase my range of books within the genre. I’ll admit I wouldn’t have read many of these books if it weren’t for recommendations and ARCs.
This year saw a year of both debut authors and endings to series. Not to mention the popularity of self-published authors thanks to public recommendations. I was glad I was able to contribute more to the fandom through my reviews and my participation in various fan groups. In fact, I read faster than I was able to write the reviews (which will be posted as they become available).
All of the books I’ve read in 2019 are worth reading, but I can only list so many of them. So, I’m going to post my Top 25 in this post. Remember, this list are the books that were released in 2019! There are many books that did NOT make this list because they were released previously. If you’re curious about the other books I’ve read in 2019, then you can checkout either my Goodreads page, oy my mid-year (2019) post. Now, for my favorite speculative fiction books of 2019.
#25 The Bone Ships (The Tide Child Trilogy #1) by R.J. Barker
This is the first book I’ve read by this author, and I won it in a giveaway. He messaged me and told me it was “different” from “other” fantasy stories I’ve read before. He was right! The Bone Ships is about the life of pirates—outcasts and criminals who are sentenced to the sea as a punishment—who travel the seas in order to trade, and to locate an endangered whale species. The worldbuilding is based on how the characters survive and operate the ship and readers learn about the society that chose to ostracize them. The Bone Ships is a realistic fantasy story about life at sea and all of the dangers and the excitement that comes with it.
#24 The Starless Sea by Erin Morgenstern
As someone who still hasn’t read The Night Circus yet, it was easy for me to read the author’s latest novel with an open mind. This story is an homage to New York City and all of the bookstores located in (and below) it. The story follows Zachary Ezra Rawlins, a grad student, who finds an unusual book in his university library. The book is unusual because it’s about him and his life. From there, the story follows different narratives and writing styles as Zachary meets two individuals who know about the book’s origins and the library it came from. The Starless Sea is the perfect book about preserving stories and the people who play their role in the stories themselves.
I didn’t get the opportunity to complete the Rosewater Trilogy, but I did get to read the follow-up to The Murders of Molly Southbourne. This novella picks up where the previous one left off and Molly Southbourne has to find a way to survive yet again. The author answers the questions both Molly and the readers had about what Molly is and why it happened. The story brings back all of the characters and they are all given appropriate endings. However, it makes you wonder whether or not they’ll be a companion story to this series.
#22 The Ascent to Godhood (Tensorate #4) by J.Y. Yang
I’ve read and enjoyed the entire Tensorate series, however it was the last book that really grasped my attention the most. In this book, the Empress—the mother of the twin protagonists from the first two books—has died. While everyone is questioning the line of succession and remembering her reign, one person recalls when the Empress was a princess who strived to do what was best for her subjects through the goodness of her heart. Unfortunately, it was through several series of hardship that transformed the Princess into the powerful, yet unforgiveable monarch she became. It left me mortified yet emphasizing with the Empress (to an extent). The Ascent to Godhood connects the previous books in the series with the story of the Empress, who was also a mother and a companion to those who knew her the best.
#21 To Be Taught, If Fortunate by Becky Chambers
This is the first book I’ve read by this respected author and I understand why everyone rages about her books. To Be Taught, If Fortunate is a hard science fiction story about space explorers who travel beyond of galaxy in order to study planets in other ones. The difference is that instead of forcing the planets to acclimate to them, the humans acclimate to the planet. It is an interesting take on space exploration and planet observation, and the harsh reality and repercussions of what being away from home for so long can do to those who have no choice but to fend for themselves.
One war ends, but what does that mean for the “winning side.” Rin ended the Third Poppy War single handily. However, her country has suffered from the damage—physical, mental and emotional—inflicted on them as well. The Dragon Republic delves into the idea of purpose for soldiers who no longer have a war to fight, the idea of a country no longer united because of the suffering its denizens continue to endure, and the struggle for power and what leaders are willing to do in order to grasp it. This is a book about the brutality of the postbellum and how winning the war was the easy part.
#19 The Kingdom of Copper (The Daevabad Trilogy) by S.A. Chakraborty
I’m glad I made the time to start this series. The City of Brass is an amazing story about magic and magical beings set in the Middle East during the Ottoman Occupation. In the first book, Nahri is spirited award to Daevabad where she learns of her magical origins and the oppressive society she finds herself in. In The Kingdom of Copper, five years have pass since the events in the first book, and all of the characters are suffering from the ruling tyrant and the beginnings of a rebellion. The story continues to explore the magical world and explores how the caste system continues to breakdown society, exposes the history of conspiracies and treacheries that resurfaces thanks to prejudice, vengeance, oppression and magical feuding.
#18 The Rage of Dragons (The Burning #1) by Evan Winter
One of the last books I completed in 2019, this debut novel is a story about military training, caste systems, and magic based on African history and mythology. What starts off as the “usually fantasy trope” grows into something else entirely and it will seize your attention until the end (with you wanting to read Book 2)! Tau is a young man who has lost everything he cares about and his goals are motivated by revenge. He trains with a military unit in order to become the best fighter he can be; however, as Tau realizes that military status doesn’t change the way society sees him, he uncovers a political conspiracy between his country and their longtime enemies. The Rage of Dragons is an enjoyable read for any reader who loves a great military story with its own magic users!
#17 The Deep by Rivers Solomon, Daveed Diggs, William Hutson, Jonathan Snipes
This novella is worth all of the hype it received! The Deep is a what if tale about mermaids who are the surviving descendants of pregnant Africans who were captured and then thrown overboard the slave ships while crossing the Atlantic Ocean. While the women died, their children were born and survived in the ocean depths. 400 years later, the wajinru are a community who continues to thrive under the sea. The story focuses on the group’s “historian” who is responsible for keeping and sharing the memories of the wajinru’s past. The responsibility of being a historian is painful—especially given our history of the African Slave Trade. The Deep isn’t just a title of the story, it’s metaphorical in every sense and in every way the story is told. It’s one of the most poignant books of 2019.
#16 The Killing Light (The Sacred Throne #3) by Myke Cole
To me, The Armored Saint had a slow beginning, but it made up for it in The Queen of Crows. The author presents a realistic view on military, especially the real-time events. The Killing Light is the perfect ending to The Sacred Throne trilogy, not only because it reflects back to the events of the first book, but also because it presents the reality of war and how and why people are motivated—and then lose that same motivation—to participate in it. Heloise is a protagonist that has everything to gain from the war after losing so much. The ending will leave readers satisfied because of the way the author portrays war and military strategy.
#15 The Ruin of Kings (A Chorus of Dragons) by Jenn Lyons
I wasn’t sure what to expect from this story, but once I started reading (listening) to it, I couldn’t stop. The Ruin of Kings is a story about the power struggle between incarnated immortals and power-hungry mortals. The story focuses on Kihrin, a young man who goes from street urchin to the heir of a noble family, and he hates every moment of it. However, that is only a fraction of Kihrin’s story because there is another character who provides Kihrin, and the readers, a full account as to all that is happening within and to Kihrin and his family. The worldbuilding alone will keep readers interested and the power struggle between mortals and immortals alike will have you wanting to read Book 2, The Name of All Things, and finding comfort from the Lannisters (yes, THOSE Lannisters)!
2019 was the year I read more self-published fantasy books than in previous years. I opted to read Smoke and Stone on behalf of Fantasy-Faction, and I’m glad I did. This book is a great introduction to grimdark fantasy. There are two protagonists who are one opposing ends of a brutal caste system, and they are determined to prove themselves to those they care about by appealing to their patron gods. However, the gods have their own agenda and they—like any god—use the mortals to meet their goals. Smoke and Stone is a story about a harsh society, harsh gods, and harsh consequences. It’s a great book for fans of grimdark!
How many worlds exist besides our own? There have been several portal fantasies written before this one. Then again, The Ten Thousand Doors of January make it known that Doors have always been and continue to exist to those who know where to look for them. The story is about January Scaller, the daughter of an explorer and the ward of his benefactor, who desires to travel with her father. Instead, she is left behind with Mr. Locke, a collector of artifacts from around the world. One day, January is inspecting the artifacts and she finds a book about the exploration of “other worlds” and about two individuals who know about them. From there, readers learn more about January and the other individuals, who turn out to be explorers of these other worlds and the connection January has with them. The Ten Thousand Doors of January is a debut novel about other worlds, love and sacrifice, and it’ll leave readers wondering whether or not someone can and will explore ALL of those worlds.
#12 Middlegame by Seanan McGuire
If you haven’t already read anything by this author, then Middlegame is the best book to read first! A metaphysical and dark fantasy story—with an homage to both L. Frank Baum and John Wyndham—is about twins Roger and Dodger—siblings born with extraordinary powers and intellect—who were separated at birth and raised at opposite ends of the United States. However, distance means nothing to the twins as they find ways to communicate with each other throughout their childhood and college lives. The more time they spend with each other, the more they realize that they have extraordinary abilities which they struggle to understand. Conversely, there is someone who understands, and he wants Roger and Dodger’s abilities in order to unlock forbidden knowledge so that he can harness it for himself.
#11 The Priory of the Orange Tree by Samantha Shannon
This epic story is worth the reading! Over a thousand years ago a prophecy was made and now that prophecy is about to be fulfilled. Destruction in the form of a dragon is coming and only a select few—a queen, a dragon rider, a scholar, and a member of a secret order of mages—know what is coming and have to find a way to save the world. Based on historical and religious events, The Priory of the Orange Tree is a story about the origins behind the stories of “heroes” and how lies and religion shape societies to the point where knowledge is lost, and the lies become the truth. At the same time, an ancient evil is reawakening, and the various parts of the world have to acknowledge the truth beneath the lies and come together to fight a forgotten enemy. The author has written an unforgettable epic standalone story about the power of females and the way to save the world is to get the world to come together to fight the enemy.
Yes, I know what I did for #10 and #9, but hear me out! Both stories, while different, are a lot alike. They are bildungsroman stories which focuses on the growth, the development, and the education of a young female protagonist. Throughout the series, the female protagonist matures and learns what is expected of them and how they go about doing it. At the same time, friendships are formed, loved ones die, and the truth is revealed to them. When the final battle occurs, the female protagonist must use all of their knowledge and abilities learned throughout the series in order to conquer the enemy and to protect those they care about. Both authors have written amazing stories about their young female protagonist in their own way, but one cannot deny the similarities they have; yet, the differences are enough that they merit their own stories, and both are worth reading!
This book, which is based on Ancient Rome, tells of the end of Mia Corvere’s life and how it all came to an end. Starting from where Godsgrave left off, Mia and her brother, Jonnen, travel throughout the Itreyan Republic to avoid Consul Julius Scaeva. Meanwhile, Mia learns more about the Red Church, the Mother Goddess, and her identity. None of them are what Mia thought she knew. Now, given the chance to “set the world right” and to “help the Maw,” Mia has to decide whether or not her life is worth giving to save the Itreyan Republic. Mia Corvere has become the most lethal assassin in the Republic’s history, and she does not hesitate to spill blood as she makes her way back to the heart of the Republic and killing everyone who gets in her way. The author delivers on both the blood and the vulgarity! And yes, the footnotes are back and should NOT be overlooked!
In this book, war has arrived, and everyone is expected to fight to defeat the enemy. Holy Sister is the epic end to the author’s trilogy, which is a blend of violence and magic. The narrative is split into two parts: the immediate events after the end of Grey Sister, and two years later when the armies have invaded Abeth. The author not only wraps up the narrative about the protagonist, Nona Grey, but also he manages to tie up all of the loose ends—everything mentioned from the opening pages of Red Sister, all of the plots, the subplots, the characters and the prophecy—within the pages of this book. This action-packed story concludes with an ending that leaves readers satisfied.
#8 War Girls (War Girls #1) by Tochi Onyebuchi
War is a terrible thing, and yet we cannot stop ourselves from having them. War Girls is a story that starts at a refugee camp for female soldiers. Two sisters—Onyii and Ify—are surviving with the limited resources they have while remaining hidden from the two war fronts. Unfortunately, they are discovered and are separated. For four years, each sister lives with the opposing side until circumstances forces them to confront each other as enemies. The author writes this poignant story as a cautionary tale to readers that war takes victims and turns them into unwilling accomplices. Readers won’t even realize that they’re reading a story meant for a YA audience, it’s that good.
The protagonist is one pissed off woman, and she has every right to be angry. Sal the Cacophony is a hybrid of John Wick and Lara Croft, she’s that easygoing, clever, and trigger happy. Seven Blades in Black is the first book in The Grave of Empires series, and it follows Sal the Cacophony’s quest for revenge in a location known as “The Scar,” a world in which magic users become deformed as a result of their magical properties. The protagonist and her companion, Liette—a character we learn more about in the novella, The Gallows Black—make their way throughout the continent so that Sal can cross off the names on her list of those who wronged her. This book was my surprise read of 2019 in that I had never heard of the author, and I did not know what to expect from the story. My limited expectations were blown away and I’m looking forward to reading the next book by the author.
The Winternight Trilogy is a beautiful series with a beautiful ending. Vasya, now an adult, has been accused of witchcraft and finds herself in exile. However, war is on the horizon and Vasya has to find a way to unite Russia—humans and chyerti—in order to defeat the invaders. The Winter of the Witch presents readers a look into the world of the chyerti, which is beyond the vision of most human, and the tasks Vasya must perform in order to accept her destiny and save everything she cares about. The story is based on both Russia history and folklore and it provides a lovely, yet action packed tale.
#5 The Sword of Kaigen: A Theonite War Story by M.L. Wang
This is another self-published book that I picked up (actually, the author mailed it and another book to me for reading and reviewing) because it was receiving a ton of praise by everyone who read it. The Sword of Kaigen is a standalone novel that is the first of the author’s Theonite (world) series. The story follows Mamoru Matsuda, the first son of the second son of the Matsuda family, and his mother, Misaki. Mamoru is fourteen years-old and when a new student transfers to his school and criticizes the lifestyle of the region, he is forced to question everything he’s learned from his community. What he doesn’t know is that his mother knows that Mamoru is right to question his beliefs. But, before mother and son can have a full-length discussion, an invading army arrives, and they are under attack. The author presents a story about the consequences of isolation and blind loyalty while exploring family dynamics and unwanted familial expectations. The Sword of Kaigen is a finalist for the SPFBO 2019 and it’s easy to say why. And, while the author is taking a hiatus from the Theonite series, it is safe to say that whatever else she writes will be just as good and as touching as this book.
#4 Velocity Weapon (The Protectorate #1) by Megan E. O’Keefe
This debut novel was my reintroduction to hard science fiction. A world has come under attack and the last thing Sanda Greeve remembers is being shot in space. When she comes to, she learns that she’s aboard an enemy AI ship, who calls himself Bero, and that 230 years have passed since she was shot down. Meanwhile, her brother, Biran—who has just joined the Protectorate, a group of politicians who protect the universe—breaks every rule in order to find his missing sister. At the same time, a group of thieves come across some forbidden technology and have to go into hiding from the Protectorate. Velocity Weapon starts off as a story of survival and a rescue mission but evolves into a fantastic science fiction story about political ambitions, hidden technology, space war and science experiments. The author reminds her readers as to why they love science fiction and AI ships.
#3 Realm of Ash (The Books of Ambha #2) by Tasha Suri
I was waiting for this book since I read its predecessor, Empire of Sand, and the author teased readers with a couple of sample chapters! Ten years after the events of Empire of Sand, Arwa, Mehr’s younger sister, is now an adult and recently widowed in a massacre in which she was the sole survivor. Believing she lost her purpose for living, Arwa decides to pledge service to the royal family, who are suffering due to the events a decade before. Arwa not only learns how to find a reason to live, but also about the brutal history of her (birth) mother’s people and how the Empire is built on false power and oppression. Realm of Ash is a story about enduring and remembering, and how one continues while experiencing grief and tragedy.
The easiest way I can describe this story is that it’s a non-traditional Cinderella story that takes place in Mexico during the Jazz Age and involves the Mayan deities. Gods of Jade and Shadow is part fantasy, part magical realism, and part historical fiction. The novel will have to consulting maps and atlases so that you can follow along with the protagonists throughout the narrative. The story focuses on Casiopea Tun, who is the granddaughter of the wealthiest man in town, but because her mother married a poor man—who later died—both mother and daughter live as servants in the family home. Casiopea is bullied by her cousin, Martín—the traditional spoiled heir—to the point where neither cousin can stand each other. One day, Casiopea is left home alone as punishment and she opens a mysterious chest under her grandfather’s bed and she unknowingly frees Hun-Kame, Lord of Shadows and the rightful ruler of Xibalba, the Mayan Underworld. From there, Casiopea is spirited away on a quest through Mexico by a Mayan deity so that he can regain his throne. The author blends everything about human society and culture—history, pop culture, folklore, familial expectations, etc.—into a narrative that can be explained as Rick Riordan for adults! Gods of Jade and Shadow is part folklore, part bildungsroman, and a hundred percent entertainment.
Sometimes peer pressure can be a good thing. This debut novel was released at the beginning of 2019, and it was all everyone was talking about. In groups on social media, critics’ reviews, other authors, etc. were all talking about how The Gutter Prayer, the first book in The Black Iron Legacy series by Gareth Hanrahan needed to be read by all fans of the fantasy genre. I decided to determine whether or not the hype was deserved, and I was not disappointed! The Gutter Prayer is a dark and twisted fantasy story that is both new and different from what I was used to reading. This novel is part heist, part conspiracy, and part magic all the while the “bad guys” are the ones who save the world from Armageddon! The author finds a way to tell a story that twists readers expectations of fantasy tropes, presents the reality of what magic users—mages, alchemists and gods—can and will do with the power they have over others, and provides enough backstory of all of the characters so that readers have a comprehension of all the characters as rounded individuals who are surviving the circumstances of life in their world. The Gutter Prayer is an example of a story that stands out from other books of the genre (and subgenre) while remaining faithful to the elements and the tropes of what makes it a work of speculative fiction. This debut novel not only provided an entertaining story, but also balances fantasy and reality in a way that is both improbable and believable. For all of these reasons, The Gutter Prayer by Gareth Hanrahan is my favorite speculative fiction book of 2019!
It was hard narrowing my list of reads to 25, but these were the books I enjoyed the most and discussed the most with other readers. Reading these books (and other ones) puts into perspective how the range of the speculative fiction spectrum continues to expand beyond our limits and expectations. With 2020 around the corner, readers know that the follow ups and the sequels to 2019’s books already presents promises and we know they’ll deliver! 2020 is going to be epic!
Book One of the Black Iron Legacy: The Gutter Prayer
By: Gareth Hanrahan
Audiobook: 16 hours 58 minutes
Narrated by: John Banks
Published: January 15, 2019
Genre: Fantasy, Grimdark
WARNING: This review contains some spoilers. You have been warned.
…the thieves—the ghoul, the Stone Boy, the nomad girl…(Prologue).
All readers have at least this one thing in common—so many books and very little time to read them all. With so many books—in all genres—being released to the acclaim of both critics and readers, there are moments when a reader does not know which book to read next. Also, there are times when a reader wants to read a book but has to find a way to read it alongside the other books they are reading. In this case, I wanted to read The Gutter Prayer—a grimdark fantasy debut novel by Gareth Hanrahan—which, I have heard nothing but positive things about the book. However, I didn’t have time to read my eBook copy, and I did not want to wait until “later” to read it. So, the only option I had left was the audiobook. I bought it and I prayed that the narration would be as good as the story, and I was not disappointed in either one! The Gutter Prayer is one of the most creative and most entertaining debut novels I’ve read in a while; and, listening to the audiobook gave me a new respect and outlook on narrators.
This novel contains several characters. There are 3 protagonists: Carillon Thay, or Cari, a young woman who lived a nomadic life before becoming a thief for the Guild; Rat, a ghoul who is considered to be of a young age amongst other ghouls; and, Spar, a lifelong member of the Thieves’ Guild, who is also a Stone Man, suffering from a disease that slowly petrifies people. When we first meet this trio, they are breaking into a building to steal some documents as appointed by Heinreil, the Guild’s leader. After the job goes awry, we meet: Jere: a thief-taker (a.k.a. bounty hunter) who has a borderline obsession with the trio; Professor Ongent and his son, Miren, scholars with their own baggage and piqued interest in Cari; Eladora Duttin, Cari’s cousin whom she has not seen since they were children; and, Aleena, a woman with unusual ties to Cari. This motley band of characters are about to become acquainted with each other whether or not they want to be. All of the characters are rounded and complex and have down-to-Earth concerns, secrets, and ambitions. At first, readers assume these characters are static and are expected to adhere to the tropes, but the complexity and the connection these characters have demonstrate how each of them develop throughout the novel.
The plot of The Gutter Prayer is extremely intriguing: 3 thieves are betrayed by their leader, and as they plot their revenge they uncover not only political conspiracies, but also an ongoing war amongst gods, mages, and alchemists. All the while, Cari, Rat and Spar are linked to this war whether or not they want to be. However, if they want a chance at vengeance, then they must stop Armageddon from happening. Of course, this is easier said than done, but they are not alone. The subplots are interconnected with the plot. First, there are Cari and Eladora. Most of their relatives were killed in a massacre, in which neither Cari, nor Eladora were present. Cari ran away from home and became a thief, and Eladora settled in Guerdon to distance herself from her religious zealot mother. Professor Ongent and Miren take interests in them, but Cari can’t shake the feeling that the Professor has ulterior motives. Next, Spar struggles with the disease that will kill him eventually. At the same time, he knows it’s time to fight Heinreil in order to become the Head of the Thieves’ Guild. This is one of two promises Spar makes to Cari; the second one involves getting back an amulet Heinreil took from Cari. Last, Rat, the ghoul who spends as much time underground as he does above it, is very knowledgeable about the ongoing war between the gods and all of the mages. What the others don’t know is that Rat and the other ghouls have a role to play in the war as well. All of these subplots are necessary for the plot to go at an appropriate rate. This is because, as the plot continues, readers learn the hows and the whys all of these characters remain motivated to stop the mages from bringing destruction to the world.
The narrative follows a chronological sequence of events that are told from multiple points-of-view. From the botched robbery to the motives of all of the characters, the readers learn everything that is happening and why from all of the locations the characters find themselves in. Usually, in narratives like these, it is difficult to determine which of the characters are reliable. However, due to each of the protagonists’ stream-of-consciousness—which include flashbacks of important moments in their lives—readers are able to follow the narrative easily. In other words, readers learn where each protagonist is coming from and are able to understand them a lot more.
The style Gareth Hanrahan uses is very interesting, and it brings out the grimdark aspect within the fantasy. The author created a world where ghouls are NOT the threat, but mages, saints, and wax figures are working to prompt Armageddon. In addition, the use of word choice and figurative language—especially when it comes to describing bells and medallions—clues readers in as to what they should pay attention to. The mood of The Gutter Prayer is preventing the coming of the end of the world and the lengths people go to either to invoke it, or to prevent it. No one survives the coming or the prevention of the end-of-the-world unscathed, so the mood here would be the tension of the dilemma. And, while the author did this unknowingly (I asked him about it on social media), a lot of the action occurs on “Desiderata Street.” Anyone who is familiar with the poem, Desiderata by Max Ehrmann, knows that it is a reminder to individuals to strive for high ideals and to respect others the way they want to be treated. This is the tone of the novel, and this “way of life,” is the philosophy (remember “Philosopher’s Street”?) which, is reflected in one of the protagonists. Yes, it sounds cliché, but the way this is used within the author’s style of writing doesn’t feel that way at all.
The appeal surrounding The Gutter Prayer have been beyond positive. While it’s obvious that grimdark fans will enjoy this book the most, this should NOT be missed by other fantasy fans and readers! This debut—yes, remember debut—novel is already considered to be one of the “Best Sci-Fi/Fantasy Books of 2019” by both Amazon and Barnes & Noble. Social media fandoms kept raving about this book to the point where I knew I had to find a way to read it. So, I bought the audiobook. The narrator, John Banks, was perfect for voicing this book. The way he used his voice to convey each character and to describe the setting the way he did matched the story perfectly. I felt that John Banks’ narration embellished the story. And, while I hope to read The Shadow Saint, the upcoming sequel to The Gutter Prayer (to be released on January 9, 2020), I wouldn’t mind if John Banks narrated that book and any other ones in the series as well. It did not feel like I was listening to 17 hours of a novel, it felt like I was there!
The Gutter Prayer is a striking addition to the fantasy genre. It’s dark and twisted story will remind readers that fantasy is more than “knights in shining armor arriving to save the world.” The fact that it is a debut novel will leave fans craving for more from Gareth Hanrahan. If you’re a fan of fantasy and you want something both new and different, then look no further.
“You’re powerful Nona, and you’ve come into your power at an early age. The understanding that power corrupts is an idea older than the language we repeat it in. All of us in positions that afford authority over others are susceptible, be we high priests, prime instigators, even abbesses.”
“Or emperors,” Nona said.
The abbess winced. “Some truths are better left implied, dear,” (Chapter 17).
Sequels and other follow ups to their predecessors work well when the events that occurred beforehand are addressed AND the action picks up where it left off. In addition, both the plot development and the character development must continue to show growth in order for the story to remain realistic, and to keep the attention of the reader(s). Mark Lawrence achieves all of this in Grey Sister, the Second Book of the Ancestor.
The second book in the trilogy has two protagonists: Nona Grey, who is now around 14 years-old and just reached Mystic Class; and Abbess Glass, the Reverend Mother and Headmistress at the Convent of Sweet Mercy. From these protagonists, readers are able to gain knowledge of the on goings of everything happening at the Convent. Nona is coming into her powers and her abilities and is dealing with the consequences of her actions from her time in Grey Class. At the same time, Abbess Glass continues her task of running the Convent and continuing her task of exposing corruption inside and outside of the Convent. More is at stake for both female protagonists as both the Emperor and the Inquisition continue to meddle in the affairs of the Church. All of the other novices: Ara, Darla, Ruli, Jula, and Zole, and the nuns: Wheel, Apple, Kettle, Pan, Rose, Tallow, and Rail know that more is happening outside of the Convent than the Emperor is willing to admit. And, once again, Nona meets up with a few of her former “cage mates,” who have grown into their abilities as well. Everyone is preparing for a war that is inevitable. Nona must endure the obstacles and the hardships in order to graduate from Mystic Class. Abbess Glass must use all of her wisdom and her connections to keep everyone safe, including the “Chosen One” and her “Shield.”
The plot for Grey Sister is a continuation from Red Sister. Nona and her friends and classmates continue with their classes and the nuns continue their work inside and outside of the Convent. All of this occurs after the betrayals and the heartbreaks from the last two years. These events prompt the identity of the “Chosen One” to be revealed, which brings a motley crowd of zealots and doubters alike. At the same time, neither the noble families, nor the nuns have forgotten the efforts of one noble family’s continued plans to kill Nona. Nona is struggling with her classes due to the long-term “consequence” of the attack on her life. Through it all, Nona grows stronger and more powerful to the delight of her peers and to the horror of her enemies. If Nona wishes to remain at the Convent of Sweet Mercy and to stay alive, then she must find a way to navigate herself through her trials. The subplot of the “Chosen One” is growing and merging into the plot of Nona’s education and the significance of the 4 tribes that traveled to Abeth.
Once again, the narrative is limited omniscient narration, meaning the readers and the protagonists know what is being experienced at that moment through the character’s point-of-view. Unlike Red Sister, the narrative in Grey Sister is told in real-time through the P.O.V.s of both Nona and Abbess Glass. Thus, these stream-of-consciousness narrations are reliable and can be followed by readers easily. It should be mentioned that the present narration of Grey Sister starts with Chapter 2. Chapter 1 picks up with the cliffhanger from Red Sister, and the Prologue provides a continuation of the action first introduced in the Prologue in Red Sister. Since Grey Sister’s narration is told in the present, any events of the past that is mentioned proves to be a revelation to both the characters and the readers. This is because what gets revealed demonstrates that everything that is, has been, and will continue to happen is bigger and more grievous than anyone at the Convent of Sweet Mercy could imagine.
The style Mark Lawrence uses in Grey Sister is a continuation of how prophecy is exploited through means of distraction. Those involved directly with the prophecy want nothing more than to be left alone and to live their lives as “normal” individuals. Some hopefuls wish for the “divine” powers of the “Chosen One” to work miracles for them only to be left disappointed with this notion. Then, there are those who use the prophecy as a way to fulfill their agendas, typically political ones. And, if the prophecy of the “Chosen One” is a distraction, then the political agendas of several noble families, including the Royal Family, serves as the knowledge that no one wants to admit is the issue: war is coming. In other words, religion is exploited in order to distract everyone from the politics of society. This is the mood found within Grey Sister; and, the tone is how the truth—surrounding both religion and politics—is revealed and the reactions and the consequences of it. There are neither winners, nor losers, yet everyone continues to believe whatever they want to believe in.
The appeal of Grey Sister is as positive as Red Sister. Fans of the first book had just as many praises for its sequel. This is because the sequel continues to build and to develop the characters, the plot, the world-building, and the action. Not only will readers want to re-read this book (to search for clues and Easter Eggs), but also to continue recommending this series to other readers, all while waiting to read Holy Sister, the third and final book in the series.
Grey Sister is an amazing sequel to Red Sister. This is because there is an expansion of the world and further development of both the plot and the characters. At the same time, the events and the revelations from the first book play a critical role that cannot be overlooked. The story is as immersive as the action is entertaining. Mark Lawrence’s novel is a must-read for fans of both fantasy and grimdark.
A small thing in shapeless linen—not street rags, covered in rusty stains, but a serf’s wear none the less. She might be nine…This girl was a fierce creature, a scowl on her thin dirty face. Eyes black below a short shock of ebony hair, (Chapter 2).
There is no doubt in my mind (or anyone else’s) that Mark Lawrence is one of the most popular fantasy authors in the world right now. Whether or not it’s Lawrence’s SPFBO Contest on his website, his latest novellas advertised on Amazon, or his popular novels, more and more readers are reading his books. I’ll be talking about his latest trilogy about a convent that teaches girls how to kill and to use magic. Red Sister is the first book in the Book of the Ancestor Trilogy.
The story follows Nona Grey, our protagonist, from the moment she is given to a child-seller—Giljohn, through the first few years—ages 9 to 13—of her education at the Convent of Sweet Mercy where she learns more about the abilities she’s been trying to hide from other people. Other characters include her classmates: Clera, Ara, Hessa, Jula, and Ruli; her instructors: Sisters Glass, Rose, Wheel, Apple, Pan, Rule, and Tallow; and other characters who interact with Nona including Raymel Tacsis, the man Nona almost killed. All of these characters are tied to Nona’s education and potential involvement surrounding the “Chosen One” prophecy. Unfortunately, Nona has to learn how to defend herself from the nobles who want her dead for attacking a nobleman in self-defense. Nona’s development goes from her being a poor illiterate child to a novice at the Convent to one of the “candidates” who could be the “Chosen One,” and saving the world. Throughout her early education, Nona learns who to trust and who to stay away from, and nothing is what it seems.
The plot of Red Sister is Nona’s education at the Convent of Sweet Mercy as well as learning about the abilities she has within herself. In the world of Abeth, four tribes with remarkable traits settled and intermarried with non-magical humans. Centuries later, their descendants can have the traits of Gerant (great size), Hunska (speed and agility), Marjal (elemental magic), and/or Quantal (walkers of the Path and users of greater magic). While it is rare for anyone to have one of these traits, it is believed that one day a “Chosen One,” an individual with all four traits, will appear and save the world from ice and darkness. Nona is one of those who is suspected of being the “Chosen One.” This notion is slammed by many people at the Convent, including Nona herself. However, this subplot is essential to Nona’s character development as she demonstrates her abilities to her instructors because there are many who believe that the “Chosen One” is one of the girls at the Convent of Sweet Mercy. It is obvious that this subplot will become the plot in the later books, but for now, Nona’s education and discovery about herself is the plot in this book. Her interactions with everyone at the Convent who believes, or encourages, the “Chosen One” prophecy is essential to both the plot development and the development of all of the characters.
The narrative in Red Sister is limited omniscient narration. Readers get the point-of-view of Nona and a few other characters throughout the story, some of which are told in flashback. In fact, Nona’s first P.O.V. chapter isn’t until chapter 3 and it begins with a flashback. These multiple points-of-view allows for a swifter narration of the story. In the first two chapters (not including the Prologue), readers learn that Nona is about to be executed for attacking a nobleman who attacked Nona’s friend—who is executed before Nona. The very next chapter is the discussion of who gets “custody” of Nona: Partniss Reeve—the owner of fighters who bought Nona from Giljohn, and Sister Glass—the Abbess of Sweet Mercy—who has her own reasons for wanting Nona. Nona leaves with Abbess Glass knowing, at 9 years-old, to expect retaliation from the family of the man she attacked. Another chapter is told in flashback from the P.O.V. of one of Nona’s classmates, and there are several parts of the story that follows a few of the Sisters from the Convent. It does get confusing at times, but this narration helps with Nona’s character development from how Nona sees herself and everyone else, to knowing everyone else’s opinions about Nona. This is an interesting narration because it seems that how Nona sees herself is on par with how everyone else sees her.
The way Mark Lawrence wrote Red Sister is a change in direction fantasy readers have become used to: a prophecy is made, the one who fits the prophecy arrives and works with others in order to fulfill it. Only, the author decided to play with that concept and the expectations surrounding prophecy. Repeating ideas used by both J.K. Rowling and George R.R. Martin, Mark Lawrence demonstrates how prophecy can exploit and can harm several people with a (potential) notion that it will all be worth it once the world is safe again. The tone of this book is focuses on the hows and the whys prophecies come about and how more harm can and does come from them before they are fulfilled. Harry Potter’s life was altered because of a prophecy, and several characters throughout Martin’s A Song of Ice and Fireseries are affected by prophecy and suffer because of it. However, will the “prophecy” about the “Chosen One” come to fulfillment in Lawrence’s story? Some characters say, “yes” and many more say, “no.” The mood throughout this novel is how each character feels about the prophecy surrounding the “Chosen One.” And, it seems many of them find the prophecy more of a burden than a blessing. Maybe that’s what Lawrence’s style is supposed to present to readers, witnessing a “prophecy” come true and how everyone involved would react to it.
The appeal surrounding Red Sister have been immensely positive worldwide. Presenting a world in which privilege has more power over those with power, as well as a convent with killer nuns makes this novel a must read for all fantasy fans. I kept hearing about this trilogy from other fantasy readers who swore that it was worth reading. Fans of both Tamora Pierce and Robin Hobb will enjoy this series the most. Fans of George R.R. Martin will appreciate the influence and the Easter Eggs found throughout the book. Red Sister covers the first half of Nona’s education at the Convent and the buildup surrounding both the prophecy and Nona’s past. This makes the next book in the trilogy, Grey Sister, a must read for anyone who craves to know what happens next. I am one of those readers, and I can say that Red Sister is a must read for all fantasy fans.
Red Sister is a novel that made its way from my TBR list to my Read list. Just like The Name of the Wind, Red Sister is a fun and a fast read that presents all sides of the protagonist to the other characters (and to the readers). The realism presented within this story is one of the many reasons why I enjoyed Red Sister so much. Nona is a well-developed character who knows what she is to those involved in her life and it makes you want to keep reading to know what happens to her next. It’s why I’m already reading Grey Sister and Holy Sister afterwards. Even if you’re not a fan of fantasy, Red Sister’s focus on the characters and their personalities is enough of a reason to start reading this book.
The Grave of Empires: Book One: Seven Blades in Black
By: Sam Sykes
Published: April 9, 2019
“Galta the Thorn. Riccu the Knock. Zanze the Beast. Taltho the Scourge. Kresh the Tempest. Vraki the Gate. Jindu the Blade. Seven names. Seven out of thirty-three. It might have seemed small, maybe. But there was another name on my list that had taken a lot of bullets, a lot of blood, and a lot of bodies so that I could finally cross it out. I would have killed for one name. For seven? I’d burn the world to cinders,”(Nine: Lowstaff).
This novel only takes the idiom, “Hell has no fury like a woman scorned,” to the zenith, but it also puts revenge tales on the same level as Quentin Tarantino’s,Kill Billmovies. Sal the Cacophony is one angry woman and she’s on a journey to make sure those who have made her this way pay with their lives. She has a list with 33 names on it. The first book in The Grave of Empirestrilogy (or series?) focuses on seven of those names.
Sal the Cacophony is a Vagrant—a mage who no longer fights for the Imperium—who is imprisoned and awaiting execution by the Revolution—a group of non-mages who oppose the dominance of the mages. She is questioned by Governor-Militant Tretta—a figure who is only concerned with earning a promotion so that she’ll become more noticeable to her superiors—who demands an explanation surrounding the disappearance of Revolutionary Low Sergeant Cavric Proud and the attack on one of the towns within the region known as “The Scar.” Sal accepts both the (multiple) charges and her fate and tells the Governor-Militant the recent events, which led to the disappearance of the Low Sergeant. Tretta—and readers—learn of all the events right up to Sal’s arrest. Sal tells of her last bounty job, which turned into the hunt for the names on her list, which uncovered a conspiracy, which became a rescue mission, which turned into a massacre, which led to her arrest. Along the way, we learn what happened to the devout Revolutionary Sergeant Cavric, and Sal’s girlfriend, Liette, who is a mage. Sal is a woman with many aliases, abandonment issues, and a lot of anger. And, it is ALL justified!
The plot, as mentioned earlier, focuses on Sal’s revenge against those who wronged her. However, we learn of 7 of the 33 names and why she goes after those particular people first. Like many revenge tales, we follow the person who has been wronged while wondering whether or not the ends justifies the means. In the case of Sal the Cacophony, she has been wronged and she has every reason to be angry to the point where you can understand her murder streak. Yet, you wonder about the “after.” What will Sal do if she does cross out all the names on her list? How will this journey change Sal? The subplots include the world-building and the world’s history, which is mentioned by Sal through her story. Since Sal is retelling the events that led to her arrest, the plot moves very quickly, which is a good thing because a lot happens and we want to know what happens next, and we don’t need all the little details in order to get to the heart of the story.
The narrative is told in flashback from Sal’s point-of-view; and, given the state of Sal’s situation, it could be argued that Sal is an objective narrator, yet Sal is a character that allows for both Tretta and the reader to be empathetic towards Sal. Sal does admit to all of the crimes—and the heroics—she’s done, recently; but it isn’t until the novel’s end that you realize how truthful Sal has been to the Governor-Militant, to her friends, and to herself. Each chapter is labelled with the setting where each event occurs. This makes it easy to follow the narrative because the sequence of events follows Sal’s destructive path towards vengeance. The narrative clues you in to what happens next.
The author, Sam Sykes, sets the tone of this humorous epic fantasy tale by giving his readers a cynical protagonist who drinks, curses and kills as a coping mechanism. Both the tone and the mood setup the grittiness of the location known as, “The Scar.” Sal’s exploits illustrate how everything can go wrong while accomplishing a task but completing it anyway. Readers have no choice but to laugh as each event occurs because you have no choice but to laugh. Sykes does an amazing job teasing some of the common fantasy and revenge story tropes in his dark comedy novel.
The appeal surrounding Seven Blades in Blackwill introduce SFF readers who haven’t read Sam Sykes’ books before to him. The description surrounding this novel as a “blend of Kill Billand Final Fantasy” is very accurate. Fans of George R.R. Martin and Brian McClellan will enjoy this new series, too! Readers of epic fantasy will enjoy this story and appreciate the effort the author makes in clarifying both The Scar and Sal’s character. This has been one of the most humorous books I’ve read in a long time, and I’m already anticipating Book 2! Seven Blades in Blackis a welcomed addition to the speculative fiction genre. One more thing, if there was to be an adaptation, then an anime-styled animated series would be the way to go!
I’m glad I received an ARC of Seven Blades in Blackbecause not only did it allow me to read a book by an author I had never heard of before, but also it allowed me to appreciate epic fantasy by providing a 704-page novel and leave me begging the author for a potential release date for Book 2! The protagonist is one who deserves our sympathy and will leave you hoping that she does accomplish her goals without destroying herself. I want to know what happens next!