Why You Need to Read: “Realm of Ash”

The Books of Ambha: #2: Realm of Ash

By: Tasha Suri

Published: November 12, 2019

Genre: Fantasy/Historical Fiction/Coming-of-Age

NOTE: Some minor spoilers from Empire of Sand. You have been warned. 

            “My blood—my Amrithi blood in this loyal Ambhan body—is part of the curse. But it’s also part of the cure. I just don’t know how. But the Emperor’s family, your mistress…they might. Perhaps they’ll find answers in my blood that I can’t. You should send me to them, if they’ll have me,” (Chapter Five). 

            In 2018, a debut fantasy novel based on Indian mysticism was released to praise by readers and critics alike; and, Empire of Sand won the 2019 British Fantasy Award for Best Newcomer and the 2019 Brave New Words Award. In 2019, the follow-up, Realm of Ash, picks up ten years after the events in the first book and answers all of the questions in it. It was a long year to wait to read this book by Tasha Suri, and it was worth it. 

            Arwa, Mehr’s younger sister who was spirited away to safety by their stepmother, Maryam, and their father, is all grown-up (she’s 21) and recently widowed from a massacre at Darez Fort. Instead of returning to Hara to live with her parents, Arwa decides to live in a hermitage of widows (for nobility). At the beginning of the novel, Arwa is plagued by guilt for surviving the massacre, for failing in her duties as a wife (to her stepmother’s grief), and for revealing her heritage of being an Amrithi. Arwa believes Mehr died with the Maha, and her parents did everything they could to make sure Arwa didn’t repeat the same mistakes her sister made. Since Arwa looks more Ambhan (lighter skin tone) than Mehr (darker skin tone), she was taught to blend into Ambhan society and view her Amrithi heritage as a curse. However, the last lesson Mehr taught Arwa about their blood is the reason Arwa survived the massacre, and she doesn’t know how to feel about it. After arriving at the hermitage, Arwa meets Gulshera, another widow with connections to the royal family. Arwa asks Gulshera for the chance to serve the royal family and to save the Empire from ruin, an unfortunate effect of the Maha’s death. At the palace, Arwa meets Jihan, the princess, who tells her her assignment, to assist the Emperor’s blessed (bastard) son, Zahir—Jihan’s brother, with his work in occult arts to seek the Maha’s knowledge. Knowledge that could revive the Empire. Readers will see the resemblance Arwa has to Mehr in how the two sisters were sheltered from the truth of their heritage and the Emperor’s power. The more Arwa learns the more she grows into the person she had to suppress as per her stepmother and (Ambhan) gender role expectations. Arwa develops as both a characters and an individual as she makes her way through the complexities of her new status—widow and tool of the Empire—in a society which believes the past has the answers. 

            The plot of Realm of Ash is the fallout based on the ending of Empire of Sand. The Ambhan Empire has fallen on hard times since the Maha’s death. In addition, Arwa’s father was stripped of his governorship due to his behavior towards the Emperor regarding Mehr. For ten years, Arwa was raised with the goal of restoring her family to their previous status while the Empire moved into decline after 400 years of affluence. Arwa’s widowhood and revealed heritage is the chance for Arwa to restore both her family’s glory and the Empire’s prosperity. However, as Arwa and Zahir study more about the Empire’s past with the Amrithi and learn about the motivations the royal family hope to achieve with this knowledge, the two “illegitimate heretics” must determine other factors for saving the Empire. There are two subplots in this novel. The first is the truth which is revealed about the Amrithi and their ties to the Emperor’s and the Maha’s rule. The second is the tension amongst the royal siblings as the Emperor is on his deathbed and must name his successor. Both subplots are related because, as Arwa learns, the Amrithi aren’t cursed, but they were coveted for their abilities and their magic, which were used and abused by the Maha and the royal family for their benefit. These revelations comes as a shock to Arwa because it means that the foundations of the Ambhan Empire are built on lies and corruption, and the royal family made sure that those lies became beliefs within the Empire. Of course, the royal family would prefer if Arwa and Zahir would stay focused on gaining the Maha’s knowledge so that everything can go back to the way things were before his death. It’s too bad Arwa has her sister’s temperament and stubbornness for doing the “right” thing. These subplots enrich the plot in that Arwa’s life gets sidetracked again and she has to decide what to do with the truth she’s learned regarding the Empire and her family. Arwa realizes that the Empire, the Emperor and the Maha are at fault, not her sister and not the Amrithi. 

            The narrative is told from Arwa’s point-of-view as she becomes the hope for reviving the Empire. In Empire of Sand, readers learned about the Amrithi and the Maha from Mehr’s P.O.V.; in Realm of Ash, readers learn about the Ambhan and the Emperor from Arwa’s P.O.V. This provides readers with the two halves of the world-building and an understanding of all of the events across both books. In the case of Realm of Ash, Arwa experiences moments of the past in flashbacks as part of the occult rituals she performs with Zahir. In those memories, Arwa witnesses the horrific truth of her Amrithi heritage, but it leads to her accepting and marveling at it, eventually. The narrative presents Arwa’s change in demeanor and personality as she learns to heal from her traumatic experience and the shame she believed she should have for her Amrithi heritage. All of these elements of the narrative make Arwa a reliable narrator whom can be followed by all readers. 

            Tasha Suri continues to use the same style she used in Empire of Sand in Realm of Ash. She presents the Ambhan Empire as a beautiful place with denizens of various social classes and faiths. Only this time, the author puts more emphasis on the consequences of colonialism, parental influences, magic, and societal expectations and practices. The mood is hardship of a declining society and a loss of purpose in life. The tone is how individuals and society can continue to thrive once they find a new purpose and a new way to live, if given the chance. If Empire of Sand focuses on themes of strength and survival, then the themes in Realm of Ash are based on enduring and resilience!

            The appeal of Realm of Ash surpasses its predecessor, thus making the series, and the author, worthy of all of the praise given to it. Fans of fantasy, and the first book, will want to read this book; and, fans of historical fiction might enjoy this book as well. Both Books of Ambha can be read in either order—amidst minor spoilers—and readers will get the complete experience of the world the author created. The same warnings of violence and abuse from the first book are relevant in this one, but given the historical and societal context of the story, those aspects do not affect the way readers will enjoy the story.

            Realm of Ash is an amazing follow-up to Empire of Sand and answers all the questions readers had from the previous book. It is not unusual for the next book in a series to be better than the first, but Realm of Ash is a stronger story dealing with issues of lost, family, and magic. It also adds to the world-building that was half-finished in the first book, providing a complete and beautiful world that is worth saving. This book was in my top five of my favorite speculative fiction books of 2019, and I’m looking forward to reading more books by Tasha Suri.

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “Vita Nostra”

Metamorphosis: #1: Vita Nostra

By: Marina & Sergey Dyachenko

Translated (English) by: Julia Meitov Hersey

Published: 2007 in Russia & Ukrainian; November 13, 2018 in the U.S.

Genre: Metaphysical, Speculative Fiction, Psychological, Bildungsroman 

Winner of the PocKoH 2008

Vita nostra brevis est,                                                 Our life is brief,

Brevi finietur;                                                             Soon it will end;

Venit mors velociter,                                                   Death comes quickly,

Rarit nos atrociter,                                                     Snatches us cruelly,

Nemini parcetur!                                                        No one is spared!

                                                                                                                       (Part One).

            I know I am late in writing this review but it’s here now. This book was my favorite book of 2018 and I’ve been raving about this book to anyone who would listen. I’ve been begging the publisher—Harper Voyager—for the translation of the other books written by this husband and wife duo. Vita Nostra is a novel that serves as a reminder that the speculative fiction genre has no limits and contains a reading experience that will have you question your limitations as to what is possible. 

            Alexandra Samokhina, or Sasha, is on summer vacation with her mother at the beach. She is looking forward to this trip before her senior year in high school in which, she plans to focus on her studies and to attend a university to study philology (the study of language in oral and written historical sources). Yet, before the 1st day of the trip can amount to more than a quick swim, Sasha notices a man in a “dark denim suit” watching her. At first, she shakes it off, but a few days later, Sasha sees him whenever she’s in town. From there Sasha experiences a few bouts of strange activity, but this only gains more unwanted attention. After many run-ins with the man, Sasha is given a task to perform, which she completes. Whenever, she doesn’t complete the task, someone close to her suffers the consequences. After her summer vacation, Sasha is given another task to complete each day throughout the school year. Meanwhile, Sasha’s mother starts seeing a man named Valentin. As expected from any adolescent, Sasha is going through academic pressures and a changing relationship with her mother. By the time she has graduated, Sasha’s grades have dropped, she doesn’t get into the university she wanted to attend, and her mother has married Valentin. However, because kept completing her “tasks,” Sasha is accepted to the Institute of Special Technologies in the town of Torpa, and the man—whose name is Farit Kozhennikov—is to be her advisor. Once at the school, Sasha—and her classmates—attend classes, follow strict rules, and complete their homework or face the consequences. Similar to any university, first year students have to adapt to all of the changes and study methods at the Institute. The difference is failure is not accepted and even the best students falter from time-to-time, even Sasha. Sasha studies and studies, and while she slowly comprehends her lessons and unlocks her mind to a new way of thinking, her punishments are as strange and as brutal as you can imagine. The Institute’s program lasts for 3 years, and then the students take their graduate final in order to “move on” to the graduate program. Sasha and all of the students at the Institute fear what happens if they fail, so they all study and perform as well as they can. Sasha realizes that she is outperforming her classmates to the point where she is not only at the top of her class, but also adapts to the Institute’s expectations. Due to these accomplishments, not only does Sasha becomes isolated from her peers, but also becomes more distant from her mother. Sasha’s mother, stepfather and friends develop in a more casual way. Sasha’s development is as complex as the story, but it is intriguing to read how she deals with life inside and outside the Institute. 

            The plot in Vita Nostra is the type of education being implemented at the Institute of Special Technologies through Sasha. The fact that this is the first book in the Metamorphosis series, should provide some hints, but not enough for readers to guess what will happen. Sasha is university student, which means she is learning how to balance her studies with any free time she has. And, like other university students, Sasha struggles with her classes and even misses a few of them due to exhaustion. Yet, she continues because she doesn’t want her mother to suffer for her failures. Eventually, Sasha not only grasps the meaning and the structure of her classes and her one-on-one sessions, but also exceeds beyond the expectations of her professors to the point where they have to set some rules for her to follow, so she does NOT get carried away with what she’s managed to accomplish so far. Sasha goes from struggling student to one that must be monitored so that she maintains control of herself. Sasha becomes so accomplished she becomes isolated from her peers. The subplot in this novel is the relationships Sasha struggles to maintain throughout her time at the Institute. While she remains friends with some of the other students, Sasha does all she can to hang on to her relationship with her mother. While Sasha is struggling with her studies, her mother is enjoying her new marriage (and later on a new baby). Sasha’s mother asks her constantly about leaving Torpa, but Sasha knows it’s best to remain there for her family’s safety, and to keep learning. The plot and the subplot converge around Sasha and everything she’s learning at the Institute, and its costs. She unlocks skills her professors want from their students. Once Sasha understands her potential and her skills, she cannot stop learning more. This imposes a new level of coercion set on her by her professors and her advisors. 

            The narrative in Vita Nostra is told from Sasha’s point-of-view and follows her growth from a candidate to a third year at the Institute. The book is in 3 parts, but there are no chapters. Instead, there are breaks that indicate when something else is occurring in Sasha’s life. This reflects the continuation of life of the characters and having chapters would disrupt the narrative. These breaks within the narrative allow readers to follow the story easily. This is because the narrative—while told in present time in stream-of-consciousness—there are moments where the sequence changes over to what may seem like a flashback but is actually a “do over” of these events. While this method of narration is objective—for it is essential for the novel—it presents Sasha to be a reliable, yet flawed, narrator because readers realize the extent of Sasha’s studies and accomplishments. Even before Sasha is accepted into the Institute, readers notice the beginnings of her change of her narration throughout the narration. Each part represents each year of Sasha’s time in Torpa, and the narration changes as Sasha changes; and, it is an experience unlike anything read before.  

            The style the authors—Marina and Sergey Dyachenko—use fall under metaphysical fiction. Metaphysical fiction is a subgenre of speculative fiction in which, “things like mind over matter, energy medicine, and places that which is beyond physical measurement, beyond the ordinary, into the very ordinary and mundane world we human beings inhabit,” (Newland, 2013). In other words, characters possess talents, skills, and/or abilities that defy physical laws, but only a small percentage of the world’s population have these talents, so the rest of the world remains ignorant to people like Sasha, the purpose of the Institute of Special Technologies, and the phenomenon everyone there undergoes. Vita Nostra is NOT magic realism! Magic(al) realism is a subgenre of speculative fiction where a story set in a real location and time with ordinary people living ordinary lives experience fantastical or magical elements that are a natural part of the characters’ lives but remain mundane and unexplained (Witte, 2015). For example, in Isabel Allende’s, The House of the Spirits, there are two sisters. One has green hair and the other one is a clairvoyant. No explanation is provided, the other characters are unfazed by these phenomenon, and the story continues. Readers are left to doubt whether or not those fantastic elements are real. In Vita Nostra, Sasha and her classmates possess abilities that are beyond the ordinary, but they are isolated from the rest of the world because it is not considered to be “ordinary.” Instead, Sasha and the other students are left to deal with these metaphysical experiences on their own at the Institute. The tone in Vita Nostra is the cost of learning and the cost of failure at the Institute, a form of terrorism. The mood is the bizarreness of everything the students experience and how Sasha (and readers) are intrigued to learn more. The authors provide a story of what is possible and what is actual in their own words while following the elements of the metaphysical fiction (sub)genre. 

            Vita Nostra is a translated work of fiction. The novel was first published in 2007 in Russian in Ukraine. The novel was very popular at the time of its release in Russia and won the PocKoH in 2008. Vita Nostra has been described as “a cross between Lev Grossman’s The Magicians and Elizabeth Kostova’s The Historian…is the anti-Harry Potter you didn’t know you wanted,” by The Washington Post. I find the description to be very accurate. Other readers, including some authors, enjoyed this book as much as I did. While not everyone will appreciate the elements of dark fantasy and metaphysical fiction, they cannot deny the parallels to other works of Russian speculative fiction such as The Metamorphosis by Franz Kafka. I’ve been told by other readers that fans of The Night Circus by Erin Morgenstern and The Library at Mount Char by Scott Hawkins will appreciate and enjoy Vita Nostra the most. I believe this novel will have more of a cult following which will transcend to a must read in due time. Meanwhile, the popularity of Vita Nostra will help with the expansion of the metaphysical fiction genre. This novel is the first in the Metamorphosis series. Digital, or Brevis Est was released in 2009 in Russian, and Migrant, or Brevi Finietur was released in 2010 in Russian. Both novels are follow-up standalone novels that follow other students at other Institutes who undergo their own metaphysical experiences. There have not been any news surrounding an upcoming translation of those books, but both The Burned Tower (1998) was released in English in 1999, and The Scar (1997)—the sequel to The Gate-Keeper (1994) and NOT released in English—was released in English in 2012. The next English translated book by Marina and Sergey Dyachenko is titled Daughter from the Dark and it’ll be released in February 2020, and I can’t wait to read it!

            Vita Nostra is a unique read that will introduce readers to new authors and another subgenre of speculative fiction. The combination of breaking reality with this coming-of-age story will remind readers everywhere that no matter the genre, themes such as family dynamics and education are universal. The story alone is enough to capture your attention and decides when and how to answer the questions you and the protagonist want answered. The expectations readers will have from the authors will match the expectations Sasha’s professors have for her. The Institute of Special Technologies is listed alongside Hogwarts, Sinegard Academy, and the Brakebills University for Magical Pedagogy as challenging and excelling educational institutes. I desire and I dread the existence of these academic institutions! 

My Rating: MUST READ IT NOW (5 out of 5)!!!

                                                            List of Works Cited

Newland, Tahlia. “Guest Post: Setting the Stage: Visionary & Metaphysical Fiction.” Tahlia Newland, 23 January 2013, http://www.tahlianewland.com/guest-post-setting-the-stage-visionary-metaphysical-fiction

Witte, Michelle. “Elements of Magical Realism.” Michelle Witte: Read Write Edit, 29 September 2015, http://michellewittebooks.com/2015/09/elements-of-magical-realism

Why You Need to Read: “Seven Blades in Black”

The Grave of Empires: Book One: Seven Blades in Black

By: Sam Sykes

Published: April 9, 2019

Genre: Fantasy

            “Galta the Thorn. Riccu the Knock. Zanze the Beast. Taltho the Scourge. Kresh the Tempest. Vraki the Gate. Jindu the Blade. Seven names. Seven out of thirty-three. It might have seemed small, maybe. But there was another name on my list that had taken a lot of bullets, a lot of blood, and a lot of bodies so that I could finally cross it out. I would have killed for one name. For seven? I’d burn the world to cinders,”(Nine: Lowstaff). 

            This novel only takes the idiom, “Hell has no fury like a woman scorned,” to the zenith, but it also puts revenge tales on the same level as Quentin Tarantino’s,Kill Billmovies. Sal the Cacophony is one angry woman and she’s on a journey to make sure those who have made her this way pay with their lives. She has a list with 33 names on it. The first book in The Grave of Empirestrilogy (or series?) focuses on seven of those names.

            Sal the Cacophony is a Vagrant—a mage who no longer fights for the Imperium—who is imprisoned and awaiting execution by the Revolution—a group of non-mages who oppose the dominance of the mages. She is questioned by Governor-Militant Tretta—a figure who is only concerned with earning a promotion so that she’ll become more noticeable to her superiors—who demands an explanation surrounding the disappearance of Revolutionary Low Sergeant Cavric Proud and the attack on one of the towns within the region known as “The Scar.” Sal accepts both the (multiple) charges and her fate and tells the Governor-Militant the recent events, which led to the disappearance of the Low Sergeant. Tretta—and readers—learn of all the events right up to Sal’s arrest. Sal tells of her last bounty job, which turned into the hunt for the names on her list, which uncovered a conspiracy, which became a rescue mission, which turned into a massacre, which led to her arrest. Along the way, we learn what happened to the devout Revolutionary Sergeant Cavric, and Sal’s girlfriend, Liette, who is a mage. Sal is a woman with many aliases, abandonment issues, and a lot of anger. And, it is ALL justified!

            The plot, as mentioned earlier, focuses on Sal’s revenge against those who wronged her. However, we learn of 7 of the 33 names and why she goes after those particular people first. Like many revenge tales, we follow the person who has been wronged while wondering whether or not the ends justifies the means. In the case of Sal the Cacophony, she has been wronged and she has every reason to be angry to the point where you can understand her murder streak. Yet, you wonder about the “after.” What will Sal do if she does cross out all the names on her list? How will this journey change Sal? The subplots include the world-building and the world’s history, which is mentioned by Sal through her story. Since Sal is retelling the events that led to her arrest, the plot moves very quickly, which is a good thing because a lot happens and we want to know what happens next, and we don’t need all the little details in order to get to the heart of the story. 

            The narrative is told in flashback from Sal’s point-of-view; and, given the state of Sal’s situation, it could be argued that Sal is an objective narrator, yet Sal is a character that allows for both Tretta and the reader to be empathetic towards Sal. Sal does admit to all of the crimes—and the heroics—she’s done, recently; but it isn’t until the novel’s end that you realize how truthful Sal has been to the Governor-Militant, to her friends, and to herself. Each chapter is labelled with the setting where each event occurs. This makes it easy to follow the narrative because the sequence of events follows Sal’s destructive path towards vengeance. The narrative clues you in to what happens next.

            The author, Sam Sykes, sets the tone of this humorous epic fantasy tale by giving his readers a cynical protagonist who drinks, curses and kills as a coping mechanism. Both the tone and the mood setup the grittiness of the location known as, “The Scar.” Sal’s exploits illustrate how everything can go wrong while accomplishing a task but completing it anyway. Readers have no choice but to laugh as each event occurs because you have no choice but to laugh. Sykes does an amazing job teasing some of the common fantasy and revenge story tropes in his dark comedy novel.

            The appeal surrounding Seven Blades in Blackwill introduce SFF readers who haven’t read Sam Sykes’ books before to him. The description surrounding this novel as a “blend of Kill Billand Final Fantasy” is very accurate. Fans of George R.R. Martin and Brian McClellan will enjoy this new series, too! Readers of epic fantasy will enjoy this story and appreciate the effort the author makes in clarifying both The Scar and Sal’s character. This has been one of the most humorous books I’ve read in a long time, and I’m already anticipating Book 2! Seven Blades in Blackis a welcomed addition to the speculative fiction genre. One more thing, if there was to be an adaptation, then an anime-styled animated series would be the way to go!

            I’m glad I received an ARC of Seven Blades in Blackbecause not only did it allow me to read a book by an author I had never heard of before, but also it allowed me to appreciate epic fantasy by providing a 704-page novel and leave me begging the author for a potential release date for Book 2! The protagonist is one who deserves our sympathy and will leave you hoping that she does accomplish her goals without destroying herself. I want to know what happens next!

My rating: MUST READ IT NOW! (5 out of 5).