I LOVE MURDERBOT! Another excellent novella about our favorite snarky robot! I’m aiming to reading Network Effect this summer, finally!
What are you currently reading?
I’m still listening to Chaos Vector, and I hope to finish it within the next 1-2 weeks.
I’m back to reading Shards of Earth. The good news is because I haven’t made too much progress, which means I still remember everything that I’ve read so far.
What will you read next?
FYI: The title for Book 5, which is the last book in this series, has been released. It’s available on a certain website!
I am WAY behind on my reading (for reasons I’ll get into when the time is right). These are 3 of several books I hope to start reading by the end of the month.
It was set up a hill on a cliff overlooking the ocean. It looked as if it were at least a hundred years old. It was made of brick and had a large turret of all things set right in the middle of the roof. The side of the house facing Linus was covered in green ivy, growing around multiple white window frames. He thought he could see the outline of a gazebo set off next to the house and wondered if there was a garden. He would like that very much. He could walk through it, smelling the salt in the air and—
He shook his head. He wasn’t here for such things. There would be no time for frivolities. He had a job to do, and he was going to do it right, (FIVE).
It’s amazing how a reader comes across a book. In this case, after receiving an eARC, I received a print copy of this book from a giveaway. At the time of this book’s release, the reviews were all about how great and how beautiful the story is, and how everyone should read this book. And, when I started reading the book, I realized the description didn’t do it justice to the story as a whole. The House in the Cerulean Sea by T.J. Klune is a poignant story about family and identity.
The protagonist is Linus Baker, a middle-aged caseworker in the Department in Charge of Magical Youth (best described as social services for “magical” children). He is the stereotypical vapid and lonesome adult who lives alone—with his cat, Calliope—and focuses on his job, in which he is very good at. In fact, Linus is so good at his job, he receives a summons from Extremely Upper Management to take part in a highly classified assignment: investigate an orphanage on the distant island, Marsyas; report and determine whether or not it should remain open; and, check the well-being of 6 “magically dangerous” children and their caretaker, Arthur Parnassus. It doesn’t sound too bad, until Linus reads the files for each child. That is when Linus realizes this assignment is unlike the other ones he’s had before, and why the files are classified. Linus reads up on the files of the children: Lucy, Talia, Theodore, Chauncey, Sal and Phee. But, he waits to read Arthur’s file because Linus believes it isn’t relevant to the assignment. In addition to the children and Arthur, there is Zoë Chapelwhite, the “Caretaker of Marsyas Island,” and the mentor to one of the children. Each of the children are as unique as their files make them out to be, and Linus is able to see them all as children and NOT the magical beings they are. While Linus has no issues with writing up his reports and bonding with the children, he is puzzled by Arthur’s demeanor, especially when it comes to the humans who reside on the island. Arthur is a complex character, but it is through him that Linus develops as both a character and an individual throughout the story.
Although the plot appears to be cliché, it is less straightforward and more complex than presented in the first chapter. In this world, humans and magical beings coexist in society, but they remain segregated from each other. The obvious reason for this is the fear between both groups. Humans fear what they don’t know, and the magical beings fear for their safety (from humans). Linus believes he’s investigating the Marsyas Orphanage because of his ability to “do things by the book.” However, Linus learns quickly about the true intentions of Extremely Upper Management and of Arthur’s reasons for becoming the guardian for these particular children. There are two subplots in this book. The first one surrounds foster care. Just about everyone has heard of (or knows someone who went through or works within) the foster care system—which, includes orphanages and children’s homes—and, the numerous stories—both true and false—about the ongoings that occur within them. This includes visits from caseworkers and social workers. I’m not saying that this book provides “accurate” information—I wouldn’t know—but, there is enough familiarity in this book that brings out the reality within the fantasy. The second subplot involves trauma and fear, and how it is handled. Approximately, half of the characters are dealing with their personal fears and traumas, and they all deal with them in their own way. However, there are positive and negative methods to overcome them, which are explored in this story. These subplots are necessary because they provide more depth and development to both the plot and the characters.
The narrative follows Linus’ point-of-view in the present, and is told in 3rd person limited narration. This means that the readers know what is happening from Linus’ experiences, and what is told to him by the other characters. This use of narration is essential for the story because of Linus’ role as a case worker. He must be able to understand the children, Zoë and Arthur while maintaining his identity as a human; especially, when Linus is told of the traumas the children have gone through. This makes Linus a reliable narrator.
The style T.J. Klune uses for The House in the Cerulean Sea is first and foremost a commentary on stereotypes, especially those placed on children. Ironically, this book was released during the year the world was forced to observe how they operated, and how their societal practices led to social turmoil. In addition, it is children who are taught how the world will perceive them based on these societal norms and practices; and, how it can get better, or worse (usually worse), as they reach adulthood. Earlier, I mentioned foster care systems, but there are several allusions to magical beings across folklore and speculative fiction, including the “smaller details” to what some of us suspected about those magical beings. The mood in this book is paradise. Linus arrives on the island and he is awed instantly by its beauty: the weather, the colors, and the appeal. However, each literary paradise contains its own underlining issue. The tone in this book is the dismantlement of stereotypes and appearances. All of the characters have something within themselves they need to overcome so that they can continue living their lives.
The appeal for The House in the Cerulean Sea have been immensely positive. Several readers and critics have had nothing but great things to say about this book. In addition, this novel was named “One of the Best (SFF) Books” of 2020 by everyone from Goodreads to Amazon. This book is a great addition to the speculative fiction canon and it should be read by all fans of the genre, especially for its lighter tone. Recently, this book became one of the recipients of the American Library Association’s (a.k.a. ALA) 2021 Alex Award. And, I’m going to say that this is the first of many accolades this book will receive.
The House in the Cerulean Sea is the magical book readers and fans didn’t know they needed. T.J. Klune presents a story about stereotypes surrounding identity, youth, family and appearances; and, it provides a bit of magic to it in order to present it as realistic, and it works. If you are looking for a fantasy story that will make you smile, then look no further.
…“The Tale of Saint George and the Witches.” It’s never been one of her favorites, but she reads it anyway.
It’s the usual version: once upon a time there were three wicked witches who loosed a terrible plague on the world. But brave Saint George of Hyll rose against them. He purged witching from the world, leaving nothing but ashes behind him.
Finally only the Maiden, the Mother, and the Crone remained, the last and wickedest of witches. They fled to Avalon and hid in a tall tower, but in the end Saint George burned the Three and their tower with them, (3).
2020 was a memorable year in and of itself. This was unfortunate because events of the present—which, I won’t list in this review—did not allow us to celebrate any milestones. One in particular was the ratification of the 19thAmendment which extended the right to vote to women, which occurred on August 18, 1920. This was a huge event because the movement for women’s rights—known as the Suffrage Movement—launched on a national level with the Seneca Falls Convention in 1848. And yes, similar movements were occurring in other countries around the world. This is one example out of many which demonstrates how long women had to fight and to protest to have their voice heard within the government. Alix E. Harrow gives readers her historical interpretation of this movement—with elements of witchcraft—in her second novel, The Once and Future Witches.
There are 3 protagonists in this novel, the Eastwood sisters: Beatrice Belladonna, Agnes Amaranth and James Juniper. Circumstances have brought the sisters together in New Salem in 1893 on the spring equinox. Agnes, Bella and Juniper have neither seen nor communicated with each other in 7 years. And yet, they still feel like the family they once were regardless of what led them to their current predicaments: Bella is a librarian, Agnes works at a mill, and Juniper has left home (and is a wanted woman). Societal norms and gender stereotypes have placed the sisters in situations where they cannot hope to progress further in life. That is unless they decide to join the local suffrage group, and to practice the magic they were taught from their grandmother, Mama Mags. As these sisters reconnect and reclaim what was denied to them their entire lives, they realize that more is at stake than just having the freedom to practice magic, to vote, and to be a woman. And, they won’t have to do it alone. Joining the Eastwood sisters are: Cleopatra Quinn, a journalist and a member of the Colored Suffrage Movement from New Cairo; August S. Lee, a factory worker from Chicago who has a knack for fighting for fair treatment for factory workers and for practicing “male” witchcraft; and, several members of the Sisters of Avalon, local women who are willingly to use magic in order to receive fair treatment. The antagonists include: Gideon Hill, the ambitious politician, who knows more about witchcraft than he should; and, his ward, Grace Wiggins, who is the head of the Women’s Christian Union—an organization of women who are “content” with the way things are, and are against all suffrage groups and witchcraft. All of these characters develop at they push for what they believe in, and they are more complex than they first appear. These characters deserve our sympathy and our empathy.
There are 2 plots in this novel. The first plot is the female characters who decide to go rogue and to form their own suffrage group which permits them to use witchcraft the patriarchy has denied them for centuries. It seems whenever suffrage groups get closer to achieving their right to vote, society finds a way to “punish” these women, which forces them to learn witchcraft so that they have a way to fight back. However, why is it that magic is stronger in females than in males? The second plot surrounds the legend of “The Last Three Witches of the West” and “The Lost Way of Avalon.” In this book, everyone is familiar with the story of Saint George of Hyll and his “victory” over the witches and the destruction of their stronghold. Yet, Bella, Agnes and Juniper are able to find evidence the witches and the Tower of Avalon did and could still exist. The sisters are able to locate the Tower’s entrance and discover what is inside. The sisters learn the origins of the Tower and its “demise” and the connection it has to the present. There are 2 subplots in this novel, and they embellish the plots and allow them to go at an appropriate rate. The first subplot focuses on how society was “operated” towards the end of the 19th century; labor laws weren’t formed yet, Jim Crow and segregation were practiced, and females of all ages were subjected to misogyny from most of the males in their lives: fathers, male relations (who were favored for inheritance), bosses, politicians, etc. Females had little to no say over their lives, and they could find themselves arrested and imprisoned for refusing to follow these laws—mothers lost custody of their children—because social norms believed males were “superior” to females. The second subplot follows how witchcraft was able to exist alongside those who shunned and tried to expunge it. The question is, why? Was it due to fear, or because women were better at witchcraft than men? Once everything has been revealed to the characters (and the readers), how will they react?
The narrative in this novel is very intriguing. The narration follows the points-of-view of Bella, Agnes and Juniper in 3rd person limited narrative, which presents what each protagonist is experiencing at the moment without the other ones knowing about it. However, there is a slight difference in this narration. Magic allows the Eastwood Sisters to feel one another’s emotions, which allows them to know what is happening to the others at any given moment. The sequence is interesting as well because as the narration is presented in the present in real-time, the story halts whenever a “story” is being told by one of the characters. While the concept of “a story within a story” is nothing new, the presentation of the stories by the characters offers readers the chance to delve into the narrative even more. The narrators are reliable because readers follow their streams-of-consciousness and their memories of the pleasant and the traumatic, which makes the narrative easy to follow.
The style Alix E. Harrow uses for The Once and Future Witches is a tribute to all elements of folklore familiar and unfamiliar to her readers. The title is an allusion to the novel, The Once and Future King by T.H. White, but has the setting and the mood of The Mists of Avalon by Marion Zimmer Bradley. In addition, as I mentioned earlier, this novel is not only a retelling of folklore, but also a retelling of societal practices from over one hundred years ago. Labor and factory workers suffered long workdays with little pay, women had to follow the rules set by their fathers and their husbands and other laws otherwise they would be punished, and the blatant racism which saw segregation as a legal and an acceptable social practice. All of these are mentioned within the book as well as all of the advocates who pushed for equal rights and fair treatment such as: Ida B. Wells-Barnett and Elizabeth Cady Stanton. This novel is full of allusions to tropes from folklore and familiar tales: Avalon; the number 3; shadows, Maiden, Mother and Crone; witches, Christianity, etc. Also, Alix E. Harrow includes some of her “fractured fairy tales” throughout the story. A fractured fairy tale are stories in which “a writer or storyteller rewrites and refines them for the world we now live in,” (Yolen). Elements and/or familiar parts of a known story—Cinderella attends a festival, Sleeping Beauty must fall asleep at some point, etc.—but everything else is altered so the variant is presented as a new one. The storyteller is able to have fun with these tales as they have more freedom to tell the story that reflect their atmosphere. The Once and Future Witches is a combination of historical fiction and numerous fractured fairy tales, which presents readers with a unique historical fantasy story. The mood in this novel is oppression. Several of the characters—including the protagonists—are subjected to oppression and are willing to do anything to fight against those who dominate them. The tone in this novel refers to the legacy of witchcraft and spells; if they are not supposed to be practiced, then how has the knowledge survived since the death of the last coven of witches? It could be argued that the tone pertains to who has access to witchcraft and what it entails, especially those in power.
The appeal for this novel have been highly positive. Based on other ratings and reviews, it appears readers enjoyed The Once and Future Witches as much as or even more than the author’s first novel, The Ten Thousand Doors of January. It needs to be mentioned that the 2 books—while they belong in the speculative fiction canon—are of different subgenres. The former is a historical fantasy about witches, which is categorized in the paranormal and the urban fantasy (and the witches) subgenres. The latter is a portal fantasy, which is a subgenre of fantasy. Readers need to understand these books are different, yet enjoyable. Fans of The Priory of the Orange Tree by Samantha Shannon and the Winternight Trilogy by Katherine Arden will enjoy this book the most.
The Once and Future Witches is more than a story about witchcraft, it is a combination of various folklore and moments in history. Alix E. Harrow celebrates the centennial of the 19th Amendment by gifting her readers a harsh reminder of how society used to be, and how we take certain rights for granted. If anything else, then you should read this story for the (fractured) fairy tales.
My Rating: Enjoy It (4.5 out of 5).
Works Cited
Yolen, Jane. How to Fracture a Fairy Tale. E-Book, Tachyon Publications, 2018.
The tower took the length of the world—only it was an alien world, replicating itself over and over as it climbed to a distinct, ghostly gap into the clouds. Or did he stare down a well? (Part I. The Duchy. 5).
Critics have an interesting job. They review a genre of media—books, films, video games, etc.—and they offer their thoughts and opinions on each one for the public to have a perceived notion before experiencing it for themselves. While it sounds like an ideal job, many do not know critics are expected to review the “poor” and/or the “bad” works as well. Not to mention, the amount to review never seems to decrease. And yet, critics continue to do it because they enjoy it. So, what happens when a request is sent to them from the creator directly? One of two things: either the request is granted, or it gets shuffled into the pile until further notice. In the case of Yaroslav Barsukov, the former happened and I read his novella, Tower of Mud and Straw, a fantasy story that pays homage to familiar tropes while presenting his twists to his readers.
The protagonist in this story is Shea Ashcroft, the former Minister of Internal Affairs and the former councilor to Queen Daelyn. Shea was stripped of his position after he refused a direct order and is sent to Owenbeg—the kingdom’s border—as the new “intendant” to oversee the construction of a massive tower. Shea, who knows this is a combination of a test and a punishment, arrives to learn about the tower’s construction or lack thereof. Once Shea observes the tower, he learns a truth which triggers a series of traumatic events from his past. Suddenly, Shea is torn between his role and his status, and his knowledge about the potential consequences surrounding the Tower’s completion. Shea demands that the Duke halts the Tower’s construction, which goes against Brielle’s—the Chief Engineer—goals of seeing the Tower completed in record time. Patrick is the Duke’s Military Counselor who is searching for whoever is sabotaging the Tower’s construction. Then, there is Aidan, a man who is obsessed with the Tower’s completion no matter what the cost is so that he can see it through. And, there are 2 women named Lena. The first Lena is the Duke’s Counselor of Arts, and the Duke’s lover. The second Lena is Shea’s (twin?) sister whose been dead for several years. All of these characters forces Shea to confront both his traumas and his fears as he chooses to do what is right instead of his duty.
The plot in this story revolves around the construction of the Tower. The queen has ordered the airship tower to be built for society and for her legacy. However, Shea discovers that the Tower is being built faster than possible. This is because Brielle has been using Drakiri devices—which Shea’s sister called “tulips”—in order to build the Tower to massive size and expectations. As he processes this information, Shea learns from Patrick that there have been sabotage attempts on the Tower. Shea believes it is the Drakiri devices and demands to have them removed. But, Patrick believes there is a more “primitive” attempt to stop the Tower’s construction. There are 3 subplots in this story. The first subplot focuses on Shea’s new responsibilities and the consequences of not seeing them through—2 men attempt to assassinate him for opposing reasons. The second subplot surrounds the legends of the “Mimic” Tower, which are told to him by Lena—the Duke’s lover—who is part Drakiri and is familiar with the culture and the technology of her ancestors. The third subplot delves into Shea’s past, especially his sister, Lena, what led to her death, and why he ignored all of the signs which led him to make a decision with lethal consequences. Not only do all of these subplots connect to the plot related to the Tower’s construction, but also as to why Shea Ashcroft makes the choices he does throughout the story knowing the outcome won’t change.
The narrative is told from Shea’ point-of-view. However, the sequences are presented using different narrations. Most of the narrative is told in 3rd-person limited narrative, meaning readers know what is happening to Shea, but any inner monologues or thoughts are presented in 1st-person narrative. This change in narration illustrates the inner conflicts Shea deals with throughout the story, and these moments of streams-of-consciousness not only present Shea as a reliable narrator, but also presents the conflicts and the protagonist as relatable. What does it take to make a “good” decision? The protagonist’s flashbacks throughout the narrative are written so that they are easy to follow along as well.
The style Yaroslav Barsukov uses in Tower of Mud and Straw is a fantasy story with a steampunk setting and elements of folklore which is part political thriller and part cautionary tale. The language used by the author focuses on the “political” aspects found within the world-building as well as the culture of the “immigrants” and their “contribution” to the society they reside in. What happens when more emphasis is placed on the benefits of an unknown technology instead of its origins? And, what happens when “stories” are no longer “just stories”? And, when every side wants you dead, how will you “go out”? The mood in this novella is eerie. There is an unnatural state in the atmosphere, which is brought on by the Tower, but it seems most of the denizens decide to ignore it and say that it’s people and NOT the Unknown who are bringing this change in the atmosphere. The tone in this story is revelation. What happens when there is truth to legends, and they are linked to a personal tragedy? What would you do?
The appeal for Tower of Mud and Straw have been and will be positive. I received an eARC from the author, and I strongly recommend it. This book will be released through an independent publisher, so it won’t receive the same marketing as books from larger publishers, but I’m a bookblogger who is recommending that you read it. And, it seems that other early readers have enjoyed it as well. This story is a great addition to the fantasy canon, and its lasting appeal will be due to its cult following. This story can and will be re-read because of the story’s structure and format. Each part of the story and the protagonist’s backstory are essential to the story—you can’t skip over anything! And, while one of the final scenes in the story seems “overdone,” it works with the question readers will have by the time they read the last sentence.
Tower of Mud and Straw is a story full of themes and tropes presented in a way that makes for an incredible story. Yaroslav Barsukov is an author who seems to have more stories ready to give to readers than he is letting on. Until we get those stories, we’ll have to settle for this one about politics, unknown technology, folklore and vertigo. Anyone who is looking for an intriguing story written by an indie author should read this one.
The Queen of Cakes would never have been defeated: Sumi had died before she could return to Confection and overthrow the government. Rini wasn’t just saving herself. She was saving a world, setting right what was on the verge of going wrong, (5: Places of the Living, Places of the Dead).
***NOTE: This review contains some spoilers from Every Heart A Doorway. That book should
be read BEFORE reading this one.
Quests; adventures; journeys. Everyone is familiar with the numerous stories about “ordinary” people who leave home to go on a “hero’s quest” usually “to save the world.” Other journeys include a fellowship attempting to do the impossible, and most of them take place in different worlds. Stories about Narnia, Oz, Middle-earth and the gods involve quests. In fact, several video games such as Final Fantasy are about a group of individuals on an adventure to accomplish a goal. Seanan McGuire has her readers return to Eleanor West’s School for Wayward Children before they go on a quest, which is against the rules. Beneath the Sugar Sky, the 3rd book in the Wayward Children series, takes place after some time has passed after the events in Every Heart A Doorway.
Readers are reunited with the students from Eleanor West’s school: Kade, who is training to be the school’s next headmaster; Christopher, who is waiting for the Day of the Dead so his Door will appear, if it does; Cora, the school’s newest student, who was a mermaid; and, Nadya, one of the school’s longest residents, who talks to turtles. It is an ordinary day at school, until a girl wearing a cotton candy dress falls from the sky and into the turtle pond. The girl identifies herself as Onishi Rini, the daughter of Onishi Sumi, one of the students at the school. Rini claims she is from the future and she is searching for her mother—who disappeared from their home in Confection. There is one problem, Sumi is dead, which means she can’t have a daughter in the future, at least in our Logical world. However, Confection is NOT a Logical world, so there should be a loophole, right? Eleanor allows some of her students to go on a quest—which, is against the rules—”to put Sumi back together.” Kade, Christopher, Cora and Nadya travel with Rini on her quest bringing their knowledge and their skills as they attempt to do the impossible. Readers learn more about these characters, the worlds they call Home, and the worlds they travel to. Who else will they meet along the way?
The plot in this story is straightforward. A few schoolmates are going to resurrect the dead friend with her future daughter leading the way. All they have to do is travel to the worlds where pieces of Sumi can be found so they can put her back together. Not too difficult right? Not to mention, with Sumi dead, Confection remains under control of a despot, who will do everything in her power to stop her nemesis from coming back to life. There is one subplot and it goes back to one of the plots from Every Heart A Doorway, which is the construction of the Great Compass. Kade, Christopher, Cora, Nadya and Rini all traveled to different worlds; and, those worlds are connected to each other somehow. As the students continue on their quest, they note which worlds are connected to each other, which serve as clues for the students who are trying to return Home. It seems like the Great Compass is forming into a larger map where one world has pathways to several other worlds. Someone just has to figure out a way to map them all out. The subplot develops alongside the plot as the characters note which Doors take them to which worlds.
The narrative follows the points-of-view of all of the travelers, but the focus is on Cora because she is the newest student. This means that the P.O.V. is 3rd person omniscient and the sequence is in the present as readers follow the events in “real time.” In addition, following the streams-of-consciousness of the characters make them reliable narrators that makes it easy to follow the story.
The style Seanan McGuire uses in this story reminds readers of the adventure stories they’ve read (and, probably continue to read). Throw in elements of hero’s quest stories from myths and legends and some Japanese pop culture and you have a story everyone can enjoy. Allusions to Orpheus, the Underworld, JRPGs, Sailor Moon and Back to the Future can be found throughout the story and are recognized by readers who are familiar with them. Additionally, the allusions to magic objects and other tropes from folklore could be viewed as foreshadowing for future books in the series and as evidence that magic exists in our world. The mood in this story is adventure. The students go on a quest to save their friend and her future and her Home. They don’t know what’s going to happen, but they know it will be more fun than they’ve had in a long time. The tone in this story is fellowship. The students wouldn’t embark or assist in this quest if it wasn’t for the loyalty—both strong and fragile—they have for each other. They are not sure whether or not they will succeed in their quest, but they are willing to risk it all because of the friendship they share. There are illustrations in this book done by Rovina Cai. While they are few, they capture the essential parts of this quest, and the illustrations are beautiful.
The appeal for Beneath the Sugar Sky have been positive. And yes, this novella was nominated for some of the literary awards its predecessors have won. However, fans of the series agree this book is a creative continuation about the lives of the students at the school. Readers learn through the characters that magic is brought over to Earth from other worlds, and the magic and the worlds are connected. This book is a portal-quest fantasy and it belongs in the fantasy canon alongside the other books in the series. This book can be read by fans of both Philip Pullman and Joseph Campbell. And, due to its connection to the first 2 books in Wayward Children, readers can and should reread all of the books in the series so they know how each book is related to each other. After reading all 3 books, they will be ready to read the next book in the series, In An Absent Dream.
Beneath the Sugar Sky is a sweet addition to the Wayward Children series. This book gives readers a quest with some of their favorite characters—both old and new—where they learn about them and some of the many worlds as they journey to save their friend. The author combines story elements from the past and the present in order to present this narrative to her fans. In all, this novella is a must read for fans of fantasy stories and of fantasy scholarship.
Thank you Tor.com for sending me an ARC of this book.
“The Birth of a Nation” had delivered all the souls they needed to stir up them old evil powers. Across the country, white folk who ain’t even heard of the Klans surrendered to the spell of them moving pictures. Got them believing the Klans the true heroes of the South, and colored people the monsters, (TWO).
They are one of the most infamous groups in modern society; yet, for some reason, American society fails to call them what they are: a hate group. The Ku Klux Klan emerged during the Reconstruction Era and sought destruction, especially against several Black American communities throughout the U.S., particularly in the South. While their white hoods presented and hid their identities, the freed slaves had a new fear, and they weren’t from their folklore, but from actual fears which manifested. P. Djèlí Clark combines two fears—the known and the unknown—into his latest novella, Ring Shout.
Maryse Boudreaux is a 25-year-old monster hunter. However, she and her companions have “The Sight” so that they can distinguish one monster—the Klan—from the other one—the Ku Kluxes. To everyone else, they are one and the same, but Maryse and the other monster hunters know better. There is Sadie, the best shooter in the group; and, Chef, a war veteran who has a talent for explosives. Nana Jean is a Gullah woman who uses her skills to offer protection from the Ku Kluxes. And, Michael George, the man who provides Maryse with reprieve from and motivation for fighting. Then, there are Aunties Jadine, Ondine and Margaret, “spirits” who guide Maryse on her quest to eradicate the Ku Kluxes, including gifting her with the sword she uses throughout the war against the supernatural threat. Maryse has her reasons for hunting the Ku Kluxes, but she cannot grasp how far these monsters are willing to go for domination. And, who is conjuring them? The revelation pushes her to make “deals” so that she and her companions have a chance to survive. Maryse is a fighter, but she knows all too well that she cannot do it alone. Her companions allow her to develop into the person she must become in order to defeat this threat.
The plot is straightforward. It is July 1922, 7 years after The Birth of a Nation was released, and 4 years since the Great War (a.k.a. World War I) ended; and, there is to be a re-release of the film in Stone Mountain, Georgia. What many people—White and Colored—do NOT know is that the movie is based on a book written by a sorcerer. The sorcerer uses moving pictures in order to conjure a spell so that evil beings can be summoned and walk amongst humanity. The cost: human souls. The Klan offered their souls and became Ku Kluxes, which go on to terrorize Colored people. So, monster hunters—consisting of a group of Colored people with “The Sight”—continue to fight them off after the Ku Kluxes make their return to power. The storyline within this plot is how the characters fight, live, and survive during these trying times where a force of evil—which is fueled by hatred—is unseen by almost everyone. It is the subplot that drives the plot in this book. The subplot focuses on the Black American Experience during the 1920s, and it is not an easy time for them. In addition to fighting the supernatural, the characters have to maintain their way of life while remaining segregated. Jim Crow laws and lynchings are a common and an everyday practice. Combined, both the subplot and the storyline allows for the plot to develop an appropriate rate.
The narrative is told from the point-of-view of Maryse. The sequence is a combination of stream-of-consciousness and flashback, which are necessary for the story. The events and the sequence occur in the present. However, it is the dialogue (and the dialect) of the characters that will keep the readers engaged throughout the narrative.
The style P. Djèlí Clark uses in Ring Shout includes allusion, history and folklore. The history is obvious to anyone who is familiar with (actual) American history and Southern culture. The allusion refers to historical moments such as: Prohibition, the reemergence of the KKK, the construction of the Panama Canal, the Black Wallstreet Massacre, etc. Yet, it is the folklore that influences the story. The mention of fairy tales as cautionary tales are mentioned throughout this book (i.e. Bruh Rabbit, eating strange food, sharing stories, etc.) and drive the story in a way so that both the characters and the readers are familiar with all of the story’s ongoings. Another factor the author wants his audience to consider are the similarities between Black American and Caribbean cultures, particularly the practices of the Gullah and the Obeah. The mood in Ring Shout is hatred; and, the tone within this book is manipulation (for power using hatred). Readers should know that the book’s cover is essential to the events which occur towards the end of the story.
The appeal for Ring Shout will be positive. This is because the author does a great job fusing fear and hatred with folklore and dark magic. The former are human emotions which often lead to harm, while the latter are elements of several cultures that are believed and are practiced. Fans of horror, paranormal and supernatural stories will enjoy this story. Fans of recent and related novellas such as The Deep by Rivers Solomon and Riot Baby by Tochi Onyebuchi will appreciate the continuation of the Black American experience being told blatantly and directly in the speculative fiction genre. However, Ring Shout will be canonized alongside The Year of the Witching by Alexis Henderson in the horror genre. This book can be read again and again, and it is a great addition to the genre. It should be mentioned that this book can be read and enjoyed by historians and folklorists as well due to the information written into the pages of the story.
Ring Shout is a brilliant horror and supernatural story which will force you to recall all of the “stories” and the “magic” you’ve been exposed to throughout your life as you try to come up with an explanation for “the unknown.” Once again, P. Djèlí Clark has found a way to present readers with a story combining history and folklore into a believable, yet scary, tale that serves as a cautionary tale against hatred and sorcery.
By some miracle, we survived to the end of September (2020). It seems that books and video games have managed to remain constant throughout the year—as in some delays and/or minimal postponement. I’m still working my way through my TBR pile as it continues to grow. Fall 2020—September-December—continues the unceasing releases within the literary world (not that I’m complaining). Here are some of the books being released between October and December 2020 I’m excited to read.
Please note, I haven’t listed all of the speculative fiction books that will be released by the end of 2020, just the ones I’m hoping to read. If some books are missing, then it’s because either they are part of a series which I haven’t read yet, or I am unaware of their upcoming release.
For those of you who haven’t read my review of this book, you should read the book as soon as it’s released because this book doesn’t stop until its end. By the time you’ve reached the end of this book, you’ll realize that there will be a sequel, which will leave you asking: what else can happen?
Ring Shout by P. Djèlí Clark
If The Deep looks into the possibilities of the events surrounding the Transatlantic Slave Trade, and Riot Baby is the potential of the future surrounding current racial events, then Ring Shout presents a horror story of the consequences of hatred and violence within a society. Since this is based on U.S. History—a subject that continues to be glossed over—readers can expect Jim Crow Laws, and KKK rallies and attacks in this novella.
Books I am Reading
The Once and Future Witches by Alix E. Harrow
This is the second book by Alix E. Harrow. So far, it’s an amazing follow up to The Ten Thousand Doors of January. This time the story follows three sisters who use their magic to obtain the right to vote. So far, I can say that this is a clever look into how misogyny and sexist practices can lead to a small rebellion demanding equality by using unconventional methods, and magic.
The Hollow Places by T. Kingfisher
Finally, I’m reading a book by this acclaimed author. In this book, the protagonist is a recently divorced woman who moves into her uncle’s “museum,” only to locate a hidden passage inside the house. However, the length of the passage doesn’t equate to the perimeter of the museum, making her (and us) question as to where the passage leads to and whether or not anyone else knows about it.
Books To Be Read
Over the Woodward Wall by A. Deborah Baker
Anyone who has read Middlegame by Seanan McGuire is excited for this book. This book is a companion to Middlegame in that this is the book mentioned throughout the novel. Over the Woodward Wall is the book written by A. Deborah Baker in “code” for anyone who is interested in reaching The Impossible City. Think of it as a fictionalized version of The Secret: A Treasure Hunt.
The Invisible Life of Addie LaRue by V.E. Schwab
There’s the “age-old” story that serves as a cautionary tale: immortality can be a lonely life. However, what if on top of living forever, no one will remember meeting you? Eternal loneliness is the ultimate sadness, but what if—by some miracle—someone remembers you? That miracle can blossom into the hope the protagonist needs in her immortal life.
The Midnight Bargain by C.L. Polk
There are a lot of books about witches and their magic that have been released in 2020. This book by C.L. Polk is the latest of them, as well as the author’s first standalone novel. In a world where women have to choose between magic and marriage, the protagonist seeks a way to have both.
Eventide by Sarah Goodman
This historical fantasy focuses on the Orphan Train and the superstitions within a small town. Sisters Lilah and Verity struggle to stay together after the death of their parents. Unfortunately, their family history and the dark forces within the town seek to destroy the siblings like it destroyed their parents. This YA novel is the author’s debut book.
The Hanged God Trilogy #1, Northern Wrath by Thilde Kold Holdt
Norse mythology continues to be a source of new fantasy stories, and this debut novel by the author is no different. This epic fantasy occurs when Christianity and Norse folklore clash constantly for dominance. The book follows several characters as they go on a quest to save their gods and Midgard.
The Burning #2, The Fires of Vengeance by Evan Winter
The Rage of Dragons started off as an African-inspired military fantasy became something even more by the time readers reached the last quarter of the book. Tau has lost everything he’s cared about at the same time he’s given a promotion that would make anyone else happy. Unfortunately, all Tau has left is his rage. And, although the queen needs his skills to end the war, it’ll take more than anger to get Tau motivated again. What will it take to get him to fight again?
War Girls #2, Rebel Sisters by Tochi Onyebuchi
War Girls is the realistic dystopian YA novel about the cost of war and how it can affect children before, during and, after a war. Tochi Onyebuchi empathized the emotions felt by his readers throughout the book, especially the ending. Rebel Sisters takes place 5 years after the events of the first book, which sees Ify returning home to Earth. Those of us who read the first book already know to expect our emotions to pour out onto the pages, again.
The Poppy War #3, The Burning God by R.F. Kuang
After the release of The Dragon Republic, R.F Kuang announced who Rin, the protagonist, is supposed to represent in this historical military grimdark fantasy. Wow! And, with the way Book 2 ended and what that means for everyone who survived those events, I can only imagine how this trilogy is going to end. The title alone gives a hint as to what readers can expect from this finale. I hope I’m right about this assumption.
The Graven #1, Nophek Gloss by Essa Hansen
Hostile aliens, smart ships and humans can be found in this science fiction story. This debut novel follows the protagonist after he loses everything—literally—when his planet is destroyed. On a quest for vengeance, he travels to the home of those who destroyed his planet. Along the way, he learns more about the universe.
The Tide Child #2, Call of the Bone Ships by R.J. Barker
The Bone Ships was my surprise book of 2019; and, since I’ve finish it, I’ve been excited to read the sequel. I don’t know whether or not the sequel picks up immediately after the events of the first book, but I know that the subplot continues in this book and it’s going to be very interesting. More voyages ahead for the readers!
Poison Wars #2, Hollow Empire by Sam Hawke
City of Lies is a great book about political conspiracies, history and folklore, and poisonous plants. Now, with the return of magic within the Empire, will it lead to something positive or to more treachery for the protagonists? We’ll have to wait and read what happens next.
Now, will I complete all of these books by the end of this year? Probably not. Yet, I’m aiming to read as many of these books as I can by December 31, 2020. If that doesn’t happen, then I’ll finish reading them in 2021! Which books are you excited to read by the end of 2020?
This year, the solstice will be marked by the rarest of celestial occurrences. As the year divides into old and new, so also will the earth, sun, and moon align in the Convergence. Over our very heads, we will witness order move to chaos and back to order again. So it is with the heavens, so it will be with Tova. We will bear witness to the cycle of evil rising in darkness to be battled back by goodness and light when the sun prevails, (Chapter 9).
Remember when I said that I read Trail of Lightning, the first book in The Sixth World series, because I wanted to determine for myself whether or not the author was as big of a deal as the speculative fiction genre community made her out to be? And, that the author’s book was worth reading? Well, if Trail of Lightning was part of Rebecca Roanhorse’s debut—the other being her award-winning short story, “Welcome to Your Authentic Indian Experience”—then, Black Sun, the first book in the Between Earth and Sky series, cements her status as one of the must-read authors within the genre.
There are four protagonists in this novel. First, is Serapio, the son of an Obregi Lord and a foreigner. The foreigner is his mother, Saaya, who along with three others, prepare Serapio towards his destiny of his transcendence to godhood. Second, is Xiala, a female sea captain and an exile from the Teek tribe. She is hired to bring cargo to Tova, one of whom is Serapio. The two exiles form a friendship during their journey to Tova. Along the way, Xiala learns about Serapio and realizes that his magic is just as powerful and as lethal as hers. Third, is Naranpa, one of the four priests in Tova—and, the head of the oracle society. On top of all of her responsibilities, she must deal with several political conspiracies all at once, including: several assassination attempts on her life, rumors surrounding the death of one of the matrons to one of the four tribes, prophecies surrounding the return of the crow god, rumors of what is to come on the winter solstice, talks of revenge for an event of the past, and the plot to have her removed from her seat of power. With all of these political conspiracies surrounding her, Naranpa doesn’t know who to trust. This includes Iktan—head of the knife society—one of the other four priests and Naranpa’s friend. The fourth and final protagonist is Okoa, the son of the Carrion Crow matron and future leader of the Shield, a military troop who serve as the matron’s bodyguards. After his mother’s death, Okoa rises to his role. During the transition, he uncovers two conspiracies. One is about his mother’s death, and the other is about the cultists from his tribe who believe their god can be raised and returned to them so that past wrongs can be paid back through divine retribution. All of these protagonists are complex people who find themselves being responsible for a group of people, and their choices affect those around them and everything they care about. As “The Day of Convergence” approaches, each of the protagonists develop into the individuals their roles demand of them to the point where not even the secondary characters can divert them from their path.
The plot of this novel involves the events that lead up to “The Day of Convergence,” which falls on the winter solstice. The plot develops through each of the protagonists as they uncover the mystery of what is to occur on that day, and whether or not it can be prevented. Serapio travels to Tova in order to fulfill his destiny of becoming a god, as per his mother’s actions. Naranpa is doing everything she can to remain the Sun Priest of the Celestial Tower while uncovering a plot of revenge against the Faith for a treacherous transgression from the past which left hundreds dead. Okoa is trying to unravel the events that led up to his mother’s death while trying to shake off the unwanted attention of his tribe’s cultist group. And, Xiala is trying to keep her powers in check while deciding whether or not to bring the apocalypse into Tova. While these appear to be four separate plots, they converge into one unforgettable moment when all of the protagonists must decide on acting on their destiny, or doing the right thing. There are two subplots within this novel which not only explains the plots, but also the motivations for the actions that take place at the novel’s end. The first one is vengeance. Vengeance, while mentioned from time-to-time, plays a large role in the story. Usually, the reason for an act of revenge depends on those who want it; but, in this case, everyone is expecting it. It all depends on who is involved and when the act will be carried out. The second subplot involves religion and magic. Similar to our world and other fantasy worlds, there are a few religions, each with its own rituals and practices. Some of this involves magic and how those in the out-group view that magic as opposed to their magic. Some of it is accepted, some are based in superstition, and a lot of it is forbidden; yet, it is all real and powerful, especially when done correctly. These subplots play a huge role in the plot development and must not be overlooked by the reader(s).
The narratives are told from the points-of-view of the four protagonists. And, they are in third-person limited, which means readers know only what each protagonist is thinking and is experiencing at one time. Even when two characters are together, we are limited only to one character’s P.O.V. The sequence of the narration jumps back-and-forth from the start of Serapio’s transcendence to “The Day of Convergence” to the aftermath. While the sequence might come off as confusing, it is not because readers learn of all of the essential events leading up to the winter solstice from multiple P.O.V.s. So, while the narration moves from past to present, it follows a stream-of-consciousness of each protagonist so that we gain a better understanding of them, their culture, and their motivation of their actions. This presents the readers with a reliable narration (from each protagonist) that can be followed easily.
The style Rebecca Roanhorse uses for her new series is amazing and informative. Once again, she draws on inspiration from her Native American heritage; but this time, the author draws on inspiration from Yucatec Mayan, Tewa, Polynesian and pre-Columbian cultures of the Americas, many of which continues to be glossed over in school curriculums worldwide. Some of what I recall of ancient pre-Columbian societies (i.e. Mayan, Aztec, Inca, etc.) involve rituals and ceremonies to the gods, and their calendar, which was accurate. History and folklore aside, the use of foreshadowing and of characterization enhances the story to the point where readers known what is going to happen and why, and that there was no way to prevent the events from happening. By the time everything is revealed, the protagonists have made their decisions, and what is going to happen, happens. This leaves the reader(s) stunned, yet anticipating what will happen next during the aftermath of those events. It’s a shocking and an impressive move by the author. The mood in this novel is preparation. Everything that happens in this novel revolves on the winter solstice. To many, the day marks a celebration. To the protagonists and the other characters involved, it’s a day of dread, retribution, and change. The tone of the novel is fate. Without getting into too many spoilers, two of the protagonists were predestined to be part of “The Day of Convergence,” but an argument can be made that they could have chosen to resist that fate at any given time before that day. In fact, the choices of the other two protagonists should be noted as well because they all have no choice but to live with the decisions they make leading up to the winter solstice. I read an eARC of this book, and it did NOT come with any maps of the setting. Luckily, Rebecca Roanhorse provided some of the maps through Tor.com, which made picturing the mentioned towns and the distance between the cities easier.
The appeal for Black Sun is already positive. So far, literary critics and other authors have praised Rebecca Roanhorse for the story she has written. Fans of the author’s urban fantasy series will be impressed with how the author can fuse her heritage into one story of the past and another story of the future. Not to mention that this book is an amazing addition to the fantasy canon, and will leave readers anticipating the second book in this series. Fans of historical and/or mythological fantasy—Tasha Suri, S.A. Chakraborty, Evan Winter and Silvia Moreno-Garcia—should read this book as soon as they are able to, they will enjoy it a lot.
Black Sun is proof that Rebecca Roanhorse can weave her talent and her heritage into powerful stories over and over again. If you need a reason to read one of her books, or if you want to read a fantasy series that will take your expectations to another level, then you really should read this book. It has everything from magic and prophecies to political power struggle based on a moment in human history, in which it all could have happened, but its setting is a fantasy world. I don’t know about you, but while I’m waiting for Book 2 of this series, I’ll be reading Storm of Locusts, Book 2 in the author’s other series. Enjoy!
Please note the title of this post refers to books! I will write a separate list containing movies, TV shows and video games related to speculative fiction sometime in the future. And, expect that list to consist of “originals,” not just media adaptations of books. Also, these are NOT my favorite speculative fiction books of all-time! I’m not even sure I can make a list without changing it every year; hence why I do an annual list.
Everyone has a favorite genre of literature (and films, video games, etc.), but has it occurred to you why and how that came to be? Did someone introduce you to the genre? Was it an author’s book—or, several of them—that hooked your passion for the genre? Was it a pop culture moment? In other words, do you remember the moment—or, the story—that got you into your favorite genre(s)? This question can be asked of any format or medium, but I thought about which books got me into speculative fiction and how it influenced my love and my appreciation for the genre. It did take some time to think back on what I’ve read since I was a kid, but I realized that some of the books released in the past decade have been just as influential as the ones I’ve read growing up.
I’ve managed to compile a list of 10 books/series that influenced my love for the speculative fiction genre. Please know that I listed the books in the chronological order I read them regardless of the book’s publication date. The reasons for this is obvious. I hope you read and enjoy them as much as I did.
Animorphs by K.A. Applegate
I’m a 90s kid, and there were several book series for kids—The Babysitter’s Club, Goosebumps, etc.—but, I remember when the debut book in this series was released. I was 10 years-old, still in elementary school, and intrigued by the book’s cover: a boy changing from human to animal (a lizard). The story was about a group of friends who are given powers to change into animals by a dying alien in order to fight an invasion against a race of hostile aliens. This sci-fi series was the first book series in which I had to learn how to wait patiently for a book to be written and released when I wanted to devour the next one immediately. At the same time, this series introduced me to the blending of both the science fiction and the paranormal genres. Even though I didn’t know what paranormal was at the time, I knew this was different from other alien media I consumed with an explanation of D.N.A., permanent consequences, and the difficulties in balancing family, school, and saving the world. Animorphs was my first obsessive book series.
2. Haroun and the Sea of Stories by Salman Rushdie
I’m in 9th grade and one of many students who participated in an optional reading course through our English class. Two of my best friends participated in this course with me. However, the three of us chose different books to read during the second quarter. I can’t remember what one friend chose, but my other friend was upset with us for not selecting The Once and Future King by T.H. White. Why? Well, the description of Haroun and the Sea of Stories by Salman Rushdie was more intriguing to me: a boy whose father loses the source of his stories, and he’s a storyteller. The boy, Haroun, goes on a journey to find out what happened to the “source” of the stories. The story is a twist on fairy tale tropes and fantastical elements with rounded characters and lots of humor. It wasn’t until I was reading The House of the Spirits by Isabel Allende (in 12th grade) that I learned about magic realism and Salman Rushdie’s contribution to the genre. Haroun and the Sea of Stories is one of my favorite books I read for (grade) school. And, before you ask, no I haven’t read The Once and Future King in its entirety, yet.
3. His Dark Materials by Philip Pullman
I’m going to say something controversial: Harry Potter is not my favorite (fantasy) series of my childhood. Don’t get me wrong! I love that series and what it’s done for the speculative fiction genre, children’s and YA literature, the popularity of fantasy, and the reading and the writing communities. Yet, there was another series that came out at the same time and introduced me to the blending of fantasy, science and religion. I read The Golden Compass by Philip Pullman after reading Harry Potter and the Sorcerer’s Stone by J.K. Rowling, and I found myself enjoying Lyra’s story more than Harry’s. I want to say it’s because the flawed characters were more believable, the aspects of science and philosophy in a fantasy worked with the plot, and the idea of “other worlds” was intriguing to me. I hadn’t read C.S. Lewis’ or Madeline L’Engle’s series yet, so Philip Pullman was my introduction to portal fantasy, and I’ve been obsessed with them since reading His Dark Materials trilogy. I’ve read The Book of Dust already, and I’m looking forward to reading the rest of the companion trilogy to His Dark Materials; and, I’m excited for Season 2 of the television series, too!
4. The Modern Faerie Tale Trilogy by Holly Black
I still remember reading Holly Black’s debut novel, Tithe. The story is an urban fantasy about how a teenaged girl realizes she’s been interacting with faeries since she was a child, and what that means for her and her family and her friends. Yes, I read one of Laurell K. Hamilton’s books—her debut novel, Nightseer—so I had a fair idea of what to expect from fae fantasy, but urban fantasy blends the original variants of fae stories with mundane society; and, the fae are NOT nice beings. Fae are not what they are according to Disney movies. They don’t “play fair” and are usually in it for themselves. It makes for an interesting story combining folklore and modernity. I would meet Holly Black at the BookExpo I attended that year, which was my first one; and, I met Cassandra Clare there, too! I read and enjoyed the rest of the trilogy, and Holly Black’s other books, especially The Air of the Folk trilogy. This series was my gateway to reading other books in that genre, especially ones by Seanan McGuire, Ilona Andrews and Amelia Hutchins.
5. The Twelve Kingdoms by Fuyumi Ono
Yes, there is a fantasy series by the same name by Jeffe Kennedy, but the name of the series is where the similarities end. The 90s saw an expansion of anime series: Pokémon, Gundam Wing, Sailor Moon, etc. Manga and books were being translated and imported to the U.S. The Twelve Kingdoms: Sea of Shadow was translated and released after I graduated from college, and I was introduced to Asian inspired dark fantasy. The story follows Yoko Nakajima, a high schooler who lives a mundane, yet lonely life. To make matters worse, she stands out due to her red hair—she is the biological daughter of Japanese parents. One day, Yoko is abducted at her school, transported to another world, abandoned and left to fend for herself in a new world. This series introduced me to a fantasy world in which the “traveler” is not welcomed as a “hero” and survival is based on realistic situations. The theme of xenophobia in fantasy is presented in a way that will make you think about what could happen in other fantasy worlds, especially when—SPOILER ALERT—the protagonist chooses to remain in that world instead of returning home, and how and why such a choice is made. So, if there are any fans of Seanan McGuire’s Wayward Children series, then you’ll love this series, too.
6. Monstress by Marjorie Liu, illustrated by Sana Takeda
Growing up, I read comics, graphic novels and manga, and many of them were recommended by friends and relatives. In fact, that’s how I learned about Neil Gaiman’s Sandman series. However, for several years, I didn’t read as many graphic novels as I wanted. I didn’t lose interest, but at the same time, I didn’t know what to read. I did take a course about graphic novels in college, but I took another one when I was in grad school—where I read Watchmen—and learned about the format and its growing influence, especially for the memoir and biography genre. At the same time, two of my friends and classmates introduced me to recent bestsellers and new releases. Not only did I begin to read Joe Hill’s Locke & Key series and Saga by Brian K. Vaughn, but a new series with an eye-catching cover intrigued me: a woman standing in front of a brass door with a matching mechanical arm. Monstress by Marjorie Liu and illustrated by Sana Takeda is a dark fantasy in which a young woman searches into her mother’s research and her lost memories as she deals with demons both real and inner. The artwork will engross you into the world both the author and the artist present. While describing the series as a “visual fantasy” isn’t 100% accurate, it is a way to get speculative fiction fans into reading this graphic novel series.
What can I say about this trilogy that hasn’t been said by everyone else who has read it, including myself? This Hugo Award winning series—yes, it swept the Hugos for Best Novel in consecutive years—is a gateway into the future of the speculative fiction genre and the type of stories that can be told withing the genre. N.K. Jemisin not only writes a brilliant science fantasy series, but also incorporates the atrocious practices humanity continues to perform, which forces readers to consider the realities of human society and its future. For me, this series introduced me to modern speculative fiction and the new set of expectations that it brought to the entire community! Jemisin’s contemporaries: Nnedi Okorafor, Tade Thompson, Jesmyn Ward, Tochi Onyebuchi, P. Djèlí Clark, Marlon James, Rivers Solomon, etc.—all have taken familiar tropes of the genre and presented readers with new methods of telling and writing these stories. If you haven’t done so already, then go and read this amazing trilogy!
This is not the first folklore retelling I’ve read, but it’s one of the most beautiful written ones I’ve come across; and, it brings a new appreciation for the season of winter. This series follows Vasya as she grows from child to adolescent to adult in a patriarchal society during a transition where “old traditions” are fading and being replaced with a “new” religion. Vasya fights to maintain the old traditions while Russian society undergoes several changes. Folklore is the cultural and the societal traditions that are passed along from generation to generation through a web of communication; and, history plays a role in folklore as well. Katherine Arden presents a balance amongst folklore, history and fantasy in this trilogy. This series will remind speculative fiction fans of the beauty within the genre and how it can remain from beginning to end.
While this is the first book in The Metamorphosis series—it’s the only one translated into English so far—it’s a great and mind-blowing introduction into the metaphysical genre. Not to mention, it takes the trope of the “magic school” and provides a more realistic, yet twisted story of what could occur at such a place. This story will make you think of Alan Moore and your concept of reality. In addition, you’ll start to think of these “magic schools” as drafts instead of opportunities. Other genres in speculative fiction has readers asking questions about the world around them, but metaphysical fiction has readers question the reality of their existence. The difference is it seems that a limited population experiences the metaphysical compared to fantasy, science fiction, paranormal, magic realism, etc. This series and genre will make you question everything!
Although I’ve heard enough about Joe Abercrombie, Peter McLean, John Gwynne, and Anna Smith Spark enough to buy their books, it was Gareth Hanrahan’s debut novel, The Gutter Prayer, which introduced me to the grimdark subgenre. Yes, I’m a reader and a fan of A Song of Ice and Fire series by George R.R. Martin, but to me that series is more of a historical low-fantasy series rather than straight grimdark (I could be wrong about that). This book introduced me to characters who are all “gray” with “reasonable” motivations who strive towards those goals as their lives and the world fall to pieces. As grim, dark and sad as the characters and their stories are, it continues with the knowledge that life goes one no matter how many people die and are resurrected and die again. This book and its contemporaries represent the harsh side of a fantasy world that reflect ours.
So, there is my list of speculative fiction books that kept my interest in the genre since childhood. While my list of all-time favorite speculative fiction books continue to change over and over, this list of books influenced my love and my appreciation of this genre of literature. And, from my perspective, I appreciate the influence and the bridging from one book or series to another with a similar genre structure. Which books got you into this genre? Have you read any or all of my picks or any books by the authors mentioned in this post? Comment below or send me a link to your online response.
Highborn women, who must live and die in towers, were much given to visiting. Now and again, they stayed overnight for company, when their husbands were away, (1: The Death of the Snow-Maiden).
Folklore maintains traditions and cultures that are passed down from generation to generation. Since many of the stories, traditions and foods are shared through practice and oral tradition instead of being written down, many variants of folklore exist. The most popular example of multiple variants is the story, “Cinderella.” Every era and culture has their “version” of “Cinderella,” which contains the same elements (i.e. stepmother and magic) alongside the region’s culture. Then, there is the concept of expanding on these tales. Disney has done this with Maleficent and others, and Katherine Arden has done this with Vasilisa the Beautiful in her Winternight Trilogy. She provides more backstory of Vasya in The Girl in the Tower, the sequel to The Bear and the Nightingale.
The story reintroduces readers to Olga, Vasya’s older sister who left Lesnaya Zemlya for Moscow for marriage, who is now the Princess of Serpukhov. 10 years have passed since she and her older brother, Aleksandr Peresvet—or Sasha, left their family, and both of them have settled to life in the capital. Olga has two children—Marya and Daniil—and is expecting her third; Sasha is a monk and an adviser to Dmitrii Ivanovich, the Grand Prince of Moscow. Brother Sasha has returned from a journey back home, with a traveler from Lesnaya Zemlya. Yes, Konstantin Nikonovich has managed to attach himself to the rest of Vasya’s family. Meanwhile, Sasha and the Grand Prince meet with a boyar—Kasyan Lutovich of Gosudar—over his concerns regarding bandits. As Sasha and Kasyan travel out of Moscow to investigate, their party runs into Vasya and her stallion, Solovey. Vasya has been forced into exile from her home, and refuses to marry or to join a convent, so she rides in search of freedom and a new identity. When she is reunited with the rest of her family, she goes by the alias, Vasilii Petrovich, the youngest brother of Brother Sasha and Princess Olga. While Vasya gets to experience the freedom she’s always wanted, she must heed the warnings of her family of disguising herself as a male in the Russian court, as well as staying hidden from her enemies both old and new. Vasya undergoes the most development as a character as she continues to grow into the person she want to be. Meanwhile, readers learn of the complexity of Sasha and Olga as they try to protect their sister while conforming to their roles and society’s expectations.
The plot involves the aftermath of the events in The Bear and the Nightingale. Vasya is no longer welcomed at Lesnaya Zemlya, and after “rejecting” Morozko again, she travels the Russian wilderness on Solovey—the stallion given to her by Morozko and communicating with the chyerti, until she meets up with Sasha and the party tracking down a group of bandits. For her role, Vasya is hailed a “hero,” but must call herself a male so she is not labeled a “witch” again. Prince Dmitrii is pleased with Vasilii’s bravery and with knowing of “his” relation to Sasha, Vasilii is invited to court against Sasha’s wishes. Once in Moscow, Vasya must learn court etiquette, how to humble those who envy her, and keep her “Gifts” to herself. If any or all her secrets are revealed, then the consequences will be dire. There are two subplots in this novel. The first is the mystery surrounding Kasyan Lutovich. Why did he travel to Moscow when his village was attacked by bandits? And, what does he have against the Grand Prince, Brother Sasha, and Vasilii? The second subplot involves the old magic that struggles to survive in Moscow. In fact, there might be another who can help the denizens remember the old ways, but Vasya might have to earn their trust before assisting them.
The narrative in The Girl in the Tower is entwicklungsroman, or “novel of character development.” Even though Vasya is an adolescent, she still has some growing up to do before she can have her bildungsroman experience. That is not to say she isn’t learning in this story. Vasya learns more about the various chyerti she encounters and what they want from her. At the same time, Vasya continues to struggle with her identity in a changing Russia as forces—both human and magical—threaten to upset the order of things. There are multiple points-of-view within the narrative which provides the readers with the knowledge of everything that is going on. The narration follows a sequence that is told in present time, with the exception of Part II, which provides a flashback of events. The streams-of-consciousness of Vasya, Sasha, Olga and Konstantin allows for the narrative to be followed, although only the reader(s) know which characters are the reliable narrators.
The style Katherine Arden uses in this novel provides a deeper look into Russian folklore and culture, mixed with familiar fairy tale tropes. Readers reacquaint themselves with a fierce heroine, innocent princesses, a dashing prince, and magical beings while absorbing Russian folklore and history. While the themes of religion, sex and gender, political structure, and societal expectations are repeated, the themes of identity and family are explored further in The Girl in the Tower; and, a few clues surrounding Vasya’s family heritage are revealed. The mood in this novel is loyalty. Should one be more loyal towards their family over royalty? Should one choose religion over family? The tone of the novel is choice. Who deserves loyalty and why? The choice one makes about their life and themselves while knowing the consequences of those choices are mentioned over and over throughout the book. Making choices and how those choices affect others is explored in this story as well. Once again, the Author’s Note, Glossary, and A Note on Russian Names are a helpful in following and in comprehending the terminology in this novel.
The appeal for The Girl in the Tower matches the first book. Both readers and critics agree that this sequel is a strong follow up to The Bear and the Nightingale. Fans of Naomi Novik and S.A. Chakraborty will enjoy this series the most. And, it is a great addition to both the fantasy and the folklore canons. Vasya’s story concludes in The Winter of the Witch. It is safe to say that both readers and fans will NOT be disappointed with how the trilogy will end.
The Girl in the Tower is a strong sequel that does not slow down the pace of the trilogy. Fans of fairy tales and folklore will appreciate the homage the author gives them; and, readers will enjoy how the “old beliefs” played their part in the world-building of the narrative, and in the culture of a nation. Katherine Arden does NOT disappoint her readers.
