Why You Need to Read: “Across the Green Grass Fields”

Wayward Children, #6: Across the Green Grass Fields

By: Seanan McGuire

Published: January 12, 2021

Genre: Fantasy

            It had been so long since there was a human in the Hooflands. She didn’t like to consider what might be ahead of them that was bad enough to require human intervention. Humans were heroes and lightning rods for disaster, and none of those stories she’d heard about them when she was a filly had ended gently from them, or for the people around them, (8: Time and Transformation). 

            Destiny vs. chance; fate vs. free will. These opposites are disputed more often than we want to admit. Is it destiny, or did your choices lead you to this moment? Did fate or chance determine your current circumstances? Regardless of ANY beliefs—religious or not—just about every individual has debated these questions among others, or between their personal thoughts. In speculative fiction—particularly in fantasy—this debate is investigated further by including prophecies in the plot(s) of the stories. Nowadays, many fantasy authors go into the “dangers of prophecies” and how it can bring about more harm than good, emphasizing how free will is a more “realistic” approach to fantasy stories. This is one of the several messages that can be found in Seanan McGuire’s Wayward Children series, and the debate between destiny and chance comes up in the latest book in the series, Across the Green Grass Fields

            The protagonist in this book is Regan Lewis, and when readers first meet her, she is 7-years-old. This is significant because one day, during recess, one of her friends—Heather Nelson—brings a garter snake to show off to her and their other friend—Laurel Anderson. While Regan is fascinated with the snake, Laurel is disgusted with it and slaps it out of Heather’s hand. Laurel states that “girls don’t play with disgusting things like that,” because a first grader believes she knows more about the world than her friends. From that day into the 4th grade, Heather is ostracized by her classmates and Regan remains “friends” with Laurel due to fear of the same thing happening to her. The one thing Regan loves which is considered to be “girly” is horses, which her parents—who love her tremendously—indulge her. However, Regan learns at 10-years-old that she is not “completely female” due to an “anomaly.” This leads to Regan confiding in Laurel (which, was foolish), which causes Regan to flee her school in tears. As Regan is making the long walk home, she finds a Door and walks through it. Regan finds herself in Hooflands—where all mystical horse creatures reside—and is adopted by a herd of centaurs: Pansy, Chicory, Rose, Lily, Clover, Lilac, Bramble and Daisy (notice a pattern here?). Throughout her time in Hooflands, Regan is able to grow into the person she wants to be without the social constraints and the gender role expectations of her (our) world. Regan experiences the same amount of love with the herd as she did with her parents; and, she has a “true” friend in Chicory, something Regan realizes she never had with Laurel. The centaur herd, like Regan’s parents, do everything they can to keep her safe, while keeping her informed about the world around her. Regan grows up realizing that one’s sex and gender doesn’t define an individual, and she is able to think the same way when confronted about “why she was brought to Hooflands.” 

            The plot in this book surrounds the idea of friendship. As cliché as that sounds, Regan’s growth focuses on what having and being a friend entails. Yes, Regan was 7-year-old when she stopped being Heather’s friend in favor of Laurel, but such things and worse are everyday occurrences with children and adolescents (I am an educator, and I can attest to A LOT of schoolyard—and cyber—bullying). Regan—who knows she doesn’t have any friends amongst her classmates—confided her “secret” to Laurel because she didn’t have anyone else to talk to; and, knowing what Laurel’s reaction will lead to, Regan runs away. Regan learns what real friendship is in Hooflands and worries her “predestined task”—something she doesn’t believe in—will bring it all to an end, and she doesn’t want that to happen. The second plot in this book centers on the choices all of the characters make, and the “what ifs” asked by all of them. Regan realizes Heather would have been a better friend than Laurel. Regan’s parents should have given their daughter more time to process the life-changing news they had to tell her. The centaurs make many choices, which they know they had to live with, from protecting Regan to choosing husbands. By the end of the story, Regan is able to make her “ultimate” choice because she witnesses the consequences which outweigh the benefits. There is one subplot in this novella and it involves Regan’s sex (she is intersex). While this revelation comes as a shock to her and causes her to worry about how she’ll be perceived by her peers and everyone else in society, Regan experiences some of the “benefits” which she uses to her advantage unknowingly, especially for someone who loves to ride horses. The subplot is essential to the plots in this story because the subplot drives the entire story. 

            The narrative of this book is told from Regan’s point-of-view and in the past sequence. This is NOT a flashback, but a look back at what happened to Regan from when she was 7-years-old to when she is 16-years-old. The narrative is told in 3rd person omniscient (readers get insight to what happens to Regan’s parents and other characters) and through Regan’s stream-of-consciousness. Given everything Regan goes through and the growth that results from it make her a reliable narrator. 

            The style Seanan McGuire uses in Across the Green Grass Fields is part homage and part criticism of popular children’s media, particularly of the TV cartoon, My Little Pony (the first variant was based on the toys from the 1980s), and of The Chronicles of Narnia by C.S. Lewis. First, let me say many of you will make the comparison to the Oz series by L. Frank Baum—and, you wouldn’t be wrong. However, thinking over what led to the protagonist making her choice has resulted with me leaning more towards Lewis over Baum; and, I might be wrong in that as well. Anyway, the author has explained to her fans how a beloved cartoon series contained a lot of danger in a world of horse creatures. Not to mention, McGuire’s view on what happens to the human character, Meghan, makes you reconsider what you think you know about My Little Pony, fairy tales and magic. As for The Chronicles of Narnia, think about the premise made by the Narnians whenever a human—“a son of Adam or a daughter of Eve”—appears in Narnia. Those humans are expected to live up to a role which was “predestined” for them, and they must go along with it because “it is was they’re supposed to do.” McGuire allowed her protagonist to be more mindful about certain things and to consider how such beliefs and notions can affect everyone, something this character is very familiar with. The idea of destiny versus free will is explored in books by Brandon Sanderson, Katherine Arden and Jenn Lyons (and even more authors). The mood in this novella is anticipation of what is coming. The tone focuses on the choices that are made in response to the anticipation of the inevitable. Once again, Rovina Cai provides the illustrations in this book. This time, those illustrations are spread out more in the book and I want to say it is because more emphasis is placed on the world of Hooflands instead of its inhabitants (many of the readers know what minotaurs, unicorns, kirins, etc. look like).  

            The appeal for this novella have ranged from mixed to positive. So far, some of the readers have said that this book is not their favorite in the series, but they still enjoyed it. Other readers (and reviewers) have been very critical about certain parts of the story, especially the ending. Everyone is allowed to have their opinions, and I can see where many of them are coming from. Yet, I do agree with one statement about this book in the Wayward Children series, it can be read by middle grade aged readers (ages 8-12)—as long as they are mature enough to deal with the book’s content. This is because the context and the characters mirror their age group the best. That being said, I believe this book continues with the theme of “cautionary tales” fans have picked up on throughout the series. Adolescent and adult readers are forced to recall their experiences as (or with) schoolgirls and how those notions continue to influence and to hinder each new generation of young girls. And, for those of you who do not believe girls are not “vicious” should re-watch Mean Girls or any “cat fights” videos on YouTube. Across the Green Grass Fields is a great addition to the series and it will be enjoyed by fans of the series. Furthermore, we have to wait another year until we get to read the next book in the series, Where the Drowned Girls Go. Who knows, maybe we’ll meet up with Regan again? 

            Across the Green Grass Fields in the most amiable book in the Wayward Children series so far, but it is not without the threat of danger fans know to expect from Seanan McGuire. This novella about young girls and horses is a much-needed commentary about choices, femininity and friendship. Say whatever you want about this book, but there is little girl you know who wishes there was a world of horse beings where you get to talk and to ride them all day long!

I was able to get this DVD during a bargain sale! I still remember watching these episodes on Saturday mornings on the Disney Channel!

My Rating: Enjoy It (4.5 out of 5).

Why You Need to Read: “The Year of the Witching”

The Year of the Witching

By: Alexis Henderson

Published: July 21, 2020

Genre: Dark Fantasy/Occult Fiction

            Immanuelle had always felt a strange affinity for the Darkwood, a kind of stirring whenever she neared it. It was almost as though the forbidden wood sang a song that only she could hear, as though it was daring her to come closer, (Chapter Two). 

            Readers continue to be presented with several new books, many of them by debut authors. Every once in a while, a debut comes along that makes you wonder whether or not that book really is that author’s first book. Alexis Henderson is the latest author to gift readers with her dark fantasy and occult fiction novel, The Year of the Witching.

            Immanuelle Moore is the protagonist in this novel. She is almost 17 years-old and is the illegitimate granddaughter of the town’s midwife, Martha, and carpenter, Abram Moore. The circumstances surrounding her birth and her mother’s, Miriam, death remains a mystery even to her family. Her mother’s “love affair” with her father—Daniel Lewis Ward—an Outskirter, a group of people known for their ebony skin and their own religious practices, resulted with Immanuelle, her parents’ deaths, and her being ostracized by all of the denizens in Bethel. Her only companion is Leah, who is golden-haired, blue-eyed, and “religiously moral.” She is also about to become the latest of a slew of wives of the Prophet, the leader of Bethel. Immanuelle feels lonelier than ever before, especially because her family’s circumstances does not allow for her to have such aspirations. Meanwhile, the Darkwood—the forest that borders Bethel and is said to be the dwelling of four witches—seems to be calling to her, even though it’s forbidden to enter it. However, one night, circumstances lead Immanuelle to enter the Darkwood and to interacting with the witches who live there. Afterwards, she cannot help but feel like something bad is going to happen because of this encounter. Yet, Immanuelle has help from Ezra Ford, the Prophet’s son and successor, who does all he can to protect both Immanuelle and Bethel from the threats brought on by the inhabitants of the Darkwood. Even though Immanuelle is the protagonist, both Leah and Ezra are essential into the growth and the development she undergoes throughout the novel. All three adolescents question the roles they will have to play as both adulthood and dark magic threaten to consume them. And, Immanuelle has to determine whether or not she will follow in her mother’s footsteps.

            The plot of the novel explores the opposing forces of religion and the repercussions they have on individuals who practice them. Ezra is the Prophet’s son and heir, but he doesn’t believe in all of the societal practices his father preaches. Leah is Bethel’s “golden child” who is known for her beauty and her (religious) virtue, which makes her a suitable bride for the Prophet; and yet, she knows that no matter what happens, she cannot hope to go against the teachings of the Church. Immanuelle is the product of two religions and that has labeled her as both an outcast and a target of bullying by the members of the community. When she comes across her mother’s journal, she learns the truth behind her parents’ deaths and her family’s, and the Prophet’s, obsession with her, and her being drawn to the witches. All of these circumstances lead to plagues arriving and afflicting the town of Bethel. There are two subplots in this novel. The first one deals with the concept of history and religion. Just because someone does not practice your faith and/or has different views on the same religion does not make them a heretic. At the same time, the history of one’s religion is no reason for the mistreatment of those who practice the same faith. The second subplot investigates the influence parents have on their children. Immanuelle is Bethel’s reminder of Miriam’s sins, which were believed to be based on the sins of her parents, the grandparents who raised Immanuelle to follow the teachings of the Father. However, if Immanuelle was raised the same way as her mother, then how and why did her mother “go astray,” and what does that mean for Immanuelle, her family, and the town of Bethel? Both subplots are necessary for the plot’s development because they get to the center of the conflict and how it affects everyone in Bethel.

            The narrative is told from Immanuelle’s point-of-view. Readers follow along with her stream-of-consciousness as she figures out how to stop the plagues and to learn the truth about her parents and the real cause of the plagues. The story moves from the present to the past and to the present again as Immanuelle learns of the past from her mother’s journal, from her grandparents, and from Ezra through the Church’s archives. Immanuelle’s discoveries and reactions to them, as well as her fear of being accused of witchcraft, make her a reliable narrator. The narrative focuses on time throughout the story. This presents a sense of urgency that the protagonist faces throughout the narrative. All of these elements make the narrative engaging and easy to follow.

            The style that Alexis Henderson uses is one that is familiar, yet different. The theme of hypocrisy in religion is not new, but the author not only adds the historical aspects of the racism within religion—particularly Christianity, but also delves into two warring faiths and the long-term effects they have on their followers overtime. In addition, the themes of ageism, sexism, abuse of power and blind devotion—which can be found in just about every religion ever to exist in human history—make for the ultimate cautionary tale for anyone who is devoted to their faith. All of the allusions to Biblical names and the tales from the Old and the New Testaments give further insight into the story and what readers should expect from it. The mood in this novel is foreboding. The knowing of misfortune has been on the horizon for the town of Bethel for generations, and it erupts all at once due to both an act innocence and due to generations of malice and corruption. The tone in this novel is rebellion. In this story, rebellion is a double-edged sword; and, this is because those who rebel quietly do not fare any better compared to those who rebel openly. Nevertheless, allowing vices to continue can lead to the destruction of a community and/or religion either from internal or external forces. 

            The appeal for The Year of the Witching will be positive. I was able to read an eARC of this novel, and I read it in 3½ days! Not to mention, this is the author’s debut novel! Even if the subgenres of dark fantasy and occult fiction are not your “go to” reads, you have to admire the story Alexis Henderson put together. Fans of both Alice Hoffman and Louisa Morgan will enjoy this book the most. It needs to be mentioned that due to the religious themes in this novel, fans of both His Dark Materials by Philip Pullman and the Winternight Trilogy by Katherine Arden will find this book appealing as well. The novel blends fantasy, the occult, religion, with a touch of gothic to make this novel a great addition to the speculative fiction canon. This novel has lasting appeal because of the story the author was willing to present as her debut. The Year of the Witching is a standalone novel, but I wouldn’t mind either a continuation or a companion book to this one!

            The Year of the Witching is a fast-paced immersive coming-of-age story, one that will surpass your expectations once you realize that it is a debut novel! While the story of rebellion in a religious and an oppressive society is not new, the idea of witches being real and using religious tropes for revenge is (somewhat) novel and very entertaining. Whether or not this book is to your taste in literature, you will appreciate this new talent and her future books. 

My Rating: MUST READ IT NOW (5 out of 5)!!!