Why You Need to Read: “Harrow the Ninth”

The Locked Tomb, #2: Harrow the Ninth

By Tamsyn Muir                                                                    Audiobook 19 hours and 51 minutes

Published: August 4, 2020                                                      Narrated by: Moira Quirk

Genre: Horror/Gothic/Dark Fantasy

            The Reverend Daughter Harrowhark Nonagesimus ought to have been the 311th Reverend Mother of her line. She was the eighty-seventh “Nona” of her House; she was the first Harrowhark. She was named for her father, who was named for his mother, who was named for some unsmiling extramural penitent sworn into the silent marriage bed of the Locked Tomb. This had been common. Drearburh had never practiced Resurrection purity. Their only aim was to keep the necromantic lineage of the tomb keepers unbroken. Now all its remnant blood was Harrow; she was the last necromancer, and the last of her line left alive, (3).

            Series are an interesting concept. They allow for the continuation of a story either with the same characters from the previous story, or with new characters, or both within the same world. At the same time, the plot (and, at times, the subplot(s)) continues to develop so that both the audience and the characters know what has to happen and what will happen by the end of this part of the story. Harrow the Ninth—the sequel to Gideon the Ninth—by Tamsyn Muir follows Harrowhawk after she achieves Lyctorhood and what it means to serve the Emperor. 

            Harrowhark Nonagesimus has achieved her goal (at 17 years-old). She has become a Lyctor and the Ninth Saint to serve the King Undying. However, she learns quickly that there are conditions for serving the Emperor; one of them is that Harrowhark cannot return home to the Ninth House. This means that her goal of restoring her House can no longer happen. Not to mention, Harrow must start training and using her abilities as a Lyctor as well as learn the responsibilities of her new role. The main one is protecting the Emperor from all threats. She learns about these threats as well, and Harrow is astonished to learn what they are. Overnight, Harrowhark goes from being in charge and knowing almost everything to finding herself at the bottom of the pyramid and answering to those who believe Harrow became a Lyctor at too young of an age. In addition, Harrow begins to suffer from hallucinations and memory loss. This puts Harrowhark in an even more vulnerable position than she is used to. Then again, it seems that Harrow was expecting this because she left several letters to herself so that she could remind herself of everything that led up to her current predicament. But, is it enough? Accompanying Harrow with her Lyctor training are: the Emperor, Augustine, Mercymorn, Ortus and Ianthe—all are the surviving Lyctors who train Harrow while serving the Emperor. Harrow is a very complex characters who develops throughout the story. 

            The plot is jumbled and confusing, but it does develop as the story is presented. The story is Harrowhark’s training as a Lyctor, which will remind readers of a combination of military boot camp and pledging for a fraternity or a sorority. While this form of training is brutal, it is the sort of training Harrow needs in order to survive her “work” for the Emperor. The plot of the story are the events which lead to the murder of the Emperor. The King Undying has reigned for 10,000 years; so, why and how would the Emperor meet his end? There are two subplots which are the main focus in this book. The first one focuses on the ongoings within the First House. This includes Harrow’s training, her missions, and the interactions amongst all of the Lyctors and the Emperor, which are essential due to Harrow’s memory loss. The second subplot is about the mysterious individual who is lurking throughout the First House. The individual seems to know of everything that is going on, but manages to remain unseen by everyone except for another mystery person who is unknown as well. The subplots are necessary for the plot, and the story will keep the reader(s) engaged, but neither one helps with the plot development. In fact, it is not until the end of Act Four where all of these plot devices come together into something more coherent.

            The narrative in Harrow the Ninth is very difficult to follow, but it’s supposed to be that way. This is because the sequence jumps from streams-of-consciousness and flashbacks (amongst more than one character) as well the points-of-view moving amongst 1st, 2nd, and 3rd person. All the while, the reader(s) are attempting to figure out who the other narrators are besides Harrowhark. One of the narrators is someone readers did not expect to appear, but—in my opinion—the character’s revelation took too long to be confirmed by the author. I mentioned that the narrative is difficult to follow, but it is supposed to represent everything that is happening to Harrowhark. The narrative represents memory, trauma, and life, which are not always coherent, even to the individual experiencing it. In other words, Harrowhark is not a reliable narrator, but the other ones are; and, they take over whenever Harrow’s narrative begins to falter. 

            The style Tamsyn Muir uses in Harrow the Ninth is similar, yet different from the one she used in Gideon the Ninth. While the author continues writing her story following Gothic elements, she includes horror and science fiction in order to expand the world she has created. I mentioned Frankenstein by Mary Shelley in my review of Gideon the Ninth as one of the books that fall under the Gothic genre. I’m mentioning this book again because some aspects from that book can be found in this one. Another Gothic horror story that the author was influenced by as well is The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. The story is familiar to many people, but the book contains more of the reality of what was happening within the community and not just the “relationship” between the two “men.” Once you read both stories, then it should make (some) sense. The mood in this novel is one of anxiety. While it is clear Harrowhark suffers from anxiety, she is not the only one who is dreading the outcome of a potential end. The tone in this novel is a blueprint. Every character within this story was planning something; and they all carried it out. Whether or not the results came into fruition has yet to be determined. 

            Once again, I listened to the audiobook. Moira Quirk returns as the narrator and her performance and her pronunciation of the characters and the names were amazing and a huge help. It needs to be said that while the audiobook helped me with following along with the story, I still had to open the book (which was given to me by a friend) and reread portions so that I knew that I was keeping up with the story. So, in this case, I needed both the book and the audiobook in order to read this story. 

            The appeal for Harrow the Ninth have been mixed. Many fans who enjoyed Gideon the Ninth, loved the sequel. At the same time, other fans found themselves either torn or confused with how they were supposed to feel about the narrative. While everything falls into place by the story’s end, it shouldn’t come as a surprise that some of the readers have more questions than answers. Hopefully, these questions will be answered in the third and final book, Alecto the Ninth. It should be mentioned that this book is a great addition to the horror and the Gothic canon. Harrow the Ninth should be reread so that the readers can group everything that happened in the book. 

            Harrow the Ninth is a rollercoaster reading experience. There are several moments when your head jumbles and your thoughts move in loops, but once you reach the end, you are left with an unforgettable experience. I found this narrative to be confusing and incomplete compared to the first book, but the story kept my interest until the end. Everything starts to make sense towards the end, so I suggest that you don’t ignore everything leading up to that point. Other than all of that, my curiosity remains piqued. So yes, I will be reading the final book in this series. 

My Rating: Read It (3.5 out of 5). 

Why You Need to Read: “Gideon the Ninth”

The Locked Tomb #1: Gideon the Ninth

By: Tasmyn Muir                                                                   Audiobook: 16 hours 50 minutes

Published: September 10, 2019                                              Narrated by: Moira Quirk

Genre: Dark Fantasy/Gothic

            When as a young and disinclined member of the Locked Tomb Gideon had painted her face, she had gone for the bare minimum of death’s-head that the role demanded: dark around the eyes, a bit around the nose, a slack black slash across the lips. Now as Harrowhark gave her a little palm of cracked mirror, she saw that she was painted like the ancient, tottering necromancers of the House: those ghastly and unsettling sages who never seemed to die, just disappear into the long galleries of books and coffins beneath Drearburh. She’d been slapped up to look like a grim-toothed, black-socketed skull, with big black holes on each side of the mandible.

            Gideon said drearily, “I look like a douche,” (5). 

            Hype and marketing for a book is an interesting feat some people find themselves in. Publishers and bookstores—usually through marketers—are paid to advertise such books for sale. Librarians read these books in order to determine whether or not the book(s) are “appropriate for their library and/or community.” And, reviewers—including book critics and bookbloggers—read these books and give an opinion on why each book should or should not be read. There are moments when reviews are controversial because they don’t match with the public’s opinion or the hype surrounding the book. That’s not to say that the book is “bad” or written poorly, but it didn’t meet the expectations of the reader. For me, this is what I felt while reading/listening to Gideon the Ninth by Tamsyn Muir.

            The protagonist is eighteen-year-old Gideon Nav, an indentured servant of the Ninth House, who are the Keepers of the Locked Tomb. Gideon’s life at the Ninth House has been nothing but harsh, neglectful, and mysterious. Readers meet Gideon as she tries to leave the Ninth House for the 33rd time. Instead, Gideon is bribed by Harrowhark Nonagesimus—the daughter and heir to the House of the Ninth—to train to be her cavalier so that she can train to become a Lyctor, one of the Imperial Saints for the Emperor. Gideon is promised her freedom if she does this “for the Ninth,” so Gideon and Harrow travel to the House of the First to train and to serve. There Gideon meets and interacts with: Teacher—one of the Keepers of the First House and servant to the Necrolord Heights; Abigail Pent and her cavalier, Magnus Quinn, of the Fifth House; Coronabeth Tridentarius and her cavalier, Protesilaus Eldoma, of the Seventh House; and several other heirs and their cavaliers from the other Houses, and a lot of skeletons. Gideon—while reluctant to serve the Ninth House—does take advantage of being away from the only place she’s known, leaves the planet, and trains in swordsmanship. Gideon does have to follow Harrowhark’s orders—to an extent—but, through her interactions with the other Houses and the tasks she manages to complete with Harrow, Gideon grows into the person she wants to be without interference from the Ninth House: helpful, caring, and strong (in a fight). Meanwhile, the other Houses learn that there’s more to the Ninth House than its titular role. 

            The plot of the novel is straightforward: The Emperor (of the First House) has called for the heirs of the other eight Houses to train to be Lyctors in order to serve as replacements for the current Lyctors. So, each heir and their cavalier travel to the First House where they are trained and are tested to the best of their knowledge and their strength. The nominated Hands must figure out the “puzzle” of their House with their cavalier so that the Hand can become a Lyctor. All of this is easier said than done, but all of the Hands are willing to do it. There are a few subplots in this novel. The first surrounds what it takes and what it means to be a Lyctor. Harrow wants to become one, and she is an extremely talented necromancer, but the testing to become a Lyctor is a process that must be solved by the Hand and the cavalier working together. This is interesting because Gideon and Harrowhark do NOT get along. So, in order to get what they both want, they’ll have to put up with each other to accomplish the goal. The second subplot is the mystery of the Ninth House and its establishment, from the Locked Tomb to the childhoods of both Gideon and Harrow. The other Houses are more curious by this than Gideon is, but Gideon doesn’t know, and Harrow isn’t going to talk about it to anyone. Or, will she? The last subplot focuses on the strange occurrences that begin to happen to the Hands and their cavaliers. Everyone is interested in new recruits arriving at the First House, right? All of these subplots work alongside the plot of the novel in order to embellish the world, the characters and the current predicament within this novel. 

            The narrative in Gideon the Ninth follows a present sequence from Gideon’s point-of-view. Her stream-of-consciousness gives readers insight into her thoughts (cynical, yet curious) while learning about the other eight Houses, which is something that didn’t interest her until now. The world-building—which includes the history and the culture of each House—comes from Gideon’s learning of them. The fight sequences and the many revelations come from Gideon’s P.O.V. Some of what is presented to her is told as a recitation and not as a flashback. This means that Gideon’s reactions are genuine and relatable, which make her a reliable narrator. The narrative is intriguing and is easy to follow. 

            The style Tasmyn Muir uses in her debut novel follows Gothic romance. In short—and, according to A Glossary of Literary Terms—“The locale was often a gloomy castle furnished with dungeons, subterranean passages, and sliding panels; the typical story focused on the sufferings imposed on an innocent heroine by a cruel and lustful villain, and made bountiful use of ghosts, mysterious disappearances, and other sensational and supernatural occurrences,” (p. 151). Fans of Frankenstein by Mary Shelley, The Monk by Matthew Gregory Lewis, Wuthering Heights by Emily Brontë, and Jane Eyre by Charlotte Brontë are familiar with this genre of literature. However, I’m saying that Gideon the Ninth has elements of a gothic novel, NOT that it is one! The “villain” isn’t lustful, the supernatural occurrences—necromancy—is part of the world, and while it does have dungeons and secret passages, the First House isn’t described as being gloomy (when compared to the Ninth House). These gothic elements enhance the story the author is telling, which she does very well. The mood in this novel is anticipation. The summons from the First House does not only contain orders to attend, but also a chance to serve the Emperor, which is something the heirs are taught to do from childhood; and, their cavaliers get to serve their Houses. The tone in this book is dread. In a world where necromancy is the magic used and the setting is gothic, readers should expect more than a few unpleasant things to occur throughout the narrative. 

            I listened to the audiobook, which was narrated by Moira Quirk. She does a great job with narrating the story, voicing the various characters, and with the pronunciation of the characters’ names. I would not have been able to pronounce ANY of those names on my own, so to say that the audiobook was a huge help would be an understatement. The narration kept me engaged with the story as well.

            The appeal for Gideon the Ninth have been positive. Not only has the book, and the author, received a lot of fan and critical acclaim, but also has been nominated for several awards including the Nebula and the Hugo Awards. I can see how this book can become part of the (dark) fantasy canon and how it will have lasting appeal. However, this book neither was worth the hype nor was the best debut novel I’ve read. I’m not the only bookblogger who feels this way about this book. Then again, I’m not saying that you shouldn’t read it. The story itself kept my interest to the end; enough so that I want to read the sequel, Harrow the Ninth, when it is released in September 2020. This book wasn’t my favorite one, but my interest is piqued to where I’m okay with rereading parts of Gideon the Ninth in order to understand the sequel.

            Gideon the Ninth is an ambitious debut which hits enough marks to make for a good and fun reading experience. While I did not enjoy this book as much as other bookbloggers, the story and the world intrigued me enough to finish this book and wanting to read the sequel. Please understand that just because I didn’t enjoy this book doesn’t mean that you’ll feel the same way. That being said, if you want to read a story about necromancers and sword fighting, with gothic elements, then this book is for you.

My Rating: Read It (3.5 out of 5). 

Works Cited 

Abrams, M.H., and Geoffrey Galt Harpham. A Glossary of Literary Terms. 10th ed., Wadsworth, 

            2012.