Why You Need to Read: “The Stone Sky”

The Broken Earth 3: The Stone Sky

By: N.K. Jemisin

Published: August 15, 2017

Genre: Science Fiction/Dystopian/Fantasy

*Winner of the Hugo Award for Best Novel 2018, Winner of the Nebula Award for Best Novel 2017, Winner of the Locus Award for Best Novel 2018*

            The job you “have” to do is the easier of the two, you think. Just catch the Moon. Seal the Yumenes Rifting. Reduce the current Season’s predicted impact from thousands or millions of years back down to something manageable—something the human race has a chance of surviving. End the Fifth Seasons for all time.

            The job you “want” to do, though? Find Nassun, your daughter. Take her back from the man who murdered your son and dragged her halfway across the world in the middle of the apocalypse, (1: you, in waking and dreaming). 

            N.K. Jemisin has done what very few authors have managed to do, present a good and believable ending to a series that leaves readers with a sense of both accomplishment and satisfaction. What started with The Fifth Season and continued through The Obelisk Gate ends with The Stone Sky, the third and final book in The Broken Earth Trilogy. Readers and critics learn what must be done in order to put an end to an apocalypse. 

            The protagonists are once again Essun and Nassun, mother and daughter, and two of the most powerful orogenes in the world right now. Both mother and daughter have made their choices regarding themselves: Essun decided to grow her powers to the fullest, and Nassun decided to identify herself as an orogene. And, both mother and daughter have to live with the consequences of their decisions—both physical and emotional. All that’s left is for the two orogenes to determine the path of the Moon. One orogene and her companions hope to save the world, while the other orogene is coaxed by her companions to destroy it. Mother and daughter will face off after they’re reunited. Essun just wants to know whether or not her 10-year-old daughter is traumatized, and Nassun wants the world to know that those with power can and will determine the ways of the world. The daughter has become as powerful as her mother, and her mother isn’t with her to provide guidance. 

            The plot of the story is a race to an underground network in order to restore “order” to the Earth. This can be achieved with orogeny and there are 2 orogenes who are powerful enough to restart it. So, who will get there first? And, what will happen once the obelisks are activated? Another plot of the story involves Essun and Nassun preparing for action when the Moon is closest to them in “orbit.” Essun has succeeded in activating the Gate while at the comm, and Nassun travels to one that’s been lost and forgotten to history. There are two subplots in this story which answers some of the remaining questions in the trilogy. The first subplot is the origin of the Stone Eaters, which leads to how the Seasons became so dangerous. The second subplot answers the question regarding the purpose of the Guardians and their relation to the Seasons. These subplots are necessary because they provide the bits of information required for the plot’s development and resolution.

            The narrative continues to shift between 1st, 2nd and 3rd points-of-view. And, the sequence falls back into flashbacks and present time. The flashbacks provide both background information and answers to the questions to how everything came to be and how it will all end. The streams-of-consciousness of all the characters make them all reliable narrators. Yes, not all of their motivations are morally good, but it’s understandable given the circumstances. These elements of the narrative make it easy to follow. 

            The style N.K. Jemisin uses for The Stone Sky tells that an end is coming. Now, whether or not that end is for the Seasons, or for the characters, or both is to be determined. But first, the author lets the audience know how the Seasons came about. At the same time, Jemisin lets her readers know that oppression of any form does not ensure safety and/or order within a society. Instead, fear and suppression take place, which can lead either to a life of secrecy or to a life full of anger. The mood in this story is one of readiness—the need to make it on time to save the world, to save the last surviving member of one’s family, and to finish preparations in order to survive the Seasons. The tone in the novel is dread due to the choices and consequences of saving the world and reuniting with estranged loved ones. However, if it came down to two possibilities, then which choice would you make? This is what the author has her characters do, they must make a choice and live, or die, with the consequences. 

             The appeal for The Stone Sky have been massive and monumental! Not only did this novel win the Nebula Award (2017) and the Locus Award (2018) for Best Novel, but also won the Hugo Award for Best Novel (2018)! This means that The Broken Earth Trilogy has won the Hugo Award in the same category in three consecutive years! N.K. Jemisin is the first author to accomplish this feat; and, it’s well-deserved! The Broken Earth Trilogy is not only a must read for readers of speculative fiction, but also is a magnificent work of literature overall. There have been people who’ve read this series and found it to be an excellent story regardless of its genre. The message of the cost and the resistance that results from oppression and the end-of-the-world is received—although it’s not practiced in our world, yet—and is the reality within the fiction. The Stone Sky completes this trilogy and is a must read within the canon of speculative fiction.

            The Stone Sky is a strong and powerful end to this ambitious trilogy. N.K. Jemisin has managed to raise the expectations and the standards of writing and presenting a work of speculative fiction. This book series is one of my all-time favorites. Not to mention, I’ll be re-reading and recommending these books for years to come! Everyone needs to read this amazing trilogy!

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “The Obelisk Gate”

The Broken Earth 2: The Obelisk Gate

By: N.K. Jemisin

Published: August 16, 2016

Genre: Science Fiction, Dystopian

*Winner of the Hugo Award for Best Novel 2017*

            “We’re going somewhere you can be better,” he says gently. “Somewhere I heard of, where they can help you.” Make her a little girl again, and not…He turns away from this thought, too.

            She swallows, then nods and steps back, looking up at him. “Is Mama coming, too?”

            Something moves across Jija’s face, subtle as an earthquake. “No.”

            And Nassun, who was fully prepared to go off into the sunset with some lorist, relaxes at last. “Okay, Daddy,” she says, and heads to her room to pack.

            Jija gazes after her for a long, breath-held moment. He turns away from Uche again, gets his own things, and heads outside to hitch up the horse to the wagon. Within an hour they are away, headed south with the end of the world on their heels,” (1: Nassun, on the rocks).

            N.K. Jemisin presented a believable futuristic dystopian world by blending science and history—with a bit of magic—in The Fifth Season, the first book in The Broken Earth Trilogy. The book received tons of praise from both readers and critics alike; and, it even won the Hugo Award for Best Novel in 2017. The book’s characters, history, revelations and cliffhangers have readers wondering what would happen next. We get some answers in the second book in the trilogy, The Obelisk Gate.

            The protagonists in this book focuses on Essun and Nassun—mother and daughter—who are trying to survive the Fifth Season while trying to keep their orogene abilities discreet. Unfortunately, the latter is no longer an option because the secret has been exposed, with deadly consequences. Nassun, who is eight years-old, was fantasizing of a life away from her home, and her mother, when her actions led to her father learning the truth about his family, unintentionally. Nassun is whisked away by her father—who is relying on a fantasy for a return to “normalcy”—not realizing that she was safer with her mother than with her father. Yet, the further away father and daughter travel from their home, so does their relationship. Nassun starts to believe that something is wrong with her as her father starts and continues his physical abuse towards her. When they do arrive at the “haven,” Nassun learns the truth about her mother’s treatment of her and why her brother was killed. Not to mention, Nassun meets someone who once knew her mother, and he has plans for the daughter. All the while, Jija doesn’t appreciate being tricked a second time. How much pain and trauma can a little girl experience before lashing out at the world? Meanwhile, Essun’s journey to rescue her daughter has been halted by the change in the atmosphere due to the changing seasons and her running into someone else she believed to be dead. And, that person wants her to finish a task he started but is unable to continue. Along with her companions—both from the past and the present—Essun tries to figure out a way to do the impossible, which could save everyone. Both mother and daughter develop both as individuals and in their orogene abilities. Essun has to start where she left off 10 years ago and to determine for herself how powerful she really is; at the same time, Nassun learns of the life her mother was trying to protect her from. All she can do is protect herself by becoming smarter and more powerful in orogeny. Nassun is in survival mode and she refuses to let anyone, or anything, hurt her again. 

            The plot continues where it left off in the first book: a mother seeks her missing daughter and vengeance for her murdered son. Along the way, Essun’s past catches up with her and soon she realizes that she has to make peace with her past before any more harm can come to her daughter. In spite of that, Nassun does experience everything her mother did, but in a location unknown to other Guardians and with its own set of rules. While Nassun does prove to be very talented in orogeny—thanks to her mother—she doesn’t have the same fear of the Fulcrum as Essun did. Instead, Nassun’s fears are reserved for her father, who slowly realizes that there is no way to rid oneself of orogeny. There are two subplots in this story, which develop alongside the plots. The first is the life in a comm during a Season. While Essun and her companions figure out a way to accomplish their tasks, the members of the comm devise plans and methods for their survival of the Season. It is unclear how long the Season will last and who will survive (a lot of harsh decisions will be carried out), but everyone must work together to ensure their survival. The second subplot focuses on the Stone Eaters. The surviving orogenes—particularly the powerful ones—and the readers, learn more about them and their nature including their lifespans, their goals, and their need to protect the orogenes. This subplot is interesting because while the world knows of their existence, little is known about them. These subplots function as world-building elements as well. This is because to understand how and why a Season changes everything, an explanation of the world must be given to the readers. 

            The narrative in The Obelisk Gate is more straightforward. In The Fifth Season, the narrative jumps between two timelines in the past and two in the present. In the sequel, the sequence sticks with the present as it moves between the points-of-view of the protagonists. However, the P.O.V.s does shift between 1st, 2nd, and 3rd person amongst ALL of the characters. Readers should be used to the changing P.O.V.s; and, if not, then they should know that these multiple P.O.V.s do provide the streams-of-consciousness from reliable narrators. Yes, even foes and children can be reliable narrators. These narrative methods allow readers to follow the story while understanding what is happening to the characters at the end-of-the-world.

            The style N.K. Jemisin uses in The Obelisk Gate combines science and communal survival during an emergency with the themes and the practices of systematic oppression and abuse on a group of individuals. All of the talks about the Moon, satellites and seismic activity is based on science. The practice of “harboring” people who are different in separate facilities and “training” them to be “useful” is a form of oppression. And, while differences should be ignored when a group of people are hunkered down and trying to survive, that doesn’t always occur. Old practices die hard and there are always victims. In fact, it is known for abuse to increase during such times and relationships change as well (and not for the better). The mood in this novel is preparation. The world has acknowledged that a Season has begun and everyone works and strives in order to survive it. That means a lot of harsh decisions and cruel practices are carried out, but it must be done in order to ensure survival. The tone relates to the idea that only the strong and the useful survive an apocalypse. We don’t want to admit this, but it’s the truth within the fiction. And, the author makes sure that we remember this truth regarding the survival of the fittest in a dystopian world. 

            The appeal for The Obelisk Gate adds to the praise of The Fifth Season. Not only has the second book achieved the same acclaim as the first book by critics and fans, but also was nominated for several speculative fiction awards and won the Hugo Award a year after the first book did, which is a rare achievement! The success of this series of far has brought readers of different genres to read this work of speculative fiction. And, with the cliffhanger at the end of the book, readers will be eager to learn how the story ends in The Stone Sky.

            The Obelisk Gate is a brilliant sequel to The Fifth Season. The development of the plot and the characters alongside the pacing continues to keep readers engaged in the story. The themes of family, survival, oppression and truth are found within the narrative as reminders that an apocalypse doesn’t always bring people together for the greater good. Survival is the key.

My Rating: MUST READ IT NOW (5 out of 5)!!! 

Why You Need to Read: “The Starless Sea”

The Starless Sea

By: Erin Morgenstern

Published: November 5, 2019

Genre: Fantasy/Urban Fantasy/Magic Realism

            Only the singular section of “Sweet Sorrows” is about him, though pages are missing, upon close inspection there are numerous vacancies along the spine. The text comes back to the pirate and the girl again but the rest is disjointed, it feels incomplete. Much of it resolves around an underground library. No, not a library, a book-centric fantasia…(Book I: Sweet Sorrows).

            I have a confession to make: I haven’t read The Night Circus, yet. Yes, it’s shocking that I’m reviewing The Starless Sea by Erin Morgenstern before reading her impressive debut novel. All I will say is this, I was more curious about the author’s follow-up novel than her debut novel and I made the effort to read the recent book before the previous one. I didn’t want to write a review in which I make the same argument that has been done to both Harper Lee and Jeff Eugenides. So, without further comparison or explanation, here is my review of The Starless Sea, Erin Morgenstern’s homage to New York City and libraries around the world.  

            There are three protagonists in this novel. The first is Zachary Ezra Rawlins, a graduate student who is studying Emerging Media Studies at a university in Vermont. He is spending his semester break reading his favorite books alongside classic books. During another trip to the university library, he comes across a book titled, Sweet Sorrows, which has no clear hint as to what the story is about. After reading a section which refers to a moment in Zachary’s life with the description: “The boy is the son of the fortune-teller,” the book goes missing from his possession. Zachary decides to investigate the book’s origins, the library it originally came from, and the opportunity he missed all those years ago. The second protagonist is Dorian, a member of one of the organizations who knows about Zachary, the book—Sweet Sorrows, and the Starless Sea. One thing which is a mystery (at first) is for whom is Dorian working for, what his goals are, and why he keeps switching allegiances. Last, is Mirabel, a resident of one of the Harbors of the Starless Sea, who assists Zachary on his “quest” to rescue Dorian and to save the Starless Sea from destruction. Other characters who are relevant to the story are: the Keeper—the keeper of the Harbor, Kat—Zachary’s classmate from the university, Allegra—a woman who wishes to seek the destruction of the Starless Sea, and Madam Love Rawlins—Zachary’s mother, who is a fortune teller. All of these characters assist with the development of the protagonists through their knowledge of the Starless Sea, and the knowledge of the protagonists’ roles in saving the library. Their love or hate of each other will determine how they will get through the dilemma they’re in together. 

            The narrative switches between the characters, the settings (especially time) and the sequence. It might start off as confusing, but the breaks and the change in narrative allows the reader to know what each character is experiencing in relation to the plot. The narrative has six sequences that follow the characters on their journey as they learn about the Starless Sea, their connection to it, and the ongoings of the world beyond the Harbors and the Starless Sea (our world). These parts are the titles of the books written about and read by all of the characters. Due to this sort of narration, all of the POVs are told in 3rd person omniscient with each character being a reliable narrator. This is because their streams-of-consciousness and points-of-view allow readers to understand the reasons for their actions within the story. And, while the jump in sequence between the past and the present start off confusing, the readers will get used to this narration and will find it easy to follow. 

            The style Erin Morgernstern uses in The Starless Sea is specialized, but not typical. The idea of there being a story (or several stories) within a story is nothing new; and, it shouldn’t be new to fantasy readers. The concept of different forms of literature (i.e. prose and excerpts) written within one book is not new. Yet, the way the author writes her story using those practices are what makes her story so captivating to read. Add to this the description of New York City and its notable landmarks, and allusions to various books and pop culture references presents The Starless Sea as a creative tribute to Manhattan and to nerds everywhere! And, as a former grad student who studied emerging media studies, all of the references to “the Hero’s Quest” and video games was a nice touch to an inner group of the nerd community (Thank You)! The mood in this story is one of urgency. The urgency of meeting someone, the urgency of saving something, and the urgency of value are essential to the story. The tone is the meaning of that urgency for a group of individuals who are connected to each other, but have different ways of dealing and handling with an urgency. Not everyone is going to react the same way to an urgency, and that is essential to know for this book.

            The Starless Sea was one of the most anticipated novels of 2019, and it was on my list of best speculative fiction books of 2019. While it received praise from NPR, Amazon, and The New York Times, there have been some mixed reviews from readers. Without getting too deep into those criticisms, I knew that this book would be different from The Night Circus, and the style and the format of the book did not “interrupt” my reading of this book. Readers who’ve read books similar to The Sisters of the Winter Wood will not be surprised by the changing sequence of narration. Readers who’ve read books similar to Gods of Jade and Shadow should be familiar with the actual places used as setting—in which you can follow along with a map. And, readers who’ve enjoyed The Ten Thousand Doors of January—or, any portal fantasy story—should know the idea of Doors and other worlds. The Starless Sea stands apart from the books mentioned because of the story the author wrote for her readers. It seems to me that many readers were so caught up with comparing this book to the author’s previous one that they failed to recognize and to enjoy the story they were reading. The Starless Sea is about the love for people who share one’s interests and the love shared amongst a group of individuals for a landmark; it is a story about love and what someone will do for it.  

            The Starless Sea is the long-awaited follow-up book by Erin Morgenstern. The story consists of well-developed characters, elements of mystery and love all within a magical library that could exist below Manhattan’s subway system. This is a beautiful story meant for fans of portal fantasies and urban fantasies. Whether or not you’ve read The Night Circus should not dictate on reading The Starless Sea, you’re the one missing out on a great story.

My Rating: Enjoy It (4 out of 5).