What We Can All Learn From Virtual Cons and Events

The obvious difference between this pandemic and those of the past is how humanity has been spending their time throughout the outbreak. Yes, many public places and events are closed, cancelled and/or postponed; and, there have been several cases and deaths due to COVID-19 throughout the world. Yet, it seems a lot of people have forgotten that our modern technology has been a huge help in maintaining work, shopping and entertainment. Now, while the process to maintain safety and livelihoods haven’t been easy, it seems that few people are willing to use this time as an opportunity to pursue new activities and a chance to return to old ones.

            Please understand that I’m not bashing or criticizing people who lost their jobs, had their jobs suspended and/or moved online, parents, teachers/academics/scholars/educators, farmers, contractors, etc. I speak of people who hassle healthcare workers about when they’ll reopen their practices and scold essential workers when told they cannot enter the store or the supermarket without a face mask while trying to cut the line. These people ignore the guidelines for safety and go to locations that are closed because they are bored. Whatever happened to getting a new hobby or going back to a former pastime? Stories of people learning how to sew, how to cook, and stories of people learning how to draw using an app or creating “how to” content online have been circulating on the international news. Yes, many people have realized that creating content for YouTube, podcasts and blogs isn’t as easy as it looks, but that doesn’t mean you cannot offer your support by checking out the content. 

            While many Cons and events have been moved to online as virtual events, there have been a few creators who have made the decision to upping their game and putting together events as a means of entertainment and sharing new content with other creators and fans. QuaranCon 2020 was a virtual con put together by Virginia McClain and a few other fantasy authors (many of them from S.P.F.B.O.), and presented live panels over the course of 2 weeks. MayDayCon 2020 was a virtual con which was organized and moderated by 1 person—FanFiAddict! There were 7 panels and 7 live readings with over 30 authors all within 14 hours! And yes, I watched that entire con as it was going on live! Next, GeekCon1 will be taking place in July. This virtual con is aimed at all content creators with more information coming as we get closer to the date. GeekChat1 and his friends—other content creators—will be putting the event together.  

            As for “professional” cons that will be virtual, there will be plenty of those as well. Both BookExpo and BookCon will be streaming live on Facebook. Orbit Books has been hosting and announcing several live chats with their authors every week! Several authors have been chatting on their Instagram accounts as well, which is a great opportunity to interact with some of your favorite authors and other famous people. And, several literary award organizations have turned to YouTube to announce both the nominees and the winners of their awards such as the BSFA and the Hugos. Yes, not everyone will be able to stream these events live (I still have my job to attend to in person), but the best thing about streaming live events is that you can watch the playbacks when they become available. 

            This post is not meant to put anyone down. Instead, I wanted to remind everyone that people are working behind the scenes in order to present new content and events to everyone who is living in lockdown, which is everyone! Think about it, wouldn’t it be better for you in the future if you mentioned what you did during the pandemic isn’t of what you weren’t able to do? Yes, the pandemic sucks, but it’s a shared experience and you have the opportunity to find a way to stand out and do something you always wanted to do. What do you have to lose? 

Why You Need to Read: “Riot Baby”

Riot Baby

By: Tochi Onyebuchi

Published: January 21, 2020

Genre: Speculative Fiction/Contemporary

            The look on her face, that’s what people told me today wasn’t no kind of victory. That when people joke and call me Riot Baby for being born when I was, it ain’t with any kind of affection, but something more complicated. The type of thing old heads and Mama and other people’s parents tell you you won’t understand till you get older, (II, Harlem). 

            Our world is not a utopia, but it’s not a dystopia either. Our world is balanced between the good and the bad, and the beautiful and the ugly. As humanity’s technology emerged with emphasis on the visuals, humanity preferred to use: cameras, camcorders, and videos to capture moments and/or events in life. Although technology is used for selfish reasons, it cannot be denied that we’ve used it in order to capture moments of both the beautiful and the ugly. Yet, it cannot be said that the ugly moments provided elements of truth which details moments of life for all individuals around the world. In the 21st century, this technology serves as a reminder that life is beautiful and ugly due to humanity, and that art imitates life NOT vice versa. 

            Riot Baby by Tochi Onyebuchi is an allegorical narrative about the treatment of “minorities”—specifically Black Americans—in contemporary America. I’m not going to use the sub-genre—dystopia—because it implies, “a very unpleasant imaginary world in…a disastrous future,” (p. 417). Riot Baby focuses on the present, so to categorize it in the dystopia subgenre would be an insult to the many victims of the societal practice. This novella reiterates numerous key moments in America during the last 60 years, most of which there is evidence in the form of both photos and videos. While several outlets of mainstream media and history texts continue to gloss over past and recent events, victims and witnesses know better due to the fear and the knowledge that such events: Rodney King, Trayvon Martin, Sandra Bland, Colin Kapernick, McKinley, Charleston, etc., can and will happen again. Riot Baby is Childish Gambino’s, “This Is America,” presented from a similar perspective in a different format. 

            There are two protagonists, but the story starts with Ella who is around 7-years-old. She lives with her mother in South Central Los Angeles. The year is 1992 and her mother is pregnant. Ella is a very perspective child. One of the reasons for this is because Ella has ESP abilities of an empath and powers that rival Scarlet Witch from X-Men. One day after school, as the Rodney King Verdict is announced, Ella’s mother goes into labor and they have to get to a hospital. After her brother, Kevin, is born, Ella begs her mother to have them move to Harlem believing her rage, and her abilities to feel everyone else’s rage, won’t be as volatile on the East Coast as it is on the West. Several years later, Kev spends his time after school hanging out with his friends outside of a bodega on a street corner, avoiding the notice of both the police and his mother and sister. Some things are easier said than done because Ella cannot control neither her “gift” nor her rage, and Kev can’t do anything to stop himself from becoming another statistic in American society. Soon, Kevin is in jail and Ella “jumps” all over the world observing the ways other people live. The brother becomes indifferent and the sister becomes even more enraged.

            As Kev serves his (exaggeratedly long) sentence in Rikers State Penitentiary, Ella experiences rodeos in Louisiana, horse races in Belmont, the shooting of Sean Bell, the police “raid” at a pool party in McKinley, Texas and the mass shooting in Charleston, South Carolina. Kev, in his youth, becomes worn down in prison and Ella becomes so angry that she seeks advice from her mother and her mother’s acquaintances. Kev is comfortable with the “life” provided for him in prison and on parole. Ella explains to him how both are restrictive forms of freedom, and the only way to achieve freedom is to act on their anger. 

            Throughout the narrative, readers witness the events and the treatment Ella and Kev experience throughout their lives and the helplessness they feel over and over again. From Kev’s point-of-view and stream-of-consciousness, readers witness how Black Men are treated in America’s systematic racism from racial profiling to prison (and juvenile detention) to parole. From Ella’s point-of-view, readers experience the world beyond Black America, and moments from the past, including the ones her mother lived through. Ella’s stream-of-consciousness (and empathic powers) allows for readers (and Ella) to feel all of the emotions everyone else is expressing, which leaves her (and us) wondering why more people are not upset with this treatment within society. Given the pace and the moments in U.S. history and society, both Ella and Kev are reliable narrators. 

            The style Tochi Onyebuchi uses for Riot Baby is a social commentary of recent events told with the lenses of speculative fiction. The mood in this novella is rage from mistreatment and oppression in a society. The author makes several references referring to race relations in the U.S.: Rodney King and the L.A. Riots, Sean Bell, Charleston, McKinley, Spike Lee, Black women and childbirth, George Washington Carver, the Confederate Flag, hoodies, neo-Nazis, music—particularly rap, etc. The tone reflects the way one should feel about all of the mistreatment Ella learns and that it is okay to feel anger towards this mistreatment, the same mistreatment which converted her brother into a docile servant of American society. Using superpowers, the author illustrates what will eventually happen if these practices continue.  

            Riot Baby will appeal to fans of both speculative fiction (i.e. comics, manga and graphic novels) and history (i.e. social commentary). Systematic racism continues to be an issue throughout the world, and fans who want to read about this issue in a different style of writing should read this book. Anyone who has read: Between the World and Me by Ta-Nehisi Coates and the MARCH Trilogy by John Lewis will appreciate the themes and the message found within Riot Babythe most.  

            Riot Baby is a parable (“a very short narrative about human beings presented…with a general thesis or lesson that the narrator is trying to bring home to his audience,”) about systematic racism and its practices throughout America (p. 9). Both the story and the title emphasizes that anger continues to build up due to mistreatment, oppression and fear and it’s all felt by one and many. Tochi Onyebuchi presents a believable story about the risks society takes when they ignore the harsh practices and restrictions of a group of people. Riot Baby uses the concept of mutant powers in order to deliver another approach to contemporary American society.

My Rating: MUST READ IT NOW (5 out of 5)!!!

                                                                        Works Cited

Abrams, M.H., and Geoffrey Galt Harpham. A Glossary of Literary Terms. Tenth ed., Wadsworth, 2005.