Why You Need to Read: “First, Become Ashes”

First, Become Ashes

By: K.M. Szpara

Published: April 6, 2021

Genre: Urban Fantasy

TRIGGER WARNING: Be advised. This book contains elements of self-harm, imprisonment, rape, torture, abuse, and non-consensual sex. 

I received an advanced copy of this book in exchange for a fair review. All thoughts are mine alone.

            Her voice drips with pity I neither want nor need. This is useless—this whole conversation. Nova said outsiders wouldn’t believe us. Not that we were acting in their best interests, nor that we were Anointed. She warned us about their zealots and skeptics. That I could literally work magic in front of them and they wouldn’t see it. Well, I know myself and I’m not going to waste time or magical energy proving their ignorance to them. I don’t care if Miller believes me, I just need her to uncuff me, (5: Lark/Now). 

            Speculative fiction has emerged to have a fandom which rivals sports fans. The last 50-60 years saw the emergence and the growth of fans of this genre through books, films, and video games. As the fandom and the popularity grew, people started dressing up as their favorite characters and recreating scenes from those media. Various activities—especially, Dungeons & Dragons—are familiar as fans take tropes from these narratives and come up with similar stories. Just like with all stories, there are moments of the good, the bad and the ugly. Most of the time, fans—cosplayers and gamers—tend to leave the ugly out of their “stories.” K.M. Szpara does NOT avoid the ugly in his latest novel, First, Become Ashes, a hybrid of Jonestown and Japanese role-playing games.  

            The protagonist in this novel is Lark, short for Meadowlark. He has spent his entire life in Druid Hill with the Fellowship, training to partake in a quest to save the world. He is one of the Anointed Ones—those gifted with magic and abilities—who will leave his home on his 25th birthday to prove himself by defeating a F.O.E.—“Force of Evil”—or, a monster. However, Lark is a couple of months shy of his 25th birthday. The one who gets to leave Druid Hill first is Kane, who is Lark’s training companion and boyfriend. He is an Anointed One, too; but, since he is older, Kane leaves for his quest first. Lark starts counting down the days until it is his turn to leave and to join Kane. Unfortunately, Kane goes off on a different quest, and it involves the F.B.I. and the S.W.A.T. Team. Kane has decided to put an end to the lies told by their leader, Nova. Kane discovered a long time ago that their lives were a lie. There is no magic, no monsters, and no reason to fight. The lead agent on this investigation is Agent Miller, who knows a lot more about the Fellowship and Nova than she lets on. Agent Miller needs Lark to testify against Nova and the Elders for all of the crimes they’ve committed. Lark refuses to cooperate because he believes Kane became “corrupted” immediately after going on his quest. Lark decides he’s the only Anointed One who can save what is left of the Fellowship. Once he escapes confinement, Lark meets Calvin, an outsider—a super nerd and a professional cosplayer—who is willing to assist Lark on his quest by any means necessary. Accompanying them is Calvin’s friend, Lillian, who is a part-time podcaster. Meanwhile, accompanying Agent Miller’s search for Lark is Deryn, Lark’s older sibling. They were one of the first Anointed Ones before Nova stripped that title from them—as a child—for unknown reasons. They are willing to put an end to the Fellowship due to the harsh treatment they received. All of these characters develop as the story progresses, and readers learn quickly that they are not only individuals who are trying to debunk lies, but also are complex people who had their choices taken away from them, and they are seeking ways to reclaim their lives. It should be mentioned that while Nova is the villain, she is NOT the antagonist. One of the characters mentioned is Lark’s antagonist, but do you know who it is?

            There are 2 plots in this novel. The first plot is a twist on “the hero’s quest.” But instead of the “hero” leaving to “save the world,” the hero is on a “quest” to prove magic is real and the Fellowship is not the “corrupted F.O.E.” The second plot is the investigation of the Fellowship, which is a cult. Readers learn about the cult’s origins, and how and why Kane decided to “betray” the Fellowship. There is one subplot and it develops alongside the two plots, and it is central to the story. The subplot involves the trauma suffered by all of the characters; and, the common theme involves fantasy and gaming. Remember, 2 of the characters did not suffer within the Fellowship, but it doesn’t mean they don’t have personal demons and reality to face. Please keep in mind the trauma suffered by the Fellowship includes: physical and emotional abuse, family separation, isolation, torture, and sexual abuse. While this subplot is essential to the plots, such incidents are common and occur more often than is reported. In other words, the reality within the fiction is too palpable to ignore.

            The narrative is told from the points-of-view of Lark, Kane, Deryn and Calvin. They are all reliable narrators because what they experience relates to the conflicts within the story: the influence the Fellowship has had on the characters and whether or not magic exists. The narrative alternates based on which character is narrating the story. Lark and Calvin’s narratives are in 1st-person and follows a sequence which is told in the present. Lark and Calvin are on a quest, and it takes them further away from what they know as they believe they are getting closer towards fulfilling their quest. Deryn’s narrative is told in 1st-person and is told in the present. Deryn travels with Agent Miller in order to track down Lark. However, Deryn isn’t looking for Lark just because he is their sibling, but because they want vengeance for the treatment they and the others who are not “Anointed Ones” were subjected to by Nova. The more time Deryn spends with Agent Miller, the more of their memories begin to resurface, and they realize there is truth behind Kane’s actions. Kane’s narrative is told in 1st-person, but the sequence is presented in the past. This is because Kane’s narrative is his testimony against the Fellowship to the F.B.I. It is through Kane’s memories and flashbacks (not the same thing), readers learn what really was going on within the Fellowship and how Kane was able to interpret the lies and the abuse in Nova’s teachings, and why he decided to betray them, knowing they were a cult. The narrative goes back-and-forth between the present and the past and it moves among the characters so that the story is complete without any bias, which is essential when referring to cults.

            The style K.M. Szpara uses in First, Become Ashes is a homage to the nerd fandom. Several allusions to fantasy novels, video games, anime, cosplayers, comic-cons, etc., make their way into this novel, and it balances the atmosphere and the conflict presented in the story. And, as a member of this fandom, the message is clear, there is a minuscule part of us who desire such aspects to be real. That is not to say that every mundane thing within our reality can be explained—there are a few living things which break the laws of science (i.e. bumblebees, dolphins, butterflies and moths, etc.)—but, how many people are willing to believe in “other explanations”? Nevertheless, this novel is a cautionary tale as to what can happen when individuals use people in order to fulfill their twisted desires. Both the villain and the antagonist use Lark (and the other members of the Fellowship) to get what they want—one wants dominance and the other wants their beliefs to be validated—and, both leave Lark a broken individual who believes he has to go on his quest so that everything he went through wasn’t for nothing. The mood in this novel is wishfulness. All of the characters long for something, and some of them are willing to do anything to fulfill it. The tone in this novel is the brutality these characters are willing to put themselves through, especially with the conflict of the individual versus society. Keep in mind such treatment and desire can manifest anywhere, and are not limited to cults. 

            The appeal for First, Become Ashes will be positive with discretion. The novel has LGBTQIA+ characters, but the presentation of the cult and the treatment will receive the most attention and criticism. Once again, this book has a Trigger Warning of sadomasochism, sexual and physical and emotional abuse, and it should not be read by anyone who either has issues with these topics or has undergone similar experiences. That being said, this novel will be praised for its themes of “living in the real world,” “life is not a fantasy (story),” and “not everything can provide an explanation.” This novel belongs in the speculative fiction canon in the subgenres urban fantasy and low fantasy. An urban fantasy is a fantasy story associated with rural settings adapted to specific (and often actual) locations. A low fantasy—the opposite of high fantasy—is a fantasy story which presents nonrational occurrences without any causality because they happen in a rational world where such things are not supposed to happen (this story is NOT magic realism!). So, fans of American Gods by Neil Gaiman and A Song of Ice and Fire by George R.R. Martin will enjoy this book the most. I believe gamers and cosplayers will enjoy this book, too because of the social commentary and the (familiar) criticism mentioned throughout the novel. 

            First, Become Ashes is an excellent blend of fantasy and reality, and a great social commentary. This is one of those books in which the conflict is more memorable than the characters, and that’s a good thing because this plot device will keep readers immersed from start to end, similar to a great video game. It’s hard to believe this is the author’s 2nd novel, but it means readers can look forward to more works from him in the future! 

My Rating: MUST READ IT NOW (5 out of 5)!!!

My Experience at FIYAH Con & What It Represents for Speculative Fiction

So, remember when I praised virtual cons (and creators) for finding ways to continue hosting their cons and presenting their content to everyone? And, how some groups and individuals decided to host their own con? Well, I was able to attend FIYAH Magazine’s 1st FIYAH Con! I won’t bore you or make you all jealous of what I enjoyed about this con—besides the panels of various topics and issues. Instead, I’m going to list what I considered to be the best parts of FIYAH Con; and, there are at least 3 of them.

            First, was the layout of the schedule. This con was 3 days long, but the first 2 days consisted of panels that ran over 24 hours straight. And no, I didn’t stay up for 24 hours to watch those panels! Yet, you know who did watch those panels? The guests and the attendees in other countries throughout the world who were able to enjoy these panels during their daytime hours. This was a very considerate idea because there are fans, authors, and staff within the speculative fiction community who live beyond the U.S., Europe and Asia. Allowing panels to run for those who reside in Africa, Australia and the Pacific was a very thoughtful idea. Many attendees from those regions were able to enjoy those panels live. It served as a reminder that there are people involved in this community who reside all over the world. 

            Second, was the inclusion of all who participate within speculative fiction. There were authors, bloggers, YouTubers, editors, academics, publishers, artists, etc., who were guests of this con. This serves as a reminder that those who participate within this genre community is as diverse and as essential as the (remaining) identities of all of the panelists and the attendees. Everyone makes up the fandom and the community, and it was great to see that FIYAH knew that as well and had (some of) them as guests. In fact, it was interesting to see them all discuss numerous subgenres, issues, topics, changes, etc., within the genre. In addition, FIYAH took the liberty of inviting guests from numerous identities and gave them a panel to discuss their works and the inspiration surrounding them (I didn’t know there were Māori and Pasifika authors in this genre)! This was one of the most eye-opening experiences FIYAH Con offered because, yes more attention has been offered to diverse authors, but we continue to overlook other cultural groups who continue to expand this literary genre. My interest in their works has piqued and I’m looking forward to reading them.

            Last, is what FIYAH is doing after their Con. Remember, when I said that some of the panels occurred overnight in some time zones and during the daytime for other ones? Well, FIYAH is posting the archives of all the panels on the conference website for attendees to access what they missed during the Con. This is great because there were panels I missed due to the time difference and overlapping panels, I didn’t get to watch all of the panels—and, some of them seemed very interesting. This is a great opportunity to catch up on what I missed and learn more from all of the guests and the panelists. I know other attendees feel the same way, too. Right now, some of the panels are posted and available on the website. The rest of them will be posted as they become available. 

            In all, this was a virtual con that was just as amazing as the other ones I’ve attended this year. Yes, 2020 has not been the best year, but it forced everyone to find ways to bring members of various communities and/or fandoms together. Not to mention, FIYAH went beyond everyone’s expectations and made sure the guests were as diverse as the speculative fiction genre. I am guilty of forgetting that other regions in the world hope to present their works to the mainstream (of the community), and this Con presented some of what the rest of the world has to offer. Thanks to FIYAH and their (first ever) Con, I am more aware of other people who write, work and participate in the speculative fiction genre community.

            What did you think of FIYAH Con 2020?   

“Best of” Lists: The Greatest, the Essential and Personal Favorites

So, TIME Magazine is the latest publication to release its list of “The Best Fantasy Novels of All Time.” The magazine even went further than Forbes and known fan sites (and critics) and had a panel consisting of leading fantasy authors to form, to vote, and to finalize their “selections.” While this list is impressive with selections ranging across centuries, age groups and cultures, you are left wondering whether or not this list is more of the panel’s “favorites” and/or “suggestions” than the “best of all time.” Now, I’m NOT insulting the panel! In fact, this panel did an excellent job with including books that were released within the last decade by P.O.C. authors; not to mention, some of the books on the list are meant for readers “of a certain age” (children and young adult), but can be read and enjoyed by fans and readers of all ages. So, why are so many fantasy fans upset with this list? And, why do I feel that this list is still lacking some other great books? This is my opinion, but I’m impressed and perplexed by this list, and other ones from recent years. 

            What do I mean by this? First and foremost, it seems that some of the same titles and/or authors do appear on all of these lists (i.e. Forbes, Unbound Worlds, etc.). This is a good thing because it means certain books have the same level of merit across fans, readers, authors and critics. However, certain titles end up on certain lists which makes you wonder how they made that list. And then, there are titles (and even certain subgenres and formats) that are omitted from those lists, which leaves you wondering whether or not those titles were considered (or read) by those on the panel. Once this realization is made, these lists become nothing more than a “how many have you read?” list.

            Then, there is another question: is this supposed to be a list of “essential” reads? In this case, the answer is NO. There are lists of “essential fantasy books ‘every fan’ should read” and lists of recommendations. Note the difference between the former and the latter. The former is a list of books fans “should have” read, almost like assigned school readings. The latter is a list of books you may or may not enjoy, but should consider reading anyway. And, that’s the issue surrounding all of these lists. When you look over all of these lists and note which books continue to make them, you wonder whether or not those books are “essential” to the genre. When you read the history of the genre (and, there are several books on them, some of which I own and I have read), many of those books played a huge role in formulating the fantasy genre. Yet, fantasy, like imagination, is not a “fixed” concept. Eventually, readers decide to write “new” fantasy stories that allow for new worlds to be presented and for new fans to emerge. In fact, one of the things I like about TIME Magazine’s list is that 63 of the books were published and released within the last 30 years. That’s right, the list is in chronological order, so you can see how much the genre has changed and expanded during the last 3 decades. It’s an interesting homage to how quickly the genre has expanded. Then again, some titles are left off the list.

            As a bookblogger, I read and I review books encouraging other readers to read them. There are so many books to read. And, while I don’t always get to finish reading certain books when I want to, and I read faster than I write, I take the time to mention all of the positives and the negatives within a book review. Meanwhile, I read reviews and I watch videos about books by other bookbloggers and Booktubers so I can learn whether or not books on my list should be read sooner rather than later, and whether or not we have the same thoughts for the same books. At the same time, these reviews are recommendations for other fans and readers. I don’t expect readers to enjoy the same books I do, and I’m not insisting that they should. This doesn’t mean I don’t look into books other fans and readers suggest, it’s how I ended up reading certain books no matter its genre. 

            Some of those books were not mentioned in TIME Magazine’s list. No graphic novels and no novellas or short stories were on the list. And, the grimdark and the witches subgenres were omitted. I’m not sure if any of those titles made the initial list, but it does make me wonder if we’re starting to limit what consists of “good” fantasy books. Yes, a few translated books made it on to TIME Magazine’s list, but I’m going to say that some works written by either Australian or indie authors should have been considered as well. Are we slowly becoming like Tom Shippey and Robert Silverberg (which is sort of scary)? So, are all books within the fantasy genre being considered? Should we be reading more of what is available BEFORE compiling such a list?

            Obviously, one cannot read all of the books within a genre, but all titles and all formats should be considered for a “best of all time” list. Yes, some titles will always end up on the list, but what about the other books? Think about your favorite books. Now, think about your favorite fantasy books. If we were to compare our lists, then we would expect to have some similar and some different books. In fact, my list is always changing. Some books will always be appealing to me, and others will fall off of that list. Who is to say that within the next 5-10 years this list will be exactly the same? If fantasy continues to expand as a genre, then I hope the list does alter, continuously, overtime. 

            In 2018, V.E. Schwab delivered the 6th annual J.R.R. Tolkien Lecture on Fantasy Literature. Her lecture titled—“In Search of Doors”—she mentioned (and, I’m paraphrasing here) that just because one author made you a reader doesn’t mean that book should become “required reading.” Everyone has that one book which made them a reader; but, they’ve read more than one book, right? V.E. Schwab discusses what led her to write the stories she’s written, too; and, it’s simple. She was sick of reading the same sort of fantasy story over and over again. And, that’s what makes TIME Magazine’s list stand out from previous ones. Several of these stories move away from familiar fantasy tropes and are still amazing and well-written stories, which should be read. However, if any of those books don’t capture your attention enough to want to read them, then don’t feel obligated to do so. 

            I’m not going to nit-pick the genre or this list because I don’t have the time to start all of the never-ending debates that would come from it. Also, I still haven’t read all of the books on this list! For now, like the rest of the fandom, I’ll consider what should be included or excluded from the “best fantasy books of all time” list. I’ll keep reading the books as they are released, and I will offer my critical thoughts on each book. And, hopefully, whoever does the next list considers including me on the panel. I believe I could shake things up. Which books should you read next? Well, tell me the sort of story you enjoy and I will give you a suggestion or two (or three)!

The Disclosure Behind the 2020 Hugo Awards

A lot can happen in a week. Politics and COVID-19 aside, it seems like “everyone” wants to return to a time when “things were the way they used to be.” Out of all of the prejudices that’s been going around, it seems that ageism continues to be accepted widely due to the notion that “the new will replace the old.” Unfortunately, it seems that “the old” keeps finding ways to hold out for a bit longer, which is equivalent to years. Not only have Americans been forced to admit the issues surrounding race, sex, sexual orientation, religion, ethnicity, sexuality and domestic violence, but also delve into several generational gaps and the beliefs that come from a particular age group. “Trumpeters” aside, it seems that many older White men have nothing better to do than to whine about how modern society is uprooting “the morals and the structure of ‘their youth’.” Yes, because White men have had it so bad, they get to complain about what they no longer have as opposed to other groups of people who are still denied the basic rights and privileges they continue to take for granted. And, it seems that the microcosms are reflecting the macrocosm as certain in-groups continue to find ways to make themselves exclusive as they express their desires to omit other groups of people and to keep them from participating alongside them. In recent years, we all witnessed this happening more and more in Hollywood and film, and in the video game industry. Not to mention, it’s happening within the literary community and the fandom are familiar with the ongoings within speculative fiction.

            One week after Tom Shippey’s comments about fantasy novels in The Wall Street Journal, the 2020 Hugo Awards was livestreamed during Worldcon, which would have been held in New Zealand if it wasn’t for the global pandemic. The good news was, many fans were able to watch the Award Ceremony; the bad news was, those same fans were reminded that those who write speculative fiction are not as open-minded as their stories make them out to be. More people were able to witness the blatant sexism and racism that is whispered about in the publishing industry. Obnoxious doesn’t even begin to describe the behavior of those grown men. 

            First, let me address George R.R. Martin’s mispronunciation of the names of several of the nominees and the presenters. As someone who has worked within education for over a decade, yes there were times when I mispronounced A LOT of names; and, I’m not limiting that list of names to “minority” ones. One, there are some European names a lot of people cannot pronounce. Two, your name maybe unusual and/or hard to say for someone else. Three, names do not always equate to your concept of gender (think of unisex names). So, why were so many people upset with GRRM? It was because many of the nominees saw the name butchering as unprofessional, which it was. Some authors are friends with each other, and they all often attend the same events (I’m assuming here), so it is understandable when after a while the mispronunciation comes off as rude. I understand how those authors felt, and it did ruin the Hugo Award experience for several people, especially the nominees (and the winners). Then again, there are several authors—whose works I’m a fan of—whose names and book titles I cannot pronounce to save my life (audiobooks have been a huge help). I know GRRM issued an apology, but that is neither for myself nor for the fandom to accept because it is for the authors and the creators who were nominated to decide. Whether or not they want to accept it is NOT up to us, it is their choice.

            There was another thing GRRM mentioned that night that has me upset, and it was his statement regarding all of the Finalists for the “Best Novel” category being women. Maybe he was trying to be funny when he said, “maybe we’ll see some men nominated next year,” but the context of that statement—especially after Robert Silverberg’s rant about John W. Campbell’s “legacy”—remains to be open to interpretation. 

            Robert Silverberg is an award-winning author of over 1,000 sci-fi and fantasy stories, some of which won the Hugo, the Nebula, and the Locus Awards. In addition, he was the Toastmaster of several Hugo Award Ceremonies throughout the years. Silverberg’s publishing career started in 1954 and he retired around the early 1990s. As he mentioned in his rant—which was prerecorded—he is a fan (and I want to say a friend) of John W. Campbell’s stories—he is considered to be “the father of modern science fiction”—which he wrote and published during the 1930s, and he talked about the sort of “person” Campbell was when he met up with other authors, including those who were influenced by him. In fact, Silverberg was so defensive of his “idol” that he decided to insult the author who “insulted” Campbell after winning the award that was renamed once it was rediscovered that he was a bigot. Did anyone else notice how many viewers “left” once it became obvious what Silverberg was saying a loud? No one is denying the contribution Campbell made to science fiction, but the truth of the matter remains in tandem with his legacy, which is that Campbell was a racist and a sexist. Like many other (fantasy) readers of my generation, I enjoyed and I’ve been influenced by the Harry Potter series. However, J.K. Rowling has some disturbing views about transgenders (which, she has voiced more than once). Neither the fantasy community nor the fandom—myself included—cannot deny the contribution Harry Potter has had. Yet, while we are able to separate the art from its creator, we must know when to say, “that’s not right.” 

            Let’s face it, everything is changing whether or not we want them to change. I grew up during the 1990s during a time when the Internet was becoming communal tool. Yes, I have my moments of nostalgia, but I don’t wish for things to revert backwards! There are a lot of things that must change and there are some things that we all look forward to happening. Halting progress or returning to the past brings about chaotic results, something we are all witnessing firsthand on a global scale!

            Now, I’m going to sound like the English teacher/instructor I used to be: did you all even bother to read (or, to watch or to play) any of the works that were nominated for the Hugo Awards?! I was under the impression that members of the World Science Fiction Society (WSFS) got to vote for the Hugo Award nominees and winners. Don’t get me wrong, it is NOT easy to attempt to read ALL of the books that get nominated for awards (my Shortlist Award Reading Challenge is a challenge), but to act as though these works aren’t worth reading because it didn’t suit your “preferences” or “expectations” of the genre? Or, were you worried that you wouldn’t be as familiar with the context of works written and created by females, BIPOC/BAME, and/or LGBTQIA+ individuals as you are with those of yourself and your peers?! No one is denying that the authors of the past (and the present) contributed to the genre, but there shouldn’t be a “shared model” for a genre that is dependent on the imaginations and the creativity of each individual. No genre is supposed to remain the same overtime. This is because stagnation kills progress of any kind! If science fiction, fantasy, horror and all the other genres, and the subgenres, within speculative fiction have changed over the course of the last century, then why should it remain constant in order for the genre to befit YOUR preferences? As John Scalzi mentioned on his blog, “’The canon’ didn’t just somehow ‘happen.’ It is a result of choices…” The genre was different before I was born, it has branched out and evolved since my childhood, and it will go beyond our expectations and imaginations with posterity. However, we get to decide on what we read based on what is available, which is A LOT!

            Here is my first of many proposals (hopefully). There are books about the history of fantasy, the encyclopedia of literature, the companion to science fiction, etc. In literature and in poetry, there are “schools” and “literary movements” and “periods” that categorizes the evolution of that “form” of literature based on the era in addition to literary form and genre. We are all familiar with the general history, the definitions, the genres and the subgenres of speculative fiction. However, if the influences and the changes of the genre are going to keep getting mentioned by the “elder” generation, then we should at least consider compiling “schools” and “periods” of the genre so that there is more comprehension than saying, “this author was a contributor of this subgenre due to the works which reflected the genre,” or “this author’s stories cemented this movement within the genre, etc.” For example, one of the most familiar eras of fantasy are “The Inklings.” When that group is mentioned, many know it refers to J.R.R. Tolkien, C.S. Lewis, Charles Williams and other Oxford professors of literature who were also fans of folklore, and wrote stories based on those tales. We need more groups and/or eras like that so that there is recognized clarity within the community. Is this similar to canonization? Yes. However, if time frames and eras are going to keep being brought up, then we can find ways to make it all easy to understand.

            This could be the opportunity the genre needs in order to progress further. I’m not saying that this will resolve any of the issues that have been and continue to be brought up within the speculative fiction community, but it with academic scholars, numerous awards, and an ever-growing fandom, we should consider a plan and/or a project that will involve everyone; especially, if we want the genre to continue to be taken seriously without all of the attention focusing on “elder White heterosexual males” who won’t stop bringing up the past. Think about it because the Hugo Awards are a celebration of the best of the (current) year, and not just the past. All of the groups within this in-group should start working together more in order to include all who participate in the speculative fiction community. For that to happen, we have to acknowledge (and perhaps learn) of all of the eras and the communities within the genre. 

The Midpoint of 2020: Favorite Speculative Fiction Books…So Far

Well, we made it to the halfway point of the year 2020, which will go down as one of the most pivotal (and the wackiest) years in living memory. Just like everyone else, I’ve been affected by both the COVID-19 pandemic and the murders which led to the international Black Lives Matter movement, as well as a few things in my personal life. I managed to adapt and I’m starting to catch up on everything that’s been going on. I am managing to keep up with all of my reading while expanding on my blog and my other projects. So, while my WIP remain in that state, I’m glad to say that I’ve been branching out and checking out new YouTubers and following fellow bookbloggers; and, I want to thank those who have asked me to be guests on their channels and on their blogs. Last, I want to thank everyone for reading my posts that are not reviews, but are personal essays and deep dives into literature, pop culture, and current events. It feels good to know that there are people who are interested in what I post online.

            As for reading in 2020, I’m reading, but I’m reading more than speculative fiction. You can look at my Goodreads page and you’ll see what I mean. In terms of speculative fiction, I’ve been catching up on some of what I missed, and I’m getting back into paranormal and urban fantasy. I have a stack of graphic novels that I need to read, too; but, I’ll get to them eventually. How many of 2020’s Most Anticipated releases have you read so far?

            So, what does that mean for my favorite speculative fiction books of 2020, so far? Well, I haven’t finished reading 10 books that were released this year, yet; but, I can talk about at least 10 speculative fiction books in 2020 that I’m enjoying, and ones I’m excited to read. In other words, this list will be different from last year’s, but I hope you find this list of reads as interesting, informative, and/or enjoyable.

Books I’ve Finished:

The Nine Realms: A Queen in Hiding; The Queen of Raiders; A Broken Queen; The Cerulean Queen

     by Sarah Kozloff

Wayward Children, #5: Come Tumbling Down by Seanan McGuire

Riot Baby by Tochi Onyebuchi

Daughter from the Dark by Marina and Sergey Dyachenko, translated by Julia Meitov Hersey

The Black Iron Legacy, #2: The Shadow Saint by Gareth Hanrahan

The Legacy of the Mercenary Kings, #1: The Kingdom of Liars by Nick Martell

The Order of the Pure Moon Reflected in Water by Zen Cho

Books I’m Currently Reading:

The Daevabad Trilogy, #3: The Empire of Gold by S.A. Chakraborty

The Kingston Cycle, #2: Stormsong by C.L. Polk

Malus Domestica Trilogy, #1: Burn the Dark by S.A. Hunt

The Protectorate, #2: Chaos Vector by Megan E. O’Keefe

A Chorus of Dragons, #3: The Memory of Souls by Jenn Lyons

The Reborn Empire, #1: We Ride the Storm by Devin Madson

Books I Want to Read by the End of 2020:

The City, #1: The City We Became by N.K. Jemisin

The Murderbot Diaries, #5: The Network Effect by Martha Wells

The Poppy War, #3: The Burning God by R.F. Kuang

Anasazi Series, #1: Between Earth and Sky by Rebecca Roanhorse

The Invisible Life of Addie La Rue by V.E. Schwab

Burningblade & Silvereye, #1: Ashes of the Sun by Django Wexler

The Only Good Indians by Stephen Graham Jones

Race the Sands: A Novel by Sarah Beth Durst

Docile by K.M. Szpara

Chronicles of the Bitch Queen, #1: The Wolf of Oren-Yaro by K.S. Villoso

The Locked Tomb, #2: Harrow the Ninth by Tamsyn Muir

Rook and Ruin, #1: The Obsidian Tower by Melissa Caruso

Mexican Gothic by Silvia Moreno-Garcia

City of Sacrifice, #2: Ash and Bones by Michael R. Fletcher

The Drowning Empire, #1: The Bone Shard Daughter by Andrea Stewart

Stealing Thunder by Alina Boyden

The Burning, #2: The Fires of Vengeance by Evan Winter

The Once and Future Witches by Alix E. Harrow

Scholomance, #1: A Deadly Education by Naomi Novik

Master of Poisons by Andrea Hairston 

Malus Domestica Trilogy: I Come with Knives and The Hellion by S.A. Hunt 

The Year of the Witching by Alexis Henderson

The Hanged God Trilogy, #1: Northern Wrath by Thilde Kold Holdt

AND, A LOT MORE!!!

            I hope to read 100 books by the end of the year, with at least 30 of them being speculative fiction books that were released this year. Which books will be on my Top 20 (or 25) Favorite Speculative Fiction Books of 2020? We’ll have to wait and see.