Why You Need to Read: “Darkdawn”

The Nevernight Chronicle: #3: Darkdawn

By: Jay Kristoff

Published: September 3, 2019

Genre: Fantasy, Grimdark, Historical Fantasy, Folklore

NOTE: This review contains spoilers from both Nevernight and Godsgrave.

            Goddess, if only we’d known what she’d become…(Chapter 33, Wellspring). 

            Darkdawn is the stunning conclusion to The Nevernight Chronicle. Jay Kristoff gives his readers a blood-soaked conclusion to his antiheroine that rivals “The Bride” from Kill Bill and Kratos from God of War. Mia Corvere and her vengeance concludes in Darkdawn, and the author delivers on everything he promised his readers and gives them even more.

            Mia Corvere has transformed from an assassin of the Red Church to a gladiator of the Falcons of Remus to the most infamous murderer in the Itreyan Republic. While she was killing her family’s enemies, she made a startling discovery and acted without thinking. Her brother, Jonnen, has been alive the entire time and has been raised as Consul Julius Scaeva’s son. More about Scaeva’s deception is revealed to Mia and she realizes that her identity was a lie as well. As she comes to terms with this new information, Mia learns that she has been chosen to “seek the Crown of the Moon.” It turns out the gods and the goddesses of the Itreyan Republic are as real as the magic in that world. Mia’s power of a darkin is strongest during Nevernight—which, is coming again soon—and, when the Mother Goddess—Niah, the Maw, the Mother of Night, and Our Lady of Blessed Murder—is strong enough to get her vengeance on Aa—the Father of Light, the Everseeing—her husband. Mia is powerful enough to assist the Maw with her path for revenge. However, Mia has accomplished her tasks and wishes to put as much distance between herself and the Itreyan Republic as possible. But first, Mia has to complete purging the Red Church who has sent ALL of their assassins after her. Meanwhile, Mercurio—Mia’s mentor and foster father—is a captive in the Red Church to use as bait to lure Mia Corvere to them. At the same time, Mercurio learns of the role he’s to play in the Mother’s plan, and it’s as shocking to the readers as it is to him! Throughout the story, we see Mia being split between keeping her brother and her friends safe and killing Consul Scaeva once and for all and following the path the Mother has laid before her. Mia deals with all of these revelations the only way an 18-year-old can…by lashing out; and, Mia’s method of lashing out involves killing a lot of people. Mia is now the most lethal assassin in the history of the Itreyan Republic and the true faith of the Maw expects Mia to fulfill her final task. Will Mia accept the task of the Mother? 

            The plot in Darkdawn is the conclusion to Mia’s life. Readers have known since Nevernight that Mia Corvere would die. The question was how and why. Mia’s quest for revenge now includes the Red Church and anyone Consul Scaeva sends after her. On top of that the Mother (darkness) and the Father (sunlight) are preparing to meet each other and to end their “spousal disagreement.” Mia has to battle gods and goddesses at the same time she is battling mortals. The plot develops as Mia and Mercurio learn more about the history of the Red Church and the darkin. As for the history of the gods and the goddesses, all of those footnotes throughout the trilogy was information as to what would occur eventually. The immortals—like all mythologies—have foresaw their Ragnarök and Mia is to play a very critical role in the end of the Itreyan Republic. Will the gods allow Mia to defeat them? Along with this subplot is the subplot of Mia’s reunion with Jonnen and the relationship she struggles to build with him. These subplots are crucial to the conclusion of The Nevernight Chronicle and they take over the plot of Darkdawn as the story continues. The plot starts with and ends with Mia Corvere. 

            The narrative in Darkdawn is a continuation of Nevernight and Godsgrave until the final part of Darkdawn (Book 4, The Ashes of Empires). From there, the story seems to follow a stream-of-consciousness in the present tense, until it shifts back to the 3rd limited point-of-view. This narration allows readers to follow the actions of Mia, Ashlinn, Jonnen, Mercurio, and other characters as all is revealed throughout the Itreyan Republic. Mia—even with her darkin abilities—cannot be everywhere at once, so readers get the chance to learn how all of these characters are feeling with their situation and what will come to pass. While readers might not like certain characters, their narratives are objective and essential to the story that is being told. The footnotes remain informative and hilarious but are just as vital to the story as the world-building. Everything converges within the narrative. 

            The style Jay Kristoff uses continues in the final book in this trilogy. The events of the past are told in italics, the darkin’s dialogue are told using various font sizes, and the footnotes continue to explain Itreya’s history and culture. That last part is crucial to the narrative because it can be argued that the history and the culture was the real story being told in The Nevernight Chronicle. For example, the “author” of the entire chronicle is revealed, and once readers get over their shock, they will realize that it makes a lot of sense. On top of that readers are reminded that books still enact a sense of fear whether or not it’s the reader or the people mentioned within it. Jay Kristoff reveals the actual story he is telling in his trilogy, the anger of a goddess and the revenge she is waiting to enact on her husband. Similar to how Mia wants vengeance for her family, Niah wants revenge against Aa. The clues were in the titles: Nevernight, Godsgrave, and Darkdawn. The author wasn’t only telling Mia’s story, but also creating his own mythology about the world he created: the gods and the goddesses, how they created the world, and the religion that came out of it as well. The mood in Darkdawn is the coming end of an empire, a cult and its followers, and the protagonist. Readers are familiar with the saying, “tear it all down and begin anew.” Usually this statement comes out of the mouth of a madman; however, in the case of the Itreyan Republic—similar to the Roman Empire—there is so much corruption and greed that the end was going to happen sooner or later (I’m not a historian). The tone of this novel follows the idiom: “the sins of the father shall be visited upon the sons.” The actions of Mia and Jonnen’s parents are reaped by the siblings. At the same time, the actions of the gods affect the mortals who worship them. And yet, the same emotions are felt by mortals and by immortals alike. 

            The appeal surrounding Darkdawn will be a positive one. I received an ARC of this book and Jay Kristoff gives a satisfying ending to this creative and bloody trilogy. Fans of fantasy and grimdark will enjoy this story. Readers of historical fiction will appreciate the parallels (and the research) to the Roman Empire. And, folklore enthusiasts and experts will love how the author reminds his audience of the source of magic and faith found throughout the trilogy. Darkdawn concludes the way it does as mentioned in the beginning of Nevernight.

            Darkdawn is the action-driven end to a fast-paced trilogy. Mia Corvere’s life story ends as it began, with blood and death. Readers will cringe at the death count, will mourn the characters who die, and won’t be able to stop reading until the end. Fans will complete The Nevernight Chronicle and be more than satisfied with its conclusion. Mia Corvere is one of the best antiheroines I’ve ever read. Thank you Jay Kristoff for sharing her story with us! 

My Rating: MUST READ IT NOW (5 out of 5)!!!

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Why You Need to Read: “Witchmark”

The Kingston Cycle: Book One: Witchmark

By: C.L. Polk

Published: June 19, 2018

Genre: Fantasy, Historical Fiction, LGBTQ, Mystery, Gaslamp, Military Fantasy

            “She gave no outward sign of her effort, but her Secondary’s knees sagged as she took as much of his strength as she pleased. I shuddered. That would have been me, if I hadn’t escaped. Nothing but a Storm-Singer’s minion, my own gifts dismissed as useless,” (Chapter Two).

            2018 was an immense year for the speculative fiction community. Several novels novellas, short stories, graphic novels, etc. were released, read, and enjoyed by fans and critics alike. In fact, so many works of the genre were released that it was difficult to keep up with all of the new releases. Luckily, recommendations and award nominations forces readers to catch up. That being said, I’m glad I got to read and to rate C.L. Polk’s Witchmark. This novel is one of many that I didn’t get to read when it was released in 2018.

            Dr. Miles Singer—the protagonist—is a psychiatrist and a veteran of the war that just ended between Aeland and Laneer. He is making his rounds when a man stumbles into the hospital carrying a man who claims he’s been poisoned. The dying man—Nick Elliot—calls Dr. Singer, “Starred One” and “Sir Christopher,” then transfers his power to Miles before dying. All of this happens in front of the man who brought Nick Elliot into the hospital—Tristan Hunter. Dr. Singer is worried that his cover is blown and his true identity—Sir Christopher Miles Hensley—is known to both strangers, one of whom is now dead. Dr. Singer and Tristan Hunter must explore the societal world of Aeland in order to solve the mystery of Nick Elliot’s death and what’s causing the hallucinations in the veterans at the hospital. It is revealed that Dr. Miles Singer is from a powerful family of magicians; except, he didn’t inherit the powers of a “mage.” Instead, Miles is a “witch”; he has a lesser power and it is believed, even by him, that all he’s good for is to be a “Secondary,” or an enslaved magical source for mages. Miles—knowing it was either enslavement, or commitment to a witches’ asylum—ran away from home and joined the army, where he used his healing power to become a doctor. Nick Elliot’s death reveals that Miles’ life is in jeopardy. Tristan Hunter is an Amaranthine, a celestial being with more power than any witch or mage. He was sent by his Royal Court to solve a mystery that is tied to Nick Elliot’s murder. During this investigation, Miles is recognized by his younger sister, Grace, who is both a mage and the heir to their family’s legacy, and Miles’ “Superior.” Grace needs Miles’ help to secure an election so that she can make reforms for Secondaries like him. Of the three characters, it is Grace who develops the most and it’s because of all of the revelations uncovered by the trio. This unraveling of political conspiracies presents the corruption and the fear that led to Miles fleeing his previous life. Yet, it is more than Miles, Tristan, and Grace knew about beforehand. 

            The plot involves a mystery within this fantasy story. Nick Elliot knew he was dying, and he sought out Dr. Miles Singer. In his last moments Nick Elliot says, “They needed the souls,” and transfers his power and his soul to Miles. Tristan Hunter is from another realm and he’s trying to solve the mystery of these lost souls. Miles, in keeping with appearances, attends a dinner in which he is reacquainted with his sister, Grace, who thought he was dead. Miles now has to solve a mystery, stay away from his family to avoid bondage, and make sure that none of his patients become mass murderers due to their PTSD. Meanwhile, sparks fly between Miles and Tristan, which is an issue. Not because of the homosexuality—the magic world is open to all forms of sexuality—but because relationships between mages and witches, and Amaranthines are taboo. The romance is as beautiful as it is described by the author and is appropriate for an alternative Edwardian English society. Even though this is a fantasy, the mystery is central to the plot of the novel. In other words, Witchmark is a mystery novel set in a fantasy world. Once this is comprehended by the reader(s), then the plot begins to make more sense and continues at an appropriate pace. Besides the romance, the societal world of Aeland is the subplot of this novel. The author wants the reader to know that the magic world is just as power hungry, corrupt, and prejudice as the human world. And, similar to other subplots in other novels, this subplot will not be resolved by this novel’s end but will become ubiquitous to everyone living in those societies. The denizens have to decide whether or not it should be resolved. 

            The narrative follows Miles’ P.O.V. Throughout the novel, Miles’ feelings and emotions about his past, his family his career, his choices, and his love for Tristan presents the narrative to be stream-of-consciousness. All of Miles’ thoughts, fears, and knowledge is presented to the reader. It is through him that the readers learn about the setting, the magic world and its rules, and the multiple conflicts. Miles being a victim of his family’s and society’s abuse make him both a sympathetic and a reliable narrator. The fact that Miles uncovers more of what has been happening in secret as he unravels Nick Elliot’s murder and the horrors that lead up to it allows the readers to have a mirrored reaction to Miles’. As long as readers remember that the novel is both fantasy and mystery, the narrative is easy to follow. 

            The style of writing C.L. Polk uses makes her debut novel captivating. First, incorporating PTSD in the veterans of the war provides realism to the readers. Miles being a psychiatrist during an era in which both the medical community and public society chastised such notions surrounding mental health and war veterans is commendable. Next, magic systems and hierarchy are part of both the plot and the mystery in this story. Secondaries being seen as a source for magic for mages provides a different outlook on magic and its societal norms. Polk’s tone of this “magic system” reflects English history and how they always felt they had to conquer another group of people in order to feel powerful. The mood within the novel illustrate why Miles—and other Secondaries—fled their homes. This magic world is as corrupt and stringent as ours, but with harsher abuses of power. Last, Polk’s writing is as much of a political statement as it is an immersive fantasy story. And, magical gifts are as essential as the witch, or the mage who wields it.

            The appeal surrounding Witchmark is well-deserved. Polk does an amazing job of combining history, psychology, mystery and romance into this all-around fantasy novel. It’s been nominated for several literary awards including the 2019 Nebula Award for Best Novel and the 2019 Lambda Literary, or Lammy, Award for Best LGBTQ SF/F/Horror (Book). This lets speculative fiction fans know that this book should be read. The follow-up to Witchmark, Stormsong, will pick up where the last novel left off. This will let readers—who are interested—know whether or not the author will build-up on her world. I hope she does because it will let us know what happens next. Witchmark is an amazing addition to the literary canon! 

            C.L. Polk’s debut novel is a multi-genre text that can be read and enjoyed by readers, and not just fantasy fans. Witchmark provides a beautiful romance readers of all sexualities can relate to including the numerous mentions of marriage. The balance between fantasy and mystery presents Witchmark as a unique reading experience to everyone who reads it. The characters, the plot, the narrative, the setting, and the style fit together as you continue reading the story. You will find this book to be as enjoyable as I did, with the reminder that magic is what the user makes of it.

My Rating: MUST READ IT NOW (5 out of 5)!

Why You Need to Read: “A Boy and His Dog at the End of the World”

A Boy and His Dog at the End of the World

By: C.A. Fletcher

Published: April 23, 2019

Genre: Science Fiction, Coming of Age, Post-Apocalypse, Dystopian 

            “I wasn’t going home Not then, not yet, or not to my home anyway. I was going to go to his home. I was going to get my dog. I was going to take his boat. And then, when and only if I did that, I would go home,”(Chapter 13, “The tower”).

            The world has ended. However, this post-apocalyptic story does not occur as the world is ending, or immediately after the world ends. Instead, the story follows the descendants of those survivors; these people are living in what remains of the world 100 years later. And yes, the novel is about a boy who goes on a journey to recover his stolen dog. Before you judge the plot of this book, recall the plot of the movie, John Wick.

            Griz is the protagonist and we follow the events of his adventure afterthey happen. Griz lives with his family—parents and brother and sisters—on an island. There are other people who live in this big world, including their neighbors with whom both families make supply runs together. As mentioned in the summary, a thief—named Brand—“stops by the island” and takes one of the family’s dogs. Griz, who believes in family and doing the right thing, takes off after Brand in order to get the dog back. Throughout Griz’s journey, he explores what remains of our world: buildings, wildlife, landscape, etc. Griz learns more about the world because he must survive alone with his knowledge and his instincts to guide him. The few people Griz meets throughout his journey presents both the struggle and the complications surrounding each individual, including Griz. 

            The plot is straightforward. Griz leaves home to chase a thief who stole from his family and took his dog. I would not call this a “hero’s journey” plot; but, instead an adolescent leaves home, learns about the world, and returns a changed person. The plot is coming-of-age; and, the subplot is survival, the man versus nature conflict. It is mentioned throughout the novel that so much time has passed and there are so few people left—according to Griz, approximately 7,000—that a lot of the previous knowledge has been lost and abandoned. Computers and vehicles are no longer operating, medical services have been reduced to herbs and remedies—an injury or an illness can lead to one’s death—and, maps are as useless to someone who doesn’t know where they are compared to someone who is able to travel to those places. The apocalypse not only reduced the human population, but also reduced all helpful knowledge for humanity to thrive. These factors let readers know that Griz’s journey is more complicated than we first believe it to be. 

            The narrative is told from Griz’s point-of-view after the events occurred. Griz is recounting the events of his life and his journey in a blank journal he found during one of his family’s scavenging trips. With limited ways to keep oneself occupied, writing in a journal is a good idea. This narrative could be said to be reliable because the times in which, Griz does catch up with the thief, he doesn’t allow his judgment to cloud over with what the thief tells him about himself and the world. The fact that Griz includes what the thief has to say makes this story more believable because the need to survive is highlighted in this narrative. In addition, Griz mentions parts of the story he decided to omit because it was “irrelevant” to his story. Not only does this make the narrative easier to follow, but also gives the narrative a bit of realism in that not every detail has to be included within a given story. 

            The style the author, C.A. Fletcher, uses makes for a believable “what is” scenario without the mention of zombies. What happens to the world and its survivors years after the world ends? In this case, the world continues as it was, but with limited interference from the actions of humanity. What’s left of any buildings are either safe, or decrepit; all animals roam without fearing humans because there are so few left; and, plants and vegetation thrive where they are with only the elements to concern them. Fletcher’s mood for his story is that the world goes on with or without humans. However, the tone reiterates the darker side of humanity. Yes, Griz and his family were gullible enough to allow a thief into their home, but the thief tells Griz more than once that he is not a “bad guy.” And, the thief is right, to an extent. With so few people and limited resources, there are some people who would resort to darker methods for survival. There are no laws to restrict anyone, anyone could get away with doing just about anything—theft, kidnapping, murder, etc.—and, not worry about consequences or law enforcement. Fletcher gives readers a two-sided notion of a post-apocalyptic world with this style of writing. 

            Anyone who is a fan of post-apocalyptic stories will enjoy Fletcher’s novel. As I mentioned before, there are no zombies or first wave attacks in this story; and, this does not happen immediately after the events at the end of the world. And, that’s the appeal of A Boy and His Dog at the End of the World, the aftermath of the apocalypse! Given the approximate age of Griz (16?), adolescent readers will find this novel appealing as well. I can see this novel becoming an assigned book in schools.

            A Boy and His Dog at the End of the Worldis an entertaining dystopian bildungsroman novel that puts a lot of emphasis on the atmosphere of the Earth over the characters. Readers learn from Griz’s experiences that both knowledge of survival and knowledge of people go hand-in-hand. My only issue with this novel is that while Griz learned and accomplished much on his journey, he doesn’t seem changed by it that much. It could be because Griz is telling the story in his journal. The “story doesn’t end with the journey” notion that left me wondering whether or not Griz and his family has more to tell us about their world. Other than that this novel was fun to read. 

My rating: Enjoy It (4 out of 5).