On Saturday, April 24th, it was Indie Bookstore Day (and my younger brother’s birthday)!
The purpose of Indie Bookstore Day is to support your local and/or your favorite indie bookstore by purchasing merchandise and/or books from them.
One of my favorite indie bookstores is Strand Bookstore in Manhattan, New York! Besides being a bookstore with 5 levels of books, several events take place there on a weekly basis. Before and during (and soon, after) the pandemic, I’ve attended several events where authors would discuss their books, have book signings and participate in live Q&As! Even now, with the pandemic, Strand has managed to keep everything up and running.
The Strand decided to have a 30% sale on their ENTIRE store! I couldn’t miss out on this deal, so I delve into book shopping. And surprisingly, I was in more control than I thought I would be.
These are some of the books I bought! If you’re familiar with these titles, then you’ll notice something interesting about the books I bought!
Here’s the answer behind my purchases!
Now, I can read this series without worrying about the gap between the books!
After winning the 3rd book in a giveaway with the author’s signature, I had to buy the 1st 2 books in this trilogy!
Finally, I have ALL 4 books in The Nine Realms! I’m hoping that Tor plans on publishing a 4-in-1 Collector’s Edition of this series in the near future!
And, I couldn’t help myself, I had to get a tote bag with one of The Strand’s most infamous quotes!
Did you participate in Indie Bookstore Day? If so, then what did you buy? What’s your favorite indie bookstore?
I’m looking forward to when I can visit the Strand Bookstore again!
Video games, graphic novels and comic books and manga, and fantasy literature continue to share the same criticism from those who are neither fans nor creators: they are for children and/or they have no place in a classroom or in an academic setting. The fact that such notions continue to be made is a disconcerting atrocity; and yet, hip-hop continues to gain recognition and acclaim for its role in the music industry and in the rest of society. Pop culture is what it is, popular culture, but there is a difference between an ephemeral fad and a transcendent impact. All of these genres of various entertainment have succeeded in being true art forms, although there are some who continue to ignore the value of these works and what they mean to the fandom and the creators.
In the weekend edition of The Wall Street Journal for July 18-19, 2020, there was a review in the Books section of The Nine Realms tetralogy by Sarah Kozloff. I read and reviewed all of the books in the series—both on my blog and for Fantasy-Faction—and, they are worth reading. However, the author of the review had more things to say other than praise for the book series.
During that same weekend, I learned of the review due to all of the retweets about what the author said about the series in relation to his personal feelings about the fantasy genre. I noticed that several authors, bookbloggers, and readers were angry by what was written in the review. Even one of the authors stated they were going to cancel their upcoming interview they had with The Wall Street Journal. Then, I saw who wrote the article. It took some time, but I found myself as annoyed as everyone else eventually. And, I’m still annoyed.
Tom Shippey, the world-renowned Tolkien scholar, should be ashamed of himself. Writers, creators and fans of fantasy and other genres in speculative fiction have minimal expectations of TheWall Street Journal publishing anything with an open mind else besides economics. Yet, Tom Shippey presented a negative nostalgia of the fantasy genre, also known as stagnation. After everything Shippey has said about Tolkien taking fantasy to new heights—even though that wasn’t Tolkien’s intent—while writing the sort of tales he wanted to read himself, Shippey’s statement about The Nine Realms is an insult to Tolkien’s legacy—including all of the authors that were influenced by Tolkien—but an insult to Sarah Kozloff in which Shippey seemed to use in order to publicize his viewpoints about the genre. As a fan of The Nine Realms, the author deserves more praise than from someone who has been searching for Tolkien. Not only stating that “fantasy has grown up,” but also calling Tor a “sci-fi publisher” tells me that the quest for “adult fantasy” has managed to overlook Robert Jordan, Robin Hobb and Brandon Sanderson amongst numerous other authors as contributors to the genre.
The problem with Tom Shippey’s statements regarding fantasy is that after spending years discussing Tolkien, he neglects to recognize all of the fantasy works that came after Tolkien. Not to mention, Shippey made it sound like the genre has not made ANY progress since the publication of The Silmarillion in 1977. His beliefs on the genre demonstrate how other people—those in the out-group—continue to view fantasy as “kid’s stuff,” but to have a Tolkien scholar categorize which fantasy work is “adult fantasy” because that story reflects Tolkien’s “fantasy,” which Shippey spent his entire career hanging on to instead of admitting that the genre has continued to expand, to evolve, and to go beyond everyone else’s expectations. To say that Shippey is “missing out” on what “adult” fantasy has become would be a huge understatement.
Although fantasy continues to evolve and to be read by fans ubiquitously, the genre continues to receive harsh criticism, especially when compared to both horror and science fiction. Fantasy has gained more recognition because of the success of movies, television and video games, but to have the genre get identified based on age group adds another layer of prejudice to a genre whose progress remains unrecognized. People are willing to watch it and/or to play it, but reading fantasy remains to be an issue that needs to be addressed constantly. So, this all goes back to literature and answering the age-old question: Who reads this?
Fantasy, or “myths for adults,” has been around since the beginning of humanity, going back to oral tradition. Even now, myths, legends and other folklore continue to entertain us through all styles and formats. Fairy tales are told and watched, movies allow actors and actresses to become those characters, graphic novels and manga and comics present non-stop illustrations, and video games give players an immersive experience. How is wanting to explore another world different from space travel and/or escaping from a haunted domain? Is it because space travel have become a reality? Is it because we all know what it feels like to experience fear no matter where an individual is? Maybe the issue with fantasy is that it remains open to interpretation. Maybe your personal fantasy world doesn’t match mine. Maybe, you wish to attend Camp Half-Blood over the Convent of Sweet Mercy. Or, you wish to go further and create your own fantasy world and share it with others who share your imagination and curiosity, like Tolkien did then, and what N.K. Jemisin, Neil Gaiman and M.L. Wang continue to do now.
As for the concept of “adult,” “children’s,” and “YA” fantasy, we should refer to J.R.R. Tolkien and some of his critical essays. Tolkien was a professor of Anglo-Saxon literature at Oxford University—alongside C.S. Lewis—whose edition of Beowulf and Sir Gawain and the Green Knight are still considered to be some of the “preferred” translations by (some) scholars. Maybe if Shippey recalled Tolkien’s professional works as much as his creative works, then maybe he would have remembered one essay of his in particular.
J.R.R. Tolkien wrote On Fairy Stories, and in the essay, he states, “the association of children and fairy-stories is an accident of our domestic history,” and “only some children, and some adults, have any special taste for them…it is a taste, too…one that does not decrease but increases with age, if it is innate.” In other words, if children do not show any interest in fairy tales, then they are not interested in them at all. If an individual is interested in those stories as a child, then do not assume that they will outgrow that interest as an adult. Hence, this is why Doctor Who and James Bond have been around for over 50 years! And before you quote that infamous line from 1 Corinthians 13, remember Tolkien was a devout Catholic who created his own fantasy world and inspired millions! Yet, similar to comics, superheroes, animation and fairy tales, fantasy continues to be criticized as being “too silly for adults” and labelled for children.
Yes, Disney altered our perspectives of how fairy tales are told, but the studio continues to water (most of) them down. Only the young readers with enough curiosity and imagination will search for the older (and the more violent and the more tragic) variants collected by the Grimm Brothers, those written by Hans Christian Andersen, and others. Nowadays, those children can read Harry Potter and Alanna of Trebond alongside the books written by Rick Riordan and Holly Black as adolescents. Afterwards, as adults, they can read the stories written by Naomi Novik, Katherine Arden and Neil Gaiman. Then, they can (and will) read all of the “adult fantasy” that is not based on folklore directly. As for the maturity content found within (most) adult fantasy, let me put it this way: Shakespeare is required reading in many secondary schools, and many of the plays that are read and/or performed tend to be from the “tragedies” catalog, not the “histories” or the “comedies.” And yes, I just brought up Shakespeare in an essay about Tolkien! Deal with it!
Tom Shippey is one of the most informed Tolkien scholars, but his knowledge and his interests are limited to Tolkien. The Wall Street Journal tries and fails, constantly, to present insight into other topics besides economics. The newspaper has more than enough resources to gather authors and scholars of the fantasy genre, but wish to limit themselves by delivering something that reflects American society from the 1960s. Jack Zipes and Elizabeth Tucker are prime examples of scholars of folklore and children’s stories. If you want to discuss how much video games have evolved, then read what Frans Mäyrä, Nick Yee, Mia Consalvo, and other game studies scholars have to say and what they have researched. As for scholars of fantasy literature, you can start with Edward James, Farah Mendlesohn and Nnedi Okorafor.
Ironically, this essay was written and posted during Worldcon 2020, which presents the Hugo Awards to authors in recognition of their achievements in science fiction or fantasy works for (mostly) adult readers and are chosen by its (adult) members. As I await the announcement of the winners, I’ll be reading N.K. Jemisin, Seanan McGuire, S.A. Chakraborty, John Gwynne and other authors of “adult fantasy.” If either Tom Shippey or The Wall Street Journal are interested, then I can offer a galaxy of books for you to choose from; and, you will find them all to be magical and extraordinary.
The peculiar quality of the “joy” in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. It is not only a “consolation” for the sorrow of this world, but a satisfaction, and an answer to that question, “Is it true?” The answer to this question that I gave at first was (quite rightly), “If you have built your little world well, yes: it is true in that world.”
S.P.F.B.O. 5 is over, and this year’s winner—The Sword of Kaigen by M.L. Wang—received one of the highest scores in the competition’s short history, 8.65. While this year’s competition was fierce and resulted in a close 2nd place, the hype and the feedback circulated to where bookbloggers with a larger platform started discussing the competition and published authors shared their thoughts on the books—the finalists—on social media. This competition has amassed such a huge following in such a short time and a few of the finalists did get picked up by big name publishers to become the published authors they already were. Mark Lawrence is the perfect example of “paying it forward” and “sharing the wealth.” In 5 short years, this international best-selling author has used his platform to kickoff careers of these emerging authors.
I heard of the Self-Published Fantasy Blog-Off while searching for fantasy books on Amazon. If you recall my essay—“Factions in Technology that Made a Difference: e-Readers and Self-Publishing Companies”—then, you’ll remember that I mentioned a few authors who are indie authors and/or publish through “smaller” publishers, thus embellishing the sort of books I’ve been reading ever since. As I browsed through ebooks to purchase, a few covers caught my attention, and they all had the same acronym: S.P.F.B.O. When I finally Googled the letters, I learned of the competition organized by Mark Lawrence. And, my first question was: Who is Mark Lawrence? Yes, I learned about S.P.F.B.O. before I read and reviewed any books written by Mark Lawrence. When I started contributing to Fantasy-Faction, I realized that this competition was growing into an event indie authors, bookbloggers and fantasy fans look forward to, and it’s been going on for 5 years!
I experienced S.P.F.B.O. 5 from the entries to the semi-finalists to the finalists, and of course, the winner. While I haven’t read all 300 books that were entered, I did read a few before the competition—because their descriptions intrigued me, and some titles and book covers caught my attention as well. And, I purchased the books of all 10 finalists! So far, I’ve read only The Sword of Kaigen, but I started reading both Blood of Heirs by Alicia Wanstall-Burke and Never Die by Rob J. Hayes, and I am blown away by what would have been overlooked stories if not for the competition. It’s because of bookbloggers and fantasy review sites that more indie authors are willing to enter S.P.F.B.O.! At this rate, Mark Lawrence might have to expand the entry pool (please don’t take that suggestion too seriously)!
So, will S.P.F.B.O. continue to influence the market and the industry that is the fantasy—and the speculative fiction—genre? Yes, I believe so, especially if it hasn’t already. I’ve noticed on social media that these “indie” books are being read and enjoyed by “mainstream” and award-winning authors as well (i.e. C.L. Polk reading Fortune’s Fool by Angela Boord). And, this is more than authors supporting other authors, it’s about how indie authors and small publishers continue to strive to get their stories out there with the threat of them being overlooked…until the right attention is given to them through their published books (i.e. J.K. Rowling and Harry Potter). S.P.F.B.O. is both introducing and promoting the works and the creativity of these authors to a platform that is willing to keep an open mind. And, because of this competition set up by Mark Lawrence, readers get to experience and to witness this transcension, which is expanding the speculative fiction genre, too.
I’ll end my experience with S.P.F.B.O. 5 by saying the following: Congratulations to M.L. Wang; read The Sword of Kaigen and the books by the other finalists; good job to all of the reviewers, the bookbloggers, and the vloggers for all of the time and the effort you put into this from reading the 300 submissions to the 10 finalists to the winner; and, a huge THANK YOU to Mark Lawrence for starting this competition and turning it into an annual event. The number of books that have been added to my TBR pile has increased yet again, and I’m okay with that. I can’t wait to see what happens during S.P.F.B.O. 6!
When Misaki hid her sword, she nailed the floorboards down over it. It was a promise to herself. She might never be able to destroy the part of her that was aggressive and willful, but she could bury it. That was what she had thought at the time, (Chapter 7: The Sun).
Thanks to the Internet and e-readers, creativity has propelled to levels beyond the zenith. Many e-books of all genres have allowed indie authors to become bestselling authors and several more have been able to transcend from self-published to contracted authors (i.e. Amanda Hocking). M.L. Wang is the latest self-published author who proves that indie authors should not be ignored or overlooked. The Sword of Kaigen: A Theonite War Story demonstrates the evolution of the speculative fiction genre with an unlimited freedom for creativity.
There are two protagonists, and they are members of the same family, the Matsuda Clan. Mamoru is the eldest son of Takeru and Misaki, and possible heir to the household—his uncle is the Lord and his only child is a girl. Mamoru has lived his entire life in the Kusanagi Peninsula—in the isolated mountain town of Takayubi—in the Kaigenese Empire. He doesn’t want for anything more than to become a warrior and master the sword technique of his family and ancestors, “The Whispering Blade”; and, at 14 years-old, he has yet to master the skill. When a new transfer student, Kwang Chul-hee, slams the lifestyle of the denizens of the Peninsula, Mamoru wonders whether or not his doubts go further than his family’s expectations. Like any other adolescent, he challenges everything his family has taught him to his father’s horror and to his mother’s humor. After his father fails to discipline him and to keep him on the “traditional” path, it is his mother who confirms his suspicions and assists him with his training and swordsmanship, much to Mamoru’s surprise. Misaki is the wife of Takeru and she hates it. A former warrior from the city of Ishihama from the Tsusano Clan, Misaki’s marriage to Takeru has left her in a state of depression and anger. While she finds solace in her sister-in-law, Setsuko, and in their friend and fellow housewife, Hyori Yukino, part of her wishes she can return to her days as a warrior doing missions for the Theonite Daybreak Academy with her former classmates: Ellen, Koli and Robin. Unknown to her husband, Misaki is close to having a breakdown due to her husband’s abuse and mistreatment of her. Both mother and son are characters who reflect the on goings of the bigger world. Mamoru must learn to uphold his family’s expectations while learning how the rest of the Empire operates from his classmate and friend; at the same time, Misaki must find a way to remain calm before her emotions get the best of her. Both protagonists represent the reality and the complexity of the lifestyles they must live and suppress amongst the ignorance of their family and their community.
The plot of this story centers on family and family expectations. Misaki is reminded of her role and her place as the wife of the leading household in a place far away from, and different, from where she came from. She is suffering from the stifling expectations. Mamoru sees himself as a failure because he has not been able to live up to the expectations of his family and his community. All he wants is the chance to prove himself to everyone and himself. There are two subplots in this novel. The first is the conflict of isolation from and involvement within one’s community. Mamoru is the son of a close-minded father and a secretive mother. When he is told how the Empire operates truly, it is his mother who allows him to seek the truth in his own way. Mamoru learns before his father that living in isolation could lead to death and stagnation. The second subplot is war: the cause of it, what happens because of it, the propaganda surrounding it, the cost of it, and the aftermath of it. War is coming to the Kaigenese Empire and denial from the government leaves everyone unprepared, and many people will die due to this neglect.
The narrative is told from the points-of-view of Misaki and Mamoru, with one or two moments where other characters’ P.O.V.s pop-up to enhance the story. The narrative is told in chronological order from the first-person P.O.V.s and streams-of-consciousness of the characters. In a story where a battle occurs, the perspectives, the actions, and the emotions are essential to how the events of the story are executed through the readers by the author. The way the narrative is written presents the P.O.V. characters as reliable narrators.
The style M.L. Wang displays in The Sword of Kaigen will remind readers of both The Poppy War by R.F. Kuang and any anime series. Her combination of Asian storytelling and tradition with the allusion to pop culture references make this novel both informative and entertaining. The language and the word choice illustrate the culture and the influence of the author; and, the word choice presents the way the narrative is told and which character is perceiving it, an adolescent boy or his mother. The mood of this novel is tension. Tension within a family and the tension within a community before and after it’s been attacked. The tone is the steps each individual takes towards overcoming from the results of the tension. Even after the battle, the initial tension does not go away, but must be dealt with before any type of battle ensues. And, the way the author resolves both tensions in the narrative is bold and realistic. I should mention that the maps and the glossary are a huge help to reading this book as well.
The appeal surrounding this book have been extremely positive. Several bookbloggers, booktubers and I, have heard about how the author wrote a fantasy story about war and family including sword techniques and a magic system which will remind readers of any Asian influenced medium. I was lucky enough to learn of this book from other bloggers and to have the author sent me a print copy of the book (I still bought the e-book edition)! I should reiterate that this book was one of my favorite speculative fiction books of 2019! This novel is one of the most recent works of the genre, which demonstrates the future of speculative fiction. Alongside N.K. Jemisin’s The Broken Earth Trilogy, The Sword of Kaigen demonstrates the direction the genre is moving towards. And, while the author is taking a break from her Theonite series, the time will allow other fans of the genre to read this book and the other ones in her series and see why this book is one of the 10 Finalists for the 2019 Self-Published Fantasy Blog-Off (SPFBO), which is operated by Mark Lawrence and fantasy bloggers from the most revered fantasy reviewers and review websites in the community.
The Sword of Kaigen is a powerful story that exploded in 2019 to the shock and the delight of the entire fantasy fandom. The themes of family, war, conspiracy, and consequences are not new to fantasy readers and fans. Yet, the way M.L. Wang writes her story make it standout and away from duplicates using a similar format. This book is the best example as to what the genre can evolve into and why self-published authors should be recognized and commended. I look forward to witnessing, experiencing and reading any and all books published by M.L. Wang in the years to come!
As some of you may or may not know, I decided to partake of this crazy reading challenge in which, I would read as many of the nominees of the largest book awards for speculative fiction I could by the time the winners were announced. Obviously, this was easier said than done, but I did read a lot of amazing books, and many of them did NOT win the awards. In addition, I learned of more awards that were given to these authors in different regions throughout the world—if anyone knows of an award given in Asia, then please let me know—and I learned more about authors I’ve read or haven’t read before.
I suggest that you go to the websites for these awards and take a look at all of the finalists because you might recognize the authors, their works and their other interested. Some of these authors only receive the recognition from these awards. And, I wouldn’t have known who Lauren C. Teffeau and Nick Clark Windo were without doing this project.
I did read a lot of the winners and the nominees, but only the winners of each award and category will be listed here. I haven’t written all of the reviews for some of the winners, yet; but, I hope to do so in the near future. Please read my reviews I’ve linked to the books, and let me know what you thought of the winners of these awards. And yes, I’m doing this again for 2020!
Recognizes the works of speculative fiction by Africans, defined as “science fiction, fantasy, stories of magic and traditional belief, alternative histories, horror and strange stuff that might not fit anywhere else,” awarded by the African Speculative Fiction Society.
Novel (The Ilube Award): Freshwater by Akweake Emezi
Novella: The Fire Bird by Nerine Dorman
Short Story: “The Witching Hour” by Ekpeki Oghenechovwe Donald
Started by Mark Lawrence, yes THAT one, with the purpose to “shines a light on self-published fantasy. It exists to find excellent books that might otherwise have gone unnoticed.” The contest starts with 300 books and it gradually narrows down to 10 finalists! The judges are readers who are bloggers and vloggers. Note: some of these authors gain a following and some even earn a publishing contract, so don’t ignore these books!
Winner: Orconomics by J. Zachary Pike
The Gods of Men by Barbara Kloss
The Purification Era Book One: Sowing by Angie Gricaliunas
We Ride the Storm by Devin Madson
Symphony of the Wind by Steven McKinnon
The Anointed by Keith Ward
Conspiracy of Magic Book One: Ruthless Magic by Megan Crewe
2020 is coming and so are the books. Many of them are to be expected because they are follow-ups or sequels to previous books in a series. Others are either new or standalones books that have piqued our interests. Here is a short list of the books I’m excited to read in the new year (and, new decade). Note: if there is a book that is NOT listed here, then it is because either no release date has been announced, or I have not yet read the previous book(s) in that series. Also, keep in mind that intended release dates can change due to multiple reasons. This is based on the dates stated on the day this was posted.
Many of us have been waiting for N.K. Jemisin to follow-up on her success of The Broken Earth Trilogy and we won’t have to wait much longer. This urban fantasy is a follow-up of the author’s short story, “The City Born Great,” and it appears to be an expansion of the “mythology” she mentioned in it. The focus is on New York City and its five protectors as they come together to protect the city from an ancient evil. As a New Yorker, I’m curious to see which aspects of City life the author decided to incorporate into her story.
When it was announced that there would be a novel to continue The Murderbot Diaries series, I not only added the novel to my TBR list, but also made sure I was either able to claim an ARC of the book, or to preorder a copy of it! All we know of the plot so far is that Murderbot has to choose between saving his human friends and binge watching his favorite TV show. We already know what it’s going to do, and the story is going to be epic! I’m glad the author chose to continue this series!
This one shouldn’t surprise anyone. The Gutter Prayer was my favorite speculative fiction book of 2019, and the sequel, The Shadow Saint, has been on my TBR list since I started reading the first book in the series. The sequel takes place six months after the events in The Gutter Prayer. All we know is that the two warring factions—probably the ones from the first book—are competing against one another in search of a rumored weapon. It’s not clear whether or not any of the characters from the first book will appear in the second one, but if The Shadow Saint is anything like its predecessor, then we have nothing to worry about.
Vita Nostra was my favorite book of 2018, so you know I’m looking forward to reading this book by the husband and wife duo! This is a standalone novel is about a man who saves a 10-year-old girl from danger, who claims to be a music prodigy who is searching for her missing brother. Not sure whether or not the girl is a con artist, the man does everything he can in order to get the girl to leave, but every time he does, a “protector” thwarts him. All the while, darker forces threaten to separate the two before either of them can determine whether or not there’s a connection between them.
Seven Blades in Black was my surprise read of 2019 and I’ve been anticipating the sequel since I finished it! Based on the synopsis, Sal is alone after the events of the previous book. However, she gains new purpose when she is asked to participate in a heist on the airship fleet, the Ten Arrows, in order to steal power for a mysterious patron. Things turn for the worse when Sal uncovers yet another conspiracy which may or may not with the death and the destruction of the world, again. If Ten Arrows of Iron is anything like its predecessor, then I already know it’s going to be fast-paced and full of action!
The author is basing his new series in the same world as in the Book of the Ancestor Trilogy. Except now, readers will be transported to the Ice instead of a convent. Yaz is an ice triber who survives the harsh environment based on the ways of her people. However, she is separated from that life and everyone she knows and Yaz has to learn how to survive in a world she never knew existed. Fans and readers get to return to Abeth for a new story set in a world we only got a glimpse of before.
Daevabad has fallen to the rebels, unrest has erupted amongst the denizens, and magic has disappeared from the world. Meanwhile, both Nahri and Ali are safe in Cairo but decide to save their loved ones in the fallen kingdom. At the same time, Dara must confront his guilt while working alongside Banu Manizheh in order to bring some stability to the kingdom they’ve managed to overtake. The Empire of Gold is the final book in the author’s trilogy and we’re wondering who will survive the final fight for power within Daevabad.
There is no synopsis for this book, but here’s my hypothesis. The final book in The Poppy War Trilogy sees Rin struggling with the few friends she has left after more death and betrayal from both allies and enemies. However, she might have figure out the secret to the Empress’ power, but before she can do anything, she must face-off against the colonizers and those who betrayed her.
This debut novel focuses on three protagonists with different motivations must work together in order to save their country from a hostile empire. This is easier said than done, but are old hatreds and grudges worth it when their empire is about to fall to destruction? The eBook is available to purchase, but I know many are awaiting to read the printed format.
Fantasy readers are in for a treat! The Nine Realms is a new series and both the author—who is making her debut—and the publisher—Tor Books—are releasing all four books within four consecutive months! Instead of waiting until after the author writes the next book in the series, each book will be released so that readers can enjoy the series—all 1,968+ pages of it—within a short time span. In other words, the time between each novel is more than enough time for readers to read and to process each one. The efforts of both the author and the publisher are appreciated immensely!
The series is a fantasy bildungsroman and it follows Cérulia, Princess of Weirandale, who is starts off as an exiled and hunted orphan who is determined to do whatever it takes to reclaim the throne that is her birthright. Readers will get to experience the protagonist as she learns magic and how to fight; to participating in a battle against the invaders; to recovering from both visible and invisible scars caused by the war; to reclaiming her throne and establishing herself as a ruler and restoring order to the realm that was left in chaos. This journey sounds so promising that it’s no wonder the author and the publisher decided to release the books in consecutive months!
Two siblings find themselves on opposing sides of allegiance to the Empire. After their father is murder by imperial soldiers, one will seek to destroy the Empire, while the other will strive to protect it. Sonya is a Ranger of Marzanna, an ancient sect of warriors and her brother, Sebastian, is the most powerful sorcerer in the world. What will happen when the siblings face-off against each other?
The granddaughter of the ruler of a kingdom has broken magic. Although Ryx is mage-marked, all she can do is drain the life from everything she touches, making her place in society unstable. However, after she kills a visiting dignitary and activates a mysterious magical artifact, both by accident, she flees and meets up with a group of unlikely magical experts who are investigating the disturbances of the kingdom. Once, Ryx learns that her family is in danger, she risks everything to save them and to gain control of the same artifact she activated. The Obsidian Tower is the first book in a new series by the author of the Swords and Fire trilogy.
#13 Call of the Bone Ships (The Tide Child Trilogy #2) by R.J. Barker à September 2020
There is little to no information about this book and I had to confirm the rumored anticipated release date with the author. My hypothesis: the Tide Child continues its voyage into uncharted territory in order to determine whether or not the “sea dragons” are as endangered as everyone else believes them to be. At the same time, the crew must fend off any suspicious and curious ships whom decide to follow the path of their voyage.
All that is known about this sequel to The Rage of Dragons is that it takes place after the events in the first book. I’m going to make a hypothesis and say that the story follows Tau as he continues his path towards vengeance for his father’s death and the betrayal of his warrior brothers. The Fires of Vengeance is a continuation of the war between two nations, but loyalties have altered since the end of Book One.
I haven’t started to read The Name of All Things, the second book in A Chorus of Dragons Trilogy, but I know I’ll be done with it in time to read The Memory of Souls, the last book in the same trilogy. Kihrin has managed to convince everyone of the plans of his enemies to release the dark god, thus ending the world. There might be a way to prevent this from happening, but at the cost of all of the immortals. However, will Kihrin have to make the ultimate sacrifice in order to save the world? Is he willing to do that?
If you were supposed to die, but were then given the opportunity to live, then would you take it? Csorwe was supposed to be a sacrifice for the gods, but a mage gives him the chance to live, with some conditions. All he has to do is become a thief, train as a spy and an assassin, topple an empire and help the mage reclaim his seat of power. What’s the problem? Well, it turns out that Csorwe was supposed to be sacrificed for a reason; and the gods never forget.
Queen Talyien was a hero of the War of the Wolves and set to marry the son of her father’s rival. Unfortunately, he vanishes before their reign can begin and the fragile peace crumbles. Years later, the Queen receives a message and she crosses the sea towards the meeting place. She survives an assassination attempt and now must find a way home while surviving through a hostile land. The Wolf of Oren-Yaro is the debut novel of a new epic fantasy series by this up-and-coming author.
The sequel to Velocity Weapon takes place after the events in that novel. After the truth of Sanda’s imprisonment abroad Bero—whom escape from both Nazca and the Protectorate—she and Tomas flee before she can become a pawn of the greater powers. All they have are coordinates to a dead gate with no way to survive there. Unsure of what to do, Sanda and Tomas might have to plead to the only group willing to assist them, Nazca.
Dociline is a drug. It is given to Dociles when they serve out their contracts of servitude to those who own them. However, there are negative side effects to this drug and for some reason only Elisha is willing to avoid the drug. When his contract of servitude is purchased by the family of the creators of the drug, Elisha refuses to take it. This puts him at odds against Alexander Bishop III, who believes he can turn Elisha into a Docile without the drug. This story is a parable about sex, love, corruption and capitalism.
Lake, the seventeen-year-old protagonist in this story, seems to be the only one who knows that the world she and everyone is living in is in fact a simulation. For some unknown reason, after a nuclear event everyone’s bodies have remained in stasis and their minds are trapped within a shared virtual reality all aboard a spaceship. The only way to get off the ship is to remind all of the passengers that they are living in a virtual reality. Lake is accompanied by Taren, but he doesn’t share the same views about saving everyone as she does and soon they are both of them are in a race to locate the heart of the simulation so that everyone can get off the ship dead or alive.
These are some of the many books I plan to read in 2020. There are so many other books to expect—some to be released in 2020 and others beyond 2020—but, these are the ones I’m going to start reading, immediately. As for the obvious anticipated books that were not listed here, don’t worry I plan on making my way through the previous books in those series so that I can read the follow-ups as soon as they are released. Which books are you excited for the most in 2020 Are there any other buzzworthy books to lookout for?
2019 was an amazing year for everyone involved with speculative fiction. Picking up where 2018 left off, there were plenty of books released when caused our TBR piles to increase even more. It is unfortunate that more books were published than there are days in a year, but that means we always have something available to read, and we are able to share our reads with others thanks to social media. Sharing favorite and recommended books helped increase my range of books within the genre. I’ll admit I wouldn’t have read many of these books if it weren’t for recommendations and ARCs.
This year saw a year of both debut authors and endings to series. Not to mention the popularity of self-published authors thanks to public recommendations. I was glad I was able to contribute more to the fandom through my reviews and my participation in various fan groups. In fact, I read faster than I was able to write the reviews (which will be posted as they become available).
All of the books I’ve read in 2019 are worth reading, but I can only list so many of them. So, I’m going to post my Top 25 in this post. Remember, this list are the books that were released in 2019! There are many books that did NOT make this list because they were released previously. If you’re curious about the other books I’ve read in 2019, then you can checkout either my Goodreads page, oy my mid-year (2019) post. Now, for my favorite speculative fiction books of 2019.
This is the first book I’ve read by this author, and I won it in a giveaway. He messaged me and told me it was “different” from “other” fantasy stories I’ve read before. He was right! The Bone Ships is about the life of pirates—outcasts and criminals who are sentenced to the sea as a punishment—who travel the seas in order to trade, and to locate an endangered whale species. The worldbuilding is based on how the characters survive and operate the ship and readers learn about the society that chose to ostracize them. The Bone Ships is a realistic fantasy story about life at sea and all of the dangers and the excitement that comes with it.
As someone who still hasn’t read The Night Circus yet, it was easy for me to read the author’s latest novel with an open mind. This story is an homage to New York City and all of the bookstores located in (and below) it. The story follows Zachary Ezra Rawlins, a grad student, who finds an unusual book in his university library. The book is unusual because it’s about him and his life. From there, the story follows different narratives and writing styles as Zachary meets two individuals who know about the book’s origins and the library it came from. The Starless Sea is the perfect book about preserving stories and the people who play their role in the stories themselves.
I didn’t get the opportunity to complete the Rosewater Trilogy, but I did get to read the follow-up to The Murders of Molly Southbourne. This novella picks up where the previous one left off and Molly Southbourne has to find a way to survive yet again. The author answers the questions both Molly and the readers had about what Molly is and why it happened. The story brings back all of the characters and they are all given appropriate endings. However, it makes you wonder whether or not they’ll be a companion story to this series.
#22 The Ascent to Godhood (Tensorate #4) by J.Y. Yang
I’ve read and enjoyed the entire Tensorate series, however it was the last book that really grasped my attention the most. In this book, the Empress—the mother of the twin protagonists from the first two books—has died. While everyone is questioning the line of succession and remembering her reign, one person recalls when the Empress was a princess who strived to do what was best for her subjects through the goodness of her heart. Unfortunately, it was through several series of hardship that transformed the Princess into the powerful, yet unforgiveable monarch she became. It left me mortified yet emphasizing with the Empress (to an extent). The Ascent to Godhood connects the previous books in the series with the story of the Empress, who was also a mother and a companion to those who knew her the best.
#21 To Be Taught, If Fortunate by Becky Chambers
This is the first book I’ve read by this respected author and I understand why everyone rages about her books. To Be Taught, If Fortunate is a hard science fiction story about space explorers who travel beyond of galaxy in order to study planets in other ones. The difference is that instead of forcing the planets to acclimate to them, the humans acclimate to the planet. It is an interesting take on space exploration and planet observation, and the harsh reality and repercussions of what being away from home for so long can do to those who have no choice but to fend for themselves.
One war ends, but what does that mean for the “winning side.” Rin ended the Third Poppy War single handily. However, her country has suffered from the damage—physical, mental and emotional—inflicted on them as well. The Dragon Republic delves into the idea of purpose for soldiers who no longer have a war to fight, the idea of a country no longer united because of the suffering its denizens continue to endure, and the struggle for power and what leaders are willing to do in order to grasp it. This is a book about the brutality of the postbellum and how winning the war was the easy part.
I’m glad I made the time to start this series. The City of Brass is an amazing story about magic and magical beings set in the Middle East during the Ottoman Occupation. In the first book, Nahri is spirited award to Daevabad where she learns of her magical origins and the oppressive society she finds herself in. In The Kingdom of Copper, five years have pass since the events in the first book, and all of the characters are suffering from the ruling tyrant and the beginnings of a rebellion. The story continues to explore the magical world and explores how the caste system continues to breakdown society, exposes the history of conspiracies and treacheries that resurfaces thanks to prejudice, vengeance, oppression and magical feuding.
One of the last books I completed in 2019, this debut novel is a story about military training, caste systems, and magic based on African history and mythology. What starts off as the “usually fantasy trope” grows into something else entirely and it will seize your attention until the end (with you wanting to read Book 2)! Tau is a young man who has lost everything he cares about and his goals are motivated by revenge. He trains with a military unit in order to become the best fighter he can be; however, as Tau realizes that military status doesn’t change the way society sees him, he uncovers a political conspiracy between his country and their longtime enemies. The Rage of Dragons is an enjoyable read for any reader who loves a great military story with its own magic users!
#17 The Deep by Rivers Solomon, Daveed Diggs, William Hutson, Jonathan Snipes
This novella is worth all of the hype it received! The Deep is a what if tale about mermaids who are the surviving descendants of pregnant Africans who were captured and then thrown overboard the slave ships while crossing the Atlantic Ocean. While the women died, their children were born and survived in the ocean depths. 400 years later, the wajinru are a community who continues to thrive under the sea. The story focuses on the group’s “historian” who is responsible for keeping and sharing the memories of the wajinru’s past. The responsibility of being a historian is painful—especially given our history of the African Slave Trade. The Deep isn’t just a title of the story, it’s metaphorical in every sense and in every way the story is told. It’s one of the most poignant books of 2019.
#16 The Killing Light (The Sacred Throne #3) by Myke Cole
To me, The Armored Saint had a slow beginning, but it made up for it in The Queen of Crows. The author presents a realistic view on military, especially the real-time events. The Killing Light is the perfect ending to The Sacred Throne trilogy, not only because it reflects back to the events of the first book, but also because it presents the reality of war and how and why people are motivated—and then lose that same motivation—to participate in it. Heloise is a protagonist that has everything to gain from the war after losing so much. The ending will leave readers satisfied because of the way the author portrays war and military strategy.
I wasn’t sure what to expect from this story, but once I started reading (listening) to it, I couldn’t stop. The Ruin of Kings is a story about the power struggle between incarnated immortals and power-hungry mortals. The story focuses on Kihrin, a young man who goes from street urchin to the heir of a noble family, and he hates every moment of it. However, that is only a fraction of Kihrin’s story because there is another character who provides Kihrin, and the readers, a full account as to all that is happening within and to Kihrin and his family. The worldbuilding alone will keep readers interested and the power struggle between mortals and immortals alike will have you wanting to read Book 2, The Name of All Things, and finding comfort from the Lannisters (yes, THOSE Lannisters)!
2019 was the year I read more self-published fantasy books than in previous years. I opted to read Smoke and Stone on behalf of Fantasy-Faction, and I’m glad I did. This book is a great introduction to grimdark fantasy. There are two protagonists who are one opposing ends of a brutal caste system, and they are determined to prove themselves to those they care about by appealing to their patron gods. However, the gods have their own agenda and they—like any god—use the mortals to meet their goals. Smoke and Stone is a story about a harsh society, harsh gods, and harsh consequences. It’s a great book for fans of grimdark!
How many worlds exist besides our own? There have been several portal fantasies written before this one. Then again, The Ten Thousand Doors of January make it known that Doors have always been and continue to exist to those who know where to look for them. The story is about January Scaller, the daughter of an explorer and the ward of his benefactor, who desires to travel with her father. Instead, she is left behind with Mr. Locke, a collector of artifacts from around the world. One day, January is inspecting the artifacts and she finds a book about the exploration of “other worlds” and about two individuals who know about them. From there, readers learn more about January and the other individuals, who turn out to be explorers of these other worlds and the connection January has with them. The Ten Thousand Doors of January is a debut novel about other worlds, love and sacrifice, and it’ll leave readers wondering whether or not someone can and will explore ALL of those worlds.
If you haven’t already read anything by this author, then Middlegame is the best book to read first! A metaphysical and dark fantasy story—with an homage to both L. Frank Baum and John Wyndham—is about twins Roger and Dodger—siblings born with extraordinary powers and intellect—who were separated at birth and raised at opposite ends of the United States. However, distance means nothing to the twins as they find ways to communicate with each other throughout their childhood and college lives. The more time they spend with each other, the more they realize that they have extraordinary abilities which they struggle to understand. Conversely, there is someone who understands, and he wants Roger and Dodger’s abilities in order to unlock forbidden knowledge so that he can harness it for himself.
This epic story is worth the reading! Over a thousand years ago a prophecy was made and now that prophecy is about to be fulfilled. Destruction in the form of a dragon is coming and only a select few—a queen, a dragon rider, a scholar, and a member of a secret order of mages—know what is coming and have to find a way to save the world. Based on historical and religious events, The Priory of the Orange Tree is a story about the origins behind the stories of “heroes” and how lies and religion shape societies to the point where knowledge is lost, and the lies become the truth. At the same time, an ancient evil is reawakening, and the various parts of the world have to acknowledge the truth beneath the lies and come together to fight a forgotten enemy. The author has written an unforgettable epic standalone story about the power of females and the way to save the world is to get the world to come together to fight the enemy.
Yes, I know what I did for #10 and #9, but hear me out! Both stories, while different, are a lot alike. They are bildungsroman stories which focuses on the growth, the development, and the education of a young female protagonist. Throughout the series, the female protagonist matures and learns what is expected of them and how they go about doing it. At the same time, friendships are formed, loved ones die, and the truth is revealed to them. When the final battle occurs, the female protagonist must use all of their knowledge and abilities learned throughout the series in order to conquer the enemy and to protect those they care about. Both authors have written amazing stories about their young female protagonist in their own way, but one cannot deny the similarities they have; yet, the differences are enough that they merit their own stories, and both are worth reading!
This book, which is based on Ancient Rome, tells of the end of Mia Corvere’s life and how it all came to an end. Starting from where Godsgrave left off, Mia and her brother, Jonnen, travel throughout the Itreyan Republic to avoid Consul Julius Scaeva. Meanwhile, Mia learns more about the Red Church, the Mother Goddess, and her identity. None of them are what Mia thought she knew. Now, given the chance to “set the world right” and to “help the Maw,” Mia has to decide whether or not her life is worth giving to save the Itreyan Republic. Mia Corvere has become the most lethal assassin in the Republic’s history, and she does not hesitate to spill blood as she makes her way back to the heart of the Republic and killing everyone who gets in her way. The author delivers on both the blood and the vulgarity! And yes, the footnotes are back and should NOT be overlooked!
In this book, war has arrived, and everyone is expected to fight to defeat the enemy. Holy Sister is the epic end to the author’s trilogy, which is a blend of violence and magic. The narrative is split into two parts: the immediate events after the end of Grey Sister, and two years later when the armies have invaded Abeth. The author not only wraps up the narrative about the protagonist, Nona Grey, but also he manages to tie up all of the loose ends—everything mentioned from the opening pages of Red Sister, all of the plots, the subplots, the characters and the prophecy—within the pages of this book. This action-packed story concludes with an ending that leaves readers satisfied.
War is a terrible thing, and yet we cannot stop ourselves from having them. War Girls is a story that starts at a refugee camp for female soldiers. Two sisters—Onyii and Ify—are surviving with the limited resources they have while remaining hidden from the two war fronts. Unfortunately, they are discovered and are separated. For four years, each sister lives with the opposing side until circumstances forces them to confront each other as enemies. The author writes this poignant story as a cautionary tale to readers that war takes victims and turns them into unwilling accomplices. Readers won’t even realize that they’re reading a story meant for a YA audience, it’s that good.
The protagonist is one pissed off woman, and she has every right to be angry. Sal the Cacophony is a hybrid of John Wick and Lara Croft, she’s that easygoing, clever, and trigger happy. Seven Blades in Black is the first book in The Grave of Empires series, and it follows Sal the Cacophony’s quest for revenge in a location known as “The Scar,” a world in which magic users become deformed as a result of their magical properties. The protagonist and her companion, Liette—a character we learn more about in the novella, The Gallows Black—make their way throughout the continent so that Sal can cross off the names on her list of those who wronged her. This book was my surprise read of 2019 in that I had never heard of the author, and I did not know what to expect from the story. My limited expectations were blown away and I’m looking forward to reading the next book by the author.
The Winternight Trilogy is a beautiful series with a beautiful ending. Vasya, now an adult, has been accused of witchcraft and finds herself in exile. However, war is on the horizon and Vasya has to find a way to unite Russia—humans and chyerti—in order to defeat the invaders. The Winter of the Witch presents readers a look into the world of the chyerti, which is beyond the vision of most human, and the tasks Vasya must perform in order to accept her destiny and save everything she cares about. The story is based on both Russia history and folklore and it provides a lovely, yet action packed tale.
This is another self-published book that I picked up (actually, the author mailed it and another book to me for reading and reviewing) because it was receiving a ton of praise by everyone who read it. The Sword of Kaigen is a standalone novel that is the first of the author’s Theonite (world) series. The story follows Mamoru Matsuda, the first son of the second son of the Matsuda family, and his mother, Misaki. Mamoru is fourteen years-old and when a new student transfers to his school and criticizes the lifestyle of the region, he is forced to question everything he’s learned from his community. What he doesn’t know is that his mother knows that Mamoru is right to question his beliefs. But, before mother and son can have a full-length discussion, an invading army arrives, and they are under attack. The author presents a story about the consequences of isolation and blind loyalty while exploring family dynamics and unwanted familial expectations. The Sword of Kaigen is a finalist for the SPFBO 2019 and it’s easy to say why. And, while the author is taking a hiatus from the Theonite series, it is safe to say that whatever else she writes will be just as good and as touching as this book.
This debut novel was my reintroduction to hard science fiction. A world has come under attack and the last thing Sanda Greeve remembers is being shot in space. When she comes to, she learns that she’s aboard an enemy AI ship, who calls himself Bero, and that 230 years have passed since she was shot down. Meanwhile, her brother, Biran—who has just joined the Protectorate, a group of politicians who protect the universe—breaks every rule in order to find his missing sister. At the same time, a group of thieves come across some forbidden technology and have to go into hiding from the Protectorate. Velocity Weapon starts off as a story of survival and a rescue mission but evolves into a fantastic science fiction story about political ambitions, hidden technology, space war and science experiments. The author reminds her readers as to why they love science fiction and AI ships.
I was waiting for this book since I read its predecessor, Empire of Sand, and the author teased readers with a couple of sample chapters! Ten years after the events of Empire of Sand, Arwa, Mehr’s younger sister, is now an adult and recently widowed in a massacre in which she was the sole survivor. Believing she lost her purpose for living, Arwa decides to pledge service to the royal family, who are suffering due to the events a decade before. Arwa not only learns how to find a reason to live, but also about the brutal history of her (birth) mother’s people and how the Empire is built on false power and oppression. Realm of Ash is a story about enduring and remembering, and how one continues while experiencing grief and tragedy.
The easiest way I can describe this story is that it’s a non-traditional Cinderella story that takes place in Mexico during the Jazz Age and involves the Mayan deities. Gods of Jade and Shadow is part fantasy, part magical realism, and part historical fiction. The novel will have to consulting maps and atlases so that you can follow along with the protagonists throughout the narrative. The story focuses on Casiopea Tun, who is the granddaughter of the wealthiest man in town, but because her mother married a poor man—who later died—both mother and daughter live as servants in the family home. Casiopea is bullied by her cousin, Martín—the traditional spoiled heir—to the point where neither cousin can stand each other. One day, Casiopea is left home alone as punishment and she opens a mysterious chest under her grandfather’s bed and she unknowingly frees Hun-Kame, Lord of Shadows and the rightful ruler of Xibalba, the Mayan Underworld. From there, Casiopea is spirited away on a quest through Mexico by a Mayan deity so that he can regain his throne. The author blends everything about human society and culture—history, pop culture, folklore, familial expectations, etc.—into a narrative that can be explained as Rick Riordan for adults! Gods of Jade and Shadow is part folklore, part bildungsroman, and a hundred percent entertainment.
Sometimes peer pressure can be a good thing. This debut novel was released at the beginning of 2019, and it was all everyone was talking about. In groups on social media, critics’ reviews, other authors, etc. were all talking about how The Gutter Prayer, the first book in The Black Iron Legacy series by Gareth Hanrahan needed to be read by all fans of the fantasy genre. I decided to determine whether or not the hype was deserved, and I was not disappointed! The Gutter Prayer is a dark and twisted fantasy story that is both new and different from what I was used to reading. This novel is part heist, part conspiracy, and part magic all the while the “bad guys” are the ones who save the world from Armageddon! The author finds a way to tell a story that twists readers expectations of fantasy tropes, presents the reality of what magic users—mages, alchemists and gods—can and will do with the power they have over others, and provides enough backstory of all of the characters so that readers have a comprehension of all the characters as rounded individuals who are surviving the circumstances of life in their world. The Gutter Prayer is an example of a story that stands out from other books of the genre (and subgenre) while remaining faithful to the elements and the tropes of what makes it a work of speculative fiction. This debut novel not only provided an entertaining story, but also balances fantasy and reality in a way that is both improbable and believable. For all of these reasons, The Gutter Prayer by Gareth Hanrahan is my favorite speculative fiction book of 2019!
It was hard narrowing my list of reads to 25, but these were the books I enjoyed the most and discussed the most with other readers. Reading these books (and other ones) puts into perspective how the range of the speculative fiction spectrum continues to expand beyond our limits and expectations. With 2020 around the corner, readers know that the follow ups and the sequels to 2019’s books already presents promises and we know they’ll deliver! 2020 is going to be epic!
Lessons were over. The closed world of the convent was about to be broken open. The endgame had arrived, (Chapter 9).
Any literary series—whether or not they’re duologies, trilogies, quartets, 5, 6, 7, 10, 12, 15 books—follow similar formats in order to bring the story to a close. In many cases, the ending has a “good” ending for the remaining characters—and the dedicated readers. And yet, there are times when a “believable” ending is what is required for certain stories to have appropriate resolutions for everyone. Holy Sister by Mark Lawrence provides a “believable,” yet satisfying ending for the characters and the readers alike. All of the characters have an ending.
Nona Grey—our protagonist—is now around 19 years-old and is preparing for her examinations in Holy Class in order to become a nun at the Convent of Sweet Mercy. A lot has happened since the events in Grey Sister including: the escape from Sherzal’s Palace, the war that’s occurring on two fronts in Abeth, and Nona’s growth spurt. Through it all, Nona not only has to prepare for war (which, she is more than ready for), but also has to keep the promises she made to her friends and to her mentors. Nona matures throughout this novel as well. She is about to leave her teenaged years (but, NOT her adolescence) and she is making choices that will have a long-term effect on not just herself but everyone else, similar to Abbess Glass’ choices. At the same time, readers and Nona learn more about Zole (finally) and her ambitions. Zole is an ice-triber who was “found” be Sherzal and educated by her before attending Sweet Mercy. She was declared to be the “Chosen One” by Sherzal (and by Sister Wheel) at the time. While Zole did prove to be a 4-blood and very powerful, she never said she had plans to remain at Sweet Mercy beyond her education. Through Nona, we learn about Zole, her ambitions, and her culture. Zole does call herself Nona’s friend and she proves that to her over and over again. Both girls learn from each other and grow in both their powers, and their character. By the time the friends go their separate ways, we learn more about Zole and Nona, their roles in the prophecy, and their ambitions for themselves and all of Abeth.
There are 2 plots in Holy Sister. The first, Nona, the nuns and her friends—the other novices and her “cage mates”—are preparing to fight in the war that is moving closer and closer towards them. The second, follows Nona and Zole as they continue their escape from Sherzal’s Palace, with the Noi-Guin shipheart, immediately after the events of Grey Sister 3 years earlier. While in Holy Class, Nona gathers her friends in order to steal a book containing secrets about the 4 shiphearts, the Ark, and the prophecy of the “Chosen One.” However, the novices are not alone in seeking this book and the information within it. In addition, neither Nona, nor readers have forgotten about Sherzal, Lano Tacsis, Joeli Namsis, the Noi-Guin, Yisht, and Queen Adoma. Once again, grudges and ambitions take precedence over the problems at hand. The question is, who will be the victor as the war rages around them? Meanwhile, 3 years prior, Nona and Zole are leading the Noi-Guin away from the others who survived the assault on Sherzal’s Palace. With the Noi-Guin shipheart in their possession, the “Argatha” and her “Shield” make their way towards the Ice—where the ice-tribers, including Zole, reside. Throughout the escape, Nona learns about Zole, the ice tribes, and the shiphearts. Nona learns where Zole fits into everything that has happened at Sweet Mercy, and the power of the shiphearts. These two plots present the growth of the characters and the on goings in Abeth. At the same time, there are two subplots. One is Abbess Glass’ continued influence and plans for the endgame; two is the prophecy of the “Chosen One” and its interpretation and its (true) meaning. Both plots and both subplots converge into this final moment in Nona’s education. Everything fits together as the plot hits the climax and moves towards the resolution. Everything moves at an appropriate rate and all is revealed in due time.
The narrative is limited omniscient narration—only from Nona’s point-of-view—with a sequence that moves from “Present Day” to “3 Years Earlier.” Nona Grey is out reliable narrator as she continues on her journey to fulfill her role in the war (and in the prophecy). Her stream-of-consciousness goes from the war to the escape (which, is told in present tense) and her powers determine where and what Nona witnesses and experiences. At first, readers will wonder as to why the story is being told from one point in time to another one, but what Nona experiences in both narratives determine her actions as the war reaches its climax. Once this is realized, then the narrative can be followed easily.
The style Mark Lawrence uses changes slightly from what readers have gotten used to, but it remains relevant to the story he is telling. The prophecy and its interpretation and its meaning continues, but the significance and the importance of playing the endgame for the long run is essential in this story as well. Readers already know that the prophecy will come to pass in Holy Sister, but how will it affect the other characters? The author reminds his readers that prophecies and war focus on one event in particular, while ambitions last beyond the short term. Behind the frontlines, each character is thinking about what they will do if they survive the war and whether or not the prophecy comes to pass. The mood is war and what it brings with it; the tone is the choices individuals make as a result of war. And, the choices are not always for the good of all of the denizens. Power determines the victor in most wars, but once the war is over, what happens next? This is the importance of the endgame. Planning before and during should being a reasonable after in the long run.
The appeal of Holy Sister matches those in the rest of the Book of the Ancestor trilogy, positive and satisfying. Mark Lawrence has delivered a trilogy with magic, history and action alongside strong, yet flawed female characters. This series is an amazing addition to the fantasy genre, and Nona Grey is right alongside Alanna of Trebond and Lyra Belacqua as resilient and powerful female characters who proved themselves against all perceived notions against them. The popularity of this series has given readers a surprise from the author. Readers will get the chance to return to Abeth when The Girl and the Stars, the first book in the Book of the Ice is released in April 2020.
Holy Sister is satisfying end to the Book of the Ancestor trilogy. Both the plot and the characters are given reasonable and believable ends to their stories. The pacing and the world-building provide answers to the questions the characters and the readers had previously. Fans of fantasy and grimdark will enjoy the conclusion to this series. Mark Lawrence presents another brilliant series.
This short story gives fans and readers an interlude to Nona’s life back at the Convent of Sweet Mercy. The events in Bound take place after the events in Grey Sister. However, the Convent is the center of all of the political drama and the invading armies, so there is never a dull moment for the residents at Sweet Mercy.
After a lesson in algebra—Nona’s worse and most disliked subject—Nona meets up with Ara and Ruli to have some forbidden fun. During the novices’ adolescent antics, the girls overhear some disturbing news from outside the Convent’s walls. The Sis—the noble families of Abeth—are in danger, and the nuns decide to investigate with a recruit. And no, it’s NOT Nona!
The plot is a straightforward murder mystery that reminds all of the characters that people do NOT have short memories. Readers are treated to a look into the social practices of the Sis in both the significance and the silliness. While Nona and Ara participate in the Sis’ activities, Ruli and Jula conduct research in the library. Readers will admire the way the novices work together, and fans will appreciate the appearance of a few minor characters, who continue to be a part of the plot and its development. At the same time, Nona continues to become more and more powerful.
Mark Lawrence’s style is reflected in the narrative. Told in Nona’s point-of-view, readers learn everything that is happening inside and outside the Convent, which reflects the mood: war is coming, and everyone is on edge. Nona is experiencing everything including the thoughts of her friends, her allies, and her enemies This style is an interesting use of stream-of-consciousness that the author has used before, but this time, Nona is able to learn more about herself from this particular event. Once again, this short story takes place between Grey Sister and Holy Sister. This is important because the tone—long-term grudges and its meaninglessness—presents how trifle things almost always overshadow more relevant issues such as invading army or two.
This short story and trilogy interlude are perfect for fans of the Book of the Ancestor series who knows other things occurred before the third and final novel was released. While there are some fans who admit they either didn’t know or didn’t read Bound said they would read it in order to revisit some of their favorite characters. Think of Bound as a continued expansion of Nona’s world through her eyes.
Bound is not only a story about how our favorite characters continue to grow into themselves, but also a precursor into what’s to come in Holy Sister. This short story provides a perfect look into what’s at stake; yes, it should be read before reading Holy Sister. Mark Lawrence knows how much to give his readers with his stories!
A small thing in shapeless linen—not street rags, covered in rusty stains, but a serf’s wear none the less. She might be nine…This girl was a fierce creature, a scowl on her thin dirty face. Eyes black below a short shock of ebony hair, (Chapter 2).
There is no doubt in my mind (or anyone else’s) that Mark Lawrence is one of the most popular fantasy authors in the world right now. Whether or not it’s Lawrence’s SPFBO Contest on his website, his latest novellas advertised on Amazon, or his popular novels, more and more readers are reading his books. I’ll be talking about his latest trilogy about a convent that teaches girls how to kill and to use magic. Red Sister is the first book in the Book of the Ancestor Trilogy.
The story follows Nona Grey, our protagonist, from the moment she is given to a child-seller—Giljohn, through the first few years—ages 9 to 13—of her education at the Convent of Sweet Mercy where she learns more about the abilities she’s been trying to hide from other people. Other characters include her classmates: Clera, Ara, Hessa, Jula, and Ruli; her instructors: Sisters Glass, Rose, Wheel, Apple, Pan, Rule, and Tallow; and other characters who interact with Nona including Raymel Tacsis, the man Nona almost killed. All of these characters are tied to Nona’s education and potential involvement surrounding the “Chosen One” prophecy. Unfortunately, Nona has to learn how to defend herself from the nobles who want her dead for attacking a nobleman in self-defense. Nona’s development goes from her being a poor illiterate child to a novice at the Convent to one of the “candidates” who could be the “Chosen One,” and saving the world. Throughout her early education, Nona learns who to trust and who to stay away from, and nothing is what it seems.
The plot of Red Sister is Nona’s education at the Convent of Sweet Mercy as well as learning about the abilities she has within herself. In the world of Abeth, four tribes with remarkable traits settled and intermarried with non-magical humans. Centuries later, their descendants can have the traits of Gerant (great size), Hunska (speed and agility), Marjal (elemental magic), and/or Quantal (walkers of the Path and users of greater magic). While it is rare for anyone to have one of these traits, it is believed that one day a “Chosen One,” an individual with all four traits, will appear and save the world from ice and darkness. Nona is one of those who is suspected of being the “Chosen One.” This notion is slammed by many people at the Convent, including Nona herself. However, this subplot is essential to Nona’s character development as she demonstrates her abilities to her instructors because there are many who believe that the “Chosen One” is one of the girls at the Convent of Sweet Mercy. It is obvious that this subplot will become the plot in the later books, but for now, Nona’s education and discovery about herself is the plot in this book. Her interactions with everyone at the Convent who believes, or encourages, the “Chosen One” prophecy is essential to both the plot development and the development of all of the characters.
The narrative in Red Sister is limited omniscient narration. Readers get the point-of-view of Nona and a few other characters throughout the story, some of which are told in flashback. In fact, Nona’s first P.O.V. chapter isn’t until chapter 3 and it begins with a flashback. These multiple points-of-view allows for a swifter narration of the story. In the first two chapters (not including the Prologue), readers learn that Nona is about to be executed for attacking a nobleman who attacked Nona’s friend—who is executed before Nona. The very next chapter is the discussion of who gets “custody” of Nona: Partniss Reeve—the owner of fighters who bought Nona from Giljohn, and Sister Glass—the Abbess of Sweet Mercy—who has her own reasons for wanting Nona. Nona leaves with Abbess Glass knowing, at 9 years-old, to expect retaliation from the family of the man she attacked. Another chapter is told in flashback from the P.O.V. of one of Nona’s classmates, and there are several parts of the story that follows a few of the Sisters from the Convent. It does get confusing at times, but this narration helps with Nona’s character development from how Nona sees herself and everyone else, to knowing everyone else’s opinions about Nona. This is an interesting narration because it seems that how Nona sees herself is on par with how everyone else sees her.
The way Mark Lawrence wrote Red Sister is a change in direction fantasy readers have become used to: a prophecy is made, the one who fits the prophecy arrives and works with others in order to fulfill it. Only, the author decided to play with that concept and the expectations surrounding prophecy. Repeating ideas used by both J.K. Rowling and George R.R. Martin, Mark Lawrence demonstrates how prophecy can exploit and can harm several people with a (potential) notion that it will all be worth it once the world is safe again. The tone of this book is focuses on the hows and the whys prophecies come about and how more harm can and does come from them before they are fulfilled. Harry Potter’s life was altered because of a prophecy, and several characters throughout Martin’s A Song of Ice and Fireseries are affected by prophecy and suffer because of it. However, will the “prophecy” about the “Chosen One” come to fulfillment in Lawrence’s story? Some characters say, “yes” and many more say, “no.” The mood throughout this novel is how each character feels about the prophecy surrounding the “Chosen One.” And, it seems many of them find the prophecy more of a burden than a blessing. Maybe that’s what Lawrence’s style is supposed to present to readers, witnessing a “prophecy” come true and how everyone involved would react to it.
The appeal surrounding Red Sister have been immensely positive worldwide. Presenting a world in which privilege has more power over those with power, as well as a convent with killer nuns makes this novel a must read for all fantasy fans. I kept hearing about this trilogy from other fantasy readers who swore that it was worth reading. Fans of both Tamora Pierce and Robin Hobb will enjoy this series the most. Fans of George R.R. Martin will appreciate the influence and the Easter Eggs found throughout the book. Red Sister covers the first half of Nona’s education at the Convent and the buildup surrounding both the prophecy and Nona’s past. This makes the next book in the trilogy, Grey Sister, a must read for anyone who craves to know what happens next. I am one of those readers, and I can say that Red Sister is a must read for all fantasy fans.
Red Sister is a novel that made its way from my TBR list to my Read list. Just like The Name of the Wind, Red Sister is a fun and a fast read that presents all sides of the protagonist to the other characters (and to the readers). The realism presented within this story is one of the many reasons why I enjoyed Red Sister so much. Nona is a well-developed character who knows what she is to those involved in her life and it makes you want to keep reading to know what happens to her next. It’s why I’m already reading Grey Sister and Holy Sister afterwards. Even if you’re not a fan of fantasy, Red Sister’s focus on the characters and their personalities is enough of a reason to start reading this book.