Tag Archives: mythology

The Midpoint of 2020: Favorite Speculative Fiction Books…So Far

Well, we made it to the halfway point of the year 2020, which will go down as one of the most pivotal (and the wackiest) years in living memory. Just like everyone else, I’ve been affected by both the COVID-19 pandemic and the murders which led to the international Black Lives Matter movement, as well as a few things in my personal life. I managed to adapt and I’m starting to catch up on everything that’s been going on. I am managing to keep up with all of my reading while expanding on my blog and my other projects. So, while my WIP remain in that state, I’m glad to say that I’ve been branching out and checking out new YouTubers and following fellow bookbloggers; and, I want to thank those who have asked me to be guests on their channels and on their blogs. Last, I want to thank everyone for reading my posts that are not reviews, but are personal essays and deep dives into literature, pop culture, and current events. It feels good to know that there are people who are interested in what I post online.

            As for reading in 2020, I’m reading, but I’m reading more than speculative fiction. You can look at my Goodreads page and you’ll see what I mean. In terms of speculative fiction, I’ve been catching up on some of what I missed, and I’m getting back into paranormal and urban fantasy. I have a stack of graphic novels that I need to read, too; but, I’ll get to them eventually. How many of 2020’s Most Anticipated releases have you read so far?

            So, what does that mean for my favorite speculative fiction books of 2020, so far? Well, I haven’t finished reading 10 books that were released this year, yet; but, I can talk about at least 10 speculative fiction books in 2020 that I’m enjoying, and ones I’m excited to read. In other words, this list will be different from last year’s, but I hope you find this list of reads as interesting, informative, and/or enjoyable.

Books I’ve Finished:

The Nine Realms: A Queen in Hiding; The Queen of Raiders; A Broken Queen; The Cerulean Queen

     by Sarah Kozloff

Wayward Children, #5: Come Tumbling Down by Seanan McGuire

Riot Baby by Tochi Onyebuchi

Daughter from the Dark by Marina and Sergey Dyachenko, translated by Julia Meitov Hersey

The Black Iron Legacy, #2: The Shadow Saint by Gareth Hanrahan

The Legacy of the Mercenary Kings, #1: The Kingdom of Liars by Nick Martell

The Order of the Pure Moon Reflected in Water by Zen Cho

Books I’m Currently Reading:

The Daevabad Trilogy, #3: The Empire of Gold by S.A. Chakraborty

The Kingston Cycle, #2: Stormsong by C.L. Polk

Malus Domestica Trilogy, #1: Burn the Dark by S.A. Hunt

The Protectorate, #2: Chaos Vector by Megan E. O’Keefe

A Chorus of Dragons, #3: The Memory of Souls by Jenn Lyons

The Reborn Empire, #1: We Ride the Storm by Devin Madson

Books I Want to Read by the End of 2020:

The City, #1: The City We Became by N.K. Jemisin

The Murderbot Diaries, #5: The Network Effect by Martha Wells

The Poppy War, #3: The Burning God by R.F. Kuang

Anasazi Series, #1: Between Earth and Sky by Rebecca Roanhorse

The Invisible Life of Addie La Rue by V.E. Schwab

Burningblade & Silvereye, #1: Ashes of the Sun by Django Wexler

The Only Good Indians by Stephen Graham Jones

Race the Sands: A Novel by Sarah Beth Durst

Docile by K.M. Szpara

Chronicles of the Bitch Queen, #1: The Wolf of Oren-Yaro by K.S. Villoso

The Locked Tomb, #2: Harrow the Ninth by Tamsyn Muir

Rook and Ruin, #1: The Obsidian Tower by Melissa Caruso

Mexican Gothic by Silvia Moreno-Garcia

City of Sacrifice, #2: Ash and Bones by Michael R. Fletcher

The Drowning Empire, #1: The Bone Shard Daughter by Andrea Stewart

Stealing Thunder by Alina Boyden

The Burning, #2: The Fires of Vengeance by Evan Winter

The Once and Future Witches by Alix E. Harrow

Scholomance, #1: A Deadly Education by Naomi Novik

Master of Poisons by Andrea Hairston 

Malus Domestica Trilogy: I Come with Knives and The Hellion by S.A. Hunt 

The Year of the Witching by Alexis Henderson

The Hanged God Trilogy, #1: Northern Wrath by Thilde Kold Holdt

AND, A LOT MORE!!!

            I hope to read 100 books by the end of the year, with at least 30 of them being speculative fiction books that were released this year. Which books will be on my Top 20 (or 25) Favorite Speculative Fiction Books of 2020? We’ll have to wait and see. 

Why You Need to Read: “Gods of Jade and Shadow”

Gods of Jade and Shadow

By: Silvia Moreno-Garcia

Published: July 23, 2019

Genre: Fantasy, Folklore, Historical Fiction, Mythology

            Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams, (Chapter 1). 

            I read this ARC in 4 days (finishing it after midnight on the 5thmorning)! I was that engrossed in this story that reminded me of both Isabel Allende and Gabriel Garcia Márquez with story elements similar to both Rick Riordan and Katherine Arden. Gods of Jade and Shadow is a beautiful blend of history, culture, and mythology. Anyone who is a fan of standalone works such as The Wolf in the Whale and The Sisters of the Winter Wood will love this book by Silvia Moreno-Garcia. 

            There are 4 protagonists in this story, but the focus is on Casiopea Tun. She is the granddaughter of Cirilo Leyva, the wealthiest man in town, but you wouldn’t know it based on her appearance and her demeanor. Because her mother had married a poor native man—who later died—both Casiopea and her mother live as servants to their family. Casiopea and her mother clean and cook for their relatives while the rest of the family live comfortably according to their socioeconomic status. All the while, Casiopea’s cousin, Martín—who is also Cirilo’s only grandson and 2 years older than Casiopea—entertains himself by bullying Casiopea. Unlike Casiopea—who is pragmatic, yet hopeful—Martín is the traditional spoiled heir who has nothing else going for him except for his family name and the wealth that comes with it. He wants nothing more than his grandfather’s approval, which he never earns, and he believes his cousin has it (which she doesn’t). After a spat between the two cousins, Casiopea opens a mysterious chest under her grandfather’s bed with the key he left behind. When she opens the chest, she finds a pile of bones that revive into Hun-Kame, Lord of Shadows and rightful ruler of Xibalba, the Mayan Underworld. Casiopea learns that Hun-Kame was betrayed and imprisoned by Vucub-Kame, his twin brother. Immediately, Casiopea is traveling with the god in order to locate his missing essences and to help him regain his throne. The twin deities, Hun-Kame and Vucub-Kame are static characters (for the most part) because they are gods who have personas which are not affected by any change. Martín Leyva is a complex character who is forced to confront his demons, his family, and his insecurities, but that doesn’t mean he becomes a better person. It is Casiopea Tun who undergoes the most character development throughout the story.     

            The plot is part folklore and part bildungsroman. The folklore aspect of the plot follows the Hero’s Quest in that Casiopea leaves her home and goes on a “divine” quest. Except, Casiopea is compelled to accompany a god on this journey, and she doesn’t have anything forcing her to remain at her home. The bildungsroman, or coming-or-age story, surrounds both Casiopea and Martín. The growth these characters undergo happens because they leave home. Casiopea sees her chance to see the world and to experience new things; Martín, who had left his home once before, has no choice but to have these experiences. I’m not saying that Martín doesn’t need the experience that comes with leaving home, but it’s obvious that the growth won’t have the same positive effect on him the way it will have on Casiopea. The twin deities play their roles as gods, limited direct interference, which is expected. The subplot in this novel is family and family dynamics. Even though the setting is Mexico in 1927 (during The Jazz Age), some things remain universal and unchanged. There is nothing new about the spoiled heir and the “half-breed” child, but Moreno-Garcia makes sure that the long-term effects of such treatment and behavior remains realistic and believable. Martín, and the rest of the Leyva Family, know he’s not the heir anyone wants, but he’s the heir nonetheless, so the family finds it easier to indulge him rather than to curb his behavior. Casiopea, who is mistreated by the entire family, has a poor relationship with her mother because she never comes to Casiopea’s defense whenever she is abused by a relative. While both mother and daughter do care for each other, the relationship is strained. Casiopea goes on her adventure without hesitation because she has neither loyalty, nor emotional ties to her family. While there is both plot development and character development, the subplot of family develops and affects the plot within the story.  

            The narrative is an interesting one. First, there are multiple 1stperson point-of-view’s, and all 4 narratives are reliable because each character admits to his or her flaws and strengths during their P.O.V chapters. Next, the locations mentioned within the novel—with the exception of Uukumil(?)—are real places throughout Mexico. Readers can pull up a map of Mexico and follow the journey of the two adversaries throughout the narrative. Last, each of the characters provide both flashbacks and stream-of-consciousness throughout the narrative. Providing thoughts of both the past and the present not only allows readers to know what the characters are thinking at that particular moment, but also how and why they all think the way they do. This narrative method provides an understanding of each of these characters while allowing readers to choose for themselves whether or not they like, dislike, pity, etc. each character. The author incorporates all of these narratives into the story, yet it makes the story that much easier to follow along.

            The style Silvia Moreno-Garcia provides is a mixture of history, culture, and folklore. The historical events mentioned throughout the novel—automobiles, the Charleston, Prohibition, etc.—provides the mood of the story, which is modernity brings change. Each location throughout the story elaborates the clothing, the music, and the hustle and bustle illustrates how far behind the town of Uukumil is compared to the rest of Mexico. The culture reminds and informs readers that Mexico is a big country with a rich culture, but what Northern Mexico practices is not practiced in Central and Southern Mexico (necessarily). The folklore, while Mayan mythology is the main focus, fairy tales—such as “Cinderella”—is mentioned over and over. The author does an amazing job explaining Mayan mythology, Mexican culture and history, and pop culture, she mentions both fairy tales and poetry as cautionary tales to staying pragmatic no matter what is occurring in your life. In fact, that is the tone of the novel, staying humble regardless of any life changing events both positive and negative. Readers see the consequences of both examples within the story, and that moral is relevant in our modern times.

            The appeal surrounding Gods of Jade and Shadow are already positive (remember, I read an ARC of this novel). The book received advanced praise by critics and authors alike. And, it has been called one of the “Best Books of the Month” by Amazon and Barnes & Noble Sci-Fi & Fantasy Blog for July 2019. I did mention that fans of mythology-inspired fantasy will enjoy this novel the most. I should mention that several years ago, many people throughout the world became obsessed with Mayan culture and history when it was believed the world would end in 2012. This novel would appeal to them, too. This book can be read over and over again, and it belongs in the canon of mythological fantasy alongside Circe and American Gods. Fans of historical fiction will enjoy this novel as well. 

            Gods of Jade and Shadow is an informative and entertaining story about change, tradition, desire, and family. The honor of it being called one of the “Best Books of 2019” are not just words, but fact. This book is definitely one of my favorites of 2019. Silvia Moreno-Garcia conducts a grim, but magical journey throughout Mexico while reintroducing what we forgotten from our world history class. This novel is one of the best stories that balance fantasy and reality in recent years. This is an enjoyable story for readers of multiple genres.

My rating: MUST READ IT NOW (5 out of 5)!!!

Who or What Is Shireen Baratheon supposed to be?

(Please Note: Spoilers from A Song of Ice and Fire series are found within this essay.)

Most of us has read, heard, or seen a version of The Iliad. The blind poet, Homer, is credited for compiling the epic tale of the Trojan War. The film, Troy (2004), has Achilles played by Brad Pitt, Sean Bean as Odysseus, and Orlando Bloom as Paris. However, like other media adaptations of literary and oral stories, little details are often left out. If one saw Helen of Troy (2003), then he or she would see more of what was part of the story.

Besides the backstory of how Helen became the pawn of the Trojan War, the audience saw more of what was happening within the kingdom of Sparta. For example, both Helen and her twin sister Clytemnestra marry brothers Menelaus and Agamemnon respectively. Helen and Menelaus have one daughter, Hermione; and Clytemnestra and Agamemnon have four children. One of who is their daughter, Iphigenia.

Iphigenia was the daughter who was sacrificed by her father in order to appease the goddess Artemis for favorable winds in order to sail to Troy. While it is unclear on the exact age of Iphigenia, the truth remains that the sacrifice brought the Greek Army to Troy. At the same time, Clytemnestra vowed vengeance against her husband for what he did to their daughter. The Trojan War lasted for 9 years with the Greeks sieging and destroying Troy. Helen returned to Sparta with her husband, and Agamemnon returned to Mycenae with Cassandra, the prophetess sister of Paris, as his prize. Soon after, Clytemnestra and her lover, Aegisthus, killed both Agamemnon and Cassandra as retaliation for Iphigenia’s death.

Shireen Baratheon is the daughter and only child of Stannis Baratheon and Selyse Florent. She almost died from grayscale and it left her disfigured. However, she is often described as being a sweet child. Her parents have renounced their religion of the Faith of the Seven and become worshippers of the Lord of Light, a religion from Essos, whose priestess is Melisandre, who is convinced that Stannis is the prophesized hero, Azor Ahai. While Stannis and Melisandre campaign throughout Westeros, Shireen is left at Dragonstone with her mother; her cousin, Edric Storm (a bastard); and her fool, Patchface.

Stannis’ campaign has led him to use dark magic provided by Melisandre. This magic had killed his brother, Renly; Cortnay Penrose, a guardian of Edric Storm and Renly’s castellan; and, Maester Cressen. However, Stannis believes that the magic has assisted him so far with “removing” his adversaries, and was considering sacrificing his brother’s bastard son until Davos Seaworth, his Hand, smuggled him out of Westeros. This was because Melisandre believed that “king’s blood” would “wake the dragons from stone” which would prove and provide Stannis’ status as King of the Seven Kingdoms.

King Robert Baratheon had sixteen bastard children, most of who were killed on the orders of Queen Cersei Lannister—to hide her infidelities and the parentage of her children. In addition to Edric Storm, only Mya Stone, Gendry, and Bella are what remain of the bastards. However, those who are looking for them do not know where they are in Westeros. So, what does this mean for Stannis and his “blood sacrifice” for dragons?

I believe you see where this is going based on what I started with, but that is because the series author, George R.R. Martin, has admitted that Greek and Roman mythology are huge influences in A Song of Ice and Fire. Additionally, there was some foreshadowing about what might happen to Shireen in A Dance with Dragons. It was when the wildling Val told Jon Snow that Shireen was “unclean” and should be killed due to her grayscale. It was then that Jon Snow observes that Queen Selyse is fond of Shireen, but like her husband, would put their efforts for the crown before their family’s well being if the Melisandre told them to.

The story of Azor Ahai states that when the hero forged his sword for the third time, he drove it into the thing he loved most, his wife, Nissa Nissa, and the sword was named “Lightbringer.” It was then that Azor Ahai was able to defeat the Others, their creatures, and the “Long Night.” Sounds very much like the story of Agamemnon and his daughter, Iphigenia.

Now, Selyse, Shireen, and Melisandre are at Castle Black while Stannis continues his campaign to get support from the Northerners. Between the wildings’ beliefs and Melisandre’s visions, Shireen’s chances for survival are looking grim. Victory for the Baratheons is starting to outweigh rational thinking, and even Melisandre does not understand some of the visions she has been receiving. Melisandre says that “king’s blood” will raise the dragons and give Stannis the power that he needs. All that is left of Stannis’ blood—as far as he knows—is his daughter, Shireen. Does Stannis reflect Agamemnon? Is Shireen supposed to be Iphigenia?

There are two more books and several character plots that are neither complete nor revealed. There is a possibility that Stannis will gain support from the North. There is a possibility that Melisandre is wrong about who the reincarnation of Azor Ahai really is. All the same, no one knows what to expect from a novel written by George R.R. Martin. And yet, I believe that Shireen Baratheon is going to end up becoming a sacrifice for someone whether or not anyone wants to believe otherwise. Remember, the sword is a fake!