Tag Archives: mythology

This Week’s Book Haul (April 4-10, 2021): NetGalley Edition

We are familiar with posts about Weekly or Monthly Book Hauls, or new arrivals of books. These books can be ARCs, purchases and/or gifts. Sometimes, there are stories surrounding these book hauls, but most of them don’t need to be told. I’m taking the opportunity and I’m using this week’s book haul to discuss some lingering and continuing issues I’ve been having with NetGalley.

Request Rejected

Most of us remember when we had our requests rejected. This is a scenario I’m still familiar with: request a book, have that request rejected, search other opportunities to receive an ARC (Goodreads giveaways, Bookish First, etc.) and fail in that, purchase the book the week it’s released.

‘Read Now’ Quota Reached

Those of us who check NetGalley daily and/or receive the newsletters know what I am talking about. You receive an email and/or you’re browsing a galley site and you realize that you can download the book immediately. However, you’re NOT in front of your computer and you are unable to download the galley from your mobile device, which means you’ve missed out on receiving the galley. On top of that, your request is rejected; so, you wait until you can purchase the book.

Request Pending (even with the ‘Read Now’ selection available)

This happens more often than NetGalley wants to admit. You request a galley and it’s pending. Then, a few weeks later, the publisher gives the book a “Read Now” status. So, you access your NetGalley account hoping to download the book, only to notice that your request is still pending. You can’t cancel the request and there is no way around downloading the book due to its “status,” which leaves you feeling more annoyed because you were so close to obtaining the galley that you wanted.

In this case, after entering numerous giveaways, the author of Firebreak, Nicole Kornher-Stace, mailed an ARC to me (Thank you SO MUCH for doing that for me)! Firebreak is one of my most anticipated books of 2021, and I’m honored that the author decided to mail me an Advanced Copy in exchange for an honest review, which I will be doing sooner rather than later (after I read the book of course)!

I should mention that this is NOT an issue with Edelweiss+. In fact, there have been times when I’ve had a request rejected only for the publisher to allow for the “Download” option for anyone who is interested. This change overrides the any previous status. If Edelweiss has this override, then shouldn’t NetGalley?!

Galley I Forgot to Download BEFORE the Archive Date

This one was my fault. I heard about this book from other bookbloggers, and I my request was granted almost immediately. Unfortunately, I did NOT download the galley by the archive date. Honestly, I might have misread April (Apr. on NetGalley’s website) for August (Aug. on NetGalley).

I still wanted to read this book, so I bought it! This book is a translation of a trilogy about Norse mythology. Since Norse myths are the stories to read at the moment (I still have to read both Northern Wrath and The Witch’s Heart), I decided to add this one to the list. I want to do a Norse-themed read through before Norsevember 2021!

So, why did I write this post? I wanted to let readers, bloggers and reviewers know that they are not the only ones with these issues on NetGalley. I believe that all of these issues are common knowledge, but for some unknown reason, NetGalley has yet to address the issues surrounding their available galleys. I understand some of it goes back to the publishers’, but they are NOT the ones running the site.

Have any of you had similar and/or different experiences with these galley sites? What did you do? What are your other options for gaining ARCs and galleys? And yes, I’m looking forward to reading ALL of these books!

Why You Need to Read: “Black Sun”

Between Earth and Sky, #1: Black Sun

By: Rebecca Roanhorse

Published: October 13, 2020

Genre: Fantasy/Folklore/Historical Fantasy

            This year, the solstice will be marked by the rarest of celestial occurrences. As the year divides into old and new, so also will the earth, sun, and moon align in the Convergence. Over our very heads, we will witness order move to chaos and back to order again. So it is with the heavens, so it will be with Tova. We will bear witness to the cycle of evil rising in darkness to be battled back by goodness and light when the sun prevails, (Chapter 9). 

            Remember when I said that I read Trail of Lightning, the first book in The Sixth World series, because I wanted to determine for myself whether or not the author was as big of a deal as the speculative fiction genre community made her out to be? And, that the author’s book was worth reading? Well, if Trail of Lightning was part of Rebecca Roanhorse’s debut—the other being her award-winning short story, “Welcome to Your Authentic Indian Experience”—then, Black Sun, the first book in the Between Earth and Sky series, cements her status as one of the must-read authors within the genre. 

            There are four protagonists in this novel. First, is Serapio, the son of an Obregi Lord and a foreigner. The foreigner is his mother, Saaya, who along with three others, prepare Serapio towards his destiny of his transcendence to godhood. Second, is Xiala, a female sea captain and an exile from the Teek tribe. She is hired to bring cargo to Tova, one of whom is Serapio. The two exiles form a friendship during their journey to Tova. Along the way, Xiala learns about Serapio and realizes that his magic is just as powerful and as lethal as hers. Third, is Naranpa, one of the four priests in Tova—and, the head of the oracle society. On top of all of her responsibilities, she must deal with several political conspiracies all at once, including: several assassination attempts on her life, rumors surrounding the death of one of the matrons to one of the four tribes, prophecies surrounding the return of the crow god, rumors of what is to come on the winter solstice, talks of revenge for an event of the past, and the plot to have her removed from her seat of power. With all of these political conspiracies surrounding her, Naranpa doesn’t know who to trust. This includes Iktan—head of the knife society—one of the other four priests and Naranpa’s friend. The fourth and final protagonist is Okoa, the son of the Carrion Crow matron and future leader of the Shield, a military troop who serve as the matron’s bodyguards. After his mother’s death, Okoa rises to his role. During the transition, he uncovers two conspiracies. One is about his mother’s death, and the other is about the cultists from his tribe who believe their god can be raised and returned to them so that past wrongs can be paid back through divine retribution. All of these protagonists are complex people who find themselves being responsible for a group of people, and their choices affect those around them and everything they care about. As “The Day of Convergence” approaches, each of the protagonists develop into the individuals their roles demand of them to the point where not even the secondary characters can divert them from their path. 

            The plot of this novel involves the events that lead up to “The Day of Convergence,” which falls on the winter solstice. The plot develops through each of the protagonists as they uncover the mystery of what is to occur on that day, and whether or not it can be prevented. Serapio travels to Tova in order to fulfill his destiny of becoming a god, as per his mother’s actions. Naranpa is doing everything she can to remain the Sun Priest of the Celestial Tower while uncovering a plot of revenge against the Faith for a treacherous transgression from the past which left hundreds dead. Okoa is trying to unravel the events that led up to his mother’s death while trying to shake off the unwanted attention of his tribe’s cultist group. And, Xiala is trying to keep her powers in check while deciding whether or not to bring the apocalypse into Tova. While these appear to be four separate plots, they converge into one unforgettable moment when all of the protagonists must decide on acting on their destiny, or doing the right thing. There are two subplots within this novel which not only explains the plots, but also the motivations for the actions that take place at the novel’s end. The first one is vengeance. Vengeance, while mentioned from time-to-time, plays a large role in the story. Usually, the reason for an act of revenge depends on those who want it; but, in this case, everyone is expecting it. It all depends on who is involved and when the act will be carried out. The second subplot involves religion and magic. Similar to our world and other fantasy worlds, there are a few religions, each with its own rituals and practices. Some of this involves magic and how those in the out-group view that magic as opposed to their magic. Some of it is accepted, some are based in superstition, and a lot of it is forbidden; yet, it is all real and powerful, especially when done correctly. These subplots play a huge role in the plot development and must not be overlooked by the reader(s).

            The narratives are told from the points-of-view of the four protagonists. And, they are in third-person limited, which means readers know only what each protagonist is thinking and is experiencing at one time. Even when two characters are together, we are limited only to one character’s P.O.V. The sequence of the narration jumps back-and-forth from the start of Serapio’s transcendence to “The Day of Convergence” to the aftermath. While the sequence might come off as confusing, it is not because readers learn of all of the essential events leading up to the winter solstice from multiple P.O.V.s. So, while the narration moves from past to present, it follows a stream-of-consciousness of each protagonist so that we gain a better understanding of them, their culture, and their motivation of their actions. This presents the readers with a reliable narration (from each protagonist) that can be followed easily.

            The style Rebecca Roanhorse uses for her new series is amazing and informative. Once again, she draws on inspiration from her Native American heritage; but this time, the author draws on inspiration from Yucatec Mayan, Tewa, Polynesian and pre-Columbian cultures of the Americas, many of which continues to be glossed over in school curriculums worldwide. Some of what I recall of ancient pre-Columbian societies (i.e. Mayan, Aztec, Inca, etc.) involve rituals and ceremonies to the gods, and their calendar, which was accurate. History and folklore aside, the use of foreshadowing and of characterization enhances the story to the point where readers known what is going to happen and why, and that there was no way to prevent the events from happening. By the time everything is revealed, the protagonists have made their decisions, and what is going to happen, happens. This leaves the reader(s) stunned, yet anticipating what will happen next during the aftermath of those events. It’s a shocking and an impressive move by the author. The mood in this novel is preparation. Everything that happens in this novel revolves on the winter solstice. To many, the day marks a celebration. To the protagonists and the other characters involved, it’s a day of dread, retribution, and change. The tone of the novel is fate. Without getting into too many spoilers, two of the protagonists were predestined to be part of “The Day of Convergence,” but an argument can be made that they could have chosen to resist that fate at any given time before that day. In fact, the choices of the other two protagonists should be noted as well because they all have no choice but to live with the decisions they make leading up to the winter solstice. I read an eARC of this book, and it did NOT come with any maps of the setting. Luckily, Rebecca Roanhorse provided some of the maps through Tor.com, which made picturing the mentioned towns and the distance between the cities easier.

            The appeal for Black Sun is already positive. So far, literary critics and other authors have praised Rebecca Roanhorse for the story she has written. Fans of the author’s urban fantasy series will be impressed with how the author can fuse her heritage into one story of the past and another story of the future. Not to mention that this book is an amazing addition to the fantasy canon, and will leave readers anticipating the second book in this series. Fans of historical and/or mythological fantasy—Tasha Suri, S.A. Chakraborty, Evan Winter and Silvia Moreno-Garcia—should read this book as soon as they are able to, they will enjoy it a lot.

            Black Sun is proof that Rebecca Roanhorse can weave her talent and her heritage into powerful stories over and over again. If you need a reason to read one of her books, or if you want to read a fantasy series that will take your expectations to another level, then you really should read this book. It has everything from magic and prophecies to political power struggle based on a moment in human history, in which it all could have happened, but its setting is a fantasy world. I don’t know about you, but while I’m waiting for Book 2 of this series, I’ll be reading Storm of Locusts, Book 2 in the author’s other series. Enjoy!      

My Rating: MUST READ IT NOW (5 out of 5)!!!

The Midpoint of 2020: Favorite Speculative Fiction Books…So Far

Well, we made it to the halfway point of the year 2020, which will go down as one of the most pivotal (and the wackiest) years in living memory. Just like everyone else, I’ve been affected by both the COVID-19 pandemic and the murders which led to the international Black Lives Matter movement, as well as a few things in my personal life. I managed to adapt and I’m starting to catch up on everything that’s been going on. I am managing to keep up with all of my reading while expanding on my blog and my other projects. So, while my WIP remain in that state, I’m glad to say that I’ve been branching out and checking out new YouTubers and following fellow bookbloggers; and, I want to thank those who have asked me to be guests on their channels and on their blogs. Last, I want to thank everyone for reading my posts that are not reviews, but are personal essays and deep dives into literature, pop culture, and current events. It feels good to know that there are people who are interested in what I post online.

            As for reading in 2020, I’m reading, but I’m reading more than speculative fiction. You can look at my Goodreads page and you’ll see what I mean. In terms of speculative fiction, I’ve been catching up on some of what I missed, and I’m getting back into paranormal and urban fantasy. I have a stack of graphic novels that I need to read, too; but, I’ll get to them eventually. How many of 2020’s Most Anticipated releases have you read so far?

            So, what does that mean for my favorite speculative fiction books of 2020, so far? Well, I haven’t finished reading 10 books that were released this year, yet; but, I can talk about at least 10 speculative fiction books in 2020 that I’m enjoying, and ones I’m excited to read. In other words, this list will be different from last year’s, but I hope you find this list of reads as interesting, informative, and/or enjoyable.

Books I’ve Finished:

The Nine Realms: A Queen in Hiding; The Queen of Raiders; A Broken Queen; The Cerulean Queen

     by Sarah Kozloff

Wayward Children, #5: Come Tumbling Down by Seanan McGuire

Riot Baby by Tochi Onyebuchi

Daughter from the Dark by Marina and Sergey Dyachenko, translated by Julia Meitov Hersey

The Black Iron Legacy, #2: The Shadow Saint by Gareth Hanrahan

The Legacy of the Mercenary Kings, #1: The Kingdom of Liars by Nick Martell

The Order of the Pure Moon Reflected in Water by Zen Cho

Books I’m Currently Reading:

The Daevabad Trilogy, #3: The Empire of Gold by S.A. Chakraborty

The Kingston Cycle, #2: Stormsong by C.L. Polk

Malus Domestica Trilogy, #1: Burn the Dark by S.A. Hunt

The Protectorate, #2: Chaos Vector by Megan E. O’Keefe

A Chorus of Dragons, #3: The Memory of Souls by Jenn Lyons

The Reborn Empire, #1: We Ride the Storm by Devin Madson

Books I Want to Read by the End of 2020:

The City, #1: The City We Became by N.K. Jemisin

The Murderbot Diaries, #5: The Network Effect by Martha Wells

The Poppy War, #3: The Burning God by R.F. Kuang

Anasazi Series, #1: Between Earth and Sky by Rebecca Roanhorse

The Invisible Life of Addie La Rue by V.E. Schwab

Burningblade & Silvereye, #1: Ashes of the Sun by Django Wexler

The Only Good Indians by Stephen Graham Jones

Race the Sands: A Novel by Sarah Beth Durst

Docile by K.M. Szpara

Chronicles of the Bitch Queen, #1: The Wolf of Oren-Yaro by K.S. Villoso

The Locked Tomb, #2: Harrow the Ninth by Tamsyn Muir

Rook and Ruin, #1: The Obsidian Tower by Melissa Caruso

Mexican Gothic by Silvia Moreno-Garcia

City of Sacrifice, #2: Ash and Bones by Michael R. Fletcher

The Drowning Empire, #1: The Bone Shard Daughter by Andrea Stewart

Stealing Thunder by Alina Boyden

The Burning, #2: The Fires of Vengeance by Evan Winter

The Once and Future Witches by Alix E. Harrow

Scholomance, #1: A Deadly Education by Naomi Novik

Master of Poisons by Andrea Hairston 

Malus Domestica Trilogy: I Come with Knives and The Hellion by S.A. Hunt 

The Year of the Witching by Alexis Henderson

The Hanged God Trilogy, #1: Northern Wrath by Thilde Kold Holdt

AND, A LOT MORE!!!

            I hope to read 100 books by the end of the year, with at least 30 of them being speculative fiction books that were released this year. Which books will be on my Top 20 (or 25) Favorite Speculative Fiction Books of 2020? We’ll have to wait and see. 

Why You Need to Read: “Gods of Jade and Shadow”

Gods of Jade and Shadow

By: Silvia Moreno-Garcia

Published: July 23, 2019

Genre: Fantasy, Folklore, Historical Fiction, Mythology

            Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams, (Chapter 1). 

            I read this ARC in 4 days (finishing it after midnight on the 5thmorning)! I was that engrossed in this story that reminded me of both Isabel Allende and Gabriel Garcia Márquez with story elements similar to both Rick Riordan and Katherine Arden. Gods of Jade and Shadow is a beautiful blend of history, culture, and mythology. Anyone who is a fan of standalone works such as The Wolf in the Whale and The Sisters of the Winter Wood will love this book by Silvia Moreno-Garcia. 

            There are 4 protagonists in this story, but the focus is on Casiopea Tun. She is the granddaughter of Cirilo Leyva, the wealthiest man in town, but you wouldn’t know it based on her appearance and her demeanor. Because her mother had married a poor native man—who later died—both Casiopea and her mother live as servants to their family. Casiopea and her mother clean and cook for their relatives while the rest of the family live comfortably according to their socioeconomic status. All the while, Casiopea’s cousin, Martín—who is also Cirilo’s only grandson and 2 years older than Casiopea—entertains himself by bullying Casiopea. Unlike Casiopea—who is pragmatic, yet hopeful—Martín is the traditional spoiled heir who has nothing else going for him except for his family name and the wealth that comes with it. He wants nothing more than his grandfather’s approval, which he never earns, and he believes his cousin has it (which she doesn’t). After a spat between the two cousins, Casiopea opens a mysterious chest under her grandfather’s bed with the key he left behind. When she opens the chest, she finds a pile of bones that revive into Hun-Kame, Lord of Shadows and rightful ruler of Xibalba, the Mayan Underworld. Casiopea learns that Hun-Kame was betrayed and imprisoned by Vucub-Kame, his twin brother. Immediately, Casiopea is traveling with the god in order to locate his missing essences and to help him regain his throne. The twin deities, Hun-Kame and Vucub-Kame are static characters (for the most part) because they are gods who have personas which are not affected by any change. Martín Leyva is a complex character who is forced to confront his demons, his family, and his insecurities, but that doesn’t mean he becomes a better person. It is Casiopea Tun who undergoes the most character development throughout the story.     

            The plot is part folklore and part bildungsroman. The folklore aspect of the plot follows the Hero’s Quest in that Casiopea leaves her home and goes on a “divine” quest. Except, Casiopea is compelled to accompany a god on this journey, and she doesn’t have anything forcing her to remain at her home. The bildungsroman, or coming-or-age story, surrounds both Casiopea and Martín. The growth these characters undergo happens because they leave home. Casiopea sees her chance to see the world and to experience new things; Martín, who had left his home once before, has no choice but to have these experiences. I’m not saying that Martín doesn’t need the experience that comes with leaving home, but it’s obvious that the growth won’t have the same positive effect on him the way it will have on Casiopea. The twin deities play their roles as gods, limited direct interference, which is expected. The subplot in this novel is family and family dynamics. Even though the setting is Mexico in 1927 (during The Jazz Age), some things remain universal and unchanged. There is nothing new about the spoiled heir and the “half-breed” child, but Moreno-Garcia makes sure that the long-term effects of such treatment and behavior remains realistic and believable. Martín, and the rest of the Leyva Family, know he’s not the heir anyone wants, but he’s the heir nonetheless, so the family finds it easier to indulge him rather than to curb his behavior. Casiopea, who is mistreated by the entire family, has a poor relationship with her mother because she never comes to Casiopea’s defense whenever she is abused by a relative. While both mother and daughter do care for each other, the relationship is strained. Casiopea goes on her adventure without hesitation because she has neither loyalty, nor emotional ties to her family. While there is both plot development and character development, the subplot of family develops and affects the plot within the story.  

            The narrative is an interesting one. First, there are multiple 1stperson point-of-view’s, and all 4 narratives are reliable because each character admits to his or her flaws and strengths during their P.O.V chapters. Next, the locations mentioned within the novel—with the exception of Uukumil(?)—are real places throughout Mexico. Readers can pull up a map of Mexico and follow the journey of the two adversaries throughout the narrative. Last, each of the characters provide both flashbacks and stream-of-consciousness throughout the narrative. Providing thoughts of both the past and the present not only allows readers to know what the characters are thinking at that particular moment, but also how and why they all think the way they do. This narrative method provides an understanding of each of these characters while allowing readers to choose for themselves whether or not they like, dislike, pity, etc. each character. The author incorporates all of these narratives into the story, yet it makes the story that much easier to follow along.

            The style Silvia Moreno-Garcia provides is a mixture of history, culture, and folklore. The historical events mentioned throughout the novel—automobiles, the Charleston, Prohibition, etc.—provides the mood of the story, which is modernity brings change. Each location throughout the story elaborates the clothing, the music, and the hustle and bustle illustrates how far behind the town of Uukumil is compared to the rest of Mexico. The culture reminds and informs readers that Mexico is a big country with a rich culture, but what Northern Mexico practices is not practiced in Central and Southern Mexico (necessarily). The folklore, while Mayan mythology is the main focus, fairy tales—such as “Cinderella”—is mentioned over and over. The author does an amazing job explaining Mayan mythology, Mexican culture and history, and pop culture, she mentions both fairy tales and poetry as cautionary tales to staying pragmatic no matter what is occurring in your life. In fact, that is the tone of the novel, staying humble regardless of any life changing events both positive and negative. Readers see the consequences of both examples within the story, and that moral is relevant in our modern times.

            The appeal surrounding Gods of Jade and Shadow are already positive (remember, I read an ARC of this novel). The book received advanced praise by critics and authors alike. And, it has been called one of the “Best Books of the Month” by Amazon and Barnes & Noble Sci-Fi & Fantasy Blog for July 2019. I did mention that fans of mythology-inspired fantasy will enjoy this novel the most. I should mention that several years ago, many people throughout the world became obsessed with Mayan culture and history when it was believed the world would end in 2012. This novel would appeal to them, too. This book can be read over and over again, and it belongs in the canon of mythological fantasy alongside Circe and American Gods. Fans of historical fiction will enjoy this novel as well. 

            Gods of Jade and Shadow is an informative and entertaining story about change, tradition, desire, and family. The honor of it being called one of the “Best Books of 2019” are not just words, but fact. This book is definitely one of my favorites of 2019. Silvia Moreno-Garcia conducts a grim, but magical journey throughout Mexico while reintroducing what we forgotten from our world history class. This novel is one of the best stories that balance fantasy and reality in recent years. This is an enjoyable story for readers of multiple genres.

My rating: MUST READ IT NOW (5 out of 5)!!!

Who or What Is Shireen Baratheon supposed to be?

(Please Note: Spoilers from A Song of Ice and Fire series are found within this essay.)

Most of us has read, heard, or seen a version of The Iliad. The blind poet, Homer, is credited for compiling the epic tale of the Trojan War. The film, Troy (2004), has Achilles played by Brad Pitt, Sean Bean as Odysseus, and Orlando Bloom as Paris. However, like other media adaptations of literary and oral stories, little details are often left out. If one saw Helen of Troy (2003), then he or she would see more of what was part of the story.

Besides the backstory of how Helen became the pawn of the Trojan War, the audience saw more of what was happening within the kingdom of Sparta. For example, both Helen and her twin sister Clytemnestra marry brothers Menelaus and Agamemnon respectively. Helen and Menelaus have one daughter, Hermione; and Clytemnestra and Agamemnon have four children. One of who is their daughter, Iphigenia.

Iphigenia was the daughter who was sacrificed by her father in order to appease the goddess Artemis for favorable winds in order to sail to Troy. While it is unclear on the exact age of Iphigenia, the truth remains that the sacrifice brought the Greek Army to Troy. At the same time, Clytemnestra vowed vengeance against her husband for what he did to their daughter. The Trojan War lasted for 9 years with the Greeks sieging and destroying Troy. Helen returned to Sparta with her husband, and Agamemnon returned to Mycenae with Cassandra, the prophetess sister of Paris, as his prize. Soon after, Clytemnestra and her lover, Aegisthus, killed both Agamemnon and Cassandra as retaliation for Iphigenia’s death.

Shireen Baratheon is the daughter and only child of Stannis Baratheon and Selyse Florent. She almost died from grayscale and it left her disfigured. However, she is often described as being a sweet child. Her parents have renounced their religion of the Faith of the Seven and become worshippers of the Lord of Light, a religion from Essos, whose priestess is Melisandre, who is convinced that Stannis is the prophesized hero, Azor Ahai. While Stannis and Melisandre campaign throughout Westeros, Shireen is left at Dragonstone with her mother; her cousin, Edric Storm (a bastard); and her fool, Patchface.

Stannis’ campaign has led him to use dark magic provided by Melisandre. This magic had killed his brother, Renly; Cortnay Penrose, a guardian of Edric Storm and Renly’s castellan; and, Maester Cressen. However, Stannis believes that the magic has assisted him so far with “removing” his adversaries, and was considering sacrificing his brother’s bastard son until Davos Seaworth, his Hand, smuggled him out of Westeros. This was because Melisandre believed that “king’s blood” would “wake the dragons from stone” which would prove and provide Stannis’ status as King of the Seven Kingdoms.

King Robert Baratheon had sixteen bastard children, most of who were killed on the orders of Queen Cersei Lannister—to hide her infidelities and the parentage of her children. In addition to Edric Storm, only Mya Stone, Gendry, and Bella are what remain of the bastards. However, those who are looking for them do not know where they are in Westeros. So, what does this mean for Stannis and his “blood sacrifice” for dragons?

I believe you see where this is going based on what I started with, but that is because the series author, George R.R. Martin, has admitted that Greek and Roman mythology are huge influences in A Song of Ice and Fire. Additionally, there was some foreshadowing about what might happen to Shireen in A Dance with Dragons. It was when the wildling Val told Jon Snow that Shireen was “unclean” and should be killed due to her grayscale. It was then that Jon Snow observes that Queen Selyse is fond of Shireen, but like her husband, would put their efforts for the crown before their family’s well being if the Melisandre told them to.

The story of Azor Ahai states that when the hero forged his sword for the third time, he drove it into the thing he loved most, his wife, Nissa Nissa, and the sword was named “Lightbringer.” It was then that Azor Ahai was able to defeat the Others, their creatures, and the “Long Night.” Sounds very much like the story of Agamemnon and his daughter, Iphigenia.

Now, Selyse, Shireen, and Melisandre are at Castle Black while Stannis continues his campaign to get support from the Northerners. Between the wildings’ beliefs and Melisandre’s visions, Shireen’s chances for survival are looking grim. Victory for the Baratheons is starting to outweigh rational thinking, and even Melisandre does not understand some of the visions she has been receiving. Melisandre says that “king’s blood” will raise the dragons and give Stannis the power that he needs. All that is left of Stannis’ blood—as far as he knows—is his daughter, Shireen. Does Stannis reflect Agamemnon? Is Shireen supposed to be Iphigenia?

There are two more books and several character plots that are neither complete nor revealed. There is a possibility that Stannis will gain support from the North. There is a possibility that Melisandre is wrong about who the reincarnation of Azor Ahai really is. All the same, no one knows what to expect from a novel written by George R.R. Martin. And yet, I believe that Shireen Baratheon is going to end up becoming a sacrifice for someone whether or not anyone wants to believe otherwise. Remember, the sword is a fake!