Why You Need to Read: “Gideon the Ninth”

The Locked Tomb #1: Gideon the Ninth

By: Tasmyn Muir                                                                   Audiobook: 16 hours 50 minutes

Published: September 10, 2019                                              Narrated by: Moira Quirk

Genre: Dark Fantasy/Gothic

            When as a young and disinclined member of the Locked Tomb Gideon had painted her face, she had gone for the bare minimum of death’s-head that the role demanded: dark around the eyes, a bit around the nose, a slack black slash across the lips. Now as Harrowhark gave her a little palm of cracked mirror, she saw that she was painted like the ancient, tottering necromancers of the House: those ghastly and unsettling sages who never seemed to die, just disappear into the long galleries of books and coffins beneath Drearburh. She’d been slapped up to look like a grim-toothed, black-socketed skull, with big black holes on each side of the mandible.

            Gideon said drearily, “I look like a douche,” (5). 

            Hype and marketing for a book is an interesting feat some people find themselves in. Publishers and bookstores—usually through marketers—are paid to advertise such books for sale. Librarians read these books in order to determine whether or not the book(s) are “appropriate for their library and/or community.” And, reviewers—including book critics and bookbloggers—read these books and give an opinion on why each book should or should not be read. There are moments when reviews are controversial because they don’t match with the public’s opinion or the hype surrounding the book. That’s not to say that the book is “bad” or written poorly, but it didn’t meet the expectations of the reader. For me, this is what I felt while reading/listening to Gideon the Ninth by Tamsyn Muir.

            The protagonist is eighteen-year-old Gideon Nav, an indentured servant of the Ninth House, who are the Keepers of the Locked Tomb. Gideon’s life at the Ninth House has been nothing but harsh, neglectful, and mysterious. Readers meet Gideon as she tries to leave the Ninth House for the 33rd time. Instead, Gideon is bribed by Harrowhark Nonagesimus—the daughter and heir to the House of the Ninth—to train to be her cavalier so that she can train to become a Lyctor, one of the Imperial Saints for the Emperor. Gideon is promised her freedom if she does this “for the Ninth,” so Gideon and Harrow travel to the House of the First to train and to serve. There Gideon meets and interacts with: Teacher—one of the Keepers of the First House and servant to the Necrolord Heights; Abigail Pent and her cavalier, Magnus Quinn, of the Fifth House; Coronabeth Tridentarius and her cavalier, Protesilaus Eldoma, of the Seventh House; and several other heirs and their cavaliers from the other Houses, and a lot of skeletons. Gideon—while reluctant to serve the Ninth House—does take advantage of being away from the only place she’s known, leaves the planet, and trains in swordsmanship. Gideon does have to follow Harrowhark’s orders—to an extent—but, through her interactions with the other Houses and the tasks she manages to complete with Harrow, Gideon grows into the person she wants to be without interference from the Ninth House: helpful, caring, and strong (in a fight). Meanwhile, the other Houses learn that there’s more to the Ninth House than its titular role. 

            The plot of the novel is straightforward: The Emperor (of the First House) has called for the heirs of the other eight Houses to train to be Lyctors in order to serve as replacements for the current Lyctors. So, each heir and their cavalier travel to the First House where they are trained and are tested to the best of their knowledge and their strength. The nominated Hands must figure out the “puzzle” of their House with their cavalier so that the Hand can become a Lyctor. All of this is easier said than done, but all of the Hands are willing to do it. There are a few subplots in this novel. The first surrounds what it takes and what it means to be a Lyctor. Harrow wants to become one, and she is an extremely talented necromancer, but the testing to become a Lyctor is a process that must be solved by the Hand and the cavalier working together. This is interesting because Gideon and Harrowhark do NOT get along. So, in order to get what they both want, they’ll have to put up with each other to accomplish the goal. The second subplot is the mystery of the Ninth House and its establishment, from the Locked Tomb to the childhoods of both Gideon and Harrow. The other Houses are more curious by this than Gideon is, but Gideon doesn’t know, and Harrow isn’t going to talk about it to anyone. Or, will she? The last subplot focuses on the strange occurrences that begin to happen to the Hands and their cavaliers. Everyone is interested in new recruits arriving at the First House, right? All of these subplots work alongside the plot of the novel in order to embellish the world, the characters and the current predicament within this novel. 

            The narrative in Gideon the Ninth follows a present sequence from Gideon’s point-of-view. Her stream-of-consciousness gives readers insight into her thoughts (cynical, yet curious) while learning about the other eight Houses, which is something that didn’t interest her until now. The world-building—which includes the history and the culture of each House—comes from Gideon’s learning of them. The fight sequences and the many revelations come from Gideon’s P.O.V. Some of what is presented to her is told as a recitation and not as a flashback. This means that Gideon’s reactions are genuine and relatable, which make her a reliable narrator. The narrative is intriguing and is easy to follow. 

            The style Tasmyn Muir uses in her debut novel follows Gothic romance. In short—and, according to A Glossary of Literary Terms—“The locale was often a gloomy castle furnished with dungeons, subterranean passages, and sliding panels; the typical story focused on the sufferings imposed on an innocent heroine by a cruel and lustful villain, and made bountiful use of ghosts, mysterious disappearances, and other sensational and supernatural occurrences,” (p. 151). Fans of Frankenstein by Mary Shelley, The Monk by Matthew Gregory Lewis, Wuthering Heights by Emily Brontë, and Jane Eyre by Charlotte Brontë are familiar with this genre of literature. However, I’m saying that Gideon the Ninth has elements of a gothic novel, NOT that it is one! The “villain” isn’t lustful, the supernatural occurrences—necromancy—is part of the world, and while it does have dungeons and secret passages, the First House isn’t described as being gloomy (when compared to the Ninth House). These gothic elements enhance the story the author is telling, which she does very well. The mood in this novel is anticipation. The summons from the First House does not only contain orders to attend, but also a chance to serve the Emperor, which is something the heirs are taught to do from childhood; and, their cavaliers get to serve their Houses. The tone in this book is dread. In a world where necromancy is the magic used and the setting is gothic, readers should expect more than a few unpleasant things to occur throughout the narrative. 

            I listened to the audiobook, which was narrated by Moira Quirk. She does a great job with narrating the story, voicing the various characters, and with the pronunciation of the characters’ names. I would not have been able to pronounce ANY of those names on my own, so to say that the audiobook was a huge help would be an understatement. The narration kept me engaged with the story as well.

            The appeal for Gideon the Ninth have been positive. Not only has the book, and the author, received a lot of fan and critical acclaim, but also has been nominated for several awards including the Nebula and the Hugo Awards. I can see how this book can become part of the (dark) fantasy canon and how it will have lasting appeal. However, this book neither was worth the hype nor was the best debut novel I’ve read. I’m not the only bookblogger who feels this way about this book. Then again, I’m not saying that you shouldn’t read it. The story itself kept my interest to the end; enough so that I want to read the sequel, Harrow the Ninth, when it is released in September 2020. This book wasn’t my favorite one, but my interest is piqued to where I’m okay with rereading parts of Gideon the Ninth in order to understand the sequel.

            Gideon the Ninth is an ambitious debut which hits enough marks to make for a good and fun reading experience. While I did not enjoy this book as much as other bookbloggers, the story and the world intrigued me enough to finish this book and wanting to read the sequel. Please understand that just because I didn’t enjoy this book doesn’t mean that you’ll feel the same way. That being said, if you want to read a story about necromancers and sword fighting, with gothic elements, then this book is for you.

My Rating: Read It (3.5 out of 5). 

Works Cited 

Abrams, M.H., and Geoffrey Galt Harpham. A Glossary of Literary Terms. 10th ed., Wadsworth, 

            2012. 

Why You Need to Read: “Uncanny Collateral”

Valkyrie Collection: Book One: Uncanny Collateral

By: Brian McClellan

Published: April 2, 2019

Genre: Urban Fantasy

PLEASE NOTE: The following contains some minor spoilers. You have been warned.

            “My name is Alek Fitz,” I said. “I’m a reaper for Valkyrie Collateral, and I’ve come to collect your debt.”(Chapter 1).

            When an author diverts from their known genre, the fans notice. Several questions are asked: Why is this author working on this? Will this genre/sub-genre be as good as the author’s other books? Should I read it? J.K. Rowling and George R.R. Martin are the current popular examples of the genre switch up. Brian McClellan shifts from epic fantasy to urban fantasy in his new novella series, Valkyrie Collections. Both fans of McClellan and urban fantasy will enjoy Uncanny Collateral.

            Alek Fitz is a part troll, part human individual who is an indentured servant/reaper for Valkyrie Collections, a debt-collecting agency that keeps track of people (mostly humans?) who exchange their souls for corporeal desires. Think of it as a world in which people think and behave like Dr. Faustus. However, instead of the individual going to Hell once the contract is over and the conditions are met, that individual is doomed to live without their soul for the rest of their mortal life. Of course, nobody wants to live without their soul, so there are some people who try to avoid the exchange; and, that’s where reapers—a.k.a. bounty hunters—like Alek Fitz comes in. Alek is the best in the business, but it isn’t because he is a workaholic. His boss, Ada, owns him, literally. Alek was sold to her as an infant by traffickers. The barcode over his heart gives the “owner” control of him. All Ada has to do is touch the barcode, which inflicts pain and Alek is obedient to her every whim. This means that Alek is put on the most demanding and dangerous cases. 

            Alek is “partners” with Margarete Abaroa, or Maggie, a jinn who is trapped inside a ring because of a curse, which Alek cannot get off due to the same curse. Both Alek and Maggie work well together, and both share common ground that they are victims of unwanted circumstances. Maggie gives Alek the upper hand and Alek treats her with respect. Both Alek and Maggie are the protagonists in this story because Alek is stuck with Maggie and vice versa. However, Maggie is not without her secrets, so whatever Alek knows about her is because she told him. No one knows about Maggie and why Alek wears a ring while at work. I would say Ada is the antagonist because she is the reason for Alek’s lifestyle. Just like in other stories from the genres of urban fantasy and mystery, Alek has confidantes and sources who are the type of “people” who you expect them to be, friendly but self-serving. 

            The plot for Uncanny Collateralis Alek is forced to take a job for the Ferryman—a.k.a. Death—in order to recover numerous souls, which have been stolen and are being sold secondhand to those who have traded their own. This is a problem for two reasons. One, missing souls throws off the “process” that occurs after an individual’s death. Two, someone who is in possession of any soul but theirs causes them to rot from the inside out. Alek and Maggie are on the case with a limited time span, because the balance of death is in jeopardy. The subplots within the story focuses on the past surrounding both Alek and Maggie. Alek wants out of his bondage from Ada, and he wants to know who his parents are and why they sold him. And, Maggie’s past is revealed to Alek—and to readers—when someone comes looking for her with ominous intentions. The subplots reveal more of Alek and Maggie’s character to each other, but it furthers their resolve in working on a way to escape their bondage. The plot develops, rises, and resolves at an appropriate rate because the series needs to begin and to end with the continuing dilemmas of these characters.

            Just like in other urban fantasy stories, the setting plays a huge role because the characters interact and travel from place to place. Alek travels throughout parts of Ohio—real places—talking to imps, necromancers, and angels while searching for the missing souls for one of the agents of death. The narrative is told in real time, so everything happens in a stream-of-consciousness and we learn about the setting and the society in which Alek resides in. Obviously, Alek is the narrator, and it’s safe to say that he’s a reliable one because of his predicament and lifestyle. The real time and the action within the narrative makes this novella an easy read. 

            One of the ways the author writes his story is by using allusion and pop culture references. Ferryman is described as looking like Keith Richards with a voice like Bob Dylan. Alek works for Valkyrie Collections; Valkyries are beings who travel the world collecting souls of warriors to fight in Ragnarok. And, Maggie is a jinn who is cursed to live inside of a ring. McClellan uses these methods in order to set the mood of the story. At the same time, the tone of this story lets readers know that this urban world is harsher than ours. Lost souls, cursed objects, and necromancy are just some of the negatives that comes with living in a world with magic and paranormal forces. This is the author’s take on the paranormal and it is very engaging. 

            Fans of urban fantasy will enjoy Uncanny Collateral.Fans of McClellan’s other works will enjoy both the worldbuilding and the fight scenes. This novella is the first in a new series by a popular best-selling author who is branching out with his storytelling and giving readers something new and different to enjoy. It seems novellas are gaining more popularity when authors present their fans with the chance of reading more of what they have to offer. It is obvious that McClellan plans on continuing this series, and I hope he does because the story is very entertaining, and it would be a shame if the series ended before it could continue. And, while it’s too soon for any form of adaptation to be considered, I believe either a graphic novel or an animated series would be the best formats for consideration.

            I had the opportunity to be both a Beta and an ARC reader for Uncanny Collateral. And, while it’s cool seeing your name on the Acknowledgements Page, I really did enjoy this story. The Valkyrie Collection reminds me of Neil Gaiman’s American Godsbecause of the use of actual places for the setting gives the story a realistic appeal, and something unknown could happen without anyone else knowing about it is a bit eerie. Brian McClellan presents his urban fantasy world and it works. All of the familiar elements are there: magic abilities, humans with knowledge of the existing worlds, and half human protagonists struggling with their identity. Like I said before, both urban fantasy readers and McClellan’s fans will enjoy this novella. 

            Uncanny Collateralis a fun addition to the urban fantasy genre. The setting is realistic, and the characters are rounded with conflicts that match the world the author created. The pacing of the story is appropriate for a novella and the plot fits within the length as well. My only issue is that it’s too obvious there is going to be more to come in this series, but of course readers won’t know what will happen next until the next book is released. I hope we get more because I want to know what happens next, too.

My rating: Enjoy It (4 out of 5).