Why You Need to Read: “Vengeful”

Villains, #2: Vengeful

By: V.E. Schwab

Published: September 25, 2018

Genre: Science Fiction/Urban Fantasy/Superheroes

            “Most Eos are the result of accidents,” he said, studying the snow. “But Eli and I were different. We set out to find a way to effect the change. Incidentally, it’s remarkable difficult to do. Dying with intent, reviving with control. Finding a way to end a life but keep it in arm’s reach, and all without rendering the body unusable. On top of that, you need a method that strips enough control from the subject to make them afraid, because you need the chemical properties induced by fear and adrenaline to trigger a somatic change.”

 –1: Resurrection, VIII: Three Years Ago: Capital City

            Authors and creators have many works which demonstrate the change and the divergence their careers have taken them through time. Each “period” of the artist presents both the influence and the expression of the artist(s) at that time. This is essential to know because the audience will have their favorite “periods” and/or their favorite work(s) from each “period.” This is relevant because the creator will work with either different mediums and/or different themes, while the author will write several stories of various genres for different readers. V.E. Schwab has written several books for children and young adults readers; however, it is her stories for adults in which fans and readers notice both the talent and the desire found within the narrative in that we all get the story we want so badly. V.E. Schwab does it twice, as we see in Vengeful, the sequel to Vicious, the second book in the Villains series. 

            There are 4 protagonists in this novel. The first 3 are familiar: Victor Vale, Eli Ever and Sydney Clarke. Readers meet up with them following the events at the end of Vicious. However, that end was just an end of those set of problems as new ones emerge. All three protagonists have experienced the wonders of their EO abilities, but now are understanding the consequences that come with them. Victor and Eli experience more physical pain now compared to all of the emotional pain they felt before they became EOs. Sydney’s difficulties are more long-term and obvious, but she experiences more loneliness after the death of her sister, Serena. Being an “Extra Ordinary” is wonderful and life-changing, until reality sets in. This truth transforms all three of these protagonists into vulnerable beings. And, while Sydney is no stranger to being vulnerable—she is 13-years-old at the beginning of this novel—both Eli and Victor are not. These “powerful” males are struggling to regain control over both their abilities and their lives. All the while, a new EO rises to become ‘The Villain.’ Marcella Riggins is the 4th protagonist, the newest EO, and the next villain to be dealt with in this series. The novel opens with her life, her death, her rebirth, and her EO abilities, which put her on the same level as Victor Vale and Eli Ever. The latter are examples of toxic masculinity, but Marcella Riggins is a perfect example of “a woman scorned.” When all 4 of these protagonists meet up—for 3 of them, it’s a dangerous reunion—chaos will ensue and A LOT of people will die. 

            There are several plots within this novel and it’s because there are so many protagonists, with different conflicts in the story. First, there is Marcella Riggins. Her life and her death are mentioned as they influence the EO she becomes. Readers have no choice but to sympathize with her, even when Marcella becomes drunk on power and seeks to seize control of the city her late husband would not. Eli Ever is in prison serving multiple life sentences for all of his crimes. However, he is kept in a “special” high secured prison where Eli becomes the obsession of physician whose toxic masculinity makes Eli’s (and Victor’s) look “normal.” Readers actually feel bad for Eli once his experiences at the prison, and in his life before he met Victor, are revealed. Victor Vale is enjoying his life as a free man, yet again. Only, his EO ability isn’t what it used to be. Not used to being not in control of his life, Victor seeks help for his EO ability in his way, which usually ends up with people dying. As for Sydney Clarke, she continues to hone her EO ability, which continues to strengthen. This is significant because Sydney’s ability grows while her body seem to remain the same. There are two subplots which help to enhance the story. The first is the introduction to other EOs who help with the development of who EOs are, their understanding of their abilities, how they use it and why, and who knows about EOs. The second subplot delves right back into the concept of negative emotions and how they are expressed. This subplot is a repeated one, but whereas males were observed in Vicious, females act out on them in Vengeful. And, there are just as many angry females as there are males. The subplots are necessary because not only do they enhance the story, but also they expand on the concept of EOs and their world which is hidden from most of the remaining population. Meanwhile, the plots develop as several individual rising actions are working their way towards a climax amongst the protagonists, which promises the reader(s) that something big is about to happen. 

            The narrative is told from the points-of-view of all 4 protagonists across a 5-year time frame, which jumps across various moments in time. While the novel starts with Marcella Riggins’ P.O.V., the narrative jumps back to what happened to Victor Vale 5 years ago—the ending of Vicious. From that point and for the duration of this novel, the time sequence goes from the present to one moment in the past to another moment in the past. This is not so much of a flashback sequence, but a narrative frame in order to explain to the reader(s) what is happening to a certain protagonist at a certain time, and then jump ahead to the consequences of those past actions. While it may sound confusing, it isn’t because as the past is explained so are the actions and the motivations of the characters. The points-of-view are in 3rd person limited (or, subjective). This means that during one character’s P.O.V. chapter, neither the readers nor that character knows the thoughts of another character. For the reader, the thoughts of the other character may or may not get revealed to them in another chapter. The characters will never know what the other ones are thinking (just like in real life). 

            The style V.E. Schwab uses in Vengeful is a continuation from what she did in Vicious. The characters had to lose something in order to become EOs; and yet, they continue to lose parts of themselves as they become more powerful. Similar to related themes found in comic books and superhero stories, the characters lose more of their humanity as they continue on the path to become separate entities. The mood in this novel is dread. From Marcella Riggins’ death and rebirth, a new sensation of awe and fear emerges and no one knows what will come from it, but it won’t be anything good. The tone in this novel is the preparation. The upcoming showdown that is foreseen due to the rise of Marcella Riggins will keep EOs (and readers) in anticipation. Readers know that Eli Ever and Victor Vale must reunite, but the reason for it remains unknown to all, even to the two former friends. If Vicious was the origins story, then Vengeful is the action movie sequel!

            The appeal for Vengeful have been positive. Fans of both V.E. Schwab’s other books, including Vicious, have claimed it is one of her best stories, yet. In addition to gaining (more) new readers, myself included, Vengeful has reminded readers not only of comic books and superheroes, but also of (great) action movies. V.E. Schwab is a huge fan of the John Wick movies (just like I am), and she has said more than once that both the fight scenes and the world-building were influences for her Villains series. And no, I have not located the John Wick Easter Egg in Vengeful, yet (DO NOT TELL ME WHERE IT IS!), it is obvious that the climactic scene was influenced by it A LOT! The author has promised her fans at least one more book in this series, with a publication date as early as 2023 (she takes 5 years to write each book). With at least 2 more John Wick movies scheduled to be released in between Vengeful and Book 3, I can only imagine the story that will emerge from V.E. Schwab’s imagination in response to those movies.

            Vengeful is the beautiful yet dark and twisted sequel to the story about the reality of the metaphysical. Fans and readers are reminded why possessing such powers and desiring to become extraordinary should remain restricted. Not only are there long-term consequences to gaining such powers, but also not everyone should possess such abilities. There was a reason this book made my list of My Selections for Best Speculative Fiction Books of 2018! If I still enjoy this book now as I did then, then you will love it, too!

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “The Year of the Witching”

The Year of the Witching

By: Alexis Henderson

Published: July 21, 2020

Genre: Dark Fantasy/Occult Fiction

            Immanuelle had always felt a strange affinity for the Darkwood, a kind of stirring whenever she neared it. It was almost as though the forbidden wood sang a song that only she could hear, as though it was daring her to come closer, (Chapter Two). 

            Readers continue to be presented with several new books, many of them by debut authors. Every once in a while, a debut comes along that makes you wonder whether or not that book really is that author’s first book. Alexis Henderson is the latest author to gift readers with her dark fantasy and occult fiction novel, The Year of the Witching.

            Immanuelle Moore is the protagonist in this novel. She is almost 17 years-old and is the illegitimate granddaughter of the town’s midwife, Martha, and carpenter, Abram Moore. The circumstances surrounding her birth and her mother’s, Miriam, death remains a mystery even to her family. Her mother’s “love affair” with her father—Daniel Lewis Ward—an Outskirter, a group of people known for their ebony skin and their own religious practices, resulted with Immanuelle, her parents’ deaths, and her being ostracized by all of the denizens in Bethel. Her only companion is Leah, who is golden-haired, blue-eyed, and “religiously moral.” She is also about to become the latest of a slew of wives of the Prophet, the leader of Bethel. Immanuelle feels lonelier than ever before, especially because her family’s circumstances does not allow for her to have such aspirations. Meanwhile, the Darkwood—the forest that borders Bethel and is said to be the dwelling of four witches—seems to be calling to her, even though it’s forbidden to enter it. However, one night, circumstances lead Immanuelle to enter the Darkwood and to interacting with the witches who live there. Afterwards, she cannot help but feel like something bad is going to happen because of this encounter. Yet, Immanuelle has help from Ezra Ford, the Prophet’s son and successor, who does all he can to protect both Immanuelle and Bethel from the threats brought on by the inhabitants of the Darkwood. Even though Immanuelle is the protagonist, both Leah and Ezra are essential into the growth and the development she undergoes throughout the novel. All three adolescents question the roles they will have to play as both adulthood and dark magic threaten to consume them. And, Immanuelle has to determine whether or not she will follow in her mother’s footsteps.

            The plot of the novel explores the opposing forces of religion and the repercussions they have on individuals who practice them. Ezra is the Prophet’s son and heir, but he doesn’t believe in all of the societal practices his father preaches. Leah is Bethel’s “golden child” who is known for her beauty and her (religious) virtue, which makes her a suitable bride for the Prophet; and yet, she knows that no matter what happens, she cannot hope to go against the teachings of the Church. Immanuelle is the product of two religions and that has labeled her as both an outcast and a target of bullying by the members of the community. When she comes across her mother’s journal, she learns the truth behind her parents’ deaths and her family’s, and the Prophet’s, obsession with her, and her being drawn to the witches. All of these circumstances lead to plagues arriving and afflicting the town of Bethel. There are two subplots in this novel. The first one deals with the concept of history and religion. Just because someone does not practice your faith and/or has different views on the same religion does not make them a heretic. At the same time, the history of one’s religion is no reason for the mistreatment of those who practice the same faith. The second subplot investigates the influence parents have on their children. Immanuelle is Bethel’s reminder of Miriam’s sins, which were believed to be based on the sins of her parents, the grandparents who raised Immanuelle to follow the teachings of the Father. However, if Immanuelle was raised the same way as her mother, then how and why did her mother “go astray,” and what does that mean for Immanuelle, her family, and the town of Bethel? Both subplots are necessary for the plot’s development because they get to the center of the conflict and how it affects everyone in Bethel.

            The narrative is told from Immanuelle’s point-of-view. Readers follow along with her stream-of-consciousness as she figures out how to stop the plagues and to learn the truth about her parents and the real cause of the plagues. The story moves from the present to the past and to the present again as Immanuelle learns of the past from her mother’s journal, from her grandparents, and from Ezra through the Church’s archives. Immanuelle’s discoveries and reactions to them, as well as her fear of being accused of witchcraft, make her a reliable narrator. The narrative focuses on time throughout the story. This presents a sense of urgency that the protagonist faces throughout the narrative. All of these elements make the narrative engaging and easy to follow.

            The style that Alexis Henderson uses is one that is familiar, yet different. The theme of hypocrisy in religion is not new, but the author not only adds the historical aspects of the racism within religion—particularly Christianity, but also delves into two warring faiths and the long-term effects they have on their followers overtime. In addition, the themes of ageism, sexism, abuse of power and blind devotion—which can be found in just about every religion ever to exist in human history—make for the ultimate cautionary tale for anyone who is devoted to their faith. All of the allusions to Biblical names and the tales from the Old and the New Testaments give further insight into the story and what readers should expect from it. The mood in this novel is foreboding. The knowing of misfortune has been on the horizon for the town of Bethel for generations, and it erupts all at once due to both an act innocence and due to generations of malice and corruption. The tone in this novel is rebellion. In this story, rebellion is a double-edged sword; and, this is because those who rebel quietly do not fare any better compared to those who rebel openly. Nevertheless, allowing vices to continue can lead to the destruction of a community and/or religion either from internal or external forces. 

            The appeal for The Year of the Witching will be positive. I was able to read an eARC of this novel, and I read it in 3½ days! Not to mention, this is the author’s debut novel! Even if the subgenres of dark fantasy and occult fiction are not your “go to” reads, you have to admire the story Alexis Henderson put together. Fans of both Alice Hoffman and Louisa Morgan will enjoy this book the most. It needs to be mentioned that due to the religious themes in this novel, fans of both His Dark Materials by Philip Pullman and the Winternight Trilogy by Katherine Arden will find this book appealing as well. The novel blends fantasy, the occult, religion, with a touch of gothic to make this novel a great addition to the speculative fiction canon. This novel has lasting appeal because of the story the author was willing to present as her debut. The Year of the Witching is a standalone novel, but I wouldn’t mind either a continuation or a companion book to this one!

            The Year of the Witching is a fast-paced immersive coming-of-age story, one that will surpass your expectations once you realize that it is a debut novel! While the story of rebellion in a religious and an oppressive society is not new, the idea of witches being real and using religious tropes for revenge is (somewhat) novel and very entertaining. Whether or not this book is to your taste in literature, you will appreciate this new talent and her future books. 

My Rating: MUST READ IT NOW (5 out of 5)!!!