Why You Need to Read: “The Ruin of Kings”

A Chorus of Dragons #1: The Ruin of Kings

By: Jenn Lyons                                                    Audiobook: 27 hours 22 minutes

Published: February 5, 2019                          Narrated by: Feodor Chin, Vikas 

Genre: Fantasy                                                               Adam, Soneela Nankani

            There’s a prophecy. Actually no, it’s more like a thousand prophecies. It’s the collected rantings of a thousand people…the prophecies refer to an end time, a great cataclysm, when a single man of vast evil will rise up. The “Hellwarrior” will conquer the Manol, strip vane of our immortality, kill the Emperor, destroy the Empire of Quur, and free the demons. In his right hand he will hold Urthaenriel, and with his left, he will crush the world and remake it as he desires, (29: Teraeth’s Return, Kihrin’s story). 

            There are times when books are released to critical acclaim and maintain buzzworthy feedback, which piques a reader’s curiosity. While I was unsure whether or not the debut novel, The Ruin of Kings—the first book in A Chorus of Dragons trilogy, would meet my expectations, I was curious about the hype surrounding this book. I guess “the powers that be” wanted me to read Jenn Lyon’s book because I received the hardcopy as a prize in a drawing, the eBook for free, and the audiobook through my subscription. So, I read this book through audiobook and immediately, I understood what all of the attention was about. 

            The protagonist is Kihrin, the son of a minstrel who spends more time getting into mischief for his thievery and fighting than practicing his harp. After one of his heists, it looks as if Kihrin is about to profit from his work, when a demon manifests in the city and chases him through the streets of Quur. After being saved by the city watch, it is revealed to him—because of his physical attributes—that he is the lost heir of House D’Mon, one of the 12 Royal Houses of the Quur Empire. Claimed against his will into a life he doesn’t want, Kihrin learns quickly that being a noble is not as worthwhile as the tales and other people make it out to be. At the same time, Kihrin suspects that a few members of his new family might be up to no good. However, before he can escape, Kihrin is kidnapped and sold to the Black Brotherhood as a slave. Yet, this organization isn’t interested in keeping him as a slave, but wants to train him to be an assassin in order to fulfill his destiny in the war to come. Kihrin’s story is a twisted bildungsroman about a 15-year-old boy who is forced to grow up under arduous conditions in a hostile environment with people who refuse to reveal his identity to him. Kihrin develops into an adult whose complexity leaves him with more questions than answers; but, the other characters he meets and interacts with along the way give him hints to his (true) identity.

            The plot in this novel has two parts. The first is Kihrin’s life from his latest thief to his kidnapping, and in between is the time he spent living as a member of a Royal House and what transpired there. The second part is Kihrin’s capture, auction and imprisonment with the Black Brotherhood and everything that happened to him with them. Both plots reveal the two identities which were kept from Kihrin in order to keep him safe. Unfortunately, recent events brought an end to Kihrin’s carefree life. This is because the subplot—events which will lead up to the end-of-the-world—has begun and Kihrin is one of the many who can put an end to this upcoming and inevitable event. However, no one knows which part Kihrin is supposed to play within the prophecy. The subplot is crucial to the two parts of the plot because it is the reason why everything happens to Kihrin and it becomes the focal point of the series. 

            The narrative is what garners the most attention. The novel has two parts, which presents various moments of the occurrences throughout the Empire of Quur. Part I is told in the past tense, but with two different narrators reciting two different timelines. Kihrin begins his narration from when he was sold to the Black Brotherhood and all of the events, which happened right up to his imprisonment in jail. The second narrator—and fellow jailer—is Talon, a woman with shapeshifting abilities, among other powers, who knows A LOT about Kihrin from the jewels he stole that night, to his “return” to the D’Mon family, to his kidnapping. Talon, tells Kihrin’s story to him from her point-of-view (3rd person) and Kihrin tells his story from his point-of-view (1st person). Both of these narratives are told in flashback and they introduce the readers—and the chronicler who is the intended audience of this story (read the footnotes!)—to all of the characters Kihrin interacted with: Ola, Galen, Tyentso, and several more characters who navigate Kihrin’s life and the decisions he makes throughout the narrative. At the same time, the world-building occurs from these narrations as the audience learns about the world the author created, its history and society—including immortals, magic and jewels—how it relates to Kihrin’s predicament and how it all relates to the end-of-the-world. The world-building will keep the interest of the reader, with help from the Appendums. In Part I, Talon forces Kihrin to tell the truth and everything that happened to him up to his imprisonment, and Talon does the same for Kihrin, which angers him to no end. Due to this “creative method” of blackmailing, both Kihrin and Talon are reliable narrators through their recounting of events. Part II focuses on the first wave of cataclysmic events, which set off the prophecies about the end-of-the-world. It is here when the narration moves to present tense and the point-of-view switches between the characters who’ve become “players” in this part of the apocalypse, including Kihrin, a few members of the Black Brotherhood, and Kihrin’s family. Part II is told in 3rd person omniscient, which provides all of the action everywhere from all of the characters P.O.V.s. Here, the narration is reliable, too. The readers receive a full account of everything that led up to the end, and the stream-of-consciousness the author provides for all of her characters enriches the story so that it can be followed by the readers.

            The style Jenn Lyons uses for The Ruin of Kings is the concept of oral tradition. Instead of one character providing an oral account of his story, the author inserted a second storyteller so that no detail would be omitted by the first one. Oral tradition typically results in changes to a narrative either through voluntary omission, or lack of knowledge of any kind by the storyteller (in this case, not being able to be two places at once). Here, the author found a way for the entire narration to be told orally. This is similar to how epic stories such as The Iliad, The Odyssey, and The Epic of Gilgameshwere passed down before being written down by scribes and chroniclers, and that is the style presented to the readers: two oral storytellers and one chronicler. The mood in The Ruin of Kings is imprisonment whether or not it comes from an individual’s identity, social status, or role in a prophecy, all of these elements put a restriction to one’s freedom, especially choice. The tone is how those individuals deal with their imprisonment and what choices (if few) they make when given the opportunity to make them; and, what happens when those individuals are no longer imprisoned and what that means for everyone else. Once again, both the maps and the appendums are a huge help to reading this book.  

            The appeal for The Ruin of Kings have been positive. Fans of A Song of Ice and Fire series and the Book of the Ancestor trilogy will enjoy this book the most. This is because both the character motivation and the idea of how prophecy is not straightforward are themes that are reflected in this novel. Jenn Lyons lets her protagonist learn the hard way that the tropes of long-lost heirs and prophetic heroes are nothing but embellishments to make such stories sound more appealing to everyone else. The one experiencing it has it the worse and gets to decide how the story will be told to everyone else; and, Kihrin almost makes the same mistake about his story, almost. This book was one of my selections for best speculative fiction books of 2019. The second book in this trilogy, The Name of All Things, was released in October 2019 with readers claiming it was better than the first book. And, the final book in the A Chorus of Dragons trilogy, The Memory of Souls, will be released in August 2020. I’m looking forward to reading the rest of his trilogy!

            The audiobook experience was different this time because there were three narrators instead of the usual one. Yet, having three different voices for the three different characters who are telling the story—Kihrin, Talon and the chronicler—clue the listeners in as to who is telling the story at that moment. And, it keeps the listener(s) from tuning out of the story. Feodor Chin, Vikas Adam and Soneela Nankani voice the characters in a way that one can picture the voice matching those characters perfectly; they speak the way I imagine those characters sounding if they were real people. 

            The Ruin of Kings is an ambitious start to a new epic fantasy series, which present the harsh realities surrounding royalty, magic and prophecies. Within these twisted tropes is a story about a young man who had all of his choices taken away from him, yet he strives to protect everything he cares about, even if destiny says otherwise. Jenn Lyon’s story contains complex characters and a world whose history and culture is as complex yet constant as ours. This novel is like the story it tells, simple at first, and then drops you into the story “in media res.”

My Rating: Enjoy It (4.5 out of 5).

Why You Need to Read: “The Priory of the Orange Tree”

The Priory of the Orange Tree

By: Samantha Shannon                                    Audiobook: 25 hours 52 minutes

Published: February 26, 2019                          Narrated by: Liyah Summers

Genre: Epic Fantasy

            A low growl rolled through Nayimathun. She spoke as if to herself. “He is stirring. The shadow lies heavy on the West,” (Chapter 25, East).

            Avid readers—especially those who read history, biographies and memoirs, and speculative fiction—do not fear tackling “long” books. In fact, many readers get upset when a long book is about to come to an end. Then, there are “long” books in which readers ask themselves, “how am I going to get through this?” This is what I asked myself when I heard about The Priory of the Orange Tree by Samantha Shannon. This 800+ page book was declared “one of the Best of 2019,” and other readers who have managed to finish the book had nothing but positive things to say about it. First, I borrowed the standalone novel from my library and started to read it. However, I knew I would need more than 2 weeks to read this book (library policy). So, I bought the eBook—when it was on sale—and I kept reading. Yet, I felt I wasn’t reading it at my usual pace. So then, I bought the audiobook and started listening to it from the beginning. It took me two months, but I enjoyed every minute of it! And, I bought the printed edition because I wanted my own hardcopy edition of the book (and it was half off)! I don’t regret purchasing these editions of this novel! The Priory of the Orange Tree is Samantha Shannon’s epic fantasy novel about female leaders, dragons, conspiracies—both political and historical—imminent danger, and identity. Don’t allow the length of the story to intimidate you, this epic tale details everything that occurs throughout this fantasy adventure!

            Like most epic fantasies, there are several characters who are part of the story and play their roles. Yet, there are three protagonists who provide both the point-of-view and the connections both to the events and to several other main characters throughout the narrative. First, there is Tané, a poor orphan who is given the rare opportunity to train as a dragonrider. Overcoming the rigorous training and her destitute status, Tané is about to Test to become a dragonrider for her island home in the East. However, on the night before the Passage, an outsider washes on to the beach. Fearing that the outsider will cause a delay of the Tests—outsiders are quarantined in order to prevent any illnesses from spreading into the population— Tané hides the outsider at the home of a resident who is also not from the island. This leads to the second protagonist, Doctor Niclays Roos (a male) who resides in the East in exile after failing to please the Queen in the West. This Queen in the West, Sabran the Ninth of House Berethnet, has remained unwed since her coronation. This is a dilemma because one of her roles as queen is to bear a daughter in order to protect her kingdom from an ancient evil. However, Queen Sabran’s time consists of avoiding assassination attempts and suffering from vivid nightmares. But, she has allies. One of them is the third protagonist, Ead Duryan—one of the ladies-in-waiting to the Queen—who is really a member of a hidden society of mages whose mission centers around protecting the royal bloodline of House Berethnet, and the entire world, from Armageddon. These protagonists are rounded—they have strengths and weaknesses, they are selfish and sympathetic, they are motivated, and they are survivors—which make them believable to the readers as their narratives are presented to them. These protagonists are neither royalty nor the elite social class, which is relevant because they are able to maneuver through their societies with access to the knowledge and the information given to them by the upper class. At the same time, these protagonists are able to uncover the truth of the past for themselves and of their societies and the world they live in. And, it’s up to them to try and save it. Yet, out of the three protagonists, it is both Tané and Ead Duryan who demonstrate the most character development. Even though both women make mistakes and lose the trust of their friends and allies, they hold on to their convictions that danger is coming. Meanwhile, Doctor Niclays Roos decides to start up the same research that led to his exile. He doesn’t have anything to lose, but his experience is essential to the plot. Although, the band of characters make it difficult to keep track of at times, they appear and are mentioned enough for readers to recall who they are and their relationships to the protagonists and the other main characters. 

            The plot—similar to other fantasy and/or adventure tales—involves prophecies, magic and saving the world. About 1,000 years ago, heroes of the world defeated and sealed an ancient threat. However, the seal would break after a thousand years, so the heroes and the armies left and established new kingdoms—and secret orders—in order to prepare for the return of that ancient threat. Unfortunately, history becomes myth, and religion and legend with all sources of information becomes lost or altered. The story and the plot take place just as the 1,000 years are up, and the descendants are searching for a way to defeat the threat before it emerges. The subplots are how each of the four continents are preparing for Armageddon. Obviously, many do not believe or know that this event is about to occur. It takes time for the plot to develop because all of the subplots—from the introductions of the characters, the settings and the conflicts to the character development and the world-building—must develop alongside the plot. This is a slow, but an appropriate rate for the plots and the subplots to develop and to converge because this is a standalone novel. After the subplots have developed—not resolved—then the plot continues to develop on its own and at its own pace. 

            The narrative is told in present time and from the P.O.V.s of the protagonists. Each of the six parts of this story presents the stream-of-consciousness of Tané, Doctor Roos and Ead. This allows readers to comprehend the motives, the culture and the decisions they make throughout the story. Given that the protagonists have their desires and the events are happening in real-time, each part of the narrative is reliable because the revelations and the reactions are believable and the situations the characters find themselves in are because of the decisions and the demeanors of the characters. The narrative is easy to follow because of the step-by-step action and reaction narration presented to the readers. 

            The style Samantha Shannon uses for this novel is a combination of fantasy tropes, history, literature and folklore. In other words, The Priory of the Orange Tree is a reimagination of true events and culture. History and folklore such as Christianity, the Amazons, and dragons were influences for this novel. Historical moments and the literature that were written—the Crusades and stories such as The Faerie Queen by Edmund Spenser and The Mists of Avalon by Marion Zimmer Bradley—are also found within the pages of the novel. The style the author uses for this story is not new; in fact, folklore and religion are often retellings of both history and culture. However, readers become aware of this while reading the story, but would they ever consider a similar possibility that the same thing could be possible with our life and culture? The mood of the novel is foreboding and callowness. The tone is what to do and how to handle information based on what actually took place and how the truth can remain hidden within all of the stories, the mysteries, and the lies for hundreds of years. The tone and the mood work in tandem, but this plot device is revealed to the readers through a handful of characters who know the (actual) truth. This reflects reality because the truth of events is revealed to a select few of people (typically) and that is only when the truth surfaces (not always).

            The appeal of this novel have been noteworthy. The Priory of the Orange Tree was labeled “one of the Best Fantasy Books of 2019,” by numerous critics and fans of epic fantasy written by Jacqueline Carey and Brandon Sanderson or any standalone fantasy story will enjoy this book the most. As for the narration of the audiobook, Liyah Summers did a great job voicing all of the characters—male and female—without there being any confusion as to which character was speaking and the accents used for each dialect of speech. Her pacing of the narration worked for both the length of the novel and the given size of the world as hinted from the numerous locations. Liyah Summers was a great choice for this large narration and its large assembly of characters. 

            The Priory of the Orange Tree is an ambitious story of strong female characters, dragons and wyverns, magic, conspiracies, lost histories, and the end-of-the-world. Anyone who is familiar with epic fantasy stories should read this book; and, fans of fantasy and speculative fiction should not be daunted by the size of the book, but know that the story within it contains a world with rich characters whose lives are about to become interconnected for reasons lost to their histories. Not only will readers be satisfied with the narration up to the end, but also feel a sense of accomplishment for completing this amazing and adventurous fantasy story. Readers will find the time and a way to read this book as I did.

My Rating: MUST READ IT NOW (5 out of 5)!!! 

Why You Need to Read: “Realm of Ash”

The Books of Ambha: #2: Realm of Ash

By: Tasha Suri

Published: November 12, 2019

Genre: Fantasy/Historical Fiction/Coming-of-Age

NOTE: Some minor spoilers from Empire of Sand. You have been warned. 

            “My blood—my Amrithi blood in this loyal Ambhan body—is part of the curse. But it’s also part of the cure. I just don’t know how. But the Emperor’s family, your mistress…they might. Perhaps they’ll find answers in my blood that I can’t. You should send me to them, if they’ll have me,” (Chapter Five). 

            In 2018, a debut fantasy novel based on Indian mysticism was released to praise by readers and critics alike; and, Empire of Sand won the 2019 British Fantasy Award for Best Newcomer and the 2019 Brave New Words Award. In 2019, the follow-up, Realm of Ash, picks up ten years after the events in the first book and answers all of the questions in it. It was a long year to wait to read this book by Tasha Suri, and it was worth it. 

            Arwa, Mehr’s younger sister who was spirited away to safety by their stepmother, Maryam, and their father, is all grown-up (she’s 21) and recently widowed from a massacre at Darez Fort. Instead of returning to Hara to live with her parents, Arwa decides to live in a hermitage of widows (for nobility). At the beginning of the novel, Arwa is plagued by guilt for surviving the massacre, for failing in her duties as a wife (to her stepmother’s grief), and for revealing her heritage of being an Amrithi. Arwa believes Mehr died with the Maha, and her parents did everything they could to make sure Arwa didn’t repeat the same mistakes her sister made. Since Arwa looks more Ambhan (lighter skin tone) than Mehr (darker skin tone), she was taught to blend into Ambhan society and view her Amrithi heritage as a curse. However, the last lesson Mehr taught Arwa about their blood is the reason Arwa survived the massacre, and she doesn’t know how to feel about it. After arriving at the hermitage, Arwa meets Gulshera, another widow with connections to the royal family. Arwa asks Gulshera for the chance to serve the royal family and to save the Empire from ruin, an unfortunate effect of the Maha’s death. At the palace, Arwa meets Jihan, the princess, who tells her her assignment, to assist the Emperor’s blessed (bastard) son, Zahir—Jihan’s brother, with his work in occult arts to seek the Maha’s knowledge. Knowledge that could revive the Empire. Readers will see the resemblance Arwa has to Mehr in how the two sisters were sheltered from the truth of their heritage and the Emperor’s power. The more Arwa learns the more she grows into the person she had to suppress as per her stepmother and (Ambhan) gender role expectations. Arwa develops as both a characters and an individual as she makes her way through the complexities of her new status—widow and tool of the Empire—in a society which believes the past has the answers. 

            The plot of Realm of Ash is the fallout based on the ending of Empire of Sand. The Ambhan Empire has fallen on hard times since the Maha’s death. In addition, Arwa’s father was stripped of his governorship due to his behavior towards the Emperor regarding Mehr. For ten years, Arwa was raised with the goal of restoring her family to their previous status while the Empire moved into decline after 400 years of affluence. Arwa’s widowhood and revealed heritage is the chance for Arwa to restore both her family’s glory and the Empire’s prosperity. However, as Arwa and Zahir study more about the Empire’s past with the Amrithi and learn about the motivations the royal family hope to achieve with this knowledge, the two “illegitimate heretics” must determine other factors for saving the Empire. There are two subplots in this novel. The first is the truth which is revealed about the Amrithi and their ties to the Emperor’s and the Maha’s rule. The second is the tension amongst the royal siblings as the Emperor is on his deathbed and must name his successor. Both subplots are related because, as Arwa learns, the Amrithi aren’t cursed, but they were coveted for their abilities and their magic, which were used and abused by the Maha and the royal family for their benefit. These revelations comes as a shock to Arwa because it means that the foundations of the Ambhan Empire are built on lies and corruption, and the royal family made sure that those lies became beliefs within the Empire. Of course, the royal family would prefer if Arwa and Zahir would stay focused on gaining the Maha’s knowledge so that everything can go back to the way things were before his death. It’s too bad Arwa has her sister’s temperament and stubbornness for doing the “right” thing. These subplots enrich the plot in that Arwa’s life gets sidetracked again and she has to decide what to do with the truth she’s learned regarding the Empire and her family. Arwa realizes that the Empire, the Emperor and the Maha are at fault, not her sister and not the Amrithi. 

            The narrative is told from Arwa’s point-of-view as she becomes the hope for reviving the Empire. In Empire of Sand, readers learned about the Amrithi and the Maha from Mehr’s P.O.V.; in Realm of Ash, readers learn about the Ambhan and the Emperor from Arwa’s P.O.V. This provides readers with the two halves of the world-building and an understanding of all of the events across both books. In the case of Realm of Ash, Arwa experiences moments of the past in flashbacks as part of the occult rituals she performs with Zahir. In those memories, Arwa witnesses the horrific truth of her Amrithi heritage, but it leads to her accepting and marveling at it, eventually. The narrative presents Arwa’s change in demeanor and personality as she learns to heal from her traumatic experience and the shame she believed she should have for her Amrithi heritage. All of these elements of the narrative make Arwa a reliable narrator whom can be followed by all readers. 

            Tasha Suri continues to use the same style she used in Empire of Sand in Realm of Ash. She presents the Ambhan Empire as a beautiful place with denizens of various social classes and faiths. Only this time, the author puts more emphasis on the consequences of colonialism, parental influences, magic, and societal expectations and practices. The mood is hardship of a declining society and a loss of purpose in life. The tone is how individuals and society can continue to thrive once they find a new purpose and a new way to live, if given the chance. If Empire of Sand focuses on themes of strength and survival, then the themes in Realm of Ash are based on enduring and resilience!

            The appeal of Realm of Ash surpasses its predecessor, thus making the series, and the author, worthy of all of the praise given to it. Fans of fantasy, and the first book, will want to read this book; and, fans of historical fiction might enjoy this book as well. Both Books of Ambha can be read in either order—amidst minor spoilers—and readers will get the complete experience of the world the author created. The same warnings of violence and abuse from the first book are relevant in this one, but given the historical and societal context of the story, those aspects do not affect the way readers will enjoy the story.

            Realm of Ash is an amazing follow-up to Empire of Sand and answers all the questions readers had from the previous book. It is not unusual for the next book in a series to be better than the first, but Realm of Ash is a stronger story dealing with issues of lost, family, and magic. It also adds to the world-building that was half-finished in the first book, providing a complete and beautiful world that is worth saving. This book was in my top five of my favorite speculative fiction books of 2019, and I’m looking forward to reading more books by Tasha Suri.

My Rating: MUST READ IT NOW (5 out of 5)!!!

Review of Season One of “His Dark Materials”

Season one of His Dark Materials, based on The Northern Lights/The Golden Compass by Philip Pullman has completed its run on the BBC and on HBO, and they didn’t alter the ending! Overall, season one was a great adaptation to the books and some of the “fillers” worked well for the narrative that was presented to the audience. Readers got to enjoy scenes that were denied to them from the 2007 movie and viewers were able to grasp the demeanor of all of the characters thanks to both the actors’ portrayals of the characters and the “fillers” which were added for additional context. 

            It should be mentioned that the TV mini-series was a better adaptation than the movie, but this is due to the fact that neither the studios, nor the test audience (these are based on rumors, which have circulated over and over again) interfered with the editing of the series. The order of the events presented matched the way they occurred in the books, the “true” ending of season one ended the way it does in the books, and the revelations of what was happening to the missing children weren’t glossed over. Yes, the movie did get a lot of things right, and those were repeated in the series, but the TV series is more in tandem with the books.

            The issues I have with the series so far should be mentioned as well. First, is the aging up of some of the younger characters. Lyra, Roger, and Billy were all close to the age of the characters they portrayed (between 10 and 12 years-old), but Will Parry was aged up to 15 years-old (he’s around 12-13 years-old when readers first meet him). I want to say this was because of the age of the actor who is portraying Will, but it’s difficult to determine whether or not this is the case. Yes, there have been some cases in which the age of the character(s) have been altered due to the actors that play them, but there have been even more examples of when it’s happened because the studio(s) believe it’ll make the narrative “more believable.” If it’s the former, then I have no complaint; but if it’s the latter, then they should stop making it so obvious. 

            Next, were the ways the proximity of daemons were presented to the viewers. While in the books, it is unclear what the actual distance a human can be “away” from their daemon, it is clear that the proximity has to be very close in order for human and daemon to maintain their bond and their lives. However, there are moments when the proximity is unclear and that is due to the way some of daemons are presented. Sometimes they are far enough for the individual not to experience pain, and then they are so far away that you wonder whether or not they could be similar to a witch’s daemon. I hope the network and the studio corrects this misconception for season two because it became very confusing between each episode. 

            Last, was the way Dust is presented throughout the season. The mystery of Dust was portrayed better than the knowledge of it. The explanation provided in the season finale is straight from the books, but the “danger” of someone outside of Jordan College and the Magisterium having knowledge of what Dust is—which, was presented better in the movie—wasn’t demonstrated in the series the way it should have been, in my opinion. Then again, Dust is supposed to be remain a mystery throughout the series until the end. 

            Besides the casting and the special effects, there were several things that I enjoyed about season one from the titles of the episodes—based on chapters in the books—to the way the parental figures were portrayed in the series. Presenting both Mrs. Coulter and Mrs. Parry as “damaged” individuals who try to balance their demeanor with their desire to be mothers to their children was presented extremely well. The issue of succession and power amongst the panserbjørne and the Magisterium—which, are both essential to the plot of the story—were presented (with the details given throughout the books) with the hypocrisy immensely. And, the motives of Lord Asriel and his reasons for doing everything he does comes back full circle. Lord Asriel is what keeps the narrative moving along and the series makes sure that the viewers do not forget it. Yet, it was Ruth Wilson’s portrayal of Mrs. Coulter that grasped the viewers’ attention the most. 

            Overall, season one of His Dark Materials was the adaptation fans of the books waited for patiently, and the wait was worth it. All of the details that were omitted from the 2007 movie were included, the pacing matched the books and were appropriate for a TV mini-series, and the inclusion of source material from other books in the Philip Pullman’s universe—both The Book of Dust and The Subtle Knife—enriched the narrative more than expected and it worked well for the audience, both readers and viewers. Season two was announced by the BBC (with HBO promising to continue showing the series in the U.S.), which is great because this news is what book fans have been waiting for the most! The adaptation of The Subtle Knife will not only continue Lyra’s story, but also continue the narrative from the multiple cliffhangers this time around. Yes, the books should be read, but knowing that the mini-series will continue makes book fans as excited as the viewers more than anyone else can imagine! 

If you want the reviews of each episode, then you can click on each of the episode titles below:

S1, Ep.1: Lyra’s Jordan

S1, Ep. 2: The Idea of North

S1, Ep. 3: The Spies

S1, Ep. 4: Armour

S1, Ep. 5: The Lost Boy

S1, Ep. 6: The Daemon-Cages

S1, Ep. 7: The Fight to the Death

S1, Ep. 8: Betrayal

My Rating: 8.5 out of 10! 

TV Episode Review: “His Dark Materials: The Lost Boy”

This episode has three parts. The first part mirrors the 2007 movie. Lyra, the Gyptians, Lee Scoresby, and Iorek Byrnison are traveling further North to “The Station” where the missing children are being held by the Magisterium. Farder Corum meets with Serafina Pekkala to discuss both the Magisterium and their love affair. It’s Serafina who describes the importance, and the threat, of both Lord Asriel and Dust. Lyra reads her alethiometer again and learns more about The Station and about a “ghost” in a nearby village. 

            The identity of the “ghost” is the same individual as it was in the 2007 movie. However, this is NOT the case in the books. I believe the studio(s) kept this change in order for the same emotional reaction(s) from Lyra, Lee Scoresby, the Gyptians, and the audience. The answer to the question of “what” the Magisterium is doing to the children has been answered, but the question “why” has not been answered, yet. The brutality of the power of the Magisterium has been revealed in the most devastating and heartbreaking way. 

            The second part is a prequel to the events of The Subtle Knife, the second book in His Dark Materials trilogy. This is not too much of a spoiler because the series has already received a second season; and, the scenes of Will Parry and his mother are NOT in the books. The man from the Magisterium has been staking out the house where both Will and his mother lives. After his “talk” with the mother triggers an episode, Will has to be the adult and take care of his mother. These scenes between Will and his mother reflect the reality of what many people who know and/or live with someone with mental health issues experience on a regular basis. 

            Will’s mother tells him a bit about his father. The expedition he was on when he disappeared and whatever was written to her in the letters Will’s father sent her. And, while Will’s mother’s mental health is sad to watch, we—the audience—know that she’s not as crazy as everyone else believes her to be. 

            The third part is the further explanation about daemons and their importance to the humans in Lyra’s world. Daemons are souls which are manifested outside of the human body. There is a reason that many people place “the soul” in such high regard, and Philip Pullman—regardless of him being an atheist—makes sure that his audience, both readers and viewers, comprehend this information. Lee Scoresby tells Lyra his reason for the Magisterium performing “intercission,” but similar to our world, things are not always that simple. Then again, the Magisterium cannot be allowed to commit such atrocities and expect to get away with them. 

            In all, Lyra’s discovery about both the motives of the Magisterium not only makes her desire for rescuing the missing children more essential, but also sparks her interest in the relationship between Lord Asriel and the Magisterium. The introduction to Will Parry is a treat to book readers who wanted to learn of the events leading up to the beginning of The Subtle Knife. The last scene of the episode puts the last events of The Northern Lights/The Golden Compass in the order of the books, and not the 2007 movie. This climatic episode lets the audience know that the falling action is coming next. 

TV Episode Review: “His Dark Materials: Armour”

This is the episode everyone has been waiting for! Armour is the episode in which, the audience is introduced to Lee Scoresby—played by Lin-Manuel Miranda—and Iorek Byrnison—voiced by Joe Tandberg. These characters are not only essential to the story because of the roles they’ll play in the future, but also because they explain more about the existence of daemons for more clarity. Viewers of the 2007 movie will see these characters portrayed differently; and, readers will rejoice at this faithfulness to the books. 

            Lyra Belaqua and the Gyptians arrive North at a port in order to stock up on supplies for the journey and to contact the Witches—including one named Serafina Pekkala—to ask for their alliance in getting the children back from the Gobblers. These are the scenes in which the other characters, and the audience, witness how Lyra uses and reads the alethiometer. Lyra’s abilities to read the alethiometer and the truth of her parentage has started to catch the attention of Mrs. Coulter, the Gyptians, the Witches’ Council, and the Magisterium. The audience will recall that the Master of Jordan College discovered something about Lyra, and he was trying his best to keep her safe to the extent (and the extremes) of his status. 

            Meanwhile, Mrs. Coulter continues to demonstrate her cunningness and her abilities as a power player within the Magisterium. She knows her previous actions went against their instructions and the law, but Mrs. Coulter manages to evade them because she’s already a few steps ahead of the Magisterium. She has made an alliance with the King of the Armoured Bears—yes, I’m using the British English spelling for this review—and they have someone both she, and the Magisterium, want.   

            Once again, these scenes are straight from the books with the exception of the bar fights. That scene was meant to present the demeanor and the skills Lee Scoresby has and what that means for the Gyptians as they continue their journey further North. Iorek Byrnison is presented to us as Armoured Bears are supposed to be; he’s a strong and fearless fighter, and he isn’t afraid to let everyone know. The Gyptians have the alliance of the Witches and Lyra manages to gain the alliance of both of these fighters for the rescue mission. The rescue party has assembled, and they are off to save the missing children. 

            Just like other media adaptations in recent years, we’ve seen actors transcend from one popular media series to another. So far, we’ve seen Narnia, X-Men, and Game of Thrones. This episode has a character from the Harry Potter movies. Do you know who it is? Did you recognize that individual in the role they were playing?  

My Rating: 10 out of 10

Why You Need to Read: “Holy Sister”

Book of the Ancestor: Book Three: Holy Sister

By: Mark Lawrence

Published: April 9, 2019

Genre: Fantasy, Grimdark, Trilogy

            Lessons were over. The closed world of the convent was about to be broken open. The endgame had arrived, (Chapter 9). 

            Any literary series—whether or not they’re duologies, trilogies, quartets, 5, 6, 7, 10, 12, 15 books—follow similar formats in order to bring the story to a close. In many cases, the ending has a “good” ending for the remaining characters—and the dedicated readers. And yet, there are times when a “believable” ending is what is required for certain stories to have appropriate resolutions for everyone. Holy Sister by Mark Lawrence provides a “believable,” yet satisfying ending for the characters and the readers alike. All of the characters have an ending. 

            Nona Grey—our protagonist—is now around 19 years-old and is preparing for her examinations in Holy Class in order to become a nun at the Convent of Sweet Mercy. A lot has happened since the events in Grey Sister including: the escape from Sherzal’s Palace, the war that’s occurring on two fronts in Abeth, and Nona’s growth spurt. Through it all, Nona not only has to prepare for war (which, she is more than ready for), but also has to keep the promises she made to her friends and to her mentors. Nona matures throughout this novel as well. She is about to leave her teenaged years (but, NOT her adolescence) and she is making choices that will have a long-term effect on not just herself but everyone else, similar to Abbess Glass’ choices. At the same time, readers and Nona learn more about Zole (finally) and her ambitions. Zole is an ice-triber who was “found” be Sherzal and educated by her before attending Sweet Mercy. She was declared to be the “Chosen One” by Sherzal (and by Sister Wheel) at the time. While Zole did prove to be a 4-blood and very powerful, she never said she had plans to remain at Sweet Mercy beyond her education. Through Nona, we learn about Zole, her ambitions, and her culture. Zole does call herself Nona’s friend and she proves that to her over and over again. Both girls learn from each other and grow in both their powers, and their character. By the time the friends go their separate ways, we learn more about Zole and Nona, their roles in the prophecy, and their ambitions for themselves and all of Abeth. 

            There are 2 plots in Holy Sister. The first, Nona, the nuns and her friends—the other novices and her “cage mates”—are preparing to fight in the war that is moving closer and closer towards them. The second, follows Nona and Zole as they continue their escape from Sherzal’s Palace, with the Noi-Guin shipheart, immediately after the events of Grey Sister 3 years earlier. While in Holy Class, Nona gathers her friends in order to steal a book containing secrets about the 4 shiphearts, the Ark, and the prophecy of the “Chosen One.” However, the novices are not alone in seeking this book and the information within it. In addition, neither Nona, nor readers have forgotten about Sherzal, Lano Tacsis, Joeli Namsis, the Noi-Guin, Yisht, and Queen Adoma. Once again, grudges and ambitions take precedence over the problems at hand. The question is, who will be the victor as the war rages around them? Meanwhile, 3 years prior, Nona and Zole are leading the Noi-Guin away from the others who survived the assault on Sherzal’s Palace. With the Noi-Guin shipheart in their possession, the “Argatha” and her “Shield” make their way towards the Ice—where the ice-tribers, including Zole, reside. Throughout the escape, Nona learns about Zole, the ice tribes, and the shiphearts. Nona learns where Zole fits into everything that has happened at Sweet Mercy, and the power of the shiphearts. These two plots present the growth of the characters and the on goings in Abeth. At the same time, there are two subplots. One is Abbess Glass’ continued influence and plans for the endgame; two is the prophecy of the “Chosen One” and its interpretation and its (true) meaning. Both plots and both subplots converge into this final moment in Nona’s education. Everything fits together as the plot hits the climax and moves towards the resolution. Everything moves at an appropriate rate and all is revealed in due time. 

            The narrative is limited omniscient narration—only from Nona’s point-of-view—with a sequence that moves from “Present Day” to “3 Years Earlier.” Nona Grey is out reliable narrator as she continues on her journey to fulfill her role in the war (and in the prophecy). Her stream-of-consciousness goes from the war to the escape (which, is told in present tense) and her powers determine where and what Nona witnesses and experiences. At first, readers will wonder as to why the story is being told from one point in time to another one, but what Nona experiences in both narratives determine her actions as the war reaches its climax. Once this is realized, then the narrative can be followed easily. 

            The style Mark Lawrence uses changes slightly from what readers have gotten used to, but it remains relevant to the story he is telling. The prophecy and its interpretation and its meaning continues, but the significance and the importance of playing the endgame for the long run is essential in this story as well. Readers already know that the prophecy will come to pass in Holy Sister, but how will it affect the other characters? The author reminds his readers that prophecies and war focus on one event in particular, while ambitions last beyond the short term. Behind the frontlines, each character is thinking about what they will do if they survive the war and whether or not the prophecy comes to pass. The mood is war and what it brings with it; the tone is the choices individuals make as a result of war. And, the choices are not always for the good of all of the denizens. Power determines the victor in most wars, but once the war is over, what happens next? This is the importance of the endgame. Planning before and during should being a reasonable after in the long run. 

            The appeal of Holy Sister matches those in the rest of the Book of the Ancestor trilogy, positive and satisfying. Mark Lawrence has delivered a trilogy with magic, history and action alongside strong, yet flawed female characters. This series is an amazing addition to the fantasy genre, and Nona Grey is right alongside Alanna of Trebond and Lyra Belacqua as resilient and powerful female characters who proved themselves against all perceived notions against them. The popularity of this series has given readers a surprise from the author. Readers will get the chance to return to Abeth when The Girl and the Stars, the first book in the Book of the Ice is released in April 2020. 

            Holy Sister is satisfying end to the Book of the Ancestor trilogy. Both the plot and the characters are given reasonable and believable ends to their stories. The pacing and the world-building provide answers to the questions the characters and the readers had previously. Fans of fantasy and grimdark will enjoy the conclusion to this series. Mark Lawrence presents another brilliant series. 

My Rating: MUST READ IT NOW (5 out of 5)!!!