Season Two of His Dark Materials, based on The Subtle Knife—the second book in His Dark Materials Trilogy by Philip Pullman, has ended. And, I want to thank both the BBC and HBO for thinking ahead and to start production of Season Two as soon as it was announced. It’s because of this decision to move ahead with the production they were able to release this season during the COVID-19 pandemic. Yet, it was announced during San Diego Comic Con 2020 that there was an “interlude” episode they couldn’t film because of the shutdown—it’s supposed to follow Lord Asriel’s travels leading up to his reappearance in the Season Finale—but, they hope to film and to release it ahead of Season Three. Yes, we’re getting the 3rd and final season!
For those of you who haven’t read the books should know The Subtle Knife is the shortest and the most fast-paced book in the trilogy. The book focuses on introducing Will Parry to readers, introducing Lyra Silvertongue to new worlds—including ours, following up on the aftermath of Lord Asriel creating a bridge to a new world and his plans to end The Authority, Lee Scoresby and the Witches search for Lyra, the Magisterium losing control within their world, and learning about why Lyra’s task is so urgent as well as what Will being The Bearer entails. The TV mini-series takes the time to work on character development and plot development. In addition to everything mentioned, the audience learns more about the characters and the ongoings in all of the worlds and how they are related to each other.
The main change and the majority of Season Two focuses on Mrs. Coulter, Lyra’s mother. In the books, readers are aware the mother is searching for her child, and she learns of Lyra’s role in the upcoming Great War. However, readers are ignorant to her actions throughout The Subtle Knife until the very end of the book. In the mini-series, the audience learns of Mrs. Coulter’s motives and her reasons for committing all of the heinous acts she does throughout the season. This doesn’t make Mrs. Coulter a “good” person, but observing her actions and her decisions make her more emphatic; which, is why Lyra tries to avoid her at all costs.
While most of the episodes are straight-from-the-books, the time spent expanding on the characters and the world-building is admired. For example, because Will was introduced in Season One, his character was able to develop further into what readers already know he’ll become in by the end-of-the-season. Dr. Mary Malone’s scenes were insightful as well because not only is she able to make the connection between Dust and Dark Matter—while explaining them in a way the audience can understand: physics—but also the audience is able to understand her struggles with separating knowledge and thought before she can make the breakthrough in her research, which sets her on her quest to play the role of “The Serpent.”
The screen time with Lyra and Will are what drive the season, but it’s the screen time with Lee Scoresby and Dr. Stanislaus Grumman—a.k.a. Jopari, a.k.a. Colonel John Parry—who enhances it. The former are the adolescent protagonists who are destined to change the worlds using their skills and their tools. The latter are wayward travelers who realize what their destinies are and decide to act on them and protect the “Chosen Ones.” The more time the audience spends time with both pairs, the more they learn about their strengths, their flaws, and their resilience.
Overall, I enjoyed Season Two slightly more than I enjoyed Season One. One reason for this is because I spent more time comparing Season One to the movie, The Golden Compass, while distinguishing the mini-series separately. This time around, I was able to enjoy the mini-series without making more comparisons. Another reason is because the readers within the audience witnessed the dedication to the books throughout Season Two. That being said, some of the same issues are there—unnecessary changes which led to plot holes and/or too much character development—but it was a great season to watch. The performances by Dafne Keen, Amir Wilson, Ruth Wilson and Lin-Manuel Miranda have made these beloved characters their own, and I can’t wait to see how the mini-series ends when Season Three—based on The Amber Spyglass—is released, whenever that may be.
If you wish to read the reviews for each episode, then you can click on the episode titles to access them.
What. A. Year. It was a great year for stories—not necessarily publication—but a terrible year for everything else. While the pandemic brought about more time for some readers, I did NOT fall into that category. If anything, then the pandemic had me being more occupied, which brought about less time for reading. Don’t get me wrong, I still met my reading goal (100 books), but I’m going to have to change the way I do these end-of-the-year lists. I didn’t get to read or to finish reading all the books I wanted to read this year (I lost some time because I no longer had a long commute), but I read just enough books to compile this list. These books were released and read—by me—in 2020.
#15: The Order of the Pure Moon Reflected in Water by Zen Cho
This novella didn’t get the same recognition similar novellas received, and that’s a shame because this standalone work is entertaining and brilliant from start to end. The story follows a troupe of thieves for hire who are completing a job when they are recognized and have to escape, with a nun following them. From there, several hijinks and revelations ensue until the big reveal at the end leaves readers wondering whether or not this book should be a standalone.
This is a standalone novel, which serves as the English translated follow up to Vita Nostra. The story follows a DJ who saves a young girl from bullies, and by some hidden powers from the girl’s “family,” he becomes her legal guardian during her “stay” in “our world.” The girl is accompanied by a teddy bear and music strings, and her mission is to locate her missing brother while learning how to play the violin. However, the longer the girl stays, the stranger the world surrounding the DJ becomes until he is forced to behave like an adult—who is afraid of a teddy bear.
Eleanor’s Home for Wayward Children sees the return of Jack, who has been betrayed by her twin sister, Jill. A few of the students embark on a quest—which is supposed to be forbidden—in order to save Jack from Jill. This story continues to look into how the children at the school continue to hope to return Home, while catching up with their former classmates who were able to do so. On top of this, the narration of present events continues to lay out the consequences to those who believe they can ignore the rules of the world. I can’t wait to read the next book in the series!
I didn’t know what to make of this debut novel. That is, until I read the first few chapters, and the title fits the story brilliantly. The story follows Michael Kingman, the younger son of David Kingman, who was executed for murdering the Crowned Prince. Living in exile with his older brother and sister, Michael is given the chance to reenter high society and to prove his father’s innocence. But, how is Michael going to complete these tasks when everyone is a liar, and several people want him dead?
Dr. Sarah Kozloff took her massive epic fantasy and gave it to readers as a quartet, so they could binge read the books without too long of a wait. The decision to present 4 “shorter” books instead of 1 huge one had me reflecting back to Tamora Pierce’s series. However, this series can be read by both teens and adults because the lead protagonist grows from girlhood (and exiled princess) to adulthood (and a queen). During the time, she has to learn how to fend for herself, avoid being recognized and captured, how to protect her kingdom by joining up with the rebel army, and using her “Talent” to reclaim the throne. The author gives an excellent balance between fantasy (magic) and reality (science) as readers are given a straightforward—as in no previous look back on what occurred in the last book—narration which allows for an enjoyable reading experience.
Believe it or not, this is the first book by the author that I’ve read. Even though this book is a fantasy story, I will argue that the elements of magic realism make the story more realistic. The protagonist is a social worker who works for an agency that deals with “unusual” children. These children either have special abilities or are of a magical species, and our society deems that all of these children must be “registered” and “observed” so that they will grow up to be “productive adults.” The protagonist is given an assignment to observe a house where several “unusual” children reside. And, it is through this assignment that the protagonist begins to see the children as children and not just the nature of their species. This is a brilliant story about foster children, prejudice and family.
What if you were caught in a precarious situation in another country? What if assassins and political powers were searching for you? What if you were the queen of your nation? How would you survive your ordeal? This book—a reprint of the author’s debut novel—presents readers with a realistic account of survival and being royal during a time of fragile establishment and foreign hostility. What happens when a queen is lured to another land only to be betrayed and left stranded there? It’s a good thing the queen knows how to use a sword.
Yes, this book is massive, but the story makes the pages go quicker. The last book in the trilogy takes place immediately where the last one leaves off. Nahri and Prince Ali find themselves far away from Daevabad as a rebellion and usurpation continues there. Under the rule of a new tyrant, Nahri and Ali must decide whether or not to save the empire and its magic. Meanwhile, Dara comes to terms with all of the decisions he’s made in his past and during his present as he determines whether or not loyalty outweighs being noble. This was a great ending to this Arabian Nightsinspired epic fantasy.
The 3rd book in this 5-book series—remember when I thought it was a trilogy? I’m so glad I was wrong!—has all of the characters from the first 2 books joining together in order to save the world from the “real threat.” All of the events from the previous books lead up to where all of the protagonists and the characters find themselves in, and the roles they are supposed to play in the near and the far future. Another prophecy is mentioned, another dragon is introduced, and ulterior motives are revealed. The question is—especially after THAT ending—what will the heroes do next?
I enjoyed this sequel to The Gutter Prayer—my #1 Favorite Speculative Fiction Book of 2019—and it’s an interesting book. One of the reasons for this is because of the new P.O.V. characters—and a few previous ones—the readers experience the events from. This book focuses on the aftermath of the end of the first book, and instead of magical forces, there are political conspiracies and familial backstabbing amongst all of the characters. Unfortunately, politics overshadow the real threat, which once again comes from the gods.
This novella takes the history of a film which promoted racism—and revived the Ku Klux Klan—and added a supernatural element to it. There is the Klan, who terrorize Black Americans, and are human; and, there are the Ku Kluxes, supernatural beings who feed off of fear and hatred, and are only identified by those with the Sight. Because the Ku Kluxes look like White Americans, only the Black demon hunters are brave enough to fight them and to defend our world from them. However, what happens when the Ku Kluxes join the ranks of the KKK?
This novella presents the horrors and the consequences of institutional racism in Modern America. The story follows a sister and a brother who are “victims” of racism from their early childhood. After realizing that there is no avoiding becoming a “statistic,” the siblings have to decide on whether or not to use their gifts in order to change their world for the better.
This standalone novel is the follow up to the author’s debut novel. This time, instead of one female protagonist, there are three sisters. After several years apart, they are reunited under circumstances and a cause—the Women’s Suffrage Movement; and, it’s not just about the right to vote, but the right to use magic. This historical fantasy presents a throwback to Camelot, fairy tales, spells and symbolism as well as practices which brought about the Women’s Vote, the (first) Civil Rights Movement, and Labor Laws. This is a fitting story to mark what was happening one hundred years ago.
This debut novel immersed my attention and had me completing the book within 24 hours! This dark fantasy story presents the protagonist who is her community’s reminder of past sins and upcoming retributions. The author gives readers an amazing take on the hypocrisy surrounding religion, family, race, sex and leadership. The ending to this book has me excited for the upcoming sequel, which we will be getting in 2021!
There are times when the synopsis of a book isn’t enough to snag a reader’s interest, so the emphasis shifts to the book’s cover. And, what a cover! Even if you hadn’t read Rebecca Roanhorse’s The Sixth World series—which is a dystopian urban fantasy series—then reading this series—which is dark fantasy—will introduce readers what a talented storyteller the author is to all who must become familiar with her books. The novel starts with the past, jumps forward to the last moment within the narration, and then jumps back to the aftermath of the opening chapter. Readers get are presented with several characters from different backgrounds and positions, and where the Winter Solstice is a date in which something is about to happen and decisions have to be made before the moment—and, once they’re made, there is no going back. This book begins and ends the way you believe it will, which makes it all the more shocking and entertaining. Book 2 is expected sometime in the future, which will answer the question: What will happen next?
There were so many books that came out in 2020—miraculously—I didn’t get to finish reading them all! I want to read all of the books I missed this year and in previous years, but I want to be able to read all of the upcoming books (in the new year) as well. I’ll find a way to pull it off! Hopefully, this pandemic will end within the next several months—I’m not holding my hopes or my expectations too high—so some normalcy can return. Otherwise, here’s to another great year in reading. Which books of 2020 were your favorites?
The season finale for Season Two opens with the witches talking about the attack from the Specters. Will and Lyra are with the witches as they all agree that they should leave Cittàgazze right after they find Will’s father. Meanwhile, Ruta Skadi overhears a group of creatures talking about the army Lord Asriel is building up and what that means for them. It turns out, a similar war occurred millennia ago, but the Authority was victorious. They say that without the Æsahættr, Asriel will lose the war.
Lyra and Will talk about their few—or, lack of—friends from their worlds and early childhoods. Both Lyra and Will admit being around each other has led to some changes in themselves for the better. Will is beginning to understand everything his mother told him about his father while growing up without him.
Mrs. Coulter and her daemon continue to wander through the city of Cittàgazze, which is now deserted—the children have returned to the mountains to be reunited with their parents (which doesn’t happen in the books)—and she finds more clues to her daughter’s whereabouts. She comes across one of the witches, and Mrs. Coulter tortures the witch to learn of Lyra’s location and her role in the upcoming events—which is why the Magisterium is targeting her. Mrs. Coulter believes she has a reason to protect her daughter.
Dr. Mary Malone escorts the children back to their parents before continuing onward with her quest. Dr. Malone continues to consult her books—both reference and spiritual—as she determines where she should go next. Blue flower petals keep appearing wherever she goes.
Ruta Skadi and Serafina Pekkala discuss what Ruta has learned about Asriel’s war. While they agree Lyra is the child of the prophecy, they realize the Authority could win the war again, so they go their separate ways hoping to meet up again during the Great War. Meanwhile, Serafina gets called to help another ally. This leaves Lyra and Will alone with one witch. Then, Will leaves.
Lee Scoresby and Doctor Stanislaus Grumman—a.k.a. Jopari, a.k.a. Colonel John Parry—survive the attack on the balloon, but they can no longer fly in it. The Magisterium soldiers are gaining ground, and the two travelers hurry to find the children. Lee and Jopari flee from the Magisterium until they have no choice but to hold them off for as long as they can. Lee Scoresby stays behind to fight while Jopari continues to end his search for the Bearer. This heartbreaking end is straight from the books, Lee and Hester have their last moments together knowing it’ll be worth it—for Lyra.
Will answers the calling which leads him straight to his father. Dr. Grumman cannot believe his teenaged son is the Bearer. Will cannot believe his father has a daemon. This reunion while different—and brief—in the books, is more meaningful and more heartfelt in this episode. They catch up on everything: Will’s mother, John’s travels, Will’s travels, the Subtle Knife, the Great War, etc. Then, the last soldier from the Magisterium appears and takes aim.
The episode ends with Seraphina Pekkala giving Lee Scoresby his last rites and Will burying his father. Lord Asriel makes his manifesto to the Angels for wanting to go to war; and, they stand with Asriel. Mrs. Coulter reunites with Lyra and takes her away from her allies. Unfortunately, Mrs. Coulter has Lyra and Pantalaimon drugged and locked inside a trunk. During Lyra’s unconsciousness, she hears the voice of a friend.
In all, this is one of the best episodes of Season Two. The season finale almost matched the last few chapters in The Subtle Knife to a tee. Yes, there are more questions viewers will want answered, but overall all of the plots and the subplots were wrapped up to where they had to be, and the presentation made it clear the Æsahættr episode ended the way it had to. I’m looking forward to Season Three.
The episode opens with the witches in the same world as Lyra and Will. And, they see angels traveling through the world. They see this as a sign that the prophecy is coming closer to fruition. This is another sign that the war—led by Lord Asriel—is about to begin.
Meanwhile, Will continues to suffer from the loss of his fingers—he never received any medical attention of any kind. Lyra tends to him until she comes across Angelica and the rest of the children who want revenge on her and Will for getting the Knife from Angelica’s brother, which led to his death by the Specters. Before any harm can happen to them, Serafina Pekkala arrives to Lyra and Will’s aid.
The children and the witches rally beyond the city. They treat Will’s injury as best as they can, but the witches say that the plants in their world—Lyra’s world—will help Will recover. Lyra consults the Alethiometer regarding the location of Will’s father, and he’s made it into the same world they are in. There is more dialogue in these scenes as the visitors continue their journey to find Will’s father, before the Specters come after them.
At the same time, Lee Scoresby and Doctor Stanislaus Grumman arrive in a new world where they know Lyra is in. They discuss what Grumman learned while deserted in Lyra’s world—shamanism, witches, academia, spirits, etc. As they get closer to locating Lyra, so does the Magisterium, who have entered the world as well. Both Lee and Dr. Grumman work together to get the Magisterium out of the way before they can harm Lyra and the Bearer.
Meanwhile, Dr. Mary Malone arrives in the city where Lyra and Will just left. She consults some of her books about…hiking and camping(?) in order to survive her journey. Fortunately and unfortunately, she meets Angelica and her friends—who know she’s not from their world, but cannot understand why the Specters don’t attack her—who explain how their world has changed since the Specters arrived causing all of the adults to flee into the mountains. Dr. Malone agrees to take the lost children to their parents.
Cardinal MacPhail receives an answer from the Magisterium’s Alethiometer about Mrs. Coulter. The Alethiometer tells the Council what Mrs. Coulter is up to, as well as the question everyone wants an answer to: Who is Lyra Belaqua? The hints and the answer leads to the Magisterium to take action and to track down Lyra in order to kill her and to stop the prophecy from being fulfilled. Their forces head towards the opening Lord Asriel created to stop Lyra before she completes her task(s), and her destiny.
Mrs. Coulter and Carlo Boreal arrive in another world in order to track down Lyra and Will. Mrs. Coulter discovers very quickly as to why Lord Boreal is afraid of the world. Mrs. Coulter face off against the Specters, and they don’t attack her; in fact, she is able to gain some control over them. Mrs. Coulter’s revelation on how she was able to do this is a throwback from Season One. Note: this scene is a step closer to answering the question I had about the ending of The Subtle Knife. As for the last scene between Mrs. Coulter and Lord Boreal—before they go their separate ways—is NOT in the book. Actually, if I recall, then I believe Lord Boreal has a different fate in the books.
In all, this episode is a buildup to the finale, which should be closer to the books than what viewers received so far in this season. That being said, the episode was great in presenting the strengths and the abilities of all of the characters, and the dangers they all possess. The ending of this episode leaves the audience in high anticipation for the final episode in Season Two.
This episode opens with how the Subtle Knife was created and the history of the world where it was created, and how both fell to corruption. The narration is similar to the opening scene in The Lord of the Rings: The Fellowship of the Ring film, and I believe this was done intentionally in order to keep the audience’s attention, or to note the deliberate parallels between Pullman and Tolkien.
Lyra and Will return to the world where the Knife is said to be found. Unfortunately, someone else has found the Knife and its bearer. They all fight over the knife (which includes a throwback to Season One). The Subtle Knife has chosen Will to be its new bearer, and Will wears its mark. The Last Bearer has to teach Will about the Knife and how to use it before the Specters claim him. It takes some time, but Will learns how to cut into other worlds. Now, both Lyra and Will are ready to come up with a plan to get the Alethiometer back.
At last, Lee Scoresby locates Doctor Stanislaus Grumman and they discuss their plans involving Lord Asriel. Lee states that he’s interested in Lyra’s well-being and her role in whatever is about to occur during the upcoming war. Dr. Grumman tells Lee of his past and how his knowledge of the other worlds has cost him his family. Next, he explains to Lee how and why Asriel’s cause is a reasonable one. Then, the lost traveler tells the aeronaut about the Knife, why Asriel needs it, and why they need to find its Bearer.
Dr. Malone’s research continues to gain a lot of attention by “questionable” investors. She fights off those who would do harm with the knowledge she’s uncovered so far, but she knows until she makes her breakthrough, Dr. Malone won’t be able to fight off investors forever. At last, Dr. Malone does make a breakthrough with her Dark Matter research and it’s more than she expected.
The witches gather the last of their forces to search for Lyra, and to fight the Magisterium. At the same time, Mrs. Coulter has found Lyra, too. Both parties crossover into the next (our) world. Who will find Lyra first?
In all, this episode was very well done. A lot of the content from the books made it into this episode. I’m concerned about some of the filler material, but we’ll see how they’ll playout in the future episodes and the plot development.
The episode opens with the devastation left behind by the Magisterium on the witches, who swear vengeance against them. However, the clans acknowledge that their priority is to search for Lyra Silvertongue before the Great War begins. Unfortunately, they have no idea where she could be.
Lee Scoresby continues his search for Lyra—in his world—by searching for Doctor Stanislaus Grumman, in which rumors say that he is in possession of a “weapon” that offers protection. It seems that Scoresby is more of a gunslinger than an aeronaut in this adaptation, yet his conviction for finding Lyra and helping the witches continues to bring out the best in him. His interrogation with Mrs. Coulter is very interesting because viewers gain more understanding of Lee’s character as well as how and why he became an aeronaut (on the TV series anyway). As for Mrs. Coulter, I believe it’s safe to say that she recalls what it’s like to have the Magisterium looking for you.
Meanwhile, Lyra decides to return to Will’s (our) world, without him, which leaves Will searching through the World of Specters for her. These scenes are altered so that Lyra appears more careless in Will’s world and disregards Will’s warnings about “people searching for them.” Lyra loses the Alethiometer because she ignores her instincts and does what she shouldn’t do. In the books, Lyra is unaware anyone from her world is familiar with Will’s world.
Dr. Malone continues her research on Dark Matter based on what Lyra told her about Dust. In these scenes, viewers learn more about her character, including her lifestyle as a scholar, and what she must do in order to make the breakthrough in her research. And, she’s closer than she realizes.
As Will continues to search for Lyra, he meets up with Angelica who continues to warn Will about the Specters. Angelica explains to Will why the Tower is so significant in her world. It seems that scholars are very significant to the plot of this story. The scene at the movie theater is straight from the books. After Will finds Lyra, they go in search of the man who took the Alethiometer. They find the man who stole the Alethiometer, and he offers to trade it for another item, which both Will and Lyra have to retrieve.
In all, this episode is more in line with the chapters from The Subtle Knife. The expansion of character development and dialogue demonstrates where all of the characters stand at this point in the mini-series. Readers of the books know what to expect in the next episode, but the viewers are about to learn more about the workings of Dust.
It’s almost time! Season 2 of His Dark Materials will premiere on HBO (in the U.S.) this Monday. This season will be based on the second book in the trilogy, The Subtle Knife, and it will be 8 episodes long, just like Season One. Now, while The Subtle Knife is the shortest book in His Dark Materials trilogy, it doesn’t lack in story, in plot development and in character development.
With the fillers from Season 1, viewers already know who Will Parry is and his “connection” to the Magisterium. In addition, Lyra Silvertongue sees her parents for the type of people they are and decides to leave her world in order to learn more about Dust before confronting her father. Unbeknownst to the two children, everyone is looking for them: the Magisterium, the witches, and their remaining allies. Lord Asriel is building up his army in order to end the reign of the Magisterium and other organizations like it. The numerous witch covens join into a single unit in order to see the prophecy to its end. And, the Magisterium will do all they can in order to gain dominance over all worlds. Yet, how will these adversaries beat the others towards their goal?
However, searching for “invisible doorways” to other worlds isn’t working for anyone anymore. Now, everyone is searching for a tool that “creates doorways.” Does the tool choose the bearer or does the bearer search for the tool? Is it similar to the alethiometer? Are the two items related?
The Subtle Knife contains the most action of the trilogy and I expect to see it reflected throughout Season 2 of the TV series. I doubt there will be any fillers, but I’m more curious as to how and when Season 2 will end. Without going into spoilers, I wonder whether or not Season 2 will end in the same manner as The Subtle Knife; or, if some of the opening chapters from The Amber Spyglass—the final book in the trilogy—will seep into Season 2. It was announced fans can expect Season 3—based on The Amber Spyglass—to happen by both the BBC and HBO. The only thing to be concerned with is when to expect the premiere of Season 3—COVID-19 sucks.
Obviously, I’m very excited for this season of the adaptation of one of my favorite books of all-time. I’ll be reviewing each episode as they air, commenting and making predictions about what will happen next based on the adaptation—as well as the books. Who else is excited about Season 2 of His Dark Materials?
Published: February 5, 2019 Narrated by: Feodor Chin, Vikas
Genre: Fantasy Adam, Soneela Nankani
There’s a prophecy. Actually no, it’s more like a thousand prophecies. It’s the collected rantings of a thousand people…the prophecies refer to an end time, a great cataclysm, when a single man of vast evil will rise up. The “Hellwarrior” will conquer the Manol, strip vane of our immortality, kill the Emperor, destroy the Empire of Quur, and free the demons. In his right hand he will hold Urthaenriel, and with his left, he will crush the world and remake it as he desires, (29: Teraeth’s Return, Kihrin’s story).
There are times when books are released to critical acclaim and maintain buzzworthy feedback, which piques a reader’s curiosity. While I was unsure whether or not the debut novel, The Ruin of Kings—the first book in A Chorus of Dragons trilogy, would meet my expectations, I was curious about the hype surrounding this book. I guess “the powers that be” wanted me to read Jenn Lyon’s book because I received the hardcopy as a prize in a drawing, the eBook for free, and the audiobook through my subscription. So, I read this book through audiobook and immediately, I understood what all of the attention was about.
The protagonist is Kihrin, the son of a minstrel who spends more time getting into mischief for his thievery and fighting than practicing his harp. After one of his heists, it looks as if Kihrin is about to profit from his work, when a demon manifests in the city and chases him through the streets of Quur. After being saved by the city watch, it is revealed to him—because of his physical attributes—that he is the lost heir of House D’Mon, one of the 12 Royal Houses of the Quur Empire. Claimed against his will into a life he doesn’t want, Kihrin learns quickly that being a noble is not as worthwhile as the tales and other people make it out to be. At the same time, Kihrin suspects that a few members of his new family might be up to no good. However, before he can escape, Kihrin is kidnapped and sold to the Black Brotherhood as a slave. Yet, this organization isn’t interested in keeping him as a slave, but wants to train him to be an assassin in order to fulfill his destiny in the war to come. Kihrin’s story is a twisted bildungsroman about a 15-year-old boy who is forced to grow up under arduous conditions in a hostile environment with people who refuse to reveal his identity to him. Kihrin develops into an adult whose complexity leaves him with more questions than answers; but, the other characters he meets and interacts with along the way give him hints to his (true) identity.
The plot in this novel has two parts. The first is Kihrin’s life from his latest thief to his kidnapping, and in between is the time he spent living as a member of a Royal House and what transpired there. The second part is Kihrin’s capture, auction and imprisonment with the Black Brotherhood and everything that happened to him with them. Both plots reveal the two identities which were kept from Kihrin in order to keep him safe. Unfortunately, recent events brought an end to Kihrin’s carefree life. This is because the subplot—events which will lead up to the end-of-the-world—has begun and Kihrin is one of the many who can put an end to this upcoming and inevitable event. However, no one knows which part Kihrin is supposed to play within the prophecy. The subplot is crucial to the two parts of the plot because it is the reason why everything happens to Kihrin and it becomes the focal point of the series.
The narrative is what garners the most attention. The novel has two parts, which presents various moments of the occurrences throughout the Empire of Quur. Part I is told in the past tense, but with two different narrators reciting two different timelines. Kihrin begins his narration from when he was sold to the Black Brotherhood and all of the events, which happened right up to his imprisonment in jail. The second narrator—and fellow jailer—is Talon, a woman with shapeshifting abilities, among other powers, who knows A LOT about Kihrin from the jewels he stole that night, to his “return” to the D’Mon family, to his kidnapping. Talon, tells Kihrin’s story to him from her point-of-view (3rd person) and Kihrin tells his story from his point-of-view (1st person). Both of these narratives are told in flashback and they introduce the readers—and the chronicler who is the intended audience of this story (read the footnotes!)—to all of the characters Kihrin interacted with: Ola, Galen, Tyentso, and several more characters who navigate Kihrin’s life and the decisions he makes throughout the narrative. At the same time, the world-building occurs from these narrations as the audience learns about the world the author created, its history and society—including immortals, magic and jewels—how it relates to Kihrin’s predicament and how it all relates to the end-of-the-world. The world-building will keep the interest of the reader, with help from the Appendums. In Part I, Talon forces Kihrin to tell the truth and everything that happened to him up to his imprisonment, and Talon does the same for Kihrin, which angers him to no end. Due to this “creative method” of blackmailing, both Kihrin and Talon are reliable narrators through their recounting of events. Part II focuses on the first wave of cataclysmic events, which set off the prophecies about the end-of-the-world. It is here when the narration moves to present tense and the point-of-view switches between the characters who’ve become “players” in this part of the apocalypse, including Kihrin, a few members of the Black Brotherhood, and Kihrin’s family. Part II is told in 3rd person omniscient, which provides all of the action everywhere from all of the characters P.O.V.s. Here, the narration is reliable, too. The readers receive a full account of everything that led up to the end, and the stream-of-consciousness the author provides for all of her characters enriches the story so that it can be followed by the readers.
The style Jenn Lyons uses for The Ruin of Kings is the concept of oral tradition. Instead of one character providing an oral account of his story, the author inserted a second storyteller so that no detail would be omitted by the first one. Oral tradition typically results in changes to a narrative either through voluntary omission, or lack of knowledge of any kind by the storyteller (in this case, not being able to be two places at once). Here, the author found a way for the entire narration to be told orally. This is similar to how epic stories such as The Iliad, The Odyssey, and The Epic of Gilgameshwere passed down before being written down by scribes and chroniclers, and that is the style presented to the readers: two oral storytellers and one chronicler. The mood in The Ruin of Kings is imprisonment whether or not it comes from an individual’s identity, social status, or role in a prophecy, all of these elements put a restriction to one’s freedom, especially choice. The tone is how those individuals deal with their imprisonment and what choices (if few) they make when given the opportunity to make them; and, what happens when those individuals are no longer imprisoned and what that means for everyone else. Once again, both the maps and the appendums are a huge help to reading this book.
The appeal for The Ruin of Kings have been positive. Fans of A Song of Ice and Fire series and the Book of the Ancestor trilogy will enjoy this book the most. This is because both the character motivation and the idea of how prophecy is not straightforward are themes that are reflected in this novel. Jenn Lyons lets her protagonist learn the hard way that the tropes of long-lost heirs and prophetic heroes are nothing but embellishments to make such stories sound more appealing to everyone else. The one experiencing it has it the worse and gets to decide how the story will be told to everyone else; and, Kihrin almost makes the same mistake about his story, almost. This book was one of my selections for best speculative fiction books of 2019. The second book in this trilogy, The Name of All Things, was released in October 2019 with readers claiming it was better than the first book. And, the final book in the A Chorus of Dragons trilogy, The Memory of Souls, will be released in August 2020. I’m looking forward to reading the rest of his trilogy!
The audiobook experience was different this time because there were three narrators instead of the usual one. Yet, having three different voices for the three different characters who are telling the story—Kihrin, Talon and the chronicler—clue the listeners in as to who is telling the story at that moment. And, it keeps the listener(s) from tuning out of the story. Feodor Chin, Vikas Adam and Soneela Nankani voice the characters in a way that one can picture the voice matching those characters perfectly; they speak the way I imagine those characters sounding if they were real people.
The Ruin of Kings is an ambitious start to a new epic fantasy series, which present the harsh realities surrounding royalty, magic and prophecies. Within these twisted tropes is a story about a young man who had all of his choices taken away from him, yet he strives to protect everything he cares about, even if destiny says otherwise. Jenn Lyon’s story contains complex characters and a world whose history and culture is as complex yet constant as ours. This novel is like the story it tells, simple at first, and then drops you into the story “in media res.”
Published: February 26, 2019 Narrated by: Liyah Summers
Genre: Epic Fantasy
A low growl rolled through Nayimathun. She spoke as if to herself. “He is stirring. The shadow lies heavy on the West,” (Chapter 25, East).
Avid readers—especially those who read history, biographies and memoirs, and speculative fiction—do not fear tackling “long” books. In fact, many readers get upset when a long book is about to come to an end. Then, there are “long” books in which readers ask themselves, “how am I going to get through this?” This is what I asked myself when I heard about The Priory of the Orange Tree by Samantha Shannon. This 800+ page book was declared “one of the Best of 2019,” and other readers who have managed to finish the book had nothing but positive things to say about it. First, I borrowed the standalone novel from my library and started to read it. However, I knew I would need more than 2 weeks to read this book (library policy). So, I bought the eBook—when it was on sale—and I kept reading. Yet, I felt I wasn’t reading it at my usual pace. So then, I bought the audiobook and started listening to it from the beginning. It took me two months, but I enjoyed every minute of it! And, I bought the printed edition because I wanted my own hardcopy edition of the book (and it was half off)! I don’t regret purchasing these editions of this novel! The Priory of the Orange Tree is Samantha Shannon’s epic fantasy novel about female leaders, dragons, conspiracies—both political and historical—imminent danger, and identity. Don’t allow the length of the story to intimidate you, this epic tale details everything that occurs throughout this fantasy adventure!
Like most epic fantasies, there are several characters who are part of the story and play their roles. Yet, there are three protagonists who provide both the point-of-view and the connections both to the events and to several other main characters throughout the narrative. First, there is Tané, a poor orphan who is given the rare opportunity to train as a dragonrider. Overcoming the rigorous training and her destitute status, Tané is about to Test to become a dragonrider for her island home in the East. However, on the night before the Passage, an outsider washes on to the beach. Fearing that the outsider will cause a delay of the Tests—outsiders are quarantined in order to prevent any illnesses from spreading into the population— Tané hides the outsider at the home of a resident who is also not from the island. This leads to the second protagonist, Doctor Niclays Roos (a male) who resides in the East in exile after failing to please the Queen in the West. This Queen in the West, Sabran the Ninth of House Berethnet, has remained unwed since her coronation. This is a dilemma because one of her roles as queen is to bear a daughter in order to protect her kingdom from an ancient evil. However, Queen Sabran’s time consists of avoiding assassination attempts and suffering from vivid nightmares. But, she has allies. One of them is the third protagonist, Ead Duryan—one of the ladies-in-waiting to the Queen—who is really a member of a hidden society of mages whose mission centers around protecting the royal bloodline of House Berethnet, and the entire world, from Armageddon. These protagonists are rounded—they have strengths and weaknesses, they are selfish and sympathetic, they are motivated, and they are survivors—which make them believable to the readers as their narratives are presented to them. These protagonists are neither royalty nor the elite social class, which is relevant because they are able to maneuver through their societies with access to the knowledge and the information given to them by the upper class. At the same time, these protagonists are able to uncover the truth of the past for themselves and of their societies and the world they live in. And, it’s up to them to try and save it. Yet, out of the three protagonists, it is both Tané and Ead Duryan who demonstrate the most character development. Even though both women make mistakes and lose the trust of their friends and allies, they hold on to their convictions that danger is coming. Meanwhile, Doctor Niclays Roos decides to start up the same research that led to his exile. He doesn’t have anything to lose, but his experience is essential to the plot. Although, the band of characters make it difficult to keep track of at times, they appear and are mentioned enough for readers to recall who they are and their relationships to the protagonists and the other main characters.
The plot—similar to other fantasy and/or adventure tales—involves prophecies, magic and saving the world. About 1,000 years ago, heroes of the world defeated and sealed an ancient threat. However, the seal would break after a thousand years, so the heroes and the armies left and established new kingdoms—and secret orders—in order to prepare for the return of that ancient threat. Unfortunately, history becomes myth, and religion and legend with all sources of information becomes lost or altered. The story and the plot take place just as the 1,000 years are up, and the descendants are searching for a way to defeat the threat before it emerges. The subplots are how each of the four continents are preparing for Armageddon. Obviously, many do not believe or know that this event is about to occur. It takes time for the plot to develop because all of the subplots—from the introductions of the characters, the settings and the conflicts to the character development and the world-building—must develop alongside the plot. This is a slow, but an appropriate rate for the plots and the subplots to develop and to converge because this is a standalone novel. After the subplots have developed—not resolved—then the plot continues to develop on its own and at its own pace.
The narrative is told in present time and from the P.O.V.s of the protagonists. Each of the six parts of this story presents the stream-of-consciousness of Tané, Doctor Roos and Ead. This allows readers to comprehend the motives, the culture and the decisions they make throughout the story. Given that the protagonists have their desires and the events are happening in real-time, each part of the narrative is reliable because the revelations and the reactions are believable and the situations the characters find themselves in are because of the decisions and the demeanors of the characters. The narrative is easy to follow because of the step-by-step action and reaction narration presented to the readers.
The style Samantha Shannon uses for this novel is a combination of fantasy tropes, history, literature and folklore. In other words, The Priory of the Orange Tree is a reimagination of true events and culture. History and folklore such as Christianity, the Amazons, and dragons were influences for this novel. Historical moments and the literature that were written—the Crusades and stories such as The Faerie Queen by Edmund Spenser and The Mists of Avalon by Marion Zimmer Bradley—are also found within the pages of the novel. The style the author uses for this story is not new; in fact, folklore and religion are often retellings of both history and culture. However, readers become aware of this while reading the story, but would they ever consider a similar possibility that the same thing could be possible with our life and culture? The mood of the novel is foreboding and callowness. The tone is what to do and how to handle information based on what actually took place and how the truth can remain hidden within all of the stories, the mysteries, and the lies for hundreds of years. The tone and the mood work in tandem, but this plot device is revealed to the readers through a handful of characters who know the (actual) truth. This reflects reality because the truth of events is revealed to a select few of people (typically) and that is only when the truth surfaces (not always).
The appeal of this novel have been noteworthy. The Priory of the Orange Tree was labeled “one of the Best Fantasy Books of 2019,” by numerous critics and fans of epic fantasy written by Jacqueline Carey and Brandon Sanderson or any standalone fantasy story will enjoy this book the most. As for the narration of the audiobook, Liyah Summers did a great job voicing all of the characters—male and female—without there being any confusion as to which character was speaking and the accents used for each dialect of speech. Her pacing of the narration worked for both the length of the novel and the given size of the world as hinted from the numerous locations. Liyah Summers was a great choice for this large narration and its large assembly of characters.
The Priory of the Orange Tree is an ambitious story of strong female characters, dragons and wyverns, magic, conspiracies, lost histories, and the end-of-the-world. Anyone who is familiar with epic fantasy stories should read this book; and, fans of fantasy and speculative fiction should not be daunted by the size of the book, but know that the story within it contains a world with rich characters whose lives are about to become interconnected for reasons lost to their histories. Not only will readers be satisfied with the narration up to the end, but also feel a sense of accomplishment for completing this amazing and adventurous fantasy story. Readers will find the time and a way to read this book as I did.
NOTE: Some minor spoilers from Empire of Sand. You have been warned.
“My blood—my Amrithi blood in this loyal Ambhan body—is part of the curse. But it’s also part of the cure. I just don’t know how. But the Emperor’s family, your mistress…they might. Perhaps they’ll find answers in my blood that I can’t. You should send me to them, if they’ll have me,” (Chapter Five).
In 2018, a debut fantasy novel based on Indian mysticism was released to praise by readers and critics alike; and, Empire of Sand won the 2019 British Fantasy Award for Best Newcomer and the 2019 Brave New Words Award. In 2019, the follow-up, Realm of Ash, picks up ten years after the events in the first book and answers all of the questions in it. It was a long year to wait to read this book by Tasha Suri, and it was worth it.
Arwa, Mehr’s younger sister who was spirited away to safety by their stepmother, Maryam, and their father, is all grown-up (she’s 21) and recently widowed from a massacre at Darez Fort. Instead of returning to Hara to live with her parents, Arwa decides to live in a hermitage of widows (for nobility). At the beginning of the novel, Arwa is plagued by guilt for surviving the massacre, for failing in her duties as a wife (to her stepmother’s grief), and for revealing her heritage of being an Amrithi. Arwa believes Mehr died with the Maha, and her parents did everything they could to make sure Arwa didn’t repeat the same mistakes her sister made. Since Arwa looks more Ambhan (lighter skin tone) than Mehr (darker skin tone), she was taught to blend into Ambhan society and view her Amrithi heritage as a curse. However, the last lesson Mehr taught Arwa about their blood is the reason Arwa survived the massacre, and she doesn’t know how to feel about it. After arriving at the hermitage, Arwa meets Gulshera, another widow with connections to the royal family. Arwa asks Gulshera for the chance to serve the royal family and to save the Empire from ruin, an unfortunate effect of the Maha’s death. At the palace, Arwa meets Jihan, the princess, who tells her her assignment, to assist the Emperor’s blessed (bastard) son, Zahir—Jihan’s brother, with his work in occult arts to seek the Maha’s knowledge. Knowledge that could revive the Empire. Readers will see the resemblance Arwa has to Mehr in how the two sisters were sheltered from the truth of their heritage and the Emperor’s power. The more Arwa learns the more she grows into the person she had to suppress as per her stepmother and (Ambhan) gender role expectations. Arwa develops as both a characters and an individual as she makes her way through the complexities of her new status—widow and tool of the Empire—in a society which believes the past has the answers.
The plot of Realm of Ash is the fallout based on the ending of Empire of Sand. The Ambhan Empire has fallen on hard times since the Maha’s death. In addition, Arwa’s father was stripped of his governorship due to his behavior towards the Emperor regarding Mehr. For ten years, Arwa was raised with the goal of restoring her family to their previous status while the Empire moved into decline after 400 years of affluence. Arwa’s widowhood and revealed heritage is the chance for Arwa to restore both her family’s glory and the Empire’s prosperity. However, as Arwa and Zahir study more about the Empire’s past with the Amrithi and learn about the motivations the royal family hope to achieve with this knowledge, the two “illegitimate heretics” must determine other factors for saving the Empire. There are two subplots in this novel. The first is the truth which is revealed about the Amrithi and their ties to the Emperor’s and the Maha’s rule. The second is the tension amongst the royal siblings as the Emperor is on his deathbed and must name his successor. Both subplots are related because, as Arwa learns, the Amrithi aren’t cursed, but they were coveted for their abilities and their magic, which were used and abused by the Maha and the royal family for their benefit. These revelations comes as a shock to Arwa because it means that the foundations of the Ambhan Empire are built on lies and corruption, and the royal family made sure that those lies became beliefs within the Empire. Of course, the royal family would prefer if Arwa and Zahir would stay focused on gaining the Maha’s knowledge so that everything can go back to the way things were before his death. It’s too bad Arwa has her sister’s temperament and stubbornness for doing the “right” thing. These subplots enrich the plot in that Arwa’s life gets sidetracked again and she has to decide what to do with the truth she’s learned regarding the Empire and her family. Arwa realizes that the Empire, the Emperor and the Maha are at fault, not her sister and not the Amrithi.
The narrative is told from Arwa’s point-of-view as she becomes the hope for reviving the Empire. In Empire of Sand, readers learned about the Amrithi and the Maha from Mehr’s P.O.V.; in Realm of Ash, readers learn about the Ambhan and the Emperor from Arwa’s P.O.V. This provides readers with the two halves of the world-building and an understanding of all of the events across both books. In the case of Realm of Ash, Arwa experiences moments of the past in flashbacks as part of the occult rituals she performs with Zahir. In those memories, Arwa witnesses the horrific truth of her Amrithi heritage, but it leads to her accepting and marveling at it, eventually. The narrative presents Arwa’s change in demeanor and personality as she learns to heal from her traumatic experience and the shame she believed she should have for her Amrithi heritage. All of these elements of the narrative make Arwa a reliable narrator whom can be followed by all readers.
Tasha Suri continues to use the same style she used in Empire of Sand in Realm of Ash. She presents the Ambhan Empire as a beautiful place with denizens of various social classes and faiths. Only this time, the author puts more emphasis on the consequences of colonialism, parental influences, magic, and societal expectations and practices. The mood is hardship of a declining society and a loss of purpose in life. The tone is how individuals and society can continue to thrive once they find a new purpose and a new way to live, if given the chance. If Empire of Sand focuses on themes of strength and survival, then the themes in Realm of Ash are based on enduring and resilience!
The appeal of Realm of Ash surpasses its predecessor, thus making the series, and the author, worthy of all of the praise given to it. Fans of fantasy, and the first book, will want to read this book; and, fans of historical fiction might enjoy this book as well. Both Books of Ambha can be read in either order—amidst minor spoilers—and readers will get the complete experience of the world the author created. The same warnings of violence and abuse from the first book are relevant in this one, but given the historical and societal context of the story, those aspects do not affect the way readers will enjoy the story.
Realm of Ash is an amazing follow-up to Empire of Sand and answers all the questions readers had from the previous book. It is not unusual for the next book in a series to be better than the first, but Realm of Ash is a stronger story dealing with issues of lost, family, and magic. It also adds to the world-building that was half-finished in the first book, providing a complete and beautiful world that is worth saving. This book was in my top five of my favorite speculative fiction books of 2019, and I’m looking forward to reading more books by Tasha Suri.