TV Episode Review: “His Dark Materials”: “The Cave”

This episode opens up with Lyra crossing over into another world—our world—to learn more about Dust and about the similarities between her Oxford and Will’s Oxford. Unfortunately, Lyra has to learn how to adapt to this “new” world as she experiences technology—the scene with the car is straight from the books—and people without daemons, poor Pantalaimon.

            Will warns Lyra that people are looking for them and they have to do everything they can to blend in and stay hidden. Alas, Lyra is still young enough to be naïve as she makes her way through Will’s Oxford. She hasn’t figured out that there are a few individuals from her world who’ve made their way into hers a long time ago. 

            Meanwhile, the Magisterium deals with the death of Cardinal Sturrock—due to the witches’ attack and the motivations of both Father MacPhail and Mrs. Coulter—and an election for a new leader must occur before their plans can continue to move forward. At the same time, the witches convene in order to further their plans, before they receive retribution for their actions. The “testimony” provided by Dr. Martin Lanselius delves into the culture of the witches, which reveals why the Magisterium is afraid of them. “Rituals are not secret.” However, does the Magisterium fear the witches, their knowledge, or both? 

            Will’s story continues to develop further in this media adaptation. There are some hints in the books that Will’s father made arrangements for his family just in case something happened to him. Will learns he has living (paternal) grandparents, but soon realizes why his family is estranged from them. Not to mention, they are working with the authorities in the investigation about Will’s father. This scene embellishes Will’s fear of people looking for him. 

            Lyra’s search into what Dust is and her meeting with Dr. Mary Malone is from the books, precisely. Everything from Lyra using the alethiometer to her using Dr. Malone’s equipment, which confirms that both Dust and Dark Matter are the same thing. In my opinion, Dr. Malone’s research about Dust—known as Dark Matter to us—is explained better in the TV series than in the books. This could be because I read the books when I was in high school, and while I’ve heard of Dark Matter, I didn’t know enough about it to grasp the explanation of it in the books. 

            Lyra and Will share a heart-to-heart about their experiences, their situations, and their families. From there, they decide on what they have to do next. At the same time, a new Cardinal has been elected, and someone else has pinned-pointed Lyra’s location. And, the witches’ decision about war is made for them by their adversaries. 

            In all, The Cave was a better and a stronger episode than the previous one. Now, that all of the characters have a better understanding of themselves through their interactions with each other, they know what they have to do and are ready to follow up on those choices. War has been declared, the existence of worlds are starting to become recognized, and actions are about to be taken as the story continues. What will happen in the next episode?  

My Rating: 8.5 out of 10

TV Episode Review: “His Dark Materials”: “The City of Magpies”

Season Two immediately picks up where Season One left off. Lyra Silvertongue has crossed the bridge into a new world. A world that is devoid of people, except for one. Will Parry has found himself in the same world, and Lyra is the first person he’s seen since arriving there. However, both children soon learn that the other isn’t from that world, and they’re not alone. 

            Meanwhile, the witches have joined forces in order to search for Lyra and to protect her as the prophecies continue to play out. They find an ally in Lee Scoresby, who goes in search of another who is said to possess a weapon that offers protection. At the same time, the Magisterium and Mrs. Coulter find themselves preparing for war as they attempt to track down both Lord Asriel and Lyra. 

            The premiere episode of Season Two feels more like a filler than an episode, but it makes sense because there’s supposed to be a “fallout” due to Lord Asriel’s actions. He knew what he was doing and what would happen because of it, but he did it because he believes in his cause. The episode is split between the Magisterium, and Lyra and Will. The Magisterium fears losing power due to the “evidence” that they have no control over their world (and others), and Will and Lyra are searching for a haven. Lyra and Will’s interactions are almost parallel to the events in the beginning of The Subtle Knife—especially the cooking scene. 

            In all, The City of Magpies is a decent premiere of what is to come throughout Season Two. Not all worlds are the same or safe, and tensions continue to build up. Fans will enjoy the new introduction sequence. In addition, there is another cameo appearance by a young actress from another popular media adaptation series which will leave you all even more engaged in the scenes compared to other ones.

My Rating: 8 out of 10

Why You Need to Read: “Velocity Weapon”

The Protectorate: Book 1: Velocity Weapon                          

By: Megan E. O’Keefe                                        Audiobook: 18 hours 22 minutes

Published: June 11, 2019                                  Narrated by: Joe Jameson

Genre: Science Fiction/Space Opera

I am called “The Light of Berossus,” the voice said, (Chapter 1, The Aftermath of the Battle of Dralee). 

For every individual in a fandom, there is the moment, in which they were hooked, thus beginning their membership. For me and science fiction, it was my parents’ love for the two Star Trek shows which aired during the 1990s: The Next Generation and Deep Space Nine—yes, Star Wars was part of my introduction to the genre, too. From there, I started reading science fiction novels, until I stopped. Don’t get me wrong, I was still a fan of the genre, but I didn’t read as many books as I wanted to (there were plenty of movies, TV shows and video games, but that’s for another time). Sometime later I got back into the science fiction by reading the recent releases by different authors which had my exploring the genre again. Yet, it was Velocity Weapon by Megan E. O’Keefe which kept my interest to the point where I bought the audiobook so that I could know what happened after my “stop point” in reading the print book. This space opera reintroduced me to the science fiction genre and reminded me why I fell in love with it in the first place!

There are 3 protagonists in this novel, who narrate the events over the course of several years from 3 different settings. First, there is Sanda Greeve. She is a sergeant for the Ada Prime System, and the last thing she remembers is being shot by the Icarions before her evac pod allowed her to escape, onto an enemy ship—an A.I. Smartship. When she wakes up she learns is the only living being on the ship—The Light of Berossus, or Bero—and, when she asks how and why this is possible, she learns that it’s been 230 years since her ship was shot down. Sanda processes this shocking bit of news as she figures out a way to survive in space with a smartship for company. Next, there is Biran Greeve, Sanda’s younger brother, who has just graduated from the academy at the top of his class. This means that Biran will become a Keeper—a member of the Protectorate who leads Ada Prime and is one of the “keepers” of secrets and knowledge of the Star Systems, which are embedded in a chip that gets implanted inside their skull. However, as Biran is giving his speech, the Battle of Dralee—the same battle his older sister ends up fighting in—breaks out. Biran must behave as a Keeper before his indoctrination and before he can wonder whether or not his sister survived the battle. Last, there is Jules, a thief. During the latest heist with her crew, Jules and the others stumble upon two things: a dead body and a room filled with test tubes. There are other characters who interact with these protagonists throughout the story: Lolla and Harlan, Tomas Cepko, Anaia, and Callie Mera; and, they all help the protagonists develop into the people they need to be given their circumstances. Then, there is Bero, who is more than a smartship. It is aware of what’s going on more than its letting on to everyone else. 

The plot of this novel is an interesting one. The Battle of Dralee in the Prime Standard Year 3541 starts the story and the plot emerges from there, from the Greeve siblings. Biran must step up into his role as Keeper, while he breaks protocol in order to search for his missing sister. Sanda is drifting towards another Star System injured and alone on a damaged smartship. She must rely on her training and instincts, and on Bero to survive her situation. There are two subplots, which are related to the plot. The first one is the secret, in which Jules and her crew stumble across and what it could mean for them, for Icarion and for Ada Prime. The second one focuses on Bero and his motivations. Why is an enemy smartship drifting in the middle of Space? And, why did he rescue Sergeant Sanda Greeve? The plot and the subplots develop alongside the characters and the world-building at an appropriate rate, which make it impossible for the readers to lose track of everything that is going on in the story. 

The narrative jumps across 3 different years from 3 different locations from the points-of-view of several characters. All of the narratives are told in first person from the protagonists and the other characters perspectives. Readers must pay attention to the sequence of the narrative because while the narrative is the present for one character, it may be occurring in the past or the future for another character. The sequence of the narrative starts off with puzzlement for both the readers and the characters, but the events within the sequence keep the narrative in one constant motion where it can be followed by the readers and the audience. The characters’ streams-of-consciousness allow readers to know the thoughts of the characters and the reasons they make the decisions and perform the actions they do. There are moments of flashbacks within the narrative, and they provide clues of the bigger story that is being told. 

The style Megan E. O’Keefe uses in Velocity Weapon consists of the jargon of science fiction, the colloquialism of the armed forces, and the terminology for the world of space she cultivated for this series. The idea that two-star systems have been at war with each other for hundreds, or thousands, of years, with Earth as the potential beacon for the establishments for these star systems is an interesting factor to consider for the sort of story the author is presenting to her readers. The author is not presenting a science fiction story about two warring nations, she is writing a space opera—”a space story involving conflict between opponents possessing powerful technologies and abilities on a very large scale”—and about the consequences of hidden technology, which is the tone of this novel. The mood is hostility, including what it entails and how it is dealt with. While it is not that different from other space operas, it’s the way the author writes it that makes it very engaging.

The appeal for Velocity Weapon has been positive for sci-fi fans—which is good—but, minimal for the rest of the speculative fiction community. And, what I mean by that is that it is a great story that seems to be limited to one part of the literary fandom. There is enough of the same themes and ideas found in other works of science fiction and in fantasy fiction, yet it seems that more people would read this book and others like it if given the chance to learn about this story. There is a reason why this book was one of My Selections for Best Speculative Fiction Books of 2019. When I wasn’t able to continue reading this story, I finished it by listening to the audiobook. Joe Jameson’s performance of the characters make them easy for listeners to make out which character is speaking and narrating the story; and, his narration and voice is appropriate for the story that is being read by the listeners. The next book in The Protectorate series, Chaos Vector, will be released in July 2020. Fans of the first book are waiting eagerly to learn what happens next.

Velocity Weapon is an entertaining space opera about family, government conspiracies, A.I. ships, and an ongoing military campaign between nations that will keep readers’ interests from beginning to end. Megan E. O’Keefe demonstrates her abilities for writing engaging stories across the spectrum of speculative fiction. Sci-fi fans should consider adding it to theirs. This book is a reminder that space is a fascinating frontier!

My Rating: Enjoy It (4.5 out of 5).