“Scarlett Jones (diplomat) introduces the other members of our squad. ‘Tyler Jones, our commander. Zila Madran, science officer. Finian de Seel. Engineer. Catherine Brannock, pilot. And finally, Kaliis Idraban Gilwraeth, combat specialist’.” (Chapter 7, Kal).
I’ve always been curious to read stories by authors who write multiple genres of literature. Jay Kristoff has written several amazing stories within the sub-genres in both the fantasy and the science fiction genres. Now, he’s back with a new series with Amie Kaufman—who co-wrote The Illuminae Files with Kristoff—to present us with Aurora Rising, the first book in The Aurora Cycle. Jay Kristoff has described the series as a cross between The Breakfast Club and The Guardians of the Galaxy, which piques a reader’s curiosity.
This series is different from many other ones in that the story occurs after the characters graduate from school. Aurora Academy is a military school for future space cadets; and, after they graduate, there is a draft in which the top commanders get to pick their crew members for their first set of missions. Tyler Jones, who is The Top of his Class, missed the draft because he decided to explore a restricted section of a dimension—The Fold—used for space travel, stumbled upon a ship that was lost over 200 years ago, and rescued its only survivor—a girl who is the same age as him, technically. The good news is that his twin sister, Scarlett—who is a trained diplomat—and their best friend, Cat Brannock—a pilot nicknamed “Zero”—bail on the draft in order to join his crew. Unfortunately, those who make up the rest of Tyler’s crew—the science officer, the engineer, and the combat specialist—are the ones no one else wanted in their crew: an aloof girl with a trigger finger, a handicapped boy with a motormouth, and an ostracized male whose species is in the midst of a civil war and he’s not fighting in it. Then, there’s Aurora Jie-Lin O’Malley—or Auri—the girl who slept in cyro for over 200 years, who awakens with mystical powers and with the top intergalactic police forces deeming her a criminal and are attempting to arrest her. Meet Squad 312! All of these characters have flaws and with them being 17 years-old, they don’t know how to deal with their insecurities, which make all of these characters more relatable and more believable.
Both the plot and the narrative are told in the point-of-views of all 7 characters! Multiple P.O.V.s are NOT new for YA books, for it allows for both character development and plot development. For example, Tyler is a leader, who jumps to conclusions surrounding his crew members—with the exception of his sister—and he would rather follow orders than question them. Kal’s species is in the middle of a civil war and he must choose between serving his tenure with Squad 312 or leaving to participate in the war. Then, there’s Auri, who is dealing with being out-of-time and understanding what is happening to her.
The author’s style reminds readers of the reality of space travel. While it’s exciting, it’s dangerous and requires training and knowledge in order to endure it. Auri almost dies after spending over 200 years in cryostasis; Kal’s people are decimating each other in a civil war, which broke a treaty, which had dire consequences; and, an intergalactic coverup is the real threat to the universe. Both the mood and the tone match what Kaufman and Kristoff are exploring in this series: space is vast, mysterious, and archaic. Add an element of danger that is as realistic as space travel and you have a story told by these authors. Both authors do an excellent job illustrating the differences between the star students and the outcasts. However, school is out, and so are the treatments they were all used to receiving. Both the mood and the tone display the need for these characters to become the adults they need to be!
The appeal surrounding Aurora Rising will be a positive one, and I say this because there are adolescent readers who are sci-fi fans, who have been craving for a new book series about space explorers who are kids like themselves! In response, Kaufman and Kristoff have come up with a trilogy that reflects the Star Trek series. Young readers will enjoy this novel because the characters are kids who just graduated from school and have to deal with the reality of the “real” world/universe. Adult readers will enjoy this book because it will remind them of how they were like after completing school and continuing on with life. The truth within the fiction is what will appeal to readers the most. And yes, I’m already looking forward to the second book in this series!
Aurora Rising is a fun sci-fi book that presents the collaboration of two authors to readers who are both familiar and unfamiliar with them. While both the character development and the world-building are well done, the plot leaves more questions than answers, which means there will be a follow up to this book, obviously. Yet, the story is entertaining enough for readers to want more from this trilogy.
Genre: Science Fiction, Coming of Age, Post-Apocalypse, Dystopian
“I wasn’t going home Not then, not yet, or not to my home anyway. I was going to go to his home. I was going to get my dog. I was going to take his boat. And then, when and only if I did that, I would go home,”(Chapter 13, “The tower”).
The world has ended. However, this post-apocalyptic story does not occur as the world is ending, or immediately after the world ends. Instead, the story follows the descendants of those survivors; these people are living in what remains of the world 100 years later. And yes, the novel is about a boy who goes on a journey to recover his stolen dog. Before you judge the plot of this book, recall the plot of the movie, John Wick.
Griz is the protagonist and we follow the events of his adventure afterthey happen. Griz lives with his family—parents and brother and sisters—on an island. There are other people who live in this big world, including their neighbors with whom both families make supply runs together. As mentioned in the summary, a thief—named Brand—“stops by the island” and takes one of the family’s dogs. Griz, who believes in family and doing the right thing, takes off after Brand in order to get the dog back. Throughout Griz’s journey, he explores what remains of our world: buildings, wildlife, landscape, etc. Griz learns more about the world because he must survive alone with his knowledge and his instincts to guide him. The few people Griz meets throughout his journey presents both the struggle and the complications surrounding each individual, including Griz.
The plot is straightforward. Griz leaves home to chase a thief who stole from his family and took his dog. I would not call this a “hero’s journey” plot; but, instead an adolescent leaves home, learns about the world, and returns a changed person. The plot is coming-of-age; and, the subplot is survival, the man versus nature conflict. It is mentioned throughout the novel that so much time has passed and there are so few people left—according to Griz, approximately 7,000—that a lot of the previous knowledge has been lost and abandoned. Computers and vehicles are no longer operating, medical services have been reduced to herbs and remedies—an injury or an illness can lead to one’s death—and, maps are as useless to someone who doesn’t know where they are compared to someone who is able to travel to those places. The apocalypse not only reduced the human population, but also reduced all helpful knowledge for humanity to thrive. These factors let readers know that Griz’s journey is more complicated than we first believe it to be.
The narrative is told from Griz’s point-of-view after the events occurred. Griz is recounting the events of his life and his journey in a blank journal he found during one of his family’s scavenging trips. With limited ways to keep oneself occupied, writing in a journal is a good idea. This narrative could be said to be reliable because the times in which, Griz does catch up with the thief, he doesn’t allow his judgment to cloud over with what the thief tells him about himself and the world. The fact that Griz includes what the thief has to say makes this story more believable because the need to survive is highlighted in this narrative. In addition, Griz mentions parts of the story he decided to omit because it was “irrelevant” to his story. Not only does this make the narrative easier to follow, but also gives the narrative a bit of realism in that not every detail has to be included within a given story.
The style the author, C.A. Fletcher, uses makes for a believable “what is” scenario without the mention of zombies. What happens to the world and its survivors years after the world ends? In this case, the world continues as it was, but with limited interference from the actions of humanity. What’s left of any buildings are either safe, or decrepit; all animals roam without fearing humans because there are so few left; and, plants and vegetation thrive where they are with only the elements to concern them. Fletcher’s mood for his story is that the world goes on with or without humans. However, the tone reiterates the darker side of humanity. Yes, Griz and his family were gullible enough to allow a thief into their home, but the thief tells Griz more than once that he is not a “bad guy.” And, the thief is right, to an extent. With so few people and limited resources, there are some people who would resort to darker methods for survival. There are no laws to restrict anyone, anyone could get away with doing just about anything—theft, kidnapping, murder, etc.—and, not worry about consequences or law enforcement. Fletcher gives readers a two-sided notion of a post-apocalyptic world with this style of writing.
Anyone who is a fan of post-apocalyptic stories will enjoy Fletcher’s novel. As I mentioned before, there are no zombies or first wave attacks in this story; and, this does not happen immediately after the events at the end of the world. And, that’s the appeal of A Boy and His Dog at the End of the World, the aftermath of the apocalypse! Given the approximate age of Griz (16?), adolescent readers will find this novel appealing as well. I can see this novel becoming an assigned book in schools.
A Boy and His Dog at the End of the Worldis an entertaining dystopian bildungsroman novel that puts a lot of emphasis on the atmosphere of the Earth over the characters. Readers learn from Griz’s experiences that both knowledge of survival and knowledge of people go hand-in-hand. My only issue with this novel is that while Griz learned and accomplished much on his journey, he doesn’t seem changed by it that much. It could be because Griz is telling the story in his journal. The “story doesn’t end with the journey” notion that left me wondering whether or not Griz and his family has more to tell us about their world. Other than that this novel was fun to read.
It seems that my #1 goal for 2019 is to exhaust myself into completing all of the other goals I have made for myself: get a job, read 100 books, read and post about ARCs, connect with authors and editors, work on my content for my social media pages, finish some of my WIP for submission, etc. Now, I’ve decided that I’m going to read the books that are nominated for various book awards.
I’m going to call it: The Shortlist Award Reading Challenge. Last year, I followed the Hugo Awards closely because I knew that The Stone Skyby N.K. Jemisin was going to win “Best Novel,” and All Systems Redby Martha Wells was going to win “Best Novella.” However, as I was looking at the shortlist for the other categories, I realized that I read many of the books and watched many of the media that were nominated. So, I decided to read as many of the other nominees as I could before the winners were announced. Not only did I caught up to many recent series, but also I started reading works by authors who had been writing in the genre for several years. I read what I could access through libraries, bookstores, and the Internet. This process was very insightful. Soon, I was able to select whom I believed should win the Hugo Awards. While I was correct in who won in categories such as Best Novel and Best Novella, I was wrong in other categories such as John W. Campbell Award for Best New Writer.
After the winners of the Hugo Awards were announced, I made a reaction video and posted it on my YouTube channel. Then, I continued looking into the nominees and their works. For example, while I am a huge fan of Katherine Arden’s Winternight TrilogyI understood why Rebecca Roanhorse won the award in the category—Best New Writer—over her. And, I realized that some works won in the same category at other awards, and then there were a few awards in which one book won over another book. It makes you wonder if there was a difference in who voted based on preference and/or guidelines. Not to mention, one notices that other works win awards due to the way they stand out from the rest of the nominees per category.
Like everyone else, I read what is released when I am able to do so. In addition to reading my usual genres—fantasy, science fiction, magic realism, contemporary, classics, graphic novels, etc.—I read many debut novels and I catch up on series that were unknown to me previously. Now, with the 2019 Award Season gaining momentum, I’m excited to see what is nominated and who could win. TV shows and movies can be viewed from at least one viewing before comparing them. Video games are similar to books in that one must invest the time needed to immerse themselves within that narrative. I will comment on these categories for the given awards as well. As of right now, I noticed that once again, there are many books that I have not read, but I am willing to read as many of them as I can before the winners are announced.
I want to be able to determine for myself why these books and media have been nominated for these awards. I keep using the terms “books” and “media” because both fiction and non-fiction works get nominated, and movies, television shows, and video games get nominated, too. This is not only a chance to insert myself into what I might have missed otherwise, but also learn how and why these selections were nominated in the first place.
So, between now and the end of the 2019 award season, I will read as many of the nominated books and watch as many of the nominated media as I can. This way I can give my critiques before and after the awards. If you want to see the compiled list for the awards I will be following, reading, and critiquing, then please checkout this list on my Google Docs page: https://docs.google.com/document/d/1yzQEUvGTILR2LaGMVCibEbeZXp1q5PlSQIch9c0Q-IQ/edit. This list will be updated throughout the award season in order to add to the list, to highlight my reading progress, to provide access to my reviews of the nominees, and to mark the winners of each award in each category.
In addition, I will be continuing to upload reviews to this blog. Some of the nominees were reviewed previously, and I will continue to add more to my website so that you all have a better understanding of what each book is about. In other words, I’ll do the reading—which, you can do as well—and I’ll let you look over my notes, similar to what I did back in high school. As I complete the list of nominees—regardless of which award each one is nominated for—I will write, upload and share my review. As each awards ceremony gets closer, I will upload both a blog post and a YouTube video with my “prediction” on who should win and why. And, after each award ceremony, I will upload my reaction video on the winners. This is an arduous path I’ve put myself on, but I’m eager to attempt and to accomplish this ambitious goal.
Just so everyone knows, this will slow down my progress on my ARCs, essays, theories, and other reviews and content I am currently working on. However, they will get completed, eventually. The only thing that will put a complete halt on everything I’ve been doing is starting a new job—which I really, really need right now—and reworking my schedule to accomplish everything.
All that being said and addressed, I hope you either follow me, or participate with me as I read as many books as I can and offer my opinions on them. There will be many awards that I won’t be able to add to this challenge, but I’m open to the names and the nominees of each of them. Who knows? I might have read some of those books already, too. This year’s award season is going to be very exciting due to ALL of the nominees. It’s going to be very close, so close that I might have to predict a (potential) second winner within some of the categories. Bring on the 2019 Shortlist Award Reading Challenge! Will you join me?
Published: first published November 15, 2016; reprinted September 18, 2018
Genre: Science Fiction/Afrofuturism
Winner of the Nommo Award for Best Novel 2017
Apart from the classified stuff about sensitives and the xenosphere, most information about the dome is in the public domain, but it is amazing that the fringe press and conspiracy theorists have different ideas…There are those who believe the dome is a magical phenomenon. I won’t get started on the quasi-religious set,” (Chapter One).
A friend of mine gave me an ARC of this book from one of the many book expos she attends every year. Instantly, I was captivated by the information found on the back of the book. An alien biodome with “healing powers” appears in Nigeria; people with abilities are either forced into hiding, or forced to work for the government; and, the rest of the world—such as the U.S.A.—have found a way to isolate themselves from the aliens and each other. Tade Thompson’s debut novel is a great combination of sci-fi tropes, human behavior, and originality.
The characters in this novel are not trying to save the world, or travel into space. These characters are surviving within their communities due to secrets and abilities that others would die to know about. Kaaro is the protagonist of the story and we learn about him very quickly; he uses his abilities for the two jobs he has: as a security “monitor” at a bank and as an “informant” for the government. Kaaro is a “sensitive” who can “find things,” and before he worked at the bank and for the government, he was a criminal whose actions caught up with him. Readers learn about Kaaro through his interactions with Femi Alaagomeji, his boss; Aminat, his lover, who has secrets of her own; Molara, a strange being that resides within the xenosphere; and, the mysterious “Bicycle Girl” who may or may not have some knowledge about Rosewater, the biodome and its purpose. This is how readers learn of Kaaro’s character. Kaaro degrades himself, constantly, due to his low self-esteem and his guilt about his past.
The plot for Rosewateris learning the how and the why the alien biodome appeared on Earth, and why it offers “healing” to humans. The plot unravels as the story moves along with readers asking questions about the biodome, the aliens, and the rest of the world. The multiple subplots: Kaaro’s abilities as a sensitive is being exploited by his employers, Kaaro’s budding relationship with Aminat and the secrets they decide to reveal to each other as they spend more time together, and Kaaro’s past actions and how they connect to the biodome. All of the subplots are connected to the plot of the story, and it’s not what you expect it to be.
The narrative within Rosewateris told from Kaaro’s point-of-view and is told in real-time with the chapters jumping back-and-forth across a time span of 30 years in various, and actual, locations—an achronological plot. With the exception of the chapters labeled “Now,” the narrative focuses on events that provide answers to the readers’ questions about the characters and the setting. Tade Thompson’s narrative—which is similar to the flashback narrative in the TV show, Lost—focuses on parts from Kaaro’s past instead of all of it. This way, readers obtain what is relevant to the story thus keeping it on track.
The style provided by Tade Thompson in the novel uses a reliable narrator. Usually, authors do not reveal whether or not their narrators are reliable, especially in first person narratives. However, with Kaaro readers know he is reliable due to his outlook of his life due to the choices he’s made as well as admitting how and why Kaaro became a criminal and everything else that happens afterwards. At the same time, we learn of Kaaro’s feelings about the biodome through the author’s tone (his attitude) and his mood (how the readers should feel) about the biodome, which is suspicion. The style within Rosewaterprovides several mysteries within this science fiction story.
The appeal surrounding Rosewaterspeaks for itself. The novel was so popular and so immersive that it won the Nommo Award for Best Novel in 2017, and was reprinted by Orbit in 2018. In addition, Tade Thompson’s book was nominated for the John W. Campbell Memorial Award for Best Novel in 2017. The Rosewater Insurrectionis the sequel to Rosewater, and it is one of the most anticipated speculative fiction books of 2019, which picks up where the first novel left off. Personally, Rosewatermade My Selections for Best Speculative Fiction Books of 2018 for similar reasons.
Overall, Rosewateris a brilliant debut novel that fans of speculative fiction will enjoy. Both the setting and the mention of science and religion provide a sense of realism to the story. My only issue with Rosewaterwas that the plot development and the character development took longer than other recent science fiction stories I’ve read. Yet, the buildup to the reveal(s) by the novel’s end will stimulate readers into reading The Rosewater Insurrectionand other stories by the author. Tade Thompson’s method of telling believable science fiction stories will leave readers entertained and vigilant.
Binti: Sacred Fire(#1.5) released February 5, 2019
Binti: Home(#2) released January 31, 2017
Binti: The Night Masquerade(#3) released January 16, 2018
Binti: The Complete Trilogyreleased February 5, 2019
Genre: Science Fiction, Afrofuturism, Anthology
Winner of the Nebula Award for Best Novella 2015 & the Hugo Award for Best Novella 2016
PLEASE NOTE: The following contains minor spoilers for all four novellas. You have been warned.
I am Binti Ekeopara Zuzu Dambu Kaipka of Namib (Binti).
Every once in a while you hear about a story that is so unique and so captivating that it is suggested that everyone should read it regardless if it’s not from their preferred genre of literature. Bintiis a story about a young woman who leaves her home—without her family’s blessing—so that she can take advantage of an once-in-a-lifetime opportunity to attend the most prestigious university in the galaxy, Oomza Uni. She boards a spacecraft and it is traveling to a distant planet, and Binti has never been away from her home before. It seems like the story will pick up pace once the spacecraft arrives; only it is attacked by a “hostile” alien species. This is the first part of the first novella in the series by Nnedi Okorafor—which, won both the Nebula and the Hugo awards for “Best Novella”—and, neither the action, nor the story ends with the first novella! Binti: The Complete Trilogycontains all of the author’s stories in one volume!
Bintistarts off with a simple plot: a gifted young woman goes against her family’s expectations in order to attend an esteemed university. Readers are introduced to Binti’s intelligence for mathematics, abilities as a harmonizer, and Himba culture. At the same time, readers are reminded that human differences and alien versus human culture clashes exist in the future as well. One particular rivalry between the species quickly becomes the center of the story, quickly. Binti has to find a way to survive her new—and unexpected—predicament, which will be hard because the Meduse, the hostile alien species want her dead.
Binti is terrified to the point where it’s easier to blame herself for her current situation rather than realize how sheltered she was back on Earth. Binti soon realizes that she must rely on her abilities and her talent in order to understand the situation and escape with her life. However, Binti is not in control of either her abilities, or the tools she has with her. This means improvising. She soon realizes that her astrolabe allows her to communicate with the Meduse on the spacecraft. Binti is able to come up with a strategy to save herself, the lives at Oomza Uni, and the lives of the people on Earth, including her family. Even though she succeeds, the experience of Binti’s excursion to Oomza Uni changes her in more ways than one.
Binti: Sacred Fireis the latest story written by the author in this series, but it serves as an interlude between the first and the second books in the series. This tale provides an appropriate look into Binti’s life as a student at the university she saved. She has become friends with one of the Meduse, Okwu, who is now a student at the university as well. Readers gain insight into Binti’s interactions with her classmates and her professors, and her family and friends back home (the ones who are willing to talk to her).
Unfortunately, Binti’s new life at Oomza Uni is not as smooth as she hopes. She is suffering from posttraumatic stress disorder from her voyage to the university and from the bullying from a few of the humans who happen to be from a feuding tribe from Earth. Although Binti is hailed as a hero for negotiating a truce, she feels as isolated at Oomza Uni as she did back home. Not to mention, Binti is still dealing with some personal “changes” to her being.
Even though Binti is traumatized and isolated, she is not alone. Her friends are with her as she works her way through her adjustments and her traumas. Binti knows that it’ll take a while to get used to her new lifestyle, but it seems like she’ll be getting the full university experience.
Binti: Homeis about what is in the title. Binti completes her first semester or year at Oomza Uni and decides to return home to visit her family and to participate in her tribe’s pilgrimage. Binti has made progress at the university: in her classes, in her therapy sessions, and in her reputation as a Master Harmonizer. However, returning home means traveling by spacecraft, and it’s the same one Binti traveled on to get to Oomza Uni.
The spacecraft—known as The Third Fish—is a living thing that flies in outer space. Binti—who is still suffering from PTSD—decides to stay in the same room she stayed in during her first voyage in order to face her trauma. Throughout the voyage, Binti is able to make some progress of dealing with her panic attacks and flashbacks. However, Binti still has to face her fear of reuniting with her family. And, since she’s lived away from her home for a while, she’s forgotten some of her people’s more casual customs. Binti has changed in more ways than one because of her experiences. Unfortunately, her family and her tribe are static in their ways and are disgusted with Binti’s changes and growth.
The purpose of a pilgrimage is for an individual to seek growth through moral and spiritual growth. Oftentimes, that individual becomes enlightened and transformed by the end of their pilgrimage. This is what happens to Binti during her pilgrimage even if it isn’t the pilgrimage she was supposed to go on. The pilgrimage Binti goes on brings her to a new level of personal enlightenment. And, she is made aware of her own prejudices and slowly comes around to accepting the changes she’s been experiencing. At the same time, the prejudices surrounding three different clans have erupted, and Binti—once again—must rely on her skills as a harmonizer in order to diffuse the tensions before war breaks out.
Binti: The Night Masquerade starts where Binti: Homeleft off, with Binti rushing back to her family home after her pilgrimage in order to stop a war before it starts. The Night Masquerade is a personification of the coming of a “big change.” To Binti, she interprets it to mean a war is about to start. And, Binti plans on ending it before it can happen.
Cultures clash, hidden history is revealed, and someone always gets betrayed. The POVs change so that the readers have a better understanding of what is happening during certain parts of the story. Within the conclusion to this series, readers realize that not everyone is willing to accept change, not everyone wants to interact with someone who is “different” from themselves, and not everyone is willing to admit he/she/it/they have flaws. Binti comes to terms with all of this as she returns to Oomza Uni just in time for the upcoming academic year. All of her experiences and changes within herself allow Binti to elevate herself beyond the status of Master Harmonizer. However, Binti wishes to continue her studies, for the time being.
It was thrilling to read Bintiagain. And, Binti: The Complete Trilogyallows readers to enjoy all of the Binti stories in tandem. Fans of Nnedi Okorafor and readers of speculative fiction will appreciate this series compilation as much as I did. Reading through Binti’s life as a university freshman reminded me of some of my experiences during my first year of college as well, including the changes in myself and the stagnancy of everything else. Bintiis a story about personal growth through experience and change, and how expectations depend on individual actions, not those of others. This coming-of-age story is pleasing to all readers and it should not be overlooked. And, readers can rejoice knowing that Nnedi Okorafor has plans to continue Binti’s story!
2018 has been an amazing year for writers, editors, publishers, and readers of speculative fiction. Throughout this year, I’ve caught up with my reading of various genres in the print and digital formats. Also, I managed to read many of 2018’s new releases, and they were amazing reads. In fact, there were so many anticipated novels, novellas, short stories, non-fiction, and anthologies that I neither read, nor completed many of the books released in 2018.
There are two things I learned throughout all of this year’s readings. One, speculative fiction’s spectrum continues to lengthen including stories of all sorts from authors of multiple demographic backgrounds. Two, readers and publishers are becoming more and more aware of the sort of stories that could emerge from this broader genre of literature than the ‘older’ and ‘more rigid’ structures of the previous separate binary genres of the past.
The award winners and nominees of all the literature prizes demonstrate how the mainstream is starting to publicize these authors more and more. N.K. Jemisin’s historic win at the Hugo Awards made the news on several major news networks. And, Haruki Murakami withdrew his nomination for the Nobel Prize in Literature so he could, “stay focused on his writing.” These big moments in the literary community captured the attention of non-speculative fiction readers and everyone else. Maybe literary scholars will begin to pay more attention to this genre the way Americans are starting to pay attention to football (a.k.a. soccer).
Although I did NOT get to read and/or to finish many of the 2018 releases—Foundryside by Robert Jackson Bennett; Circe by Madeline Miller; Children of Blood and Bone by Toni Adeyemi; Head On by John Scalzi; Tempests and Slaughter by Tamora Pierce;How Long ‘til Black Future Month? by N.K. Jemisin, etc.—I managed to read many books of all formats (and in other genres). Obviously, my focus for this posting is what I consider to be the best releases in speculative fiction of 2018. If you are curious as to the other books I’ve read or started reading in 2018, then you can checkout my list on my Goodreads page.
Originally, I was not going to do a ranking. There were many books I wanted to mention and I was going to categorize my list based on: debut novels, novels with distinctive narratives, novellas, and anthologies. However, when I spoke to my friends and other readers, I realized that I kept mentioning the same books over and over again. These books stood out to me the most, so a Top Ten list came together.
Once again, this is a list of my favorite speculative fiction books of 2018. There won’t be any “Honorable Mentions” here, and this list will be descending (#10-#1). If you believe I missed a book, or if you wish to comment on my choices, then please leave a message in the comments section.
As I mentioned in my review of this novella on Goodreads, this novella is a good start to what will eventually be a series. And, since I have not read The Queen of Crowsyet, I can only assume that both the story and the pace will pick up in that book. Don’t get me wrong, the story is worth reading and is different from other stories I’ve read, but I wanted more from it, which is a good thing. For this reason, I cannot put this book any higher on my list.
That being said, The Armored Saintis an interesting medieval fantasy tale, which takes the notions of religion and combines it with the idea of technological warfare. In this case, giant armored bots (look at the cover) are the weapons of power. The story begins with the protagonist, Heloise, getting into trouble with those in power and she witnesses the death and the destruction of those she cares about. However, Myke Cole does not use tropes in the ‘clichéd’ way. Instead, readers are surprised at what happens to everyone within the protagonist’s inner circle. And, while this story ends with you wanting for more, you will believe you were cheated due to the slow pace of this novella.
#9Empire of Sandby Tasha Suri
2018 was a year containing many amazing debut books by authors—many of whom are not Caucasian—and managed to reintroduce readers to the notions of “old magic” and the treatment of the individuals who have the innate ability to wield it. Empire of Sandtakes a look into a society in which clans of tribesmen and tribeswomen are abducted for “the good of the Empire.”
Mehr is the illegitimate daughter of one of the Imperial Governors who defies her family’s wishes and paranoia, and performs the magical rites of her mother’s family. When the Religious Order notices her, she is forced to become a ‘tool’ for the Empire. As I read this novel, the characters are what kept my attention the most. The protagonist’s love for her family and her mixed heritage are what drives the story. The story gets really interesting during the last 100 pages, and it’ll make you want the next book in the series sooner rather than later.
#8Trail of Lightning (The Sixth World #1)by Rebecca Roanhorse
This debut novel written by the 2018 Recipient of the John W. Campbell Award for Best New Writer takes place on a dystopian Earth, which ended due to climate change. The aftermath includes the return of Navajo deities and monsters. Maggie, a monster hunter with supernatural abilities, is hired to locate a missing girl. From there, the story turns into a scavenger hunt in what remains of the Southwestern region of the United States.
This is the first fantasy novel involving Native American characters that I’ve read. Plus, I can see why Rebecca Roanhorse has been nominated for all the literary awards, and winning some of them. It’s not just about the idea that climate change is responsible for the dystopian society, but it includes the reminder that the ancient deities—no matter where they’re from and/or located—always have their desires over those of humans. The idea that the ‘end of the world’ leads to the return of the gods, so they can reform the world makes for a very intriguing story.
#7Rosewaterby Tade Thompson
I received an ARC of this book and I should have read it sooner, but I managed to read it all the same! This Afrocentric book tells an interesting story of individuals who use their innate abilities as part of their jobs, while residing near an alien dome. Yes, there was an alien invasion and every year people travel to Nigeria in order to be blessed with the healing powers of the dome.
This novel catches your attention with the reminder that a futuristic world will continue to have some of the same issues as we do in present society. In this case, cyber-hacking is a concern to the point where Kaaro, the protagonist, and others use their psychic abilities as part of their job description for both the local bank and (in Kaaro’s case) the government. After the annual healing ceremony, things go well and poorly for Kaaro. While he gets into an intimate relationship, Kaaro realizes that there is more happening to him and to those in his community. Some of it involves his past and some of it involves the changes occurring within his society. The blend of science, fantasy, and religion makes Rosewaterstand out from the rest of 2018’s speculative fiction releases. And, like the previous mentions, readers can expect a follow up book to be released in 2019.
I mentioned pacing as being essential to telling a story and Clark does an excellent job incorporating it into his novella, The Black God’s Drums. The setting is Post Civil War Louisiana where the technology is advanced and dangerous. Gender roles and terrorism are at the center of this steampunk thriller in which a young woman, Creeper, overhears a plot to bomb New Orleans during Mardi Gras.
The best thing about this novella is that I forget I was reading a novella! Creeper’s adventure in New Orleans does not occur through the span of a few weeks. Instead, the story and the dilemma occur and resolve within approximately 24-48 hours! The way Clark presents this story has you realizing that you are reading the action in real-time! For anyone who wants a quick and a fun tale, then I highly recommend The Black God’s Drums. I can’t wait to read more from this author!
#5Vengeful (Villains #2)by V.E. Schwab
Recently, I started reading Schwab’s books, and I can say that my interest in her other books and series continues to increase. Vengeful is the second book in the Villains series, and it lives up to both the fans’ expectations, and its title. Vengeful begins where Viciousends, and it’s a marvelous continuation of what happens to the characters from the first story. In addition, Schwab introduces us to new characters that either are EO’s, or know about them.
What I enjoyed the most about Vengefulis that Schwab continues to incorporate her take on the concept of ‘superheroes.’ In Schwab’s world, anyone can become an EO, but not everyone receives an ability worthy of awe. In addition, there are consequences pertaining to EO’s, and it reminds readers that anything involving magic, the supernatural, or the unknown comes at a cost. The new characters readers follow is another reminder regarding the name of the series. There are no ‘good superheroes’ in this story.
#4The Poppy Warby R.F. Kuang
This debut novel is based on the history of the Sino-Japanese War and the culture of China until that war. Readers learn about Chinese schooling, Chinese warfare, and shamanism. Rin is an orphan who decides that her only chance at a better life is an admission into Sinegard, the most elite military school in her country. While she does get into the university, Rin will have to train harder in order to remain a student there. Unfortunately, by the time Rin completes her training and her education, war breaks out and she’ll have to use everything she’s learned for her survival.
I enjoyed The Poppy Warbecause of the blending of history and fantasy. It’s interesting to read a book, which is influenced by another country’s history and culture. It’s a reminder that there are more aspects to our world than we know about. The best part of reading The Poppy Waris learning about the protagonist and the other characters who are learning and putting their training into action. Yes, the battle scenes and its aftermath are brutal reminders of war, but the scenes at the school are brutal reminders of the risks people take in order to achieve their goals.
I received an ARC for this novel, too; and, I couldn’t help it, but I started reading Spinning Silver, as soon as I got it. Spinning Silveris a companion novel to Novik’s award winning, Uprooted. This time, the tale is a retelling of Rumpelstiltskinand a cautionary tale of saying a ‘few harmless words.’ While Miryem is the main focus in Spinning Silver, she is not the only protagonist. For this reason, it makes the story all the more interesting. What will all the female characters (and one young male character)—from various backgrounds, with different dilemmas—do when the odds continue to buildup against them?
I knew that I would love Spinning Silvereven before I received it! Naomi Novik does an amazing job blending folklore into her fantasy tales. Folklore is the idea of customs, traditions and practices that get pass along through generations without keep any formal track of them, such as stories. Novik provides examples of such practices in Spinning Silver. It gives her readers something familiar while reading her fantasy stories!
This series was going to be my #1 pick of 2018 until I read the book that would push it back to #2. And, I know I’m cheating because the first novella, All Systems Red, was released in 2017, but since it won all of the awards in 2018, and you need to read the first novella in order to read the rest of them, so I rest my case! All four novellas in this series take place in consecutive order, with Artificial Conditionand Rogue Protocolfollowing the first novella, and the story concludes with Exit Strategy, for now.
Before reading Martha Wells’ books, I have not read any books about robot protagonists. However, The Murderbot Diariesare told from the point-of-view of a Security Unit, or SecUnit for short, who is a robot that offers contracted protection. In the case of our SecUnit, readers learn that it chooses to follow orders because it is not under the control of its manufacturers. In other words, the SecUnit went ‘rogue’ before the events of All Systems Red. All of the actions and the decisions our SecUnit makes throughout the novellas are choices it made itself and for its own reasons. I enjoyed every single book in this series and the series is a fun read for all science fiction readers. Yes, the SecUnit knows how to fight! I cannot wait until the upcoming novel is published!
#1Vita Nostraby Marina and Sergey Dyachenko
Every once in a while, one comes across a book, or a story, that is so captivating and impacting that it alters your view of literature. Not only does it find its way to your all-time favorite books list, but also has you searching for similar books in the same (sub)genre. I find it shocking that this award-winning novel from Ukraine was published in 2007! Why did it take over 10 years to get this novel in English?
The way Marina and Sergey Dyachenko tell this story is interesting. Sasha is ‘selected’ to become a candidate to an exclusive vocational school, before the start of her senior year in high school. Throughout that year, Sasha performs and accomplishes all of the tasks presented to her even as she notices some minor changes within herself. Once she becomes a student at the college, Sasha is pushed to her limits to the point of physical, mental, and emotional exhaustion. Yet, Sasha and her classmates continue with their studies because failure does NOT equate expulsion! Readers learn with Sasha and the other students as to why they were ‘selected’ and what they hope to achieve by the end of their education at ‘that’ school. Vita Nostrais the first book in the Metamorphosisseries; and, I hope we get the translations of those books sooner rather than later.
This is one of the best books I have ever read! Yes, I enjoy stories—regardless of its genre—that standout; Vita Nostrais an example of a story that takes its genre to a higher level. As I read the story and the events surrounding Sasha’s education, her growth into adulthood, and her disgruntled interactions with her family, I realized Vita Nostra is one of the best examples of what speculative fiction could be! The idea that there is more to our mundane world is nothing new to readers of the genre, but the way the authors present that notion through their writing leaves you in awe of everything you’ll read in this novel!
My favorites of 2018 contain books within the speculative fiction spectrum ranging from science fiction to fantasy, from folklore to alternative history, and from paranormal to metaphysical. And, while many of my picks are part of a continuing series, each book stood out to me due to the plot, the story, the setting, the characters, the pacing, etc. While there were many other noteworthy books released in 2018 that I have not read yet, I plan on reading those books while reading both other books and new releases in 2019.
2019 already looks promising with the books being released as well as others that may or may not get the same level of attention. Many of them sound exciting, but reading them will determine which stories get passed along. I hope this list provided some insight as to which books I enjoyed the most in 2018 and why. Let us continue reading in the New Year.
Winner of the Nebula Award for Best Novella 2017, the Hugo, the Alex, and the Locus Award for Best Novella 2018
PLEASE NOTE: The following contains minor spoilers for all four novellas. You have been warned.
Murderbots aren’t allowed to ride with the humans and I had to have verbal permission to enter. With my cracked governor there was nothing to stop me, but not letting anybody, especially the people who held my contract, know that I was a free agent was kind of important. Like, not having my organic components destroyed and the rest of me cut up for parts important (Chapter 1).
Out of the numerous stories and representations of robots—whether or not they are AI’s or drones—Murderbot is the most interesting one in recent years. All Systems Red, the first novella in the series, has won numerous awards since its 2017 publication. These intriguing science fiction tales of an acerbic robot who travels the galaxy in search of its identity, the humans who created it, and the humans who hired it are a humorous and a descriptive look into both Martha Wells’ galaxy and at the spectrum of robots and their relationship to humans.
All Systems Red opens with Murderbot, a Security Unit, performing its job—with a new contract with a new crew of scientists on a hostile planet—and complaining how it wants to be left alone to re-watch his favorite TV show, Sanctuary Moon. Also, it found a way to hack its government module, so it can store more entertainment shows, and not follow company issued orders as much. Typically, Security Units, or “SecUnits, or any other robot for that matter, will be dismantled if it is discovered that they have gone “rogue.”
Our SecUnit wants nothing more than to perform its job protecting humans, so it can watch human TV shows to criticize. The current group it is assigned to is willing to interact with it. At the same time, the SecUnit and the scientists realize that the planet is more hostile than mentioned in their report.
Throughout this story, readers learn that the SecUnit is still willing to perform its job, regardless of going “rogue,” and that it calls itself, “Murderbot.” However, it does question its purpose and its past; all the while it is trying to learn and to determine humans and their behavior. It could be the reason it watches all those TV shows.
Unfortunately, this assignment is not a simple one. To the dismay of both Murderbot and the scientists: Mensah, Pin-Lee, Ratthi, Gurathin and others, there are hostiles on the planet, and they attack the group. Our SecUnit demonstrates its abilities as both a fighter and a strategist. Murderbot perform its tasks to the extreme gratitude of the scientists—it gets “bought”—and, it believes there was a plot set by the corporation, GrayCris, to harm everyone—human and AI—who travel to the planet.
By the end of this story, Murderbot decides to leave its new “owner” in order to determine what the corporation, GrayCris, and its parent companies, such as Port FreeCommerce, have done to it, the scientists, and the other Security Units. In addition, it is worried about losing its purpose so maybe it wants to be able to perform what it was designed to do one last time.
Artificial Condition picks up where All Systems Red leaves off, with our SecUnit traveling in disguise through a crowded station in order to complete its quest. It is shocked when it see itself on the news and reported as “missing.” However, it is still determined to accomplish its task, alone.
Murderbot ends up on a transport with a research robot that decides to assist our protagonist on its journey by providing it with a disguise. The interaction between the two AIs is what makes this story very poignant. Murderbot “appreciates” the help the other AI gives it. In return, the two AIs watch episodes of TV shows and discuss the realities and the misconceptions in them, particularly about the various AIs presented on the shows.
This novella is more about character development than anything involving GrayCris and the scientists, but it allows readers to learn more about AIs when there are no humans around. Murderbot displays its humanity by going against what it was programmed to do. This is a rogue bot with a scrambled governor module that still performs its task to offer protection to humans. And yet, everything is tied to GrayCris.
Rogue Protocol has our SecUnit at the location of a GrayCris excavation site in order to commence its investigation into the company. Once again, Murderbot finds itself working with a group of humans and their “pet” AI. Only this time, both the humans, and the readers learn how corrupt GrayCris is and how much effort the company puts into keeping its secrets from everyone else.
Our SecUnit continues to think about its owner, Dr. Mensah, and the other human scientists it left behind while assisting this group of scientists and researchers and keeping them from making the same almost fatal blunders as Murderbot’s group of humans. Murderbot continues to fascinate us by performing more of its functions: hacking, thinking, communicating, and fighting. Martha Wells reminds us that our protagonist is NOT a rogue SecUnit with a violent streak! Unfortunately, the “enemy” AIs are aware of what Murderbot is capable of doing without its governor module. And, all for some alien remnants.
Murderbot is able to collect the evidence needed to prove GrayCris’ corruption and illegal activities. Although the consequences to the mission leaves Murderbot feeling guilty (even though it won’t admit it), it is confident that everything will work out once it returns to HaveRatton Station and Dr. Mensah. Too bad the readers are human and know the lengths corruption can reach.
Exit Strategy comes full circle for Murderbot’s personal mission. Murderbot returns to HaveRatton Station with the evidence needed to takedown GrayCris only to learn that its owner/friend, Dr. Mensah, has been abducted and is being held captive by the corporation due to its actions. Because no one is aware that Murderbot is a rogue SecUnit—with a few exceptions—it realizes quickly the possible repercussions of its actions against GrayCris. Feeling responsible, Murderbot decides to find the rest of the Preservation Team—Pin-Lee, Ratthi, and Gurathin—to rescue Mensah.
Reuniting with the characters from All Systems Redis both refreshing and directing because readers are reminded as to why Murderbot decided to defy orders—again—and function in a way it believes is the right way. At the same time, it is reminded that it still cares for the Preservation Team and why its relationships with them remind it of the AIs and the other humans from its journey to and from the GrayCris excavation site. Murderbot learns about the desperation and the collaboration of both GrayCris and Port FreeCommerce, too.
Murderbot’s role in the rescue of Mensah is all that readers expect and more. It has to think like both a bot and a human constantly because that is whom it is up against. Martha Wells does an excellent job describing the rescue mission, incorporating the characters’ dialogue, and hinting at Murderbot’s wants and purposes now that it fulfilled its goal. The ending suggests that Murderbot will be able to continue performing what it is programed to do, helping humans, while enjoying its hobby, watching media.
In all, Martha Wells’ The Murderbot Diaries delivers what science fiction readers want: a flawed but relatable protagonist, a look at the (continuing) issues amongst the human race, various settings and locations in space, dialogues with humans and AIs, and several fights involving humans and AIs with guns. Now, all we need besides the upcoming Murderbot novel is an episode of Sanctuary Moon.