Review of Season One of "His Dark Materials"

Season one of His Dark Materials, based on The Northern Lights/The Golden Compass by Philip Pullman has completed its run on the BBC and on HBO, and they didn’t alter the ending! Overall, season one was a great adaptation to the books and some of the “fillers” worked well for the narrative that was presented to the audience. Readers got to enjoy scenes that were denied to them from the 2007 movie and viewers were able to grasp the demeanor of all of the characters thanks to both the actors’ portrayals of the characters and the “fillers” which were added for additional context. 

            It should be mentioned that the TV mini-series was a better adaptation than the movie, but this is due to the fact that neither the studios, nor the test audience (these are based on rumors, which have circulated over and over again) interfered with the editing of the series. The order of the events presented matched the way they occurred in the books, the “true” ending of season one ended the way it does in the books, and the revelations of what was happening to the missing children weren’t glossed over. Yes, the movie did get a lot of things right, and those were repeated in the series, but the TV series is more in tandem with the books.

            The issues I have with the series so far should be mentioned as well. First, is the aging up of some of the younger characters. Lyra, Roger, and Billy were all close to the age of the characters they portrayed (between 10 and 12 years-old), but Will Parry was aged up to 15 years-old (he’s around 12-13 years-old when readers first meet him). I want to say this was because of the age of the actor who is portraying Will, but it’s difficult to determine whether or not this is the case. Yes, there have been some cases in which the age of the character(s) have been altered due to the actors that play them, but there have been even more examples of when it’s happened because the studio(s) believe it’ll make the narrative “more believable.” If it’s the former, then I have no complaint; but if it’s the latter, then they should stop making it so obvious. 

            Next, were the ways the proximity of daemons were presented to the viewers. While in the books, it is unclear what the actual distance a human can be “away” from their daemon, it is clear that the proximity has to be very close in order for human and daemon to maintain their bond and their lives. However, there are moments when the proximity is unclear and that is due to the way some of daemons are presented. Sometimes they are far enough for the individual not to experience pain, and then they are so far away that you wonder whether or not they could be similar to a witch’s daemon. I hope the network and the studio corrects this misconception for season two because it became very confusing between each episode. 

            Last, was the way Dust is presented throughout the season. The mystery of Dust was portrayed better than the knowledge of it. The explanation provided in the season finale is straight from the books, but the “danger” of someone outside of Jordan College and the Magisterium having knowledge of what Dust is—which, was presented better in the movie—wasn’t demonstrated in the series the way it should have been, in my opinion. Then again, Dust is supposed to be remain a mystery throughout the series until the end. 

            Besides the casting and the special effects, there were several things that I enjoyed about season one from the titles of the episodes—based on chapters in the books—to the way the parental figures were portrayed in the series. Presenting both Mrs. Coulter and Mrs. Parry as “damaged” individuals who try to balance their demeanor with their desire to be mothers to their children was presented extremely well. The issue of succession and power amongst the panserbjørne and the Magisterium—which, are both essential to the plot of the story—were presented (with the details given throughout the books) with the hypocrisy immensely. And, the motives of Lord Asriel and his reasons for doing everything he does comes back full circle. Lord Asriel is what keeps the narrative moving along and the series makes sure that the viewers do not forget it. Yet, it was Ruth Wilson’s portrayal of Mrs. Coulter that grasped the viewers’ attention the most. 

            Overall, season one of His Dark Materials was the adaptation fans of the books waited for patiently, and the wait was worth it. All of the details that were omitted from the 2007 movie were included, the pacing matched the books and were appropriate for a TV mini-series, and the inclusion of source material from other books in the Philip Pullman’s universe—both The Book of Dust and The Subtle Knife—enriched the narrative more than expected and it worked well for the audience, both readers and viewers. Season two was announced by the BBC (with HBO promising to continue showing the series in the U.S.), which is great because this news is what book fans have been waiting for the most! The adaptation of The Subtle Knife will not only continue Lyra’s story, but also continue the narrative from the multiple cliffhangers this time around. Yes, the books should be read, but knowing that the mini-series will continue makes book fans as excited as the viewers more than anyone else can imagine! 

If you want the reviews of each episode, then you can click on each of the episode titles below:

S1, Ep.1: Lyra’s Jordan

S1, Ep. 2: The Idea of North

S1, Ep. 3: The Spies

S1, Ep. 4: Armour

S1, Ep. 5: The Lost Boy

S1, Ep. 6: The Daemon-Cages

S1, Ep. 7: The Fight to the Death

S1, Ep. 8: Betrayal

My Rating: 8.5 out of 10! 

TV Episode Review: “His Dark Materials: The Idea of North”

The episode wastes no time resuming where it left off. Lyra Belaqua arrives in London with Mrs. Coulter, and Roger arrives in London to where the other kidnapped children are being held, including Billy Costa. Both children have no idea why there are wanted, but they have no choice but to go along with their circumstances. But, it’s clear that Mrs. Coulter is NOT to be trusted. 

            Mrs. Coulter is a villain whose motivations remain unknown, for now. Yet, this adaptation presents her in a way that wasn’t seen before in the movie or in the books. It’s obvious Mrs. Coulter is struggling with both the actions and the position she’s found herself in, but she is hard to read by everyone, so she remains a mystery. As of right now, Mrs. Coulter is breaking because for all of her composure, she has moments of rage. Something Lyra experiences firsthand, and it scares her. 

            Meanwhile, the Magisterium is investigating Lord Asriel’s “discovery” and the true purpose of his research. The crypts at Jordan College seem to be a very popular place because everyone finds themselves there eventually. I would use the terms heresy and hypocrisy to describe the Magisterium. While it is obvious the scholars at Oxford wonder about Lord Asriel’s theory about Dust and other worlds, it appears that the Magisterium has some knowledge about it already, and they use it to their advantage. 

            Billy and Roger are minor characters whose roles are emerging into the plot. The Gyptians are searching for the children in London, but they always arrive just too late to rescue them. After they are moved, Mrs. Coulter arrives and a scene from the books is presented for the readers; then again, the viewers see more of Mrs. Coulter’s character in the scene as well. 

            Lyra is known for being an explorer, like her uncle(?), and she knows something is going on with Mrs. Coulter. However, everything is kept under lock-and-key, so Lyra finds another way to get the information she seeks. What she finds leaves more questions than answers, but she knows that she’s not safe, especially with the Magisterium hanging around Mrs. Coulter. 

            The Idea of North is an episode that focuses on world-building and character development. A lot of it comes from the books, but there are several additional scenes that embellish the adaptation further. The episode moves towards the darker side of the story, the same dark side that Lyra was shielded from at Jordan College. We get a look into what is happening in London, in Oxford, and in Oxford (not a typo). Lyra, Mrs. Coulter, Billy and Roger, the Gyptians and the Magisterium are participating in something bigger than they believed originally. And, there is more to come. The plot develops too, but this is the chance to learn how the characters fit into the plot as it continues to develop.

My Rating: 9.5 out of 10.

Why You Need to Read: “The Survival of Molly Southbourne”

Molly Southbourne #2: The Survival of Molly Southbourne

By: Tade Thompson

Published: July 9, 2019

Genre: Horror, Science Fiction, Sequel 

WARNING: Spoilers from The Murders of Molly Southbourne and The Survival of Molly Southbourne. You have been warned.

            Molly Southbourne was a freak whose blood grew genetically identical duplicates of her. One drop of blood, and a new molly popped up, but it wasn’t cute. It wanted to kill her. Molly spent her whole life killing her duplicates just to survive, (Chapter One).

            Similar to many of the recent sequels in speculative fiction, The Survival of Molly Southbourne starts where its predecessor, The Murders of Molly Southbourne left off. In the sequel, Tade Thompson answers the questions Molly Southbourne (and readers) have had about herself. And, like other works of sci-fi horror (i.e. Alien), there are more eerie forces at work than anyone else knows. 

            Molly Southbourne is a protagonist who is “a fish out of water” because she has no identity and no purpose to her life. Molly Southbourne—the one who survived both the attacks and the fire—is now Molly Southbourne and is living as Molly Southbourne whether or not she wants to. While Molly is a duplicate of Molly “Prime,” as she calls her, she is NOT Molly Southbourne. She lacks both the knowledge, and the skills Molly Prime had. In addition, Molly does NOT have the same problem with bleeding like Molly Prime did (“hemoclones”). All Molly has are the looks and the memories of someone who is dead. Unfortunately, the new Molly Southbourne is the only one who knows, and it’s driving her crazy, literally. 

            The plot in The Survival of Molly Southbourne is how the new Molly Southbourne is adjusting to life as a 27-year-old woman who is supposed to be living as someone else. Molly has more questions about herself than Molly Prime did; and, unlike Molly Prime, Molly decides to get answers to those questions. To say that Molly’s discoveries come straight from a spy novel—complete with multiple conspiracies—would be an understatement. After she gets some answers to her questions from “several” people, Molly must decide how she is going to survive. She doesn’t have to become Molly Southbourne, but she cannot get rid of that part of herself. There is a subplot, and its focus is about a minor character from the first book who was intimate with Molly Prime. In this book, that character attempts to fight the fate Molly Prime left him with unknowingly. Will the efforts be successful? Will Molly be able to help him?

            The narrative in The Survival of Molly Southbourne is an interesting one. While Molly is the protagonist, and the story of the aftermath is told from her point-of-view (1stperson), the sequence is a combination of Molly’s actions and daily life—told in present time—with the memories of Molly Prime—also her memories—bombarding her. The combination of the flashbacks, the stream-of-consciousness, and the present gives readers insight to the adaption and the chaos that is Molly Southbourne. Her struggles and her inexperience make the narrative reliable and believable. As discombobulated as it sounds, the narrative is easy to follow. 

            The style Tade Thompson uses in The Survival of Molly Southbourne is the same as it was in The Murders of Molly Southbourne. The author continues with telling this story using tropes and style based on previous sci-fi horror stories. However, it is the mood—apathetic—and the tone—bizarre—that have changed in the sequel. Molly is making sense of everything that is happening around her, only this time those involved behave as it’s not a big deal. Molly is neither unique, nor lethal as Molly Prime was, but she manages to survive and to adapt to her life as we see through the author’s style. Readers will be pleased with this (continued) style of storytelling. 

            So far, the appeal to The Survival of Molly Southbourne have been positive. Released a month ago (at the time of this posting), readers who were curious as to how Molly’s story would continue is answered. The mysteries and the conspiracies are addressed, and the continuation of the characters from the previous book lets readers know that neither Molly Southbourne, nor Tade Thompson have forgotten about them. Both novellas can be read and enjoyed in one reading. Fans and readers of sci-fi horror need to read these books.

            The Survival of Molly Southbourne is an amazing follow-up to its prequel. While the narrative and the perspective have changed from what came before, the story is as fast paced and as haunting as The Murders of Molly Southbourne. Tade Thompson does an excellent job in bringing Molly Southbourne’s story the resolution it needs. 

My Rating: MUST READ IT NOW (5 out of 5)!!!

Why You Need to Read: “The Murders of Molly Southbourne”

Molly Southbourne #1: The Murders of Molly Southbourne

By: Tade Thompson

Published: October 3, 2017

Genre: Horror, Science Fiction

Winner of the Nommo Award for Best Novella 2018

            The rules are simple.

            “If you see a girl who looks like you, run and fight.

            Don’t bleed.

            If you bleed, blot, burn, and bleach.

            If you find a hole, find your parents.”

            Molly recites the lines to herself many times. She finds herself many times. She finds herself repeating them without intending to when she is bored, (Two).

            The Murders of Molloy Southbourne is an homage to classic horror and science fiction stories such as Strange Case of Dr. Jekyll and Mr. Hyde and Frankenstein. To say that Molly Southbourne makes the best of her situation through survival is a HUGE understatement. If Tade Thompson’s Rosewater didn’t capture your attention, then his novella will!

            Our first introduction to Molly Southbourne is from the perspective of the person she has shackled in her basement. After a few interesting interactions, Molly Southbourne tells the person her life story. From there, the person—and the reader—learns about the unusual upbringing and life of this tragic individual. Molly Southbourne grew up on a farm with her parents. And, due to an unusual condition, she is home-schooled. In between learning about literature, languages, and mathematics, Molly learns hand-to-hand combat, different types of bleach, and pyromantics. These lessons are essential because whenever Molly bleeds, a clone of her appears; and, whenever a “molly” appears, that “molly” attacks Molly. In order to keep Molly’s condition a secret, Molly is taught how to fight, to kill, to butcher, and to dispose “herself.” As eerie as it sounds, Molly proves to be an intelligent and a resilient individual. Unfortunately, life gets more complicated as she grows into adulthood and attempts to live a “normal” life. Molly continues to grow as a person, but she can neither keep her condition a secret, nor cope with what her condition could lead to. As much as Molly wants to be “normal,” she cannot.

            The plot of the story is Molly Southbourne’s life right up to the prisoner in her basement, and it follows a traditional sci-fi/horror storyline. Molly’s entire life has been stringent due to her “condition,” and as the plot develops, so does Molly, and we all realize Molly can only endure her situation for so long. At the same time, the subplots—Molly’s prisoner, and the root of Molly’s “condition”—are developing. To say both subplots will remind you of a spy thriller would be an understatement. By the time Molly discovers the “truth” of her existence, both the plot and, the subplots converge, and Molly’s character development reaches its end. 

            The narrative starts off in the first-person of Molly Southbourne’s prisoner. The prisoner is disoriented and has no memory of how and why Molly is doing what she is doing. Chapters 2 and 3 are told in flashback by Molly Southbourne and she refers to herself in the third-person. In the last chapter, the narrative switches back to the prisoner’s point-of-view, which is in the present. While it is easy for readers to view the prisoner as a reliable narrator, it is difficult to perceive Molly Southbourne as one. Yes, the narrative is vital to both the plot development and the character development, and it can be followed, but—by the end—both the prisoner and the readers are left with more questions than answers. It is safe to say that Molly Southbourne feels the same way, but she doesn’t know what else to do. 

            The style Tade Thompson presents in this novella is a throwback to the earliest horror stories we now view as classics. The word choice and the sentence structure alerts readers that the author wants your attention. Both the mood—bizarre—and, the tone—apathetic—are obvious as soon as you begin reading the story. The author makes sure that the actions and the skills of his protagonist come across as “normal” and that the condition of Molly Southbourne is “unusual.” Tade Thompson allows readers to determine whether or not Molly’s story is believable. At the same time, the author uses pivotal moments of Molly Southbourne’s life—her first menstrual period, her first boyfriend, etc.—to remind his audience over and over that Molly Southbourne is unique and lethal in her own right. Tade Thompson’s style of writing leaves the story with an open ending; just like the classic horror stories.

            The appeal surrounding The Murders of Molly Southbourne have been positive. The book won the “Nommo Award for Best Novella” in 2018; and, was nominated for the British Science Fiction Association Award, the Shirley Jackson Award, and the British Fantasy Award. The Tor.com eBook Club selected this novella as its June 2019 selection (free ebook!). Readers and critics enjoyed it enough that its sequel, The Survival of Molly Southbourne, is an anticipated follow-up (published July 9, 2019)! The Murders of Molly Southbourne is an amazing addition to the horror (and science fiction) genre and demonstrates Tade Thompson’s talent as a storyteller. This novella is enjoyable to the point where it can be read over and over again; and, readers might find an additional clue surrounding Molly Southbourne’s life during one of their many re-reads (I did!). I’m looking forward to reading the next book in the series. 

            The Murders of Molly Southbourne is the perfect story for readers who enjoy horror stories. All of the events that lead to the actions performed by Molly Southbourne and those she loves reminds readers that living with any condition is bearable as long as that individual is willing to bear it. Tade Thompson knows how to present a realistic horror story.

My rating: MUST READ IT NOW (5 out of 5)!!!

TV Episode Review: “Deadly Class: Kids of the Black Hole”

Note: There are some minor spoilers in this review. You have been warned. 

            It’s the buildup to the final showdown and the kids decide to have fun before the big fight, which is during Christmas Break. Chester has gathered his posse at the house he has taken over and continues his torture, with Chico’s head still in the ice. Saya is able to track down Chester to his hideout, which he’s turned into a fortress. Chester is expecting a retaliation from Marcus and his friends for his actions. Marcus has been making plans in order to get revenge and to prove his conviction. 

            When Willie decides not to take any part of the upcoming showdown between Marcus and his former roommate, it’s a reminder to the audience that the characters do have a choice to their actions. Maria and Marcus made decisions because they believed they didn’t have a choice. Saya chooses her friends over the assignment Master Lin gives her. Willie does have a choice and his decision to leave is vital; at the same time, we know that Willie isn’t one to abandon his friends completely. 

            Meanwhile, Master Lin’s efforts to protect his family has reached its end. Yes, he didn’t want his daughter to have the same upbringing and lifestyle as his sister and Saya, but he underestimated the need for his family to be able to defend themselves. It is not clear who tipped off Chico’s father and the rest of the Cartel, but the cliché narrative about the consequences of secrets and making the decision that should have been made in the first place will play out in the season finale. 

            Kids of the Black Holegives viewers the title of the episode. The lifestyle of assassins sucks people into a vortex. And, when presented with the opportunity to avoid that vortex, the decision to either go in, or stay out can be a matter of life and death. And, like with every decision every character has made throughout this season, there will be consequences for all of those involved. 

TV Episode Review: “Deadly Class: The Clampdown”

 Note: There are some minor spoilers in this review. You have been warned. 

            While Kings Dominion investigates the death of another student, the students are placed under lockdown. The lockdown is effective to the point where several of the students are shoved into random dorm rooms instead of their own. This is interesting because viewers see more interaction between the students who are not friendly with one another. At the same time, the cliques from the Pilotepisode is brought back in order to reiterate the reasons why these kids became students at Kings Dominion in the first place. And yes, while some of the students believe Marcus is the center of the conflicts at the school, the teachers and the administration know that Marcus is being labeled as a scapegoat. This is how rumors spread. 

            Marcus gets interrogated by Master Lin and Maria gets interrogated by Master Gao. And, while it is obvious that Master Lin and Master Gao want the same thing—to diffuse a potential race/gang war within the school—their methods demonstrate how these siblings remain at odds with each other. Master Lin believes what he wants to believe, while Master Gao knows the truth, but cannot prove it. Master Lin is able to stop the adults from interfering with the school, but Master Gao believes in “an eye for an eye” philosophy. It makes you wonder what could happen when these siblings work together instead trying to outmaneuver each other.  

Confessions is the theme for The Clampdown. Maria confesses to killing both Chico and Yukio; Marcus confesses to knowing about it; and, Saya confesses that she sees Maria as a friend even with all of the tension breaking out between the Cartel and the Yakuza. And, while it seems that the conflict between the two gangs is over for now, Marcus’ confession to his friends about his past reminds everyone what is really at stake, the existence of Kings Dominion to the outside world. 

In all, The Clampdown presents which of the students are willing to do help themselves versus which students are willing to help each other. It becomes obvious that Marcus trusts his friends more than his roommate and that Maria and Saya trust each other more than their fellow members. Silly as it may sound, this friendship is what will bring about a very entertaining season finale. 

Why You Need to Read: “Rosewater”

The Wormwood Trilogy: Book 1: Rosewater

By: Tade Thompson

Published: first published November 15, 2016; reprinted September 18, 2018

Genre: Science Fiction/Afrofuturism 

Winner of the Nommo Award for Best Novel 2017

Apart from the classified stuff about sensitives and the xenosphere, most information about the dome is in the public domain, but it is amazing that the fringe press and conspiracy theorists have different ideas…There are those who believe the dome is a magical phenomenon. I won’t get started on the quasi-religious set,” (Chapter One).

A friend of mine gave me an ARC of this book from one of the many book expos she attends every year. Instantly, I was captivated by the information found on the back of the book. An alien biodome with “healing powers” appears in Nigeria; people with abilities are either forced into hiding, or forced to work for the government; and, the rest of the world—such as the U.S.A.—have found a way to isolate themselves from the aliens and each other. Tade Thompson’s debut novel is a great combination of sci-fi tropes, human behavior, and originality. 

The characters in this novel are not trying to save the world, or travel into space. These characters are surviving within their communities due to secrets and abilities that others would die to know about. Kaaro is the protagonist of the story and we learn about him very quickly; he uses his abilities for the two jobs he has: as a security “monitor” at a bank and as an “informant” for the government. Kaaro is a “sensitive” who can “find things,” and before he worked at the bank and for the government, he was a criminal whose actions caught up with him. Readers learn about Kaaro through his interactions with Femi Alaagomeji, his boss; Aminat, his lover, who has secrets of her own; Molara, a strange being that resides within the xenosphere; and, the mysterious “Bicycle Girl” who may or may not have some knowledge about Rosewater, the biodome and its purpose. This is how readers learn of Kaaro’s character. Kaaro degrades himself, constantly, due to his low self-esteem and his guilt about his past. 

The plot for Rosewateris learning the how and the why the alien biodome appeared on Earth, and why it offers “healing” to humans. The plot unravels as the story moves along with readers asking questions about the biodome, the aliens, and the rest of the world. The multiple subplots: Kaaro’s abilities as a sensitive is being exploited by his employers, Kaaro’s budding relationship with Aminat and the secrets they decide to reveal to each other as they spend more time together, and Kaaro’s past actions and how they connect to the biodome. All of the subplots are connected to the plot of the story, and it’s not what you expect it to be.

The narrative within Rosewateris told from Kaaro’s point-of-view and is told in real-time with the chapters jumping back-and-forth across a time span of 30 years in various, and actual, locations—an achronological plot. With the exception of the chapters labeled “Now,” the narrative focuses on events that provide answers to the readers’ questions about the characters and the setting. Tade Thompson’s narrative—which is similar to the flashback narrative in the TV show, Lost—focuses on parts from Kaaro’s past instead of all of it. This way, readers obtain what is relevant to the story thus keeping it on track.

The style provided by Tade Thompson in the novel uses a reliable narrator. Usually, authors do not reveal whether or not their narrators are reliable, especially in first person narratives. However, with Kaaro readers know he is reliable due to his outlook of his life due to the choices he’s made as well as admitting how and why Kaaro became a criminal and everything else that happens afterwards. At the same time, we learn of Kaaro’s feelings about the biodome through the author’s tone (his attitude) and his mood (how the readers should feel) about the biodome, which is suspicion. The style within Rosewaterprovides several mysteries within this science fiction story.

The appeal surrounding Rosewaterspeaks for itself. The novel was so popular and so immersive that it won the Nommo Award for Best Novel in 2017, and was reprinted by Orbit in 2018. In addition, Tade Thompson’s book was nominated for the John W. Campbell Memorial Award for Best Novel in 2017. The Rosewater Insurrectionis the sequel to Rosewater, and it is one of the most anticipated speculative fiction books of 2019, which picks up where the first novel left off. Personally, Rosewatermade My Selections for Best Speculative Fiction Books of 2018 for similar reasons.

Overall, Rosewateris a brilliant debut novel that fans of speculative fiction will enjoy. Both the setting and the mention of science and religion provide a sense of realism to the story. My only issue with Rosewaterwas that the plot development and the character development took longer than other recent science fiction stories I’ve read. Yet, the buildup to the reveal(s) by the novel’s end will stimulate readers into reading The Rosewater Insurrectionand other stories by the author. Tade Thompson’s method of telling believable science fiction stories will leave readers entertained and vigilant. 

My rating: Enjoy It (4 out of 5)!