One of the best things about being a bookblogger is the book awards. Besides the “big awards” such as the Hugo and the Nebula Awards—which many of us have read at least half of the nominees—there are the SPFBO and the SPSFC—which gives bookbloggers and (indie) reviewers the chance to propel indie books towards more readers. How many of you have heard of SCKA? Well, I didn’t until I was asked to participate on the jury this year.
SCKA stands for Subjective Chaos Kind of Awards, which was started by bookbloggers. This year, I was asked to participate as one of the judges. Even though I had some other things going on at the same time—i.e. grad school—I said yes. This has been a fun yet tense experience because there is a process that must be followed. It makes you have a stronger appreciation for the other literary awards.
First, was the categories. There are 12 of us, including myself, who make up the jury and we agreed on which categories we all wanted to include for these awards. We agreed on: fantasy, science fiction, blurred (a.k.a. genre blended), debut work, series, novella and short fiction. Next, we all had the opportunity to nominate a work for each category; but, there was a catch: if we nominated for a category, then we had to read ALL of the nominees. Some of us had to remember how much we could read within a given time. So no, I didn’t participate in the 1st round voting in every category.
As you can observe from this chart: we all nominated on our nominees while making sure we didn’t nominate the same book, the same series, or the same stories. For the short fiction, we all made sure sources—either links or anthology titles—were provided for everyone so they could access them.
Here are the nominees for each category (I apologize for the list, but I couldn’t format the Excel chart onto WordPress):
Then, we read, and we read, and we read some more.
Recently, we voted on our finalists. The finalists were determined based on votes, and whichever nominees received the highest and the 2nd highest (or, in some cases, the 3rd highest) votes moved on to the finalists round.
Here are the finalists for each category based on the most votes:
The Once and Future Witches by Alix E. Harrow
The Midnight Bargain by C.L. Polk
The Space Between Worlds by Micaiah Johnson
Goldilocks by Laura Lam
Mexican Gothic by Silvia Moreno-Garcia
The Bone Shard Daughter by Andrea Stewart (tie)
Interior Chinatown by Charles Yu (tie)
Legendborn by Tracy Deonn
Cemetery Boys by Aiden Thomas (tie)
The Year of the Witching by Alexis Henderson (tie)
“Yellow and the Perception of Reality” by Maureen F. McHugh (Tor.com)
Please note: the finalists do NOT take away from the rest of the nominees AT ALL! In comparison to the rest of the nominees, the finalists stood out the most. Now, we have to read ALL of the finalists to determine the winner for each category. Unlike the nominees, all of the judges are allowed to participate in voting for the finalists in any or in all of the categories. This means that all of the finalists must be read by each juror before voting, which is fair. You can expect an announcement of the winners within the next couple of months.
Which one will be voted as the winners of SCKA 2021? Stick around and find out!
…“The Tale of Saint George and the Witches.” It’s never been one of her favorites, but she reads it anyway.
It’s the usual version: once upon a time there were three wicked witches who loosed a terrible plague on the world. But brave Saint George of Hyll rose against them. He purged witching from the world, leaving nothing but ashes behind him.
Finally only the Maiden, the Mother, and the Crone remained, the last and wickedest of witches. They fled to Avalon and hid in a tall tower, but in the end Saint George burned the Three and their tower with them, (3).
2020 was a memorable year in and of itself. This was unfortunate because events of the present—which, I won’t list in this review—did not allow us to celebrate any milestones. One in particular was the ratification of the 19thAmendment which extended the right to vote to women, which occurred on August 18, 1920. This was a huge event because the movement for women’s rights—known as the Suffrage Movement—launched on a national level with the Seneca Falls Convention in 1848. And yes, similar movements were occurring in other countries around the world. This is one example out of many which demonstrates how long women had to fight and to protest to have their voice heard within the government. Alix E. Harrow gives readers her historical interpretation of this movement—with elements of witchcraft—in her second novel, The Once and Future Witches.
There are 3 protagonists in this novel, the Eastwood sisters: Beatrice Belladonna, Agnes Amaranth and James Juniper. Circumstances have brought the sisters together in New Salem in 1893 on the spring equinox. Agnes, Bella and Juniper have neither seen nor communicated with each other in 7 years. And yet, they still feel like the family they once were regardless of what led them to their current predicaments: Bella is a librarian, Agnes works at a mill, and Juniper has left home (and is a wanted woman). Societal norms and gender stereotypes have placed the sisters in situations where they cannot hope to progress further in life. That is unless they decide to join the local suffrage group, and to practice the magic they were taught from their grandmother, Mama Mags. As these sisters reconnect and reclaim what was denied to them their entire lives, they realize that more is at stake than just having the freedom to practice magic, to vote, and to be a woman. And, they won’t have to do it alone. Joining the Eastwood sisters are: Cleopatra Quinn, a journalist and a member of the Colored Suffrage Movement from New Cairo; August S. Lee, a factory worker from Chicago who has a knack for fighting for fair treatment for factory workers and for practicing “male” witchcraft; and, several members of the Sisters of Avalon, local women who are willingly to use magic in order to receive fair treatment. The antagonists include: Gideon Hill, the ambitious politician, who knows more about witchcraft than he should; and, his ward, Grace Wiggins, who is the head of the Women’s Christian Union—an organization of women who are “content” with the way things are, and are against all suffrage groups and witchcraft. All of these characters develop at they push for what they believe in, and they are more complex than they first appear. These characters deserve our sympathy and our empathy.
There are 2 plots in this novel. The first plot is the female characters who decide to go rogue and to form their own suffrage group which permits them to use witchcraft the patriarchy has denied them for centuries. It seems whenever suffrage groups get closer to achieving their right to vote, society finds a way to “punish” these women, which forces them to learn witchcraft so that they have a way to fight back. However, why is it that magic is stronger in females than in males? The second plot surrounds the legend of “The Last Three Witches of the West” and “The Lost Way of Avalon.” In this book, everyone is familiar with the story of Saint George of Hyll and his “victory” over the witches and the destruction of their stronghold. Yet, Bella, Agnes and Juniper are able to find evidence the witches and the Tower of Avalon did and could still exist. The sisters are able to locate the Tower’s entrance and discover what is inside. The sisters learn the origins of the Tower and its “demise” and the connection it has to the present. There are 2 subplots in this novel, and they embellish the plots and allow them to go at an appropriate rate. The first subplot focuses on how society was “operated” towards the end of the 19th century; labor laws weren’t formed yet, Jim Crow and segregation were practiced, and females of all ages were subjected to misogyny from most of the males in their lives: fathers, male relations (who were favored for inheritance), bosses, politicians, etc. Females had little to no say over their lives, and they could find themselves arrested and imprisoned for refusing to follow these laws—mothers lost custody of their children—because social norms believed males were “superior” to females. The second subplot follows how witchcraft was able to exist alongside those who shunned and tried to expunge it. The question is, why? Was it due to fear, or because women were better at witchcraft than men? Once everything has been revealed to the characters (and the readers), how will they react?
The narrative in this novel is very intriguing. The narration follows the points-of-view of Bella, Agnes and Juniper in 3rd person limited narrative, which presents what each protagonist is experiencing at the moment without the other ones knowing about it. However, there is a slight difference in this narration. Magic allows the Eastwood Sisters to feel one another’s emotions, which allows them to know what is happening to the others at any given moment. The sequence is interesting as well because as the narration is presented in the present in real-time, the story halts whenever a “story” is being told by one of the characters. While the concept of “a story within a story” is nothing new, the presentation of the stories by the characters offers readers the chance to delve into the narrative even more. The narrators are reliable because readers follow their streams-of-consciousness and their memories of the pleasant and the traumatic, which makes the narrative easy to follow.
The style Alix E. Harrow uses for The Once and Future Witches is a tribute to all elements of folklore familiar and unfamiliar to her readers. The title is an allusion to the novel, The Once and Future King by T.H. White, but has the setting and the mood of The Mists of Avalon by Marion Zimmer Bradley. In addition, as I mentioned earlier, this novel is not only a retelling of folklore, but also a retelling of societal practices from over one hundred years ago. Labor and factory workers suffered long workdays with little pay, women had to follow the rules set by their fathers and their husbands and other laws otherwise they would be punished, and the blatant racism which saw segregation as a legal and an acceptable social practice. All of these are mentioned within the book as well as all of the advocates who pushed for equal rights and fair treatment such as: Ida B. Wells-Barnett and Elizabeth Cady Stanton. This novel is full of allusions to tropes from folklore and familiar tales: Avalon; the number 3; shadows, Maiden, Mother and Crone; witches, Christianity, etc. Also, Alix E. Harrow includes some of her “fractured fairy tales” throughout the story. A fractured fairy tale are stories in which “a writer or storyteller rewrites and refines them for the world we now live in,” (Yolen). Elements and/or familiar parts of a known story—Cinderella attends a festival, Sleeping Beauty must fall asleep at some point, etc.—but everything else is altered so the variant is presented as a new one. The storyteller is able to have fun with these tales as they have more freedom to tell the story that reflect their atmosphere. The Once and Future Witches is a combination of historical fiction and numerous fractured fairy tales, which presents readers with a unique historical fantasy story. The mood in this novel is oppression. Several of the characters—including the protagonists—are subjected to oppression and are willing to do anything to fight against those who dominate them. The tone in this novel refers to the legacy of witchcraft and spells; if they are not supposed to be practiced, then how has the knowledge survived since the death of the last coven of witches? It could be argued that the tone pertains to who has access to witchcraft and what it entails, especially those in power.
The appeal for this novel have been highly positive. Based on other ratings and reviews, it appears readers enjoyed The Once and Future Witches as much as or even more than the author’s first novel, The Ten Thousand Doors of January. It needs to be mentioned that the 2 books—while they belong in the speculative fiction canon—are of different subgenres. The former is a historical fantasy about witches, which is categorized in the paranormal and the urban fantasy (and the witches) subgenres. The latter is a portal fantasy, which is a subgenre of fantasy. Readers need to understand these books are different, yet enjoyable. Fans of The Priory of the Orange Tree by Samantha Shannon and the Winternight Trilogy by Katherine Arden will enjoy this book the most.
The Once and Future Witches is more than a story about witchcraft, it is a combination of various folklore and moments in history. Alix E. Harrow celebrates the centennial of the 19th Amendment by gifting her readers a harsh reminder of how society used to be, and how we take certain rights for granted. If anything else, then you should read this story for the (fractured) fairy tales.
My Rating: Enjoy It (4.5 out of 5).
Yolen, Jane. How to Fracture a Fairy Tale. E-Book, Tachyon Publications, 2018.
What. A. Year. It was a great year for stories—not necessarily publication—but a terrible year for everything else. While the pandemic brought about more time for some readers, I did NOT fall into that category. If anything, then the pandemic had me being more occupied, which brought about less time for reading. Don’t get me wrong, I still met my reading goal (100 books), but I’m going to have to change the way I do these end-of-the-year lists. I didn’t get to read or to finish reading all the books I wanted to read this year (I lost some time because I no longer had a long commute), but I read just enough books to compile this list. These books were released and read—by me—in 2020.
#15: The Order of the Pure Moon Reflected in Water by Zen Cho
This novella didn’t get the same recognition similar novellas received, and that’s a shame because this standalone work is entertaining and brilliant from start to end. The story follows a troupe of thieves for hire who are completing a job when they are recognized and have to escape, with a nun following them. From there, several hijinks and revelations ensue until the big reveal at the end leaves readers wondering whether or not this book should be a standalone.
This is a standalone novel, which serves as the English translated follow up to Vita Nostra. The story follows a DJ who saves a young girl from bullies, and by some hidden powers from the girl’s “family,” he becomes her legal guardian during her “stay” in “our world.” The girl is accompanied by a teddy bear and music strings, and her mission is to locate her missing brother while learning how to play the violin. However, the longer the girl stays, the stranger the world surrounding the DJ becomes until he is forced to behave like an adult—who is afraid of a teddy bear.
Eleanor’s Home for Wayward Children sees the return of Jack, who has been betrayed by her twin sister, Jill. A few of the students embark on a quest—which is supposed to be forbidden—in order to save Jack from Jill. This story continues to look into how the children at the school continue to hope to return Home, while catching up with their former classmates who were able to do so. On top of this, the narration of present events continues to lay out the consequences to those who believe they can ignore the rules of the world. I can’t wait to read the next book in the series!
I didn’t know what to make of this debut novel. That is, until I read the first few chapters, and the title fits the story brilliantly. The story follows Michael Kingman, the younger son of David Kingman, who was executed for murdering the Crowned Prince. Living in exile with his older brother and sister, Michael is given the chance to reenter high society and to prove his father’s innocence. But, how is Michael going to complete these tasks when everyone is a liar, and several people want him dead?
Dr. Sarah Kozloff took her massive epic fantasy and gave it to readers as a quartet, so they could binge read the books without too long of a wait. The decision to present 4 “shorter” books instead of 1 huge one had me reflecting back to Tamora Pierce’s series. However, this series can be read by both teens and adults because the lead protagonist grows from girlhood (and exiled princess) to adulthood (and a queen). During the time, she has to learn how to fend for herself, avoid being recognized and captured, how to protect her kingdom by joining up with the rebel army, and using her “Talent” to reclaim the throne. The author gives an excellent balance between fantasy (magic) and reality (science) as readers are given a straightforward—as in no previous look back on what occurred in the last book—narration which allows for an enjoyable reading experience.
Believe it or not, this is the first book by the author that I’ve read. Even though this book is a fantasy story, I will argue that the elements of magic realism make the story more realistic. The protagonist is a social worker who works for an agency that deals with “unusual” children. These children either have special abilities or are of a magical species, and our society deems that all of these children must be “registered” and “observed” so that they will grow up to be “productive adults.” The protagonist is given an assignment to observe a house where several “unusual” children reside. And, it is through this assignment that the protagonist begins to see the children as children and not just the nature of their species. This is a brilliant story about foster children, prejudice and family.
What if you were caught in a precarious situation in another country? What if assassins and political powers were searching for you? What if you were the queen of your nation? How would you survive your ordeal? This book—a reprint of the author’s debut novel—presents readers with a realistic account of survival and being royal during a time of fragile establishment and foreign hostility. What happens when a queen is lured to another land only to be betrayed and left stranded there? It’s a good thing the queen knows how to use a sword.
Yes, this book is massive, but the story makes the pages go quicker. The last book in the trilogy takes place immediately where the last one leaves off. Nahri and Prince Ali find themselves far away from Daevabad as a rebellion and usurpation continues there. Under the rule of a new tyrant, Nahri and Ali must decide whether or not to save the empire and its magic. Meanwhile, Dara comes to terms with all of the decisions he’s made in his past and during his present as he determines whether or not loyalty outweighs being noble. This was a great ending to this Arabian Nightsinspired epic fantasy.
The 3rd book in this 5-book series—remember when I thought it was a trilogy? I’m so glad I was wrong!—has all of the characters from the first 2 books joining together in order to save the world from the “real threat.” All of the events from the previous books lead up to where all of the protagonists and the characters find themselves in, and the roles they are supposed to play in the near and the far future. Another prophecy is mentioned, another dragon is introduced, and ulterior motives are revealed. The question is—especially after THAT ending—what will the heroes do next?
I enjoyed this sequel to The Gutter Prayer—my #1 Favorite Speculative Fiction Book of 2019—and it’s an interesting book. One of the reasons for this is because of the new P.O.V. characters—and a few previous ones—the readers experience the events from. This book focuses on the aftermath of the end of the first book, and instead of magical forces, there are political conspiracies and familial backstabbing amongst all of the characters. Unfortunately, politics overshadow the real threat, which once again comes from the gods.
This novella takes the history of a film which promoted racism—and revived the Ku Klux Klan—and added a supernatural element to it. There is the Klan, who terrorize Black Americans, and are human; and, there are the Ku Kluxes, supernatural beings who feed off of fear and hatred, and are only identified by those with the Sight. Because the Ku Kluxes look like White Americans, only the Black demon hunters are brave enough to fight them and to defend our world from them. However, what happens when the Ku Kluxes join the ranks of the KKK?
This novella presents the horrors and the consequences of institutional racism in Modern America. The story follows a sister and a brother who are “victims” of racism from their early childhood. After realizing that there is no avoiding becoming a “statistic,” the siblings have to decide on whether or not to use their gifts in order to change their world for the better.
This standalone novel is the follow up to the author’s debut novel. This time, instead of one female protagonist, there are three sisters. After several years apart, they are reunited under circumstances and a cause—the Women’s Suffrage Movement; and, it’s not just about the right to vote, but the right to use magic. This historical fantasy presents a throwback to Camelot, fairy tales, spells and symbolism as well as practices which brought about the Women’s Vote, the (first) Civil Rights Movement, and Labor Laws. This is a fitting story to mark what was happening one hundred years ago.
This debut novel immersed my attention and had me completing the book within 24 hours! This dark fantasy story presents the protagonist who is her community’s reminder of past sins and upcoming retributions. The author gives readers an amazing take on the hypocrisy surrounding religion, family, race, sex and leadership. The ending to this book has me excited for the upcoming sequel, which we will be getting in 2021!
There are times when the synopsis of a book isn’t enough to snag a reader’s interest, so the emphasis shifts to the book’s cover. And, what a cover! Even if you hadn’t read Rebecca Roanhorse’s The Sixth World series—which is a dystopian urban fantasy series—then reading this series—which is dark fantasy—will introduce readers what a talented storyteller the author is to all who must become familiar with her books. The novel starts with the past, jumps forward to the last moment within the narration, and then jumps back to the aftermath of the opening chapter. Readers get are presented with several characters from different backgrounds and positions, and where the Winter Solstice is a date in which something is about to happen and decisions have to be made before the moment—and, once they’re made, there is no going back. This book begins and ends the way you believe it will, which makes it all the more shocking and entertaining. Book 2 is expected sometime in the future, which will answer the question: What will happen next?
There were so many books that came out in 2020—miraculously—I didn’t get to finish reading them all! I want to read all of the books I missed this year and in previous years, but I want to be able to read all of the upcoming books (in the new year) as well. I’ll find a way to pull it off! Hopefully, this pandemic will end within the next several months—I’m not holding my hopes or my expectations too high—so some normalcy can return. Otherwise, here’s to another great year in reading. Which books of 2020 were your favorites?
By some miracle, we survived to the end of September (2020). It seems that books and video games have managed to remain constant throughout the year—as in some delays and/or minimal postponement. I’m still working my way through my TBR pile as it continues to grow. Fall 2020—September-December—continues the unceasing releases within the literary world (not that I’m complaining). Here are some of the books being released between October and December 2020 I’m excited to read.
Please note, I haven’t listed all of the speculative fiction books that will be released by the end of 2020, just the ones I’m hoping to read. If some books are missing, then it’s because either they are part of a series which I haven’t read yet, or I am unaware of their upcoming release.
For those of you who haven’t read my review of this book, you should read the book as soon as it’s released because this book doesn’t stop until its end. By the time you’ve reached the end of this book, you’ll realize that there will be a sequel, which will leave you asking: what else can happen?
Ring Shout by P. Djèlí Clark
If The Deep looks into the possibilities of the events surrounding the Transatlantic Slave Trade, and Riot Baby is the potential of the future surrounding current racial events, then Ring Shout presents a horror story of the consequences of hatred and violence within a society. Since this is based on U.S. History—a subject that continues to be glossed over—readers can expect Jim Crow Laws, and KKK rallies and attacks in this novella.
Books I am Reading
The Once and Future Witches by Alix E. Harrow
This is the second book by Alix E. Harrow. So far, it’s an amazing follow up to The Ten Thousand Doors of January. This time the story follows three sisters who use their magic to obtain the right to vote. So far, I can say that this is a clever look into how misogyny and sexist practices can lead to a small rebellion demanding equality by using unconventional methods, and magic.
The Hollow Places by T. Kingfisher
Finally, I’m reading a book by this acclaimed author. In this book, the protagonist is a recently divorced woman who moves into her uncle’s “museum,” only to locate a hidden passage inside the house. However, the length of the passage doesn’t equate to the perimeter of the museum, making her (and us) question as to where the passage leads to and whether or not anyone else knows about it.
Books To Be Read
Over the Woodward Wall by A. Deborah Baker
Anyone who has read Middlegame by Seanan McGuire is excited for this book. This book is a companion to Middlegame in that this is the book mentioned throughout the novel. Over the Woodward Wall is the book written by A. Deborah Baker in “code” for anyone who is interested in reaching The Impossible City. Think of it as a fictionalized version of The Secret: A Treasure Hunt.
The Invisible Life of Addie LaRue by V.E. Schwab
There’s the “age-old” story that serves as a cautionary tale: immortality can be a lonely life. However, what if on top of living forever, no one will remember meeting you? Eternal loneliness is the ultimate sadness, but what if—by some miracle—someone remembers you? That miracle can blossom into the hope the protagonist needs in her immortal life.
The Midnight Bargain by C.L. Polk
There are a lot of books about witches and their magic that have been released in 2020. This book by C.L. Polk is the latest of them, as well as the author’s first standalone novel. In a world where women have to choose between magic and marriage, the protagonist seeks a way to have both.
Eventide by Sarah Goodman
This historical fantasy focuses on the Orphan Train and the superstitions within a small town. Sisters Lilah and Verity struggle to stay together after the death of their parents. Unfortunately, their family history and the dark forces within the town seek to destroy the siblings like it destroyed their parents. This YA novel is the author’s debut book.
The Hanged God Trilogy #1, Northern Wrath by Thilde Kold Holdt
Norse mythology continues to be a source of new fantasy stories, and this debut novel by the author is no different. This epic fantasy occurs when Christianity and Norse folklore clash constantly for dominance. The book follows several characters as they go on a quest to save their gods and Midgard.
The Burning #2, The Fires of Vengeance by Evan Winter
The Rage of Dragons started off as an African-inspired military fantasy became something even more by the time readers reached the last quarter of the book. Tau has lost everything he’s cared about at the same time he’s given a promotion that would make anyone else happy. Unfortunately, all Tau has left is his rage. And, although the queen needs his skills to end the war, it’ll take more than anger to get Tau motivated again. What will it take to get him to fight again?
War Girls #2, Rebel Sisters by Tochi Onyebuchi
War Girls is the realistic dystopian YA novel about the cost of war and how it can affect children before, during and, after a war. Tochi Onyebuchi empathized the emotions felt by his readers throughout the book, especially the ending. Rebel Sisters takes place 5 years after the events of the first book, which sees Ify returning home to Earth. Those of us who read the first book already know to expect our emotions to pour out onto the pages, again.
The Poppy War #3, The Burning God by R.F. Kuang
After the release of The Dragon Republic, R.F Kuang announced who Rin, the protagonist, is supposed to represent in this historical military grimdark fantasy. Wow! And, with the way Book 2 ended and what that means for everyone who survived those events, I can only imagine how this trilogy is going to end. The title alone gives a hint as to what readers can expect from this finale. I hope I’m right about this assumption.
The Graven #1, Nophek Gloss by Essa Hansen
Hostile aliens, smart ships and humans can be found in this science fiction story. This debut novel follows the protagonist after he loses everything—literally—when his planet is destroyed. On a quest for vengeance, he travels to the home of those who destroyed his planet. Along the way, he learns more about the universe.
The Tide Child #2, Call of the Bone Ships by R.J. Barker
The Bone Ships was my surprise book of 2019; and, since I’ve finish it, I’ve been excited to read the sequel. I don’t know whether or not the sequel picks up immediately after the events of the first book, but I know that the subplot continues in this book and it’s going to be very interesting. More voyages ahead for the readers!
Poison Wars #2, Hollow Empire by Sam Hawke
City of Lies is a great book about political conspiracies, history and folklore, and poisonous plants. Now, with the return of magic within the Empire, will it lead to something positive or to more treachery for the protagonists? We’ll have to wait and read what happens next.
Now, will I complete all of these books by the end of this year? Probably not. Yet, I’m aiming to read as many of these books as I can by December 31, 2020. If that doesn’t happen, then I’ll finish reading them in 2021! Which books are you excited to read by the end of 2020?