One of the best things about being a bookblogger is the book awards. Besides the “big awards” such as the Hugo and the Nebula Awards—which many of us have read at least half of the nominees—there are the SPFBO and the SPSFC—which gives bookbloggers and (indie) reviewers the chance to propel indie books towards more readers. How many of you have heard of SCKA? Well, I didn’t until I was asked to participate on the jury this year.
SCKA stands for Subjective Chaos Kind of Awards, which was started by bookbloggers. This year, I was asked to participate as one of the judges. Even though I had some other things going on at the same time—i.e. grad school—I said yes. This has been a fun yet tense experience because there is a process that must be followed. It makes you have a stronger appreciation for the other literary awards.
First, was the categories. There are 12 of us, including myself, who make up the jury and we agreed on which categories we all wanted to include for these awards. We agreed on: fantasy, science fiction, blurred (a.k.a. genre blended), debut work, series, novella and short fiction. Next, we all had the opportunity to nominate a work for each category; but, there was a catch: if we nominated for a category, then we had to read ALL of the nominees. Some of us had to remember how much we could read within a given time. So no, I didn’t participate in the 1st round voting in every category.
As you can observe from this chart: we all nominated on our nominees while making sure we didn’t nominate the same book, the same series, or the same stories. For the short fiction, we all made sure sources—either links or anthology titles—were provided for everyone so they could access them.
Here are the nominees for each category (I apologize for the list, but I couldn’t format the Excel chart onto WordPress):
Then, we read, and we read, and we read some more.
Recently, we voted on our finalists. The finalists were determined based on votes, and whichever nominees received the highest and the 2nd highest (or, in some cases, the 3rd highest) votes moved on to the finalists round.
Here are the finalists for each category based on the most votes:
The Once and Future Witches by Alix E. Harrow
The Midnight Bargain by C.L. Polk
The Space Between Worlds by Micaiah Johnson
Goldilocks by Laura Lam
Mexican Gothic by Silvia Moreno-Garcia
The Bone Shard Daughter by Andrea Stewart (tie)
Interior Chinatown by Charles Yu (tie)
Legendborn by Tracy Deonn
Cemetery Boys by Aiden Thomas (tie)
The Year of the Witching by Alexis Henderson (tie)
“Yellow and the Perception of Reality” by Maureen F. McHugh (Tor.com)
Please note: the finalists do NOT take away from the rest of the nominees AT ALL! In comparison to the rest of the nominees, the finalists stood out the most. Now, we have to read ALL of the finalists to determine the winner for each category. Unlike the nominees, all of the judges are allowed to participate in voting for the finalists in any or in all of the categories. This means that all of the finalists must be read by each juror before voting, which is fair. You can expect an announcement of the winners within the next couple of months.
Which one will be voted as the winners of SCKA 2021? Stick around and find out!
What. A. Year. It was a great year for stories—not necessarily publication—but a terrible year for everything else. While the pandemic brought about more time for some readers, I did NOT fall into that category. If anything, then the pandemic had me being more occupied, which brought about less time for reading. Don’t get me wrong, I still met my reading goal (100 books), but I’m going to have to change the way I do these end-of-the-year lists. I didn’t get to read or to finish reading all the books I wanted to read this year (I lost some time because I no longer had a long commute), but I read just enough books to compile this list. These books were released and read—by me—in 2020.
#15: The Order of the Pure Moon Reflected in Water by Zen Cho
This novella didn’t get the same recognition similar novellas received, and that’s a shame because this standalone work is entertaining and brilliant from start to end. The story follows a troupe of thieves for hire who are completing a job when they are recognized and have to escape, with a nun following them. From there, several hijinks and revelations ensue until the big reveal at the end leaves readers wondering whether or not this book should be a standalone.
This is a standalone novel, which serves as the English translated follow up to Vita Nostra. The story follows a DJ who saves a young girl from bullies, and by some hidden powers from the girl’s “family,” he becomes her legal guardian during her “stay” in “our world.” The girl is accompanied by a teddy bear and music strings, and her mission is to locate her missing brother while learning how to play the violin. However, the longer the girl stays, the stranger the world surrounding the DJ becomes until he is forced to behave like an adult—who is afraid of a teddy bear.
Eleanor’s Home for Wayward Children sees the return of Jack, who has been betrayed by her twin sister, Jill. A few of the students embark on a quest—which is supposed to be forbidden—in order to save Jack from Jill. This story continues to look into how the children at the school continue to hope to return Home, while catching up with their former classmates who were able to do so. On top of this, the narration of present events continues to lay out the consequences to those who believe they can ignore the rules of the world. I can’t wait to read the next book in the series!
I didn’t know what to make of this debut novel. That is, until I read the first few chapters, and the title fits the story brilliantly. The story follows Michael Kingman, the younger son of David Kingman, who was executed for murdering the Crowned Prince. Living in exile with his older brother and sister, Michael is given the chance to reenter high society and to prove his father’s innocence. But, how is Michael going to complete these tasks when everyone is a liar, and several people want him dead?
Dr. Sarah Kozloff took her massive epic fantasy and gave it to readers as a quartet, so they could binge read the books without too long of a wait. The decision to present 4 “shorter” books instead of 1 huge one had me reflecting back to Tamora Pierce’s series. However, this series can be read by both teens and adults because the lead protagonist grows from girlhood (and exiled princess) to adulthood (and a queen). During the time, she has to learn how to fend for herself, avoid being recognized and captured, how to protect her kingdom by joining up with the rebel army, and using her “Talent” to reclaim the throne. The author gives an excellent balance between fantasy (magic) and reality (science) as readers are given a straightforward—as in no previous look back on what occurred in the last book—narration which allows for an enjoyable reading experience.
Believe it or not, this is the first book by the author that I’ve read. Even though this book is a fantasy story, I will argue that the elements of magic realism make the story more realistic. The protagonist is a social worker who works for an agency that deals with “unusual” children. These children either have special abilities or are of a magical species, and our society deems that all of these children must be “registered” and “observed” so that they will grow up to be “productive adults.” The protagonist is given an assignment to observe a house where several “unusual” children reside. And, it is through this assignment that the protagonist begins to see the children as children and not just the nature of their species. This is a brilliant story about foster children, prejudice and family.
What if you were caught in a precarious situation in another country? What if assassins and political powers were searching for you? What if you were the queen of your nation? How would you survive your ordeal? This book—a reprint of the author’s debut novel—presents readers with a realistic account of survival and being royal during a time of fragile establishment and foreign hostility. What happens when a queen is lured to another land only to be betrayed and left stranded there? It’s a good thing the queen knows how to use a sword.
Yes, this book is massive, but the story makes the pages go quicker. The last book in the trilogy takes place immediately where the last one leaves off. Nahri and Prince Ali find themselves far away from Daevabad as a rebellion and usurpation continues there. Under the rule of a new tyrant, Nahri and Ali must decide whether or not to save the empire and its magic. Meanwhile, Dara comes to terms with all of the decisions he’s made in his past and during his present as he determines whether or not loyalty outweighs being noble. This was a great ending to this Arabian Nightsinspired epic fantasy.
The 3rd book in this 5-book series—remember when I thought it was a trilogy? I’m so glad I was wrong!—has all of the characters from the first 2 books joining together in order to save the world from the “real threat.” All of the events from the previous books lead up to where all of the protagonists and the characters find themselves in, and the roles they are supposed to play in the near and the far future. Another prophecy is mentioned, another dragon is introduced, and ulterior motives are revealed. The question is—especially after THAT ending—what will the heroes do next?
I enjoyed this sequel to The Gutter Prayer—my #1 Favorite Speculative Fiction Book of 2019—and it’s an interesting book. One of the reasons for this is because of the new P.O.V. characters—and a few previous ones—the readers experience the events from. This book focuses on the aftermath of the end of the first book, and instead of magical forces, there are political conspiracies and familial backstabbing amongst all of the characters. Unfortunately, politics overshadow the real threat, which once again comes from the gods.
This novella takes the history of a film which promoted racism—and revived the Ku Klux Klan—and added a supernatural element to it. There is the Klan, who terrorize Black Americans, and are human; and, there are the Ku Kluxes, supernatural beings who feed off of fear and hatred, and are only identified by those with the Sight. Because the Ku Kluxes look like White Americans, only the Black demon hunters are brave enough to fight them and to defend our world from them. However, what happens when the Ku Kluxes join the ranks of the KKK?
This novella presents the horrors and the consequences of institutional racism in Modern America. The story follows a sister and a brother who are “victims” of racism from their early childhood. After realizing that there is no avoiding becoming a “statistic,” the siblings have to decide on whether or not to use their gifts in order to change their world for the better.
This standalone novel is the follow up to the author’s debut novel. This time, instead of one female protagonist, there are three sisters. After several years apart, they are reunited under circumstances and a cause—the Women’s Suffrage Movement; and, it’s not just about the right to vote, but the right to use magic. This historical fantasy presents a throwback to Camelot, fairy tales, spells and symbolism as well as practices which brought about the Women’s Vote, the (first) Civil Rights Movement, and Labor Laws. This is a fitting story to mark what was happening one hundred years ago.
This debut novel immersed my attention and had me completing the book within 24 hours! This dark fantasy story presents the protagonist who is her community’s reminder of past sins and upcoming retributions. The author gives readers an amazing take on the hypocrisy surrounding religion, family, race, sex and leadership. The ending to this book has me excited for the upcoming sequel, which we will be getting in 2021!
There are times when the synopsis of a book isn’t enough to snag a reader’s interest, so the emphasis shifts to the book’s cover. And, what a cover! Even if you hadn’t read Rebecca Roanhorse’s The Sixth World series—which is a dystopian urban fantasy series—then reading this series—which is dark fantasy—will introduce readers what a talented storyteller the author is to all who must become familiar with her books. The novel starts with the past, jumps forward to the last moment within the narration, and then jumps back to the aftermath of the opening chapter. Readers get are presented with several characters from different backgrounds and positions, and where the Winter Solstice is a date in which something is about to happen and decisions have to be made before the moment—and, once they’re made, there is no going back. This book begins and ends the way you believe it will, which makes it all the more shocking and entertaining. Book 2 is expected sometime in the future, which will answer the question: What will happen next?
There were so many books that came out in 2020—miraculously—I didn’t get to finish reading them all! I want to read all of the books I missed this year and in previous years, but I want to be able to read all of the upcoming books (in the new year) as well. I’ll find a way to pull it off! Hopefully, this pandemic will end within the next several months—I’m not holding my hopes or my expectations too high—so some normalcy can return. Otherwise, here’s to another great year in reading. Which books of 2020 were your favorites?
Thank you Tor.com for sending me an ARC of this book.
“The Birth of a Nation” had delivered all the souls they needed to stir up them old evil powers. Across the country, white folk who ain’t even heard of the Klans surrendered to the spell of them moving pictures. Got them believing the Klans the true heroes of the South, and colored people the monsters, (TWO).
They are one of the most infamous groups in modern society; yet, for some reason, American society fails to call them what they are: a hate group. The Ku Klux Klan emerged during the Reconstruction Era and sought destruction, especially against several Black American communities throughout the U.S., particularly in the South. While their white hoods presented and hid their identities, the freed slaves had a new fear, and they weren’t from their folklore, but from actual fears which manifested. P. Djèlí Clark combines two fears—the known and the unknown—into his latest novella, Ring Shout.
Maryse Boudreaux is a 25-year-old monster hunter. However, she and her companions have “The Sight” so that they can distinguish one monster—the Klan—from the other one—the Ku Kluxes. To everyone else, they are one and the same, but Maryse and the other monster hunters know better. There is Sadie, the best shooter in the group; and, Chef, a war veteran who has a talent for explosives. Nana Jean is a Gullah woman who uses her skills to offer protection from the Ku Kluxes. And, Michael George, the man who provides Maryse with reprieve from and motivation for fighting. Then, there are Aunties Jadine, Ondine and Margaret, “spirits” who guide Maryse on her quest to eradicate the Ku Kluxes, including gifting her with the sword she uses throughout the war against the supernatural threat. Maryse has her reasons for hunting the Ku Kluxes, but she cannot grasp how far these monsters are willing to go for domination. And, who is conjuring them? The revelation pushes her to make “deals” so that she and her companions have a chance to survive. Maryse is a fighter, but she knows all too well that she cannot do it alone. Her companions allow her to develop into the person she must become in order to defeat this threat.
The plot is straightforward. It is July 1922, 7 years after The Birth of a Nation was released, and 4 years since the Great War (a.k.a. World War I) ended; and, there is to be a re-release of the film in Stone Mountain, Georgia. What many people—White and Colored—do NOT know is that the movie is based on a book written by a sorcerer. The sorcerer uses moving pictures in order to conjure a spell so that evil beings can be summoned and walk amongst humanity. The cost: human souls. The Klan offered their souls and became Ku Kluxes, which go on to terrorize Colored people. So, monster hunters—consisting of a group of Colored people with “The Sight”—continue to fight them off after the Ku Kluxes make their return to power. The storyline within this plot is how the characters fight, live, and survive during these trying times where a force of evil—which is fueled by hatred—is unseen by almost everyone. It is the subplot that drives the plot in this book. The subplot focuses on the Black American Experience during the 1920s, and it is not an easy time for them. In addition to fighting the supernatural, the characters have to maintain their way of life while remaining segregated. Jim Crow laws and lynchings are a common and an everyday practice. Combined, both the subplot and the storyline allows for the plot to develop an appropriate rate.
The narrative is told from the point-of-view of Maryse. The sequence is a combination of stream-of-consciousness and flashback, which are necessary for the story. The events and the sequence occur in the present. However, it is the dialogue (and the dialect) of the characters that will keep the readers engaged throughout the narrative.
The style P. Djèlí Clark uses in Ring Shout includes allusion, history and folklore. The history is obvious to anyone who is familiar with (actual) American history and Southern culture. The allusion refers to historical moments such as: Prohibition, the reemergence of the KKK, the construction of the Panama Canal, the Black Wallstreet Massacre, etc. Yet, it is the folklore that influences the story. The mention of fairy tales as cautionary tales are mentioned throughout this book (i.e. Bruh Rabbit, eating strange food, sharing stories, etc.) and drive the story in a way so that both the characters and the readers are familiar with all of the story’s ongoings. Another factor the author wants his audience to consider are the similarities between Black American and Caribbean cultures, particularly the practices of the Gullah and the Obeah. The mood in Ring Shout is hatred; and, the tone within this book is manipulation (for power using hatred). Readers should know that the book’s cover is essential to the events which occur towards the end of the story.
The appeal for Ring Shout will be positive. This is because the author does a great job fusing fear and hatred with folklore and dark magic. The former are human emotions which often lead to harm, while the latter are elements of several cultures that are believed and are practiced. Fans of horror, paranormal and supernatural stories will enjoy this story. Fans of recent and related novellas such as The Deep by Rivers Solomon and Riot Baby by Tochi Onyebuchi will appreciate the continuation of the Black American experience being told blatantly and directly in the speculative fiction genre. However, Ring Shout will be canonized alongside The Year of the Witching by Alexis Henderson in the horror genre. This book can be read again and again, and it is a great addition to the genre. It should be mentioned that this book can be read and enjoyed by historians and folklorists as well due to the information written into the pages of the story.
Ring Shout is a brilliant horror and supernatural story which will force you to recall all of the “stories” and the “magic” you’ve been exposed to throughout your life as you try to come up with an explanation for “the unknown.” Once again, P. Djèlí Clark has found a way to present readers with a story combining history and folklore into a believable, yet scary, tale that serves as a cautionary tale against hatred and sorcery.
Immanuelle had always felt a strange affinity for the Darkwood, a kind of stirring whenever she neared it. It was almost as though the forbidden wood sang a song that only she could hear, as though it was daring her to come closer, (Chapter Two).
Readers continue to be presented with several new books, many of them by debut authors. Every once in a while, a debut comes along that makes you wonder whether or not that book really is that author’s first book. Alexis Henderson is the latest author to gift readers with her dark fantasy and occult fiction novel, The Year of the Witching.
Immanuelle Moore is the protagonist in this novel. She is almost 17 years-old and is the illegitimate granddaughter of the town’s midwife, Martha, and carpenter, Abram Moore. The circumstances surrounding her birth and her mother’s, Miriam, death remains a mystery even to her family. Her mother’s “love affair” with her father—Daniel Lewis Ward—an Outskirter, a group of people known for their ebony skin and their own religious practices, resulted with Immanuelle, her parents’ deaths, and her being ostracized by all of the denizens in Bethel. Her only companion is Leah, who is golden-haired, blue-eyed, and “religiously moral.” She is also about to become the latest of a slew of wives of the Prophet, the leader of Bethel. Immanuelle feels lonelier than ever before, especially because her family’s circumstances does not allow for her to have such aspirations. Meanwhile, the Darkwood—the forest that borders Bethel and is said to be the dwelling of four witches—seems to be calling to her, even though it’s forbidden to enter it. However, one night, circumstances lead Immanuelle to enter the Darkwood and to interacting with the witches who live there. Afterwards, she cannot help but feel like something bad is going to happen because of this encounter. Yet, Immanuelle has help from Ezra Ford, the Prophet’s son and successor, who does all he can to protect both Immanuelle and Bethel from the threats brought on by the inhabitants of the Darkwood. Even though Immanuelle is the protagonist, both Leah and Ezra are essential into the growth and the development she undergoes throughout the novel. All three adolescents question the roles they will have to play as both adulthood and dark magic threaten to consume them. And, Immanuelle has to determine whether or not she will follow in her mother’s footsteps.
The plot of the novel explores the opposing forces of religion and the repercussions they have on individuals who practice them. Ezra is the Prophet’s son and heir, but he doesn’t believe in all of the societal practices his father preaches. Leah is Bethel’s “golden child” who is known for her beauty and her (religious) virtue, which makes her a suitable bride for the Prophet; and yet, she knows that no matter what happens, she cannot hope to go against the teachings of the Church. Immanuelle is the product of two religions and that has labeled her as both an outcast and a target of bullying by the members of the community. When she comes across her mother’s journal, she learns the truth behind her parents’ deaths and her family’s, and the Prophet’s, obsession with her, and her being drawn to the witches. All of these circumstances lead to plagues arriving and afflicting the town of Bethel. There are two subplots in this novel. The first one deals with the concept of history and religion. Just because someone does not practice your faith and/or has different views on the same religion does not make them a heretic. At the same time, the history of one’s religion is no reason for the mistreatment of those who practice the same faith. The second subplot investigates the influence parents have on their children. Immanuelle is Bethel’s reminder of Miriam’s sins, which were believed to be based on the sins of her parents, the grandparents who raised Immanuelle to follow the teachings of the Father. However, if Immanuelle was raised the same way as her mother, then how and why did her mother “go astray,” and what does that mean for Immanuelle, her family, and the town of Bethel? Both subplots are necessary for the plot’s development because they get to the center of the conflict and how it affects everyone in Bethel.
The narrative is told from Immanuelle’s point-of-view. Readers follow along with her stream-of-consciousness as she figures out how to stop the plagues and to learn the truth about her parents and the real cause of the plagues. The story moves from the present to the past and to the present again as Immanuelle learns of the past from her mother’s journal, from her grandparents, and from Ezra through the Church’s archives. Immanuelle’s discoveries and reactions to them, as well as her fear of being accused of witchcraft, make her a reliable narrator. The narrative focuses on time throughout the story. This presents a sense of urgency that the protagonist faces throughout the narrative. All of these elements make the narrative engaging and easy to follow.
The style that Alexis Henderson uses is one that is familiar, yet different. The theme of hypocrisy in religion is not new, but the author not only adds the historical aspects of the racism within religion—particularly Christianity, but also delves into two warring faiths and the long-term effects they have on their followers overtime. In addition, the themes of ageism, sexism, abuse of power and blind devotion—which can be found in just about every religion ever to exist in human history—make for the ultimate cautionary tale for anyone who is devoted to their faith. All of the allusions to Biblical names and the tales from the Old and the New Testaments give further insight into the story and what readers should expect from it. The mood in this novel is foreboding. The knowing of misfortune has been on the horizon for the town of Bethel for generations, and it erupts all at once due to both an act innocence and due to generations of malice and corruption. The tone in this novel is rebellion. In this story, rebellion is a double-edged sword; and, this is because those who rebel quietly do not fare any better compared to those who rebel openly. Nevertheless, allowing vices to continue can lead to the destruction of a community and/or religion either from internal or external forces.
The appeal for The Year of the Witching will be positive. I was able to read an eARC of this novel, and I read it in 3½ days! Not to mention, this is the author’s debut novel! Even if the subgenres of dark fantasy and occult fiction are not your “go to” reads, you have to admire the story Alexis Henderson put together. Fans of both Alice Hoffman and Louisa Morgan will enjoy this book the most. It needs to be mentioned that due to the religious themes in this novel, fans of both His Dark Materials by Philip Pullman and the Winternight Trilogy by Katherine Arden will find this book appealing as well. The novel blends fantasy, the occult, religion, with a touch of gothic to make this novel a great addition to the speculative fiction canon. This novel has lasting appeal because of the story the author was willing to present as her debut. The Year of the Witching is a standalone novel, but I wouldn’t mind either a continuation or a companion book to this one!
The Year of the Witching is a fast-paced immersive coming-of-age story, one that will surpass your expectations once you realize that it is a debut novel! While the story of rebellion in a religious and an oppressive society is not new, the idea of witches being real and using religious tropes for revenge is (somewhat) novel and very entertaining. Whether or not this book is to your taste in literature, you will appreciate this new talent and her future books.
Well, we made it to the halfway point of the year 2020, which will go down as one of the most pivotal (and the wackiest) years in living memory. Just like everyone else, I’ve been affected by both the COVID-19 pandemic and the murders which led to the international Black Lives Matter movement, as well as a few things in my personal life. I managed to adapt and I’m starting to catch up on everything that’s been going on. I am managing to keep up with all of my reading while expanding on my blog and my other projects. So, while my WIP remain in that state, I’m glad to say that I’ve been branching out and checking out new YouTubers and following fellow bookbloggers; and, I want to thank those who have asked me to be guests on their channels and on their blogs. Last, I want to thank everyone for reading my posts that are not reviews, but are personal essays and deep dives into literature, pop culture, and current events. It feels good to know that there are people who are interested in what I post online.
As for reading in 2020, I’m reading, but I’m reading more than speculative fiction. You can look at my Goodreads page and you’ll see what I mean. In terms of speculative fiction, I’ve been catching up on some of what I missed, and I’m getting back into paranormal and urban fantasy. I have a stack of graphic novels that I need to read, too; but, I’ll get to them eventually. How many of 2020’s Most Anticipated releases have you read so far?
So, what does that mean for my favorite speculative fiction books of 2020, so far? Well, I haven’t finished reading 10 books that were released this year, yet; but, I can talk about at least 10 speculative fiction books in 2020 that I’m enjoying, and ones I’m excited to read. In other words, this list will be different from last year’s, but I hope you find this list of reads as interesting, informative, and/or enjoyable.
I hope to read 100 books by the end of the year, with at least 30 of them being speculative fiction books that were released this year. Which books will be on my Top 20 (or 25) Favorite Speculative Fiction Books of 2020? We’ll have to wait and see.