Review of Season One of “His Dark Materials”

Season one of His Dark Materials, based on The Northern Lights/The Golden Compass by Philip Pullman has completed its run on the BBC and on HBO, and they didn’t alter the ending! Overall, season one was a great adaptation to the books and some of the “fillers” worked well for the narrative that was presented to the audience. Readers got to enjoy scenes that were denied to them from the 2007 movie and viewers were able to grasp the demeanor of all of the characters thanks to both the actors’ portrayals of the characters and the “fillers” which were added for additional context. 

            It should be mentioned that the TV mini-series was a better adaptation than the movie, but this is due to the fact that neither the studios, nor the test audience (these are based on rumors, which have circulated over and over again) interfered with the editing of the series. The order of the events presented matched the way they occurred in the books, the “true” ending of season one ended the way it does in the books, and the revelations of what was happening to the missing children weren’t glossed over. Yes, the movie did get a lot of things right, and those were repeated in the series, but the TV series is more in tandem with the books.

            The issues I have with the series so far should be mentioned as well. First, is the aging up of some of the younger characters. Lyra, Roger, and Billy were all close to the age of the characters they portrayed (between 10 and 12 years-old), but Will Parry was aged up to 15 years-old (he’s around 12-13 years-old when readers first meet him). I want to say this was because of the age of the actor who is portraying Will, but it’s difficult to determine whether or not this is the case. Yes, there have been some cases in which the age of the character(s) have been altered due to the actors that play them, but there have been even more examples of when it’s happened because the studio(s) believe it’ll make the narrative “more believable.” If it’s the former, then I have no complaint; but if it’s the latter, then they should stop making it so obvious. 

            Next, were the ways the proximity of daemons were presented to the viewers. While in the books, it is unclear what the actual distance a human can be “away” from their daemon, it is clear that the proximity has to be very close in order for human and daemon to maintain their bond and their lives. However, there are moments when the proximity is unclear and that is due to the way some of daemons are presented. Sometimes they are far enough for the individual not to experience pain, and then they are so far away that you wonder whether or not they could be similar to a witch’s daemon. I hope the network and the studio corrects this misconception for season two because it became very confusing between each episode. 

            Last, was the way Dust is presented throughout the season. The mystery of Dust was portrayed better than the knowledge of it. The explanation provided in the season finale is straight from the books, but the “danger” of someone outside of Jordan College and the Magisterium having knowledge of what Dust is—which, was presented better in the movie—wasn’t demonstrated in the series the way it should have been, in my opinion. Then again, Dust is supposed to be remain a mystery throughout the series until the end. 

            Besides the casting and the special effects, there were several things that I enjoyed about season one from the titles of the episodes—based on chapters in the books—to the way the parental figures were portrayed in the series. Presenting both Mrs. Coulter and Mrs. Parry as “damaged” individuals who try to balance their demeanor with their desire to be mothers to their children was presented extremely well. The issue of succession and power amongst the panserbjørne and the Magisterium—which, are both essential to the plot of the story—were presented (with the details given throughout the books) with the hypocrisy immensely. And, the motives of Lord Asriel and his reasons for doing everything he does comes back full circle. Lord Asriel is what keeps the narrative moving along and the series makes sure that the viewers do not forget it. Yet, it was Ruth Wilson’s portrayal of Mrs. Coulter that grasped the viewers’ attention the most. 

            Overall, season one of His Dark Materials was the adaptation fans of the books waited for patiently, and the wait was worth it. All of the details that were omitted from the 2007 movie were included, the pacing matched the books and were appropriate for a TV mini-series, and the inclusion of source material from other books in the Philip Pullman’s universe—both The Book of Dust and The Subtle Knife—enriched the narrative more than expected and it worked well for the audience, both readers and viewers. Season two was announced by the BBC (with HBO promising to continue showing the series in the U.S.), which is great because this news is what book fans have been waiting for the most! The adaptation of The Subtle Knife will not only continue Lyra’s story, but also continue the narrative from the multiple cliffhangers this time around. Yes, the books should be read, but knowing that the mini-series will continue makes book fans as excited as the viewers more than anyone else can imagine! 

If you want the reviews of each episode, then you can click on each of the episode titles below:

S1, Ep.1: Lyra’s Jordan

S1, Ep. 2: The Idea of North

S1, Ep. 3: The Spies

S1, Ep. 4: Armour

S1, Ep. 5: The Lost Boy

S1, Ep. 6: The Daemon-Cages

S1, Ep. 7: The Fight to the Death

S1, Ep. 8: Betrayal

My Rating: 8.5 out of 10! 

TV Episode Review: “His Dark Materials: Betrayal”

The season finale of Season One begins with both Mrs. Coulter and Lord Asriel—Lyra’s parents—preparing for what they’ve been planning for since the first episode. The former is planning to kill Lord Asriel under the orders of the Magisterium, and the latter is planning something that involves the aurora—a.k.a. the northern lights—and this involves his strange interest in Roger. 

            Lyra’s reunion and confrontation with her father does not go the way she wants it to go. Lord Asriel admits that he is Lyra’s father, but he’s not going to be the sort of father she wants him to be. Meanwhile, Mrs. Coulter admits that her abandoning Lyra was a mistake and she’s been trying to rectify it. Lyra goes from being an orphan to knowing she’s an abandoned child, and she doesn’t know how to deal with either the knowledge or the rejection of it. It is Roger who comforts her when she doesn’t know how to deal with her feelings. Roger tells Lyra that they can “pretend to be orphans” again, knowing life for them has changed and things won’t ever be the same. 

            Lord Asriel makes the decision to explain to Lyra the purpose of his research and his reason for him being absent. The discussion of Dust and its origins comes from the novel. The Magisterium believes that Dust is Original Sin and that it begins to affect humans once they start puberty. Lyra begins to understand why the Magisterium conducted the experiments on the missing children, and Lord Asriel explains his beliefs on Dust and his discovery about the aurora and Dust—it can build a bridge between worlds. He asks Lyra if she wants to go with him, but Lyra has already decided to return to Jordan College with Roger. 

            Meanwhile, Lord Carlo Boreal continues his search for the Parrys and the letters. Will is hiding in town knowing that the police are looking for him because of the man he killed. What Will doesn’t know is that the reason he’s being tracked is because Lord Carlo Boreal is using the police to find him. It’s interesting how far the power of the Magisterium stretches across the worlds. Will manages to stay hidden, but he knows that it’s only a matter of time before he’s found, and he needs to hide somewhere where no one can find him. 

            Lyra wakes up when the Magisterium has arrived to arrest her father, but her father has already left taking Roger with him to the peak of the mountain. Lyra realizes that her father didn’t need the alethiometer, but Roger. Lord Asriel needed a child whose daemon hasn’t settled yet in order to use the energy from the bond to create a bridge. Similar to how Mrs. Coulter wouldn’t sacrifice Lyra to the intercision, Lord Asriel refused to sacrifice Lyra. This could be viewed as a twisted type of love parents have for their child.  

            Lyra rushes to save Roger. She dodges the Magisterium’s attacks thanks to Iorek Byrinison and the other panserbjørnes; however, not even Iorek can travel across the thin bands of ice. Lyra Silvertongue says goodbye to Iorek not knowing what will happen once she reaches the top. Pantalaimon tells Lyra that Roger is in a cage similar to the one at The Station and Lyra knows what her father plans to do. Unfortunately, she’s too late. Lord Asriel creates the bridge at the cost of the life of his daughter’s best friend. 

            Mrs. Coulter arrives too late as well, but she resists her orders to kill her former lover. Lord Asriel tells her of his plans to end the Magisterium and asks her to join him. It’s a brief, yet strange, reconciliation between Lyra’s parents (in which, Lyra witnesses firsthand in the book). However, Mrs. Coulter rejects Lord Asriel in order to stay with Lyra. Lyra regains consciousness in time to avoid her mother and she goes to say goodbye to Roger. Lyra decides that she needs to find Dust before her father and the Magisterium. At the same time, Will goes to the park, the same one where Lord Carlo Boreal travels from, where he finds a cat that disappears into thin air. Lyra and Will go through the bridges at the same time not knowing where they’ll end up. 

            Betrayal is an appropriate season finale because it wraps up all of the plots throughout the season going back to the events of the first episode. All of the questions asked from that first episode are answered. The deviation from the books works for this episode as well because it fits with the adaptation presented to us by the BBC and HBO. The only question left is “what happens next?” There will be a season two, which will be based on The Subtle Knife. Hopefully, the next season will continue to follow the darker tones left by season one.

My Rating: 9.0 out of 10. 

TV Episode Review: “His Dark Materials: The Fight to the Death”

This episode picks up where the last episode, and the books, left us. Lyra survives her fall from Lee Scoresby’s balloon, only to be captured by the panserbjørne—the name the Ice Bears call themselves in the books (and in the movie)—and brought before King Iofur Raknison. Lyra learns her father is alive, her friends survived the attack on the balloon, and Iorek Byrinison is on his way to rescue her. 

            However, Iorek is in exile and he was the previous king. Lyra uses her cunning, her ability to lie, and the alethiometer in order to trick Iofur Raknison into fighting Iorek Byrinison. This scene is interesting for two reasons. The first is we learn more about Lyra’s character and how she resembles both of her parents—as she is told constantly by other characters—especially, in her drive to succeed. The second is that Iofur Raknison is duped by Lyra—and Mrs. Coulter—because of his desire to behave like a human (this is explored more in the film, and in the books). 

            With the exception of Mrs. Coulter’s role and relationship with Iofur Raknison, everything follows the books from how Lyra tricks Iofur Raknison (which Iorek now calls her Lyra Silvertongue), to the fight between the two panserbjørnes, to the use of bloodmoss (read the books). Iofur Rakinson has been defeated and Iorek Byrinison has reclaimed the throne. Now, Lyra has to travel further North in order to rescue her father before the Magisterium kills him. She leaves with Roger and Iorek. 

            Meanwhile, the plot involving Will Parry catches up to the books—The Subtle Knife—in this episode. Will’s mother is visited again by the man from the Magisterium (his name is Lord Carlo Boreal). She is driven to the edge of a breakdown, and when she refuses to give the man any answers, he allows his daemon to scare her. She meets Will at his school, and he manages to calm his mother down. However, when they return home, they find it’s been broken into and searched. They flee to the home of one of Will’s teachers, but Will returns to the house to retrieve his father’s letters—which is what the Magisterium has been searching for. Will finds the letters as the thieves enter the house. He is able to defend himself, but he kills one of the men. Not knowing what to do, he packs some of his belongings and leaves town, with his father’s letters. 

            The Fight to the Death ends with Lyra arriving where her father is staying. Lord Asriel is NOT pleased to see her and tells her to leave. However, he changes his mind once he sees that she brought her friend, Roger, with her. Lyra is trying to process what just happened. Meanwhile, Mrs. Coulter barters again with the Magisterium to allow her to speak to Lord Asriel instead of killing him. And, both Lee Scoresby and King Iorek Byrinison prepare to face off against the Magisterium as they make their way North. What is Lord Asriel up to that has everyone scared? There’s one episode left in Season One and we’ll see how this adaptation decides to end.

My Rating: 8.5 out of 10. 

TV Episode Review: “His Dark Materials: The Lost Boy”

This episode has three parts. The first part mirrors the 2007 movie. Lyra, the Gyptians, Lee Scoresby, and Iorek Byrnison are traveling further North to “The Station” where the missing children are being held by the Magisterium. Farder Corum meets with Serafina Pekkala to discuss both the Magisterium and their love affair. It’s Serafina who describes the importance, and the threat, of both Lord Asriel and Dust. Lyra reads her alethiometer again and learns more about The Station and about a “ghost” in a nearby village. 

            The identity of the “ghost” is the same individual as it was in the 2007 movie. However, this is NOT the case in the books. I believe the studio(s) kept this change in order for the same emotional reaction(s) from Lyra, Lee Scoresby, the Gyptians, and the audience. The answer to the question of “what” the Magisterium is doing to the children has been answered, but the question “why” has not been answered, yet. The brutality of the power of the Magisterium has been revealed in the most devastating and heartbreaking way. 

            The second part is a prequel to the events of The Subtle Knife, the second book in His Dark Materials trilogy. This is not too much of a spoiler because the series has already received a second season; and, the scenes of Will Parry and his mother are NOT in the books. The man from the Magisterium has been staking out the house where both Will and his mother lives. After his “talk” with the mother triggers an episode, Will has to be the adult and take care of his mother. These scenes between Will and his mother reflect the reality of what many people who know and/or live with someone with mental health issues experience on a regular basis. 

            Will’s mother tells him a bit about his father. The expedition he was on when he disappeared and whatever was written to her in the letters Will’s father sent her. And, while Will’s mother’s mental health is sad to watch, we—the audience—know that she’s not as crazy as everyone else believes her to be. 

            The third part is the further explanation about daemons and their importance to the humans in Lyra’s world. Daemons are souls which are manifested outside of the human body. There is a reason that many people place “the soul” in such high regard, and Philip Pullman—regardless of him being an atheist—makes sure that his audience, both readers and viewers, comprehend this information. Lee Scoresby tells Lyra his reason for the Magisterium performing “intercission,” but similar to our world, things are not always that simple. Then again, the Magisterium cannot be allowed to commit such atrocities and expect to get away with them. 

            In all, Lyra’s discovery about both the motives of the Magisterium not only makes her desire for rescuing the missing children more essential, but also sparks her interest in the relationship between Lord Asriel and the Magisterium. The introduction to Will Parry is a treat to book readers who wanted to learn of the events leading up to the beginning of The Subtle Knife. The last scene of the episode puts the last events of The Northern Lights/The Golden Compass in the order of the books, and not the 2007 movie. This climatic episode lets the audience know that the falling action is coming next.